59
Painting and Printmaking BA (Hons) Application Guidelines 2020/21

Painting and Printmaking BA (Hons)

  • Upload
    others

  • View
    2

  • Download
    0

Embed Size (px)

Citation preview

Page 1: Painting and Printmaking BA (Hons)

Painting and PrintmakingBA (Hons)

Application Guidelines 2020/21

Page 2: Painting and Printmaking BA (Hons)

Stage 1

o Submiting you Application to the UCAS websiteo Uploading your Supporting Visual Material and 500 word Statement to the

Glasgow School of Art (GSA) website.

Stage 2

Candidates progressing to this stage will be offered an interview with AcademicStaff from their chosen department. Due to the Covid situation the interviews will mostprobably be on-line. Applicants will be asked to have their portfolio available online to be viewed and discussed as part of the interview.

Guidelines for Applicants

Application to a B.A.(Hons) Fine Art programme will consist of two main stages:

Page 3: Painting and Printmaking BA (Hons)

• Applicants submit application to UCAS, and Upload Supporting Visual Material (Portfolio) and 500 word statement to GSA website.

• Academic staff assess all applications against a set of criteria..

• Applicants are informed of one of two things:

i) They have been shortlisted and are being offered an interview OR ii) The application has been unsuccessful.

• If offered an interview, candidates will be asked to bring their portfolio of work. Following the interview they will be informed of one of these outcomes:

i) An Unconditional Offer. ii) A Conditional Offer ii) An Unsuccessful outcome.

Structure of Application Process

Page 4: Painting and Printmaking BA (Hons)

Criteria

What we look for in order to evaluate your Stage 1 application:

• How your e-folio demonstrates your interest in Fine Artand the Specialist area applied for ?

• Course awareness, why this course?• Your development process.• How you represent your sources and influences.• Range and application of practical skills.• Course work.• Independent / Personal work

Page 5: Painting and Printmaking BA (Hons)

• How your e-folio demonstrates your interest in Fine Art and the specialist area you applied for :You will be expected to include work that uses materials and methods which demonstrate appropriateness to the specialist area applied for. (e-folio)

• Course awareness, why this course? You will be expected to communicate why you consider the course applied for is the appropriate one for you. (folio statement)

• Your development process :You will be expected to show how you progress your ideas through experiment and visual enquiry. (e-folio)

• How you represent your sources and influences :You will be expected to show your source material, references and influences through sketchbooks, or through other supporting material. (e- folio and folio Statement.) These can be represented by uploading selected pages from your sketchbooks, preparatory sketches,development sheets and final pieces.

Page 6: Painting and Printmaking BA (Hons)

• Range and application of practical skills :

We expect the portfolio to represent your experience with materials, methods and experimental work. (e-folio). This can be demonstrated in a variety of ways includingdrawing / painting / analytical / abstract / 3Dwork /photography /CAD etc.

• Course work:

You will be expected to provide examples of work which has been made as part of a prescribed course (e-folio) Independent applicants (who may not have recent course work) will be expected to represent appropriate experience of practice through their folio and statement.

• Independent / Personal work:

You will be expected to include examples of work made outwith a prescribed course, which builds on your experiences and demonstrates a potential for independent learning.

Page 7: Painting and Printmaking BA (Hons)

Personal Statement GuideYour Personal Statement (approx. 500 words) should be a clear and coherent reflection on why you have chosen to apply for a particular programme. It should demonstrate that you have researched and understand the specifics of the programme you are applying to and why you think you would be a suitable candidate for it.

It could also include particular areas of interest within your practice and key influences e.g. artists/writers etc. who have informed your thinking and ideas.

Page 8: Painting and Printmaking BA (Hons)

The 20 uploaded images can either be uploaded individually or be integrated into a single PDF and should contain examples of different work.

Before you finally submit your application, check each image to ensure you are happy with the size and level of detail you can see as this will be what Admissions staff will also see.

The image size should be no greater than 2mb ( ideal image size is 1024 x 768 pixels if

possible) with a resolution size no more than 72dpi. And if uploading a PDF this should be no greater than 50 mb in total.

20 images are required to be uploaded

Page 9: Painting and Printmaking BA (Hons)

Some notes for guidance in preparing your E-folio:

Research/preparatory work: This can be sketchbook pages, studies, development sheets, preparatory drawings that demonstrates/tracks the development of a finished piece of work. We are interested in the concepts and ideas behind your work and how they progress and develop; from the initial starting point / source of inspiration through to a finished piece of work.

We are also interested in finding out more about your interest in Fine Art, artists that you are looking at (for example exhibitions visits, on-line resources, books, periodicals and newspapers). We want to know what or who has motivated you or influenced you to apply for the specialist area.

Also whilst the work of other artists can be referenced within sketchbook pages is should not solely occupy one of the uploaded slides within your portfolio.

Page 10: Painting and Printmaking BA (Hons)

Some notes for guidance in preparing your E-folio (continued) :

In order to show us the Development of your ideas throughout a project you may wish to show several drawings/pieces of work together within one image: you could do this by photographing several works together at once, or by photographing several pieces individually and using Photoshop etc. to combine them into one image. This can be particularly useful when trying to show work that cannot be photographed at the same time for example a series of pages in a sketchbook. However it is important not to make the components of an image so small that the details cannot be seen.

Finished work: We want to see work that is an outcome of your development work and is more consolidated and resolved.

Time based work: (film / video work / sound pieces / slide shows etc.) If you are submitting a Time-based work it should be presented as a story board with 5 - 8 images.

Page 11: Painting and Printmaking BA (Hons)

InterviewThe portfolio interview will normally last about 20 minutes and will be conducted by 2 members of staff.

Tips on how to prepare:

o You will be asked to talk about your work, so identify beforehand which work you would like to speak about and know where to locate it within your portfolio.

o Think about some questions to ask the interviewers about the course or GSA.o Practice talking about your work with a friend, family member or teacher.o Prepare to talk about some artists, either established/historical or contemporary

whose works has inspired you. o Try to Relax - Everyone wants you to do well.

Page 12: Painting and Printmaking BA (Hons)

The following slides show an edited selection of some uploaded Portfolios to the Paint/Print department. These are given as guidelines only; we understand that each applicant’s work is personal and this will influence the way in which they choose to present the work.

Page 13: Painting and Printmaking BA (Hons)

Alexandra Beteeva

Page 14: Painting and Printmaking BA (Hons)
Page 15: Painting and Printmaking BA (Hons)
Page 16: Painting and Printmaking BA (Hons)
Page 17: Painting and Printmaking BA (Hons)
Page 18: Painting and Printmaking BA (Hons)
Page 19: Painting and Printmaking BA (Hons)
Page 20: Painting and Printmaking BA (Hons)
Page 21: Painting and Printmaking BA (Hons)
Page 22: Painting and Printmaking BA (Hons)
Page 23: Painting and Printmaking BA (Hons)
Page 24: Painting and Printmaking BA (Hons)
Page 25: Painting and Printmaking BA (Hons)
Page 26: Painting and Printmaking BA (Hons)
Page 27: Painting and Printmaking BA (Hons)
Page 28: Painting and Printmaking BA (Hons)
Page 29: Painting and Printmaking BA (Hons)
Page 30: Painting and Printmaking BA (Hons)
Page 31: Painting and Printmaking BA (Hons)
Page 32: Painting and Printmaking BA (Hons)
Page 33: Painting and Printmaking BA (Hons)

Hannah Gulland

Page 34: Painting and Printmaking BA (Hons)
Page 35: Painting and Printmaking BA (Hons)
Page 36: Painting and Printmaking BA (Hons)
Page 37: Painting and Printmaking BA (Hons)
Page 38: Painting and Printmaking BA (Hons)
Page 39: Painting and Printmaking BA (Hons)
Page 40: Painting and Printmaking BA (Hons)
Page 41: Painting and Printmaking BA (Hons)
Page 42: Painting and Printmaking BA (Hons)
Page 43: Painting and Printmaking BA (Hons)
Page 44: Painting and Printmaking BA (Hons)
Page 45: Painting and Printmaking BA (Hons)
Page 46: Painting and Printmaking BA (Hons)
Page 47: Painting and Printmaking BA (Hons)
Page 48: Painting and Printmaking BA (Hons)
Page 49: Painting and Printmaking BA (Hons)
Page 50: Painting and Printmaking BA (Hons)
Page 51: Painting and Printmaking BA (Hons)
Page 52: Painting and Printmaking BA (Hons)
Page 53: Painting and Printmaking BA (Hons)
Page 54: Painting and Printmaking BA (Hons)
Page 55: Painting and Printmaking BA (Hons)
Page 56: Painting and Printmaking BA (Hons)
Page 57: Painting and Printmaking BA (Hons)
Page 58: Painting and Printmaking BA (Hons)
Page 59: Painting and Printmaking BA (Hons)

http://application.gsa.ac.uk