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Phantom limbs – encountering the hidden spaces of the former West Berlin Sandra Jasper is a doctoral student at the UCL Urban Laboratory. Her research focusses on the body‐city nexus and embodied encounters with space in the late‐modern metropolis. Her PhD thesis Cyborg imagina2ons: nature, technology and urban space in West Berlin (1948‐1984) draws from diverse fields, such as sound art, engineering and architecture. Examples explored are Berlin’s hidden spaces that emerged from the city’s division and the experienEal aspects of acousEc landscapes. She is teaching in the UCL MSc Urban Studies. Sandra Jasper PhD Candidate UCL Urban Laboratory University College London [email protected] www.ucl.ac.uk/urbanlab An exploraEon retracing abandoned transport infrastructures above and beneath the surface. AcousEc landscapes ‐ Memories of mobility in Bill Fontana’s sound installaEon “EnPernte Zuege” (distant trains) 1984, Anhalter Bahnhof, Berlin Traces in maps and plans‐ the unfinished underground line U10/ line F, Landesarchiv Berlin Looking at the city through its hidden infrastructures opens up new perspecEves on its spaEal history. In West Berlin, abandoned and marginal spaces emerged alongside transport infrastructures as a result of the city’s geopoliEcal division. As part of my PhD project, I examine the interconnected history of the divided city’s infrastructure in order to quesEon popular noEons of West Berlin’s “island” status during the Cold War and to shed new light on scholarly metaphors deployed to examine the city. Much of the vocabulary currently employed to account for those spaces that emerge at the intersecEon of landscape and infrastructure is concerned with how to uElize these “le_over”, “waste”, or “loose” spaces in the future, but does rarely account for the experience of these specific urban landscapes. IncorporaEng the phenomenon of phantom limbs into our understanding of the body‐city nexus, enables us to explore quesEons of cultural memory and sensory experience in relaEon to those invisible spaces hidden above or beneath the surface of a city that – in the case of West Berlin – emerged through intersecEng processes of geopoliEcal division and cycles of investment and disinvestment in urban infrastructures. Moreover, a closer invesEgaEon of Berlin’s “phantom limbs” also opens up ways of charEng the corporeal experience of space and those sensory aspects of the body’s spaEal experience that go beyond the visual realm. RevisiEng sound art projects of the early 1980s that turned their abenEon to West Berlin’s derelict transport infrastructures, opens up reflecEons on the wider historical, poliEcal and cultural contexts in which these urban landscapes were experienced. Transport biotopes ‐ photographic studies at Anhalter Bahnhof, Berlin, 1982

Phantom limbs – encountering the hidden spaces of the ...Cyborg imaginaons : nature, technology and urban space in West Berlin (1948‐1984) draws from diverse fields, such as sound

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Page 1: Phantom limbs – encountering the hidden spaces of the ...Cyborg imaginaons : nature, technology and urban space in West Berlin (1948‐1984) draws from diverse fields, such as sound

Phantomlimbs–encounteringthehiddenspacesoftheformerWestBerlin

Sandra Jasper is adoctoral studentat theUCLUrbanLaboratory.Her researchfocusses on the body‐city nexus and embodied encounters with space in thelate‐modernmetropolis.HerPhDthesisCyborgimagina2ons:nature,technologyandurban space inWestBerlin (1948‐1984) draws fromdiversefields, suchassoundart,engineeringandarchitecture.ExamplesexploredareBerlin’shiddenspaces that emerged from the city’s division and the experienEal aspects ofacousEclandscapes.SheisteachingintheUCLMScUrbanStudies.

SandraJasperPhDCandidate

UCLUrbanLaboratoryUniversityCollegeLondon

[email protected]/urbanlab

AnexploraEonretracingabandonedtransportinfrastructuresaboveandbeneaththesurface.

AcousEclandscapes‐MemoriesofmobilityinBillFontana’ssoundinstallaEon“EnPernteZuege”(distanttrains)1984,AnhalterBahnhof,Berlin

Tracesinmapsandplans‐theunfinishedundergroundlineU10/lineF,LandesarchivBerlin

LookingatthecitythroughitshiddeninfrastructuresopensupnewperspecEvesonitsspaEalhistory.InWestBerlin,abandonedandmarginalspacesemergedalongsidetransportinfrastructuresasaresultofthecity’sgeopoliEcaldivision.

AspartofmyPhDproject,Iexaminetheinterconnectedhistoryofthedividedcity’sinfrastructureinordertoquesEonpopularnoEonsofWestBerlin’s“island”statusduringtheColdWarandtoshednewlightonscholarlymetaphorsdeployedtoexaminethecity.MuchofthevocabularycurrentlyemployedtoaccountforthosespacesthatemergeattheintersecEonoflandscapeandinfrastructureisconcernedwithhowtouElizethese“le_over”,“waste”,or“loose”spacesinthefuture,butdoesrarelyaccountfortheexperienceofthesespecificurbanlandscapes.

IncorporaEngthephenomenonofphantomlimbsintoourunderstandingofthebody‐citynexus,enablesustoexplorequesEonsofculturalmemoryandsensoryexperienceinrelaEontothoseinvisiblespaceshiddenaboveorbeneaththesurfaceofacitythat–inthecaseofWestBerlin–emergedthroughintersecEngprocessesofgeopoliEcaldivisionandcyclesofinvestmentanddisinvestmentinurbaninfrastructures.

Moreover,acloserinvesEgaEonofBerlin’s“phantomlimbs”alsoopensupwaysofcharEngthecorporealexperienceofspaceandthosesensoryaspectsofthebody’sspaEalexperiencethatgobeyondthevisualrealm.RevisiEngsoundartprojectsoftheearly1980sthatturnedtheirabenEontoWestBerlin’sderelicttransportinfrastructures,opensupreflecEonsonthewiderhistorical,poliEcalandculturalcontextsinwhichtheseurbanlandscapeswereexperienced.

Transportbiotopes‐photographicstudiesatAnhalterBahnhof,Berlin,1982