August 20, 1966

LOOK OUT!

HERE COMES PROBY!

PJ PROBY is e>

1 Hi YELLOW SUBMARINE/ELEANOR RIGBY 8e.1tles. P,irlophonc 2 i ll WITH A GIRL LIKE YOU . Tror,,s. Font,ina 3 I' I BLACK IS BLACK Lo, Br,1vo, Dercd 4 1t I GOD ONLY KNOWS Beach Boy< Capitol 5 171 MAMA DJve Berry Decca 6 131 THE MORE I SEE YOU Chros Montez. Pye 7 (li VISIONS Cliff Richard. Columbia 8 IHI SUMMER IN THE CITY Lovin · Spoonful Kam,1 Su tra 9 i '. ) OUT OF TIME Chris Farlowe Immedia te

10 ti >I HI LILI HI LO Alan Proce Set. Decca 11 {31 i THEY.RE COMING TO TAKE ME AWAY HA- HAAA!

12 I It,) 13 I 10) 14 I 171 15 (20) 16 119) 17 ii I) 18 I 13) 19 149} 20 I 14) 21 I 121 22 1261 23 (2 I I 24 1271 25 (291

26 I 181 27 137) 28 1-1 29 130) 30 122) 31 125) 32 128) 33 (241 34 123) 35 (32) 36 1-) 37 142) 38 1401 39 145) 40 {47) 41 (39) 42 1-) 43 1-1 44 (-1 45 135) 46 134) 47 1-) 48 1-) 49 1-) 50 1-)

Napoleon XIV W ,irncr Bros I SAW HER AGAIN Mama's dnd Papa's , RCA LOVE LETTERS . Elvis Presley. RCA LOV ERS OF THE WORLD UNITE David and Jonathan . Columbia MORE THAN LOVE . Ken Dodd. Columbia I WANT YOU Bob Dylan. CBS GOIN· BACK Dusty Springfield. Philips I COULDN'T LIVE WITHOUT YOUR LOVE Petula Clark. Pye ALL OR NOTH I NG Small Faces. Decca SUNNY AFTERNOON Kinks. Pye GET AWAY . . Georgie Fame Columbia JUST LIKE A WOMAN . Manfred Mann. Fontana STRANGERS IN THE NIGHT .... Frank Sinatra, Reprise AIN °T TOO PROUD TO BEG Temotat1ons. Tamla Motown LOVING YOU IS SWEETER THAN EVER

Four Tops, T amla Motown NOBODY NEEDS YOUR LOVE Gene Pitney. Stateside GIVE ME YOUR WORD .. Billy Fury. Decca TOO SOON TO KNOW . Roy Orbison. London BAREFOOTIN' ...... ... . .. .. . .. Robert Parker . Island RIVER DEEP- MOUNTAIN HIGH Ike and Tina Turner, London I LOVE HOW YOU LOVE ME Paul and Barry Ryan. Decca HANKY PANKY ................... Tommy James. Roule tte YOU DON 'T HAVE TO TELL ME .. Walker Brothers. Philips BUS STOP . . . Hollo es. Parlophone PAPERBACK WRITER . . .. . . . Beatles, Parlophone WORKING IN THE COAL MINE Lee Dorsey. Stateside BIG TIME OPERATOR . Zoot Money, Columbia HI! HI! HAZEL . ... Geno Washington, Piccadilly WARM AND TENDER LOVE . . ... Percy Sledge. Atlantic THIS AND THAT . ... . ..... Tom Jones. Decca WHEN A MAN LOVES A WOMAN Percy Sledge, Atlantic DISTANT DRUMS ... . .... ... . .... ... Jim Reeves. RCA GOT TO GET YOU INTO MY LIFE Cliff Bennett, Parlophone HEADLINE NEWS .. Edwin Starr. Polydor CAN I TRUST YOU . . . . . Bachelors. Decca A PLACE IN THE SUN ... ... Shadows. Columbia EXCUSE ME BABY . . . . Magic Lanterns, CBS I FEEL SOMETHING IN THE AIR .......... Cher, Liberty BLOWIN' IN THE WINO .... Stevie Wonder. Tamla Motown HOW SWEET IT IS ..... .. .. Junior Walker, Tamla Motown

© LONGACRE PRESS LTD., 1966

POP FIFTY PUBLISHERS

. 5 I

US TOP TEN I

\lJM"'4tR IN

T ur

t I P I n, MOTHU S llTTU HELPU

1 .. l I COULON T LIVE WITHOUT YOUR

TOP TEN LPs I (! REVOLVER B I~ PttlOOhOnc

THE SOUND Of MUSIC

J

PURDAH PROVES THE POWER OF THE POP PANEL M,: ~ne soncle review of the lead op P,, ncl two weeks go t~res/°. a fantastic burst of in-500 ,n a record of which only

copi es were pressed . • It w.,s the Eric Cla ton

lohn M,wall blues " Lonclv\ea -;:-issued on th . . rs • Records I b I c spec,ahst Purdah nard lcnk~n:_:. coupled with " Ber-

• Im d ' I review ,i:': i:,;:; :ff!ollowing_ the d.1 ted with • h ce was •nun• Clapto P one calls from big Lo;d:nd Mavdll fans . and from also been n d:~~or sto_res, _who had including w gHd s•t~ •~quiries, office and 1,,;hof;_ moths head

• At first m t the single N b ~• 'j? surrounded came fr~m O :,v new where it who produced it One copy found •h way to the ~M office buried ,n . • batch of o_rd1nary p O p ungles, and was p~actically re-;~r:.ed by mis-

• But the in-!ta':'t response indicates both the

e MAYALL

huge following for Eric and I h and the i~fluence of the J...,." ~00 the_ songle has sold out ove; pressecd_p,es and more are being

• It was produced by Mike Verr~o'! ":'hose Purdah label !,pec1ahses '" blues and R&B d

Lonely Years" can be obt;i~:d from 3B Codstone Road Kenle ~urrey, for eight shilling's incluJ~ rng postage.

NAPOLEON has met h is Waterloo -Napoleon XIV that is! Faced with trying to fol-low up "They're Coming To Take Me Away, Ha Haaa!" he has made an album and then com-mitted professional sui-cide.

Napoleon - now back to his real name or Jeny Sam-uels - told me this over the

~~~: ~~o';n~!~. ~~w ra!~r~ was apparently the first to tell him how well the dlsc

w~~J:tg m~ B:~~"ess," his voice came over the cable. ''Pardon me while I drop the telephone.''

There was a short Inter-mission whUe his voice mut-tered: "You kids play in your own room and close the door. This Is a long distance call.

record?" "We're already done the

beo;t we could, .. said Jerr)' . 11We've done an album with the same title as the single. Some or the ,;elections could be singles - they are very funny. lt''i all far out, but maybe not quite as far out as 'They're corning To Take Me Away!"'

re:!~ln:gr:~:i~:::, hbu't"3

~e~ nlcd British rumours that he had recorded the single at home.

"It's very difficult to say how 1 got the idea," he ex-plained. "1 was sitting: o.round and It popped Into my head. We recorded it in the studio as an independent pro• ductlon and showed lt to Warner Brothers. No, they didn' t hesitate about taking It.

"The fact that it hns be-come a hit didn't surprise me quite as much as you might expect. I thought It would be a hlt, but l never expected it to break as fast as It did."

What happens now? ' 11 might retire," he gagged.

"Just gettinJ the kids out of the room,'' he explained when contact was re-estab-lished . "They're five and two :ind re31ly cute; they like to wall and scream."

" \Vhat," 1 asked, "can you possibly do as a follow-up

" Really, I'm not quite sure what I'm going to do,

"But l can tell you one

thing - the album Is the last product of Napoleon XIV. He's dead! I'm not makin~ any more records under that n!.me or on that ba!tis. But I will make re• cords ns a vocalist.

" I don't know if you know It, but l've written several hits, although this ls the first I've had as an artist. 1 wrote 'In The Shelter Of Your Arms' and some other things

~~~itr'~rd 0r~~15A!!'~" ~a~: w~~An~e7 ::;;e:!~~ed as a

:~~~~~-s o~/b~ro~e ~c:,ut: ;: own name but they didn't mean a thing."

WIii Jerry now be making personal appeannces to pro-mote his new success?

"There are plans for me to tour the States but l'm not sure what they are yet." he said. 0 1 also understand I'm ,;upposed lo go to England but nobody seems sure Just when that wiU be.

"It should be fatrl)• won.'' Is Jerry keeping up his

songwriting £or other art ists? '' I'm not writing at all at

the moment," ' he said. "I'm too busy see ing my tax .ittorney.''-80B DAWBARN.

LOOKING FOR ASOUND?

"''''ll\

FARRSA ELECTRONIC

ORGANS

THURSDAY Tilt Sm•II F•cn, Cr11pt•n

SI IJ' tel9n ,,, ,r .,rt, Ul' l r D•vt lerr)" Od~on

ml) 111' \ lr!Uu u Lo1,1l 1 NI I.On U 1th Kul M•r1yn·, R•gt tmt • a nd l>IJ) • r,11ff u 11..n!Jl

11 Mel'l•y • pl.n lh ,· \ mblv R,,nmti

C~r ,1 And rnu ,1pf' •u on I I I T f

flllDAY SMALL FACES , Crlqt111n St

P• l• n D•v• • , rry ,iur 11,J, 11 :\ 11,,J ti,

I "trH )'I pl.I' lll Uln r, 1 :. Clull nd .. r cl \ 1 ,.,u l •nd • 1rry Ryan , Cr••

"' 'm • ond Mike Stu•rt. Span, 1 , MHch11 nls , ~net Winton G• 'll'ln .11 Bri h\nn ' llo td \ : 1r ,p •h Ol! l.am Oll nl r

1 n Alan Prlu Sitt a t ,, , , 11, Gn 1: t1 n ub

I II HolliH .ll S/1t•r wo,1d \ lld !ht· Check• ,,,.,H , 1:11, ~1 nn !iatur-,1 , l lUI) Jlll(' 1.,1,:n1 Ill am,

zoo1 Money 's 819 Roll 8.llnd I loft Club , fnn) and 01rr, the Small facu. tht Mtndbtfldeo. anJ the Ovl't-la'ldef'II (Au1u11 21)

On t.hr Seotembtr I i, edttion tbe ua Rtiddhll

Band plus the greot Otis him• self 1ake over and s111im3 wuh them will be both line Burdon. and Chris Farlow.::

St!ptember 23 Sel"s tht' Walker Droth~rs, and Oave Dee, ()Qzy. Beaky, M1-:k and T1ch and on Septembrr JO American blucs•soul s1au 1kt' and Tina TurnPr will ht on the sho .... with lhe1r 1ounng re..,Ut" With tht: Turner-: will br, the tent.1stic Lovin' Spoon• ful

Lunchtime Collier TH£ Graham CollJer Septet

ii 1Mn~ a MfiH of lunthllme conrart• a1 Loa-don's Juneua Coch rue Thea1rc, for •hr 1utttt1ln

~':~~!t~ri: ~:•~ fTOat 12.-ta ,. ... to 1 p.111.

The theatre 11 Jn South-arnptoa Row, Holbom, and Id· rr11111on prlte i1 21 tel

The aroup ha recorded a oae m,aut.e wc:Mon fNal r No her'a • Refltctlons.. ad&• rw a llothtH11& 1V ~l

The Septet hu been doing 3 1enes of "lntroducuon To Jan" concerts and lecture:-at 'ichonlc; m the Rarking an•a

Bell push

Union for T rop THf St. Louis Union flJ to

the South of hance on September U for ~,x dau of club dales Jn S1 Tropez:. The)' then 10 10 Sardinia tor llv• daltt al C0&llal n,ort, lhtrt.

Their lrtf'I end~ With a \'151t to Grr ce fnr I TV shnw 1n Athens

Shames reform

Napoleon taken off American radio NAPOLEON XJV's rrcord

"'They're Comins To Take Me Away", which jumped to eleven In the Pop 50 this week, has been taken off the air by the majority or American radio stations.

The ban followed complalnlS from doctors and hos:pllal1. Despite tht' lessenlna of u-po•ure, the record la 11111 selllna In hu1C' quantltle.s In America.

Napolron XIV - recordln1 engineer and 1on1•riter Jrrry Samuel• - this wffl,. told the MM that he may ..-Is l! Britain lattr In the year (see paa,:e 3.)

Sandie's newie

SA~,~~~e, sH.!'R':n•~as a~o~;': sons WTIHen by Chris And-rews. It Is releu.ed on Augu!ll 26. The 8-alde Is "Loni Walk Home ...

She appears on Five O'Clock Club on August 30, Top

?{ •~e R::s: J~e~~m~!~ (2).

On Seplt'mber 4, she has a

~!~se ~~d ~tae~k~~~di0S:~ tember 5-IO In Milan for five TV shows

Sandie I§ al.so ttcnrdlnB "Nothing Conies ,Fasy" In Gennan for rt>luu In Ger-many.

100' s Yankies

L 0Nt1:°N~~v~!!,itil~t.!:~ trad itiona l jau., I• si.rU111 • policy of pruentln• American star for sbort resldenelu.

The new poliq· staru -..UJt George Uwi '-.: thr dJ}J a t tht lub on "iept,mhtr 20, 21 a nd 22.

Th:lor1!~~•\o1f•tt,~ar:.,,., Ro[; hope to conllnut' with td• mond Hall and WIid 8111 Oavh.on durin• No..-tmbf-t.

i~I lhtw:'o"!,r,'..,\~ su1~rn",:; resldf'nciC"~

"'r1~.:;: ~~~~~~~o foe/ ~! nights lhll Ill• Am•riCUI Slatl .,. al lht dul, a!KI lhe •udlt'n~ will 'bt IJmltl'd in nunlben •o lhal eHt)· bodr c-n Mar tbl'm Jn ce9· ron. TlekN• •ill "" ... ule in achano~"

Crispian switch

CalSPIAN ST. P!TlilP' ................. ---~··· =r=:-.~-~ '- .. ,._ ... °":=:-- .... = ...... _ ...... -.,.... ....... i:= .... ~- ......

~

MF I c •DY MAKER, Auaiu• t 2,1, I raait .S

• • --• -• •

• • -• • •••••• • 11• •••• •

•••••• • •• •• ••• •• •• • •• • •11• •' 1•• •• .. , •• •• • •• - ••11•• . •~ •• •• •• •• • • • ••••• •• •• • •• • ••• •• • . ... , • h•• • 1••· • ••• • I If

• .

II .

--- • --- ----

A GREAT NEW ARRIVAL ON THE MUSIC SCENE

ff URRY! HURRY! ON SALE

NOW!

LOOKWHAT THERE IS IN THIS GREAT FIRST ISSUE

music maker

'.

' ,

3s I ,; ..... , ... ~

BEATlES George Harrison e~plains pop's be5t-selling sound

SINATRA the man, the mystique, I\. and, ol course the music

\~ MILES I. a searching profile of

the jau trumpet ci ant

FOLK ,~- now - technique plus tradition ~ " .. WHAT'S NEW

ON THE DISC

SCENE JAZZ POP, FOLK

REVIEWS

BEATLES A n exclus ive interview with George Harris o n on the musical development of this world-shaking foursome .

SINATRA An in-depth article on the man who first drove teenagers into hysterical appreciation of good singing.

MILES DAVIS A long look into the contro-versial genius behind one of the world's greatest trumpets.

MANTOVANI A searching article on the man who soared to fantastic success in popular music.

M U S I C MA K E R is a new monthly magazine devoted to everyone who likes music . It covers all forms and styles, includes technical advice for musicians, as well as record reviews and the latest news on the whole music scene.

IF YOU LIKE MUSIC MUSIC MAKER IS THE MAGAZINE YOU CAN'T

AFFORD TO MISS

music maker 1 EVERY MONTH 3 SHILLINGS

Eric's first solo date \ \'lllr~~un::lclro'::;rdh~~

\mt rka.n tour \\ Ith the \rdm;II, h(' "ill pl:iy hi,

hr-.1 ,0111 dull" on ITV'~ Reach . rn ht J!,l'h huh hl·'II bt plddnJ: out n,, mht·r, fnr h1, nt'" h~nd, .,111I 1h, \ "111 ht: dC1in1t 11 ,t1rd prnn1n11r,n for hh hr..t ,oln rrlta.,t to" ards tht ,nc1 (If ~rptcmbt'r."

Uurdnn tht"n rt:turns to ,mt'rll':t for • coll111 \\ .1, tt'"rJ!J;n1,;1·d m I rc11y ur,.d bt-caw,1.• afh·r the tour, we'vt· ,pt· nt a Im nl llmt" In lh1· rl"C'lrd1m: rorded

"Thl'y art' th\' h001 ABl' (Septt.'ml,n -4) and

Somebody once asked me for

my autograph-. and they were

disappointed when I wasn't Joan B aez

Ill\\\ 1111\\ ... it's he-re!

Solid Slole Ampliflen polenled ond per!ecle d by VOX . . \ndeslruchble ... reliable circuitry

pro•iding buih-in lop boos! . . Sass boos! .. dislortion boos! .. middle-ronge boos! \M .R,B) . Re•erb .. . Vibrolo ond !he exclu,i•e VOX

Wolchdog 1h01 eMures 10001 purity up lo mo

Pate "-\1flODY MAl\.[R , Au~ust 20, lqfi,; ..

FINE PRODUCTS

BY

Enlarged

amplifiers

~ \ ?t~i!;!~~ 1::1~aciln or~~:: ophOlll!!lf. "-OOdwlnd, fi ra~ ...

!,~l:•r:1:1~1P1i1!u!,r\/gr~:f•t,5y HENRI s rt\1 ER & co. LTD.

In add ition to the top•'ICl-ling Selmt' r•Pari, range or u~ophone., and woodwind s, Selmu will be showing th e well-u,t abllshed llne'I of Con-

~ !:1•a, i~~ :!: r ; ~d ~lit'1: ~f1~~ Ins truments.

The world-renowned brass Instruments labelled Si!! lmer-Parls, Olds, StcrUng, lnvlcta and Lincoln will bl!! on view, Including a much-Improved vendon of th e Melody Maker trumpet, the Ideal Ins trument for beginners.

A MESSAGE FROM THE VICE-PRESIDENT OF A.M.1.1. ONCE AGAIN ,t 1s the pleasure

of the Association o f Musi-cal lnstrurnent Industries to welcome their customers and friends to the annual trade exh1b1t1on which will be held at the Hotel Russell Russel l Square WCI from August 2 I to 25

AS OUR MANY o¥er\t>a, ..,1 , tor~ " ' accu1>tomcd to .a Sunda~ op1•n•nR, and ~om£' horn. trade~ nu y find d1ff1cuhv 1n leJ111ng 1~1r hu '!. ,ne,;s on wt>ekdavc;, we havp dec,ded to e.Kper1mtnt with Sund.av of)I) ptH\u,-d The wholf' .1IN • rhrough thL Edt1t,'Jt1 nal Croup ,f th.: Mu 1c.il In l r,m nt A 'I0(., ,1 !1on, Jt pla) 1n;.; 1he 1r par t, and 1ht' r, rad,•r'!. mu,- 1 pla..- 1h ,r'!, No e l fo rt hould be spar,-d to dc..,e lop do-- , rtJJ11on• h,p with 1,our loc.t l au1 horrl v

WITH NO DESIRE to ·•c ry wolf " . the-re ,1pp('ars 10 be a trong proba . h ,hty th,11 w f! are go,nR to l ,e facrd wrlh a .,hor1ag,- of 111\ trumenr c; , due to " ar1ou-.. fmanc1al and trading re:.tr1c t,om and the nerd to mak !! c-itporl our top pr1or•t~ M.1kc sure c,f )'Our suppht\

WHILE ALL mu~t deplore rhe ~ad s late of our nal•onal aHans. the mu)•C tndui.lry mu-.t not be dis-mayed In day of ~trrss. the n~cd

E?ood hear t and look forword to the

A. utolok screw.leu adJustrnqt

~~:~ ~ tan?.~11::urs '!ad ';.,•~~

b• J 11ands. There are lnv1Una nn,

!~m ct!f ::. bfuc~ni~i,; .such modern reftnements a, di sappea ring spurs I nd eyn,.. bal holden, pl•s tlr- htads, ecc.

UnM r the Dallu Martin • Colet ti banner several new gu ll or1 wlll be on view •t the, Fair. The manr &&i!!OCICS btld by Dallas Include Fra.nun who pre.te nl the latest models In every type or 1ultar and banjo for t he current render-fn ft' or folk music.

Buffet Crampon Paris darl. nl' t s and saxophonu • re •stl-:!lte~f t~heb~ :r~~~. ~!p 8~~~ a nd Buffet cane retd1 are acknowledged to stud the test of the toughest uw.

Spanish

guitars

AMONG lhe new line, Jn-lroduced by fLlTOf.ER & NEWMAN LTD Is a superb

=~11~:~~:n 1:~1~s::;,rs~h~I~~:~ hara and the hand-made Nak-ade.

GENERAL MUSIC STRINGS LTD

Worthy or partlcular men -tion In the guitar range 11re t ron All 1nreresred in our 1ndu clctse coll,1bora t,on

THE GROWTH of demand fo r

for rc lJxa1,on 15 greatN, '>O be of ~

coming \eason with courage .and con fidence No maller what else ~ change,;, mus ic •!i eternal • ..

enviable reputation ln every

Sllmllne semi-acoustic gult• ars at competitive prlcu will supplement the regular st~k ot Jumbo and 12-strlna mod-els which have proYed so

~f1u18be: 0 ¥-ueie."b~: =:~

~l~~aC1~a~~Ji~~~~n:1:~s~. ioW: SOUTH WALES GT. BRITAIN

•mirtR!':1s1c 1~!t~~:ns 1J:.w~ht~

versions of the popular Thun-derbird and Zodlo.c 50 Mk. ll 's. Bigger and bett('r speaker cabinet,, too, wllh Selmer ln-

~i;:u)l;C s~~ker"~~lt,•1!;~,~ tncludes four specl• lly-

t:!1K,~ 1~:!-r":::1~':,w~~~~[h: out losing any tonal quality, and ou1pucs 1n excus of I 00

b;':• ~~t~:~t;a:e~ i\r8;"t)~ PA c:'!1umns. each contaJnln(C four e,uilusl·wely designed Goodman and Rola CelHUon speakers.

For controlled distortion, the new Selmer Buu-tone unit [s one of the best and cheapest on the market. and as UK agents for Shure micro-phones, Selmer will introduce to their existing range six new models from the Performer series acclalmed in the USA.

Firmly

established JN i:~o~~c~d

00t~: ~~1~fc~~:!

to the home market, PHILIPS have bl'come ftrmly established In the mu!llc •qulpment fie.Id. A most-com prehenslve Instrument, the Phlllcorda has been used for every kJnd or performance from classics, lncludln11 the Concertgebouw Orchestra In

~::!:~11i1i0 1i8~sis~:l~ ~~ compact dlmenslon-t.

Ftve different tone•colour seUlngs and lhree pitch switches • re provided on the con trol console. There Is also a control which electronically splits the keyboard ln lo two tor different tone colours, plus the facility for connecting up with a radio, tape-recorder or record-player.

Educational

accessories

PRINCIPAL lines exhibited by WEEKES MUSICAL JNSTRUMEN'TS J..TD wlll be educa.llonal Instruments and accessories, for which they have a. great reputation In the trade. They are lhe largest m11nutacturer1 of manuscript

r.aper In Great Britain, export• ng it to over 40 countries. Other Items on show will

Include a sclectlon of Spanish guitars ranglnl{ In price from tlS to t50. These include an excellent concert model.

An Item or major interest to schools will be the Music Graph, which ls a flannel faced board, mea.surlng three ree1 by four reel, with pointed s tave lines. A complete set ot note symbols, clef s igns, etc, ore lnclud eo.

Arbiter's

Fuzz-Face i.-,R~poi~~:~J~s :::;~ll. ~~

1~re~f1nt 11:::rriom0 '1. s:m,~

-lrbller Ltd. These Include:

me~~e rr!'.:.es:en1der,PZ .. e:c,J:S:

stale" portable high-power,

!~;~:;t~!e eJ!:;fj:,~tl~n;, "~e; most locatlons. It features 100 watts RMS power with

a!IA ~~I:~. ,!fir .s:!~::.~'';::: fesslonal . .standard portable electric organ, with remark• able features, the Contempo. A new range of .. grown 1n the wood " coloured acounlc

corner or the globe, and Bird wlll be showing their compre• henslve range with the empha-.!lis on a sparkling newcomer, the Astaron-Dlrd T.25.

Made to satisfy the exact• Ing demands or church a nd closslcnl use as well a.s use In the entertainment fleld, this powerful In s trument offers o full range of tones. Wllh It can be coupled the revolu• tlonary Bird chorus generator,

The T.25 has a separate speaker cabinet housing four

~ro~~kbi1 1~?1~ f~1:::~~e~~I~.uc;

25-watt amplifier and facilily for further amplification If re-quired. The inclusive price Is 689 guineas.

New drum

priced bongoe.s . . . school percussion drums . . . tym-panls, glockens plels, chime bars, etc.

A run range of Beverley drum accessories will be spot-ted on the stand. There wm be attractive guitar bags. To the standard ra nge of s iring,

~II ::n.1te1d ei::k ~i~:~'. Plano s tools will be avail-

able for home and educational use. Near at hand will be samples of fitted covers In many materials for pianos and ora:an.,.

Salesworthy

cello outfit guitars called WIidwood, dd"t"o ::~

1~::o t~~~g '~~~ aF~~~i:~ a I I ns MAKING their second ap-of RUltar tutors. pearanu at the

Drummer.s will be itching n:;L~!rt:i!~ys~~eea~!~d ~~toJ;vtg .!in ~p~ ---------------------------------------, ::~as~! fa~~w~'ice~~:mpne~f • s one of the corner•stones Ing a representative range of

~~:~ wi th any British pro. ftis thc~u:~~ca!u~"d!~~'6 r~~ mi;:~~:•b~;=~~0u1rtd fo r the

IS THIS

YOU? _ scratching your head - surrounded by leaflets a!'d b_rochures all !ull of beautifully illustrated drum outfits, t~chnical spec,~cohons and claims to revolutionary improvements - we admit our brochure ts the sa~e. . In spite of all this beautifully presented information, our guess 1s that you shll cannot make up your mind which outfit to buy.

MAY WE SUGGEST FOUR THINGS? -1. PRICE You obviously hove o budget, so sto rt here. The Autocrat ond Broadway range includes the "Phase One .. outfit ot £29. 15.0 ond the superb ' Supreme" outfit of £158. 10.0-plus mony ,

many more .

2. VALUE FOR MONEY Sell!'c l something tho! is built to lost. Autocrat and Broadway outfits moy differ greatly 1n com-pos,hon - but nev.r 1n quality

3. TONE Never buy on outfit without heonng it first - not even one of ours . All Aulocrot ond Broodwoy outfits ore O'f'oiloble filled with the famous " HEADMASTER" plastic heads, plus a wide choico of shell sins - so we know you'll find the sou11d you wont

4. FINISH With 1ome doi.en dn,troctive ond hard wearing shell finishes, there ' s sure to be one tho l immediately lakes your foncy

SEE AUTOCRAT AND BROADWAY DRUMS AT YOUR DEALERS NOW I Or, if you wont to scra tch your heod some more -w•·JI send you o b rochure by request

DRUMS ANO ACCESSORIES

Ludwig fn America • re nowned equipment as Carl• first time will Include An torla now supplying Pa.Isle cym• ~:~.

8M".':iinRug~le~l,cks:a~:: ~s'f' a nd concert suJtan tt::, ::d'u: ::;,el~ts w~n, ~~~ Scandalll, Dearman, Buisson. ne: ll~e a~; ~p~sF ·:!t:

rise the~e and other beauU• 8r;::::• ~;~mb1:nnn~oua:,t:~; :;:!~ars from IS gns to 100 n~w cs~~~·1 J~~,u~~l~h ~c~ household namu. A cello outftt at 32 grs, plnces the old Custom. The world-famous player. which has already bten dlstri-

Pearl will be showing their designed, craftsmen - buJlt buted, Js proving a satlsfac. revolutionary drum kit with Carlton drums and equip- tory Item Jn the educatkmal " fibreglass" shells, an all- ment • re manufactured by field, whe.re business Is ever• ~:~a10;n~~~h~ru~t!ryd !i~oi!: Dallas, Carryln, Innovations las~~ pro~:~~n.hy att sending the- modernised Gal- ~~e ra;J~!~hl!fth mtt~rt8:::e::: the vtofin and viola out• anti organ. approach. These Include fft.s retaiUng at 6l gns and

From the home front, Arbiter parallel-action s nares and the 10 g os respectively. :1e:~~;~,

0~1~

11be

10dl::~a~~"c~ I ____________ ..;;. _ _; __ .;_ __

l!i!S.d ul Soundlmenslon. It in. dudes an amplifier called the llundred Plus, weighing well under IO pounds, and a futuri stic development in loudspeaker eolumn, for PA work.

With the current demand for a reliable fuu..box, Arbi-ter are launching their own l'Onceptlon, which wlJI be ~nown as the Fuzz • fat'e. It is expected to prove a hot seller, creating g reat enthusi-asm at the Fair.

Fairy-tale success T~~;1~~o; p1:!uc ~"ru'!: hro1ds ls • fairy-tale SUCCl'SS , 1ory. Released a re"' years ago on the European market. they a re now .selling at a fan• tHtlc rate a ll over the world.

They llre h,Jnx fitted 85 sta ndard equipment by 18 in-ternational manubc.turpra and are the automat lr cholce of 1>ercept1ve drummers.

Their enonnous advantaau o.,.tr calf heads have made them an undlli puted suceeu.

Sparkling

new organ 1\ NYnar::u:, =y lbe SlllD & SONS LTD ,.trio .,j

Buddy de Franco Pete Fountain

Jimmy Hamilton Woody Herman

CHOOSE

LEBLANC Leblanc CIJrrnct,, B..1 ... , C'l.u Hlth Jnd the.: r.1buklU\

belcblanc•S},tem •Hophnnl, an: JhH\ i•lltlahlr JI 011.

st dcalef')

\~ 'rite foa de \.:t1Plh~ c..at.11.,ru\'.'. ,111

TWO HITMAKERS WITH AN UNUSUAL SIDELINE

A fAINT_ whiff of that Re-vivalist fire and brim-

stone is detected in the Pop 50. There's a definite touch or the Holy Rollers about "Lo,ers of the World Unite'", David and Jona-than's first major single hit and their grst chart success since thev covered "Michelle" si~ months ago.

" lhe '>Ong h,1\ a ~or1 of revi...-albt ltt_l," admitted Jonathan (;1ha-.

l'a& 10-M[LOD, 11,,1AKfR Au~u t 20. 1966

New RB

pick up I{'

1

~t•1_!~m~n~~,i~!0~n ~~~

hrt- 1)' d1fterent group sound at lht' Fair. Loca ted at Room 161, , .. tht' MW RB pick-up lor cluin 1, flu1r , sai-:ophone, lrurn(l('.t a nd trombone , \\hlch "111, m httt, Kive every brass and \\Ooch,ind Instrument ran-ta.'lotic pOS!iibilitles.

Rosetti will be, puttin& on lht>lr bi&gest-ever dtsplay, v. 1th man~ new illstruments and accessorie,:, ,;upported b)•

=~Y el~~~J;;~ c~:101\~e• 1sf6C:.~ 3eason.

Pockct-slLed broe:huru will 'Jhoa '. E.piphone, Ho)·er and

t,ro,~d tr~~t!~! ." . . • R!sa:~tf educallon:,I in•trumf'nts, ln-cludln~ bra,;!!. and ~oodwlnd

. V 1111doren reeds and m,1uthpit'ct,: . • and thoc;e m1n,culou~ RB p,ck-up'li for br,h and wood.,.,indll:

For lhf' fir'il t.hne, the Tatra da, .. lt auitar will also bt' olTert:d as \1inl Tatra c-ollec-1nr·~ piece, for dealer-.' edu-c.1Uonal promotion.

5th man

at last! W'~~I~~ L~~k~:!/a~ :r:.a:1· ofr~;-~:J::!r .. :;irri~~~ 1,on tquipment, with new model-. in the 3010 watt ranJt:.

\ new ,·erslon of the Power B.ac;-. range, the ER30/Super 15 Bas~ and altern3tlvely the f.R30 Dual 12, has been de• \'t'loped, ~Ith output of 30.60 v.atts and equipped with either a 15 inch bass speaker or two 12 Inch speakers. Spvake:r coluntnl with 5x10 inch spukers or 3x12 lnch spnkers. driven by a 60 watt ;~P!~~ln/0 u;~~- ar~,f/l~e:30}

SYDNEY Bl~D'S new Astcron Bird T.25, particul.uly suited to dass1cal .and church use, retails at 689 guiMolS ,

TJ1algi-~vJ~; g!~t~~ljs el~~ tronic organ "'hlch Is .11 fulJ. range Instrument with ne:1rlv all the features of the orlgln:il WE/\1 Telstar, except the

pr~~(' w::cl~hi! ~~:r •~!~iblts will be the 5th Man guitar, a rem_oirkable sound project, c,cclus1ve to WEM, which at one tlml' was discontinued, due to Insurmountable devel-opment problems.

An mdispens3ble lnstru-ml!:nt for rhythm guitarists, the whole unit is Inside the guitar, which ha" a rcihaped slimline neck, two high-output pick-up,;;, the new "Sting" features, and a wide selection

~~m\J~~rio~0

~~5'rr!!~

1dsc;un':-.~

PrP is 85 gns.

First time exhibitors

Ab soprano to 88b contra-bass, v.:111 be on Ylew.

Visitors lo the well-stocked Leblanc stand wlll be able to examine In delall the great contributions to clarinet de-sign made hy Leblanc (Paris) with the Leblanc soprano and

~~1s 1~~~~deln~~~~~e~~;n w~~~: and bas,; clo.rinets and cOntra-nlto and contr:1-bass clarinets.

Thcrt• will be a full sclCc• lion of lhc famous Noblet wind lnslruments from Lu Couture, In Norm3ndy, cover-Ing clarinets, flutes, bu s • clarinets, plus new lines of considerable lnterc.u, includ-ing 1he Noblet piccolo, a true conical hored piccolo "ith unique design bell fie.re, and lhe medium priced Nor-mandy clarinets and flutes.

French brass instruments or qualily by Courtois will embrace the de luxe model trumpets, now fitted with trigger mechanism tor 1st ~aJve, symphony trumpets in

EXHIBITING for the first ~lu~~~g De:;: ~:t:~on~ha~;; time at the Fair, G. L. Instruments.

LE.BLANC (LONDON) LTD. Specially m3de for the f:,ir wlll be Introducing to are examples of the Courtois the trade their wide range of Super 6D alto and tenor soxo-woodwind and brass inslru- phones, which are standard ments avaJlable in Britain. models, In contra • dlstlnc-

Hammond's

new models rl'~l1f ~: ~1 ~,~~u~:;.!' 1\~e

~~ l~u=~ll~~!l~y l~~r :~~h':~1 to lhe pop Rroup.

Refu!tin 11, however, to rest on their laurels, J-l :1 mmond will be s hoY..lng 50me or their new mod els recently Introduced in the U.K.

Thi!Sl' innovations w ill In• elude: Thf' electronic K.102. The lransportable M. 102, wh ich h all been speclally made with the pop group s In mind, ofJerinl! remarkable compact~ ness, w Uh easy moyement lhrough narrow doo rw:1ys, etc. The E. 100 and the E.300.

There will be a restyled C.3 console model wilh PR.40 tone cabinet, a new H series and thr nt'w P. 15 exten• s ion sJ>('aker which has latel>• ~h: n u.ft on the market In

Bagpipe

specialist GCO~G~a~ii~~~l~N~n~:nw~~

~~~c1~f1~1~. ~;ar~~he nob3!~!f..~

to keep his products wer ahead of competition to the North.

From his headquancrs In the centr, of London he wn ' be exhlbitln1t a complete rang' (If bagpipes, practice chantt'Ni and pipe band accessories .

It is well known that bag• pipes are the most tempera mental of ini.truments, but George Alexander has sner.al inve.ntlons to his c.redll whlcl have helped 10 make thcn-bchPYe corrcclly.

New strings

developed !r:ne~~1;J'1et:Y clag~et i.ea::i!IJ~ tlon to the special Leblanc-(Parls), In all tonalities from :t~'~:. aJto and tenor saxo. C~~~e~~:,,L engag!I"':!N~: -==============================:;, art of strlnc making for a very

Starfinder Bass ls a new unit at 87 gns. for bus work and I! filled with an 18 Inch \ptaker. ,.. long time. If you ask them

they would be the first to agree that It takes years to achJeve a good name for re-Jlablllty. But this does ROI

I

For the first lime in the United Kingdom

WURLITZER are introducing and exhibiting a new range of

WURLITZER MARTIN BAND INSTRUMENTS

together with the complete range of WURLITZER Organs including two new models, the fabulous Side Man electronic drummer, the conventional WURLITZER 2370 piano and the new WURLITZER electronic piano.

You are cordially invited to come over and visit us

al the ROYAl HOTH, WOBURN PlACE 1,, 1 aero, rh, road 1111d 20n mrd, 101/1 country are the Al Hirt Holton trumpet and the Holton ban trombone wilh ro1ary E atlaehment.

Watch for the big stock of Gratsl-Mllan [nstruments, In• eluding flute, piccolo, clarlnet, oboe, alto and tenor sn:co-phones.

Observed for the first time In E.niland are the f3mou,;; Flsoma YIOlin and guitar •trlnp. And ,ultarl'.its v.lll

~=~ r:~,~r~r~n,c;~a ~7ri~~~ from America, which are known everywhere.

After many years, Bame and ,1ullins are once again m•nufacturln~ in their o"n factory the orl1tln11I Swan e flute, IO&t'lhf'r wllh gui11r C'•podastros, and to conclude their bll! colltcllon of lnstru• ments and nt·ceuorle,. IJarnu and Mulllns will ah,o oft'tr: Barcarole atcordian, . •. An~ bor1 horn• •.. Ragplpu . . Rico .and Scientific reed• ... Schou rtcordcn . Mlr1nd1 autobarp.

and~ NEW! NEW! NE~

NEW! NEW! NEW! NEW!

[R*B] ELECTRONIC

MICROPHONE FOR BRASS AND

WOODWIND

~~cee..vtt=:: IT'S THE NEW-SOUND

SENSATION B~ Rosetti, always in front with th mike, mounted on the instrument it e 11°~w ideas, this new new world of sound . When h se · tntroduces a whole brass purely amplified, hugyC'o~.,:~ sax, clarinet, flute and that music takes a giganllc up-b f eaullfut , you w,11 know And 1t doesn't cost the earth Me: ·

[ BIUSTOL J BRISTOL MUSIC CENTRE JO West Street, BRISTOL, l

'The BP\t tn the- W 1 ·

Telephone 51214

BROWNS OF BRISTOL LTD 3'> St. Steph~n•• Street

BRISTOL I Telephone 23646

Deale rs 11'1 Ep1ph ·•ne Cu 1t1rs s nee 193.2

CHURCHILL & SON, LTD. G6 P,1,k Street

BRISTOL I Telephone 23886

For y0

Tatra - Egmond- Vandoren - Epiphone - Educational- Hoyer - Royal - Epipbone - Ta·

I COUNTY DURHAM STOCKTON

BURDON'S for

EVERYTHINC "4USICAL In

NORTH UJT 52 Yann L.n•

ITOCkTON-ON-T[(S T• I, fi6614

I ~' ".'.=:t,fR:::::BY~SIIIRE~ CHESTERFIELD

All Musiul Instruments,

Pianoi, Organs, Shut Music etc,

C. £. HUDSON & SON LTD. 3 Market Hall Building

CHESTERFIELD. Tel. 2957

... unless it has Vandoren on the back lt l ,,.. l .,,t, W lh I 1lc I r,•ct1om 11,r, U,Jll JI

11, t"li 11. 1111 Jl I ,1n mstn,n, ,1 -11,,.c ,n ,t 111 !I'd syrnµ,itl I tic r(' n p v1u~ suprrb t1mbie The ant , n q•11? m 'u• f r,11! rr :vv I a mu• ,r tn, desI9r,

MOUTHPIECES TOOi '1 'c +>r! ly 11 ·,lh:d. ;tllnw,n J thE r~t.:dS

~~ UN STREET· LONDON · E.C.2.

NEWQUAY

THE MUSICAL CENTRE of CORNWALL

1 Fore Street NEWQUAY, Cornwall

Phon• 2485

PENZANCE

JOHN FRY LIMITED

Muket faw Street

l'elcphone Pens.anc• 3227

CUMBERLAND

CARLISLE

J.P. DIAS LTD. 149/151 BOTCHERCATE

CARLISLE

Telephone C•rlisle 22369

I DERBY

FOULDS ...• Derby's Music Centre

40 lrongate, DERBY

'Phone 44842

I DEVDK EXETER

BIU GREENHALGH & CO. 125/129 Fo,e Sl'reer

EXETER Tel. 58487

Music.I Instruments Pianos and Organs

PAIGNTON

THE MUSIC

STUDIO 41 Hyde Rod

Tel. Paignton S82S1

l

PLYMOUTH

THE MUSIC CENTRE

PLYMOUTH 1 Sherwell Arcade

Tavistock Road

Tel. Plymouth 66518

C.H. YARDLEY C, CO. LTD.

14 Cornwall Street Tel. 60125

10 New Bridge Street TRURO

Tel. 3268 ond

242 Union Street TORQUAY Tel. 22345

BASILDON

RUMBELOW'S 15 East W•lk

Tel. Basildon 20362

Complete ROSETTI range

and accessories

COLCHESTER

MANN'S MUSIC SHOP

123 High Street

COLCHESTER

Essex

E. J. MARKHAM C, SON LTD.

12 I - 12 3 Priory Street COLCHESTER

Phone 72646

ILFORD

ALL EPIPHONE CU/TARS ALL EPIPHONE ACCESSORIES

RON'S MUSIC SHOP LTD. 25 llford Lane, ILFORD

Essex Easy Terms Part Exchanges

ILF 2712

In LEEDS and NEWCASTLE it's KITCHENS

and in BRADFORD it's MOORES

for Epiphone H~er Tatra Ee,nond ltuldoren and Rosetti. Call and inspect our large range of these fine instruments and send for brochures and lists ~---- --------------------------------, I Tick where requ1r•d I

I Pf•o•• Hnd b,odiu,..,.- EPIPHONE O HOYER • TATRAO I : EGMOND O WOODWIND O BRASS O I I NAME LEEDS I I AOOllSS I S. KlrtHff,l ll'D, 27 31 Oo .. n VKtor,ci St I I NEWCASTLE I I I i IC.ITCHEN LTD 19 lhdl.-y "-• I I BRADFORD I ~-------------------AU'IIO MOOU LTD, 26 N.,,. Pa~ _____ J

ROMFORD SHANKLIN MARGATE

HODGES C, JOHNSON HERTFORDSHIRE ARGENTS

40 North Street WATFORD Prup rl Fv..,- w

Tel. ROMFORD 44856 MUSIC STORES for

For the finest selecr1on Hammond Music Centre ROSE'TTI SE~

Terms. Part Exchanges 63 Queen's Rd. , Watford n ,he I e o' .~ ..

39 His:h Stred. Tel. 2844 16N_.t ........... W , ..... (

Watford T•' T .u. 5

SOUTHEND-ON-SEA 27187 /36136/22822

KfNT SIDCUP Dealers in fine Musiul Herts . Llrge!ot Mu\,c Centre lnstrumcnh JOHN S. SPICE HP and P•,t Ekchali1e WELWYN GARDENCITY

GILBERTS PIANOS LTD. 37 Southchurch Road SOUTHEND-ON-SEA

Tel . 63388/9

CLOUCESTERSHIRE 11 CHELTENHAM

KEN WATKINSON LIMlffD

19/20 Ambrose Sheet

E~rythms Mus,cal

Tel. Cheltenham 55404

ALDERSHOT

GEORGE POTTER & CO. LTD.

26/28 Grosvenor Road

ALDERSHOT, Hants

The only complete

Music House in the

South of England

All ROSETTI lines

available from our

comprehensive stock

of musical instruments

Tel. Alders hot 22100

BOURNEMOUTH

MINNS OF BOURNEMOUTH LTD.

68 Poole Road and

5/7 Gervis Place 80URNE"40UTH

MOORS MEANZ

MUSIC EDDIE MOORS "4USIC LTD

679 Christchurch Road BOURNEMOUTH

Tel. 35135

SOUTHAMPTON

JIM BECKETT for everyth•ns mus,c•I

Gibbs Road In ,.t to Af'I CIN'ft\,)\

Above Barr SOUTHA"4PTON 124821) 72 Bedford Plue 122624)

WINCHESTER

TEAGUE & KING LTD_ The ROSETTI Specialists

Thi M,t 1. Pri n t 18 L1ttlt M1nsrc, St,eet

WINCHESTER

Tel. 4141

WHITWAM'S Th Centre of Mu~,c

WINCHESTER

70 Hish St,act. Tel. 5253

DARTFORD 33 Suk-. I< I

CHAlllNGER & HICKS s.tOCUP, Kt""t

Oe•en ... ,_ Feiohuay 3131

''"",ca ,ns,t,.,,,.,,,....·s 3 6' 3a Hythe Stred wnLING

DARTFORO

Tel. 23644 ALLAN BILLINGTO lSl£ OF WIGHT GRAVESEND For a

TEAGUES OFFICE r, MUSIC ~ The Island Muste Hoos.e SUPPLY COMPANY r.es

f0' all Music.al Instruments 39 Harmff Street 172-114 Puk v-;,n,, ROM

WELUNC Ke11t 69 Unlo" Street, RYDE, utd Te.l. Cun.se"d 5687 Bu:lqlliutla 1429 131 Hi1h 5trciat NEWPORT

that~s the na TA TRA - that's the name for quality, tone. touch - and economy. For there have never been such. superb instruments at such low pnces. Specially designed for the British Folk and Western scene, specially priced for the narrow pocket, these instruments bring professional quality to the younger player. Both in perform-ance and in presentation Tatra can match instruments at twice the price. And there are now seven wonderful Tatra names _to play with. The original classics, a d1stmct1ve Western, a terrific Twelve, and two great Jumbos. Read all about them. Send for the free illustrated list.

THE TATRA CLASSICS Smooth _as mink, slick as Carnaby Street, m•r.ehously mellow: iust 10½ Gna : de luxe 15½ Gna.

THE TATRA WESTERN Big, bold and brllhant, but classical y simple 17 Gna.

THE NEW TATRA TWELVE Lavish with fine wood, handsomely mad~ 24 Gns

THE NEW TATRA JUMBOS Full-size, finely built, big sounding. 11 Gns. De luxe, with Just that much more e~erywhere 20 Gns.

rS~d~l~c:-po;;;;,::- - - - - - - - - - - - - - - 7 I illustrated list, I

10 Rosette Tatnt/MM, 37 Sun "'AM£ f StretfEC2 I

I Read lhe fMIHIIC $~Ct IC .-_oo,uss t,o,.. 'let: ho"" good the T tu, f I looi-. HPar th m at vou, Lde-al•rs Soon I ----------------------'

1111 I II \ h I

osetti~

\d"' , Vo\ etc

f r ,,., d ,1nd , , rh,nia; mu~ al

17 CHURCHCATE

Tel , BOLTON 22908

BURNLEY

l D~·;!~.~~,HMR~~dlC Tclepho"e BURNLEY 24593 that's the new sound secret

from Egmond/Rosetti.

LANCASHIRE

ACCRINGTON ---1 MARY'S MUSIC '41) 4l Wh.tlley Ro.d ACCAIHCTON

T lt,hone J 5060

BARROW IN FURNESS

KELLY'S

C

"

All Epiphonc Cutt.us

stocked ,,,., 1 , ,,,.,

FRANK HESSY L TO. 62 it,11ley Jlr•c-1, LIVfRPOOL I

Pho"• CEN 1-i 11-9

ST HELENS

BROUGHTON & KAYE (MANCHESTER) LTD.

Novello House 15 College Street

ST HELENS

WARRINGTON

0-!.;;.':.-:-1 0 •11 II d T 301 f DAWSON:]

11 ~~ 65 S,nby Street

TI WARRINGTON 32592 _j

ROSETTI equipment

• 7 SHUDEHILL MANCHESTER

BLA 9432

THE HOUSE OF MUSIC

FORSYTH BROS. LTD. Deansga te, MANCHESTER

Tel. BLA 3281

0 OXFORD STREET

MANCHESTER Tel. CENTRAL 6273

LEICESTERSHIRE

HINCKLEY

RUSSELS 56 Castle Street

Tel. HINCKLEY

3605

LINCOLNSHIRE

GRIMSBY

CHARLES PERRITT Limited

242 Freeman Street GRIMSBY Tel. 2129

SCUNTHORPE

ERNEST RUSHTON 28 Oswald Road

Telephone

Scunthorpe 2400

W. 1

FOOTE HAS IT!

CHAS. E. FOOTE LTD.

20 Ocnm;an Street , W . 1 CCR 11 11 h tJ . tlll 5

E.11

FREEDMAN 'S MUSICAL

INSTRUMENTS 534 High Road

Leyronstonc, E. 11 LEY 0281

W.1

IVOR MAIRANT 'S MUSIC CENTRE

56 R:ithbono Pl.1ee, W.1 Tel. MUS 1411/2

SA,._1E DA, •,!All, ORDER. SERVICE

Brit••n\ ll";id1n11 Gu1 lol1 E"Pf''''

W .3

MAURICE PLACQUET 126.a Churchfield Road

ACTON , W .3

Tel. ACO 7524 Atl ,n1tnunenh tor

SAU, £XCHANCE .:ind HIRE

S.W.19

For Every1h,ng Mu~1cal

MAXWELL & SONS LTD. 45 Wimbledon Hill Road WIMBLEDON, S. W.19

Td. WIM 4276

S.E.15

MELBOURNE PIANOS 36 Peckham Rye, S.E.15

tNEW 2524)

14 Lo,dship lane, S.E.2 2

21 J Kilburn High Road N.W,6

W.C.2

G. SCARTH LTD.

55 Ch.iring Cron Road

London , W.C.2

Telephone CER 7241

W.5

SQUIRE OF EALING New Broadway, W.5

Phone EAL 1111

* * WE5T LONDON S LEADINC

•.1us1c HOUSE

S.E.13

LEN STILES MUSICAL

INSTRUMENTS LTD. 233 / 5 Lewisham High St.

S.E,13

S.W.17

W. TABORN & CO. LTD.

66/68 Tooting High St. J

171 Uppt'r T-oot1n1 Ro•d S.W.17. BAL 3675

1 12 3 / 4 London Ro•d SE.I WAT6885

Houndow

Middx

NORTHAMPTONSfflRE

CROydon 1218 NORTHAMPTON

W.10 A. MACKENZIE TRAIES

276 Po,robcllo Road London, W.10 LAObroko 5122

C"""prthens•w'" ran1e ot the lat~ I

R05ETII

u•slrumenh •lw•ys 111 stock

( Northampton) LTD.

4 Fish Street

No,-thampton

Tel. 37628

JEAVONS for llmnls 35 PERCY 5TREET

46 PUDDING CHARE NEWCASTLE UPON TYNE

••More and more people every day find us Just that little bit better

- in every way~~

J

~~~~~c:m-r.v? 1 EPIPH ONE TEXAN - - - - - - - - - - - - - - - - "1 I EPIPHONE CASINOtop of the fla1 tops. f ne and las; \04 Gns I I EPIPHONE BARD b·e~r~aiei5: of

the real thin ac ust, s 185 Gns EPIPHONE RIVOLI au I u Olk-song twelve s1rina 183 Gns

I EPIPHONE SORREifroe-make, boss k ng of the race 185 Gns I

EPIPHONE RIVIERA lhe superb thn acoustic single utaN 187 Gns EPIPHONE SERENADER one w,ih ever th ng nd tt e 220 Gos

I EPIPHONE CORTEZ ma .•t•elve more cnodest bu• per 122 Gns EPIPHONE CABALLER-{'e ous !one ,, Mar, ble v lu,, 83 Gns

I me lov, mus c a r e, ' ' 68 Go• I Send thrs coupon for free. rllus1ra1ed lrst Rosetti EPI MM 37 Sun SI EC 2 I I ~ L _____ _

---- ------------ J

I l '

rosetti----'"" Tatra - Eamond - Vandoren - Eplphone - Educational - Hoyer - Royal - Epiphone - Ta

WHITLEY BAY

SU THI ROSlTTI INSTRUMINlS

GREENE'S (MUSIC) LTD.

STAFFORDSHIRE

HANLEY

CHATFIELDS

I lREDHIL:HYTHM Aiccnc:••• lntul td

30 St• t,on Ro.ad

T1I bdhlll 6Jll6

I M,udu Ra.td WHITUY BAY 1 ,I. 24951

MANSFIELD

l HARDY SMITH 38 Clumbt'r Shn t NOTTINCHAM

CLEMENT PIANOS

LTD. 74 De,by Ro.ad

T~ N.Jttlf't,rh,u" 47912

t.,. . J- I .y KAWfifH ~,, 1lh)MIIIOS1rf1

(,l),'o'i.,., 60!0 }> CORDI LON

STRINGS BRING LIFE TO IOUR CLASSIC

No 51J Pric~ ,- .Jo, E or 1•1. Co,dvlon t.1 I 3 I or tnd, Cordylon £1 12 O G or )td. Cordylon £1 17_ • · 0 or 41h, C'O'.nun,•

CHATFICLDS

2 Hopo Stred

HANLEY

T,1 nok•••n-Tr.-nt l141J

SHERWINS OF HANLEY

lo,

TATRA & HOYER

GUITARS

WOLVERHAMPTON

THE BAND BOX (Wolverhampton) LTD,

28 Snow HIii Wolverh11mpton, Staffs .

Tirl 11420 All lt,.ltur r,11 M"4, ~ :...)l'IH nd Rrp.,,r,

The RIGHT ln1trumcnr

.at the RIGHT Price

A. MORRIS 139 Bibtor. StrN-t

WOLVERHAMPTON T•I. 24228

1

,__I _sur_ro_LK ___. .._ ______ ...J BURY ST. EDMUNDS

SHREWSBURY

R. BRATTON

Gu,1., al An, >ltli•n .,. k'P

lJ D01tpole

SOMERSET

STREET

lwESTSIDE MUs~c CENTRE

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WESTON SUPER-MARE

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D. E. WATTS (MUSICAL)

tor 111 ROSETTI

red below

COR-TON TRUllf'ET OUTflT. Cl a, lo

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BLIND DATE

BILLY FURY l \RIO\\!: \ Dream"

THE. WHO: "The Kids Are All Right'" 1 Bruns~ ick).

It tr, d1nu.;ult lO ... ;o, hc.J lh1.1 15 It CC'>Uld

t t& Bulks. but I'm 1 r 1t 1 n't Ja it the \\'ho'? \uy smooth I like the ' bo You can tell their lead 11naer anywhere. This IS ~flnitely a chart re-

rd I 11ke 1t

r'OURMOST: "He"', r There And Every-"h•re" (Pariophone).

At a guess, lhlS is the Ro(l,.in' l3e"iN. No? Oh, thr fourTnQst. J think I've h. rd th# numb,.r before J m g .ad the Fourmost

e ~ot a record out.. it's bh-!I a lnng time since

had one Tl's a bit hke

1hto ~rnj in buti~r-.i•·~! kn n Bil Halton for a

n& time 1--f .. u~ to try

~A rw/( .J Ii¥$/~ ~ . ~ - I(, ..

\ ~.

and teach me to play gui-tar. J haven't heard the BeatleJ LP yet I must go out and buy it.

B08 N!m~: ~:~f{.: (Verve).

I don't like this. r don't know who it Is either. It 's quite cute, but it's not what J like really Who is 1l? Bob Lind. l'm amazed -it doesn't sound like him to me. I suppose this

1\1

could get very c.atchy ir you listened a few times, S(l r suppse it could RO. :~l .. ~\•~,i~~w~~~ferli;,~ood CHRIS ANDREWS: "Stop That Girl" (Doo:a).

Ch~l~eaf nd1:;5w/e{le !~tC

this himself. He's a fan. taslic writer and a very good .singer. He's goL a very unusual voice. This is

!h1 h I 1h 111A h1 dri•1 and ,t I h1 h t1

. " ,., BILLY J. KRAMER: "You Make Me feel Like Someone" (Parlo-phone).

It sounds 1ii.r l' lthn th(· Walk I h,. 1mp111"'" nun, 111 rat111lou" It'• :1 }-!rt r airanKrrn.-nt. ti.tu I 'II ht-t Andr'ttw Oldhtim h,,t a hind In that

J0 ~:::,'tn~; .~r ,:i::'t, !:~~ • stupid lap,c on John Lf'n• non'• part. 1r Anyone tlJC enld It, 1hough, It would never have been Jtlven the publh-lty It h••· And u for South

:::~~.· ~h:"1br.::.a,t1c pi;:td!; hypocrlllcal nonscnn I've tivcr heard."

A LAN PRICE: "l.cnnon'1 got he ut!:?B::•1~~. ~0n1;•ic':~:! he', a Bealle that ll'• been f.~cklltjd ul~

1:o~o::Yw!~1=•~·•~!

tnkf'n II blind bit of nolltc. I think 1he)''rc maklna- a moun-tain out or a molrhlll. They 1hould Hk Cliff Richard what he thlnk1I''

A T!.~~L AG~~~1•c!' ,'::Y s;:!'~t ~~r:n:~~~r .~1•·~"\.!~ :::; hll\/C JtOl their hands on '10111f'·

~~~n\c~~~- c;~P~~ri':vr°~:~ walclnR ror the chanct. C"un• 1lclrrlna; the lcnath of tlmt they h::1\"t' b

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)VE YOU D GOD!' o lack of excitement on tour with the Beatles. And . exciting part to date came at Cleveland, Ohio, ,ke through the barriers and charged straight for the

g before 25,000 fans in the giant stadium which is rather 1. The stage was right in the middle with grass all round \bout half-way through the concert they went into "Day The Beatles had to make a dash for a trailer behind the

roke through and headed towards them.

WASHINGTON, D.C., TUESDAY The group on stage before

lhe Beatles was the Cyrkle - Brian Epstein's American group that had the big hit with "Red Rubber Ball... Somebody must have given all the kids rubber balls as a pub-licity stunt - but they saved them all ror- the Beatles.

When the boys came on st~Re they we.re showered with 111 these sma11 red rubber balls-the sort that are supposed to bounce as high as a house-as weU as Jelly babies.

John Lennon's much•publi• cl,;;ed remarks h ave n ' t caused any Incidents so far. When we got 10 Ch1cago there was a press confer-ence with everybody rrom the radio stations and newspapers there.

John b very s:id about the whole thing nnd h~ ex-plained "hat he meant and e, erybody seemt>d safr,;:fied. HOid

it sn what?"' A a tu, 1 r R,ni Shankar Md h1 .,,t,lr Harrison Is puf'uinK h"' ,:,f ud} of the mu,k ind t carr}:ing with him ,, tin\ tran ... i, torb.l.·d I pc ,-~. corder "hich hl usmx 1 t,1pc a, mu h ,,IJ h, C rnall'rlal ..... hi.' tan fln,I.

Ont.• memh•:r ti! lhl· p:irty frum th C. \l \i:,t:nc~· h.1s a I r ,t \ arr,tn~c-d tu ,:1:1 Harri eollt-ctlun of Indian tttu Jc album., inciudio C'nt• t P fealurin~ viulint'it Y~h ,II :\lcnu.hln.

CC'nCl'rt d.tt th ,, k lndudt> Phil..ld'" Ip h l lorontu. Bo tnn, 1 ph, :111d "'' l t.iuh l • r us, '\rriH!t ln !\:\•\,\ \, 1k n t Mond.i\ nd UPP{ tr._ I "ht., ,r :.dtum on 1 ot d.1 nljf.ht

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LONDON N .WS

r.ivlewed by Bob Dawbam, Bob Houmin,::.,._~!!,._ J~.a

Russell's four beset by a lack of drive THIS is almost a ver> good record indeed. Russell is bJck "1th trombonist Brown and Lwo rhythm in a modem Jazz setting,, and the r~-sult 1s music v. h1ch has much of the relaxation and unity or a Mulligan qu.1rtet without the suppleness.

Pee Wee ,:an be hot pl:wt>r, but he C'.ln also ht" coolly rf"slratned, In ballad in-t r,,n:tal1on e pec1ally, m a m:,nn"r which tor its wistful rmnllonal quality (if noth.in~ el.seJ 1s comparable with the stvle de-\.Ploped b)" 1\."hles Davis. ·

On H.-\sk Me Now", an album r53de pre-sumably before the Russell-Brown quartet d1shandtd, \\ e are treated to

PEE WEE RUSSELL: "Ask Me Now! .. Turnaround, How About Me. As,. Me Now Some Other Blues, 1·d Clrmb The Hr~hest Mountain, Licorice St 1ck. Pre lude To A Krss Babv You Can Count On Me; H.:ickensack An~el Eyes. Calypso Walk (HMV CLP3552). 32s.

Russell (cit), Marshall Brown (valve tmb, bass tpt). Russell George (bass), Ronnie Bedford (drs).

three of Pee Wet-'s d1squisi-m r son, rradin~s ,It slow ttmpo

P« Wce's 1ndiv1du11ity JIMMY on side one, ofttn reflerts the Joe Turner innut'nct• All in 1111, lh111 19 me-king Sp,,on blue5 - M.J.

lnJehi,, a~e K~~~~~~"tr~-~~ one- choru-:, s1•tto i.,·oce-

rome!i thmulth rJn almost f'Veryth1ng, although on Col-tnoi:'s ·•some Other Bluu", h~ 1erk1, r,ut phrase,s that :niJht have been crented by Sandy Brown, or so IL seems to me.

WITHERSPOON GEORGE ~:~~~~5el~tl,~l;~'~J.' ;~J ~h;

Hith••st Mountain·· hallad .,, htss of tcr be f~~~gu~~"1J.f: lnb~~'!ns~: c eman, ~onk a,:a,n 1nd one ~~d P:!::es :m1:1...,!~~••mh~! LP from W1therspoon'1 earl1tr ~f n':i~. ':;/!; i:::}~u~~jl.~,: !.lretches and the ab~nce of ::a:d rr~ s~~~ N~~;;; ~~~ ~dch,hfr rQ lJ:~~.~·~\, r:~':nr;;r ::i'~ ;;;r um~ when ll IS ~r; 1;n~4;;;if ~~~h,;~~e'~~~l~ ina: M.J. on ils own :._::;__ _________________ -, th!n~1~!e~N~()R~fi'n'! .~~~d !~~

Make your pools pay

WITH) SPORTING RECORD

Advice by the top expert-Harold King

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6d

ultnnt "8i5:: Fine Girl'' which hrouRJ,1 SpQOn to our atten, uon in 1952 This pair of swingers, described as rhythm-and-blues m those carefrct-d11yr, re.appear d a few years

t~~r °s~1:n~~auell~~e~ac~eudm~ 1on,:s.

Now, for the first lime, we •~ treated to "Nobody's•·.

:i~~n~~·,::~ ~:~:n.1c:~~~~ ~und, like an all•ln finale) from the same happy event

Thc.,e v1gorous, no-hOl~s• barred ptrformancts gain 1m• men!';ely from the Jazz.-blue5o accomparument socked out b1,· lhe Gene Gtlht'au'< quartet. also from the hea.nine:ss of th~ aud1enc,_. participation

Alloman Dnn Hill - who ub~qutnl ly played in this

('f)untry "-tttl thl' Trennicrs act al thdl!'rn-Jump i,;l~ll&i

Side twn contain"' five •lud111 rNordma:!'; wuh hlit.Rer

~~ti:h o;;:;b';.;;ir::r~~l~at;,; suarnd 1nd Jt)'lt!' Spoon said that veral are from 11153, so I I at he tt'rr:r-mbe-r 1 he-!lln1ma. t4U1t Jtood In mo-.1 r e th,, 1ah It' ,.urrma th•n

SHEARING CEORC[ SHEARING. " R.art'

Form!" Th• ',Hf' lot ~1. lot~ No Furl her, H,111,.,c:,na,,on,, Suony, T~v AU lav11ht'd. ~l.ot,on Brt!'ak., Over The RJ1nbow Why No,,, I'll Ncvt'r 'im,ll' Aai,,11"1,Bno. l ock ;and L,~liN"' 1C.ap{tol TJ:-447 .1 32s

Shtar,nl fp,,oJ, C.ary llur. ton !v•lw~I. ••n•ld Anthony 1,1r1, Ctne Cht>n

The mattrial 1s au right, bul Jgain there 1s no track that prompl5 you to pul the nl!edlt hac:k him ,

But th,s h1ls ,n alt da-

pa,tmc:"ts. mP(I ma,"""" RADIO JAZZ by CHRIS HAYES

MELODY MAKER ,. cndu•ouring to compile • list of lr1tBh jua, folk, beat and pop du~. Club MCret•ri• should Nnd full details to Clvl1•, Melody Maker, 161 Fleet lt,..t, Lo_., I.C.4.

1 .11 NJ: Lil lu.ni t.JO M •' · ("!11 lOISN ,C.l• nn"iC11:,, 1110 Nl N r111t< I u t U-U T r,. R, ,dm. UOT ,, '

by the Melody Maker pop ~ -;:.·-.,.

POP SINGLES

MIND~ENDE!lS: "Ashes To Ashes" (Fontana). A ltght-we,ght, cute song from Ric, Bob and

Eric, which will wm them more friends but the i;u•(•r passage gives it • touch of the Music While You Work sound, and 1l's not exactly the ,ma~h of_ the year. Just a good record, and a medium sized hit

BOB LIND: "Hey NeUie Nellie'' (Verve). What-ever happened !o Bob Lmd? - they've been say-ing. After 'Elusive Butterfly' the ripple he caused ,n the pop pond settled rather rapidly. The reason maybe th t as a wnter he has a lot of interesting things to say lyric-wise, but as a performer his voice can best be described as "weak" and d~cid-edly irritating. There's a bit of ban10, a lot of whining about "Nellie Nellie" all more suitable for a TV Western theme than a pop single. Bore-dom.

OTIS REDDING: "I Can't Tum You Loose" (Atlantic). Brnss, and thundering bass intro makes a fabulous dance record that will keep most dis-cotheques going for eight hours at a stretch, and with the formula including Otis·s choking. spitting vocal style, it could easily sell enough quantities to crack the chart problem. It's an overpowering, glorious sound, and it doesn 't matter ,fall the ideas have turned up on a thousand other records. This sound can iust go on for ever. Keep rocking Otis'

wn?:n:~:teK1~!!':bc~!r1:~~pC:shi~s:·1r:1tu~~I? ~xn~ harmomt"s, 5lron~ lead by Roger Daltre}, end that curious 'Jumping up and down on the spot'' bea t provided by Keith ·while tornado" Moon. There's plenty of exc-it.mg guitar and a !.trong melody,

RIC, BOB & ER IC: a touch of the Music W hile You Work sound.

~ith~~'if\1i! 'f::in~~~:::/ Lh: BcatJ~o; Once atain the Who !,av~ two singles relustd at th(' sam,:,, time on different labels This one is rrom their last album coupled with "Th~ Ox," the-other IS called "I'm A Bc,y" t.lue- ror rele-a. on Reaction

1 WICE AS MUCH; "Stop Out Of Uno"' (Immediate). Pretty intro l"ads nto a fine n.\'o· 'iOng written by tht-buys-Da,11d Skmner and And~ Ro:iie. nu•re·~ a c-ruhing drum beat, strmg,, various harp sounds and church bells. But David and AndrPw rem.:un on top of th~ arrangement and s:mg thf:u way to another htt,

Light-weight song from Mindbenders

h1ch contains plenty of Sti.rpnsf".S,

FOURJ\IOST: "Hen Thero And fa·e.rywherer1 (Parlo~ phone). M1k \'ickt:-rs dtrec -hU the accompaniment to th11 Bea tie cover by tht l ,r:g chart ab em Fourmost Jt clo~ly follows the- "Re-volvPr"' .sound, but its a Vtorkmanhke jub, well done end destnr.s a fair hearing, and natunlly 1l' a beauti-ful aon~

Knuckles Club where they are building up a following Plenty of h.1.rmonv, bass and bu.sy, beaty drunis. Nice.

rroa::p°?s~e:~ ~~m~ bUI). Hoo111.y we·ve got the seagulb, back! \Ve'd thought the~· had flown a.way (mm the record1nii studios for the

:;:~:n:i~s~~~uWir .r;i~~,Se~~ fou/l!nt~!!. r;~d t;;~~ ,-~~~ Ulity and aeneral wHlmg• neb to co-oper.:Jte and not btfoul thL· tudio floor has long kept lht!m. at lhe top of their prufes110n. h was ,;evcraJ nastv incidents with ostrich~ anti a toucan that long ago .:ave !wagulls ~op rating over oth~r se$s1on birds. The Tom.ados, mci dentally, make some pleas• ing electronic noises as the seagull'! backing group. , A giant hit - on th< Whit~ Clitf1 or Do,·~r

GARNCT i\DM!\-1S: .. It's Been Such A Lona Way Hom~" (U nited ArtJ,;fs). Gamet 'Of11 on~ cJn almusr hea.r lht' cne.s. But Garntt Oo i1 a fin_. inar-r rt>nd,_ r-ing • powerhuu11e "Voe.al per-formance w1th plen1v (Jf 11oul ~u1t.an. vibes. doom-y drumis and mtenal hv Mr Mimms

~,;g E~d ~u/::n We~! •~:,~t Mimms, 1t II e Jolly dN:t-nt record.

808; bo,~dom

c~.i::i~: Me~1oec:.fro:: t~:1~,!b~tu~;~~t\r.~hhe;;'t ded Crisp•• atnval on the pop

fi~f~lb~ l~~~~ h:t: lo~J of talent, but In a rar d1fftr ent field tn thP f.Jb four. CrJs-

f~!n~~d/\is;c:~~u~~Hifeid •~ h11hly apparent on molt or lht 12 tracks which ht rontnbu-tcd to thla 1Lbwn as compo-ser He hu a melodic \'Oic:e and onl)' falls down a couple of thl' up-1emPo otrerin,:s There II, pt-rhap• a httle too much of tht' Buddy Holly in• nuenr.e at um.-,, too. But It's an ex.cellt-nt album debut and ,uga~st1 that Cr11py could be around for a Joni timt

LEE HAZLEWOOD: ''The

~ZM). s~~c~~Y s~r!~I~ ~~: up for one choru1 on lh11 first wlo vocal album by Let. who wrou btr hi t "These Roots Art' 'fade For Walk.in· ' She •inp on "Sand'" under ~~~:~1:;!Y ~~c:!~r,ym;.;;Mtlhe -.ma:•. IUflJ' with (."('IUnlry ind

"l'f'"lttm fr.el, ar C("ffil)tJ~ t,\; Lee and arr1n11:1:d hv Bill y $tr-ant~. N1ncy·1 auil1rl t and arran&t:'", wh,., ah.o tiu a 1,)1" album rtlus~d As • trioJ N1n1.')'. litll)' and I l·t' arP Ytl')· p r ndue1 1vC". b1,1t 1nd1\;1duall r 81lly and Ltt hl'Vc rl

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l~l IS ZOOT'S HIT BAD FOR

QNE of the happiest developments in recent months has been the wave

of fan worship for Geno Washington's Ra m Jam Band, rapidly spreading across the country, as they lour north to south, east to west.

l-lapo v bccau~c it's a ddferc>11t kind of fu.n fever . Geno, people 3rt! usually happy cheering boys and glr~, who d~luall}' i.mllt! when he's performing, wave ,hear arms without connecting fists to their fellow rans' b'~i

1~~d demon~crate atrection without putting the

At the centrr of all thi.!> iood-time enthusiasm is ~eno,. 22, American doln• ••II to, an un• e e 'cno""n group. Word geu uound tach timl! wt pl11y and In JOmt plact.s the cro"d!I k • d h t .,, ,un, ge11lnM ou1 or h•nd. I s s OU

"The prom01cr at the Rick) Tick Club, Windsor, hud u..s on So.turday nlghlii !hen he d h 11 pul u, on Thundoy,, hoping an O er, the crowd would drop down a bit and It ""ould be more co mfortable for everybody, :;.u1 the !MOl')le jui;t kepi pilln~ and we

AFRAID "They didn't want u.• at 1he

Wind or Festh al at first, but alter 1hr •how, the 1;u, th al r,m it came ovrr and con• ~r;11ul3ll'd u,. lhe) hadn't ht•rd U\ ,md Wtrl' II bit .1trz.ld, but "''"' the)· "·ani to book u-. for thtlr club!"'

Geno uplalned the b.:1nd's poliC)- and recall~ v, hen the fir•t v.tld reacti ons began tn huild up.

"When we grl to =i danc• "' lry to put on • i.how. \\'e chanat thr .tmospht re rrom a dance lo a put)', becau~e l'\'trybod,· lo1,1e, parllts. fvl"r)' v. eek tht k.ldJ RO to the same rla nce hall and the~ gel lirc.d .and borrd, so \llit fth•e them ,;omethl ni dlffNtnl.

"Now the kids a ll wave their arm, at U) while- wt'rl' n l;i~lni. We s10:r1f'd 1hat off and nov, 1he ldd~ follow suit . \\lhtMH:r "'" JO to • oew nlace, "' know the kids thal knn"" 11n t>,,ea.u\e tht:y ral&t fhrlr arm,

" Wt h....-t- • gigale and too ma11\ ~roup, art 100 dedl- "SWING KING" SET ~ Nylon covut'd on n,c.11.•I chro~ to~ 91.1,10 , 1n ••Ira I J-;1 h U second at 27 / 6 p•r Hi With co• ,.-d fi, ,I 0~~ 'J!:~:•;;;' l -;::;n.;.n' Gftd ! ~ ,. t bample. " SC E NE K I N G" S ET ~

6 Ultra 11\Jhl go..sye A tov\lh ,oft bendabl• Rod:: " 11:oO _.1 20/I pet' ••• l z hample "rERFECT" SET I § blo< /gold n,-lon r."90',t,,le 25,_ ,_ ,et § 0 JAMES HOW AND COMPANY i '" 495 -kleo loo

!!_tra - ~~!'!..~ - Vandoren - Eplphone - Edueatl C~NTI_NU~D --FROM PAGE Ta -

[.,.._st_Oll.AMD--Coatd.--1 Cmc -j -GOLUMB rJ

1

'MUSIC SHOP' '=e=AL=L v=M=o=NE-=-v-=-=-' N. IRElAND

How the Miller band swapped saxes for organ

SONS LTD. 1

1 • ---j W"',~:• ~:1"'~111,~' t~~

t· r ti l 11' ~, I \ I n ! - ronk J.lucHrt, ( ·owlfy , fa " f~ •• (l & R, HOLYOME) NNIE .OWENS.. .,,d why did lh•y eh t>-0" 111 UYlf:l&.,1l~U-30 S.,,Unu, .. tt h:ulet Strc-et lh-tt;~ 4 J l irnunntl Mltlli , 111 ~. rath, ph,, ,,,,,1•1•1· 1,0

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KRVIN MUSJC HOUSE Commercial Street P~or,o l l•H !~t"Aw;·J~~;th~';,'°" ''U.!h~,.l'1~c i MAESTEG, Clam. BELFAST-- --- - ~f,:' .. ;u•'~eJ•/;,i:'1\ .. ';/ih(~;,

l& Me.rli.l.utd Street ,.---------~I JNt1 1m W t hil 1,, .,~rn

1·v1,o:r,~~.:':!!~~ :~~r, h::: Mlltf! how Ral my Jn,1run...-11t It a1 tht-top, I .m lold th•I thl~ It lhf' CLASCOW, W. I DAVID HARRISON t;;:/',,,{'J1'::.m~h s~•u~I< ,.~~~J

• r,. I Jnd Jt whhh Wt' hnd , a.n t">tt r,mf' f:1e lh~lth It~~" ~o,:~~h~~ Toi We .. 4835

MELROSE

CLINKSDALE RADIO fs MUSICAL LTO.

Ttle Squa,t Mclrow 213

t ,.1 ROSETTI R...lni • .., t,vl

WALES

55 John Street

PORTHCAWL, Clam.

SWANSEA

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T•I iWANSEA 50STI .__ ______ _J

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T•I ~WANUA SS9Sl

LLANDUDNO

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PREMIER DRUMS in

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f CBAHtlEl.fSlANDS ST. HEUER, JERSEY

McKEE'S

MUSIC SHOP

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I [p(ID[L~:,l[ill~~@i [H]@W~lffi · i

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world·• g,ea l ins.tn.imen1s. 43 gutnt!IH electric 63 guinea•

HOYcR WESTE RN JUMBO NQw w11h ~d1ust,bta bndge upport. m llCN and bft;,Uliful

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I I I I I I I I I I I I I I I

MUSIC rn~~;~~:l(;~ pr0~~: lh~ ~~1/;·, 1pcnt11ly dc• lanrd fnr utl'

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If n w, r.,, w t:'1J ™' ,,u t •1 f liu•, 1nt•11 1n ,1 w cuJJvc t~ ~~~t~ Dl.ffLl:.R, planlll and or,111nl1t with the Bob Mlll"r Band ,

:j·~~.,i;:~r~~~fB. ~~ cou:st 128 Charlna Cron Rmtd, WC2.

~---------JI t:~~ Ballroom, Douid•••

M. CRYMBLE Limited

58 Wellinaton Pl-,co

Tel. O[LFAST 32991

I'VE been playln• drum, for some tlm~, but my 5lghl• rud ln, la dl .. ppolntlnK,

:;~!; I~?~ J~eR~to,la:!e/.m• Put youraclf In lhe h4nda of

ta reputubh: teacher Jr thi• i, not po,slble, try nnd trans• crlbe tht' drums po.ni from

~::::::::::::::::::,JI records. An excellt'nl atudy II') ~~r:v31}~~~!G:~:1r;tu 1~ tr~

LOUIS MARCAS

Smithfield Mukct

BELFAST

PIGOTT & CO. LTD. Th• HOUSE OF MUSIC

1 l 2 Crafton Street Dublin Z

,nd

117 Patrick St,ce-t

CORK

Supplter1. of a ll

Mv'ilc.'11 lm tn ,ments

---7 I I I I

Hoyer will only uu t1mber that hbt beon ,easoned more than tc11 years . HP wH! only make t me/1 numbers of any mod I He will onlt Hil a guitar II 11 11 parlect. That f~ why n Hoyt1, will outlaat almost any other m•ke and mllk~ bNtullful m1,,1sh: lhrovgh-out ''" Uf,, S11nd 1or tho Hoyer leaflrt to RO'\rJtU, Or pt MM/H 37 Sun StrlJ t, London, f C 2

I I I I I I I I I

"'11le Mffhty Two" (Ctluml>i.-

;~f~e~1,/l w'R;:~ ~1118% ~~'1'/~1~ lowed with eBJe In the hoo>t supplied wi th th e dlac -Freelance drummer TONY LYTTON,

the inside story ...

• • • on the riders and their machines as well as hints about maintenance and reviews of accessories are featured every Wednesday in

Motor Cycling

I 1MAKE SURE HAM£ OF YOUR COPY

A.ODfl[\5 ... I I I I

______ _J

TODAY! Motor Cycling

••1m 1,,111 t,n_.d with ~"'h', m•III' u,,n l ,rri. hnh.Jt r .a1 '1 ,..,rnl •1 ,rm, ttr °"l'l••I• 1,i:: un1nrsal r1111n,:1 • ,11l-,I(! • kit 1,1 ~ l up in th" arcu, r,,,n d ra 11,, n r,r any t.lt\P"f" .~i ,~•:~~t r /'~1:!1~ 1 ~iJl~'\' ltll h 111lr 11d I ~ 111eh tti hl t l f•frinln I dr11rn t)t k

REMEMBER!

MUSIC MAKER the

fabulous

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monthly Is

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NOW!

PRICE 3s.

w~~n:rn:h~h~ u:!c. '~! ~e,;-~~ 1~:1~citE~n :O~ Ushed and r«:orded, aDd .,. Ito is the. impren,v~ ltom.bottht:' -J, McF• rlane, Alloa, ~Ol· land.

It ls 51mply ko ,wn u ·n .. Thetnc From P\i.'"1llc. f)e ... ,

!~~ ~ndua:t~~:•!&'~ll " RD~rt Earley, with Lad Bu. by f~u.ued on rnmbc.r lt ha..s not So"I rar bffn pub llshed or r«orded. but T?W.) shOrtly become av•1Jwiblt. d tO its. incr~ina popuhnty

ANITA O'DAY: LOOT, SCHMOOT AND

THE MISSIONARY

FOR A LOST CAUSE JUAN-LES-PINS MIKE HENNESSEY

" ANll A O'll/\,. lht> ,:rralt?St white i:irl ja,z singer in the world,"

:announcl'd Andre Francie;:; .it the St·, , tl\t't 111 1111 ul 111.:oph·•, ht•ach b111, 011 thl' olht"r hotnd, 11uht 4 lnl nr poilJ\h· c.1111o h, , llt'r nl\ co1H n-. and fcf'hng juo;t \\a•m't th~ i.amt'. I'd likf' 10 h,u•t- my own lrlo no", but I can·t ,dford co carr)' ont.. Juo;t lll comt tn \nlJht\, tr11n\pc.irt.a1ion for John and I ~h 1,000 dollu, 11pil:c:t>. So I \J)"nd m~ t-nllr• lif• teaching new pl11no plit)th old m.itulal."

Eun 14-h~II blG opporcunllin h,nt comt-Jfoni, \nlto1 h.:u bttn w!Uull) buller-linatrNf 111 itrlllt.pln11 ch.-m, 'iald John Pualie: ''Anlla has hi&d tv.n \\ondN(ul c:h•nce> but ih1.' turned lhl'nt do .... n no11. II U4!fflr,nn,11 " PICTURE OF

l09Cll '"tit,: BOB DAWBARN

b ,1,, I,) lhlf ,o1d1•1 1•1•1•11 \

SMALL FACES FILL THE SCREAM GAP - AND THEY ENJOY IT, TOO SL RCA,U'loG uproar i:ree1 the Small Faces \\htnt\rr thr)' "it'l plectrum to guitar \\ btne\.tr Sit\ t \larriott leaps about looking hke a htallh), hut unde,,.eight, clo1hes-peg the nation·~ undtrprivileg('d te~n girls blow their 11n) top•.

\\ hile lh• Bude"- Rotting ~lnll('s and \V.tlker Brnth-t!r- m,akt' IC '") on lht>m-.eh es b, hnlidavin1: for m on1hs at 8 llM Of" hlUt lhf' t ,t flt lh1• "-Otld lea,•lng Britain wide CIP'IJ· the I ao') Jump in and 1'111 the scnam gap.

O'\t' Fat,,',p,te th~fr mall •in and ho)- i'i.h looks, th~ •·acu att reall~ a hard-to-but team nl -d\arp-mindt-d indl-, 1dual,;; Thty brouk no non-.cnw. the\· talk no rubbish and tho fttl ~\ff)'thtn,:

\n)bedl c-1,,w to lht' Small f IK'ts Ju1,0-~ ho-. llrOnJh lkt\ f f'I on w-hJt'("II( th,lll arc lmpnrtut ln lhf'm---4'.ikt mu-tic.

11 •n unfortu~t... lhf'n, !hat -.ht-n I mrt lhf' F•c-"'" this •ttli., n our n _, LP wh 1r h

• , m.-n,.· dilf,r. ,nt ,r t or t radt.,i '-'« rf'alh COffil' o ut a, V •

TIM f • Cf>$ u .. • lupJt) Wflrk

nJ1k• JN'•up D d f-1ot1k h•\"

~:fk -~s KARL DALLAS VISITS DUBLIN AND FINDS.

It could only happen Ireland

• ID

• • • £WAN MacCOLL Lop of the charts! It could only

h3ppen in Ireland. where the Johnstons' record of his radio ballad song ""The Travelling People" reached top spot this week, and is s till selling stroni;:ly.

On lh(' "ilrength of lhn, succt"\S \\-Ith their fir-,( record, I.ht.: Johnston, h::i,·e a spot ln a ,·ariet) !.ho" at Dublin'~ Gaiety Theatre thl.s. \\eek, thouih ""hen I "iopoke to red - h a I red onoJhuc'c;. pub In Merrion RO\\, v.hcre all the folk forl',tathl'r and iood fiddl(', \\hhllt-, ond banjo music c.in ~ heard mo-st time~ fl'!> open, ofh'n from hddlcr Tl·d Fure, nnd hi~ ~n\. a ,1r~t mu .. iclan c,'lllctJ romm)' Bar1on ~ho plan .. pirtlcd b.m)o, and \ariou!t nwmber\ or Ireland's man) folk ~roup:..

This i~'l just a coUcctlon of bearded wie.rdics, either. Re.sld~ Te\ i\;lli\h from rretand, Britatn and America, a

!h:u~l~c;u~~hei~f p1i:~1 u:0 c~p'tnS: the atmosphere aood and gt.nuinc.

Liccn~ee P,1dd)' O'Donoghue ha,; been the,.e o;mce ht-lore the \\at--h1"i predeccs~or·, name Is \"lill tht'.te, ,~orked in mo~lc, onl)-· tx-en ,1ctin1 a, bo,1 for Dublin's ruckc-hng folk commumt) tor four or h\e }'e.tr.!I.

DUBLINERS ON THEIR

'"A comedw, ca:11 d J lad could rt'hearapl•, yown1 onll'.f. old 0110 prNly lri1h 91rl1 •II" hlu·lt h,llr •nd bh.lH •J"f''I who'd rlddl" lhf'rll -•4tMddlt" Ori tht pdt1on• or lhl'IP IHt ,.,,nds' uoat,rt. Amr11co1n1 •ho"d 9ut 11,,-,., ,n ltlred Vl)ll•IW~Df'"•· •nd .,,, on, who c•uld b•(I or hrirrow ,any • ind c>, tr.tn•po,1

T h11• w•t • lont qu•u• •f

!~:~;di•:.•:!7m~1i"n~~•~,,,'"°.,:,:

•l,..•dy l"vor,crtwdtd .-oom Two 91rl1 I ,poll• 1• lted h•t, h Jut,•"' n •hl •r•o•• lie l,rHI to t.a•o '" , .. , '"'"·""" ""'"' d"''"'"' th .. , holiday,

AU u,, l·"'• ••rlrn AIJ. w,ul r ,..,, pan.-tl flt l wf'rf'I Uu, labh• C lfty•nv .... ,. IMd•d w,,,. dr1nll1

n," .... ,,.,, 11• ,,, .. rh11o 1n er!l-111'1 TII• f-.. 11 Ulf' llt•r• nt •11u1v••rn1 I ,,.n t1,,"1r of ' '"' Id of ) roll, ( h1b 1hc- D•b•11111r1 w , pl •1111t lo 1f-o• H•I fetll ,,.,m,..1..-c,. .10\ AUllffnC• , .. ,., ,__,, ,.,". f•r I .,,,u, .,., a •~t ... ., ,. •",."' '"'"" ,..,.. w,1'1 htUt 1hou(ft,I lo wttt1Nr 1 w 1 'Ollt •r "'h•I

N \ ti,•I lhl '/ CII.,_., I i.now •"•I ,t ••' -'bhl A h .. 111a"" f\l

11 , I 11 ol 1q,i,Ot ,1 ••"'•"'I 114 .. 1• l•I ll•IH l•r-y Ml W•11""' •ft 11•1• llo• MIit' ""«•"I H I Ill ll•r •"OI• , ..... , 11 -'PPVH.d I w•1 JU H•tl t'IIO HIY••'-' 1o '11"-dl9 Ill• 1rN"" ., >trtJlbl14 , •• 11u••I~ 1"•1 wrrf' p.a,••• up f•llfft h.an111 I• ,., ,. ., •uou 11-t, ·--,., •••r•• c.ir"• 10 cit• a1,1t 1• "'"'•·C'I Ill 11 •• ,. .. t11• """"""·

ro•r•d o,,., ~opro¥.al Wllh h,, bu$hy bl,HJo. bHrd and me1.1rn1v1 p1I, bhrt •ru •"d lht ,,, •• 1 r.inY11tk: YDICt In the wllolt Wut~,n world or follt .... 111 h.ardly an,,n, ·, Id•~ of a 1t•m•ur boy_ Puh•p• th" ,, th• rus•n for h11 1un .... 11. •nd ro, th•t a,•ner lh• rf',IMln for lh• ••oup'I IOCCtU, 1-

Whil• lr1lolnd•, other hlth ly $UCU•Hflil f'Glk 1ruup, u-. • Cl11.,cy,, wee-Ii \le ry hard ••

:;oi:~.:'.u~•l"lh::~~11!.~~"'l! frNhly law n d1J r UI J.Wlolll~ hiving • nice hulthy al ng .. ,,,_ t h• Dw b h n 1r1,' lff"lf i.1, "'klh .lllf Co.la ,1 111,ndrr 1i...-,.1.4 ..

:.•,~•'!!.:~~::d "''"..~~~:; •~:r.; s11,.tun ••II ,O•• II\ ilnd II.Id Ju•ly ,1·1 IUpp,n111g 0•. Dwhhl\l'r\, 1¥fl1'tllRI ht.• '"• f"ilPlllfrt

Ort'I IWF1)rl141 ••1 l hf (.;iltr.• hl1lt 9f tN11 A'tiller,'11 Th .... ., -,.,,.,,,1• Ou• tu , 111 1tl• l..,.__.on M>f'IQ R•lrhfl• " "' " ... , .. '"" • IJ• ll•d or &ta, lr""hl,.1111 'UYAe•f"y h•~ •• rqd., IJ•c-" htard •n • ,.,.,6 a .. 1 I lllt 11:m .... . ...... , Lu • • N'91 •• • l'llf'rlll' ft V "'- ... Mui." ,.., ,a 9Ufl (I llf T,.., l!l .. • ll•"t11 ,., ,.,t.,1

Tln·y·r rt· • l • U11l , "'" ,U•10b .... "•" '"'11 ,, , . .. ci "' ,...,. h et ll , ,.., t: 11 l hf' P 11ftl1,..•r•• •-- IIII U•Ct, • • l "'ifl l "tfl•-l~•N ... ,.,. .... , .. _,.. , A""ff t• ta f'I IL(Ollt\ . .... .. ,.,._ ·••ff .. .,.. _ ... _... ,o u It had hofff'I 1-"1_ .. l•t•il!: , ... u,. Cul,occ

~'POWER' ~ RANGE

LOUDSPEAKERS

* RUGG'ED CONSTRUCTION

f p'R,OV'EN RELIABILITY

\tf lll l \ l\K f lO l!WI

Ill NJO and Annie hit at Harrogate fest

FOLK FORUM THURSDAY

COL. YI.a CLU •aA1' • IMMITT

.,.o,Hlfl "uu••a

SUNDAY cont

STUDES' DRUM

0 LY the promoters would know whether the Harrogate Festival of Ari and Science (light mu,lc Ide, thal is) w s a financial success last weekend. But you can take It from me it was an art ls tic hit.

My personal choice from lhc Friday night jazz effort (both concerts were staged at the Royal Hall) was the New Jazz Orchestra with in~~r nnie Ross.

Annie, no stranger to ja1z loving 11 tykes", was a huge success with '"Nice Work If You Cao Get It". lhe pick ol her set . The NJO directed by Neil Ardley drew lhe ' 1more, more, more" rrom the audience at the end ol the show.

Whm that CjO-pnll'\ht't.l cnmpere Terry Hcnebery brnu1ht them back Ibey gave the ln!i trument.al hlgh-!opot or the ,how - a modem, swlnRln& arrangement of the ''National An-them' ' ,vhlch httd rhe patron~ on their feet al the ~tart but sitting down concentrat-ing on the '-heer Jan content by the second chor-us.

b1~:c~~"!atr~:i tor evtry jau lovtr rrom the Dlxltl1nd ran to lht almos:l

1vant aardltt were the Alu Welsh

';;~\.'!~st8~~a1~r L::J~n Trio Folk-d•}' on the Saturday

~a•n with II local 1ln1,us• worhhnp, followed wllh "'" Jrttmo(ln show and climaxed wllh an a.JI.star evtnlnit con-cert dra"lng folk fa ns from .very corner of the cou nty to

• ~::~ b~uieill which con• talnc-d 50me of the- cream of Che British tolk world wt.re the polished McPuke family

wlch a spot which de.served 1he hu&• reception It rttei\Ftd.

lla~~o~~!1nfo1~hec1~:

0 ';;m:1~: O""en Staley and Roaer Knowlu. They Introduced ~artln Carthy and Dave Sw.ar-brlck; Cyril Tawney and (look-ing; Just as good as she soun-ded) ShJrlty Colllns.

Louis KIiien and the Stock-ton Monl1 dancers completed the Rne fullvaJ folk fatt..-S.P.

FOCUS ON FOLK

OAVY ~•&M&.M

M•JCT Wl• K F-Olt( CINT•I. MAM'41.U(ITM

BOB C, CAROLE PEGG .. d •I ..,

THC FOX

O•w•"""'

ooa

T~, C , n 4• ,,~ t.. n, " t "J ••

pt Ill • JI

DAVE C, TONI ARTHUR C" n II ig

l'I Mt'

RED SULLIVAN TREVOR LUCAS

SATURDAY A FAREWELL AT TH• c•LtAa

TO JA CK A NO MUC:.A•IT KfNC. n lh•,r 1 •~ .ar.u; ,,.

. JOHNNY SILYO IHE JUG nun

TttOUUDOU• • M IULll\tAM M.l.rl'I•

MONDAY

JOHN .PEARCE

TUESDAY TH• D ... Jltc•OOM.

11.-p ' •

HDD .

BERT JANSCH TltOUIADOU•

KH

WEDNESDAY thr,,· y ., ., r 11j, ,1 11,u'l'I' " 1n, .. r dr •PPI" - .:J JI 4 • Ir~~~~• :;~~,:~,j r~M .an~!ri z a,. nt·, Part A •d la. I

ROSS: nice work ancl she sot it. NO IL MU.i,'HY .~1Tf T ·

CLARK TERRY

T:~.u:~h::: ot ~~~•~~In~~ Ina Mlth1!:I Sardahy Trlo, undtrwent 1otructural altera-tlon.1 IHI week to 1ut more

r:~:.;fft, A:~':r •=~I ut~~e~~ , 111, brou&ht lrt Clark Te.ny for a wttk - Juct prior to the lrumpeter's re.tum to the U.S. after a stint In Europe.

Clark, master rnu1Tclan, ,nte.rtalner and mumbler •uprem•. was 1lmply te.ffltlc., and the well-knit Michel

~:i~t!~>' ii~':,.

s.,ndoy,,..,.,.,11,1

T1RRY UGIITTOOT'S JA2IM£N

,,,_.,, AuQv,t 12nd lrimh Jan Sati•ly PrHtnls

JOHN DUFERARY'S (HOt.1 JAZZ IAND plu,

CASIMIR'S PARAGON HASSIANO

Jundoy. A11gu,I 13rd

rnYE DARBISHIRE ANO THE YUM YUMS

W~, A'9fJl1-41n

MONTY SUNSHINE'S JA.ll lAND

FULLY LICENSED BAR EVERY EVENING I

llOUCID tAru fOt 5TUO(N1' MlNoNllS aw f.l..,.._ H,11,.i..n Mus. .. .,. on,

,. ... c~;,;. Shor11.,. I look No:.:i

GEORGE LEWIS l .....

Kid MortY"'• l•gthn• lond flH'f, • Thu"· • S-i>t, 20- 22

Tick•t• 15/• IMomben 10/-) Of'I .olo now I 00 Club CM' : .iCW11pododd,.ulld_,..,~10,

I . . ' I I I s

CLUBS .

THURSDAY

SUNDAY cont. GOTHIC JAZZBANO . 11••· We-I

1m11•ln l'U11 ptu r•l 111ul1 Lund1 lll'JII'.'

JAZZ AT THE SHIP, 2.!11 1./in l,,1ne. Sf..!. MIDDAY , l~:? ''"' :ind l'Hhln TONY LEE TRIO, fJhl cue-- I

THE ORGAN LOFT The- W:an"r Hou 1 ,pp M.inor

lfou~C" Tub,·)

THE JEFF REED TRIO WLlh Rr ~a

WHITE HART •. l>Ulhall Cohn h1ni,;.,..dl's J;,u D.incJII

WOOD GREEN . ALAN ELSDON JAZZMEN ----

MONDAY BEXLEY KENT. Bla{"il. Prince

llott'I, Alexand~•n, J.ntband

BRITISH JAZZ SOCIETY, 100 Club, John Drffra)''!i Creole Band and J,likt• C-u1m1r•, Para,t(ln Urata Dand

GOTHIC ~ND. The Wei· lln&ton, Shcph~•rd111 Bu1h Crcen

HATFIELD. kcd Linn, lllkt' Oa.nlel1

.JAZZ AT TitE SHIP, 2a LonJ Lani.", s E.J. TONY LEE TRIO, DICK NO~Y.

MIKE osaORNE, .JOHN SURMAN Lntle Th0

KID MARTYN IAGTIMl....., s.•-,.~21 .. , 1.>0 KEN COLVER'S JAZZMEN r~--...,.._ l'OlJC & aLUUAU-Nc;MTSUStOW 7wvLoau;.~· f ....... , ·····-THAMES HOTEL

Homplo,, Court. Mlckll-• fr\dor,Al,,g11U 19th

MIKE DANIELS DELTA JAZZMEN

Sat..rdoy, Aupu,t '20th

MAX COLLIE'S RHYTHM ACES

Surdoy, Auoui,1 1111 ERIC SILK AND HIS

SOUTHERN JAZZBAND

- -SIX BELLS

KING!. ROAD. CHELS[A Sot., Auguat 20th, I p.m.

SANDY BROWN AND HIS BAND

W•d., August 24th, I p.m.

MIKE DANIRS IIG BAND

--~:,, Otoc!~t~;~~to"• 31173 S.... A.f. ~ 7 30-11 ,0 p.111

ZOOT MONEY '-ii.,,, A.s- ,. .. 7 30-11 p.M

THE GASS IIINIHOUOAY

;;:,~-.... TMliT.JII,... "::,.!!!1-__ ,:,o_ _ ... ..- 7.JD••

KLOOKS KLEEK RRIIWA)' Hotel, West Hamp•tt'ad.

DAVE ANTONYS HOODS

Mt'mbcr• on coRch puty meet ouUUh.• club. 9.00 lhls Salurdll)'.

FRIDAY

BLUESVILLE '66 BLUESVILLE '66 JIMMY JAMES

and the

VAGABONDS "THE MANOR HOUSE"

fOpp. Manor 11ou11e Under11round ) NEXT FRI., 26th AUG.

ZOOT £ MONEY CROYDON JAZZ CLU •, Star

Jlolcl. New Era Jaumen .

ERIC SILK SOUTHERN .JAZZ· •AND, Southern .Ja:t7. Club. Ex- OIH Sol, ~,t20th STl'VBtAGI Sut1. Au.,.i71,t 1WAHM y,,_. ,......,..23nl WOOOMmf n...n~ ......,...1 25'tl 1UOOkS 111a

CANA VAlsrrt' AGINCY dl.U _...,_,.. $ti--, l ..... WI

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ciu FO Rittie rn ROOM .,, , ct• J.Q

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H1ph• 1t Par t Fxchong• Allo wonctt on your ri1•1enl

Horn

PERSONAL I .fd ,~, wnr,1

••IGHT, l)tCITINC , l\n fr11•m1 lh n\l, 1 M11 1u1tl