Upload
others
View
6
Download
0
Embed Size (px)
Citation preview
OWNER'S MANUAL RODGERS CLASSIC SERIES 200/205
ovJNER' s MANUAL FOR
RODGERS CLASSIC SERIES 200/205
RODGERS ORGAN Marketing Offices
100 Wilmot Road · Deerfield, Illinois 60015
A Member of CBS Musical Instruments, A Division of CBS, Inca
CONTENTS
In traduction ............................................... . 1
The Musical Resources of the Rodgers Classic Series 200/205 ...... 2
The The The The
Principal (or Diapason) Family. Flute Family .......... . String Family and Celestes .. Reed Family ............... .
3 3 4 5
Specification List ............................................... 6
Special Features. . . . . . . . . . . . . . . • . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Couplers ........... . Combination Action. Flute Chiff. Tremulant .... Expression Pedal .. • Stops Enclosed .. Tuning Control ........ . Stop Lamps Control .....••. Organ Case ........ . Completely Solid-State.
. .
7 7 8 8 9 9 9 9
..10 10
Care and Maintenance .........................•..........•....•... 10
Console and Keyboards
Pedalboard ... and Stop Tabs ..
Pipes ................ .
... .. . . . . . . .11
11 ..11
Five-Year Limited Warranty ......••..........••...........••••.... 12
Registration Suggestions. ••••••••••••••-•••••••,••••e• . .. ••••P.•• .•. 12
Manual I .. II.. Manual
Pedal Organ.
Suggested Memory Settings ...
.• 13
. . 14
..15
. ..................... 16
Rodgers Classic Series 200/205 Memory I ..................... l7
_______ I~l~l.L.-us_tr.ati.o.n-.-----·-----.-.-.-.-.--.-.-.-.-.-.-.-.-.-. . . ..... . . . . . . . . . ............. 2-Q-----
RODGERS CLASSIC SERIES 200/205
The RODGERS CLASSIC SERIES 200/205 combines the finest pipe
organ tradition and classical tonal schemes with current electronic
technology to give the organist and the listener the finest organ
sound.
The design of this organ began with the development of a specific
ation which allows music of all periods and schools of performance
to be played as accurately to each tradition as possible.
The RODGERS CLASSIC SERIES 200/205 is manufactured to console
specifications set forth by the American Guild of Organists. These
specifications create a uniformity as to compass of keyboards (61
notes) and pedalboard (32 pedals), and the placement of keyboards
in relation to the pedalboard. The latter requirement allows
people of various sizes to comfortably play an organ. There are
also specifications for the placement of drawknobs and couplers.
Rodgers has always adhered to these specifications in its Classic
organs to provide comfortable organs for all to play.
This two manual and pedal organ contains the following divisions:
Manual I, Manual II, and the Pedal Organ. Each division has its
own function in the total scheme of the organ.
MANUAL I (most like the Great Organ) has the boldest Principal
(Diapason) Ensemble and a solid Flute Ensemble to support the
Principals. An appropriate word for Ensemble is Chorus which
generally means that two or more pitch levels (8', 4', 2', etc.)
of a tonal family are sounding simultaneously. They are softer,
accompanimental stops which provide a subtle texture to support
the solo stops of Manual II.
-1-
Rodgers Classic Series 200/205 (Continued)
MANUAL II (most like the Positive Organ) is a contrasting or
"relief" manual. Its stops present a fine variation or contrast
to the stops on Manual I. It is a very useful manual in contrapuntal
music of the baroque period where terraced dynamics are often
accomplished by changing manuals as well as by the number of stops
drawn. Manual II has Principals at the 4', 2', and 1' pitches,
crowned by a mixture. There is also a complete Flute Ensemble
including the mutations of 2-2/3' and 1 3/5'. Celeste and Reed
voices round out the specification and give the manual great tonal
flexibility.
The PEDAL ORGAN is so named because its keys are played by the
feet. The RODGERS CLASSIC SERIES 200/205 has a complete Pedal Organ
which will provide a suitable foundation for any manual registration.
THE MUSICAL RESOURCES OF THE
RODGERS CLASSIC SERIES 200/205
There are two major catagories of organ tone:
FOUNDATION: This catagory includes Principals (Diapasons), Flutes,
and Strings. These voices are produced by similarly constructed
pipes called flue pipes. The pipe emits sound when air enters the
bottom of the pipe (toe piece), then is channeled through a thin
opening, directing the air column upwards against a lip. The
result is air being excited and causing vibrations to create the
musical tone.
REED: Reeds are pipework whose sound is generated by a metal
tongue vibrating against a metal block, with a cutout portion of
the block facing the tongue. These portions are contained in the
"boot" of the pipe with the resonator (uppermost tubular section)
affecting the timbre (color) and pitch of the particular pipe. Such
voices as the Trumpet, Trompette, Oboe, Dulzian, Krummhorn, Fagot,
Bombarde, and Vox Hurnana are members of the Reed Family.
-2-
Rodgers Classic Series 200/205 (Continued)
The Principal (or Diapason) Family
The Principals are the tonal family that is unique to the organ.
There is no orchestral counterpart to the Principal nor can it be
duplicated by any orchestral instrument. When played as a Chorus,
such as the 8' Prestant, 4' Octave, and 2' Fifteenth on Manual I,
the resulting sound provides body, clarity and the base to which
the other tone families of the organ must relate and blend.
The Mixture is composed of compound pitches of high-pitched
Principal pipes. The pitches used augment the natural harmonic
overtone series. The prime function of the Mixture is to add
sparkle to the foundation tone of the organ. The Roman numerals
on the stop tab indicate the number of pitches sounding when a
single note is depressed, e.g. Mixture III-IV (three to four
pitches, depending on where one is playing on the manual). When
used sparingly with suitable foundation stops and/or reeds, the
Mixture provides the roof or cap of the tonal house. When used
in combinations for hymn playing, Mixtures give pitch clarity
to the ear which results in better congregational singing.
The Flute Family
The Flute family has a dual role in good organ design. The
Flutes must support the Principals and provide another plane of
tone color for solo voices.
The Flutes are unique since the mixing of unison and non-unison
pitches (mutations) gives synthesized solo voices. On the
RODGERS CLASSIC SERIES 200/205 you can make the Classic French
Cornet on Manual II by registering the 8' Gedacktflote, 4' Nachthorn,
2-2/3' Nasat, 2' Waldflote, and l-3/5' Terz. This combination
has a reed quality, particularly in the upper part of ,the keyboard.
-3-
Rodgers Classic Series 200/205 (Continued)
The combination and proper balance of unison and non-unison
pitches which comprise the Cornet is a standard practice of organ
design dating back hundreds of years.
The 1-1/3' Quint on Manual I is useful for adding a subtle
sparkle to any base combination. It is most commonly used
with the 8' and 4' Gedacktflotes to give a very colorful, quaint
sound useful for contrapuntal literature.
The String Family and Celestes
String-toned stops, such as Gambe, Viola, and Salicional, have a
high harmonic development. This causes the sound to be thin and
cutting. The String pipes are actually small scaled (reduced
diameter) Principals that decrease in volume and develop brighter
timbre. Because of their small scale they articulate, or speak,
with difficulty. This characteristic causes them to be unsuitable
for rapid passages, so often found in contrapuntal music. The
Strings were not fully developed as organ stops until the 19th
century. Because the design of the RODGERS CLASSIC SERIES 200/205
harkens back to the baroque era, stops from the Gemshorn family
have been selected for your specification. The Gemshorn has
somewhat of a String as well as a horn-like tone, although not
as keen as a String. This delightfully blending sound is ideal
for accompaniment and complementary to all other stops on the
organ. You will find this useful stop on both Manual I and
Manual II on the RODGERS CLASSIC SERIES 200/205.
The basic Gemshorn tone is augmented with a Celeste rank on your
organ. The Gemshorn Celeste rank is another Gemshorn tone derived
from independent pitch sources purposely tuned slightly sharp.
When the two pitch sources are played together, a pleasant undulation
results (like a slow tremolo). Creating a tremolo in this manner
was already known in Italy in the 16th century and is found in
Germany at the beginning of the 18th century.
-4-
Rodgers Classic Series 200/205 (Continued)
The Reed Family
The Reed family is the most colorful of all the organ families,
and is subdivided into three divisions: Chorus Reeds, Semichorus
Reeds, and Solo Reeds. Chorus reeds belong primarily to the
trumpet family: Posaune, Fagot, Trompette, and Clairon are in this
category. Although their names suggest orchestral tones, they
differ in quality considerably. They are purely organ voices
and are used to add power and vigor to the Chorus.
Semichorus reeds come largely from the baroque period. Dulzian
and Krurnrnhorn are typical examples. The term "semichorus" is
used because these stops may function as chorus reeds or solo
stops.
The Solo reeds, such as English Horn, Clarinet, or Oboe are
imitative of their orchestral counterparts and are used largely
as solo stops.
The chart on the following page shows the RODGERS CLASSIC SERIES
200/205 stop list.
-5-
Principals
Flutes
Gems horn (Strings)
Reeds
Couplers
RODGERS CLASSIC SERIES 200/205
Manual I
8 I Prestant 4 I Octave 2 I Fifteenth
Mixture III-IV Cyrnbel I
8 I Gedacktflote 8 I Stillgedackt 8 I Flute Celeste II 4 I Gedacktflote 2 I Blockflote
1-1/3 I Quint
8 I Gems horn
16 1 Dulzian 8 I Krummhorn
Manual II to Manual Manual I to Pedal
Special Controls
• Stops Enclosed Tremulant
Manual II
4 I Principal 2 I Octave 11 Sifflet
Scharf II- III
8 I Gedacktflote 8 I Rohrgedackt 4 I Nachthorn
2-2/3 1 Nasat 21 Waldflote
1-3/5 1 Terz
8 I Gems horn 8 I Gem shorn Celeste
16 I Fagot 8 I Trornpette
I
-6-
Pedal
8 I Principal 4 I Choralbass
Mixture IV
16 1 Subbass 16 I Lieblich
Gedackt 8 I Gedackt 4 I Gedacktflote 2 I Blockflote
16 I Posaune 4 I Clairon
SPECIAL FEATURES
There are two couplers on the RODGERS CLASSIC SERIES 200/205:
MANUAL II TO MANUAL I and MANUAL I TO PEDAL.
The function of a coupler is to enable the stops of one division
or keyboard to be played on another keyboard or pedalboard.
The MANUAL II TO MANUAL I coupler allows all the Manual II voices
to be played from the Manual I keyboard. The MANUAL I TO PEDAL
coupler will make the voices of this keyboard sound when a pedal
is depressed.
As can be seen, the coupler greatly increases the flexibility of
the instrument.
If both hands are busy and you desire to add MANUAL I ~0 PEDAL,
pushing the toe stud with your foot will do this. Pushing the
toe stud again or pushing the drawknob in will take MANUAL I TO
PKCAL off.
Combination Action
One of the exciting features of the RODGERS CLASSIC SERIES 200/205
is a combination action that is adjustable from the console. This
enables the organist to select favorite registrations and to make
rapid changes of tone color.
DUAL MEMORY COMBINATION ACTION
The RODGERS CLASSIC SERIES 200/205 combination action is a unique
DUAL MEMORY SYSTEM. This gives the organist a total of sixteen
General pistons for the Manual I, Manual II, and Pedal Divisions.
-7-
Rodgers Classic Series 200/205 (Continued)
There is a combination lock for each Memory (1 and 2) with
different keys for each lock, giving protection to the individual
keyholders. With the keylock in the "Off" position, or with the
keys removed, the combination action will function but cannot be
set with new combinations.
NOTE: If both keys are in the "On" position, the combination
action will not program any new combinations. Also, when
one key is in the "On" position it is impossible to switch
to the other Memory.
How to set the Pistons:
1. Select the Memory (1 or 2) to receive the registrations.
2. Turn on the keylock for the selected Memory. (You will note that the lighted piston will indicate which keylock has been turned on.)
3. Select your registration. ·
4. Push the Set piston and hold.
5. While pushing the Set piston, push the desired piston, then release both pistons simultaneously.
Flute Chiff
CHIFF is a natural speech characteristic of classically voiced
Flutes. It gives additional clarity to both pitch and attack;
therefore, it is an integral part of the electronic voices.
Tremulant
Regarded as a special effect, the TREMULANT can be most useful
when judiciously used. The Tremulant on the RODGERS CLASSIC
SERIES 200/205 affects all of the electronic voices only.
-8-
Rodgers Classic Series 200/205 (Continued)
Expression Pedal
The RODGERS CLASSIC SERIES 200/205 has an Expression Pedal
which controls the overall volume or loudness of the electronic
voices of the organ. It is used to give variety of expression
to the music played. Pressing the pedal forward increases the
volume. Drawing back on the pedal decreases the volume. Please
note that this pedal will not function unless the " • Stops Enclosed"
drawknob is pulled. Early organs did not have swell boxes so a
change in dynamics was accomplished by adding or subtracting stops
or changing manuals. You have your choice of playing the RODGERS
CLASSIC SERIES 200/205 with or without expression.
• Stops Enclosed
Pulling this drawknob causes the electronic voices (indicated
by a • on the drawknob) to be under expression, which is controlled
by the Expression Pedal.
Tuning Control
One of the beauties of a pipe organ is its ability to be tuned
properly. As you know, flue pipes change their tuning depending
on the temperature and density of the air in the room in which the
organ is located. Because our electronic circuits are so stable
it may be necessary to tune the electronics to the pipes. This is
very easily done by moving the Tuning Control until the beats (or
out-of-tuneness) stop. If the control knob is pulled out, the
electronic portion of the organ immediately returns to A440
(concert pitch).
Stop Lamps Control
The intensity of the stop lamps can be governed by this knob. Turn
the knob clockwise for brighter and counter~clockwise for dimmer
-9-
Rodgers Classic Series 200/205 (Continued)
lights.
Organ Case
While the wood case surrounding the pipes is very beautiful, it
has other value too. It serves functionally to protect the pipes
and wind chest, and musically to blend the sound, to lend its own
resonance to the organ, and to project the sound of the organ to
the listener. The use of an organ case for these purposes dates
back to before the 15th century.
Completely Solid-State
Each note of every set of electronic voices in the Rodgers organ
is produced separately by an individual, solid-state voice generat
ing network. This independence of voices is largely responsible
for the wide acceptance of Rodgers' tone quality. In addition,
stop switching, coupling, and keying are all accomplished through
the use of solid-state switches which eliminate hundreds of contacts
and moving parts.
The amplifiers for the Rodgers speakers are located in the console
and there is no warm-up time required for them.
CARE AND MAINTENANCE OF THE RODGERS CLASSIC SERIES 200/205
As with any fine musical instrument, reasonable care is necessary
to protect your investment in your Rodgers organ. Normally, you
should experience no difficulties, because it has been carefully
designed, and only the finest component parts are used in its
manufacture. Even the finest equipment, however, is subject to
occasional service. Your Rodgers Service Representative is fully
equipped and qualified to handle any service problems which may
arise.
-10-
Rodgers Classic Series 200/205 (Continued)
Your new Rodgers organ is not only a fine musical instrument,
but also a fine piece of custom made furniture, finished to hold
its attractiveness through generations of use. Only the best
woods are used, carefully checked for uniformity of grain and
intensity of figure and carefully hand assembled. As each finish
coat is applied, it is thoroughly dried and hand rubbed before the
next coat is applied. This hand rubbing results in a finish that
is lasting and easy to keep beautiful. Following are a few tips
on caring for your Rodgers organ.
Console and Pedalboard
A frequent dusting with a soft, clean cloth is usually all that
is required. For a lacquered finish, a small amount of Guardsman's
Polish on the cloth will keep the organ smudge-free and help remove
fingerprints. Waxes, oils, or silicone base polishes should not
be used. Always wipe the surfaces WITH THE GRAIN, using straight,
even strokes.
Keyboards and Drawknobs
Keyboards and drawknobs should be cleaned with a soft cloth
dampened with water and mild soap if desirable. Care should be
exercised to avoid water dripping between the keys. DO NOT USE
SOLVENTS (alcohol, gasoline, carbon tetrachloride, etc.).
Since extreme cold, heat, or exposure to sunlight may injure
the finish of any fine piece of furniture, the console should not
be placed over a heat register or near an open window.
Pipes
To keep the pipes of your Rodgers organ beautiful, refrain from
touching them with ungloved hands.
-11-
Rodgers Classic Series 200/205 (Continued)
RODGERS FIVE-YEAR LIMITED WARRANTY
The Rodgers Organ Company warrants every part of your Rodgers
console against ~efective materials or workmanship for a peri6d
of five years beginning on the date of purchase. IT IS IMPORTANT
THAT YOU COMPLETE THE WARRANTY REGISTRATION CARD ATTACHED TO THIS
MANUAL AND RETURN IT TO US TO VALIDATE YOUR WARRANTY.
Rodgers' Limited Warranty provides any needed replacement parts
during its five~year term. Labor, in connection with the replace
ment of parts, . is not covered by the factory warranty. Contact
your authorized Rodgers dealer for details of his labor warranty.
Complete factory warranty terms are spelled out in the Rodgers
Limited Warranty c~rtificate available at your Rodgers dealer
or mailed to you upon receipt of your Warranty Registration Card.
REGISTRATION SUGGESTIONS
The following pages of registrations are guidelines ~or selecting
appropriate stops to match broad suggestions given in most printed
organ literature. There will be variances of registration, depend
ing upon the music, acoustics of the room, and the spirit of the
performance.
-12 ~
Manual I Registration Suggestions
RODGERS CLASSIC SERIES 200/205
Given Suggestions
Flute
Strings
Reed (Solo)
Reeds (Chorus)
Foundations p
Foundations mf
Foundations f .
Foundations ff
Full Great
Appropriate Registration
8 I Gedacktflote 8 I Gemshorn 8 I Krummhorn 8 I Krummhorn
16 I Dulzian 8 I Stillgedackt 8 I Gems horn 8 I Gedacktflote 8 I Gems horn 4 I Gedacktflote
8 I Prestant 8 I Gedacktflote 4 I Octave 41 Gedacktflote 8 I Prestant 81 Gedacktflote 4 I Octave 4 I Gedacktflote 21 Fifteenth 8 I Prestant 8 I Gedacktflote 4 I Octave 4 I Gedacktflote 2 I Fifteenth 21 Blockflote
Mixture III-IV
-13-
Manual II Registration Suggestions
RODGERS CLASSIC SERIES 200/205
Given Suggestions
Flutes
Strings
Reed (Solo)
Reeds (Chorus)
Foundations p
Foundations mf
Foundations f
Full Positive
Appropriate Registration
8 I Gedacktflote 4 I Nachthorn 8 I Gems horn 8 I Gemshorn Celeste
8 I Trompette
16 1 Fagot 8 I Trompette 81 Gem shorn 8 I Rohrgedackt 8 I Gems horn 8 I Rohrgedackt 4 I Nachthorn 8 I Gedacktflote 8 I Gems horn 4 I Principal 4 I Nachthorn 2 I Waldflote 81 Gedacktflote 4 I Principal 41 Nachthorn . 2 I Octave 2 I Waldflote 11 Sifflet 8 I Trompette
-14-
Pedal Organ Registration Suggestions
RODGERS CLASSIC SERIES 200/205
Given Suggestions
Flutes
Pedal Principals
Foundations p
Foundations mf
Full Pedal
Appropriate Registration
16 1 Subbass 81 Gedackt
16 I Subbass 81 Principal
16 1 Lieblich Gedackt
16 I Subbass 8 I Principal 81 Gedackt 4 I Choralbass
16 1 Subbass 81 Principal 81 Gedackt 4 I Choralbass 21 Blockflote
Mixture IV 16 I Posaune
-15-
Rodgers Classic Series 200/205 (Continued)
SUGGESTED MEMORY SETTINGS
On the following pages are complete, suggested piston settings
for the RODGERS CLASSIC SERIES 200/205. These are arranged in
ascending order from soft combinations (Generals 1 and 2) to
larger ensemble combinations of increasing strength. These are
only suggestions as to a system of setting pistons that follow
the basic music crescendo.
-16-
RODGERS CLASSIC SERIES 200/205
Memory I
Generals
Piston 1 Pedal:
Manual II:
General:
Manual I:
Piston 2 Pedal:
Manual· II:
General:
Manual I:
Piston 3 Pedal:
Manu.:tl -II:
General:
Manual I:
Piston 4 Pedal:
Manual II:
-17-
16 I Lieblich Gedackt 8 I Gedackt 8 I Gem shorn 8 I Gensho:tn Celeste
• Stops Enclosed
81 Flute Celeste II
16 1 Lieblich Gedackt 8 .1 Gedackt
8 1 Gemshorn 8 1 Gemshorn Celeste 4 1 Nachthorn
• Stops Enclosed Manual I to Pedal Manual II to Manual I
8 1 Flute Celeste II 8 1 Gemshorn
16 1 Lieblich Gedackt 8 1 Gedackt 4 1 Gedacktflote
16 1 Subbass
8' Gemshorn 8 1 Gemshorn Celeste 4' Nachthorn 8' Rohrgedackt
• Stops Enclosed
8 1 Gedacktflote 8 1 Flute · Celeste II 8 1 Stillgedackt 8' Gemshorn
16' Lieblich Gedackt 8 1 Gedackt 4 1 Gedacktflote
16 1 Subbas·s 8' . Principal 4' Choralbass
8 I Gems horn 8 I Gemshorn Celeste 8' Gedacktflote 4' Nachthorn 8 I Rohrgedackt
Piston 4 (Con't.)
General:
Manual I:
Piston 5 Pedal:
Manual II:
General:
Manual I:
Piston 6 Pedal:
Manual II:
General:
Manual I:
-18-
Manual I to Pedal
8' Gedacktflote 8' Flute Celeste II 8' Stillgedackt 4' Gedacktflote 8' Gemshorn
16' Lieblich Gedackt 8' Gedackt 4' Gedacktflote
16' Subbass 8' Principal 4' Choralbass
8' Gemshorn 8' Gemshorn Celeste 8' Gedacktflote 4' Nachthorn 2' Waldflote
Manual I to Pedal
8' Gedacktflote 8' Flute Celeste II 2' Blockflote 8' Stillgedackt 4' Gedacktflote 8' Prestant 8' Gemshorn 4' Octave
16' Lieblich Gedackt 8' Gedackt 4' Gedacktflote
16' Subbass 8' Principal 4' Choralbass
8' Gemshorn 4' Principal 8' Gedacktflote 4' Nachthorn 2' Waldflote 8' Rohrgedackt
Manual I to Pedal
8' Gedacktflote · 2' Blockflote 8' Stillgedackt 4' Gedacktflote 8' Prestant 8' Gemshorn 4' Octave 2' Fifteenth
Piston 7 Pedal: 16 1 Lieblich Gedackt 8 I Gedackt 4 I Gedacktflote
16 I Subbass 8 I Principal 4 I Choralbass
Mixture IV
Manual II: 8 I Gems horn 4 I Principal 2 I Octave
Scharf II-III 8 I Gedacktflote 41 Nachthorn 2 I Waldflote 8 I Rohrgedackt
General: Manual I to Pedal Manual II to Manual I
Piston 8 Pedal: 16 I Lieblich Gedackt 8 I Gedackt 41 Gedacktflote 2 I Blockflote 4 I Clairon
16 1 Subbass 8 I Principal 4 I Choralbass
Mixture IV 16 1 Posaune
Manual II: 8 I Gem shorn 4 I Principal 2 I Octave 11 Sifflet 81 Gedacktflote 4 I Nachthorn
16 I Fagot 81 Rohrgedackt 8 I Trompette
General: Manual I to Pedal Manual II to Manual I
Manual I: 81 Gedacktflote 2 I Blockflote 8 I Stillgedackt 4 I Gedacktflote
Cymbel I 8 I Prestant 8 I Gemshorn 4 I Octave 2 I Fifteenth
Mixture III-IV
-19-
I--
-.= -~
f-. - ' f-r-
[ 1-.--
ffi n;;:L r-;L ,.Ji=I=;L r-
~I= D. i=l= I= I=
rm .LI
MANUAL I .
MANUAL II
---------i
11 Al1
" -
i
~m 1 ll~il :' . I \ \1 I 'i ·--- - 17\ ~~~ '!'\ /:::.,,_ ~~{J~t[J
1:::. <0<1()<()<1()>1() ~ - bf= <O<I() I{)!(Jf(J
I= ~ 7() <()<0<0<0 0 -1\ \ \ \1 ".A: o· looooT • ..... '
0.'\.1/0FF KEY
. MEMORY 1 & MEM I<EYLOCKS
MEMORY b & . MEf SELECT! N PIST'
JCK ·~ 71 RY2 / v I
V._r---.... v . /v / ~
JRY 2 -.IS
"" ·~ 1'-
f--
~w . ;; i!;i l .... _,......
'i1!11;! g) ·~ . " --
lr ·-- --··-~ · l ' .
,--,
.---- -f-
r--,--
r-.--,_ rf-
~ 1--· "Ill 1- - I ---• STOPS - lt-- 1"(\ lA it\! - ~- ~~
I=~ -TREI'v I=
I I I I \
r---- -STOP LAr '-...... -- CONTRO
--"--._
~GENER
~'-MANUAL ~
.J..,J
EXPRESSION PEDAL WORI ENCLOSED IS ON
J SET PISTON PISTONS FOR COMBINATION ACTION
-20-
COUPLERS
OSEO ON/OFF
TON/OFF
NG CONTROL
DIMMER
CANCEL PISTON
DAL TOE STUD
HEN •STOPS