Upload
others
View
2
Download
0
Embed Size (px)
Citation preview
People around the world dream of becoming fluent in another language or becoming experts in a professional field. Yet so few will ever develop the vocabulary needed to achieve these goals. Even with the best intentions and the best of instructors, people struggle to memorize enough material.
Why is vocabulary such a struggle? Many people blame a lack of time. Some claim that memorizing the words they need to know is too hard. Others try to learn by rote, desperately copying the words they need to learn hundreds of times by hand, or by playing repetitive language-learning videogames. The biggest excuse heard around the world is the saddest of all: far too many people claim that they have a bad memory.
I sympathize with this. I used to love claiming that I have a poor memory. In fact, the first time I studied a foreign language, I silently swore in English so vehemently about my “bad memory” that I would have been kicked out of class if my teacher had heard me speaking my frustration out loud. And he didn’t even know English!
I remained irritated with what I perceived to be my poor memory until I decided to do something about it. I studied memorization and ultimately devised the unique Magnetic Memory system described in my books. It is an easily learned set of skills based around the alphabet, one that you can completely understand in under an hour. It is a system that will have you acquiring countless vocabulary words at an accelerated pace. Instead of struggling to learn and retain one or two words or pieces of information a day, you will find yourself memorizing dozens of words every time you practice using my strategies.
It pleases me immensely to help people memorize foreign language vocabulary and specialized terminology, especially when people regularly describe to me how easily they were able to memorize their first 100 words in under an hour using the Magnetic Memory method. These achievements are thrilling to me, thrilling for the people who use the techniques and they will thrill you too.
Magnetic Memory Mondays
Newsletter
Volume 3
By
Anthony Metivier, PhD
For Memorizers Everywhere
WAIT!
If you aren’t already subscribed to this newsletter, send a blank email to [email protected]. As a subscriber to the prestigious Magnetic Memory newsletter, you’ll receive a free set of Magnetic Memory worksheets that will help you achieve your memorization goals. Whilst subscriptions are currently free for readers of my books, I’m not sure how much longer I’ll be making this offer. Subscribe now and get the only information that will keep your memory magnetic for years to come.
Table of Contents
Where To Find 15, 000 Phrases To Stick Into Your Memory Palace – For Free
The Zeno’s Paradox of Memorization
Can Clicking Noises Help You Memorize During Sleep?
How to Use Superheroes to Memorize
Why Rote Memorization Is the Easiest Method In Town (When It Isn’t Busy Being The Hardest …)
How To Keep Dr. Forget At Bay
Harry Lorayne Enters The Fray
A Magisterial Memorization Book No One Ever Talks About
Memorization, Speaking & Self-deprecation
How to Memorize Spellings (Plus More on Self-deprecation)
Rote Memorization Done Right?
Your Memorization Questions for Harry Lorayne
How Things Went With Harry Lorayne
The Young And The Memorize-less
Memorization As An Act Of “Unhiding”
The Most Amazing Magnetic Memorization Equation
Memorization Architectonics
The Mnemonic Wizard
Kirk, Spock & The “Master Narrative” Of Memorization
The Great Memorization Software Hoax
How To Memorize Like Sherlock Holmes
The Great Memorization Software Hoax Continued
Breaking News: Music Can Be Memorized!
The Memory Software Hoax That Would Not Relax
The Shocking Truth About Using Maps to Memorize
Memorization Starvation
How to Find Memorization Rich Environments
About the Author
Where To Find 15, 000 Phrases To Stick Into Your Memory Palace – For Free
1 May 2013 Berlin, Germany 12˚ as the sun goes down ... Dear Memorizers, Depending on what country you live in, today is the day where you can find many street festivals and other activities to engage in with respect to International Workers' Day. Since I've been involved in the proceedings in Berlin rather intensively, I'll take only a moment to send you something cool. It's a book you can get for free on your Kindle. The title:
FIFTEEN THOUSAND USEFUL PHRASES A PRACTICAL HANDBOOK OF PERTINENT
EXPRESSIONS, STRIKING SIMILES, LITERARY, COMMERCIAL, CONVERSATIONAL, AND ORATORICAL TERMS, ... PERSONS WHO READ, WRITE, AND SPEAK ENGLISH The link: http://www.amazon.com/Expressions-‐Commercial-‐Conversational-‐Oratorical-‐ebook/dp/B004TPLP1A Now, I know what you're thinking: I'm trying to learn a different language. Why on earth do I need a book filled with English phrases? ... why, indeed? The answer is simple. If you read my newsletter about Queen Elizabeth about a month ago, then you'll probably recall the concept of translating out of and then back into your target language. It's a great exercise. In the event that you didn't get, have lost or haven't read that email about Queen Liz and memorization but would like to, I'm starting to compile last month's messages together as a PDF. If you want the compilation,
just respond to this message with "Send me the second PDF." (It's important that you use the word "second" so that I don't accidentally send you the first). I've got quite a bit to do tomorrow, but I'll send it to you just as soon as I can. As you already have or can read in that issue, Queen Elizabeth boosted her fluency massively by translating her target languages into English, and then, after having her translations corrected, translated her own English rendition back into the target language. With 15,000 Useful Phrases you won't be doing exactly the same thing, but rather, the following two things: 1) Encountering English as an entity, i.e. seeing it for what it is: a collection of mutable phrases with a certain immutable set of fixtures. 2) Finding countless words and phrases that you will want to know in your target language. That's the real purpose of sharing this resource with you. Many people ask me: Now that I've got this dedicated system for memorizing vocabulary, what is the best vocabulary to memorize? I have a list of words that I think will serve them will. They are words that I live by. However, I think that 15,000 Useful Phrases will also keep you in good stead. In fact, it's even better, and you can pick and choose the material you would like to discover for learning in your target language for days and days, if not years to come. It is a tool for fluency. And ... ... assuming you have a Kindle device or app ... ... it won't cost you anything. Not even a penny. And if you want the compilation of April's newsletters as a PDF, all you have to do is respond to this email with "Send me the second PDF." I'll get it to you as soon as I can. For those of you who might want it for your Kindle, bear with me. I'll have that done by this time next week. In the meantime, make sure to teach someone what you have learned about memorization. It's the best way to deepen your own understanding and to help make the world a better -‐ and more memorable -‐ place. The more we remember, the more we can remember, and the more we learn, the more we can learn.
The Zeno’s Paradox Of Memorization
2 May 2013 Berlin, Germany 12˚ as the sun goes down ... Dear Memorizers, In some ways, building Memory Palaces is a lot like advanced math. You chart a course based on a predetermined number of stations and then you move from coordinate to coordinate with a developed understanding of where you're going because of "equations" you've used to construct the journey and place your words along the way. So the message about Zeno's Paradox in this nifty video isn't all that unrelated, especially when it comes to matters like fluency or mastering the terminology of a subject area: http://www.youtube.com/watch?v=u7Z9UnWOJNY One of the things that fascinates me about this video is how the theory manages to be both utterly convoluted and completely elegant at the same time. The idea that an arrow can never reach its target even though it definitely has done, can do and will again reminds me a lot of Memory Palaces. For example, many people tell me that my approach is too complex and involves too many steps. If the target is fluency, then they feel that they'll never reach it because they're spending too much time on "pre-‐memorization" activities. But really, if you've using the worksheets to figure out all of your Palaces and identify a journey within each one, you've really spent only between 1-‐5 hours. If you've been reading this newsletter, then you also know that you can get started with just one letter in one Memory Palace ... Speaking of which, I've just compiled together all of April's editions. Many of you have already requested and received it merely by replying to this message with "Send me the second PDF." As with the first edition, you're going to be able to get this one on your Kindle device too. News on that most likely tomorrow. Anyhow, what I think is missing from the Zeno's Paradox story is this (at least when it applies to human activities): The journey is the goal. The goal is the journey. When we are memorizing a language or learning the terminology of a profession
or studying for a degree, we sometimes forget that now is all we have. Having goals is great. Goals are a key component of success and I've talked a lot about using them to succeed with respect to memorization here: http://www.amazon.com/Magnetic-‐Memory-‐Mondays-‐Newsletter-‐ebook/dp/B00C4Y44K2 (also yours for free by simply responding with "Send me the PDF"). But goals are only stations along the way and we need to settle ourselves into the present moment and really enjoy what's going on. This is one reason I don't like rote learning. There's very little to enjoy about repeating the same word over and over again -‐ unless you happen to love the sound of it. What I do really enjoy is using a dedicated Memory Palace to place words I don't know using vibrant, silly and fun imagery that makes me laugh whenever I think about how I've learned and memorized a new word or phrase. Every moment of it is fun. So yes, Zeno's Paradox is puzzling and fascinating to think about. But let's not treat the use of Memory Palaces to build fluency as if the goal both can and cannot ever be reached. If you are memorizing the vocabulary of a new language or the terminology of your profession, then you have successfully strung the goal and the journey together. Today. Right now. As we speak. In Zeno's Present. That's what the Magnetic Memory system is all about. Until next time, make sure to teach someone what you have learned about memorization. It's the best way to deepen your own understanding and to help make the world a better -‐ and more memorable -‐ place. The more we remember, the more we can remember, and the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Can Clicking Noises Help You Memorize During Sleep?
3 May 2013 Berlin, Germany 14˚ amidst the noise of construction ... Dear Memorizers, I read this article recently and wanted to share it with you: http://bodyodd.nbcnews.com/_news/2013/04/11/17693128-‐clicky-‐noises-‐may-‐help-‐you-‐memorize-‐during-‐sleep My preference is to sleep in absolute dark and in the absence of noise, sometimes with ear plugs, even if there's nothing around to disturb my sleep. Nonetheless, I'm a scientific minded person, so I'm going to give this a try. If you happen to give it whirl yourself, let me know if you experience any results. In the meantime, I've got some good stuff coming up for you this month, but slightly irregular as my band heads out on the final leg of our tour. One thing I would like to do is create more YouTube videos for people and respond to more questions, so it would really help everyone out if you could tell me about anything you find unclear. I'll then make a response either by video or prose. Until next time, get a good sleep and make sure to teach someone what you have learned about memorization. It's the best way to deepen your own understanding and to help make the world a better -‐ and more memorable -‐ place. The more we remember, the more we can remember, and the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
How to Use Superheroes to Memorize
5 May 2013 Berlin, Germany 15˚ and quiet as a house with no windows ... Dear Memorizers, As you know, I am always dreaming up new ways to increase the number of stations in individual Memory Palaces. (If you're new to this newsletter and don't know this, read to "super signature" at the bottom of this message to find out how you can catch up for free.) A lot of people write in and tell me that these methods are utterly impractical, convoluted and counter-‐productive. I'm not bothered by such emails, nor am I discouraged. I'm an idea man and only share concepts that I've actually tested. I'm also the sort who feels that 100 options are better than none -‐ and the more options we have, the more we will succeed because we'll be thinking from a strategic position rather than a reliant one. Never rely on a technique when you can leverage it. And when a technique stops producing results, rest or retire it. But mnemonic skills rarely go wrong for those who understand, apply and practice the methods. Unfortunately, most people don't do make the effort. As I wrote in the first edition of the Magnetic Memory newsletter, which I'll send you free if you respond with "Send me the PDF", (or grab it for your Kindle here: http://www.amazon.com/Magnetic-‐Memory-‐Mondays-‐Newsletter-‐ebook/dp/B00C4Y44K2) far too many people give up on a new skill after trying it only once. In order to avoid falling prey to this habit, you'll want to check out the material about giving it the good ol' college try in that first newsletter, so please don't miss it. Now onto superheroes. A lot of people have talked about using different parts of the body to store information. For example, if you think of your own head as a Memory Palace, you can build a journey with a large number of stations in the following way: 1. Top of head
2. Forehead 3. Left ear 4. Left temple 5. Nose 6. Right ear 7. Nose 8. Upper lip 9. Lower lip 10. Chin You can then work your way around the entire body, but if the miniscule body parts are too detailed for you, try scaling it down. For instance, you could proceed like this: 1. Head 2. Neck 3. Right Arm 4. Chest 5. Left Arm 6. Stomach 7. Right Leg 8. Left Leg etc. Now, I don't know about you, but I only have one body. However, other people have bodies too. Including superheroes. So imagine this possibility. You've got a Memory Palace in your house. You've got a bookcase, either real or imagined. On the first shelf of that case stand: 1. Batman 2. Superman 3. Thor 4. Hulk etc. If each of these had ten (or more) stations each, you can imagine that your individual stations would pile up rather quickly. As for how to actually use the body to place your associative imagery, this will take some personal experimentation.
For myself, I just use the ear or the nose, for example, as a place to "hover" my imagery. They are little more than locations along a journey and it is more important for me that they are there as concepts than as actual locations. The whole point of the journey is that we can proceed from place to place without thinking about what comes next, so by deciding in advance to always start with the head, it's a relatively simple matter to wander around down the body from there. What if you don't like or know superheroes? No problem. Ice skaters, politicians, actors, cartoon characters, toy figures, friends, enemies ... the possibilities are endless. If you're an experimenter, give this method a try and let me know how it works for you. Until next time, be a superhero to others and make sure to teach someone what you have learned about memorization. It's the best way to deepen your own understanding and to help make the world a better -‐ and more memorable -‐ place. The more we remember, the more we can remember, and the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Why Rote Memorization Is the Easiest Method In Town (When It Isn’t Busy Being The Hardest …)
6 May 2013 Berlin, Germany 19˚ and whispering with warmth ... Dear Memorizers, I'm going to introduce you to someone very cool today. It's someone I've met recently through my efforts with this newsletter and we've been talking about the muscles, the misery and possibly even the merits of rote learning recently. Merits? you ask. Well, yes, but not very good ones, I'm afraid. Gary Orman is the man behind Learn Thai the Rapid Way and he even has a free mini-‐course that you should check out right now before coming back to read what he has to say about rote learning Because he says something quite shocking. Gary told me that rote learning is actually the easiest path to memorization. I have to admit that maybe he's right, albeit in an ironic way. As readers of the Magnetic Memory newsletter, you know that I'm always going on and on about how strange I think it is that people engage in rote learning because it consumes so much time and requires so much effort. Don't worry. Even though I think Gary has a major point, my championing mnemonics over rote learning is not going to stop. So what makes rote learning easier? Read on, dear Memorizers, read on. Actually, Gary's given me permission to quote directly from what he rote, so I'm going to hand things over to him.
As for preferring rote learning, it is the easiest way to learn (and teach) anything. Sure, it takes longer and you have to work harder to remember stuff, but the crux of the matter is that you don’t have to think. And most of us prefer this way of learning, it’s a lazier way. What most people don’t realize of course is that by investing in some active, focused creative thinking to devise a scheme or mnemonic hook of some kind then the overall amount of work is reduced. The reason people don’t realize this is that it seems like a huge effort to produce and memorize and become fluent in a memory scheme (all that effort just for one word?). And in a way they are right. The Palace Technique requires a big step back to prepare the scaffolding for storing all the words to
memorize. And it might take a month of practice just to be completely familiar with one’s own “palace”. And the mental effort to engage one’s imagination and walk the palace path is considerable. In addition, it can sometimes become more confusing than just trying to memorize each word as a simple one-‐to-‐one correspondence. But in my research, I’ve discovered that it does pay off to create a mnemonic structure of some kind. If you have a list of, say, 400 vocabulary words, then on average – with good mnemonic “movies”, you only have to be exposed to each word about 3-‐4 times (depending on the language, 3 for related Romance languages, 4 for Russian, Hebrew, Thai, maybe 5-‐6 for Chinese or Japanese) for it to be fixed in your long-‐term memory. (You do need to refresh your member – using the spaced repetition approach – every now and again, otherwise you need to work through it at least twice to get it back, as it were.) If you learn vocabulary the “brute force” approach then you need to be exposed to each word at least 20, but usually 30 times! (More for Japanese/Chinese.) But if you used a spaced-‐repetition approach then this can be reduced slightly to 15-‐25 times. 20 times doesn’t seem like a huge amount, but if you multiply that by a couple of thousand words, which is what you need for a basic everyday conversation, then it means working through at least 40,000 instances. Using mnemonics when you’re dealing at this scale starts to make sense, because it’s an 80% reduction of mental effort. I think Gary's point explains why I sometimes get nasty reviews from people about the memorization method I've adapted and expanded upon in order to help people acquire the vocabulary of other languages. The method I teach does take work. However, it's work that's designed to be as effortless as possible by being based on elements you're already intimately familiar with and using preparation principles that will strengthen everything you do. And in case you missed it, I wrote an entire email to you about what "work" means in the context of memorization and why it's probably a word I need to replace. Respond to this message with "Send me the second PDF" if you need it, or get it for your Kindle here: http://www.amazon.com/Magnetic-‐Memory-‐Mondays-‐Newsletter-‐ebook/dp/B00CMCSF38 But just look at the numbers Gary presents. Merely by spending a couple of hours developing a mnemonic strategy for yourself and practicing visualization, you can reduce your mental effort by 80%. There aren't many supplemental skills that can boast a figure like that. And there aren't many skills that are as rewarding as exercising the natural capacities of your mind. I'm going to be signing up for Gary's mini Thai learning course today and suggest you do the same. I actually have a reason to learn Thai (a friend lives in Thailand), but I'll bet that his ideas will benefit anyone learning any language. Just read through the quote above again and realize that here is a man who has thought this stuff through and through. If you do visit Gary's site and sign up for the mini-‐course, let me know by writing
back with "I signed up." I've got a special gift for you just for doing that. Until next time, make sure to teach someone what you have learned about memorization. It's the best way to deepen your own understanding and to help make the world a better -‐ and more memorable -‐ place. The more we remember, the more we can remember, and the more we learn, the more we can learn. Sincerely, Anthony Metivier [email protected]
How To Keep Dr. Forget At Bay
7 May 2013 Berlin, Germany 19˚ and bombastic ... Dear Memorizers, I hope that following yesterday's email you had a chance to check out Gary's Learn Thai the Rapid Way. The first free lesson does indeed have some interesting points that all of us can benefit from regardless of which language we're targeting, specifically when it comes to understanding the physicality of speaking a foreign language (or your mother tongue, for that matter). But I'll leave it up to you to find out more from Gary himself, since he's clearly a master of the topic with respect to Thai. Since Gary shared all those impressive numbers with us about how using mnemonics ultimately lessons the memorization workload by 80% if not more, I've been thinking about how important it is to practice memorization daily. Not only that, but it's important to practice memorization in an effective manner. You see, the Magnetic Memory system is not just about memorizing foreign language vocabulary. It's also about making the target language accessible to you on a conceptual level. As I talked about last month (read below my signature to find out how to get last month's material either for free or for your Kindle), vocabulary is the key to learning grammar and not the other way around. If grammar is a bicycle, then vocabulary is the chain and the breaks. Unless you feel like pushing your bike up a very steep hill and coasting down without any means of stopping yourself, then understanding the grammar of a language alone is not going to get you speaking. Rather, we have a mystical process in which once we have enough links in our vocabulary chain, we can actually start building the bike of grammar as we move along. All this business of learning definite and indefinite articles, etc. becomes so much easier when we have the core infinitive lodged in our heads, stored somewhere, conceptually accessible. One of the reasons we have a problem with articles is that they have no inherent meaning. For example, in English, "the," "a," "an" and once in a while "some" have no inherent meaning. Foreign language speakers forget about how they should be used because, even though they belong to the noun, they do so without meaning anything. To foreign language speakers, they are completely arbitrary. Here's where the Magnetic Memory "mission" comes in, so to speak. Besides
giving you some suggestions about how to associate all nouns with "bridging images" that will instantly tell you the correct article/gender, the Magnetic Memory series is the quest to give you tools that render the seemingly impossible possible merely by taking a few preparatory steps and putting in some practice. Yes, mnemonics can appear appear quite complex, and I've certainly added many fine details to the mix, and yet when people follow these principles, amazing things happen for them. But the truth is that knowing the principles I teach and implementing them are two very different things. I've written a lot in the last two volumes of the Magnetic Memory newsletter about how to manage your time, how to structure different Memory Palaces depending on your learning style and given a lot of motivating material and general knowledge about Memory Palaces. If you've missed the material, read past my signature to learn how to get it. For now, I want to suggest that, if you're not already doing so, get in the habit of memorizing at least one word from your target vocabulary every day. Use one of your predetermined Memory Palaces in order to so. If for some reason you've lost your worksheets, just let me know and I'll be pleased to resend them to you. Why memorize every day? There are at least three reasons. 1. Memorizing every day will keep the oils of your mind geared (if I can get a way with such a goofy spoonerism). Imagine a baseball champion heading out onto the field after a long winter with zero practice. Yes, he might still have some chops, but he'll be rusty and quite possibly ineffective. Worse, he'll probably suffer the next day because he put himself under such duress without being properly prepared. It doesn't have to be, but it could well be demotivating. Why take that risk? 2. Vocabulary development is attracted to speed & consistency. It's true. The more often and the more quickly you practice, the more connections you see and the more you can leverage those connections to express yourself in the language and understand what you read and here. This stimulates even more excitement for further practice, and thus greater results. And the more your practice, the better your imagination becomes, the more vibrant and vivid, and with such incredible magnetic velocity. 3. The numbers. As Gary shared with us yesterday, we reduce 80% of the workload by using mnemonics. We also increase the chances of retaining the vocabulary by 100% so long as we engage in rehearsal and don't fall prey to the anxiety that can arise when we're unable to retrieve a word. Let's face it: we often can't find the words we want in our mother tongue either.
It's normal to forget words once in awhile, especially when we're hunting for the "right" word. And that's where having an advanced vocabulary really kicks in. We don't always need the "right" word because we've got other options. We're never out of sorts because other options are just a Memory Palace journey away. Look, if you can't find the time to memorize a word from your target vocabulary, don't fret it. Find something else to memorize to practice the skills and keep the techniques fresh. Memory champions do this all the time with random numbers, randomized cards from a deck of cards, dates, alphabetized city names, etc. Here are some other ideas that you can use when you're out and about: 1. Ask someone their birth date and memorize it. 2. Ask a cashier their name and memorize it. 3. Memorize the prices of the food as you're shopping at the grocery store. Bonus points if you tabulate while you memorize. 4. Notice license plates and memorize them. 5. Memorize street names as you walk around a new neighborhood (I would say as you drive around a new neighborhood, but that could be dangerous). 6. Listen to music and memorize lyrics. 7. Dig in your cell phone for the most important person you know and memorize their phone number (because chances are that in 2013, you have no clue what it is). 8. Memorize the ingredients of the soda or juice you're drinking while waiting for the bus. 9. Memorize the schedule of the bus you're waiting for. 10. Memorize the color of the clothing of the first 10 people you see while finding your seat on the bus. There are countless little exercises you can make for yourself. Some are testable, others are not. But all of them will increase your speed, accuracy and the power of your imagination, so that when you sit down with your dictionary, your mind is going to be a very powerful machine indeed. You'll be like the baseball champion who spent all winter lifting weights and whacking balls instead of snoozing in front the TV. Finally, people sometimes ask me why the Magnetic Memory "Mondays" newsletter comes out (almost) every day. Two reasons: 1. Monday is my favorite day. Not because I like hearing people complain about it, but because Mondays are new and fresh and filled with potential. I wish every day was a Monday. 2. I want people to remember to use mnemonics. It's simple, really. The more we remember, the more we can remember, and the
more we learn, the more we can learn. So until next time, make sure to teach someone else what you've learned about memorization. It's one of the best ways to make the world a better place (especially on Mondays).
Sincerely, Anthony Metivier [email protected]
Harry Lorayne Enters The Fray
8 May 2013 Berlin, Germany 23˚ and yet strangely dark ... Dear Memorizers, Yes, I'm going to be interviewing the great memory master Harry Lorayne, just one of several special treats I have lined up for subscribers to the Magnetic Memory Mondays newsletter. In case you're unfamiliar with Harry Lorayne, here's one of his websites: http://www.memoryimprovement.org/ One of the things that fascinates me about Harry Lorayne is how he came into the use of mnemonics. As readers of the Magnetic Memory vocabulary and newsletter know, one of the keys to the Magnetic Memory system is relaxation. I "stress" the point about relaxation because so many of us find the memorization of vocabulary very frustrating and these negative feelings hinder our ability to move forward. This is a real shame, because as Gary from Learn Thai the Rapid Way told us the other day, using memorization techniques lessons the workload by 80%. He's not the only one who thinks this way. Do you remember the video I shared with you last month with the German professor who tested mnemonics with German language learners? He found that students who used mnemonics scored 82% on average in comparison to the 47.5% of students who did not use mnemonics to learn German vocabulary and grammar. (If for some reason you missed the link to that video and the March newsletter, just email me back with a request and I'll be glad to send it to you. I've got tickets to see the Melvins tonight -‐ great band! -‐ but I'll get it to you first thing tomorrow). Here's the thing: I suspect that if these students were encouraged to use relaxation techniques in addition to mnemonics, their success would be even greater, possibly even 100%. And yet, we have Harry Lorayne.
As he tells the story, he started using memorization techniques out of fear. Yes, Mr. Lorayne's father threatened him with physical punishment whenever he came home with poor grades. That's hardly a relaxed state to be in when using mnemonics. Not only that, Harry Lorayne is famous for memorizing hundreds of names in front of large audiences. This means that he was able to use mnemonics in the midst of shuffling feet, couching throats and rustling brochures as people shifted in their seats. Amazing. And I'm really looking forward to asking him about how he does it. I've got a few other questions for him too, but he's also agreed to take questions from you. So if you've got something you'd like to ask one of the foremost masters of memorization techniques currently walking the earth, send them along to me. It would be really cool if you let me know your first name and where in the world you are so I can be like a real interviewer and say stuff like "... and this question comes from Mary in Marytown, Maryland ..." I'm going to be doing this video by audio, so they'll be an MP3 I can give, and I thinking I'll also make a YouTube version with subtitles and have it transcribed. That way the interview will be of interest to those who prefer to read, listen or watch. Would that be cool or what? Until next time, make sure to teach someone else what you've learned about memorization. It's one of the best ways to make the world a better place (especially on Mondays).
Sincerely, Anthony Metivier [email protected]
A Magisterial Memorization Book No One Ever Talks About
10 May 2013 Berlin, Germany 18˚ and as Berlinesque as ever ... Dear Memorizers, Actually, my subject line is not exactly true. People have definitely been talking about Harry Lorayne's The Memory Book. Is the be-‐all-‐and-‐end-‐all of memorization books? Hardly. However, 123 Five Star reviews are rarely wrong, and in this case, they are definitely right. But what I mean by saying that this book is never talked about is that I rarely find it cited in the literature about memorization. Yet, the book features amazing chapters on association, substitution, memorizing names and faces and of course vocabulary ... only 12 pages on vocabulary, but a chapter on vocabulary all the same. But that's not the only reason you're in for treat when you pick up this book. That's because The Memory Book is actually a dialogue between two Harry Lorayne and Jerry Lucas. Instead of receiving a mono-‐voice lecture on the topic, you get two points of view and the feeling that you're sitting in on a conversation. As many a great detective has known, eavesdropping is a great way to learn. Which is exactly what I'll be doing next week when I interview Mr. Lorayne. In other words, I'm planning to keep my mouth mostly shut so that he can do all the talking. And I'd rather let my subscribers ask all the questions, so if you've got any for Harry Lorayne, by all means send them along before it's too late. And if you've read Volume 1 and Volume 2 of the Magnetic Memory newsletters and have any questions about the ideas contain therein, by all means, send them along too. I'll be more than pleased to answer them. But back to Harry Lorayne and Jerry Lucas' The Memory Book. Here are a few more things I like about it: 1. They make what seems like a complex process incredibly simple.
2. They inspire new ways of thinking about imagination and using it to store information in the mind. 3. They don't bother with "thinking outside of the box." They teach us how to think inside the box first -‐ something that is sorely lacking in classrooms around the world. 4. It's good for the soul. Reading other people with a similar interest in positively expanding the powers of your mind is an amazing experience. 5. It is an important book in the movement to bring us out of the dark ages in which mnemonics remains relatively unused in comparison to times of yore (I know there are some historians who read this newsletter who will probably hate me for wording the past that way, but alas ...) 6. Even thought it was published way back in 1974, The Memory Book still raises new questions. I'll be asking some of these next week. Check it out on your Kindle, in print or at your public library. You won't regret it. Until next time, make sure to teach someone else what you've learned about memorization. It's one of the best ways to make the world a better place.
Sincerely, Anthony Metivier [email protected]
Memorization, Speaking & Self-deprecation
11 May 2013 Berlin, Germany 17˚ and heading off to yet another stage ... Dear Memorizers, I saw a great band last night and had a great discussion with some friends outside the club. They all have great English, and yet are completely self-‐deprecating about their skills. It's more than being modest. It's actually a touch destructive, or at the very least, regressive. I say this because so often they begin a sentence in English and then stop and say that they can't explain themselves. But they were doing just fine! Of course, I love hearing and speaking German, so it's okay if they pursue their line of thinking in their mother tongue, but I always find it a bit tragic. Not only are they not practicing self-‐expression in their second language, they're sending themselves (and their interlocutors) the negative message that they cannot express themselves in another tongue. Can you see why this is regressive? Speaking another language, particularly when doing so using the assistance of mnemonics, really requires forward movement. Yes, you can pause and consider what you want to say, but it's not ideal to stop and say, either internally or externally that you need to finish your thought in your mother tongue. So here's what I started doing (without coming off as some kind of Language Policeman or something): I started saying: "Please continue what you were saying in English and then tell it to me in German." That's it.
And it worked. We all won because my friends stretched their abilities and I got to hear two very different versions the same idea enunciated very differently. It reminds me of how closely things such as mindset and the words used to express it are so closely related. Nonetheless, my point is that when we are learning or just using a second-‐language, we've got to be a bit like a tank or a rolling ball of snow. Sure, you'll crush more than a few lilies as you make your way towards comprehensibility, but you'll stretch. And when muscles stretch, muscles grow. You might not feel it all at once, but one day you'll wake up and you'll be thinking and speaking in your target language with great clarity and speed. It's the same thing with using Memory Palaces. You've got to roll forward and go through the motions. Sure, a few associations will be weak or have become rusty or broken, but that's how you learn, that's how you improve, that's the friction that will keep your memory Magnetic. Anyhow, at the end of the evening we all decided upon something I've talked about before in Volume 1 and Volume 2 of the Magnetic Memory newsletters. It's that the two most important sentences you can ever learn in your target language are: "Please correct me" and "Please repeat yourself slowly and with clear pronunciation so that I can understand you better." If you can pepper your target-‐language conversations with those two sentences while maintaining the art of rumbling forward without a single act of self-‐deprecation, you'll be fluent because Jack can say Hammer. Keep sending your questions for Harry Lorayne. I'll be speaking with him on Wednesday and getting the interview to you as soon as I possibly can thereafter. In the meantime, make sure to teach someone else what you've learned about memorization. It's one of the best ways to make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
How to Memorize Spellings (Plus More on Self-deprecation)
12 May 2013 Berlin, Germany 11˚ and warbling with wetness ... Dear Memorizers, There's a particular memorization strategy where one associates numbers with objects. For example, you would visually link: * 1 with a candle * 2 with a swan * 3 with the M from McDonald's * 4 with a sailboat ... and so on. If you wanted to remember the number 42, you would then see something zany like a sailboat chasing a swan. I've never used this system myself, but I like that it exists. And I was thinking about it yesterday while working on a new concept that I think is going to really rock your swan-‐chasing sailboat when I finally release it. Part of this new concept involves the memorization of spelling in foreign words and complicated terminology. All I'm going to say for now is that if you can associate 2 with a swan and then line it up with other number-‐images in order to recall large digits, then you definitely associate letters with images in order to remember the order in which they should fall in order to correctly produce words. It could be as simple as: A = apple B = boat C = cat ... and so on. It might seem like a lot of work, but when you compare the relatively short bit of time it takes to fashion a system like this with the mounds of time lost over trying
to remember the spelling of words and correcting writing, you will save a lot of seconds over the long haul. Next topic. To follow up on what I was saying yesterday about steamrolling your way into fluency, I've got to tell a little story from last night. It has to do with developing verbal and auditory muscle memory. Last night my band played a show in Berlin. The club was only about 10 minutes away from our rehearsal space, so it was kind of weird to haul everything such a short distance, but there was no way we were going to fit such a large audience in our little cave, so we conducted the labor or lifting heavy equipment with luck and love for our art. Then we played an intense show, probably the best performance of the current tour so far. There was a guy in the audience who I vaguely recognized, but couldn't place. I remember thinking that he was probably an actor or something and that's why he seemed so familiar. Turns out he was one of the guys who briefly played bass during the time I was unable to play. I had seen him on the stage and thought we was really good. It turns out he didn't think he was so good. Just like the friends I was telling you about yesterday who hold themselves back from speaking top-‐notch English by holding negative beliefs about their fluency (or at least, that's how it seems to me). So this bass player started telling me about how he admired my playing and how easy I make it look. And how much training I must have undertaken, to play with the great Sergio Klein (he forgot to mention the equally great Alberto Atalah on drums and Roland B. Marx on vocals, buy I guess that's just because he was focusing on strings). Well, I'm proud that it looks easy, and glad to hear it, and he's definitely right that it requires training. But it also requires the same kind of reckless intensity I was talking about yesterday. That, and confidence. That, and the absence of negative, regressive, self-‐deprecating inner and outer dialogue. I really couldn't understand why this guy wanted to tell me again and again how
much he sucked at bass. But on the bright side, at least he wasn't telling me how much he sucks at English. In that, he had total confidence. Anyhow, I guess I'm pretty good on the bass, but the truth is that I make tonnes of mistakes during every rehearsal, as well as on the stage. But the secret is, and the thing that people admire, is that I roll on through the mistakes. As Alberto always tells me, when it comes to playing live, it's only a mistake if it looks like a mistake. Now, that's not exactly the same when it comes to speaking with people in a foreign language, but unlike playing live on stage, you have the opportunity to harness the power of your mistakes by asking questions like, "Please correct me" and making requests like, "Please repeat yourself slowly and with clear pronunciation so that I can understand you better." Make mistakes. Make as many as you can. But avoid the mistake of giving negative messages about your fluency (or any skill you have). Always focus on what you have achieved and how you've achieved. Describe what's working, and if you must point out that something is less than desirable, then talk about how you plan to improve. Okay, dear Memorizers, I've gotta get in my sailboat and chase some swans. Until next time, make sure to teach someone else what you've learned about memorization. It's one of the best ways to make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Rote Memorization Done Right?
13 May 2013 Berlin, Germany 14˚ and unsummerly ... Dear Memorizers, I've been thinking for awhile about the difference between memorizing individual vocabulary words and musical phrases. Just like the notes in music, individual words are never isolated, which is why it's usually a good idea to include at least one phrase with each word in your Memory Palace station so that you have that word in context. In case you haven't seen it, I made a video for you that gives an example of exactly how you can do this as part of your testing process using Excel files here: http://www.youtube.com/watch?v=UMPMuOyfke4 (Have a look and please leave a comment if you find the video useful or have any ideas you would like to add). What makes vocabulary different than music, however, is that words maintain a meaning that more or less remains intact outside of the context of a phrase. In music, on the other hand, a note has value (i.e. it resonates at a particular pitch), but it doesn't mean anything in particular. Or perhaps it would be better to say that a word has the meaning we attribute to it, whereas the only meaning we attribute to an individual note is that it is this or that note. Am I getting too philosophical? What I really want to get at is that music learning does require a certain amount of rote learning because even if you can instantly remember a musical phrase from, say a Bach cello piece, you still need to run your finger up and down the strings multiple times in order to develop muscle memory. It's more than just something that happens in the head. It happens in the body as well, particularly in collaboration with the instrument. One of the ways musicians are taught, especially drummers and those who play stringed instruments that don't require the use of their mouths, is to sing while they play. This not only increased focus during rehearsal and performance, but it trains the ear to develop perfect pitch. The interesting thing about this is that the muscles of the mouth are also being
trained ... and this led me to think about how we learn the vocabulary of foreign languages and/or difficult to pronounce terminology. I've been experimenting with this technique and I think it's something you might like to try. Think of it as a muscle memory exercise for your brain and for your mouth. But first, the idea requires a bit of explanation. When I am learning a difficult phrase in a piece of music, I often repeat that phrase again and again outside of the context of the song. This is to train my muscles to remember the passage only and has very little to do with mental memory as such. One of the mistakes that many music learners make, however, is that instead of isolating individual phrases, they go back to the beginning of the piece and play towards the problem. This means that they are playing with the anticipation of the problem in mind. Yet, by isolating the problematic phrase and repeating just that portion, your mind and your fingers remove the problem so that you can play the piece from the beginning without anticipating a difficult stretch. In essence, we master the whole by mastering a series of individual sequences. One way to proceed that I really like is to focus first on the difficult passage, then add the first bar following the difficult passage for a number of repetitions and then add the first bar preceding the difficult passage. If we were to call the difficult passage 1, the one after A and the one before B, the routine would look something like this: 1 (repeated as long as it takes to improve) 1a (repeated as long as desired) b1a (repeated as long as desired. I think about 10 times of each stage over a fifteen minute period would really advance anyone's playing skills tremendously. People in the mastery business call this "dedicated practice" because it dedicates itself to specific elements of a target skill rather than proceeding willy-‐nilly. So let's apply this technique to learning a language. Take a German phrase like "Man muss das Eisen schmieden, solange es heißt ist." (For those of you not studying German, it basically means the same as "strike while the iron's still hot").
Let's say that you struggle with pronouncing "Eisen schmieden" (pronounced something like eye-zen shmeee-den). Since we're not using rote repetition to learn this, we'll have already used associations in a carefully prepared Memory Palace to hold the phrase (let's say that you've stored it in an E Palace for Eisen). This exercise would then involve something like this in order to train the mouth: Eisen schmieden x10 Eisen schmieden, solange x10 das Eisen schmieden, solange x10 ... and so forth depending on how much you need. If you want more ideas like this and for some reason haven't received the previous two volumes of the Magnetic Memory newsletter, just shoot me a line and I'll get them to you. Or you can grab Volume 1 and Volume 2 for your Kindle if you'd rather not have them in PDF format. I really appreciate those of you who have already done so. Until next time, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Your Memorization Questions for Harry Lorayne
14 May 2013 Berlin, Germany 14˚ and dark as a raven ... Dear Memorizers, Tomorrow I'll be interviewing Harry Lorayne, so today is really the last opportunity to send in any and all questions you may have for him. So far, the questions some of you have sent in are outstanding, so I really look forward to receiving a few more. And now for some reader mail from Matthew that I found quite interesting: "I started using your system last January and love it. My fluency has gone way up. But most importantly, my confidence has risen because of what you talk about in your newsletters. I have your daily emails to thank." I'm always pleased when I receive positive As readers of the Magnetic Memory series and newsletter who actually use these ideas know, the results are dramatic. But I don't always receive positive messages like these. Sometimes I get emails or reviews filled with complaints that the system doesn't work. You know what? They're right. The system doesn't work. It's we who work the system. There's nothing that can be done for people who don't try things out and experiment with the methods in a consistent manner. Only in this way can a person get results. This is one reason why I talk about memorizing at least one new vocabulary word per day. It's even better if you also memorize a phrase to go along with that word, but at the very minimum, one word per day. If you do nothing more than that, you'll have 365 new words every year. That ain't no slim pickens, and neither is 29-‐31 new words a month. You can configure a lot of sentences with 31 words. You can understand a lot more with 31 new words. You can enjoy your target language a lot more with just 31 new words.
If you're really going for gold, then you'll also rehearse at least one of your alphabetized Memory Palaces every day as well. This can take a bit more time, but the value of the process is manifold and compounding. Let's say you learn one new word and rehearse ten. This means that you have the opportunity to see that one new word in the context of 10 others. No, the new word won't always go together, but chances are that you will normally be able to make some kind of sentence using the new word with each and every other, which in many cases would total 10 new sentences. Even if the sentences are partially nonsense, you're playing with the language, seeing how it works, how it can work. And if you're working with a tandem partner as I suggested in Volume 2 of the Magnetic Memory newsletter, then you have the perfect playground in which to experiment and ask for corrections. Trust me, the benefits are huge and the rewards are quick to arrive, especially when you practice daily. So remember: just like a barbell, doesn't lift your arm, the system doesn't do the work for you. Rather, we work the system. And I'm here to offer any additional help that you need. And Harry Lorayne will have his ears open for your questions tomorrow, so be sure to send them in while the opportunity is still available. Until next time, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
How Things Went With Harry Lorayne
15 May 2013 Berlin, Germany 25˚ and warmer than spaghetti noodles under meat sauce ... Dear Memorizers, As planned, I spoke today for an hour with the great Harry Lorayne -‐ and it was a blast. He really knows his stuff and is very inspirational. It was also great for me on a personal level to talk with someone who influenced me so deeply as a young scholar suffering a depression that fogged up my mind so badly I nearly left graduate school. And if I had done that, I probably never would have gone back. The irony is that using memorization techniques daily not only cleared up the depression, but made acing my graduate exams a breeze. That's why it was so interesting to hear from him first hand some of the amazing stories of how people's lives have been improved by using memorization techniques, particularly his. I had no idea, for instance, that prisoners of war taught each other the Harry Lorayne method of memorization using Morse Code in order to maintain their sanity during captivity. And that's just one of the intense stories you're going to hear when I've finished editing the interview. As I said last week, I'm going to work on making it a PDF transcription, a video and an MP3. The MP3 is easy. It's the video and transcription that will take some time and effort. If anyone out there has experience making transcriptions or likes to type and wants to help out, let me know and I can send you the MP3. That will make the release of this inspirational material go a lot quicker. In the meantime, I want you to know that Harry Lorayne said something very interesting. He said that his memory is both 100x better than what most people have and 100x worse. It's a paradox, but one that makes perfect sense. There's nothing particularly special about his brain or the capacities of his mind. It's that he works the techniques. And when he works the techniques, there's no better memory around.
If he doesn't work the techniques ... then according to him, he's worse than average. I'm afraid that I didn't get to ask him every single question that you sent in, and in some cases only fragments of the questions -‐ but that's just because he was answering them as we went along. While you're waiting for my interview with Harry Lorayne, be sure to check out his author page at Amazon. Until next time, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Young And The Memorize-less
16 May 2013 Berlin, Germany 26˚ on a hastily departing day ... Dear Memorizers, First off, I've edited the first 6 minutes of the Harry Lorayne interview, and it's coming along very well. That took only about an hour, so I should have the rest done by the beginning of next week (yes, editing audio is a bit of a fine art, especially when it's your first time). Thanks too for the offers to help that have come in. I'll be in contact soon. Another thing that would be useful is if anyone knows of software that allows for the regularization of audio (in other words, so that both voices are the same volume), I would greatly appreciate the tip. That will make the interview more enjoyable to hear. Given that I was in Berlin and he was in New York, we had a lot of miles between us, and you can definitely hear that I was closer to the microphone, if you know what I mean. That said, one of the great questions that came from one of you involved the teaching of mnemonics in schools. One of the things that Mr. Lorayne tells in the interview is that mnemonics are sometimes taught in schools, but that an overwhelming majority of education specialists deny that they work. Why this would be the case, I simply do not know -‐ though I am aware of certain theories which posit that the success of certain long term economic strategies rely upon an undereducated populace. But on such matters, I cannot speak. However, what I can say is that the benefits of mnemonics go far beyond traditional education, as such. Their use extends far beyond the memorization of historical facts and mathematical theorems. For one thing, using mnemonics massively increases ones imaginative abilities. Moreover, using mnemonics is a non-‐monotonous activity that sends oxygen rich cells to the brain and is known to improve the verbal skills of those who use them to memorize vocabulary. But of course.
That's what the Magnetic Memory system is all about. But wait ... there's more ... Mnemonics also involve the organization of information. This includes spatialization, and re-‐spatialization (if I may coin a frivolous new term). This makes a person a far more active learner, someone who pays attention in a completely new and different way. They pay attention to time, space and that "shape" of information itself. Mnemonics make the subject of study far more interesting, largely because you're engaged in two activities at one. Sure, it's a bit like juggling, but it's what keeps us on our toes that makes life rich. Mnemonics reduce the amount of time one has to spend mentally searching for information that has been learned. This is especially critical when taking timed tests, but even more so when engaging in foreign language conversation. I asked Harry Lorayne if there are any drawbacks to using mnemonics and he couldn't think of any -‐ apart from not using the approach he teaches in his books. But ... maybe there are some disadvantages. Mnemonics take time. You have to explore the concept. You have to understand the different approaches. You have to internalize them. You have to make them your own. It's kind of like swallowing a bicycle and then reshaping it through a mental digestive process to suit your riding (learning) style. You've also got to have passion -‐ the passion it takes to achieve your goals, which are sometimes tough enough in the first place without taking an extra step backwards in order to rocket forward ... but then again, if the neighborhood kids knew that you could build a rocket pack in just a few hours and then never have to walk to school again, there wouldn't be a lawnmower left with an engine in it for miles around. The other disadvantage is that you have to be willing to take risks. You know, I think that the criticism that mnemonics are like crutches is partially correct. There's no denying that by using mnemonics you are introducing something artificial into your mind in order to remind yourself of something else. The problem with that criticism is that the thing you want to remind yourself of is also artificial. It's a non-‐you "object."
But once you've learned it, that target bit of knowledge becomes part of you. And so does the mnemonic. Just like the bike that is the mnemonic system, you've digested the target, reshaped it, made it your own. The risk comes when you walk out into the world with nothing more than a pile of formerly foreign mental objects inserted directly into your mind. No index cards. No pages filled with notes. No words scribbled in ink on the palms of your hands. Just you, your mind, your mnemonics and the target information. If I were young and memorize-‐less, I'd be the first in line to build me a rocket and fly. Until next time, make sure to teach someone young what you've learned about memorization. Helping our young people improve their memory skills is one of the best ways we can make the world a better place. And the more young people remember, the more young people can remember. And the more young people learn, the more young people can learn. And that's a beautiful thing.
Sincerely, Anthony Metivier [email protected]
Memorization As An Act Of “Unhiding”
17 May 2013 Berlin, Germany 27˚ on a delightful evening interrupted only by someone testing their new door buzzer ... Dear Memorizers, Two interesting questions pulsed into my inbox today:
I'm reading your book for the 3rd time -‐ much faster this time, of course. If I understand correctly, we should use images and actions to remind us of the pronunciation and meaning.
Question: Is it images for the pronunciation, and then take those images and make them do an action that reminds us of the meaning? What other books do you recommend about mnemonics, especially memory palaces?
Question One At the highest level, a mnemonic for vocabulary should magnetically give you both the sound and the meaning of the word you want to recall. This is not always easy to do, but it's worth the imaginative effort. As the author of today's questions also pointed out in another part of his letter not included here, Joshua Foer (and many others) have acknowledged the fact that working with mnemonics increases our ability to have ideas. It's true. The more you practice mnemonics for the learning and recalling of vocabulary, the easier the process becomes. You'll have images spilling out of your ears and need an imaginary janitor to sweep them all up. Let's fiddle about with a couple of examples and see what comes our way. We'll start simple (and maybe cheat a little ...) I've been thinking about naming a chapter in an upcoming book "Lethologica." The term refers to the inability to recall a word, or the sensation of having a word on the tip of your tongue. To memorize the sound and the meaning of this word, I first perform a bit of etymology (recommended when memorizing words in your mother tongue).
Since the river Lethe in Greek mythology made everyone who drank from it forgetful, merely imagining a raging river with mindless people drinking its froth wins half the battle. "Lethe" brings both the sound and the mythological meaning of this river to my mind . (As a bit of trivia, "leth" also appears in one of my favorite Greek words, "aletheia." The German philosopher Heidegger used it a lot, not because it means "truth" in translation, but because it means "unhiding." Thus the act of philosophy, in a Platonic sense, is the "unhiding" of truth that was always, already there). For the second half of this word, I immediately see Thomas Aquianas bopping these mindless people drinking from the river Lethe with a copy of his Summa Theologica. This image triggers the "logica" in the second part of the word. Why is this cheating? Well, it really isn't. I'm doing good mnemonic work by associating the word I want to memorize with things I already know. I make them large, strange, filled with action and tremendously colorful. If I were working on a large memorization project, I would also locate this image in a carefully structured, alphabetized Memory Palace using all of the principles of the Magnetic Memory system. I am associating with items that already have the basic sound of the word I'm trying to remember and I'm choosing items that sound like what I want to remember. That's a key part of the process: mentally animating objects or persons that sound like the word, or word component you want to recall. Sticking with English, let's make things a little harder. "Lalochezia" is swearing out loud in the vain hope that it will ease the pain of an injury like a banged knee. (Does anyone actually think that swearing is going to have an aspirin effect when they do this?) Now, there ain't a whole lot of things that come to mind for "lalo," in terms of objects, but I do immediately get a picture of Eric Clapton singing Layla. In cases like these, the fact that my association ends with an "ah" sound instead of an "oh" sound doesn't particularly concern me or trip me up, but if it did, I would somehow squeeze J.Lo (i.e. Jennifer Lopez) into the image to trigger that sound. As it happens, an acquaintance of mine in the scholarly world has the last name of "Keazor." Thus, it's convenient for me to use him and give him amnesia to bring the "zia" sound.
Of course, you could call me lucky that I know someone named Keazor to use in this way. I say it's convenient, but trust me, if you start working with mnemonics in earnest, you'll find all kinds of opportunities arising like this, almost as though your mind were rearranging the universe just to assist you in memorizing it. Or better said, your mind will bring you such useful associations Magnetically. But let's pretend I didn't know someone named Keazor. I could see giant keys attacking Eric Clapton and J.Lo defending him while he sings Layla. Maybe she's beating off the keys with a copy of Euripides Medea to get the "ia" sound. (If you don't know this incredible play, I suggest you abandon ship and start reading it right now. There's a cool film version as well). But then J.Lo gets cut, or bruised (let's make this PG13). And she starts swearing at the keys. Therein lies the meaning of the word. As an equation, then, we could have: Clapton performing Layla + J.Lo smacking a pair of raging keys with a copy of Medea, which with practice using the Magnetic Memory system, the mind will understand as something like: Lay ... lo ... keys ... ia. Even if you stutter over these things in the beginning or make mistakes, it's no big deal. As an aside, you'll hear in my interview with Harry Lorayne, once in a blue moon he forgot a name during a demonstration and would simply ask for a letter to jump-‐start things back up for him. That's one of the problems many people experience. They get nervous when trying to recall a word and then they choke up. This is why I teach people to relax during the memorization process, to literally train themselves in the Pavlovian sense to fall back into that state of relaxation during recall, no matter what is going on around them. We can't all be pro performers like Harry Lorayne, after all. I'm certainly not. Now, I know that a lot of people feel that having this elaborate vignette of crazy images (J.Lo cussing as a pair of scissors cuts her during a valiant act of defending the creator of Layla?) a potential distraction so large that it almost makes more sense to just chuck the system and go for rote. But that would be a mistake.
At first, all of this might seem elaborate, and again, you might stutter a bit during recall. But it took me all of 20 seconds to come up with this image (and then 2 minutes to type it all out), and with practice, anyone can get that quick. Merely by working with mnemonics you are enhancing your imagination. You're also experiencing the target word differently. It's hard to explain the sensation to someone who hasn't done it, but already I don't need the images. I feel "lalochezia" in my mind like a tickle. Just a flash of Clapton triggers off the entire word and I find myself thinking through the entire vignette of imagery after the word has magnetically rushed into my mind. Question Two When it comes to recommending books about memorization techniques, the first part of my answer is simple: Read all of them. Read every book on memorization that you possible can. Over at mnemotechnics there's a discussion going on in which some people have suggested "the best" or "the only" memorization books a new person needs, but as you'll read if you visit the discussion, I don't think it wise to council people in this way. Even the worst book on memorization techniques will keep you thinking about Memory Palaces and that will help stimulate new ideas or reaffirm for you what's already working and deepen your relationship with those approaches. On top of that, hunt down online articles and YouTube videos. Inspiration and ideas are lurking everywhere. The world of mnemonics is huger than many people suppose. The second part of my answer is even simpler. Read material that engages you. It doesn't matter if it's fiction or non-‐fiction. Obviously a knowledge of mythology and large fictional worlds like the one The Hobbit lives in is going to give you a vast pool of imagery and ideas that you can associate with. But if you're not into that stuff, philosophy is rich with visual material too.
Foucault is a very memorable looking dude and he also wrote about prisons and hospitals and stuff, so his books give you tonnes of ideas even if they're highly conceptual. You can make visual images out of concepts the same way you can conceptualize imagery. In other words, the concept of using Memory Palaces can and should be read about dozens of times because many different mnemonic thinkers have amazing little shades of innovation to add, but what's really going to make the difference is what you can stick into the palaces in order to sunder the target material you want to memorize. And it's not just about reading books. Watch movies. Listen to music. Look at art. Pay attention to the places you visit. Get to know new people. So above, when I was making that aside about "lethe" and "aletheia" and the German philosopher Heidegger ... I know that some people will think that's showing off, but it really isn't. It's a demonstration of how interconnected things become when you exercise your mind and how willing the mind is to draw connections for you and "unhide" what you're looking for. And it's the old rule I always like to end with: the more you know, the more you can know. The reason is simple: when you have more material to associate with, to draw connections between and to build upon, the more you can use that stuff to obtain more. As they say in business, where preparation meets opportunity, there is no ceiling. No, there's no ceiling. Just an unhiding of the potential you've worked so hard to get there. So on that note, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely,
Anthony Metivier [email protected]
The Most Amazing Magnetic Memorization Equation
18 May 2013 Berlin, Germany 12˚ on a soggy afternoon ... Dear Memorizers, Here we have a follow up from yesterday's question regarding the recall of sound and meaning using the Magnetic Memory method. If you missed yesterday's message, just shoot me a message and I'll resend it to you. Otherwise, you can grab it next month, either by free PDF, or for your Kindle, just like Volume 1 and Volume 2. But without further adieu, here's the follow up response I received with respect to my answer to yesterday's question:
Anthony,
Thanks for answering my questions in your own way.
This is what I understand:
"Lay ... lo ... keys ... ia" = images = pronunciation
"But then J.Lo gets cut, or bruised (let's make this PG13). And she starts swearing at the keys." = action = "Therein lies the meaning of the word."
I understand the point you want to make, "At the highest level, a mnemonic for vocabulary should magnetically give you both the sound and the meaning of the word you want to recall." And certainly with a little practice, everyone can do it. The challenge lies in making it simple enough for everyone to get a little practice.
As we all know, there are all kinds of different students. I have one 14 year old that remembers everything and is one of the best English speakers I have; I could easily tell him, "At the highest level...", and he wouldn't have any problem with that.
I have other students that I have to explain things 10 times/different ways, or more, for them to get it or start to get a hunch. For this kind of student, it's best to simplify the simple.
If you remember my 1st question for HL, I didn't really know how to respond to that. I just said, "ok, if that's what you want, these are your classes."
Looking forward to hearing your interview with Harry Lorayne.
Thanks for this great equation! I'm not a particularly mathematical thinker, so I'm really grateful that you're able to simplify things in this way, and ... Images = Pronunciation / Action = Meaning ... is a very fine way of putting it. Unless, of course, the opposite is true. It could be the case that some people would successfully associate the sound of a word used to describe an action as a prompt, but that is perhaps rare. Nonetheless, if you notice students who could benefit from this reversal (i.e. Action = Pronunciation / Image = Meaning), then by all means encourage that student to use it. One thing I would suggest is that you interview this 14 year old who can remember everything and see if you can't find out how he makes this accomplishment. There is sometimes a rule amongst those who speak about the gifted that what the holders of talent achieve is beyond explanation. There is no process, no method, no technique. It's just something they can do, ex nihilo. I think this is nonsense. There is always a process. The issue arises from the fact that the person either doesn't recognize it as a process, cannot enunciate the process or simple doesn't care to. No skill exists or operates outside of a procedure. There's interesting controversy about this, actually. Have you seen The Boy with the Incredible Brain? It's best followed up by Joshua Foer's writing about Daniel Tammet in Moonwalking with Einstein. I'll leave it up to individual
readers to make up their minds about this issue, but my view is that even the scientists who support the idea that Tammet is memorizing without a process actually have to describe the process by which he is memorizing/recalling material in order to claim that he does it without a process ... In any case, I'd be curious if this student of yours could describe how exactly he comes to remember things so well. Chances are, he'll be able to describe a process, even if only in the vaguest of terms. And while we're on the matter, let's spin things around. If it's not too sensitive, why not ask the student who is having trouble if he is able to enunciate the barriers. When I was teaching students, I would do this all the time. Student: Professor Metivier, I can't think of anything to write. Me: Great. Write about why you can't think of anything to write. It sounds cruel, I know, but there's madness to the method (deliberate spoonerism, that). Usually students - and people in general - simply accept their barriers. They don't interrogate them, they don't feel the shape and the boundaries of what is preventing them from moving forward. And that in itself is the ultimate boundary. How do you know you need a flashlight if you don't know that it's dark? The best way to overcome writer's block works exactly the same way. Write about why you can't write. Chances are the description of the problem will be just as interesting as what you're trying to write anyway. Same goes for memorization. If you explain to yourself or to someone else why you're having difficulty and describe the process of that difficulty in clear terms, you'll find the problem much easier to solve. In fact, the description of the problem itself is often really a description of the solution. Take an overhead photo of the breadcrumbs left by Hansel and Gretal and all you will see is a detailed map describing exactly how to get yourself home. As for your question to Harry Loryane about what to say to a student who gives up, or threatens giving up on a method that so clearly holds the key to mental
mastery? Well, I didn't ask it in so many words due to the flow of the conversation, but I did slip in the general impulse of the question with mixed results. As you'll hear in the interview, Mr. Lorayne has a very take-it-or-leave-it approach. He seemed quite incredulous that anyone alive wouldn't snap up his memorization techniques with the wrath of Cujo, but he also acknowledged that it's no big deal if they don't work. Mr. Loryane claims that you cannot even try his techniques without improving your mental abilities, and that's because merely by trying, you've already started to think about how your mind works (its processes) in a different way. As he says: "even if my systems don't work, they still work!" I think it's true. Not only do they always work, but mnemonics are infectious. In some sense, mnemonics are like a stain on your favorite t-shirt. Once you've heard about mnemonics, the concept never goes away. The idea that you can more-or-less instantly memorize anything you want at any time is in itself instantly memorizable. That leaves a person with really two options: wear that shirt with the mnemonic stain on it for the rest of your life, or ... Dye the rest of the shirt the color of mnemonics. Look, this stuff ain't rocket science, even if absent-minded professors like myself describe the concepts in the most vertiginous ways possible due to having read the sentences of Thomas Mann and Thomas Pynchon at far too tender an age, leading to rampant obfuscation ... But that's where the great readers of the Magnetic Memory Mondays newsletter come in. Images = Pronunciation / Action = Meaning Simple, elegant and crystal-clear fun. Thank you very much for this wonderful equation!
Until next time, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Memorization Architectonics
19 May 2013 Berlin, Germany 21˚ on a busy evening free from Facebook notifications ... Dear Memorizers, This week has seen many great questions, and now I've got another one to address:
So I started your method to help learn some Spanish words that I did not know,and on large dictionaries I can find some of those, so I live in small town Midwest USA. My wife and I go to Applebee's nearly once a week,so I have loci there. I have 10 stations there but because of the redundancy in the outside parking lot do not have many distinct stations outside. So I put ten an Spanish words there that I did not know,or did not know very well. I did from this small exercise get to see that the location association helped a lot. But it occurred to me that this was not many words even if I had 27 places,I would only have 270 words. Might be good for a beginner to a language and insight use this for italian which I have started learning,buying really don't see myself making more stations at Applebee's if I wanted to expand my A words. Should I find a second A location or just really try hard to expand my stations at Applebee's? Sent from my iPhone
First of all, congratulations on having so much success already using Applebee's! It's true that the Magnetic Memory books discuss having 10 stations per Memory Palace, but that's just at the beginning. The need to eventually have more than 10 stations per Memory Palace, indeed far more than 10, led to my discovery of the following two principles: 1. Start at a terminal location in the Memory Palace so that you can expand outwards and add new stations as necessary. 2. Avoid crossing your own path in order to avoid confusion. These are key principles because we want to limit the amount of mental energy needed to travel from station to station within each Memory Palace. We want the journey to be smooth, natural and magnetic. I can understand that parking lots are tremendously obscure places to identify stations, but all is not lost. Depending on the layout of the parking lot, you could subdivide it into different areas.
For example, if the parking lot is more or less square, you could have four smaller squares within it, each quadrant serving as a station. This may be too abstract for some, but might work perfectly well for others. Another option: you could incorporate an imaginary element, such as a bookcase in the parking lot. I've written a lot about virtual elements in both Volume 1 and Volume 2 of the Magnetic Memory Mondays newsletters, so if you'd like those for your Kindle, they're available. Otherwise, I'm perfectly happy to send PDF versions to anyone who hasn't already received them (just email me with "Send me the PDFs" and I'll get them out to you as soon as I can). Another option you could pursue is to use your car as a set of mini or microscopic stations: Driver side headlamp Passenger side headlamp Hood Front windshield Steering wheel Driver's seat Passenger's seat Left back seat Right back seat Back windshield Trunk License plate Exhaust pipe That's 13 new stations. Let's go even further: Can you remember every car you've ever owned? If so, then each of those cars could be in the Applebee's parking lot. I've only owned 4 cars in my life, but that's 52 stations all combined. It would be easy for me to place these cars in a deliberately manner as well because I remember the chronological order in which I owned them. But here is perhaps the most powerful method you can use.Mentally place a building in the parking lot that normally isn't there, but that you are familiar with. For instance, you could use your high school, the house of a friend or a shopping mall. It's as simple as closing your eyes and imagining a giant magnetic pulling that
other building into the Applebee's parking lot and using it to continue your letter A journey. And since it's such a strange thing to see a familiar building out of place like that you, you're not likely to forget what comes next. I think I will christen this new technique "Magnetic Memorization Architectonics." Until next time, dear Memorizers, make sure to teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Mnemonic Wizard
20 May 2013 Berlin, Germany 16˚ and enthusiastic about releasing water from the sky ... Dear Memorizers, I discovered this interesting dictionary: http://www.mnemonicdictionary.com/ I don't know when you'll have a chance to look at it, but as of today, it is featuring the word "partisan" on the main page. Following a number of definitions and synonyms, the website suggests mnemonics, or "memory aids." Notice that for this word, the memory aids involve dividing the word into parts (not a bad idea), and creating conceptualizations. For other words, such as: http://www.mnemonicdictionary.com/word/embellish ... we get the suggestion that we can imagine someone's belly in order to trigger the "bell" sound. This site is pretty cool and someone has clearly put a lot of work into creating it. The GRE word list function is clearly helping a lot of people. However, what concerns me is that the website doesn't seem to include any teaching about mnemonics, nor any explanatory material detailing the best ways to use the suggested mnemonics. As readers of this newsletter know, I also am a strong advocate of coupling all other mnemonic strategies with the use of locations based on my theory that we have a deep unconscious fear of losing things. Merely by placing them somewhere, imagined or real, we remove this fear. Above all, my criticism of the site is that when a site like this gives examples without teaching a method, it is essentially fishing for the person, rather than teaching the person to fish. It's true that Volume 1 and Volume 2 of the Magnetic Memory newsletter are filled with examples. Even just this weekend I was giving representative
examples of how I used image and action based associations to memorize cool words like lalochezia and lethologica. Exemplifying the technique is a key part of teaching it. However, the technique must be taught. A string of examples just won't do it. That seems to me the equivalent of teaching someone to change the oil merely by showing them the engine. Moreover, I'm convinced that one cannot but under rare circumstances use the mnemonics that others have created. Sure, we do it all the time, but it is not the true path to memory power. The alchemy arrives when we use our own minds to fashion our own mnemonic devices. It's self-‐invention that makes the process organic. It's self-‐invention that makes recall magnetic. I know that a lot of people claim that they aren't particularly visual and therefore mnemonics won't work for them. A recent one-‐star review of one of my books made the claim that these techniques might work for "arty" people, but not engineers. I'm not sure if the engineer in question is reading this or not, but if so, I'd like to make an appeal, an appeal I would extend to anyone who struggles with using visual imagination techniques: First, trust in the power of your mind. Go outside. Sit on a chair. Look at a tree. Close your eyes and then try to mentally recreate that tree. You can imagine it visualizing in the thin air of your mind or you can imagine a paintbrush doing the work. You could also light a candle and look at the flame. This is a great technique because when you close your eyes, the light of the flame will remain for quite awhile due to persistence of vision. You can then mentally trace over the flame with an imaginary pencil or paintbrush. The important thing for people struggling with mental visualization is to just get started. Try one or two methods of becoming more visually creative and then start again with the visual component of the Magnetic Memory method.
It's a fact that visual people can become more auditory and kinesthetic people more visual over time simply by engaging in exercises like those taught above. And of course you can get started by looking at the mnemonic examples of others. You can "trace" over them just like you might a candle flame or a tree. But make creating your own mnemonic imagery a central goal. The benefits go far beyond just memorizing stuff. Businesses and industries thrive on imagination. Software development and architecture -‐ yes, even the room you are sitting in -‐ relies on imagination. "Arty" people rely on imagination in order to make the music, the literature, the films and all manner of creations that inspire us. Even engineers use imagination in their work. Above all, having a great imagination enables people to overcome negative thinking and see the world as a better place. So on that note, imagine teaching someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Kirk, Spock & The “Master Narrative” Of Memorization
21 May 2013 Berlin, Germany 17˚ and fresh in from the not-‐too-‐shabby new Star Trek film ... Dear Memorizers, Star Trek II was the first movie I ever saw at home. I must have been about five years old on Halloween and it was too cold that year to go out collecting candy that year, so my dad rented a VCR the size of a small car and Star Trek II was the movie he chose. I remember the movie in exquisite detail, and the death of Spock gave me nightmares for a long time. I really liked that guy. Today I saw the new Star Trek: Into Darkness, and of course it brought back all kinds of memories and anticipations, especially since the screenwriters went out of their way to include echoes from the narrative world of Captain Kirk and co. that even the most casual fans would pick up on. And, of course, I was thinking about how the film connects to memorization, particularly Magnetic Memorization. Without giving any of the plot points away, here are some of the lessons the film offers. 1) Always maintain an awareness of where you are in the proceedings. Basically, we've all seen this before. Either Kirk or Spock (or both) are one step ahead of the game and use their foresight to outwit the enemy. How to apply this to memorization? Well, they say that the things we measure grow, so it's important to take stock of where we are in our memorization journey. Obviously, using the Excel files and the training I made for you on YouTube will help you do that (here's the link: http://www.youtube.com/watch?v=UMPMuOyfke4) ... ... but have you ever thought about listing all the words you already know in your target language or area of expertise? I haven't done it myself, but it occurred to me that an interesting experiment would be to read the dictionary of a target-‐language from cover to cover and list all the words I know in order to see just how many words I've accumulated. This list could be partitioned into words I recognize upon sight, but don't understand and words that I understand very well.
It would also be an interesting way to familiarize myself with all the words to come and get a sense of proportion. Now, I would never say that the dictionary is an enemy, but that doesn't mean one couldn't play Kirk and outwit the darn thing by consuming it whole. Which leads to ... 2) Know where you want to go. The success of every Star Trek mission relies upon a clearly defined goal. When these characters surrender themselves to the transporter beam, they're not tossing themselves into the void. They have a plan. I have developed a set of principles specifically geared towards helping you plan for memorization success in Volume 1 and Volume 2 of the Magnetic Memory newsletter, but even without glancing through those issues, I can tell you that all you need to do is come up with a goal and write it down on a piece of paper. Write it down every day if you're serious about conditioning your mind to helping you achieve it. Repetition is a form of direction, so long as it isn't employed in the service of rote learning. Anyhow, I know it's a bit of an overused cliche, but failing to plan really is planning to fail, and that's why Kirk and Spock (usually) never leap without a jet pack. Their success depends upon a seriously considered outcome. 3) Create the plan in real-‐time. Now of course having a plan doesn't mean you carve it into stone and carry the slab on your back. Kirk and Spock are responsive, always changing things around as new elements come into play. That's one good reason to write down your memorization goals (and goals in general) every day. When it comes to fluency, new subjects and areas of vocabulary come up all the time, so you can easily incorporate these as you go along, taking care to also have a larger goal, or what I like to call a "master narrative." In this case, fluency is the guiding, master narrative, and the steps you take using the Magnetic Memory system is the plot. Not doing what it takes is the only enemy. And failing to plan is his only weapon.
Until next time, teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Great Memorization Software Hoax
22 May 2013 Berlin, Germany 8˚ and not exactly California outside ... Dear Memorizers, I got a great question earlier today about spaced-‐repetition-‐memorization:
Hey man, I know you're into using your mind and all of that, but if you had to recommend some kind of software, do you like Anki or Mnemosyne better?
First off: you're right. I am into using my mind. I'm into you using your mind too. I really wouldn't want to spend any time ranting and raving against the use of spaced-‐repetition software. As those of you who have been reading Volume 1 and Volume 2 of this newsletter know, I'm pretty well cool with whatever people want to do, so long as it gets them results. There's no doubt in my mind that pure mnemonics is superior to any and all forms of rote learning, technology-‐assisted or otherwise, but I also know that getting started with memorization techniques requires time and effort and even passion. Not everyone has these elements. That said, I've tried both of these software programs and they most certainly do what they are designed to do. Or do they? Each software has its own style, but they share the basics in common: You enter the target material you want to memorize on a digital index card with the "solution" on the other side of the card and then the software shows you that information while testing your accuracy. If you get it right, you are tested on the target information progressively less and if you get it wrong, you are tested on the target information progressively more. The idea here is that more exposure leads to greater retention -‐ if you need it. I'll admit to you that when I first started with German, I used the "Before You Know It" software, which works in precisely the same way. I can't say that it was entirely useless, but ... In addition to being the equivalent of banging words into your skull with a digital
hammer, there are some problems with software like this. First of all, this kind of program only works if you are learning multiple words at a time. You could set it to test you on just one word over and over again, but then you're not really getting spaced repetition. In essence, such software trains you to look at a word and then maybe you remember it or you don't before it gives you about 3 or 4 other words that you may or may not become familiar with before returning you to the initial word and testing you on it. At no point are you encouraged to actually learn the word, let along memorize it. Worse, if you're at all new to the language, you may as well be trying to distinguish snow flakes. When using software like this, you're encouraged by a machine to not really pay attention to the word. Rather, you're encouraged to first recognize it and then essentially stutter your way into familiarity with it based on the whims of an algorithmic machine gun. But let's not throw the Tin Man out along with his oil ... How might spaced-‐repetition be used more effectively? Here's something you can try: Instead of putting your target word on one side of the card and the meaning of the word (in your mother tongue) on the other side of the card, take a moment to fashion a mnemonic and place it in your Memory Palace. Do this for ten words. Then, when entering the word into Anki or Mnemosyne (I'm not really convinced that one is better than the other), put the target word on one side of the card and a description of the mnemonic you used on the other without including the meaning. If you've created your mnemonic well using the Magnetic Memory principles, then it will tell you not only the meaning of the word, but also how it sounds. This way, if you're going to pummel yourself with a digital, spaced repetition hammer, then at least you're exercising two channels of talent at once: repeated exposure to the target word and extra practice at decoding your mnemonic in real time. That'll build you some mind muscles, I'm sure.
An alternative, more challenging and altogether more interesting strategy here would be to not include the target word at all. Instead, have the meaning of the word on one side of the card, and the mnemonic you used to memorize the sound of the word on the other. In this case, you're actually forcing yourself to repetitively produce the word from your memory without actually seeing it. Why is this such a cool exercise? Because it resembles what you're going to do when you're in a conversation or when you're taking a test and need to write in your target language without a dictionary or any other aid. You're going to need to sunder the target word in real time in the absence of the word. You'll have nothing but context and your Magnetic Memory mnemonics to help you. All of a sudden, these repetition software programs seem to have struck gold. It's the old Super Hero thing, I guess. With great power, comes great responsibility. Use the power of software like this in a mature manner that respects the abilities of your mind, and you certainly can soar. But just be cautious that the cure never becomes a poison, certainly not when its fangs strike on algorithmic autopilot. Speaking of pilots, I'm thinking about starting up a monthly Magnetic Memory Postcard Program, which is to say that you've got the chance to receive a very interesting memorization tip once a month (twelve times a year) on a postcard. These will feature memorization ideas shared exclusively on these postcards with those who sign up to get them. More news soon. Until next time, teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Memorizing Using Multi-Colored Channels And Little Glass Cake Bowls
23 May 2013 Berlin, Germany 10˚ and looking at the dark side of the moon instead of listening to it (for once) ... Dear Memorizers, I always feel blessed when I get great questions that push the boundaries and reveal new possibilities. Check this one out:
Thank you for your newsletter. I am currently reading your book. and I am interested in learning French / German & Dutch all at the same time. I want to focus all my attention equally to memorizing vocabulary. Do you have any pointers ? Any idea how to keep the words in each language separated? Maybe a German object in the mnemonics that I create if it is a German word, etc.
I've definitely thought about how to do this and have written about it on page 20 of the April Magnetic Memory Newsletter. If for somehow you haven't gotten it, just reply to this email with "Send me the April" PDF and I'll get it to you on Saturday or Sunday (I'm off to play a concert tomorrow). Or you can grab it for your Kindle here: http://www.amazon.com/Magnetic-‐Memory-‐Mondays-‐Newsletter-‐ebook/dp/B00CMCSF38 Your idea to include a German object with German words, a Dutch with the Dutch and French with the French is quite brilliant. If you were to use just one object in coordination with each word, you would be giving yourself dozens of possibilities for creating the kinds of zany images that make these words so memorable. For German, you could always use a Bierstein, for French a wedge of brie and for the Dutch, a ship. These are just a few of the "bridging images" that come to mind. However, having these bridging images does not solve the potential problem of having chaotic arrangements of multiple languages all over your Memory Palaces. Basically what I suggested starting on page 20 of the April edition is to separate one's journey through each path into "channels," which in your case would be the French, German and Dutch channels. These separate channels would essentially run side-‐by-‐side like lanes on a highway.
For someone like myself, I could manage this three-‐channel or three-‐lane division conceptually. For others, it might help to imagine dividers between the channels. For yet others, they might imagine different colors running in stripes along the floor of the Memory Palace journey. French could be blue, German gold, Dutch white. Follow the multi-‐colored brick road to the Fluency of Oz. A lot depends on how your journey is structured. I know that many people like to use hallways as stations, sometimes even doorways. I could see how in such cases, this would make it difficult to squeeze in three separate mnemonic images, especially if you're making them large and vibrant and colorful. One could wind up creating a great deal of distortion. At the same time, we are talking about pure mental magic where you are the only one who sets the rules. If you were to consciously decide that there is no interference between the images, then your mind will bring you the perfect methodology for making that happen. For example, when I set my mind to it, I imagine little glass domes covering each image. It's kind of like trapping the sun beneath a glass cake bowl or something like that. The rays press against the glass, but they can't escape or cast influence on the other glass bowls covering channels two and three. There is one major issue, however. Take the letter A, for example. To split the Memory Palace journey into channels or lanes for a letter A Palace designed to accommodate three languages, one would then need to make the palace itself governed by English words (or words from your mother tongue) rather than the words of the target language. In other words, you would have a station devoted to the word "assassin" and then split into the three words for "assassin" in Dutch, German and French, words which may or may not start with the letter A. Normally, I always recommend structuring the path using the target language, because that's the language we want to focus on, but in a special case like yours, it makes more sense to structure the path along one's mother tongue. Anybody else have any thoughts about this? Until I get back from the road, teach someone else what you've learned about memorization. Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
How To Memorize Like Sherlock Holmes
25 May 2013 Berlin, Germany 9˚ and wetter than the (which?) end of a snorkel ... Dear Memorizers, Sorry I missed yesterday, due only to a gig with my band in Bad Kreuznach. For those about to rock (and all that jazz) ... Anyhow, just a brief note for you today before I wash wash wash the road from my hair. I came across this great explication of the Memory Palace methodology, one that gives cool links to other studd and references Derren Brown's outstanding Tricks of the Mind. One of the Magnetic Memory readers has already checked it out and put some of its teachings to work, so congrats on that. It's truly phenomenal what you can learn in that tome. Anyhow, here's the link to this article: http://daviniahamilton.com/2013/05/20/pimp-‐your-‐memory-‐how-‐to-‐build-‐a-‐mind-‐palace-‐like-‐sherlock-‐holmes/ Oh, and since I'm not so talkative today, there's another bit of magical material you might want to check out: David Blaine explains how he held his breath for 17+ minutes As a magician, I've always admired how little Blaine uses "sleight of mouth" to assist his tricks (i.e. getting you to look him in the eyes as he says something while executing a secret move). He just does stuff. But as it turns out, he can speak. He's a great speaker. Now, why would I want you to watch a video about a guy who can hold his breath for 17 minutes ... ? Well, here's the thing:
A lot of people think they have a bad memory and that the bit of effort needed to develop something like the Magnetic Memory system for themselves is too much work. Learning how to hold his breath for 17 minutes is well within human potential, but not something many of us are likely to do (unless diving for pearls without an oxygen tank suddenly comes into fashion). But the 2-‐3 hours it takes to get really rolling with the Magnetic Memory system is nothing -‐ it's not even sand through the fingers compared to what Blaine went through in order to conduct his experiment in testing the limits of survival. And he didn't even get to speak salmon while he was swimming with the fishes! Just imagine all the speaking you could do with just a tiny bit of practice. You all already know that I give the Magnetic Memory Mondays newsletter for free, but that both Volume 1 and Volume 2 are available to you freely if you prefer to get them that way. This material is like supplementary training, so if for some reason you haven't received the PDFs, or want these valuable ideas on your Kindle, by all means take advantage of these offers. Until next time, teach someone else what you've learned about memorization (and holding your breath). Helping people improve their memory skills is one of the best ways we can make the world a better place. And the more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Great Memorization Software Hoax Continued
26 May 2013 Berlin, Germany 12˚ and fresh from an (over)abundance of spring rain ... Dear Memorizers, A regular contributor to our thinking about vocabulary memorization wrote the following in response my message from a few days back titled "The Great Memorization Software Hoax."
I used super memo to greatly expand my Spanish vocabulary, but I used mnemonics linking the sound of the foreign word to the meaning, in the void of course but at least I used mnemonics. I created my own Spanish vocabulary on super memo of 15k words. Worked rather well. Of course this does not mean that the loci system would not have worked better. Indeed I think it would have been better for reasons we have previously discussed. But whether one uses mnemonics or not, one cannot escape Ebbinghaus , so for this reason spaced repetition makes sense as an aid to long term memory. The supermemo program is not as user friendly as some of these spaced repetition programs, and the files have to be repaired often or else they will corrupt, but I like the super memo algorithm better than Anki. Anki is more user friendly but seems to remind one too early early on, and too sparsely later on. So I thought the word "hoax" in your title was a tad extreme,since any program that follows the natural forgetting curve cannot be all bad. Your idea for incorporating the mnemonic in say side 2 is a good one, but one might as well have the meaning there too. I say use what we know about the forgetting curve and use mnemonics too. I even have typed in my loci association with the item I am trying to learn within the spaced repetition software. In this way I have the English word and meaning on one side, and the locus and association on the other. So I think it all depends on how one uses the software. There is an app called Flashcard Elite that uses the super memo algorithm that I find very useful. Of course if one is in country then conversing with the natives is probably what one needs to do, and one thus gets an automatic spaced repetition, though not quite as systematic as the algorithm would be,but probably more effective in the long run.
In all fairness, my use of the word "hoax" was indeed a bit extreme. My overall position on these matters is that people should use what works for them, and no one else can really decide on behalf of anyone else what does or does not work. Nonetheless, my suspicion is that we undertrain the mind with such technologies -‐ or better said, we train the mind to expect that we have not memorized will eventually show up again. While on the surface it might seem like the repetition is "teaching" you the
material, it is also training one to rely on the appearance of the answer on a card or on a screen. This is the Dark Side of Pavlovian Conditioning. To be completely fair, however, I have taken a few days to try Super Memo out for myself. I have an iPhone, and this is the version I downloaded: https://itunes.apple.com/us/app/supermemo/id326593743?mt=8 For the purposes of testing, I went with German and bought up a whole bunch of the programs to see how Super Memo arranges various levels of vocabulary. It took me a while to get used to having so much information on the screen, and unlike some of the other programs, it is not set up as an index card that spins around. There is no distinguishing one side from the other. Rather, the "hidden" information, which in this case is the target word, appears below the definition at the request of the program user after taking as long as needed to sunder the word from "the void" (assuming one is not using a mnemonic technique such as the Magnetic Memory system). The screen also shows the beginning of a sentence along with some synonyms. Both of these serve as either clues or red herrings, depending on the context and on the user. I eventually got used to it, but at first, this feature was a rather intense barrier to entry. Although the photographs also give some clues to the word associated with the definition, they too can create false trails that lead the mind away from the target word rather than towards it. It is good that we see a category indicator, and it too is presented in the target language. Here are some other elements I like about the program and how it works: 1. The German voices are decent. 2. The vocabulary ranges from simple to complex. 3. They seem to be avoiding the overabundance of cognates that some language programs love to dwell upon (yes, one must know the cognates of the target language, but it seems that many of these programs overdo it in this area). 4. It is possible to use the program without repetition. This allows one to use mnemonics and then test according to one's own whims, rather than those of an algorithm. 5. The example sentences do not include English translations. You need to read the example in the context of the target language (i.e. see it in use).
Here are my criticisms: 1. The screen is very busy with too many elements. 2. You can only hear normalized, textbook versions of the language. People might understand the second language speaker who uses these words well enough, but will the second language speaker understand the language of the street and every day conversation using these programs? 2. It does not encourage memorization using association (although one could make the argument that at some level, seeing the word in the contexts of word category, example sentences and synonyms is associating the language with the language, but that's not the kind of association I mean). 3. When one does use the repetition feature, it repeats and repeats and repeats until you agree that you "know" the material before continuing on. This leads to the "hammering" effect that I spoke about in the first "Great Memorization Software Hoax" message from a few days ago. When I am forced to repeat something until I "get it," I'm very tempted to lie just to get on to the next thing, which is a key problem with these software programs. Allow me to expand on this point. One cannot remove these programs from the world of video games, in which unending reams of novelty are the ne plus ultra of user experience. I suspect that even with old fashioned index cards, the craving for novelty would be in evidence, but very much so when it comes to holding a piece of technology in one's hands. Also, when learning a foreign language and all of the example sentences are in the target language, what one hears is a lot of babble, especially if you're new to the language. I don't know if any of you have ever trained dogs, dear Memorizers, but the quickest way to make puppy insane is to talk to him or her in complete sentences. Here's what we say: Sit Rover, sit. No, Rover, sit, there you go, that's a good Rover, sit Rover, oh, you're so cute ... Here's what the dog hears (maybe): Sit, Rover, sit. Blah, Rover, sit, blah blah blah blah blah Rover, sit Rover, blah blah blah blah ... We've embedded the new word we want the dog to learn in a field of nonsense
words. In some ways, that's what this computer program does. Okay, sink or swim isn't that bad. A) We're humans, not dogs. B) If we're going to visit a country where our target language is spoken, it's going to be even more intense than a bunch of words we don't know squeezed into the space of a small screen. All the same, I wonder if the immersion isn't too extreme given the hammering effect of the spaced repetition, which on my version of Super Memo actually isn't spaced at all, since it won't allow me to proceed until I've agreed that I "know" the word. 5) With such an advanced bit of software, it's something of a shame that each and every word isn't "tappable" so that you can see the English definition. Again, we want to be immersed in the context, but it also seems cruel not to have a lifejacket anywhere in sight. How can I redeem this bit of software? By using the Magnetic Memory system, of course. Essentially, I've been treating it like a randomized dictionary and taking a second to pop the words I don't already know into one of my alphabetized Memory Palaces. It's great to see the words used in multiple contexts, but that's nothing a decent dictionary won't already do for a person. Hearing the target word used in an entire sentence is great, but it also presents a danger, namely that it could very well distract the person from using a memorization method with greater finesse than the brute hammering of repetition. On that note, auditory repetition may have its uses when it comes to learning the musicality of the language, though again, if you haven't memorized the meanings of the words, the notes are but an empty shell. (Speaking of music, we've received a great question about memorizing music that I'll be answering most likely tomorrow -‐ stay tuned). As for Ebbinghaus, brilliant stuff, and certainly one of his most interesting findings has been that humans find it just as easy to memorize nonsense syllables as they do words with which they associate meanings. That's very good news for people studying foreign languages. But the beauty is that we can attribute meanings to those languages through the
power of association and doing so makes them even more memorable. So whether you use spaced repetition software or not, the goal should always be to actually memorize the material. The more you do that by using association, the tighter knit your pool of memorized words will be. Until next time, teach someone else what you've learned about memorization. Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Breaking News: Music Can Be Memorized!
27 May 2013 Berlin, Germany 18˚ and finally sunny again, albeit in a surreptitious way ... Dear Memorizers,
Here's a nice question about memorizing music that I've tried to do justice in my response:
Dear Anthony,
I am a recent convert to the idea of memory palaces, having used them to successfully learn various facts, and, most recently, shuffled decks of cards. I'm looking forward to putting them into practice with languages after reading your book! As a professional cellist, I'm extremely interested in the application of memorization techniques for music, and wondered if this is how you are approaching the Bach suites? Colleagues are always asking me if I am going to use my new found memory skills for musical means, and I'd love to be able to say yes! I'd be fascinated to hear your thoughts on how to go about it, if you have the time.
Thanks for your great question! A lot depends on what one wants to memorize. If you want to remember the sheet music so that you can "see" it in your mind as you perform, then that is a relatively simple matter of figuring out how many bars you have and then creating a Memory Palace for the composition and then storing as many bars as you can reasonably fit per station. That will require some personal experimentation and will vary from piece to piece. Bach's Sonata #1 in G Minor would require a lot more space than Suite #2 in D Minor, for example. To get the images into the Memory Palace, you could imagine yourself painting the sheet music on the wall of each room in very large and vibrant colors or have certain notes dancing. If there is one in particular note you always get stuck on, you could see that note juggling fire or slapping a clown -‐ so long as the image is exaggerated and absurd, it will work. I would think that visualizations of this sort would provide a great method most especially for those little mistakes one makes with particular notes. I've experimented with giving each note a name or a shape, but in truth, I've not
found it necessary because I've come to know how each mark sounds rather than what it is called. I think that is one of the first leaps a student makes, lest the student continue to mentally recite D, F, A while playing. That would probably not be a good thing. But if one were to do that, however, a mnemonic for the Circle of Fifths could be useful. Five Cats Give Dogs An Endless Battle is one that I've read about on the net for soloing up the neck and By Eight All Dates Get Fold Feet for soloing down. But again, this is adding a mental step that one should probably go beyond rather quickly. As for the fretboard, one could assign an image to each integer, but we have the number system for that ... you could learn to sing the sound associated with each fret by singing its number, but singing its note name would probably be better for understanding the cyclical nature of the layout. As for meter, we are lucky that the shapes indicating these are already pretty zany, but it would not be a stretch to associate each with an image. A man wearing a hat, a man holding a hat, a man leaping to escape a fire, a tennis ball flying at the head of a note etc. Ultimately, these mnemonics should be useful for beginners, but I'm not sure about advanced players. In such cases, I should think that memorizing sheet music is an option, or alternatively, placing an image of one's hands on the fretboard in a station by station manner could be quite useful, or at least ease the anxiety of forgetting simply by going through the routine of placing the material somewhere. Relating the sight of one's hands in positions with the sound of the notes could also be quite useful, and visually linking positions with an image could be explored. As ever, the individual memorizer needs to experiment with the different approaches and see what works. But where there is a mind, there is a vast and superior memorization machine, so long as it is trained. Until next time, teach someone else what you've learned about memorization (you could even sing the lesson). Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Memory Software Hoax That Would Not Relax
28 May 2013 Berlin, Germany 17˚ and on my way to see the new Star Trek ... yes, again ... Dear Memorizers, Those of you who have been following along the past know that I had perhaps overexerted my claim that spaced repetition software is a "hoax" when it comes to helping people memorize languages, facts, figures, what-‐have-‐you. Despite some really great feedback from a valued reader of the Magnetic Memory Newsletter, and having tested some of the software I was not previously familiar with myself, I still cannot fathom the value of spaced repetition, and still think that in terms of grace and elegance, spaced repetition is a hammer compared to the feather of memorization techniques such as the Magnetic use of Memory Palaces. Continuing the conversation, our contributor writes:
One thing I should tell you is that you cannot fully appreciate these types of programs till about year of use.
This is exactly my concern. A year of computer-‐assisted (or index card-‐assisted) repetition compared to the small investment of time needed to develop a system like the one I teach in my books will have you appreciating the power of your mind in no time flat. That said, I do not deny that the power of repetition after all of that time won't have its positive effects. But I've never bought into this "10,000 hour" rule either. With all due respect to Malcolm Gladwell, the mastery of skills can, has been and will in the future be achieved much sooner and with far fewer maintenance sessions by normal people and so-‐called geniuses alike. And when it comes to memorizing stuff, one hour really can be 10,000 hours relative to computer-‐assisted spaced repetition. Lest it seem like I am being antagonistic, let's carry on with the email. After recommending Flashcard Elite for iPhone (which I have yet to try), our contributor writes:
Although I am basically sold on these types of programs there is another potential disadvantage that u have not foresee; some of these canned flashcard data sets
have errors in them. If one has some knowledge of the language it is better to do as i do and create your own data set say for oddball German words you have just encountered or ones u have rarely encountered. I know how to pronounce Spanish words so I do not even bother with the sound.
Fortunately in the canned Spanish data sets I know enough Spanish to detect most of the errors. I am at an advanced level and in many cases of the canned programs I sense the author was at a beginning to intermediate level.
Another disadvantage of the programs is that if one switches the settings so that the stimulus word is in English and the response is in the foreign tongue,one can often get these wrong because one becomes advanced and knows about 15 ways to say the same thing in the foreign tongue,but that is not a software problem,but it is just the nature of learning a foreign language. In such cases if I can think of any correct way to answer I give myself a good or a pass on whatever spaced repetition software I am using. I have used them all except Mnemosyne: Anki,v-‐trainer, Supermemo,and several phone apps. The Supermemo algorithm is the one that best fits the Ebbinghaus forgetting curve which seems to apply whether or not one is using mnemonics versus rote,or something in between.
One other problem with the spaced repetition software is that when one reviews a thing say a week later that u have not rated yourself well on the program
it is gambling that on the rating and based on the time that has passed that what it presents u in any given review session will be things u have forgotten. Then can make one have a very non reinforcing review session in that it is rewarding to get things right and punishing to err. However I enjoyed using mnemonics as i tended to get even 90 percent of these right. So i enjoyed trying to beat the software in this manner. If I missed an item,i just shored up the mnemonic and always got it right the second time. If I used a mnemonic I found I could recall an obscure Spanish word a year later. The kind of word one does not hear or see a lot-‐ I only used it for lower frequency words because I was already speaking the common words. I only know a little Italian and have not used much spaced repetition for that yet. I will soon be shifting over to your method for Italian but I may use spaced repetition software to recall my stations and the words associated with them. That does Not mean I would not review the stations and words in my head outside of using the software.
In essence your method turns the paired associate learning (in the void) to a list of such paired associates attached to the loci. So your method involves remembering more method (a recall structure as well as the paired associate items), but i think there is enhanced fluency of recall with your method.
As I wrote in the last two "memory hoax" editions of the Magnetic Memory newsletter, I'm not at all inclined to toss these software programs into the dustbin. I only think that their use is severely limited without some form of "soft" memorization strategy. I call it "soft" because I am borrowing a term from Systema, which is the martial art I study. In this art, we absorb the energy of the attacker and redirect it into the attacker's body with the minimal amount of movement, effort and technique. As with the Magnetic Memory system, there is a lot of preparation involved. But as with the Magnetic Memory system, once set-‐up, the ability to smoothly transition those words into your mind using your imaginative abilities uses far less effort, energy, and ultimately, you wind up using less of the technique overall. This is because overtime, you don't need to think about the technique. You simply do it, and the more you practice the memorization technique in a relaxed manner, the more relaxed you will be during recall. It's pure Pavlov, dear Memorizers, but the right kind of Pavlov. Relaxation is definitely where it's at. So my recommendation to anyone using spaced repetition software to help them memorize languages, facts, figures, terminology or anything whatsoever is simply this: Use the program in combination with a memorization system like Magnetic Memory and use it when in a state of deep relaxation. If you haven't tried working on your vocabulary memorization in a state of relaxation, give it a (gentle) whirl today. And enjoy the "softness" of the work. The softer the work, the less effort you need. The less effort you need, the more effective the memorization. Until next time, teach someone else what you've learned about memorization. Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
The Shocking Truth About Using Maps to Memorize
29 May 2013 Berlin, Germany 15˚ and filled with cartography ... Dear Memorizers, People often tell me that they've run out of locations to build new Memory Palaces. I've come to think of this condition as "location starvation." My hope in writing Volume 1 and Volume 2 of the Magnetic Memory newsletter has been to school my subscribers in as many Memory Palace options I can think of while also teaching the fine art of Memory Palace fishing on one's own. The Magnetic Memory worksheets are also designed to serve as an aid in the process, so if for any reason you've lost yours or don't want to hunt through your inboxes for them, just send me a response to this message with "send me the worksheets" and I'll email back with a fresh set. Don't underestimate the value of going through the worksheet exercise. It's a means of helping you externalize information that you already know and then see it visually outside of your head. When we produce things from our imagination written out or painted out or sculpted out, we are in a far better position to manipulate them. That's one of the reasons I made you this video of my Excel file system: http://www.youtube.com/watch?v=UMPMuOyfke4 Externalizing the journey by using this simple software (to be distinguished from the spaced repetition software we've been talking about this past week) solidifies the journey in my mind much more than if I were to do it based on pure mental power alone. That said, there's nothing wrong with pure visualization. And there are loads of benefits to be won by working in that manner. And at the highest level, that's what one will be doing with the Magnetic Memory Method once all of the Memory Palaces are established. But when getting started and looking for Memory Palaces and the stations you want to place within them, it's really important to externalize the material. If you don't like top-‐down lists and Excel files, you can always draw a map. It's a pretty simple affair. Here's one I drew back in the day: it's the Berlin first apartment I ever lived in and one of the first times I tried drawing out a journey. I personally prefer lists,
but I often combine multiple visualization strategies to strengthen the visual aspects of my imagination and steer myself away from relying on conceptualizations alone. However, all of this just sets up what I really wanted to suggest today. If you're stuck in a rut, why not use existing cartography to create Memory Palaces? For example, I come from Canada. It's a simple affair to imagine the different provinces as they fall from left to right. Each can be used as an individual station in a Memory Palace called "Canada." Chances are that where ever on earth you come from, you're also deeply familiar with the regions and territories of where you were born. If you can visualize a macroscopic map of the territory with ease and consistency, then you can "place" image associations on the surface of the map. But the same old rules apply: 1) Start in a terminal location (i.e. on the left edge of the map, right edge, top edge, bottom edge, etc) and try to make sure that you can always add one more location after the others are used up. 2) Avoid crossing your own path. That leads to the unnecessary expenditure of mental energy and confusion. The interesting thing about this exercise is that you don't need to draw a map if you don't want to spend the time. You can simply pull one off the bookshelf and visually chart out a Memory Palace journey on a professional prepared map. Now, if after reading Volume 1 and Volume 2 of the Magnetic Memory newsletter you're still having a bit of trouble coming up with enough Memory Palaces and stations, I sometimes coach people. It's a lot of fun and my clients who struggle with some of the concepts in the book always walk away with an improved memory. And it's not just about memorizing vocabulary. Here's what one client has said after just four hours of coaching:
I joined a Toastmasters Club a while ago, and memorization of speeches has been an on-‐going challenge for me, until Anthony taught me how to use his proposed techniques. I am able to enjoy the delivery of my speeches much more now since I know that the message I want to convey will be sent out with the specific words I had originally planned to.
I find myself being able to focus more and also to retain some other information better if I use the technique with frequency....As the famous saying goes: "If you do not use it, you lose it" and I find memorization a great technique to keep the brain alert and young!
But I have to tell you: it isn't all fun and games. You've got to do some homework even just to sign up. Don't worry. It's actually simple. You just need to at least attempt to fill out the Magnetic Memory worksheets to qualify. If you're interested, and think coaching would help, just reply to this email and I'll send you the specifics. And if you've been thinking about coaching, but are sitting on the fence for any unusual reason, let me tell you two things that are very important. First of all, I make my coaching very inexpensive. It's only $125 for four hours if you book them in advance, $80 for 2 (also in advance) and $50 per hour if you want to go one session at a time. Second, if you're worried that you won't like it, that's totally cool. Some people won't -‐ and usually not at least trying to fill out the worksheets is a good indicator that the client isn't going to put in the work needed to get the maximum benefit out of the Magnetic Memory Method. Perhaps they prefer the harder path ... I'm not sure. But if for any reason someone doesn't feel like they've benefited from the coaching, they have what I call my "Right Decision Guarantee." Just simply request a refund and you'll receive your money back without hassle (though I might ask you why you're unhappy with the service so that I can improve my coaching). So there really isn't anything to lose, and given the season we're currently in, there's really no better time to get started with achieving your memorization goals. If you're a traveler, you're going to really lose out on the flavor of the country you're visiting without the maximum amount of vocabulary lodged in your mind. And if you're a student or a business person, well, I think you probably already know what an (ethically) unfair advantage having a Magnetic Memory is going to be. If you're struggling with the Magnetic Memory system, I can help you take this information and put it into practice to the point that it will be like effortlessly
injecting new words directly into your brain. People will be amazed by the progress you make -‐ especially you. Until next time, fold up your maps and teach someone else what you've learned about memorization. Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Memorization Starvation
30 May 2013 Berlin, Germany 20˚ and definitely Englishable ... Dear Memorizers, First up, you gotta check out this cool page our Magnetic Memory friend Joshua Smith posted on Facebook: http://www.deathandtaxesmag.com/195348/18-‐obsolete-‐words-‐which-‐should-‐have-‐never-‐gone-‐out-‐of-‐style/ "Englishable" is certainly my favorite word of the lot, but "snoutfair" comes in as a close second. It's really interesting to think about lost words like this because it points out the very simple fact that so many of the words we say our artificial constructions. Well, all words are built, but some words show mores signs of deliberate invention than others. Take "Bromance," for example, a word invented to express the feelings generated by a flock of new films about friendships between men, while "frenemy" evolved to express the dissolution of friendships between women. "Crowdfunding" is another interesting portmanteau word, as is "chillax" and "Weblish" (closely related to "Netspeak" and "Internetese.") Oh yes, dear Memorizers, English is alive and well and living online. But we're in the business of memorizing foreign language words and obscure terminology, so let's have a look at a follow-‐up letter I received from the "location starvation" theme we visited a few days back:
Could I ask you opinion on this? Lets say I have a goal to memorize 1000 words in french,german and dutch. If I used the loci system, i don't see how i could have enough locations and stations to be able to use the system in memorizing the vocabulary. Right now i am using a poor system of looking at the foreign word i want to memorize. Listening to the pronunciation. Then using the pronunciation to find a word in English that sounds like that piece of the word or the entire word. Then I imagine that pronunciation of the foreign word with the association of the English word that I know that sounds similar.
I am having trouble because i am not linking one vocabulary word to another. Nor am i currently using the loci system.
I don't think the LOCI system will work for me because , I don't think I can come up with enough places for me to use with my vocabulary word association.
Let me use an example of my house. i have 4 bedrooms, a stairway. one kitchen, a front yard a backyard, a garage, a front and back door. Even if I used all the houses of the friends combined with mine, it would not get me to 1000 stations. And, I need 3000 stations. Any suggestions?
Here's my answer:
Not having enough locations and stations is indeed a barrier. Nonetheless, I'm confident that with some preparatory work you can come up with 3000 stations. For starters, you can expand upon what you've already got. With practice, instead of using one of your rooms for just one word, you can use it for 5-‐6 words by placing them on the window sill, the bedside table, the bed, the dresser, the bookshelf, etc. You can subdivide the other rooms in the same way, and you can use every step on the stair case, divide the front and the back lawn into quadrants, divvy up the garage, etc. How many houses have you lived in throughout your life? How many offices have you worked in? How many neighborhoods and stores do you know well? Have you tried filling out the Magnetic Memory worksheets? (I've attached them for you in case they are lost in an email that will take too long to find). First off, in the Magnetic Memory system, you don't have to link the words to one another. If you follow the journey principles laid out in the system, then the journey itself will be your link. And when everything is working really well for you, the journey will be used for
rehearsal alone. When you are called upon to access or use a word, your mind will magnetically fly to that location without needing to start at the beginning of that particular Memory Palace and walk through from station to station. You'll be pulled there. That said, let me suggest that you temporarily modify your goal. Use the Magnetic Memory worksheets to identify 10 stations per letter for just ten letters of the alphabet. Here's the letters I recommend starting with for these languages: A B D E F G K L M N You can use shopping malls, libraries, movie theatres, parks -‐ any place that you know reasonably well and can chart a journey through. Remember, you want to use locations that you are familiar with because this reduces the amount of thought you need to exert as you add new words at the stations you've identified along your journey. I'm confident that once you get started, you're going to not only feel the power of how all of this works, but you'll also find it much easier to discover the perfect Memory Palace locations and stations too. And if you still feel like you have a case of "location starvation," that is simple to solve: * Take a walk down the street * Visit a movie theatre * Go to the grocery store * Drop in on a friend * Take a trip and stay in a hotel
There are countless ways to gather new locations for Memory Palaces. It's just a matter of paying attention to the surroundings. Your brain is naturally wired to remember the layouts of locations, especially interior locations. I don't know exactly why this should be the case, but it is for nearly everyone, and we should capitalize on it. Simply by practicing awareness as you move about your every day life, you can create literally dozens of new Memory Palaces each and every week. And if you start up your very own "Mission Memory Palace," you'll find yourself visiting new places too. That's pretty cool. It keeps you active and healthy and exercises dormant parts of the brain -‐ parts that will help you reach your memorization goals. Above all, relax while you are working on every stage. The more relaxed you are, the more receptive your mind will be. There are some tips on relaxation in the book that you can use and I highly recommend that you do. I really enjoy helping you with understanding the Magnetic Memory system and applying it to your situation, so let me know if ever you have any further questions.
And that goes for everyone. Feel free to ask me your questions any time. So until next time, go out on a Memory Palace Mission and then teach someone else what you've learned about memorization. Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
How to Find Memorization Rich Environments
31 May 2013 Berlin, Germany 19˚ and off to Leipzig ... Dear Memorizers, Just a quick note today about finding what I call "Memorization Rich Environments." You see, it's not always about technique. Sometimes it's about mindset. And one of the best ways to go about developing the right mindset is to steep yourself in the culture of what you're trying to learn. No, that doesn't necessarily mean plane tickets, hotels and being wary of pickpockets. It can be as simple as a trip to the foreign language section of your library. Or it could be the medical or legal library, or whatever specialty you are working on. Seek an internship with a company that speaks your target language or lingo. If you're in a bigger city, you can visit the embassy of a country that speaks your target language. Use meetup.com or Craigslist or the free tandem partner service I mentioned in Volume 2 of the Magnetic Memory Newsletter. Volunteer for an organization that will bring you into contact with the material you want to memorize. There are all kinds of things you can do to amplify the techniques you've been using to reach your memorization goals. If there are any that I've missed out, shoot me a response to this message. I've got something cool to send you in return for the favor. Until next time, find yourself a Memorization Rich Environment and then teach someone else what you've learned about memorization. Teaching a skill is one of the best ways to learn it and helping people improve their memory is one of the best ways we can make the world a better place. The more we remember, the more we can remember. And the more we learn, the more we can learn.
Sincerely, Anthony Metivier [email protected]
Further Resources For Memory & Memorization Techniques
I’ve mentioned Harry Lorayne several times in this book, so let’s start with him. The Memory Book: The Classic Guide to Improving Your Memory at Work, at School and at Play is a wonderful resource. Get it here:
http://memorizegermanvocabulary.com/harrylorayne
Lorayne’s website is also well worth visiting:
http://www.harrylorayne.com/
If you’d like to hear a nearly 2 hour long interview with the man himself, check out You’re Only an “Aha!” Moment from Greatness on this website:
http://www.hardtofindseminars.com/Harry_Lorayne_Interview.htm
You’ll also want to read Tony Buzan. I recommend Use Your Perfect Memory.
http://memorizegermanvocabulary.com/tonybuzan
A recent memory book that has gotten everyone talking is Joshua Foer’s Moonwalking with Einstein: The Art and Science of Remembering Everything has an appearance by Tony Buzan that is a delight to read. His success with memorization skills is absolutely stunning. Here’s the link:
http://memorizegermanvocabulary.com/moonwalking
Perhaps my favorite audio program is Dominic O’Brien’s Quantum Memory Power: Learn to Improve Your Memory. He reads the book himself, making it a wonderful experience. His passion for memorization techniques really shines through.
http://memorizegermanvocabulary.com/quantummemorypower
You’ve probably seen Kevin Trudeau hawking his products on late night television infomercials. Don’t groan, however. His Mega Memory is one of the best memory products I’ve ever encountered. He talks a lot, but in Mega Memory, everything he promises is right there, ready to be learned.
http://memorizegermanvocabulary.com/megamemory
From the world of magicians and mentalists, I recommend Richard Osterlind’s Easy to Master Mental Miracles.
http://www.mymagic.com/dvd/dvd-osterlind.htm
This book includes tons of other ideas as well that will have you amazing your friends.
Tricks of the Mind is Derren Brown’s third book. It includes a very powerful chapter on memorization that will take you further on your journey as a memory artist:
http://memorizegermanvocabulary.com/DerrenBrown
Here is Anne Merritt’s article on vocabulary memorization:
http://www.telegraph.co.uk/education/educationadvice/9816185/Foreign-languages-how-to-memorise-vocabulary.html
Here is the link to the French conjugation website:
http://www.conjugation-fr.com/
If ever you are uncertain of how to pronounce French words, check out this amazing resource:
www.forvo.com
It gives you not only one pronunciation, but also pronunciations by different speakers who have uploaded their voices. This means that you get a range of pronunciations and therefore a larger understanding of how the word sounds in different contexts.
Finally, if you find any resources that you think should be included in future editions of this book, please do not hesitate to send them to me at [email protected].
Spread the word!
Do you like this newsletter? Has it helped you improve your Memory Palace work with tangible results? If so, I want to ask you to help me tell other people about it.
Since 2007 I’ve made my living entirely by writing and teaching. Yet, I have done very little promotion for my books. Nearly every sale has come from people passing on the good news through word of mouth. So now I’m asking YOU to please help me spread the word. My belief is that the more people on earth that are able to cultivate bilingual skills (if not trilingual and more), the better our world will be. The vocabulary memorization skills described in my books genuinely help people who use them and the results are real.
Here’s how you can help.
If you have an email list of friends and contacts, why not send them a message about this newsletter and its contents?
Discuss the newsletter on web forums and message boards.
Print out a few relevant pages and leave them in any common area where you work or meet with people. You can print your name on the copies so that people know they belong to you and use the material to start great conversations about language memorization.
If you have friends or contacts in the press or media, tell them about this newsletter. They will definitely get a good story, article or feature out of it. I can easily be contacted by emailing: [email protected].
Write a review of the newsletter and tell people where they can find it. Post your review on Amazon.
If you write guest blogs or speak on podcasts, mention how this newsletter has helped you.
If you are a teacher, include this newsletter as part of your course or your next product launch. You could also invite me to be a speaker and have me offer your students individualized coaching while I’m there. Contact me for details.
Thank you.
Anthony Metivier
About the Author
Anthony Metivier completed his BA and MA in English Literature at York University in Toronto, Canada. He earned a second MA in Media and Communications from The European Graduate School in Switzerland while completing a PhD in Humanities, also from York. As the author of scholarly articles, fiction and poetry, he has taught Film Studies in Canada, the United States and Germany. He plays the electric bass.
© 2013 Metivier Magnetic Memory Series.
All Rights Reserved. No part of this publication may be reproduced in any form or by any means, including scanning, photocopying, or otherwise without prior written permission of the copyright holder.
Disclaimer and Terms of Use: The Author and Publisher have strived to be as accurate and complete as possible in the creation of this book, notwithstanding the fact that he does not warrant or represent at any time that the contents within are accurate due to the rapidly changing nature of the Internet. While all attempts have been made to verify information provided in this publication, the Author and Publisher assumes no responsibility for errors, omissions, or contrary interpretation of the subject matter herein. Any perceived slights of specific persons, peoples, or organizations are unintentional.
This Edition, Copyright 2013