Upload
artesaos-do-som
View
218
Download
0
Embed Size (px)
Citation preview
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 1/181
!"#$%&'#()(% (% '+, -)!., / !'-
%'?,.) (% ?,;!"#?)73%' % )&9%' / %?)
?);-!' (% '+, -)!.,
-&,=&);) (% -8'2=&)(!)7+, %; ;%#,' % -&,?%'',' )!(#,$#'!)#'
!"#$%#&' )%#*+", %-."/
,' %'9!(,' (, ',; ", ?#"%;)<
%:1504>1 60OKGCGOGC:OI 9MKHBKLCOJ 9MAEGCLOJ M 1 -M@DC5 HO -MJN0CJO
F@OJC5MC@O ?1KGMA_1@[KMO J1W@M 1 '1A ?CKMAOG1S@EDCL1
'>1 -O051Y]XR
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 2/181
!"#$%#&' )%#*+", %-."/
,' %'9!(,' (, ',; ", ?#"%;)<
%:1504>1 60OKGCGOGC:OI 9MKHBKLCOJ 9MAEGCLOJ M 1 -M@DC5 HO -MJN0CJO
F@OJC5MC@O ?1KGMA_1@[KMO J1W@M 1 '1A ?CKMAOG1S@EDCL1
&?;;739=82< =:37;719=5= =< 03<43=>= 57 06;OK3=5G=82<
7> )7?<; 7 03<C7;;<; %G5?<I?;G=?; :=3= <M97182< 5<HB9GL< 57 )7;937 7> J?A1C?=;E -?1@= 57 07;DG?;=N0<F9?C=; 7 HFC1?C=;_ ";C<L= 57 J<>G1?C=8[7; 7 %397; 5=+1?I73;?5=57 57 /2< 0=GL<E
'3?719=5<3N 03<WE &3E "5G=35< /?>[7; 5<; /=19<; )7157;E
'>1 -O051
Y]XR
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 3/181
K fgrk FS MSY]IFS IF SFD NF CJNMDK1 Mvf`uâãf [ukntjtktjvk, Ymniáncjks Ymdëtjcks m f _mrhj` ik _msqujsk
Grksj`mjrk Cfntmdpfrçnmk sfgrm f Sfd Cjnmdktfbrëhjcf im Gmrnkrif Dkrqumz K`vms ê `jcmncjkik cfd k
Crmktjvm Cfddfns Kttrjgutjfn-NfnCfddmrcjk`-NfImrjvs 3.? ]npfrtmi @jcmnsm._mrdjssýms kijcjfnkjs kf çdgjtf imstk `jcmnâk pfimd mstkr ijspfnävmjs md www.krtmskfsifsfd.frb.
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 4/181
!"#$%&#' & )'#'* '* "+),*$&*)&* " "*),#$'*'* #' *'- +' %$+"-&
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 5/181
)=&)(%?#;%"9,'
%43=578< 7> :3?>7?3< LG4=3 =<; >7G; :=?; :7L< =:<?< ?1C<15?C?<1=L 7 = 9<5<; >7G;
W=>?L?=37;E
%< >7G <3?719=5<3_ 03<WE &3E "5G=35< /=19<; )7157;_ :7L= :=C?A1C?= 7 C<L=M<3=82<E " S
J%0"/ DG7 =YG5<G = W?1=1C?=3 < :3<Y79<E
%<; =>?4<; :=3= 9<5= @<3= K71F;?< ]K71=;X_ %153F -G?R ]\=33ZX_ H@?=4< Q3=1C<_ %147L=
#?M7?3<_ &=>ZL73 JG1@= 7 U7WW73;<1 0=C=7>MG DG7 >7 =C<L@73=> 1<; ><>719<; 7;;71C?=?;E
%< Q731=15< \711=_ &=1?7L HG3?1?_ KG;9=I< $=;C?>719<_ -G?R %57L>< 7 S H?57 !<347; :7L<
=:<?< 7 <:<39G1?5=57;E
% 9<5<; <; :3<W?;;?<1=?; 57 ;<> DG7 1<; PL9?><; =1<; :=39?C?:=3=> 5= >?1@= W<3>=82<E
%<; :7;DG?;=5<37; DG7 C7573=> 7 5?;:<1?M?L?R=3=> ;7G; 93=M=L@<; :=3= = C<1C379?R=82< 57;;= :7;DG?;=E
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 6/181
.'#& & /'& $+?';-&73' #"9";$& "*)&; %'+#$%$'+&#&=
#")";-$+&#& -"*-'= & 8";&; %'+2"%$-"+)'=', *"<&= *"; #" &:8,-& ?';-& ,)$:$1&#&=
9$;&; &:8' 5;0)$%' 5&;& &* 5"**'&*= "- *",* 5:&+'* #" "*),#'=
"- *,&* 5:&)&?';-&* '5";&)$9&*= %'- "?"$)'* $+#"?$+$#'*4
>&#& -&$* $+<,*)' #' 6," & $+?';-&73' "*%'+#$#&=
"+%&*)":&#& +' &:)' "#$?O%$' #& *'/";/&
', 8,&;#&#& 5":& ?&:*& -'#K*)$& #' %'+2"%$-"+)' )0%$)'
6," *'-" 6,&+#' #"*?&:"%" ' *", );&+*5';)" +&),;&:4
)0G1@ HMJL1K\MLCH1
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 7/181
&%'!;,
%-."/_ !731=35< )=3DG7RE ,J %JG0H1J H1 '1A K1 ?CKMAON 7I<LG82< DG=19?9=9?I=_
9715A1C?=; 97>T9?C=; 7 < :73W?L 5= :7;DG?;= M3=;?L7?3= C<197>:<3^17= ;<M37 < ;<>C?17>=9<43TW?C<E &?;;739=82< ])7;93=5< 7> )7?<; 7 03<C7;;<; %G5?<I?;G=?;XE ";C<L= 57J<>G1?C=8[7; 7 %397;_ +1?I73;?5=57 57 /2< 0=GL<_ VokgE
";9= 5?;;739=82< :3797157 >=:7=3 7 5?;CG9?3 < :71;=>719< ;<1<3< C?17>=9<43TW?C< 5<;
:7;DG?;=5<37; M3=;?L7?3<; C<197>:<3^17<; =93=IF; 57 G>= 37I?;2< ;?;97>T9?C= DG7 =M<35= =
7I<LG82< DG=19?9=9?I=_ =; 9715A1C?=; 97>T9?C=; 7 < :73W?L 5= :7;DG?;= M3=;?L7?3= C<197>:<3^17=
;<M37 < ;<> 1< C?17>=E '; 7;9G5<; ;7L7C?<1=5<; :=3= 9=L ?1I7;9?4=82< 7 =1TL?;7 W<3=> <;
L?I3<;_ =; 97;7;_ =; 5?;;739=8[7; 7 <; =39?4<; =C=5A>?C<; 1=C?<1=?; DG7 C<197>:L=> < G1?I73;<;<1<3< C?17>=9<43TW?C<_ :GML?C=5<; 1< !3=;?L 1< :73B<5< 71937 <; =1<; Vook 7 Vokk_ 7 DG7
=39?CGL=> 7;;71C?=L>7197 DG7;9[7; DG7 12< ;2< 7;:7CBW?C=; 5= 93?L@= >G;?C=LE
-O5O:@OJ2L\O:M< G',+# G),#$"*c ";9G5<; 5< /<> 1< J?17>=c /<>c J?17>=c H3?L@= /<1<3=c
%G5?<I?;G=Lc #7I?;2< /?;97>T9?C=E
)F'9&)?9
%-."/_ !731=35< )=3DG7RE !"#$ &'()* &+(*",-N 6,&+)$)&)$9" #"9":'5-"+)*= )2"-&)$%
)"+#"+%$"* &+# )2" 5;'?$:" '? )2" ?$:- *',+# *),#$"* %'+)"-5';&;C I;&1$:$&+ ;"*"&;%24 H@7;?;])=;973 ?1 %G5?<I?;G=L )75?= =15 03<C7;;7;XE /C@<<L <W %39; =15 J<>>G1?C=9?<1_ +1?I73;?9Z<W /2< 0=GL<_ /2< 0=GL<_ VokgE
H@?; >=;973 9@7;?; =?>; 9< >=: =15 5?;CG;; 9@7 W?L> ;<G15 9@?1i?14 <W C<197>:<3=3Z !3=R?L?=1
37;7=3C@73; 9@3<G4@ = ;Z;97>=9?C 37I?7m 9@=9 =::3<=C@ 9@7 DG=19?9=9?I7 57I7L<:>719;_ 9@79@7>=9?C 971571C?7; =15 9@7 :3<W?L7 <W !3=R?L?=1 C<197>:<3=3Z Q?L> /<G15 /9G5?7;E H@7
;9G5?7; ;7L7C975 W<3 9@?; 37;7=3C@ =15 =1=LZ;?; m737 1=9?<1=L M<<i;_ 5<C9<3=L 9@7;7;_ >=;973h;
9@7;7; =15 =C=57>?C =39?CL7; 9@=9 =5537;; 9@7 G1?I73;7 <W W?L> ;<G15_ :GML?;@75 ?1 !3=R?L
M79m771 Vook =15 Vokk_ =15 7;;719?=LLZ =39?CGL=97 ?;;G7; 9@=9 =37 1<9 ;:7C?W?C <W 9@7 W?L> ;C<37E
ZMQ2U1@HJ< /<G15 /9G5?7;c Q?L> /<G15 /9G5?7;c /<G15c J?17>=c /<G1593=Cic %G5?<I?;G=Lc
/Z;97>=9?C #7I?7mE
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 8/181
.CJGO HM 9OWM5OJ
H%!"-% b
-7I=19=>719< M?ML?<43TW?C< DG=19?9=9?I< 37=L?R=5< :<3 =1< ]VookOVokkXEEEEEEEEEEEEEEEEEEEEEEEEEEEEgl
H%!"-% bb&?;93?MG?82< 5<; 97>=;_ ;GM97>=;_ <MY79<; 7 %';5,* 7;:7CBW?C<; 57 7;9G5< :73=197 < W<3>=9<_ <9B9GL<_ < =G9<3 7 < =1< 5<; 93=M=L@<;EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEElV
H%!"-% bbb&?;:<;?82< 57 K3=157; j37=; 57 C<1@7C?>719<_ j37=; 7 03<43=>=; 57 06;OK3=5G=82< :<3+1?I73;?5=57EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEae
H%!"-% b.
*G=19?5=57 9<9=L 57 97;7; 7 5?;;739=8[7; :<3 j37= 7 03<43=>= 57 06;OK3=5G=82<EEEEEEEEEEEEEEae
H%!"-% .*G=19?5=57 9<9=L 57 L?I3<;_ 97;7;_ 5?;;739=8[7; 7 =39?4<; :GML?C=5<; :<3 =G9<3EEEEEEEEEEEEEEEEEEEEEkkk
.CJGO HM =@EDCL1J
K#jQbJ' b-7I=19=>719< M?ML?<43TW?C< DG=19?9=9?I< 37=L?R=5< :<3 =1< ]VookOVokkXEEEEEEEEEEEEEEEEEEEEEEEEEEEEge
K#jQbJ' bb*G=19?5=57 9<9=L 57 97;7; 7 5?;;739=8[7; :<3 G1?I73;?5=57EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEal
K#jQbJ' bbb0<3C719=47> 57 97;7; 7 5?;;739=8[7; :<3 G1?I73;?5=57EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEa`
K#jQbJ' b.0<3C719=47> 57 97;7; 7 5?;;739=8[7; :<3 j37=EEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEad
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 9/181
!"#$%&'
&()%'*"+,'------------------------------------------------------------------------------------------------------------------./
. #;)'*'7'3&9-----------------------------------------------------------------------------------------------------------=8
= 9 2;!<"&!9 :%9!&7;&%9 1'();#2'%5(;9 !':%; ' !'#
1&(;#9)'3%$0&1'---------------------------------------------------------------------------------------------------- 4>
=-. ;6OKGCIO <GMHBLBMBL6M--------------------------------------------------------------------------------------- 4>
=-= )JHAEH@LMD )JNFBL@MD---------------------------------------------------------------------------------------- _[
=-=-. !"#$%&"'((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((()*
=-=-= +,-./?/;"'((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( )7
=-=-4 9,&-,=82/ </./&'(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((:1
=-=-_ 9&/-,##/ 5, 0&"'82/(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((:4
=-=-> >?,6,.$/# 5' +&"?O' </./&'(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((:K
G(G(4(1 >#$C5/# 5' I/M(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( KH
G(G(4(G >#$C5/# 5/ BCL5/(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((KJ
G(G(4(J >#$C5/# 5/ <"?A.-"/((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((( K4
=-=-8 +,/&"'((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((K)
=-=-W >#$E$"-' , >#$"?/((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((K:
=-=-[ >#$C5/# 5, 0'#/(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((K7
=-4 2JSYLK-------------------------------------------------------------------------------------------------------------------- ]_
1'(17"!,'((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((.._
%;0;%X(1&9!(((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((((..[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 10/181
!"#$%&
!"#$% () !"#$% '"'(")*+,-".% .)/?(;$% 7"#$+"'397% ?)+ %=)88888888888888888888888888888888888888888888882<:
!"#$% (() !"#$% '"'(")*+,-".% .)/?(;$% 7"#$+"'397% ?)+ $;=71=."% $;/,$".%8888888888888888888825:
!"#$% ((() !"#$% '"'(")*+,-".% 7; $;#;# ; 7"##;+$%04;# 7"#$+"'397%# ?)+ 3=">;+#"7%7;88888 26O
!"#$% (*) !"#$% '"'(")*+,-".% 7; $;#;# ; 7"##;+$%04;# 7"#$+"'397%# ?)+ K+;% ; G+)*+%/% 7;
GC#IM+%73%0H)8888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888882B2
!"#$% *) !"#$% '"'(")*+,-".% 7; $+%'%(L)# J3; %')+7%/ J3;#$4;# +;(%.")=%7%# %) ."=;/%
'+%#"(;"+)88888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888882BB
!"#$% *() !"#$% '"'(")*+,-".% 7; %+$"*)# 7"#$+"'397)# ?)+ ().%( 7; ?3'(".%0H)888888888888888 2BO
!"#$% *(() !"#$% ;A$+% .)/ /%$;+"%"# (;>%=$%7)# /%# J3; =H) #; ;=.%"A%+%/ =) +;.)+$; 7%
?;#J3"#%888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888882EE
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 11/181
!"#$%&'()%
!"#$%&" %& "&( )!"#$% !'#%()** + & #,-(& $#./.?;%& 7;-; %,".39;- & 9&=& 8;(7& %,
7,"2$."; ;8;%<(.8; 2$, ", 8&9"&/.%; 9& :.9;/ %& "+8$/& 7;"";%& , 2$, 7-.=./,3.; & "&( 8&(&&15,#& 8,9#-;/ %, .9=,"#.3;04&> 69.8.;/(,9#, ,"#,=, "&1-,#$%& ;#-,/;%& ;&" ,"#$%&" %, 8.9,(;
) +(,- !'#%()**> O&(& ;:.-(; K6GC!I )MHHBL MBH*J & ,"#$%& %& "&( -,/;8.&9;%& ;& 8.9,(;
",5; #;/=,? ; (;.&- , (;." %,",9=&/=.%; A-,; 2$, %,=, ",- .98/$E%; ,( 2$;/2$,- #,9#;#.=; %,
%,/.9,;- &" !"#$% !'#%()*> ! + 8&( ,""; =,-#,9#,J ; %&" +(,- !"#$% !'#%()*J 2$, ,"#; 7,"2$.";
#-;1;/@;> 6""& 7&-2$, &" ,"#$%&" %& "&( =.,-;( ; ", #&-9;- $( 8;(7& (;." ;(7/&J
;1-;93,9%& ,"#$%&" -,/;8.&9;%&" D" 8.<98.;" @$(;9;" , "&8.;."J ; ;"7,8#&" %; :E".8;J %;
#,89&/&3.; %& A$%.&J %; ;9A/.", %; 8$/#$-; , %;" ;-#," "&9&-;"J ;"".( 8&(& %, &$#-;" (E%.;";$%.&=."$;."J ,#8>
!"#$%&" %& I&( + $(; A-,; .9#,-%."8.7/.9;- ,(,-3,9#, 2$, ,"#$%; ; 7-&%$04& (;#,-.;/, & 8&9"$(& %; (N".8;J %& "&(J %& -$E%& , %& "./<98.&J , 8&(& ,"#," ($%;-;( ;&/&93& %; @."#F-.; , ,( %.:,-,9#," "&8.,%;%,"> C;" & :;? ;#-;=+" %, $(; 7,-"7,8#.=;($.#& (;." ;(7/; 2$, %."8.7/.9;" 7;%-_," 8&(& ,#9&($".8&/&3.;J @."#F-.; %; (N".8; ,"&8.&/&3.; %; (N".8;>[ )W6SOKY ]6XIR!\Z!GQJ MHHUL PTP*
^ 7-&7&"#; %,"#; %."",-#;04& + (;7,;-J %."8$#.- , ;9;/.";- & *'.'#* /#" %; 7,"2$.";
1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(; ;#-;=+" %, $(; -,=."4& "."#,(A#.8; 2$,
;1&-%; ; ,=&/$04& 2$;9#.#;#.=;J ;" #,9%<98.;" #,(A#.8;" , & 7,-:./ %&" ,"#$%&" %& "&(
8.9,(;#&3-A:.8& 9& ]-;"./ ;#$;/(,9#,> ^/+( %.""&J + &15,#.=& -,;/.?;- $( /,=;9#;(,9#&
1.1/.&3-A:.8& , 8-.;- $(; 1;", %, %;%&" 8&( /.=-&"J #,","J %."",-#;0_," , ;-#.3&" ;8;%<(.8&"
"&1-, & ;""$9#&> O&( ; 9,8,"".%;%, %, -,"#-.93.- & &15,#& %, ,"#$%&J ",-4& 7-.&-.?;%&" ;2$,/,"
(;#,-.;." 2$, ;-#.8$/;( 2$,"#_," 2$, *+, "4& ,"7,8E:.8;" %; #-./@; ($".8;/>
^ &704& 7&- 94& .9=,"#.3;- #-;1;/@&" 2$, ;-#.8$/;( 2$,"#_," ,o8/$".=;" %; #-./@;
($".8;/ ;7;-,8, $(; =,? 2$, & 8;(7& %, ,"#$%& "&1-, ; (N".8; 9& 8.9,(; ;/+( %, ",- ($.#&
;(7/&J 7&""$. 2$,"#_," .9#-E9",8;" D /.93$;3,( ($".8;/ 2$, 8&(7,#,( ,"7,8.;/(,9#, ;&"
7,"2$.";%&-," %; A-,; %, (N".8; , ;&" (N".8&" 7-&7-.;(,9#, %.#&">
C$.#;" "4& ;" 7$1/.8;0_," ,( /E93$; ,"#-;93,.-; "&1-, & "&( 9& 8.9,(;J , "7,8.;/(,9#,
&8.%,9#;." ;%=.9%;" %&" !k^ , %, 7;E"," ,$-&7,$" 8&(& g-;90; , 693/;#,--;> c" %&8$(,9#&"
"&1-, & #,(; ,-;( (&%,"#&" ;#+ &" ;9&" [imHJ (;" ", ,o7;9%.-;( 8&9".%,-;=,/(,9#, ; 7;-#.-
%&" ;9&" [ihH , [iiH> c %,",9=&/=.(,9#& %&" ,"#$%&" %& "&( 9& 8.9,(; 7&%, ",- &1",-=;%&
,( $( 1-,=, 7;9&-;(; @."#F-.8& %, ;/3$(;" %, "$;" 7-.98.7;." 7$1/.8;0_,">
C,"(& 2$, & "&( 5A ", (;9.:,"#;"", 9& 7,-E&%& %& 8.9,(; "./,98.&"&J + ; 7;-#.- %,
[ R-;%$04& %& ;$#&->
[H
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 12/181
[iMmJ %;#; 8&9=,98.&9;%; 8&(& (&(,9#& .9;$3$-;/ %& 8.9,(; "&9&-&J 2$, ;" 7-.(,.-;"
,"8-.#$-;" ;#,9#;" ; ,"#, b9&=&l ,/,(,9#& 8&(,0;-;( ; "$-3.-> S& :.9;/ %; %+8;%; %, [iMH &"
#,o#&" 2$, ", 8&98,9#-;=;( 7-.98.7;/(,9#, ,( 5&-9;." , -,=."#;" %, 8.9,(;J :.8;-;(
7-;#.8;(,9#, =&/#;%&" ; 8-E#.8;" , 7,-"7,8#.=;" -,/;8.&9;%;" D 8@,3;%; %& "&(> O&(& 3-;9%,
%,"#;2$, %, 8-E#.8; , -,:/,o4& %, 8$9@& (;." ,"#+#.8& , 8-.;#.=&J #,(&" %&." %&8$(,9#&"
,$-&7,$"L ; ?);,.7.39" *"=7) " +#'#7" %" 8($)-. !"$"7"J -,%.3.%; ,( 8&95$9#& 7,/&"
8.9,;"#;" -$""&" I,-3,. !.",9"#,.9J Z>6> W$%&=j.9 , a>Z> ^/,o;9%-&=J ,( [iMhY , & (;9.:,"#&
2<) :7' "1 !"#$% J 7-&%$?.%& 7,/& 5&-9;/."#; , -,;/.?;%&- :-;98<" \,9+ O/;.- ,( [iMi>
^ ?);,.7.39" *"=7) " +#'#7" %" 8($)-. !"$"7" 2$, :&. 7-.(,.-;(,9#, 7$1/.8;%; 9;
-,=."#; !"5()'*0( 407.$ )R,/; I&=.+#.8;* %, C&"8&$J , 9& 5&-9;/ ><($6 O*0#**'5. )^-#,
O.9,(;#&3-A:.8;* %, G,9.93-;%& ,( [iMhJ /&3& 8.-8$/&$ & ($9%& %,"7,-#;9%& %."8$""_,"> ^".%+.;" 8&9#-;7&9#E"#.8;" %&" 8.9,;"#;" -$""&" 2$, 7-,";=;( 7&- $(; $#./.?;04& %& "&( 9&"
:./(," %, :&-(; %.:,-,98.;%; %& ,9#4& 8-.#.8;%& 7;%-4& -,%$9%;9#, %& b8.9,(; :;/;%&l 9&-#,e
;(,-.8;9&J :&-;( -,7-&%$?.%;"J 7&- ,o,(7/&J ,( [iTH 9; &.#;=; ,%.04& %; -,=."#; 1-;"./,.-;
K +.$J 7$1/.8;04& %& 8<.G,($ 8,#=J 7-.(,.-& 8.9,8/$1, 2$, (;9#,=, $(; ;#.=.%;%,
"."#,(A#.8; 9& ]-;"./> W;-; &" 8.9,;"#;" -$""&"J & 7&#,98.;/ ;$%.&=."$;/ 9;--;#.=& %& 8.9,(;
"&9&-& ",-.; ;/8;90;%& ;#-;=+" %& ;"".98-&9."(& ,9#-, "&9" , .(;3,9"> ! 8&(7/,(,9#;9%& ;
%,8/;-;04&J ,( [iMi W$%&=j.9 8&9#.9$&$ ; ,"(.$0;- ; 1$"8; 7,/&" 9&=&" 7&#,98.;." %&8.9,(; "&9&-& ;#-;=+" %& ;-#.3& :**($;7"$(*-" ;"-" C7($;IG(" %" 8($)-. !"$"7"J (,"(&
8&( & /,9#& %,",9=&/=.(,9#& #,89&/F3.8& 9; ,9#4& k\II>
SF" 2$, #-;1;/@;(&" 9; k\II ,"#;(&" 8&9"8.,9#," %, 2$,J 8&( 9&""& 7&#,98.;/#+89.8&J 94& =;(&" 8;(.9@;- ,( %.-,04& D -,;/.?;04& 7-A#.8; %& 8.9,(; "&9&-& ,( $(:$#$-& 7-Fo.(&> ^& (,"(& #,(7&J 8&9".%,-;(&" &7&-#$9& ;:.-(;- $(; "+-., %, 7-,(."";" 7-.98.7;." %, 9;#$-,?; #,F-.8;J 7&-2$,J 7&- 8&9#; %; .9=,904&J 7;-,8, 2$,,"#, ;=;90& 9&" :./(," 7;-,8, 2$, ,"#A ",9%& ,(7-,3;%& %, :&-(; .98&--,#;> !92$;9#&.""&J $( ,2$E=&8& ,( -,/;04& D" 7&#,98.;/.%;%," %,"#; 9&=; %,"8&1,-#; #+89.8; 7&%,94& ;7,9;" .(7,%.- & %,",9=&/=.(,9#& , & ;7,-:,.0&;(,9#& %& 8.9,(; 8&(& ;-#,J (;"
#;(1+( ;(,;0;- %,"#-$.- #&%;" "$;" ;#$;." 8&92$."#;" :&-(;."M> )!6I!SIR!6SYWkQcZ`6SY G!d^SQ\cZJ [ihBL hT*
C;" ,o."#, $(; 3-;9%, %.:,-,90; ,9#-, & %,",9=&/=.(,9#& #+89.8& %& "&( , ",$%,",9=&/=.(,9#& 8&(& (,.& %, ,o7-,""4&> ^" 8&92$."#;" ,o7-,"".=;" %& "&( ;.9%;,"#4& ($.#& ;#-A" %, "$;" 7&"".1./.%;%," #+89.8;"> nfp S&""; 7-.(,.-; 2$,"#4& +L q$,9&=& 8&9#,N%& 7&%, ",- #-;?.%& 7;-; & 8.9,(; ;#-;=+" %& $"& %& "&(r I,-.;8&(7/,#;(,9#, :;/"& 8&9".%,-;- & "&( ;7,9;" 8&(& $( %."7&".#.=& (,8V9.8& 2$, 9&" 7,-(.#, ;$(,9#;- ; 9;#$-;/.%;%, %; +7&8;>T )WkQcZ`6SJ [ihBL hP*
XA 2<) :7' "1 !"#$% + $(; 8;-#; -,%.3.%; ,( [iMi ,( G&9%-,"J 8$5; :&9#, %, 7$1/.8;04&
M R-;%$04& %& ;$#&->T 6%,(>
[[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 13/181
!"#$#%&' ) *+,-!%.+-#*&/ ? ;"#7+#"& 3+",9! #7;"+,,& -!%.+-#*& *! *!-=7+%8! ,+ *+= +7
2!"7& *+ +%,&#! %! '#3"! !"#$%&'() #+',%- .(,%/ ?(;7 /%73'7 9 $=8'/,('7% 2% $=+7,
<')":+,(17+?8'5;% 2% 04>6 9 04O0 *! ;"<;"#! :+%) 1'&#"5 '&%0&*! +7 4&"#, +7 >6O>
KGCI:MHC1BC5 LJJ6A LOE@/ C$=&'7+%8+ +7 !;!,#09! D ;"N8#-& .!''F_!!*#&%&5 ! "+&'#[&*!"
2"&%-W, 2&[ & *#,8#%09! +%8"+ ! S=+ +%89! ,+"#& =7 Y-#%+7& 2&'&*!]5 + ! 7&#, +'&X!"&*!
Y-#%+7& ,!%!"!]5 ,=$+"#%*! 8&7X)7 %!3&, ;!,,#X#'#*&*+, *+ =8#'#[&09! *! ,!7 %!, 2#'7+,/
R 2#'7+ 2&'&*! %9! ) 8=*!/ \N 8&7X)7 ! 2#'7+ ,!%!"! Z %! S=&' &, Q'8#7&, +,;+"&%0&,
*!, *+2+%,!"+, *! 2#'7+ 7=*! +,89! -!'!-&*&,/ I'+, -!%8&7 -!7 ! 2#'7+ ,!%!"! ;&"&
&2&,8&" ! ;+"#$! "+;"+,+%8&*! ;+'! &*3+%8! *! -#%+7& 2&'&*!5 +,2!"0&%*!U,+ ;&"&
-!%3+%-+"U,+ *+ S=+ !, ,!%, + "=P*!, S=+ &-!7;&%.&7 ! 2#'7+ ;!*+7 -!%,8#8=#"
+%8"+8+%#7+%8! ,=2#-#+%8+ ;&"& ! ;QX'#-!5 #7;+*#%*!U! *+ ,!'#-#8&" *#N'!$! + ;!*+%*!
-"#&" =7& #'=,9! *& Y"+&'#*&*+] 7+%!, ;"+T=*#-#&' ;&"& & &"8+ *! S=+ ! 2#'7+ 2&'&*!/^
K1V?C:5 >6oOA 6L@
k& I="!;&5 "+3#,8&, #%$'+,&, *+*#-&*&, & &"8+ -#%+7&8!$"N2#-& ;=X'#-&3&7 *& 7+,7&
7&%+#"& 7=#8&, -"P8#-&, + "+2'+gc+, "+'&-#!%&*&, D -.+$&*& *! ,!7/ ? +g+7;'! 8+7!, & "+3#,8+
K$(/%G;?5 S=+ +g#,8#= *+ >6Li & >6mm5 !%*+ 8&7X)7 2!# ;=X'#-&*! =7& "+;"!*=09! *&
C%<$+7+IM( /(H7% ( B;,;7( 2( K')%:+ L()(7( +7 ,=& +*#09! *+ !=8=X"! *+ >6Lo/ Y\!=3+ =7
*+X&8+5 + %9! &;+%&, =7& '#%.& ,!X"+ ,!7 %& K$(/% J?]O KhRk?Vhb l:CIhHI:jb
a?:1e`5 >66oA o>@/
?#%*& %& C%$'&8+""&5 !=8"&, "+3#,8&, ;=X'#-&3&7 &"8#$!, ,!X"+ ! ,!7 %! -#%+7&/ ? "+3#,8&
K')%:+ A;+7,%7$E +"& =7& "+3#,8& '#$&*& &! 7!3#7+%8! X"#8d%#-! *+ 2#'7+ *!-=7+%8N"#! +
S=+ *+2+%*#& ! =,! +g;"+,,#3! *! ,!7 %! -#%+7&/ R T!"%&' B'$:@B'$: D7, +"& "+'&-#!%&*! D
&8#3#*&*+ -#%+7&8!$"N2#-& #%*+;+%*+%8+ K`InfRk5 LJJ^@/ k+,8+ Q'8#7! #%-'=,#3+5 2!"&
;=X'#-&*! 7&#, =7 -!%.+-#*! *!-=7+%8! &"$=7+%8&%*! -!%8"& ! +g-+,,! *+ 3![ %!, 2#'7+,
%!"8+U&7+"#-&%!,/ R &"8#$! #%8#8='&*! N+)'#%/,(F 2'+$(1;% () /(;)2 5 '&%0&*! +7 >6m^ +
+,-"#8! ;+'! -#%+&,8&5 .#,8!"#&*!"5 -"P8#-! *+ -#%+7& + ;"!2+,,!" H&,#' G"#$.8 +7 ;&"-+"#& -!7
& -"P8#-& p#3#&% H"&=%5 ) %& 3+"*&*+ & 8"&%,-"#09! *+ =7 X&8+U;&;! +%8"+ &7X!, !, &=8!"+,/
?! "+2'+8#"+7 ,!X"+ ! ;!8+%-#&' *! ,!7 %!, 2#'7+,5 +'+, -!7;'+8&7A
G"#$.8A R S=+ 3!-W S=+" *#[+" -!7 ! ,!7 +7 -!%+g9! -!7 ! 2#'7+q
p/H/A ?%8+, *+ #%#-#&" ! ,+= 2#'7+ 3!-W 8+7 *#,;!%P3+' -&*& ,!7 *! 7=%*!5 *! ,!7
*&, -!8!3#&, D 3![ *+ a&+ G+,85 *& `#%2!%#& rQ;#8+" &!, 7!8!"+, *+ -!7X=,89!
#%8+"%&-
G/A I & 3![ .=7&%& %9! ) 7&#!" +7 3&'!" *! S=+ S=&'S=+" !=8"! ,!7/E
KG:Cj\fb H:?ek5 >6oOA 6i@
^ f"&*=09! *! &=8!"/O C*+7/E C*+7/
>L
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 14/181
S& ]-;"./J =;/, 8.#;- %$;" -,=."#;" 2$, ", (;9.:,"#;-;( ,( -,/;04& ; ,"", 7&/<(.8&
7,-E&%& %, #-;9".04& 9& 8.9,(; , "&1-, ; ,o8,"".=; $#./.?;04& %&" %.A/&3&" 9&" :./(,"L K +.$
, 8($).7')> ^ 5A 8.#;%; -,=."#; K +.$ -,7-,",9#;=; & 7,9";(,9#& %&" 8.9,8/$1."#;" %& 8<.G,($
8,#=J &" 2$;." 8&(7-,,9%.;( ; 8@,3;%; %& "&( ".98-&9.?;%& 8&(& ;/3& 2$, =.9@;
(,-;(,9#, ;#,9%,- ; $(; 7&%,-&"; ,o.3<98.; 8&(,-8.;/ %; .9%N"#-.;J $( 7-&3-,""& #+89.8&
2$, -,7-,",9#;=; $( 8,-#& b-,#-&8,""&l %& 8.9,(; ; "$;" &-.3,9"J &9%, &" :./(," ,-;(
%,7,9%,9#," %, -,8$-"&" 8<9.8&" , 9;--;#.=&" %& #,;#-& , %; /.#,-;#$-; )g!G6O!J MH[[L [M*>
Q,9#-, &" #,o#&" 7$1/.8;%&" 7,/& K +.$J ,"#A #;(1+( ,( "$; 2$;-#; ,%.04& %, [iMi ;
#-;9"8-.04& %; :;(&"; ,9#-,=."#; 8<.7,)* 8<.G,($ .''.;0* '<) '.,0()* 9; 2$;/ O@;7/.9
,o7-,"";=; "$; ;=,-"4& ;&" %.A/&3&" )OcIR^J MHHhL mm*>
^ 8($).7') ,-; $(; -,=."#; (;." ;#$;/.?;%; ,( -,/;04& D" 9&=.%;%," #,89&/F3.8;" 2$,"$-3.;( 9& 8.9,(;> C;#+-.;" "&1-, & M('.G<"$) ,-;( 7$1/.8;%;" %,"%, [iMPJ 7-.(,.-& ;9& %,
,o."#<98.; %; -,=."#; 2$, (;9#.9@; 8&--,"7&9%,9#," 9&" !k^> ^/+( %;" %."8$""_," "&1-, &
"&9&-& , & :;/;%&J , %; ",04& bI&(l "&1-, ;" 9&=.%;%," %& 8.9,(; "&9&-& 2$, ,"#,=, 7-,",9#,
%;" ,%.0_," %, [iTT ; [iUHJ ,98&9#-;e", #;(1+( 9; 8($).7') #,o#&" "&1-, :;.=.7.-H*) "*
K'B7("*J 8&9".%,-;%& & 7-.(,.-& :./(, 1-;"./,.-& "&9&-&J , %;" %,(;." 7-&%$0_," 9;8.&9;."
"&9&-;" %;2$,/; +7&8;m>
S&" !"#;%&" k9.%&"J ;& /&93& %; %+8;%; %, [iTH + %,"#;2$, & 5&-9;/ %; !";()'L "1
J"'("$ C(;'#7) 4$A($))7* ) E!JC4 *> ^" 7$1/.8;0_," %& E!JC4 8&9"#.#$E;( ; (;." 8&(7/,#;
1.1/.&3-;:.; #+89.8; %; .9%N"#-.; 8.9,(;#&3-A:.8; %; +7&8;> ^" %."8$""_," ;-#.8$/;%;" 9&"
7,-.F%.8&" 8&9#;=;( 8&( ; 7;-#.8.7;04& %, 7,"2$.";%&-," , 7-&:."".&9;." -,9&(;%&" %;"
7-.98.7;." 8&(7;9@.;" , ,"#N%.&" 8.9,(;#&3-A:.8&" %&" !"#;%&" k9.%&"J 8&9"#.#$.9%&
.(7&-#;9#," -,:,-<98.;" 9& (,.&> c" ;-#.3&" ;9;/.";=;( ;" 7-A#.8;"J &" :/$o&" , &" (+#&%&" %,
#-;1;/@& 9;" 7-&%$0_," 8.9,(;#&3-A:.8;"J &" 7;-V(,#-&" #+89.8&" %, 3-;=;04& , -,7-&%$04& %&
"&( 9;" ";/;" %, ,o.1.04&J 2$,"#_," ;-#E"#.8;" , 8.,9#E:.8;" ,9=&/=,9%& ; 7-A#.8; , ; -,8,704&%&" :./(," "&9&-&"J ;1&-%;3,9" -,/;8.&9;%;" ; ;"7,8#&" @."#F-.8&" %& "&( 9& 8.9,(; 8&(& &
%,",9=&/=.(,9#& %&" ,2$.7;(,9#&" %, 3-;=;04& %, "&( ".98-s9.8&J %,9#-, &$#-&" ;""$9#&"
2$, ($.#& .9:/$,98.;-;( 9;" %.-,#-.?," %, ,/;1&-;04& %& 8F%.3& %, -,7-,",9#;04& ,"#;1,/,8.%&
7,/& 8.9,(; 8/A"".8& 9&-#,e;(,-.8;9&> g&. 9,"#, 5&-9;/ 7-.98.7;/(,9#,J 7&- ,o,(7/&J &9%, &
,(1;#, -,/;8.&9;%& ; ;%,2$;04& %;" ,"8;/;" ,9#-, ; -,7-,",9#;04& =."$;/ , ; -,7-,",9#;04&
"&9&-; 9&" :./(,"J ,9=&/=,9%& 2$,"#_," %, .9#,/.3.1./.%;%, , ; :.%,/.%;%, ;8N"#.8; e &$ &
b9;#$-;/."(&l %& "&( e :&. %."8$#.%&h> !( 8;%; ,%.04& %& E!JC4 @;=.; ;.9%; $( ,"7;0&
m W;-; (;." %,#;/@," "&1-, ;" %."8$""_," 9;" -,=."#;" K +.$ , 8($).7')J =,- &" #F7.8&" bc :4 %& 8.9,(; ($%&, ; &5,-.?; ;& :;/;%&l , b!( O.9,;-#,l %, bc I&( 9& O.9,(; ]-;"./,.-&l )OcIR J MHHhL mBe[HU*>
h ^/3$9" #,o#&" 2$, 8&(7$9@;( ,"", ,(1;#, ,9=&/=,9%& ; .98&-7&-;04& %& "&( 9& "."#,(; %, -,7-,",9#;04&
[T
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 15/181
-,",-=;%& 7;-; -,",9@;" %, /.=-&" , -,"$(&" %, ;-#.3&" 7$1/.8;%&" ,( &$#-;" -,=."#;"J & 2$,
#;(1+( :;? %,"", 5&-9;/ $(; .(7&-#;9#, 1;", %&8$(,9#;/ %; 7-&%$04& /.#,-A-.; %; +7&8; i>
S& :.9;/ %; %+8;%; %, [iTHJ &$#-& %&8$(,9#& ; ",- (,98.&9;%& + & ;-#.3& ,"8-.#& 7,/&
1-;"./,.-& ^/1,-#& O;=;/8;9#. , 7$1/.8;%& 9; -,=."#; 9&=;e.&-2$.9; +(,-*@ . /#.7')7,L "1
%(*;#**("$ .$% .$.,L*(*J , 9; -,=."#; /&9%-.9; +(,-J ,( [iTi> c ;-#.3& !"#$% ($ +(,-* 8&(,0;
5A %,"(."#.:.8;9%& ; ,o."#<98.; %& 8.9,(; .9#.#$/;%& "./,98.&"&J %,(&9"#-;9%& .9%E8.&" %;
,o."#<98.; %& "&( 9,"", 7,-E&%&L
^ @."#&-.; %& "&( 9& 8.9,(; 94& #,=, .9.8.&J 8&(& =A-.&" @."#&-.;%&-," #<( 7-,"$(.%&J 8&( ; .9#-&%$04& %& :./(, "&9&-&J (;" 8&( ; 7-F7-.; .9=,904& %& 8.9,(;>!( 9,9@$( 7,-E&%& %; @."#&-.; %& 8.9,(; :&. @;1.#$;/ 2$, ,/, :&"", ,o.1.%& 7$1/.8;(,9#, ",( ;/3$( #.7& %, ;8&(7;9@;(,9#& "&9&-&> !( &$#-;" 7;/;=-;"J &8.9,(; "./,98.&"& 9$98; ,o."#.$> )O^Z^GO^SR6J [ihBL ih*
O;=;/8;9#. ";/.,9#; ,9#4& 2$,J ; 7-.98.7.&J ; 3-;9%, %.:,-,90; %; 8@,3;%; %& 8.9,(;
"&9&-& ",-.; 2$, ; 7;-#.- %;2$,/, (&(,9#& &" ,/,(,9#&" "&9&-&" ):;/;J (N".8; , -$E%&*
7&%,-.;( ",- &-3;9.?;%&" ;%,2$;%;(,9#, %,9#-& %; 8&9"#-$04& %& :./(, ,( ".J %, (&%& 2$,
;" 8-.;0_," "&9&-;" %& %.-,#&- ,"#;-.;( /.3;%;" %, :&-(; 7,-(;9,9#, D &1-;> C;" 8-.#.8; ;
:&-(; 8&(& %, :;#& & "&( ",3$.$ ",9%& #-;1;/@;%&J -,:&-0;9%& 2$, ; 7-,%&(.9V98.; %&"
%.A/&3&" 9&" :./(," -,"$/#;=; 9; &7-,""4& %, &$#-&" ,/,(,9#&" %, .9#,-,"", =."$;/J %& -$E%& ,
%; (N".8;> c ;$#&-J 2$, #;(1+( ;8-,%.#;=; 9& ;"".98-&9."(& 8&(& (;9,.-; (;." "$3,"#.=; %,$#./.?;04& %& "&( 9&" :./(,"J 8&9#.9$; & #,o#& ;9;/.";9%& &" 7&#,98.;." %, 8;%; ,/,(,9#&
"&9&-& , ;.9%; %."8$#, & "./<98.& 8&(& $( 8&(7&9,9#, %-;(A#.8&>
^/1,-#& O;=;/8;9#. :&. $( .(7&-#;9#, -,;/.?;%&- , 7,"2$.";%&- 8.9,(;#&3-A:.8&J
#-;1;/@&$ 9& 8.9,(; 8&(,-8.;/ , %, =;93$;-%; :-;98,"; %; %+8;%; %, [iMHJ ,( %&8$(,9#A-.&"
1-.#V9.8&" %; %+8;%; %, [iTH :;?,9%& 7;-#, %; DNCNKN +(,- F$(' _[J 9& ]-;"./ :&. 8@,:, %,
7-&%$04& , $( %&" :$9%;%&-," %; O&(7;9@.; O.9,(;#&3-A:.8; Z,-; O-$?> ^-#."#;
8&"(&7&/.#;J .9:/$,98.&$ &$#-&" %.-,#&-," , :&. 3-;9%, -,"7&9"A=,/ 7,/;" .9&=;0_," ,,o7,-.(,9#;0_," 8.9,(;#&3-A:.8;" %, ",$ #,(7&> !( [iTm 2$, O;=;/8;9#. ,"8-,=,-; #;(1+(
& #,o#& bc I&(lJ 7$1/.8;%& 7,/; 7-.(,.-; =,? ;7,9;" ,( [iBT 9; 7-.(,.-; ,%.04& %, ",$ /.=-&
bg./(, , \,;/.%;%,l> !"", #,o#& #;(1+( 2$,"#.&9; & $"& %&" ,/,(,9#&" %; #-./@; "&9&-; 9&"
:./(,"J 8-.#.8;9%& ; :&-(; 8&(& & "&( ,-; #-;#;%& 9; 7-&%$04& 8.9,(;#&3-A:.8; %; +7&8;>
%& 8.9,(; 8/A"".8& #;(1+( ;7;-,8,-;( 9; -,=."#; :-)7(;.$ 8($)-.'"A7.G<)7 , ,( ;/3$9" /.=-&" %; +7&8;8&(&J 7&- ,o,(7/&J W);"7%($A !"#$% 1"7 J"'("$ C(;'#7)* %, C8a-;teK.// %& ;9& %, [iT[> C;." "&1-, &;""$9#&J /,- & 8;7E#$/& !"#$% !G.;) ,( GRC^S )[iiML UPePU*>
i C$.#&" %&" =&/$(," ;9$;."J 8&( ,%.0_," (,9";."J %& E!JC4 ,"#4& %.3.#;/.?;%&" , %."7&9.1./.?;%&" 7;-;
8&9"$/#; 3-;#$.#;(,9#, 9& ,9%,-,0& ,/,#-s9.8&L u@##7Lvv;-8@.=,>&-3v",;-8@>7@7r2$,-wxX&$-9;/yMH&:yMH#@,yMHI&8.,#wyMH&:yMHC&#.&9yMHW.8#$-,z> 8,""& ,( MH %, 5$/> MH[[>
[H D)$)7., C"*' K11(;) +(,- F$(' J &-3;9.?;04& ,"#;#;/ 8-.;%; 7;-; 7-&%$?.- :./(," %, 7-&7;3;9%; 7;-; &"",-=.0&" 7N1/.8&" %; 693/;#,--; , %, 3-;9%, .(7&-#V98.; 9; @."#F-.; %& %&8$(,9#A-.&>
[U
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 16/181
^7,";- %& 3-;9%, 1/&8& %, 7-&%$04& #,F-.8; %&" ,"#$%&" %& "&( 9& 8.9,(; ,"#;-
8&98,9#-;%& &$ 9& 7,-E&%& %, .9E8.& %& 8.9,(; "&9&-&J &$ ; 7;-#.- %&" ;9&" [ihHJ ,9#-, &"
;9&" [iUH , &" ;9&" [imH #;(1+( @&$=, %&8$(,9#&" ".39.:.8;#.=&" 7;-; ; 7,"2$."; %& "&(
8.9,(;#&3-A:.8& 2$, (,-,8,( ",- -,"3;#;%&">
g&. 9; %+8;%; %, [iUH 2$, & 8.9,(; 8&(,0&$ ; ",- ;9;/.";%& %, :;#& 8&(& $(; ;-#,
;$%.&=."$;/> S& 1,-0& %;" ;1&-%;3,9" (;." ;7-&:$9%;%;" "&1-, ; -,/;04& ,9#-, "&( , .(;3,(
9& $9.=,-"& 8.9,(;#&3-A:.8& ", %,"#;8;( &" #-;1;/@&" %& 8&(7&".#&- , 7,"2$.";%&- :-;98<"
W.,--, I8@;,::,-> c 8&98,.#$;%& 4**.( *#7 ,. 7.%(" )' ,) ;($S-.@ )*'<S'(/#) )' ');<$(/#) %)*
.7'*H7),.(*J 7&- ,o,(7/&J #,=, ",$" #,o#&" &-.3.9;/(,9#, ,"8-.#&" 9&" ;9&" %, [iU[ , [iUM[[> c
8.9,(; , ; ;-#, -;%.&:s9.8; :&-;( ;E ,9#4& ,/,.#&" 8&(& &" 7-,8$-"&-," %; ,-; ;$%.&=."$;/> {
,( [iUP 2$, I8@;,::,- 7$1/.8; 9; -,=."#; W)5#) %# 8($S-. &$#-& ,9";.& 8&( :&8& (;.&- 9&,"#$%& %&" 8&(7&9,9#," "&9&-&" %&" :./(,"> 69#.#$/;%& Y]S,)-)$' $"$ 5(*#), .# ;($S-.J &
#,o#& :&. %.=.%.%& ,( #-<" 7;-#,"L :$.,L*) %) ,. =.$%) ]*"$]X 8"$;)G'("$ %) ,. -#*(/#) ,
C*L;<","A() %# 7.GG"7' 5(*("$H.#%('("$>
c N/#.(& ,9";.&J ,( 7;-#.8$/;-J -,#&-9; , %,",9=&/=, $(; =."4& 8&9"#-$#.=."#; %&%&8$(,9#& ;$%.&=."$;/J ",3$9%& ; 2$;/J .9%,7,9%,9#,(,9#, %& ;""$9#& 2$, ,"#A ",9%&9;--;%&J ; (,9";3,( ,"#+#.8; + #-;9"(.#.%; .9#,3-;/(,9#, 7,/; &-3;9.?;04& :&-(;/ %&"&15,#&"J .(;3,9" =."$;." , (&%$/;0_," "&9&-;"> ^ 7;-#.- %; %.=."4& @;1.#$;/ %; 7."#; %,A$%.& ,( -$E%&J =&? , (N".8;J I8@;,::,- %,(&9"#-; 8&(& #&%& & 7-&8,""& ;8N"#.8&
7&%, -,;/(,9#, ,"#;- /.3;%& D 7-.(,.-; 8;#,3&-.;J $(; =,? 2$, =,-1;/.?;04& 94& + 9;%;(;." 2$, & -$E%& 7-&%$?.%& 7,/&" @$(;9&"L bn>>>p 7&%,e", ;"".(J ;:.-(;- 2$, & #,o#&#,( ($.#& (,9&" .(7&-#V98.; %& 2$, ; ,9#&9;04& %;" :-;","J ; 2$;/.%;%, %;" =&?,".9%.=.%$;." , & 3-;$ %, .9#,/.3.1./.%;%, nfp Q,"#; :&-(;J #;(1+( %,.o; ; ;04&,o7/E8.#;J (;" 94& (,9&" &$ (;." %& 2$, ; 7-F7-.; -,;/.%;%,J 2$, + ($.#;" =,?,",/E7#.8; , ;(1E3$;l )I8@;,::,-J [iUP1L Um*[M> ^"".(J ,""," -$E%&" =,-1;." , %,;(1.,9#,J 7,-#,98,( ; $( N9.8& %&(E9.& %, 8&(7&".04& ;$%.&=."$;/J 8&9"#.#$.9%& $(8&9#-;"#, 7,-:,.#& 7;-; ; .(;3,( 9; (,%.%; ,( 2$, ,"#, N/#.(& 94& :;? 9;%; (;." 2$,(&"#-;- 8&.";"> ^/+( %.""&J ",9%& & -,"$/#;%& %, $( (&=.(,9#& :E".8&J #;." ,=,9#&""&9&-&" ;#,"#;( ; 7-,",90; %, $(; ;04&J %, $(; ($%;90;J , 8&9",2$,9#,(,9#,J8&9#-.1$. 7;-; ; %.9V(.8; %; 8,9; 8&(& $( #&%&>_R )]6|^\\cJ MH[[L Pem*
I8@;,::,- :$9%; ,( [iB[ & D7"#G) %) W);<)7;<)* J#*(;.,)* )a\C*J 3-$7& %, 7,"2$.";
:-;98<" 2$, ,"#$%; & "&( , ; (N".8; 8&98-,#;> I,$" 7,9";(,9#&" =.,-;( 7&"#,-.&-(,9#, ;
.9:/$,98.;-J ; 7;-#.- %; %+8;%; %, [ihHJ & #-;1;/@& %, $( %&" 7-.98.7;." 7,"2$.";%&-,"
8&9#,(7&-V9,& %& "&( 8.9,(;#&3-A:.8&J ",$ ;/$9& C.8@,/ O@.&9>
[[ !"", #-;1;/@& :&. -,8&9"#.#$E%& , 7$1/.8;%& 7&"#,-.&-(,9#, ,( :&-(;#& %, /.=-& 9& ;9& %, MH[HJ 8&( ;8&/;1&-;04& %, X;82$,/.9, I8@;,::,-J =.N=; , @,-%,.-; %, I8@;,::,- 2$, -,;/.?&$ #-;9"8-.0_," %, ,o8,-#&" %&%.A-.& %, ",$ :;/,8.%& (;-.%&> g&. #;(1+( 7$1/.8;%& 9& ]-;"./ 9& (,"(& ;9& 7,/; !%.#&-; kgCa>IOK^!gg!\J W.,--,> !""#$ "&' (# '#)$* +, (+ -$./?#; !",7/,$3&+ +, ,+-7.$3&+ )+" #',"9'+(#$" =82=9=82<N
O;-/&" W;/&(1.9. } I&7@., ]-$9,# n%.->pJ W;-."L ^//.;J MH[H>[M IOK^!gg!\J W.,--,> Y]S,S-)$' $"$ 5(*#), .# ;($S-. \_ZX :$.,L*) %) ,. =.$%) *"$> :+1&+ )& -$./?#J [J
[iUP1J 77> UBeUh>[T R-;%$04& %& ;$#&->
[B
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 17/181
Z&/#;9%& 7;-; ; %+8;%; %, [iUHJ $( /.=-& /;90;%& ,( [iUm ,( G&9%-," 7&%, ",-
8&9".%,-;%& & 7-.(,.-& ; ;1&-%;- & "&( ,"7,8.:.8;(,9#, 9& 8.9,(; %&8$(,9#;/> !"#$% .$%
'<) ?";#-)$'.7L[UJ %& ,93,9@,.-& %, "&( `,9 O;(,-&9> I,3$9%& C^SOK!G )[iiHL hP*J &
/.=-& 7-&7_, $(; 8/;-; , :;"8.9;9#, ;1&-%;3,( %&" 7-&8,""&" %, ,%.04& %, "&( , (.o;3,( 9&
%&8$(,9#A-.&>
S&" !k^J & E"#7$., "1 !";()'L "1 J"'("$ C(;'#7) 4$A($))7* 8&9#.9$&$ 7$1/.8;9%&
($.#&" #,o#&" "&1-, & "&( 8.9,(;#&3-A:.8&> !( ,"7,8.;/J 9& =&/$(, UhJ #;(1+( %& ;9& %,
[iUmJ & ;-#.3& Q(*'"7(;., ?)5),"G-)$' "1 !"#$% +(,-* %, !> 6> I7&9;1/, 2$, :&. %.=$/3;%& ,(
%$;" 7;-#,"L ; 7-.(,.-; 7-,",9#, 9; ,%.04& %& (<" %, ;1-./ , ; ",3$9%; 9; %, (;.&> !"#,
%&8$(,9#& :&. 7;-; ; +7&8; ; (;." 8&(7/,#; -,=."4& @."#F-.8; %& %,",9=&/=.(,9#& %& "&( 9&"
:./(,"> ^#-;=+" %, $( 7-,8."& /,=;9#;(,9#& 8-&9&/F3.8& ;#+ & ;9& %, [iTHJ & #,o#& + %.=.%.%&,( ",#, #F7.8&"L 7-.(,.-&" 7;""&" 9; @."#F-.; %; 3-;=;04& %, "&(Y & #-;1;/@& %, R@,&%&-,
O;", , G,, Q,g&-,"#Y ; 8&(,-8.;/.?;04& %& C&=.,#&9, 7,/; gcdY & 7-&3-,""& %&" :./(,"
"&9&-&" 9& ,o#,-.&- , ; -,/;04& 8&( ; gcdY & #-;1;/@& %, "&( %, ;8&-%& 8&( &" "."#,(;" %;
~,"#,-9 !/,8#-.8Y & #-;1;/@& %, "&( 9& V(1.#& %& "."#,(; %; \O^Y , %.=,-"&" "."#,(;" %,
"&( )IWcS^]G!J [iUm*> !"#, ;-#.3& :&. ;.9%; 8&(7/,(,9#;%& 9& =&/$(, PU %& E!JC24
7,/;" #-<" 7;-#," %& #,o#& Q(*'"7L "1 !"#$% J"'("$ C(;'#7)* 2$, %."8$#.$ &$#-&" .(7&-#;9#,"
;=;90&" %& "&( 9& 8.9,(; ; 7;-#.- %& ;9& %, [iTHJ %."7&9.1./.?;9%& #;(1+( $(; ;(7/; 1.1/.&3-;:.; "&1-, ;"7,8#&" %; #,89&/&3.; %& "&( )`!GGcaaJ [iBB*>
Z;/, -,"";/#;- 2$, 9& .9E8.& %; %+8;%; %, [iBHJ ;/+( %; 8-.;04& %& a\C 5A 8.#;%;J
@&$=, & "$-3.(,9#& %; -,=."#; 8.<()7* %# 8($S-. .3$;/(,9#, ,( [iB[ 9; g-;90;> !"#; N/#.(;
+ %,"%, ,9#4& $(; %;" (;." .(7&-#;9#," , .9:/$,9#," -,=."#;" %, 8-E#.8; %, 8.9,(; %& ($9%&>
S,/;J W.,--, I8@;,::,- 7$1/.8; ,( [iBU Y)* $"#5),,)* ');<$(/#)* *"$"7)* )' ,) ;($)-.[B> Q,"#;
=,? %,"1-;=;9%& 9&=;" #+89.8;" "&9&-;" ;""&8.;%;" ;& 8.9,(; ; 7;-#.- #;(1+( %; (N".8;
8&98-,#;> k( ;9& ;9#,"J ,-; 7$1/.8;%& 9& 5&-9;/ 2<) U#.')7,L "1 +(,- W.%(" .$% 2),)5(*("$ %;k9.=,-".%;%, %; O;/.:F-9.;J $( #,o#& %& .(7&-#;9#, 8.9,;"#; ;9.(;%&- ,"8&8<" S&-(;9
C8G;-,9> !( P"')* "$ :$(-.')% !"#$% J C8G;-,9 )[iBT* %,"8-,=, 7;""& ; 7;""& ",$"
(+#&%&" , #+89.8;" %, #-;1;/@& 8&( ; ;9.(;04& "&9&-; 9; 7,/E8$/;> R-;1;/@& ,"#, %,
=;93$;-%; 7;-; ; ,"#+#.8; %& "&( 9& 8.9,(; %, ;9.(;04&>
^ %+8;%; %, [iPHJ 94& 7&""$. ($.#&" %&8$(,9#&" 7$1/.8;%&"> W&-+(J %$;" -,=."#;"
:-;98,";" (,-,8,( %,"#;2$, 7&- %,%.8;-,( ,%.0_," ,"7,8.;." ;& "&( 8.9,(;#&3-A:.8&> ^
7-.(,.-; + ; -,=."#; 8.<()7* %# 8($S-. , "$; ,%.04& %, 9N(,-& [BM %, :,=,-,.-& %, [iPUJ
[U O^C!\cSJ `,9> 5*&.) #.) ,7+ 0*-&?+.,#'4> G&9%&9L 6> W.#(;9J [iUm>[B IOK^!gg!\J W.,--,> Y)* $"#5),,)* ');<$(/#)* *"$"7)* )' ,) ;($)-.> ./?;739 =8 .;*2</J 9> TU> W;-."J [iBU>
[P
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 18/181
&9%, ;7-,",9#; $( #F7.8& ,"7,8.;/ .9#.#$/;%& Y. T.$%)H!"$> 69.8.;/(,9#, &" %&8$(,9#&" 2$,
7;-#.8.7;( %,"", #F7.8& ", -,/;8.&9;( (;." 8&( ;"7,8#&" ($".8;."J 8&(& ; ,9#-,=."#; 8&( &
(;,"#-& 8&(7&".#&- W.,--, ]&$/,? , & ;-#.3& b ?) "66);0 V M)7'(A"l %, R>C>g I#,,9J 2$,
-,/;8.&9; ; 7;-#.#$-; %, ^/1;9 ],-3 7;-; ~&??,8j 8&( ; #-./@; ($".8;/ %, ],-9;-% K,--(;99
7;-; & :./(, %, K.#8@8&8j bk( O&-7& 2$, O;.l )[iBh*> C;" & %,"#;2$, =;. 7;-; & #,o#& bM)7*
#$) %(.,);'(/#) %# 1(,- *"$"7)l %, C.8@,/ g;9&J 2$, ,/$8.%; ; -,/;04& ,9#-, (N".8;J -$E%& , ;
:&9+#.8; %;" 7;/;=-;" 9; 8&(7&".04& %; #-./@; "&9&-; 8.9,(;#&3-A:.8;J 1$"8;9%& ,o7;9%.- ;
.(7&-#V98.; %; 8&9=,-3<98.; ,9#-, ,""," ,/,(,9#&" 9&" :./(,"J , ;:.-(;L b^ (N".8; +
,/,(,9#& ;-2$.#,#s9.8& %; 1;9%; "&9&-; ;"".( 8&(& &" -$E%&" &$ & ;"7,8#& :&9+#.8& %;"
7;/;=-;"l[P )g^ScJ [iPUL TH*Y , & ;-#.3& 4,"A) %) ,. C<"$() %, X,;9 ];-&99,# 2$, :&8; ,(
;"7,8#&" %;" 2$;/.%;%," %& "&( , %; ,"8$#;J , /&3& 2$,"#.&9;L bf + 7,-(.#.%& 7,-3$9#;- 7&-2$<J ", ,o."#, $( %.-,#&- %, :&#&3-;:.;J 94& @A $( %.-,#&- %, "&( 8$5& 7;7,/ + 8&&-%,9;- #$%&
& 2$, + $";%& 9; (.o;3,(J .98/$.9%& ; (N".8;J , %, %;- $( #&( 7;-#.8$/;- 7;-; ,"#;" 7."#;"
"&9&-;"l[m )]^\cSS!RJ [iPUL Tm*>
^ ",3$9%; + ; -,=."#; Y. W)5#) %# 8($S-.J -,/;8.&9;%; D ;""&8.;04& F+KY4O! )F$("$
17.$3.(*) %)* o#57)* ,.k/#)* %gS%#;.'("$ G.7 ,g(-.A) )' ,) *"$*J 2$, /;90; 9& ,o,(7/;- %,
9N(,-& M[B %, (;-0& %, [iPh "$; ,%.04& ,"7,8.;/ "&1-, & "&( 8.9,(;#&3-A:.8&> c" ;-#.3&"
7$1/.8;%&" :&-;(L Y) 8($S-. )*' *"$"7) %, g-;90&.", O@,=;""$J 2$, =,-"; "&1-, ; -,/;04&.(;3,( , "&( 9& 8.9,(; ; 7;-#.- %, 2$,"#_," %; 7,-8,704& :E".8;J %, ,"#+#.8;" %, (&9#;3,(J
, %,%.8;9%& $( 1&( ,"7;0& 7;-; %."8$#.- 7&""E=,." :$90_," %; (N".8;J %&" %.A/&3&" , %&"
-$E%&"> Y)* -"'* )' ,)* ,)''7)* %, \;w(&9% G,:•=-,J %,1;#,9%& "&1-, ; 2$,"#4& %; %$1/;3,( ,
%; /,3,9%;3,( 9&" :./(,"> ! U#.$% ,) *"$ S'.(' -#)' %, a$w a;$#@.,-J %."8$-";9%& "&1-,
8&(& &" 8.9,;"#;" %& 7,-E&%& %& 8.9,(; "./,98.&"& /.%;=;( 8&( ; ;$"<98.; %; =&?J %;
7;/;=-;J ,( ",$" :./(,"> -,=."#; ;.9%; :&. 8&(7/,(,9#;%; 8&( %&." %&"".<"L Y)* 7.GG"7'* %#
')c') )' %) ,](-.A)J &-3;9.?;%& 7&- a$w a;$#@.,-J -,$9.9%& 8.#;0_," -,#.-;%;" %, #,o#&" %,8-E#.8&" , 8.9,;"#;" 2$, %."8$#.-;( ; -,/;04& %; 7;/;=-; 8&( & 8.9,(;> ! U#.'7) ;($S.*')*
G.7,)$' %) ,. =.$%) *"$J &-3;9.?;%& 7&- \,9+ R;1•"J #;(1+( 8&9#,9%& 8.#;0_," %,
%,8/;-;0_," %;%;" 7,/&" 8.9,;"#;" I,-3,. !.",9"#,.9J X&",: =&9 I#,-91,-3J g-.#? G;93 , X,;9
\,9&.- ; -,"7,.#& %& "&( 9& 8.9,(;> ^/+( %.""&J :&-;( 7$1/.8;%;" ,9#-,=."#;" 8&( %&?,
%.-,#&-,"J #&%&" ;1&-%;9%& 2$,"#_," "&9&-;" 8.9,(;#&3-A:.8;"> !9#-, &" ,9#-,=."#;%&" ,"#4&
\&1,-# ]-,""&9 , X,;9eG$8 a&%;-% )OK!Z^IIkJ [iPh*>
!"#;" %$;" ,%.0_," 8.#;%;" %,(&9"#-;( $(; (;.&- %,%.8;04& %;" -,=."#;" :-;98,";" %,
[P R-;%$04& %& ;$#&->[m 6%,(>
[m
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 19/181
8.9,(; ,( -,:/,#.- "&1-, ; #-./@; "&9&-;J & 2$, 3,-; .9%E8.&" %& 8-,"8.(,9#& %& .9#,-,"", "&1-,
& "&( 8.9,(;#&3-A:.8& 8&(& &15,#& %, ,"#$%& 9; g-;90;>
S; %+8;%; %, [imH =;/, %,"#;8;- ,"7,8.;/(,9#, ; %,:,"; %; #,", %, 7F"e%&$#&-;%& %&
@."#&-.;%&- 9&-#,e;(,-.8;9& Q&$3/;" a&(,-wJ .9#.#$/;%; 2<) 8"-($A "1 !"#$% '" '<)
:-)7(;.$ 8($)-.@ . <(*'"7L "1 '<) '7.$*1"7-.'("$ "1 .$ ($%#*'7L )[imB*J 1;", 7;-; $(; "+-.,
%, &$#-&" ;-#.3&" , $( /.=-&[h 7$1/.8;%&" 7&"#,-.&-(,9#,> c #-;1;/@& %, a&(,-wJ 2$,
8&9#,(7/; ;"7,8#&" %; @."#F-.; %& "&( 8.9,(;#&3-A:.8&J ", %.:,-,98.; %, &$#-&" ,"#$%&"
@."#F-.8&" #-;%.8.&9;." 7&- 94& .39&-;- :;#&" -,/;8.&9;%&" D" 8&(7/,o;" 2$,"#_," %; ,8&9&(.;
, %; %,(;9%; .%,&/F3.8; 2$, %,",(7,9@;( $( 7;7,/ 9; :&-(;04& %; ,=&/$04& %& 8.9,(;J
8&(& ,o7/.8;( ~!6I , ]!GRcSL
K."#F-.;" #-;%.8.&9;." "&1-, ; 8@,3;%; %& "&( :&8;( ,( $( 8&95$9#& %, b3-;9%,"@&(,9"l e ; (;.&-.; .9=,9#&-," &$ 8.9,;"#;" } 2$, "&?.9@&" 8&9%$?.-;( ; #-;9".04& 7;-; & 8.9,(; "&9&-&> k( 8$-"& /.9,;- %&" ;8&9#,8.(,9#&"J =."#&" 8&(& $(; ,=&/$04&9;#$-;/ ,( %.-,04& ; $( &15,#.=& 7-+e%,#,-(.9;%&J /,=; .9,=.#;=,/(,9#, ;& 2<) E.66
!($A)7 > 69:,/.?(,9#,J ,"";" @."#F-.;" #,9%,( ; .39&-;- ;" 8&(7/,o;" 7-,""_," %;,8&9&(.; , %; %,(;9%; .%,&/F3.8; 2$, %,",(7,9@;( $( 7;7,/ 9; :&-(;04& %;,=&/$04& %& 8.9,(;> n>>>p ];",;9%&e", 9; #,&-.; ,8&9s(.8; 9,&8/A"".8;J a&(,-w ".#$;;" ($%;90;" #+89.8;" %,9#-& %, $( 8&9#,o#& ,8&9s(.8& (;." ;(7/&> n>>>p a&(,-w%,:,9%, $(; @."#F-.; %& "&( 2$, + %,#,-(.9;%; ,8&9&(.8;(,9#,J .9"7.-;%; 7,/&%,",5& %, 8&9#-&/, %, 7;#,9#," , ;$(,9#& %&" /$8-&">[i )~!6IY ]!GRcSJ [ihBL T*
{ #;(1+( 9,""; %+8;%; 2$, "$-3,( &" 7-.(,.-&" ;-#.3&" %, &$#-&" 7,"2$.";%&-," =.9%&"%, ,"8&/;" %, 8.9,(;J 8&(& Q;=.% ]&-%t,//J `-."#.9 R@&(7"&9J Q;9.,/ W,-8@,-&9 , O/;$%.;
a&-1(;9 2$, ;7-,",9#;-;( 9&=;" :&-(;" %, ;9A/."," ;$%.&=."$;."> !"#; N/#.(; ,( 7;-#.8$/;-J
:&. 2$,( 7-&7s" 7,/; 7-.(,.-; =,? ; 8;#,3&-.; 9;--;#.=; %,9&(.9;%; b(,#;e%.,3+#.8;lJ ,( ",$
;-#.3& 2).;<($A '<) !"#$%'7.;0 )[imP*>
S& (,$ 8&9@,8.(,9#&J & 7-.(,.-& 2$, 7-&7s" ; 8;#,3&-.; (,#;e%.,3+#.8; -,:,-.9%&e",; "&9" .9#,-9&" :&. O/;$%.; a&-1(;9 ,( "$; #;o.&9&(.; %, "&9" 7;-; :./(,> Q, ;8&-%&8&( a&-1(;9J ; :&9#, "&9&-; 9& 9E=,/ 9;--;#.=& 7&%, ",- %.,3+#.8;J ,o#-;e%.,3+#.8; ,(,#;e%.,3+#.8;> I&( (,#;e%.,3+#.8& :&. ,o7/.8;%& 8&(& $( "&( .(;3.9;%&J &$ #;/=,?J;/$8.9;%& 7&- $( 7,-"&9;3,(>MH )C6G6O!Z6OJ ">%>*
k( (;-8& 9; 8&9"&/.%;04& %&" ,"#$%&" %& "&( 9& 8.9,(; ,( V(1.#& .9#,-9;8.&9;/ :&. &
/;90;(,9#& %; ,%.04& %, 9N(,-& PH %; -,=."#; i.,) +7)$;< !'#%()*> W$1/.8;%; 7,/; i.,)
F$(5)7*('L C7)** ,( [ihHJ :&. ,%.#;%; 7&- \.8j ^/#(;9 , .9#.#$/;%; 8($)-.m!"#$% > ^/+( %,
"$3,-.- 9&=&" -$(&" , 7&"".1./.%;%," 7;-; $(; ;1&-%;3,( (;." .9#,3-;%; D ,o7,-.<98.;
8.9,(;#&3-A:.8;J #,=, & &15,#.=& %, -&(7,- 8&( ; .%+.; %, $( 8.9,(; &1",-=;%& ;7,9;" 8&(&
$(; ;-#, ,"",98.;/(,9#, =."$;/> ^GRC^S )[ihH1* 7&9#$; 2$, ;"7,8#&" %; .9&=;04&[h acC!\₠J Q&$3/;"> 2<) 8"-($A "1 !"#$%@ . <(*'"7L> S,t ₠&-jL \&$#/,%3,J MHHB>[i R-;%$04& %& ;$#&->MH 6%,(>
[h
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 20/181
#,89&/F3.8;J ,8&9s(.8; , ;-#E"#.8; %, 8,-#; :&-(; ",(7-, ,"#.=,-;( 7-,",9#," ,( /.=-&" ,
;9A/."," 2$, %."8&--.;( "&1-, & 8.9,(;> !/, 8.#; 8&(& ,o,(7/& ;" .9=,"#.3;0_," 7-,",9#," 9&
E!JC4 "&1-, & %,",9=&/=.(,9#& %&" "."#,(;" %, 3-;=;04& , -,7-&%$04& %& "&( , "$;
".98-&9.; 8&( ; .(;3,( 9;" ,o7,-.(,9#;0_," ;$%.&=."$;." %, R@&(;" !%"&9J G,, %, g&-,"#J
R@,&%&-, O;", , !;-/ I7&9;1/,Y &$ (,"(& &" (;9.:,"#&" , -,:/,o_," "&1-, & 7;7,/ %; #-./@;
"&9&-; 7-&7&"#;" 7&- -,;/.?;%&-," 8&(& \,9+ O/;.-J I,-3,. !.",9"#,.9J W$%&=j.9J ^/,o;9%-&=J
]+/; ];/A?"J O@;-/., O@;7/.9 , 8-E#.8&" 8&(& \$%&/: ^-9@,.( , I.,3:-.,% `-;8;$,-> !"","
,"#$%&" ,"7,/@;=;(e", 9& 7,-E&%& %, 8@,3;%; , 8&9"&/.%;04& %& "&( 9& 8.9,(;J (;" 94&
@;=.; $(; 8&9".%,-A=,/ .9#,3-;04& 9; /.93$;3,( %, ;9A/.", %& "&( 8.9,(;#&3-A:.8&> ^ #,&-.;
, ; 8-E#.8; %, 8.9,(; 7,-(;9,8.;( 7-.&-.#;-.;(,9#, /.(.#;%;" ; ;"7,8#&" %; .(;3,(> W;-;
^/#(;9J & 8-,"8.(,9#& %, $(; ",9".1./.%;%, -,/;#.=; ;&" 7-&1/,(;" -,:,-,9#," D #,89&/&3.; %&"&( :&. & 7-&=A=,/ , (;." .(7&-#;9#, -,2$.".#& -,"7&9"A=,/ 7,/& -,9;"8.(,9#& %& .9#,-,"", 9&
,"#$%& %; #-./@; "&9&-;> c" ;-#.3&" 7$1/.8;%&" 9; -,=."#; :&-;( %.=.%.%&" ,( 2$;#-& A-,;"> I4&
,/;"L #,&-.;J @."#F-.;J (N".8; , ,"#$%&" %, 8;"&> Q,9#-, &" 7,"2$.";%&-," 2$, 7;-#.8.7;-;(
%,"#; ,%.04& ,"#;=;( O/;$%.; a&-1(;9J Q;9.,/ W,-8@,-&9J C;-w ^99 Q&;9,J `-."#.9
R@&(7"&9 , Q;=.% ]&-%t,//>
c$#-& (+-.#& 7-,",9#, 9; 8($)-.m!"#$% , 7-&7&-8.&9;%& 7&- O/;$%.; a&-1(;9J :&. ;
7$1/.8;04& %, $( ,o#,9"& /,=;9#;(,9#& 1.1/.&3-A:.8& &9%, -,$9.$e", 7-;#.8;(,9#, #&%&" &"/.=-&"J ,9";.&" , ,9#-,=."#;" -,/;8.&9;%;" D #-./@; "&9&-; 8.9,(;#&3-A:.8; 7$1/.8;%&" 9&" !k^
, 9; !$-&7; ;#+ ;2$,/; %;#;> ^ .9#.#$/;%; T(=,("A7.G<L "$ !"#$% ($ +(,- )ac\]C^SJ [ihH*
7&"".1./.#&$ & ;8,""& ; $(; .9:&-(;04& ;#+ ,9#4& %."7,-"; 9& 8;(7& %&" ,"#$%&" %, 8.9,(;>
!92$;9#& .""& 9& ]-;"./J %,"#;8;-;(e", &" #,o#&"J ,9#-,=."#;" , %,7&.(,9#&" -,$9.%&"
7&- X,;9eO/;$%, ],-9;-%,# 9; ,%.04& %, 9N(,-& Tm %; -,=."#; +(,-) 8#,'#7. %, [ih[J
.9#.#$/;%; bI&( , O.9,(;l> !"#; 7&%, ",- 8&9".%,-;%; $(; %;" 7-.(,.-;" 7$1/.8;0_," %& 7;E"J
", 94& ; 7-.(,.-; 8,9#-;%; ,"7,8.:.8;(,9#, 9; %."8$""4& %; #-./@; "&9&-; 8.9,(;#&3-A:.8;9;8.&9;/>
],-9;-%,#J ;/+( %, :;?,- $(; 1-,=, .9#-&%$04&J &-%,9; $(; "+-., %, %,7&.(,9#&" ,,9#-,=."#;"J :&-(;9%& $(; ,"7+8., %, %&"".<> Q4& "$; 8&9#-.1$.04& &" 7-,8$-"&-,"G$E" %, ];--&" , K$(1,-#& C;$-&J ~;#"&9 C;8,%&Y ^-#@$- c(;-J Z/;%.(.- O;-=;/@&, a,-;/%& I;-9&J ,o7&9%& "$;" %.:,-,9#," 8&98,70_," "&9&-;" 7;-; & %&8$(,9#A-.&YG,&9 K.-"?(;9> ^.9%; 8&(7&".#&-," 8&(& X&@9 S,"8@/.93J \,(& k";.J O;,#;9&Z,/&"&J 7&- 8&9#; 7-.98.7;/(,9#, %& 1&( #-;1;/@& ,( !9" T)7$.7%"X %, G,&9K.-"?(;9J W;$/& C&$-;> !J 7&- :.(J #+89.8&"J 8&(& Z.#&- \;7&?,.-& , X$;-,?Q;3&1,-#&> )OcIR^J MHHhL i*
Q,7&." %; ,%.04& %, 9N(,-& PH %; -,=."#; i.,) +7)$;< !'#%()*J ; 7-.(,.-; 3-;9%,
8&/,#V9,; "&1-, & "&( 9& 8.9,(; 7$1/.8;%; 9& :&-(;#& %, /.=-& :&. b +(,- !"#$%@ '<)"7L .$%
[i
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 21/181
G7.;'(;)l )~!6IY ]!GRcSJ [ihB;*J 2$, -,N9, ;-#.3&" %; A-,; 8&( -,/,=;9#, .(7&-#V98.;
@."#F-.8;J ;-#.3&" -,8,9#," (;" 2$, ;7;-,8,-;( ,( :&9#," ,:<(,-;"J , #;(1+( &$#-&" (;#,-.;."
7;-; 8&(7/,(,9#;- ;" /;8$9;" %, ,"#$%& "&1-, ; ,"#+#.8; %& "&( , & 7-F7-.& %,",9=&/=.(,9#&
%; @."#F-.; %& 8.9,(; "&9&-&J .9%& ;/+( %& 7,-E&%& %, #-;9".04& %& "./,98.&"& 7;-; & :;/;%&>
~!6I , ]!GRcS )[ihB1* -,;:.-(;( ; 7-,(.""; %, 2$, ;#+ ; %+8;%; %, [ihHJ ;" 7$1/.8;0_,"
"&1-, & "&( ,( :./(," 9; (;.&-.; %&" 8;"&" #.9@;( ",(7-, 8&(& :&8& ;7,9;" %&." #,(;"
8,9#-;."L ; (N".8; %& :./(, , & 9;"8.(,9#& %& 8.9,(; "&9&-&> ! ;.9%;J ,""," (;#,-.;." ($.#;"
=,?," &$ 94& #.9@;( ".%& #-;%$?.%&"J &$ ,"#;=;( :&-; %, 8;#A/&3&J &$ 7,-#,98.;( ; -,=."#;"
2$, 94& ,"#;=;( %."7&9E=,."> !"#; 8&/,#V9,; 8&9#; 9&=;(,9#, 8&( ; 7$1/.8;04& %, $(
/,=;9#;(,9#& 1.1/.&3-A:.8& %, O/;$%.; a&-1(;9J %,"#; =,? 8&(& $(; 1.1/.&3-;:.; 8&(,9#;%;>
S,"#; %+8;%; C.8@,/ O@.&9J $( %&" (;." .(7&-#;9#," 7,"2$.";%&-," 8&9#,(7&-V9,&"%; A-,;J 8&(,0; ; 7$1/.8;- ",$" 7-.(,.-&" #,o#&"> Q."8E7$/& %.-,#& %& 8&98,.#$;%& 7,"2$.";%&-
, 8&(7&".#&- :-;98<" W.,--, I8@;,::,-J O@.&9 + ;$#&- %, =A-.&" /.=-&" -,7-,",9#;#.=&" %; A-,;J
8&(& 7&- ,o,(7/&L Y. M"(c :# 8($S-. )[ihM*J Y) !"$ .# 8($S-. )[ihB* , Y]:#%("HM(*("$@
*"$ )' (-.A) .# ;($S-. )[ii[*> !"#, N/#.(& + 9; =,-%;%, $(; 8&(7./;04&J -,=."4& ,
;(7/.;04& %&" 8&98,.#&" , #,&-.;" %."#-.1$E%;" 9;" 7$1/.8;0_," ;9#,-.&-," %& ;$#&-> W;-; ", #,-
$(; 1-,=, 9&04& %; .(7&-#V98.; %,"", #-;1;/@&J & /.=-& #;(1+( 3;9@; =,-"_," #-;%$?.%;" ,(
,"7;9@&/ ,( [iiTJ ,( .93/<" ,( [iiU )#-;%$?.%& 7&- O/;$%.; a&-1(;9*J ,( .#;/.;9& ,( [iim, ,( 7&-#$3$<" )%, W&-#$3;/* ,( MH[[> Q, :;#&J &" 8&98,.#&" 7-&7&"#&" 7&- O@.&9 ,( "$;"
&1-;" 7-&=&8;-;( $(; ,=&/$04& 9& 7,9";(,9#& "&1-, & "&( , & ;$%.&=."$;/ 9; #,&-.; %&
8.9,(;J ,o7;9%.9%& &" ,"#$%&" 9; A-,;> Q,9#-, ;/3$9" 8&98,.#&" :;(&"&" ,"#A & %, b=;/&-
;3-,3;%&lJ %, b8&9#-;#& ;$%.&=."$;/lJ %, b;$%.&=."4&lJ %, b"&( ;8$"(A#.8&lJ %,
b=&8&"",9#-."(&lJ & %,",9=&/=.(,9#& %, .%,.;" ;8,-8; %; ,"8$#; :E/(.8;J %,9#-, &$#-&">
c 8&(7&".#&-J 8.9,;"#; , #,F-.8& :-;98<" C.8@,/ O@.&9 %,%.8&$ 3-;9%, 7;-#, %, ",$/.=-& :#%("HM(*("$ 9& ",9#.%& %, %,/.9,;- &" =A-.&" ;"7,8#&" %& :,9s(,9& %& "&( 9&
:./(, e 2$, ,/, 9&(,.; %, b=;/&- ;3-,3;%&l eJ , ,"#; ;/2$.(.; #;(1+( ,"#A 7-,",9#, 9&V(;3& %, ",$" #-<" #-;1;/@&" ;9#,8,%,9#,"J ;.9%; 94& #-;%$?.%&" 7;-; & .93/<"L Y.
M"(c :# 8($S-.J Y) !"$ .# 8($S-. , Y. 2"(,) 27"#S)> nfp c 7-.(,.-& 7;""& ,"",98.;/2$, O@.&9 %A + ;""$(.- 2$, 94& ,o."#, 9,9@$(; b@;-(&9.; 7-+e,o."#,9#, , 9;#$-;/,9#-, .(;3,( , "&(l> nfp c %,";:.& 7;-; $( #,F-.8& 8&(& O@.&9J 7&- &$#-& /;%&J +8&(& %,:.9.- e %, :&-(; #4& ;(7/;J (;" ; (;." 7-,8."; 7&""E=,/ e ;" 8.-8$9"#V98.;" "&12$;." ,""; b-,/;04&l 7&%, ",- :,.#;J :&. :,.#; 9& 7;"";%&J , 7&%,-A ",- (,/@&- -,;/.?;%;9& :$#$-&> !"#, %,";:.& O@.&9 ,(7-,,9%, 9&" 7-.(,.-&" ",." 8;7E#$/&" %& :#%("HM(*("$
9; :&-(; %, $( b8&9#-;#& ;$%.&=."$;/l e $(; "E9#,", , ,o#,9"4& %;" #,&-.;"%,",9=&/=.%;" 9&" N/#.(&" %,? ;9&" ,( ",$" 7-.(,.-&" #-<" /.=-&"> nfp ^/+( %.""&J&$#-;" .%+.;" %, O@.&9 "4&J 7;-; (.(J .%,.;" 8&(7/,#;(,9#, 9&=;" , &-.3.9;." %, ", 7,9";- "&1-, & ;""$9#& nfp> C;" ; =,-%;%,.-; 8&92$."#; %& :#%("HM(*("$ + e ;/+( %,
".(7/,"(,9#, 9&(,;- , %,"8-,=,- ,"#," 8&98,.#&" , .%+.;" ."&/;%;(,9#, e 7-&7 .8 .;- $(; "E 9#,", ,( $( #&%& 8&,- ,9 #,J 8$5& 7;%-4& #&-9;e& ;8 ,""E=,/
MH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 22/181
#;9#& ;& 94&e7-&:."".&9;/ 8&(& ;&" 2$, 5A 7&""$,( ,o7,-.<98.; 9& &:E8.&>M[
)Ck\OKJ [iiU*
c" ;9&" [iiH 8@,3;( 7;-; ,:,#.=;- ; 7-,",90; %&" ,"#$%&" %& "&( 8&(& 8;(7& %,
7,"2$."; ;8;%<(.8;J ;& (,9&" ; 9E=,/ %& ,o#,-.&-> ^/+( %& /;90;(,9#& %& 5A (,98.&9;%&
/.=-& %, C.8@,/ O@.&9J Y]:#%("HM(*("$ )[ii[*J &$#-;" 2$;#-& 8&/,#V9,;" 3;9@;( %,"#;2$,L
!"#$% 2<)"7L m !"#$% C7.;'(;) )^GRC^SJ [iiM* 8&( $(; %.=,-".%;%, %, ;-#.3&"
8&(7./;%&" #-;#;9%& & 8.9,(; 8&(& b,=,9#&l , 7-&7&9%& %.:,-,9#," (&%,/&" %, ", 7,9";- &
8.9,(; ,( 3,-;/ , ; #-./@; "&9&-; ,( ,"7,8.;/> { 9,"#, #-;1;/@&J 7&- ,o,(7/&J 2$, ^/#(;9
,o7_, "$;" 8-E#.8;" ,( -,/;04& D :&-(; 8&(& ;" #,&-.;" %& 8.9,(; =.,-;( /.%;9%& 8&( & "&(
;& /&93& %&" ;9&"J ;#-;=+" %& 2$, ,/, %,9&(.9; %, b2$;#-& :;/A8.;" , (,.; %& 8.9,(;l MM>
!"#$% 1"7 C(;'#7)@ .$ ($*(%) ,""0 .' .#%(" G7"%#;'("$ 1"7 1(,- .$% '),)5(*("$ )gc\G!S|^Y
IRcS!J [iiT* 2$, -,N9, 1;".8;(,9#, ;-#.3&" 7$1/.8;%&" 9; -,=."#; C.oMT "&1-, ,"#$%&" %,
8;"& %& "&( ,( :./(," ,"7,8E:.8&" , #,o#&" "&1-, ; 8&(7/,o; ;-#, %& *"#$% %)*(A$ 9& 8.9,(;Y
!"#$%H"$H+(,-@ ($')75()h* h('< '<) ;7).'"7* "1 1(,- *"#$% )G&]\kRRcJ [iiU* 8&9#,9%&
=.9#, , ",#, ,9#-,=."#;" 8&( -,9&(;%&" 7-&:."".&9;." %& (,.&J %, #+89.8&" %, "&( %.-,#& ;
,%.#&-," %, "&(J ;-#."#;" %, 1",)L , (.o;%&-,"J 7&- ,o,(7/&J ,J 8&9",2$,9#,(,9#,J
%."7&9.1./.?;9%& .9:&-(;0_," "&1-, ; 7-A#.8; %, 7-&%$04& "&9&-; , "$;" 7;-#.8$/;-.%;%," ;#+
;9#," 94& -,3."#-;%;"Y , !"#$%* "1 J"5()*@ ($')75()h* h('< '<) ;7).'"7* "1 1).'#7) *"#$%
'7.;0* )W^Iqk^\6!GGcJ [iiP* 8&( =.9#, ,9#-,=."#;" #;(1+( %.=.%.%;" ,9#-, 7-&:."".&9;."
%, #&%;" ;" ,#;7;" %; 7-&%$04& "&9&-; 8.9,(;#&3-A:.8;>
^ 8&9,o4& ,9#-, & $9.=,-"& #,F-.8& , ; %,"8-.04& 7-A#.8; %& 7-&8,""& %, #-;1;/@&J
7-&%$04& , 8-.;04& "&9&-; 9& 8.9,(;J 7-&7&-8.&9;%; %, 8,-#; :&-(; 5A 9,""," /.=-&" %,
,9#-,=."#;"J , 2$, ;8;1; 7&- #;(1+( 3,-;- (;#,-.;." %.%A#.8&" .(7&-#;9#," 7;-; &
%,",9=&/=.(,9#& %& 8;(7& 7-&:."".&9;/ %; A-,;J 8&(,0; ; ",- (;." -,8&--,9#,> !o,(7/&"
%.""& ,"#4& 9; 7$1/.8;04& %; 7-.(,.-; ,%.04& %& /.=-& 2<) C7.;'(;., :7' "1 J"'("$ C(;'#7)
!"#$% )₠!~Q^GGJ [iii*J 8&9#,9%& ,o,(7/&" 7-A#.8&"J %;%&" #+89.8&" , %.8;" %, 8-.;04&
"&9&-; 8.9,(;#&3-A:.8;> ! ,( %&." ;-#.3&" :;(&"&" %, %&." 3-;9%," *"#$% %)*(A$)7* 2$,
",(7-, %,(&9"#-;-;( .9#,-,"", ,( .9#,-;3.- 8&( & 8;(7& ;8;%<(.8&> c 7-.(,.-& + &
.9#.#$/;%& !"#$% ?)*(A$@ '<) %.$;($A *<.%"h %, ~;/#,- C$-8@J 7$1/.8;%& ,( [iiB 9;
8&/,#V9,; C7"b);'("$* l@ +(,-H-.0)7* "$ +(,-H-.0($A J (;" 2$, 7&"#,-.&-(,9#, :.8&$ (;."
M[ R-;%$04& %& ;$#&->MM ^GRC^SJ \.8j> O$'7"%#;'("$@ 1"#7 .$% . <.,1 1(,- 1.,.;()*> 69L I&$9% R@,&-w v I&$9% W-;8#.8,> S,t ₠&-jL
\&$#/,%3,J 7> TBeUBJ [iiM>MT k(; %;" 7-.98.7;." -,=."#;" .9#,-9;8.&9;." "&1-, A$%.& 7-&:."".&9;/ , 7-&%$04& ($".8;/> Q."7&9E=,/ ,(L
u@##7Lvv(.o&9/.9,>8&(vz>
M[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 23/181
8&9@,8.%& 7&- "$; =,-"4& ;%;7#;%; .9#.#$/;%; !'7)';<($A !"#$% '" Q),G '<) J($% !))
)Ck\OKJ MHHH*J 2$, + $(; 8&(1.9;04& %, 7-.98E7.&" 3,-;."J ,o7/.8;0_," #+89.8;" ,
8&9#,o#&" #,F-.8&" %,",9=&/=.%&" &$ 7-;#.8;%&" 7&- C$-8@> ! & ",3$9%& + & ;-#.3& ?)*(A$ .
J"5() 1"7 !"#$% %, \;9%w R@&(J 7$1/.8;%& 9& 9N(,-& Mm %; -,=."#; O7(* %, [iiiJ &9%, &
;$#&- ;:.-(; 2$, ; (,/@&- (;9,.-; %, $( 8.9,;"#; #.-;- 7-&=,.#& %& "&( + 7,9";9%&e& %,"%, &
-&#,.-&J 9; 7-+e7-&%$04&>
698/$".=,J ,"#; (,"(; -,=."#; O7(*J %, 9N(,-& MmJ ,%.#;%; 7&- \.8j ^/#(;9 , .9#.#$/;%;
2<) !'.') "1 !"#$% !'#%()*mY) *"$ .# ;($S-.X S'.' %) ,. 7);<).7;<) J 7&%, ",- 8&9".%,-;%; ;
7-.(,.-; 2$, 7$1/.8&$ $(; ,%.04& 8&(7/,#; %,%.8;%; ,o8/$".=;(,9#, ; ;=;/.;- & ,"#;%& %;
7,"2$."; "&1-, "&( 9& 8.9,(; 9& ,o#,-.&-> S,/;J \.8j ^/#(;9 8&9:.-(; ; 8&9"&/.%;04& %&
%,9&(.9;%& b!"#$% !'#%()*l 8&(& $( 9&=& 8;(7& ;8;%<(.8& -,8&9@,8.%& , -,"7,.#;%& 7,/;" $9.=,-".%;%,"J 7,/;" ,%.#&-;" , ;#+ (,"(& 7,/&" (,.&" %, 8&($9.8;04&> 698/$".=,J ;
(;#$-.%;%, ;#.93.%; :,? 8&( 2$, &" ,"#$%&" %& "&( $/#-;7;"";"",( ; ,"7,8.:.8.%;%, %&
8.9,(; , ", #&-9;"",( ;7#&" 7;-; ;1&-%;3,9" .9#,-%."8.7/.9;-,">
!"#$% !'#%()*L $( %&(E9.& ,( 7/,9; ,o7;9"4&>!/," %.?,( 2$, + 7-,8."& =A-.;" 3,-;0_," 7;-; 3;-;9#.- ; "&1-,=.=<98.; %, $(; 9&=;,"7+8.,> c (,"(& + =A/.%& 7;-; 8;%; 9&=& 8;(7& ;8;%<(.8&> O&( ,""; ,%.04& 9F",9#-;(&" 9; 2$;-#; 3,-;04& %&" !"#$% !'#%()*> ^7-&o.(;%;(,9#, ; =.9#, ;9&" ;#-A"J#$%& 8&(,0&$ 8&( ; ,%.04& %; i.,) +7)$;< !'#%()* .9#.#$/;%; 8($)-.m!"#$% J 2$,
-;7.%;(,9#, ";.$ %, 8;#A/&3& , :&. "$1"#.#$E%; 7,/& +(,- !"#$%@ '<)"7L .$% G7.;'(;)J ,%,7&." 7,/& !"#$% 2<)"7Lm!"#$% C7.;'(;)> nfp C;." %& 2$, 9$98;J & ,"#$%& %& "&( +;3&-; -,8&9@,8.%& 7,/;" (,"(;" .9"#.#$.0_," )$9.=,-".%;%,"J (,.&" %, 8&($9.8;04&J,%.#&-;"* 2$, "F -,8,9#,(,9#, ";E-;( %& 8;(.9@& %, .(7,%.- ,"#, 9&=& %&(E9.&> MU
)^GRC^SJ [iii1L T*
^/+( %& #,o#& %, \;9%w R@&(J ; -,=."#; 8&9#; 8&( $( ;-#.3& %, C.8@,/ O@.&9J
#-;#;9%& %&" 7-&1/,(;" , "&/$0_," 7;-; %,",9=&/=,- & ,"#$%& %& "&( 9; !$-&7; , 9& ($9%&Y
8&( $(; 1.1/.&3-;:.; 8&(,9#;%; %;" /.#,-;#$-;" "&1-, *"#$% %)*(A$ -,8,9#," D +7&8; -,;/.?;%;
7&- !/.";1,#@ ~,."Y $( ;-#.3& %, X;w ],8j , g-;98j G, a;8 "&1-, :&9#," %, 8&9#,N%&,98&9#-;%;" 9; .9#,-9,# %,"#.9;%;" ;& ,"#$%& %& "&( 9& 8.9,(;Y $( #,o#& 8&( 9&#;" ,
-,=."_," %&" 7-.98.7;." 8&/F2$.&" , 8&9:,-<98.;" "&1-, &" ,"#$%&" %& "&( 8.9,(;#&3-A:.8&
-,;/.?;%&" ;& /&93& %; %+8;%; %, [iiHY %,9#-, &$#-&">
c" ;9&" [iiHJ 7&-#;9#&J #;(1+( (;-8;-;( & .9E8.& %; :-$#E:,-; , ($/#.:;8,#;%; #-&8; %,
8&9@,8.(,9#&" #,F-.8&" , 7-A#.8&" 9; A-,; ;#-;=+" %; .9#,-9,#J ; 2$;/ 7-&3-.%, ;#+ &" %.;" %,
@&5,> c (;.&- ,o,(7/& %.""& + & h)=*(') +(,- !"#$% )ttt>:./("&$9%>&-3*J .%,;/.?;%& 7,/&
7-&:,""&- "$,8& I=,9 !> O;-/""&9 ,( [iimJ , 2$, ;3/&(,-;J 7&- ,o,(7/&J $( =;"#& 3/&""A-.&
8&( %,:.9.0_," %, #,-(&" %; A-,;J $(; 1.1/.&3-;:.; %, /.=-&" , 5&-9;." "&1-, & "&( 9& 8.9,(;J
MU R-;%$04& %& ;$#&->
MM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 24/181
,9#-,=."#;" , ;-#.3&" 2$, #-;#;( %,"%, ,"#$%&" %; #-./@; "&9&-; %, :./(," ,"7,8E:.8&" ; 2$,"#_,"
(;." #+89.8;" , #,F-.8;"J ;/+( %, #;(1+( ",- 7-,8$-"&- %, $( 3-$7& %, %."8$""4& 7&- ,(;./
%,9&(.9;%& !"#$%H:7'(;,)HY(*' , 2$, -,N9, 7,"2$.";%&-," , 7-&:."".&9;." -,9&(;%&" %&
($9%& .9#,.-& 7;-; 7-&(&=,- , .98,9#.=;- ; ;-#, 8-.;#.=; %& #-;1;/@& 8&( & "&( 9& 8.9,(;>
Z&/#;9%& ;& $9.=,-"& 1-;"./,.-&J + #;(1+( 9; %+8;%; %, [iiH 2$, 8&(,0;( ; "$-3.- &"
7-.(,.-&" #-;1;/@&" ;8;%<(.8&" "&1-, & "&( 9& 8.9,(;> Q,9#-, ;" 7-.(,.-;" 7,"2$.";"
-,;/.?;%;" 9& 7;E" ,"#A ; %."",-#;04& %, Q;=.% W,99.93#&9 %,:,9%.%; 9; kS] ,( [iiT 8&( &
9&(, %, bI&( Q.-,#&lJ 7-&7&9%& -,"3;#;- ;/3$9" ;"7,8#&" %& 8&9@,8.(,9#& %; ;#.=.%;%, %,
#-;1;/@& 8&( & "&( %.-,#& %,9#-& %& ;$%.&=."$;/Y ; %."",-#;04& %, S,w O;--;"8& bR-./@;
C$".8;/L (N".8; , ;-#.8$/;04& :E/(.8;lJ %,:,9%.%; 9; !"8&/; %, O&($9.8;04& , ^-#," %; kIW
9& (,"(& ;9& %, [iiTJ ;1&-%;9%& ; #-./@; ($".8;/ 8&(& -,8$-"& %, ;-#.8$/;04& %; 9;--;#.=;:E/(.8; , %,(&9"#-;9%& & (&%& 7,/& 2$;/ ; (N".8; ", .9",-, 9; %-;(;#$-3.; %& 8.9,(;Y ;
%."",-#;04& %, !%$;-%& I;9#&" C,9%,"J .9#.#$/;%; b^ #-./@; "&9&-; 9&" 8$-#;"e(,#-;3,9" %,
:.804& -,;/.?;%&" ,( I4& W;$/& ,9#-, [ihM , [iiMlJ %,:,9%.%; 9; !O^vkIW ,( [iiUJ , 2$,
;/+( %, ,"#$%;- ; :$904& %; 9;--;#.=; "&9&-; %,9#-& %&" 8$-#;"e(,#-;3,9" 7;$/."#;9&" %&
7,-E&%& ,"#.7$/;%&J :;? $( 1-,=, /,=;9#;(,9#& @."#F-.8& %& %,",9=&/=.(,9#& %& "&( 9&
8.9,(; , ,o7_, ;/3$9" (&%,/&" %, ;9A/.", %; #-./@; "&9&-; 8.9,(;#&3-A:.8;Y ; %."",-#;04&
b!"7;0& :E/(.8& "&9&-& ,( ^-#@$- c(;-l %, a$.&(;- \;(&" %,:,9%.%; #;(1+( 9;!O^vkIW ,( [iiBJ , 2$, .9=,"#.3; & $"& , & 7&#,98.;/ %& "&( 9; &1-; %& 8.9,;"#; ^-#@$-
c(;-> ^.9%; #,(&" 9,""; %+8;%; ; %."",-#;04& %, G$.? O/A$%.& O;5;.1; I&;-," %,9&(.9;%;
bZ,-"4& ]-;"./,.-;L %$1/;3,( 9; #= 8&(& -,8$-"& %.:$"&- %& 8.9,(;lJ %,:,9%.%; 9; kg]^ ,(
[iimJ , 2$, ,"#$%; "&1 F#.8;" ,"#+#.8;" , ;-#E"#.8;" & :,9s(,9& %; %$1/;3,( ,( :./(,"
7-&%$?.%&" 7;-; 8.9,(;J #-;#;9%& ,"7,8.;/(,9#, %;" =,-"_," %."#-.1$E%;" 7;-; ;" ,(.""&-;" %,
RZY ; %."",-#;04& %, I$?;9; \,8j C.-;9%; 9&(,;%; b^ CN".8; 9& O.9,(; , ; CN".8; %&
O.9,(; %, `-?w"?#&: `.,"/&t"j.lJ %,:,9%.%; ,( [iih 9; kS6O^CWJ , 2$, %,"8-,=,8;-;8#,-E"#.8;" ,"7,8E:.8;" %; $#./.?;04& %; (N".8; %& 8&(7&".#&- 7&/&9<" |1.39.,t W-,."9,-
,( %&." :./(," %, `-?w"?#&: `.,"/&t"j.L : ?#G,. M(%. %) MS7"$(/#) )[ii[* , : Y(=)7%.%) S
:6#, )[iiT*> KA #;(1+( ; %."",-#;04& %, G$.? ^%,/(& C;9?;9& .9#.#$/;%; b^ \,/;04& I&(e
6(;3,( 9& O.9,(;L ; ,o7,-.<98.; ;/,(4 %, g-.#? G;93lJ %,:,9%.%; 9; kIW ,( [iiiJ
%."8&--,9%& "&1-, & 7;7,/ %& "&( 9& 8.9,(; , ;7/.8;9%& &" 8&98,.#&" ,"#$%;%&" ,( %$;"
&1-;" %& %.-,#&- ;/,(4& g-.#? G;93L J)'7"G",(* )[iMBe[iMP* , JX " M.-G(7" %) ?j**),%"71
)[iT[*> ^ %."",-#;04& %, G$8.;9; ^/(,.%; W,-,.-; 8&( & #E#$/& bW-.98E7.&" %; ^-#.8$/;04&
I&9&-; 9& O.9,(;lJ %,:,9%.%; ,( [iii 9; kgCaJ , 2$, ;9;/."; & %,",9=&/=.(,9#& %;
/.93$;3,( "&9&-; , ;" #,&-.;" 2$, ;(7;-;-;( ;" ,#;7;" %, ,=&/$04& %;" #,89&/&3.;" %& "&(
MT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 25/181
;& /&93& %; @."#F-.; %& 8.9,(;> ! ; #,", %, %&$#&-;%& %, S,w O;--;"8& %,9&(.9;%;
bIw3j@-&9&"L ; :&-(;04& %; 7&+#.8; ($".8;/ %& 8.9,(;lJ %,:,9%.%; #;(1+( 9; kIW ,(
[iiiJ (&"#-;9%& ;/+( %& 7-&8,""& %, :&-(;04& 7&+#.8;J ; ,=&/$04& %& 7;7,/ %; (N".8; 9&
8.9,(;> g,8@;9%& & "+8$/& ddJ @A ;.9%; ; #,", %, !%$;-%& I;9#&" C,9%,"J b~;/#,- C$-8@L ;
-,=&/$04& 9& 7,9";(,9#& "&9&-& 8.9,(;#&3-A:.8&l J %,:,9%.%; 9; kIW ,( MHHHJ , 2$,
%."8&--, "&1-, ; .(7&-#V98.; %, C$-8@ 9; ($%;90; %& 7,9";(,9#& "&9&-& %&" :./(," 9&-#,e
;(,-.8;9&" %, :.804& 9&" ;9&" [imHJ ;#-;=+" %; ;9A/.", %;" #-./@;" "&9&-;" -,;/.?;%;" 7&- ,/,
,( ,"7,8.;/ 9&" :./(," K C"%)7"*" 8<)19" )g-;98." g&-% O&77&/;J [imM* , :G";.,LG*) P"h
)g-;98." g&-% O&77&/;J [imi*>
c" ,"#$%&" %& "&( 8.9,(;#&3-A:.8& 8@,3;( ,9#4& ;& "+8$/& dd6 8&(& $( 7-&(.""&-
8;(7& %, 7,"2$."; ,( ,(,-3<98.;> W&-+(J ;#+ & :.9;/ %& "+8$/& 7;"";%&J 7&%, ",- &1",-=;%&2$, 9& ]-;"./ ,""; A-,; 94& ;8&(7;9@&$ %, :&-(; ;""E%$; ,"", 7,-8$-"& %, %,",9=&/=.(,9#&J
7&""$.9%& 1;.o; -,7-,",9#;#.=.%;%,J , ",9%& 8;-;8#,-.?;%; 7&- #-;1;/@&" ,"8;""&" ,
,"7&-A%.8&"> ^7,9;" ;& /&93& %&" ;9&" [iiH 2$, 8&(,0;-;( ; "$-3.- #.(.%;(,9#, (;."
7,"2$.";" "&1-, & #,(;J -,7-,",9#;%;" 7-.98.7;/(,9#, 7,/;" #,"," , %."",-#;0_," ; 7&$8&
(,98.&9;%;">
O&(& %&8$(,9#&"J ;" #,"," , %."",-#;0_," "4& 7;-#," .(7&-#;9#," %; /.#,-;#$-;8.,9#E:.8;J 7&." (&"#-;( ;" 7-,&8$7;0_," %&" 7,"2$.";%&-," 2$;9#& D 8&9:.3$-;04& %&
8;(7& ,( 7,-E&%&" ,"7,8E:.8&" &$ ;& /&93& %, $(; #-;5,#F-.;J ;& (,"(& #,(7& ,(2$, 7&%,( ;7&9#;- 7-&1/,(;" %."8.7/.9;-,"J 1,( 8&(& #,&-.;" , (,#&%&/&3.;"$#./.?;%;" 7,/; A-,;> n>>>p !9#-,#;9#&J 7&- 94& 8&9#;-,( 8&( $( "."#,(; %, 7$1/.8;04&, %."#-.1$.04& 8&(,-8.;/J #,"," , %."",-#;0_," .(7-,"";" 7&%,( ",- 8&9".%,-;%;"/.#,-;#$-; 8.9?,9#; )GO*J %,=.%& ;& ,"8;""& 9N(,-& %, 8F7.;"J & 2$, ;8;--,#; 7&$8;=.".1./.%;%, , %.:.8$/%;%, %, ;8,""&> )Z^S|Y ]\^C]6GG^Y \6]!6\cY IRkCWgJMHHmL BU*
O&(& ,9#$".;"#; %& "&( 9& 8.9,(;J %,"%, ; 7-.(,.-; 7,"2$."; -,;/.?;%; ,( (,$
#-;1;/@& %, 8&98/$"4& %, 8$-"& ,( MHHiJ %,9&(.9;%& K F$(5)7*" C7"1(**("$., %.* 4'.G.* %.
C7"%#39" !"$"7. 8($)-.'"A7B1(;.J #.=, 3-;9%, %.:.8$/%;%, ,( ,98&9#-;- 1.1/.&3-;:.;
,"7,8.;/.?;%; "&1-, & ;""$9#& ,J 7&-#;9#&J #.9@; & @A1.#& %, ;:.-(;- 2$, @;=.;( 7&$8&"
(;#,-.;." ,( /E93$; 7&-#$3$,"; ; -,"7,.#& %& $9.=,-"& "&9&-& 9& 8.9,(;> S4& ";#.":,.#&J ;&
8&9#.9$;- ; .9=,"#.3;04& %;" 9$;98," %; /.#,-;#$-; %; A-,;J , ;7F" 7;-#.8.7;- %, 8&93-,""&" ,
,98&9#-&" %, 8.9,(;J 8&(,8,. ; 7,-8,1,- ; 2$;9#.%;%, %, #-;1;/@&" 2$, ,o."#.;(J &$ 2$,
"$-3.-;( ;& /&93& %&" N/#.(&" ;9&"J &$ 2$, #;(1+( ,"#;=;( ",9%& -,;/.?;%&"> G&3&J + ;
7;-#.- %,""; %.:.8$/%;%, ,98&9#-;%; 9; 1$"8; 7,/;" -,:,-<98.;" 1A".8;" %; (&9&3-;:.; 8.#;%;
2$, "$-3.$ & ,"#E($/& 7;-; 8&98,1,- $( 7-&5,#& 2$, &-3;9.?;"", ,"", (;#,-.;/J :;8./.#;"", &8&9#;#& , %.(.9$E"", & %,"3;"#, %; 1$"8; %, $(; 1.1/.&3-;:.; ,( /E93$; 7&-#$3$,"; 2$, ;#+
MU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 26/181
,9#4& ", ,98&9#-;=; %."7,-";>
Q,"#; :&-(;J ; 8&(7-,,9"4& %& *'.'#* /#" %; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, &
;""$9#& + :$9%;(,9#;/ 7;-; 5$"#.:.8;- & -&(7.(,9#& %& (.#& %, 2$, & "&( 8.9,(;#&3-A:.8& +
7&$8& ,"#$%;%& 9& 7;E"> ! (;."J ; &-3;9.?;04& , .9=,"#.3;04& %,"", (;#,-.;/ 7-&7.8.; , :;8./.#;
& "$-3.(,9#& %, 9&=;" .%+.;"J 7&9#&" %, 7;-#.%;J 7-&5,#&"J %."8$""_," , ;9A/.","> !"#, +
7&-#;9#& $( #-;1;/@& .9+%.#& 9& ]-;"./ 2$,J ;#-;=+" %;" .9:&-(;0_," -,$9.%;"J 7-&7&-8.&9;-A
$(; ;(7/; :&9#, %, ;$oE/.& 7;-; & ;7,-:,.0&;(,9#& , (;o.(.?;04& %& 7&#,98.;/ %&" ,"#$%&"
9;8.&9;." "&1-, & "&( 9& 8.9,(;>
W;-; .""&J :&-;( ",/,8.&9;%&" &" /.=-&"J ;" #,","J ;" %."",-#;0_," , &" ;-#.3&" ;8;%<(.8&"
9;8.&9;." 2$, 8&9#,(7/;( & $9.=,-"& "&9&-& 8.9,(;#&3-A:.8&J 7$1/.8;%&" 9& ]-;"./ 9&
7,-E&%& ,9#-, &" ;9&" MHH[ , MH[[J , 2$, ;-#.8$/;( ,"",98.;/(,9#, 2$,"#_," 2$, *+, "4&,"7,8E:.8;" %; #-./@; ($".8;/> ,"#-$#$-; (,#&%&/F3.8; $#./.?;%; + ; %; -,=."4& "."#,(A#.8;>
c 7-.(,.-& 8;7E#$/& %,"#, #-;1;/@& %,%.8;e", ,o8/$".=;(,9#, D ,o7/.8;04& 7;""& ; 7;""&
%,"", (+#&%& ;7/.8;%&J & 2$;/ 7;-#, %,"%, ; :&-($/;04& %& 7-&1/,(;J ;#+ ; /&8;/.?;04&J
",/,04& , ;=;/.;04& 8-E#.8; %&" ,"#$%&"J ; 8&/,#;J ;9A/.", , ;7-,",9#;04& %&" %;%&"J ;
.9#,-7-,#;04& %&" -,"$/#;%&" , & ;7-.(&-;(,9#& %; 7,"2$.";>
S& ",3$9%& 8;7E#$/& + &9%, ,"#A ,/;1&-;%& & 8&9#,N%& 7-.98.7;/ %& #-;1;/@&J %.=.%.%&
,( #-<" ,#;7;"> ^ 7-.(,.-; + -,:,-,9#, D ,=&/$04& 2$;9#.#;#.=; %& /,=;9#;(,9#& 1.1/.&3-A:.8&-,;/.?;%&J /."#;%& %, ;8&-%& 8&( & ;9& %, 7$1/.8;04& %&" (;#,-.;."> S,"#, (&(,9#&J 7-,:,-.$e
", 94& (,98.&9;- ;7,9;" &" #E#$/&" %&" ;-#.3&" 7;-; 2$, @;5; $(; (,/@&- :/$.%,? 9; /,.#$-;>
C;" ",-4& .9%.8;%&" &" #E#$/&" %&" /.=-&"J #,"," , %."",-#;0_,"J &" /&8;." &9%, &" (;#,-.;."
:&-;( 7$1/.8;%&"J 1,( 8&(& &" ;$#&-," , $(; -A7.%; %,"8-.04& %& 8&9#,N%& %, 8;%; #-;1;/@&>
^ ",3$9%; ,#;7; ,o7/&-; ;" #,9%<98.;" #,(A#.8;" ;=,-.3$;%;" ,9#-, &" #-;1;/@&" ,J 7&-#;9#&J
",$" 8&9#,N%&" ,"#;-4& (,/@&-," ,o7&"#&" , -,/;8.&9;%&"> ! ; #,-8,.-;J -,/;#; & 7,-:./ %&"
,"#$%&"J :&8;9%& #;9#& 9&" /&8;." &9%, :&-;( 7$1/.8;%&"J 2$;9#& 9&" 7,"2$.";%&-," ;$#&-,"> S; 8&98/$"4& + ;7-,",9#;%& $( ;7;-;#& 3,-;/ -,:/,o.=& %& 8;(.9@& 7,-8&--.%& 9&
#-;1;/@&J .98/$.9%& $(; 1-,=, ,o7&".04& "&1-, & 7&-#;/ "$,($) %, -,3."#-& , %.=$/3;04& %&"
-,"$/#;%&" %,""; 7,"2$.";J .9#.#$/;%& b^-#,"4&" %& I&(l )ttt>;-#,";&"%&"&(>&-3*>
Q,=.%& ; 3-;9%, 2$;9#.%;%, %, -,:,-<98.;"J ; 1.1/.&3-;:.; %,"#, #-;1;/@& ,"#A %.=.%.%;
7-.(,.-;(,9#, %, ;8&-%& 8&( &" 8;7E#$/&" ,"#.7$/;%&"> G&3& ;7F"J ,"#A ; h)=A7.1(. , ;"
1.1/.&3-;:.;" %, ;7&.&> XA &" #-;1;/@&" .9",-.%&" 9& /,=;9#;(,9#& 1.1/.&3-A:.8& %; 7,"2$.";
1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(; ,"#4& %."7&"#&" 9&" ;9,o&"> "".(J 7;-; $(;
/,.#$-; (;." 7-&=,.#&";J "$3,-,e", 2$, & /,.#&- ,"#,5; ;#,9#& ; ,""," ;9,o&" 2$, 8&9#+( ; /."#;
%&" (;#,-.;." &-3;9.?;%&" %, ;8&-%& 8&( ;" 7-&7&"#;" ,o7&"#;" ;& /&93& %& #,o#&>
MB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 27/181
: 15#%&%0%4!>
W;-; (;7,;-J %."8$#.- , ;9;/.";- & *'.'#* /#" %&" ,"#$%&" 1-;"./,.-&" 8&9#,(7&-V9,&"
"&1-, & "&( 8.9,(;#&3-A:.8&J ,"#; 7,"2$."; $#./.?&$e", %, 1;"," 8&98,.#$;." %; ,"#-$#$-;
(,#&%&/F3.8; %& %&(E9.& %; -,=."4& "."#,(A#.8;> O&9:&-(, O^IR\c )MHH[L [*J ; -,=."4&
"."#,(A#.8; + $(; -,=."4& 7/;9,5;%; 7;-; -,"7&9%,- ; $(; 7,-3$9#; ,"7,8E:.8; , 2$, $#./.?;
(+#&%&" ,o7/E8.#&" , "."#,(A#.8&" 7;-; .%,9#.:.8;-J ",/,8.&9;- , ;=;/.;- 8-.#.8;(,9#,
%,#,-(.9;%& $9.=,-"& %, ,"#$%&J ;/+( %, #;(1+( 8&/,#;- , ;9;/.";- &" %;%&" %&" ,"#$%&"
.98/$E%&" 9; -,=."4&>
^7,";- %, ",- (;." :-,2$,9#,(,9#, ;7/.8;%; 9;" A-,;" %;" 7&/E#.8;" "&8.;." , 9;"
8.<98.;" (+%.8;"J 1$"8;9%& $( 8&9#-&/, %, 2$;/.%;%, %; .9:&-(;04& 3,-;%; 7,/& ;/#& 9N(,-&%, 7,"2$.";" %,",9=&/=.%;" , 7$1/.8;%;" 7&- ;9&J ; -,=."4& "."#,(A#.8; 5A :&. ,(7-,3;%; ,(
%.=,-".:.8;%;" A-,;" )XcKSIcSY IOcRReIK!GQcSY IS₠Q!\Y Sc^\Y Kk!Qce
C!Q6S^J MHHm*> C,"(& @&5, ",9%& 7&""E=,/ ,98&9#-;- (;." %, $( (+#&%& 7;-; "$;
-,;/.?;04&J ,"#; %."",-#;04& ", 1;",;-A 9&" 7;""&" 1A".8&" %, ,"#-$#$-;04& -,8&(,9%;%&" 7,/;
8",.="7.39" 8";<7.$) )^GQ!\IcSY a\!!SY K6aa6SIJ MHHU*J &-3;9.?;04& /.3;%; D A-,;
%; ";N%, (;" %, 3-;9%, -,:,-<98.; (,#&%&/F3.8; 7;-; ; 7-,7;-;04& , ,/;1&-;04& %, -,=."_,"
"."#,(A#.8;"> Q; (,"(; :&-(;J + .9#,904& 1$"8;- $( -.3&- "$3,-.%& 7&- K!C6Sa~^₠)MHHi* %, ,o7/.8;- 8$.%;%&";(,9#, 8&(& &" ,"#$%&" :&-;( ",/,8.&9;%&"J ;=;/.;%&" ,
.9#,3-;%&">
c" ",#, 7;""&" 1A".8&" ;8&9",/@;%&" 7,/; 8",.="7.39" 8";<7.$) 7;-; ,"#-$#$-;- $(;
-,=."4& "."#,(A#.8; 5A -,/;8.&9;%&" 8&( ; 7,"2$."; -,;/.?;%; 9,"#, #-;1;/@& "4&L
[* g&-($/;04& %& 7-&1/,(;L
R;/ 2$;/ ;8&9#,8, 8&( 2$;/2$,- .9=,"#.3;04&J ; 7-.(,.-; , (;." .(7&-#;9#, %,8."4& 7;-; ; 7-,7;-;04& %, $(; -,=."4& + %,#,-(.9;- & ",$ :&8& )G.3@# [ihU1MB*> 6""& +(,/@&- :,.#& 7&- (,.& %, 7,-3$9#;" 8/;-;(,9#, ,92$;%-;%;"> R;." 7,-3$9#;" "4&,"",98.;." 7;-; %,#,-(.9;- ; ,"#-$#$-; %, $(; -,=."4& )X;8j"&9 [ihHMPJ O&&7,- [ihUMmJK,%3," [iiUMh*> !"7,8.:.8;(,9#,J ,/;" =4& &-.,9#;- 3-;9%, 7;-#, %& 7-&8,""& %,-,=."4&J .98/$.9%& ;" ,"#-;#+3.;" 7;-; /&8;/.?;- , ",/,8.&9;- ,"#$%&" &$ %;%&"J 7;-;;=;/.;- 8-.#.8;(,9#, "$; 7,-#.9<98.; , =;/.%;%,J , 7;-; ; ;9A/.", %, =;-.;04& ,9#-, ",$"-,"$/#;%&">Mi )^GQ!\IcSY a\!!SY K6aa6SIJ MHHUL MB*
MB G.3@# [ihU1> G.3@# \XJ W.//,(,- Q]> K7A.$(6($A . 7)5()h($A *'7.')ALN O$@ !#--($A FG@ >7+ 5-$+.-+ *6
:+1$+O$.K :+"+#'-7N O;(1-.%3,J C;"";8@$",##"L K;-=;-% k9.=,-".#w W-,""J [ihUY [TeT[>MP X;8j"&9 [ihH> X;8j"&9 a]> G+,7*)" 6*' $.,+K'#,$1+ '+1$+O"> \,= !%$8 \," [ihHY BHLUThePH>Mm O&&7,- [ihU> O&&7,- KC> 2<) G7"=,)- 1"7-#,.'("$ *'.A)> 69L O&&7,- KCJ ,%.#&-> C.,+K'#,$.K :+"+#'-7> :
D#(%) 1"7 Y(')7.'#7) W)5()h*> S,t1$-w W;-jL I;3, W$1/.8;#.&9"J [ihUY [ieTm>Mh K,%3," [iiU> K,%3," GZ> !'.'(*'(;., ;"$*(%)7.'("$*> 69L O&&7,- KJ K,%3," GZJ ,%.#&-"> >7+ I#.)M**H *6
:+"+#'-7 54.,7+"$"> S,t ₠&-jL \$"",// I;3, g&$9%;#.&9J [iiUY THeT>Mi R-;%$04& %& ;$#&->
MP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 28/181
Q,"#; :&-(;J ;" 7,-3$9#;" ,"",98.;." 7;-; %,#,-(.9;- ; ,"#-$#$-; %; -,=."4& "."#,(A#.8;
;2$. 7-&7&"#; "4&L
! q$;." , 2$;9#&" "4& %, :;#& &" #-;1;/@&" 1-;"./,.-&" 8&9#,(7&-V9,&" "&1-, & "&( 9&
8.9,(;r
! q$;." &" ;""$9#&" , &15,#&" %, ,"#$%& %,9#-& %; 2$,"#4& %; #-./@; "&9&-;
8.9,(;#&3-A:.8; 7-,",9#," 9&" #-;1;/@&"r
! q$;." ;" 7-.98.7;." #,(A#.8;" ;1&-%;%;"r
! c9%, ,"#4& 7$1/.8;%&" ,""," (;#,-.;."r
! q$;/ & 7,-:./ %; 7,"2$."; , %&" ;$#&-," %&" #-;1;/@&"r
M* G&8;/.?;04& , ",/,04& %&" ,"#$%&"L
S4& ,o."#, $(; N9.8; :&9#, %, 1$"8; %, ,"#$%&"> W;-; .%,9#.:.8;- #&%&" &" ,"#$%&"-,/,=;9#," + 9,8,""A-.& 7,"2$.";- 9;" 1;"," %, %;%&" ,/,8#-F9.8; n>>>pJ =,-.:.8;- ;"-,:,-<98.;" 1.1/.&3-A:.8;" %&" ,"#$%&" -,/,=;9#,"J "&/.8.#;- ,"#$%&" %, ,"7,8.;/."#;" , 7,"2$.";- (;9$;/(,9#, ;/3$(;" -,=."#;" , ;9;." %, 8&93-,""&"> O;%; $(; %;" :&9#,"$";%;" %,=, ,"#;- .%,9#.:.8;%; ,( -,/;04& ;& (+#&%& 2$, ", $#./.?&$ 7;-; ,98&9#-Ae/;>)WcO6SKcJ MHHhL [Be[P*
!( 3,-;/J + 7;-; &" -,=."&-," %,8.%.-,( 2$;/ 7-&5,#&)"* %, ,"#$%& .98/$.- ,( "$;-,=."4&> ^ (;.&-.; %;" -,=."_," O&8@-;9, .98/$,( ;7,9;" ,9";.&" ;/,;#F-.&" &$ ",(.e
;/,;#F-.&"> ^/3$(;" -,=."_," "4& (;." -,"#-.#.=;" , .98/$,( "&(,9#, ,9";.&";/,;#F-.&"J ,92$;9#& &$#-;" "4& (,9&"J .98/$.9%& &$#-&" 7-&5,#&" %, ,"#$%&J,"7,8.;/(,9#, 2$;9%& 7&$8&" ,9";.&" ;/,;#F-.&" 2$, ;1&-%;( & #,(; %; ;=;/.;04& "4&.%,9#.:.8;%&">TH )^GQ!\IcSY a\!!SY K6aa6SIJ MHHUL UM*
W;-; /&8;/.?;- ; 1.1/.&3-;:.; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(;J $(
,o#,9"& /,=;9#;(,9#& :&. -,;/.?;%& "&1-,#$%& ;#-;=+" %; 1$"8; 7&- 7;/;=-;"e8@;=, ,(
7/;#;:&-(;" %, 1;98& %, %;%&" ;8;%<(.8&"J 7&-#;." %, 7-&%$04& 8.,9#E:.8; , ;9;." %,
8&93-,""&" 2$, 7,-(.#,( ; /&8;/.?;04& %, (;#,-.;." 7&- (,.& %, :,--;(,9#;" %, 1$"8; =.-#$;/>
^" 7;/;=-;"e8@;=, $#./.?;%;" :&-;( ,"#.7$/;%;" ; 7;-#.- %& Z&8;1$/A-.& O&9#-&/;%& %;
kIWJ & 2$;/ 7&""$. $(; (;8-&,"#-$#$-; 8&9#,9%& ;" -,/;0_," /F3.8&e",(V9#.8;" ,o7/E8.#;"
,9#-, ;" A-,;"J "$1A-,;" , ;" #,-(.9&/&3.;" ,( ",$" %.:,-,9#," 9E=,."> W&- ",- $(; /."#; %,
;""$9#&" $#./.?;%; 7;-; ; .9%,o;04& %, -,8$-"&" %, .9:&-(;04& 9& ];98& %, Q;%&"
].1/.&3-A:.8&" %; kIW e Q!Q^GkI eJ ;1-;93,- ;" A-,;" %& 8&9@,8.(,9#& .9,-,9#," D"
;#.=.%;%," %, ,9".9&J 7,"2$."; , ,o#,9"4& %; k9.=,-".%;%, %, I4& W;$/&J , ,"#;- ",9%&
;7-.(&-;%& %,"%, ; "$; 8&98,704& ,( [ihB )kS6Z!\I6Q^Q! Q! Ic W^kGcJ MHHP*J &
Z&8;1$/A-.& O&9#-&/;%& kIW #&-9;e", ,9#4& $( 1&( 7;-V(,#-& ;8;%<(.8& 7;-; ,"#;
TH R-;%$04& %& ;$#&->
Mm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 29/181
:.9;/.%;%,> G&3&J ;" 7;/;=-;"e8@;=, ,98&9#-;%;" -,/;8.&9;%;" ;& "&( 9& 8.9,(; :&-;(L
b8.9,(;lY b"&(lY b%$1/;3,(lY b,:,.#&" "&9&-&" 9& 8.9,(;lY b,%.04& %, "&(lY b"&( %.-,#&lY
b#-./@; "&9&-; %, :./(,"lY b#-./@; ($".8;/ %, :./(,"l> c 8;(.9@& 7,-8&--.%& ;#+ ;/8;90;- ,"";"
#,-(.9&/&3.;" 7;-#.$ %;" @.,-;-2$.;" %, =&8A1$/&" %,:.9.%;" 7&- A-,;" %& 8&9@,8.(,9#& ,
;3-$7;%;" %, ;8&-%& 8&( ; (;8-&,"#-$#$-; 7-,",9#, 9; /."#;J .9.8.;9%& 7,/; 3-;9%, A-,; %;"
O.<98.;" K$(;9;" , %,"%&1-;9%&e", 9& ",3$.9#, 7,-8$-"& #,(A#.8&L
O&( ; 9,8,"".%;%, %, ;#.93.- ; (;.&- 2$;9#.%;%, %, #-;1;/@&" -,/,=;9#," 7&""E=,." ,
-,=.3&-;- ,"#; %."",-#;04&J :&-;( ;.9%; ;8-,"8,9#;%;" &$#-;" 7;/;=-;"e8@;=, 9; 1$"8; %&"
#-;1;/@&" 1-;"./,.-&" 8&9#,(7&-V9,&" "&1-, & "&( 9& 8.9,(;J 8&(&L b#-./@; "&9&-;lY
b(N".8;lY b=&?lY b-$E%&lY b 1",)LlY b"./<98.&lY bA$%.&l , b;$%.&=."$;/l>
^ 7-.98.7;/ 7/;#;:&-(; %, 7,"2$."; %, %;%&" $#./.?;%; :&. ; W/;#;:&-(; G;##," %&
O&9",/@& S;8.&9;/ %, Q,",9=&/=.(,9#& O.,9#E:.8& , R,89&/F3.8& )OSW2*> W;-; 8&(7/,#;- &
/,=;9#;(,9#& ;.9%; :&-;( 8&9:,-.%;" ; ].1/.&#,8; Q.3.#;/ ]-;"./,.-; %, R,"," , Q."",-#;0_,"
)]QRQ*Y & 1;98& %, #,"," %; O&&-%,9;04& %, ^7,-:,.0&;(,9#& %, W,""&;/ %, SE=,/ I$7,-.&-
)O^W!I*Y ; ].1/.&#,8; K$,($) %, O.<98.;" %; O&($9.8;04& )]cOO*Y &" 1;98&" %, #,"," ,
%."",-#;0_," %; k9.=,-".%;%, %, I4& W;$/& )kIW*J %; W&9#.:E8.; k9.=,-".%;%, O;#F/.8; %, I4&
W;$/& )WkOeIW*J %; k9.=,-".%;%, !"#;%$;/ %, O;(7.9;" )kS6O^CW*J %; k9.=,-".%;%, %,
I4& O;-/&" )kgIO;-*J k9.=,-".%;%, g,%,-;/ g/$(.9,9", )kgg*J %; k9.=,-".%;%, g,%,-;/ %&
\.& %, X;9,.-& )kg\X*J %; k9.=,-".%;%, %& !"#;%& %& \.& %, X;9,.-& )k!\X*J %;
k9.=,-".%;%, g,%,-;/ %, C.9;" a,-;." )kgCa* , %; k9.=,-".%;%, g,%,-;/ %& W;-;9A
)kgW\*Y & 8;#A/&3& %; ].1/.&#,8; W;$/& !(./.& I;//," a&(," %& O,9#-& %, Q&8$(,9#;04& ,
W,"2$."; %; O.9,(;#,8; ]-;"./,.-;Y ; 7/;#;:&-(; XIRc\Y & ?(7);'"7L "1 KG)$ :;;)* E"#7$.,*
)Qc^X*Y 7&-#;." %, 7-&%$04& 8.,9#E:.8; 8&(& & W&-#;/ %, W-&%$04& O.,9#E:.8; ,(
O&($9.8;04& )kS6Z!\O6!SO6^* , ",$ W&-#;/ %, \,=."#;" %, ^8,""& ^1,-#& ,( O.<98.;" %;
O&($9.8;04&Y & J$)-";($) )7&-#;/ "$,($) %,%.8;%& ;& ,9".9& , D 7,"2$."; %& $9.=,-"&
Mh
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 30/181
;$%.&=."$;/*Y .98/$.9%& & 8;#A/&3& %, -,=."#;" ;8;%<(.8;" ,( 8&($9.8;04& , %;" #,"," ,
%."",-#;0_," ,( 8&($9.8;04& 9& ]-;"./ %& SN8/,& %, W,"2$."; ,( 69:&-(;04&J R,89&/&3.;" ,
W-A#.8;" I&8.;." )6SgcR!O* %; k9.=,-".%;%, %& \.& a-;9%, %& I$/ )kg\aI*Y ; I&8.,%;%,
]-;"./,.-; %, !"#$%&" %, O.9,(; , ^$%.&=."$;/ )IcO6S!*Y ; I&8.,%;%, ]-;"./,.-; %, !"#$%&"
69#,-%."8.7/.9;-," %; O&($9.8;04& )6SR!\OcC*Y ; I&8.,%;%, %, !93,9@;-.; %, ‑$%.&
)^!Ie]-;"./*Y ; ^""&8.;04& S;8.&9;/ %, W,"2$."; , WF"ea-;%$;04& ,( CN".8; )^SWWcC*Y ,
; ""&8.;04& S;8.&9;/ %&" W-&3-;(;" %, WF"ea-;%$;04& ,( O&($9.8;04& )OcCWƗI*>
W&"#,-.&-(,9#,J 7;-; ;.9%; =,-.:.8;- ; 7&""E=,/ ,o."#<98.; %, &$#-&" %&8$(,9#&" 94&
7-,",9#," 9,"";" 1;"," %, %;%&" =.-#$;." ,o;(.9;%;"J 7-,&8$7&$e", #;(1+( ,( :;?,- $(;
-,=."4& %;" -,:,-<98.;" 1.1/.&3-A:.8;" %&" 7-F7-.&" (;#,-.;." ,98&9#-;%&"> !""; -,=."4&
;$o./.&$ 7-.98.7;/(,9#, 9; %,"8&1,-#; %, #-;1;/@&" 7-&=,9.,9#," %, &$#-;" A-,;" %, ;#$;04&8&(&J 7&- ,o,(7/&J ; %; g&9&;$%.&/&3.;J .9",-.%; 9; 3-;9%, A-,; %;" O.<98.;" %; I;N%,>
XA ,( -,/;04& D ",/,04& %&" ,"#$%&"J %&" %.=,-"&" %&8$(,9#&" ,98&9#-;%&" :&-;(
",7;-;%&" ;2$,/," 7$1/.8;%&" %,9#-& %&" 2$;#-& :&-(;#&" %, 7$1/.8;04& /.#,-A-.; ;8;%<(.8;
8.,9#E:.8; 1-;"./,.-; ;/=&" %, .9=,"#.3;04& %,"#; %."",-#;04&L /.=-&"J #,","J %."",-#;0_," ,
;-#.3&"> ! ;.9%;J .98/$E%&" ,( $( -,8&-#, #,(7&-;/ ;#$;/L #-;1;/@&" 7$1/.8;%&" ;& /&93& %&"
7-.(,.-&" &9?, ;9&" %& "+8$/& dd6> ^ .%,.; :&. :;?,- & /,=;9#;(,9#& , ;9;/.";- ; 7-&%$04&
1.1/.&3-A:.8; %& 7-.(,.-& ;9& %& "+8$/& dd6 ;#+ & ;9& %, .9E8.& %,""; 7,"2$."; %, (,"#-;%&>!"", 7,-E&%& ;1-;93.%&J %& ;9& MHH[ ;#+ & ;9& MH[[J -,7-,",9#; 7&-#;9#&J $( 8.8/&
8&9#,(7&-V9,& %, 7,"2$.";>
T* ^=;/.;04& 8-E#.8; %&" ,"#$%&"L
bO&( ; ;=;/.;04& 8-E#.8; %,#,-(.9;(&" 2$;." "4& &" ,"#$%&" =A/.%&" 2$, .-4& ",-
$#./.?;%&" 9; -,=."4&Y , &" 2$, 94& 7-,,98@,( &" 8-.#+-.&" %, =;/.%;%, "4& 8.#;%&" , ,o7/.8;%&
& 7&-2$< %, "$; ,o8/$"4&l )O^IR\cJ MHH[L M*>^ ;=;/.;04& 8-E#.8; %; 7,"2$."; ; -,"7,.#& %&" /.=-&"J #,","J %."",-#;0_," , ;-#.3&"
;8;%<(.8&" 1-;"./,.-&" "&1-, & "&( 9& 8.9,(; 7$1/.8;%&" 9& 7,-E&%& %& ;9& MHH[ ;#+ MH[[J
", ;#,=, ; ;/3$9" :&8&" 7;-; ; :&-($/;04& %; -,=."4& 7-&7&"#;> I4& ,/,"L #-;1;/@&" ,"8-.#&" ,(
/E93$; 7&-#$3$,"; , 7$1/.8;%&" 9& ]-;"./Y #-;1;/@&" &9%, & "&( 8.9,(;#&3-A:.8&J &$ ;/3$(
;""$9#& .9,-,9#, D ,o7,-.<98.; "&9&-; 9& 8.9,(;J ",5; ; 9N8/,& 7-.98.7;/ %, ,"#$%&Y , #-;1;/@&"
2$, ;-#.8$/;( ,"",98.;/(,9#, 2$,"#_," 2$, *+, "4& ,"7,8E:.8;" %; #-./@; ($".8;/> ! (;."J 94&
",-4& ;9;/.";%&" (;#,-.;." %, -,=."#;" &$ 8;#A/&3&" 2$, 94& 7&""$;( & .%,9#.:.8;%&- %,
7$1/.8;0_," ",-.;%;" ;8,.#& .9#,-9;8.&9;/(,9#,J (;." 8&9@,8.%& 8&(& 6IIS ) O$')7$.'("$.,
Mi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 31/181
!'.$%.7% !)7(., P#-=)7 *T[> !""," .9#,-,""," %, ;9A/.", %,:.9.%&" "$-3,( %,=.%& D 9,8,"".%;%,
%, %,/.(.#;- & &15,#& %, 7,"2$.";>
Z;/, -,.#,-;- 2$, ; &704& 7&- 94& .9=,"#.3;- #-;1;/@&" 2$, ;-#.8$/;( 2$,"#_," ,o8/$".=;"
%; #-./@; ($".8;/ ;7;-,8, $(; =,? 2$, & 8;(7& %, ,"#$%& "&1-, ; (N".8; 9& 8.9,(; ;/+( %,
($.#& ;(7/&J 7&""$. 2$,"#_," .9#-E9",8;" D /.93$;3,( ($".8;/ 2$, 8&(7,#,( ,"7,8.;/(,9#,
;&" 7,"2$.";%&-," %; A-,; %, (N".8; , ;&" (N".8&" 7-&7-.;(,9#, %.#&"> W;-; ", #,- $(; 1-,=,
9&04& %; 3-;9%, 2$;9#.%;%, %, 7$1/.8;0_," "&1-, ; #-./@; ($".8;/ 9& 8.9,(;J 9; 7-.(,.-;
/."#;3,( %& /,=;9#;(,9#& ; 2$;/ :&. -,;/.?;%; ",( :./#-&" , :&8&" 7,8$/.;-,"J 8&9"#;#&$ 2$,
(;." 2$, & %&1-& %&" (;#,-.;." #-;#;=;( %, 2$,"#_," .9,-,9#," D (N".8; 9& 8.9,(;J ",9%&
;9;/.";%;" #;(1+( 7&- &$#-;" A-,;" 2$, 94& "F ; %; 7-F7-.; (N".8;J 8&(& 7&- ,o,(7/&J ; %;
8&($9.8;04&J %; @."#F-.;J %, ($/#.(,.&"J %; /,#-;"J ,#8> W&-+(J & :;#& %, ;/3$( #-;1;/@&$#./.?;- #,&-.;" &-.$9%;" %& $9.=,-"& %; (N".8; , ;7/.8Ae/;" ,( ;9A/."," -,:,-,9#," ; ;/3$(;
7,-"7,8#.=; "&9&-; &$ ;$%.&=."$;/ 9& 8.9,(;J 2$, 94& -,"#-.#;(,9#, D ($".8;/J 94& & ,o8/$.-A
%; .9=,"#.3;04&>
^7-&=,.#;9%& 7;-; ";/.,9#;- $(; 2$,"#4& 5A ($.#& 8&(,9#;%;J (;" (,"(& ;"".(
.(7&-#;9#, %, ",- -,:&-0;%;J "&1-, & :;#& %, 9& ]-;"./ ,o."#.- $( @A1.#& 8$/#$-;/ %, -,(,#,- &
#,-(& b#-./@; "&9&-;l ; ;7,9;" ; (N".8; %& :./(,J &$ ",5;J ; #-./@; ($".8;/> O,-#;(,9#, ,"#,
8&"#$(, -,"#-.93, ; 8&(7-,,9"4& , ; -,:/,o4& "&1-, ; 8&(7/,o.%;%, , .(7&-#V98.; %; 7-&%$04& , 8&9"#-$04& "&9&-; 8&(& $( #&%& 9& 8.9,(;> Q,"#; :&-(;J 1$"8;e", 8&9#-.1$.-
8&( ; ,o7;9"4& , =;/&-.?;04& %&" %,(;." ,/,(,9#&" e =&?J -$E%& , "./<98.& e , %, &$#-;"
7&""E=,." #,(A#.8;" %, ,"#$%& "&1-, ; #-./@; "&9&-; 8.9,(;#&3-A:.8;>
W&-#;9#&J 94& ",-4& ;9;/.";%&" /.=-&"J #,","J %."",-#;0_," , ;-#.3&" 2$, :&-;( 7$1/.8;%&"
9& ,o#,-.&- 7&- 7,"2$.";%&-," 1-;"./,.-&"Y 9,( #-;1;/@&" ,"#-;93,.-&" #-;%$?.%&" 7;-; &
7&-#$3$<"Y 9,( -,"$(&" 7$1/.8;%&" ,( ;9;." %, 8&93-,""&"Y 9,( #-;1;/@&" &9%, & "&(J &$
;/3$(; %, "$;" ,"7,8.:.8.%;%," 9& 8.9,(;J 94& ",5; & :&8& 7-.98.7;/ %, ;9A/.",Y , 9,(#-;1;/@&" 2$, ;-#.8$/;( 2$,"#_," ,o8/$".=;" %; (N".8; 9& 8.9,(;>
R&%;=.;J &" #-;1;/@&" 2$, 94& 7,-#,98,( ;& 8&95$9#& %, .9#,-,""," %,:.9.%&" 8.#;%&"J
(;" 2$, :&-;( ,98&9#-;%&" ;& /&93& %& /,=;9#;(,9#& 1.1/.&3-A:.8& -,;/.?;%&J 94& :&-;(
%,"8;-#;%&" , ,"#4& /."#;%&" 9& >*76, O!! %,""; %."",-#;04&J =."#& 2$, 7&%,( ",- N#,." 7;-; &
/,.#&- &$ 7;-; :$#$-;" 7,"2$.";">
U* O&/,#; %, %;%&"L
T[ S,"#, 8;"&J ;" N9.8;" ,o8,0_," "4& #-<" 8;#A/&3&" %, (&"#-;" %, 8.9,(; 2$,J ;7,";- %, 94& 7&""$E-,( 6IISJ:&-;( (,98.&9;%&" 9& #F7.8& b!=&/$04& q$;9#.#;#.=;l %& 7-Fo.(& 8;7E#$/& %,"#; %."",-#;04&>
TH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 32/181
c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cSY a\!!SYK6aa6SIJ MHHUL P[*
^ 8&/,#; %, %;%&" ", 8&98,9#-&$ 9;" .9:&-(;0_," 9,8,""A-.;" 7;-; -,"7&9%,- ;" 2$,"#_,"
7-&7&"#;" 9& 7-.(,.-& 7;""& %,""; -,=."4&> 69.8.;/(,9#, ", ;#,=, ;& 9N(,-& %, #-;1;/@&"> !(
",3$.%;J :&. 8&/,#;%& & ;9& %, 7$1/.8;04& %&" (;#,-.;."Y ; .9"#.#$.04& , & 7-&3-;(; %, 7F"e
3-;%$;04& &9%, ;" #,"," , %."",-#;0_," :&-;( %,",9=&/=.%;"Y &" ;9;." , ;" -,=."#;" ;8;%<(.8;"
&9%, &" ;-#.3&" :&-;( 7$1/.8;%&"Y & 3<9,-& , ; ;#$;04& 7-&:."".&9;/ %&" ;$#&-," %&" #-;1;/@&"> W&- .9#,-(+%.& %; /,.#$-; #+89.8;J 2$, + $(; b/,.#$-; %.-,8.&9;%; 7;-; 8,-#;" 7;-#," %&
%&8$(,9#& &9%, =;.e", ,98&9#-;- ,/,(,9#&" ,"7,8.;/(,9#, .(7&-#;9#," 7;-; ; .%,9#.:.8;04&
%& ;""$9#& &$ ;""$9#&" %& %&8$(,9#&Jl 8&9"."#.9%& 9; b,"#-;#+3.; 8/A"".8; %, /,.#$-; 7;-;
;9A/.", %, ;""$9#&l )Q6^IY S^Z!IJ MHHmL BM*J :&-;( ,o#-;E%&" 94& "F &" ;""$9#&" &$ #,(;"J
8&(& #;(1+( &" "$1#,(;"J &" &15,#&" , &" ;"7G#* ,"7,8E:.8&" %, ,"#$%& %&" #-;1;/@&"
.9=,"#.3;%&"> ^" 7;-#," %&" #,o#&" 8&9".%,-;%;" :&-;( ;" 7-&7&"#;" 7&- Q6^I , S^Z!I
)MHHm*> I4& ,/;"L & #E#$/&J & "$1#E#$/&J & "$(A-.&J & -,"$(&J & 7-,:A8.&J ; ;7-,",9#;04&J &"#E#$/&" %&" 8;7E#$/&"J ; .9#-&%$04&J ; 8&98/$"4&J &" E9%.8," , ; 1.1/.&3-;:.;> !=.%,9#,(,9#,
-,"7,.#;9%& ;" %.:,-,90;" 7;-#.8$/;-," %, 8;%; :&-(;#& %, #-;1;/@&J 5A 2$, 7&- ,o,(7/&J 9&
8;"& %&" ;-#.3&"J 8&9#;e", 3,-;/(,9#, ;7,9;" 8&( & #E#$/&J "$1#E#$/&J -,"$(& , 1.1/.&3-;:.;> c"
#,-(&" b#,(;lJ b"$1#,(;lJ b&15,#&l , b;"7G#*l ,"#4& ;"".( 8&(7-,,9%.%&"L
^ %,:.9.04& %, #,(; 7&%, 7;-,8,-J D 7-.(,.-; =."#;J 8&(7/,o; , (,"(& 8&9:$";Y;/3$9" ;$#&-," #-;#;( „#,(;„ 8&(& ".9s9.(& %, „;""$9#&„ &$ „&15,#&„ %, %."8$""4&J&$#-&" & %,:.9,( 8&(& $( ,/,(,9#& ",(V9#.8& 8&9"#-$E%& %$-;9#, & 7,-8$-"& %, $(;.9=,"#.3;04&> Q, 2$;/2$,- (&%&J ;" ;1&-%;3,9" , %,:.9.0_," 7&%,( ", 8&(7/,(,9#;-
, 8&9#-.1$.- $(;" 8&( &$#-;" 9; 8&98,.#$;04& %, #,(; nfp> !( $( #,o#&J &" #,(;""4& ,93,9%-;%&" , %."7&"#&" ,( $(; 8;%,.; ".39.:.8;9#,J 8&9"#.#$.9%& $( 7,-8$-"&#,(A#.8&J ,( 2$, &" "$1#,(;" ", &-3;9.?;( ,( 8&95$9#&" %, ",9#.%&"> nfp c &15,#& +;/3& 2$, 7&%, ",- 7,-8,1.%& ;#-;=+" %&" ",9#.%&" &$ 7,/; .9#,/.3<98.;> S,"", ",9#.%&J &&15,#& + 7,9";%& ; 7;-#.- %, $( 8&9@,8.(,9#& :&-($/;%& ,( $(; %,#,-(.9;%;%."8.7/.9;J A-,; &$ ;""$9#& ,"7,8E:.8&Y , & "$5,.#& )7,"2$.";%&-*J + /,=;%& 7&- $(;8$-.&".%;%, 8.,9#E:.8; D .9=,"#.3;04&> ^& =."$;/.?;- & &15,#&J & 7,"2$.";%&- & #&(;.9.8.;9%& ;"".( $( 7-&8,""& %, -,8&-#, ,"7;8.;/ , #,(7&-;/ %; #,(A#.8; ; ",-;9;/.";%;> nfp c ;"7G#* + .%,9#.:.8;%& 2$;9%& ; /.(.#;04& %& &15,#& + %,:.9.%; 7&-$( -,8&-#, ,"7;8.;/ &$ #,(7&-;/ )&$ ,"7;0&e#,(7&-;/*J 7&%,9%& ;"".( ",--,7-,",9#;#.=& 7;-; & ,o;(, %; #,(A#.8; 7-&7&"#;> c ;"7G#* %, $(; 7,"2$."; -,:,-,e",;&" &15,#&" /.93$E"#.8&" &$ 8;(7&" ",(V9#.8&" .9%.8;%&" 9& #,o#& , -,/;8.&9;%&" ;&#,(; , D 2$,"#4& %, 7,"2$.";> nfp O;(7& ",(V9#.8& )&$ 9;8.&9;/ &$ 8&98,.#$;/* + ;,"#-$#$-; :&-(;%; 7&- &-3;9.?;04& /,o.8;/> !"#; &-3;9.?;04& + :&-(;%; 7&- #,-(&"
TM R-;%$04& %& ;$#&->
T[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 33/181
",(V9#.8&" ,(7-,3;%&" 7,/& "$5,.#& )9& 8;"& & 7,"2$.";%&-*> nfp ^ 8&(7-,,9"4& %,8;(7& ",(V9#.8& , %,:.9.04& %, /+o.8&J 5$9#;(,9#, 8&( ; #,-(.9&/&3.; ),"7,8E:.8;J 7;-#.8$/;- %, 8;%; $(* ,(7-,3;%; 7&- 8;%; 7,"2$.";%&- 9; ,/;1&-;04& %& #,o#& 2$,8&(7_, 8;%; -,"$(&J ;$o./.; 9&" 9; .%,9#.:.8;04& %, #,(;"J "$1#,(;" , &15,#&" 9&"-,"$(&" ;9;/.";%&"> )Z^G!SO6^J MHHBL mmJ miJ hTJ hBJ hP , hm*
W;-; 7&"".1./.#;- & 8&9#;#& 8&( ;" 7;-#," %&" #,o#&" 8&9".%,-;%;"J :&. 7-,8."& 8&(7./;- &
(;#,-.;/ 1.1/.&3-A:.8& /,=;9#;%&> !"#, 7-&8,""& :&. -,;/.?;%& ;8.(; %, #$%& 7&- (,.& %;
:,--;(,9#; %, 1$"8; %& D""A,)J 2$, 7&"".1./.#&$ ,98&9#-;- &" #-;1;/@&" %."7&9E=,." ,
%."7,-"&" 9; .9#,-9,#> C;" #;(1+(J 7&- .9#,-(+%.& %&" 1;98&" %, %;%&" %;" 1.1/.&#,8;"
%.3.#;." %, %."",-#;0_," , #,"," %;" $9.=,-".%;%," 2$, %."7&9.1./.?;( "$,($) &" #-;1;/@&" 7;-;
8&9"$/#;J 8&(& + & 8;"& %; kIWJ kS6O^CWJ kggJ kgCa , kgW\J 7&- ,o,(7/&Y %& 1;98& %,
#,"," %; O^W!IY %& bW&-#;/ Q&(E9.& WN1/.8&l %& C.9."#+-.& %; !%$8;04&Y , %&" 7&-#;."
%.3.#;." %;" -,=."#;" ;8;%<(.8;" /&8;/.?;%;"J "&8.,%;%," %, ,"#$%&" %; A-,; )IcO6S!J
6SR!\OcC , SWWcC*> /+( %.""&J ;#-;=+" %; =.".#; D" 1.1/.&#,8;" %;" $9.=,-".%;%," &9%,
,"#4& 7-,",9#," &" (;#,-.;." 2$, 94& :&-;( ,98&9#-;%&" 9&" 7;""&" ;9#,-.&-,"J , ;.9%;
(,%.;9#, & 8&9#;#& %.-,#& 8&( & 7,"2$.";%&-e;$#&- TT>
B* 9A/.", , ;7-,",9#;04& %&" %;%&"L
b^" ;9A/."," 7&%,( ",- 9;--;#.=;"J #;/ 8&(& $( -,"$(& ,"#-$#$-;%& , ; %."8$""4& %;"8;-;8#,-E"#.8;" , %,"8&1,-#;" %&" ,"#$%&"J &$ 2$;9#.#;#.=;J 2$, ,9=&/=, ;9A/."," ,"#;#E"#.8;"lTU
)^GQ!\IcSY a\!!SY K6aa6SIJ MHHUL P*>
c-.,9#;%; 7,/;" .9:&-(;0_," 2$, ,"8/;-,8,( ;" 2$,"#_," ,o7&"#;" 9& 7-.(,.-& 7;""&
%,""; -,=."4&J ; 7-&7&"#; + %, ;9;/.";- 2$;9#.#;#.=; , 9;--;#.=;(,9#, ; 7,"2$."; 1-;"./,.-;
8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(;> ^"".(J ,93/&1;9%& ; %,"8-.04& %; ,=&/$04& 9$(+-.8;
%;" 7$1/.8;0_," ;& /&93& %& 7,-E&%& ,"#$%;%&J ; .9=,"#.3;04& 9& V(1.#& %& 7,-:./ %, 7-&%$04&
%&" (;#,-.;."J 2$, ,9=&/=, & /&8;/ %, 7$1/.8;04& , ;" 7&""E=,." -,/;0_," ,o."#,9#," ,9#-, &"#-;1;/@&" %,",9=&/=.%&" 9;" (,"(;" $9.=,-".%;%,"J 8$-"&" %, 7F"e3-;%$;04&J .9"#.#$.0_," ,
-,=."#;" ;8;%<(.8;"J & 3<9,-& , ; ;#$;04& 7-&:."".&9;/ %&" ;$#&-,"J ,#8>
^7F" ; .%,9#.:.8;04& , &1",-=;04& %&" 7-.98.7;." ;""$9#&" &$ #,(;"J "$1#,(;"J &15,#&" ,
;"7G#* ,"7,8E:.8&" %, ,"#$%&" %&" #-;1;/@&"J :&-;( :&-($/;%;" , 7-&7&"#;" 8;#,3&-.;" 2$,
TT XA ;%.;9#;9%&J ;7,9;" #-<" #-;1;/@&" 94& :&-;( ,98&9#-;%&" 7&- 8&(7/,#&> I4& ,/,"L ; %."",-#;04& b^9A/.",%&" W;%-_," %, Z&? 9& O.9,(;L ; 8&($9.8;04& &-;/ @$(;9; ,( %$;" =,-"_," %, 2<) P#''L C7"1)**"7 l)O^IR\cJ MHH[*J ; 2$;/ &1#,=,e", ;7,9;" & #E#$/&J & -,"$(& , ;/3$9" 7;-A3-;:&" 8.#;%&" ,( &$#-; 7,"2$.";Y; %."",-#;04& bc !#77"#$% , ; !"7;8.;/.%;%, I&9&-; 9& O.9,(;l )OcIR^J MHHU;* ; 2$;/ &1#,=,e", ;7,9;" &
-,"$(&J & "$(A-.&J ; .9#-&%$04& , ; 1.1/.&3-;:.;Y , & ;-#.3& bc I&9@& %, !%."&9L & ;%=,9#& %& "&(".98-&9.?;%&l )O^\\^IOcJ MHHT* & 2$;/ &1#,=,e", ;7,9;" & #E#$/& , ; .9:&-(;04& %, 2$, ,/, :&. -,#.-;%& %&8;7E#$/& @&(s9.(& %; %."",-#;04& %, (,"#-;%& %& (,"(& ;$#&-J O^\\^IOc )[iiT*>
TU R-;%$04& %& ;$#&->
TM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 34/181
7&"";( -,7-,",9#;- &" 7-.98.7;." #F7.8&" #,(A#.8&" 5$/3;%&" (;." 8&9%.?,9#," 8&( ; -,;/.%;%,
1-;"./,.-; 8&9#,(7&-V9,; %&" ,"#$%&" %& "&( 9& 8.9,(;> ^ .%,.; + ,9#4& 8&9#,(7/;-
8/;"".:.8;0_," 2$, -,$9;( , ,"8/;-,0;( ; =;-.,%;%, %, 8&9#,N%& %& (;#,-.;/ 1.1/.&3-A:.8&
/,=;9#;%&> I4& 9,"";" 8;#,3&-.;" ,"#.7$/;%;" 2$, ,"#4& /&8;/.?;%;" ;9A/."," "&1-, ; :&-(;
8&(& &" ;""$9#&" &$ #,(;"J "$1#,(;"J &" &15,#&" , &" ;"7G#* ,"7,8E:.8&" %, ,"#$%& "4&
;1&-%;%&" 7,/&" 7,"2$.";%&-,"> W;-; (,/@&- ,"8/;-,8,- ,"", 7-&8,""&J 7;-#,e", %& 7-.98E7.&
2$, ; 3-;9%, A-,; ;2$. ;1&-%;%; + ; %& bI&( 9& O.9,(;lJ , ;" 8;#,3&-.;" ,"#.7$/;%;"
".(1&/.?;( $(; ,"7+8., %, bA-,;l ; 2$;/ 3-$7&" %, #-;1;/@&" %.;/&3;( ,9#-, ".> Q,9#-& %.""&J
8;%; #-;1;/@& ;.9%; 7&""$. ",$ ;""$9#& &$ #,(;J ",$" "$1#,(;"J &15,#&" , ;"7G#* ,"7,8E:.8&"
%, ,"#$%&" 7;-#.8$/;-,">
^ ;7-,",9#;04& %&" %;%&" + -,;/.?;%; (,%.;9#, #-<" %&" 7-&8,%.(,9#&"L #;1,/;"J 3-A:.8&", -,7-,",9#;04& ,"8-.#;> !9#4&J ;/+( %, ",-,( ;7-,",9#;%&" ,( :&-(; %, #,o#&J &" %;%&" :&-;(
&-%,9;%&" ,( #;1,/;" , 3-A:.8&" 2$, 8&9"#.#$,( ; 2$;9#.%;%, %, #-;1;/@&" %,",9=&/=.%&" 7&-
;9& , "$; /.9@; 9$(+-.8; ,=&/$#.=; ;& /&93& %& 7,-E&%& ,"#$%;%&Y ; 7&-8,9#;3,( , ;
2$;9#.%;%, #&#;/ %, #,"," , %."",-#;0_," 7&- $9.=,-".%;%,Y ; 2$;9#.%;%, #&#;/ %, #,"," ,
%."",-#;0_," 7&- 8$-"& %, 7F"e3-;%$;04&Y ; %.=."4& %;" 3-;9%," A-,;" %, 8&9@,8.(,9#& , &"
8$-"&" %, 7F"e3-;%$;04& .%,9#.:.8;%&" ; 7;-#.- %& (&%,/& %; O;7,"Y ; 2$;9#.%;%, #&#;/ %,
;-#.3&" 7&- /&8;." %, 7$1/.8;04&Y ; 2$;9#.%;%, #&#;/ %, #-;1;/@&" 7&- ;$#&-Y ; %."#-.1$.04& %&"#,(;"J "$1#,(;"J &15,#&" , ;"7G#* ,"7,8E:.8&" %, ,"#$%& 7,-;9#, & :&-(;#&J & #E#$/&J & ;$#&- ,
& ;9& %&" #-;1;/@&">
P* 69#,-7-,#;04& %&" -,"$/#;%&"
bI4& %,#,-(.9;%;" ; :&-0; %; ,=.%<98.; ,98&9#-;%;J ; ;7/.8;1./.%;%, %&" -,"$/#;%&"J ;"
.9:&-(;0_," "&1-, 8$"#& , ; 7-A#.8; 8&--,9#, , #$%& (;." 2$, ",5; -,/,=;9#, 7;-; %,#,-(.9;04&
8/;-; %&" /.(.#," ,9#-, -."8&" , 1,9,:E8.&"l )WcO6SKcJ MHHhL [P*>^" .9#,-7-,#;0_," %&" -,"$/#;%&" %; 7,"2$."; &8&--,( 7&- (,.& %; 8&(7-,,9"4& %&"
%;%&" 8&/,#;%&" ,J 8&9",2$,9#,(,9#,J %;" 8&98/$"_," 7-&=,9.,9#," %;" 2$,"#_," ,"#;1,/,8.%;"
9& 7-.(,.-& 7;""& %,""; -,=."4&> !"";" .9#,-7-,#;0_," ,"#;-4& %."7&"#;" ;& /&93& %&" .#,9" %&
7-Fo.(& 8;7E#$/& %,""; %."",-#;04&J &9%, + .9=,"#.3;%& ; ,=&/$04& 2$;9#.#;#.=;J ;" #,9%<98.;"
#,(A#.8;" , & 7,-:./ %; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(;J , #;(1+(
9;" 7-F7-.;" 8&9".%,-;0_," :.9;." %& #-;1;/@&>
m* 7-.(&-;(,9#& , ;#$;/.?;04& %; -,=."4&
bk(; =,? 7$1/.8;%; ; -,=."4& "&:-,-A 8-E#.8;" , -,8,1,-A "$3,"#_," 2$, %,=,( ",-
TT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 35/181
.98&-7&-;%;" D" ,%.0_," "$1",2…,9#,"J 8;-;8#,-.?;9%& $(; 7$1/.8;04& =.=;J , ;.9%; ",-
;#$;/.?;%; 8;%; =,? 2$, "$-5;( 9&=&" ,"#$%&" "&1-, & #,(;l )O^IR\cJ MHH[L M*>
W;-; ,o7;9%.- &" -,"$/#;%&" %; 7,"2$."; 7-&7&"#; :&. .%,;/.?;%& , ,/;1&-;%& $( "E#.&
,/,#-s9.8& %, -,3."#-& , %.=$/3;04& %&" -,"$/#;%&" %& #-;1;/@& 8&( & 9&(, %, b^-#,"4&" %&
I&(l )ttt>;-#,";&"%&"&(>&-3*> c &15,#.=& + 2$, ,"", 7&-#;/ "$,($) 7&"".1./.#, ; ;(7/.;04&
%; -,=."4& "."#,(A#.8; ; 7;-#.- %, 8-E#.8;" , "$3,"#_," %, .9#,-,"";%&" ,( 8&/;1&-;- 8&(
7&""E=,." ,%.0_," :$#$-;" %; 7,"2$.";J :;8./.#;9%& &" (,.&" %, 8&($9.8;04& ,9#-, &"
7,"2$.";%&-," , ;3-,3;9%&J ,( $( /&8;/ ;8,""E=,/J ;" .9:&-(;0_," 2$, ;#+ ,9#4& ,"#;=;(
%."7,-";">
TU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 36/181
K > G5CI'!C> M$>C!05!$> .%"#51G%$H"5> C%M$5 % C%1
.!"51>#%4$BL!.%
KJ: 5A,E8@+, I8/*D;D/D;A/
^ -,7-,",9#;#.=.%;%, %; 7,"2$."; 1-;"./,.-; "&1-, & "&( 8.9,(;#&3-A:.8& ;#+ & :.9;/ %&
"+8$/& 7;"";%& :&. 8&9"#.#$E%; 7&- #-;1;/@&" .98.7.,9#,"J 7&-+( ,"8;""&" , ,"7&-A%.8&"J 8&(&
&1",-=;%& ;9#,-.&-(,9#,> S&" &9?, ;9&" ",3$.9#,"J $( 3-;9%, ";/#&L & .9#,-,"", ;8;%<(.8&
,( ,"#$%;- & "&( 9& 8.9,(; ", ,o7;9%.$ %, :&-(; 8&9".%,-A=,/ 9& 7;E"> ^"".(J ,"","
7-.(,.-&" ;9&" %& "+8$/& dd6 %,-;( .9E8.& D 8&9"&/.%;04& %&" ,"#$%&" %& "&(
8.9,(;#&3-A:.8& 8&(& $(; -,;/.%;%, #;(1+( 9& ]-;"./J ;#.93.9%& $(; ,=&/$04& 2$;9#.#;#.=;.9+%.#; 9; @."#F-.; ;#+ ,9#4&> S; #;1,/; ;1;.o& + 7&""E=,/ 9&#;- &" =;/&-," 9$(+-.8&" %,"",
7-&3-,""&>
R^]!G^ 6G,=;9#;(,9#& 1.1/.&3-A:.8& 2$;9#.#;#.=& -,;/.?;%& 7&- ;9& )MHH[eMH[[*TBL
C;#,-.;."v^9& KNN: KNNK KNNF KNN_ KNN[ KNNW KNNS KNNY KNN] KN:N KN:: #%#>0
0!O$%C e e [ e e e e [ e e e K
#5C5C e e e e [ [ e e e M [ [
&!CC5$#>(X5C [ e [ [ M M M T T T T K:
>$#!4%C e e m T [ M m i h h [i W_
#%#>0 : R ] _ _ [ ] :F :: :F KF ]K
^ 7-&%$04& ;8;%<(.8; %& 7,-E&%& ,"#$%;%& 8&(,0; #E(.%;> !( MHH[ :&. %,"8&1,-#;
;7,9;" $(; %."",-#;04&L b^9A/.", %&" W;%-_," %, Z&? 9& O.9,(;L ; 8&($9.8;04& &-;/ @$(;9;
,( %$;" =,-"_," %, 2<) P#''L C7"1)**"7 l %, G$8.;9; O;"#-&J %,:,9%.%; 7,/& W-&3-;(; %, WF"ea-;%$;04& !%$8;04& ,( O.<98.;" , I;N%, %; k9.=,-".%;%, g,%,-;/ %& \.& %, X;9,.-&
)kg\X*> R-;1;/@& ".93$/;- 9& ;9& %, MHH[J ,"#$%; 7;%-_," %; =&? 9& 8.9,(; "&1-, ; F#.8; %;
g&9&;$%.&/&3.;>
c ;9& %, MHHM 7;""; "./,98.&"& , & ;9& %, MHHT ;8;1; ", #&-9;9%& & 3-;9%, (;-8& %;
-,#&(;%; %;" %."8$""_," 9& 9&=& "+8$/& "&1-, 7,-"7,8#.=;" %& "&( 9& 8.9,(; 2$, =4& ;/+(
%;" ,"7,8.:.8.%;%," %; #-./@; ($".8;/> c (+-.#& (;.&- ,"#A 9& /;90;(,9#& %& 7-.(,.-& /.=-&
9;8.&9;/ 2$, 7-&7s" $(; -,:/,o4& #,F-.8; ;8,-8; %& "&( 9& 8.9,(; ($%& , "&9&-& , "$;
-,/;04& 8&( ; .(;3,(> { ,/,L bI&(e6(;3,( 9& O.9,(;l %, G$.? ^%,/(& C;9?;9&J
TB O&9:.-; ; /."#; 1.1/.&3-A:.8; 8&(7/,#; %."#-.1$E%; 7&- ;9& 9& >*76, ! %,"#; %."",-#;04&>
TB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 37/181
7$1/.8;%& 7,/; ,%.#&-; W,-"7,8#.=;> c /.=-& + 7-&=,9.,9#, %; %."",-#;04& %, (,"#-;%& %& ;$#&-
%,:,9%.%; ,( [iii 9; !"8&/; %, O&($9.8;0_," , ^-#," %; k9.=,-".%;%, %, I4& W;$/&
)!O^vkIW*J , ;=,-.3$; & 7;7,/ %& "&( 9& 8.9,(;J ;7/.8;9%& &" 8&98,.#&" ,"#$%;%&" %, "&(
%,9#-& %& :./(, ,( %$;" &1-;" %& %.-,#&- ;/,(4& g-.#? G;93L J)'7"G",(* )[iMBe[iMP* , JX "
M.-G(7" %) ?j**),%"71 )[iT[*>
MHHT + & ;9& 2$, "$-3, #;(1+( &" 7-.(,.-&" #-;1;/@&" ;8;%<(.8&" %, g,-9;9%& C&-;."
%; O&"#;> I$; %."",-#;04& .9#.#$/;%; bI&( 9& O.9,(;J I./<98.& 9&" g./(,"L & .9,o7/&-;%& , &
.9;$%.#&lJ %,:,9%.%; 9,"", ;9& 9& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %;
k9.=,-".%;%, g,%,-;/ g/$(.9,9", )kgg*> S,/;J & ;$#&- ;& (,"(& #,(7& 2$, :;? $( -,"3;#,
%& 7-&8,""& %, 5$904& %&" "&9" 8&( ;" .(;3,9" 9& 8.9,(;J 7,9"; & "./<98.& 8&(& ,/,(,9#&
8&(7&9,9#, %; #-./@; "&9&-;J , #;(1+( %,%.8; $( 8;7E#$/& .9#,.-& 7;-; -,:/,#.- "&1-, & "&( 9;#,&-.; 8/A"".8; %& 8.9,(; , "$; 8&92$."#; 8&(& 9&=& 8;(7& %, ,"#$%& 9& (,.& ;8;%<(.8&>
Q&" ",#, ;-#.3&" 8&(7$#;%&" ,( MHHTJ 8.98& "4& %, ;$#&-.; %, g,-9;9%& C&-;." %; O&"#;>
I,9%& %&." 7$1/.8;%&" 9&" /.=-&" %& Z , Z6 !98&9#-&" %; IcO6S!J %."8&--,9%&
-,"7,8#.=;(,9#, "&1-, ; .(7&-#V98.; %&" -$E%&" , %& "./<98.& 9; 8&(7&".04& "&9&-;
8.9,(;#&3-A:.8;J , "&1-, (&%&" ;/#,-9;#.=&" %, $#./.?;04& %; =&? 9& 8.9,(;> k(J 7$1/.8;%&
9&" ;9;." %; 6SR!\OcCJ 2$,"#.&9;9%& ; 7-.(;?.; %; =."4& 9&" 7-&8,""&" 8&($9.8;8.&9;." ,
; .(7&-#V98.; %; ;$%.04& 9; .9:V98.;> c$#-& 7$1/.8;%& 9; -,=."#; 8.,9#E:.8; 4;"* W)5(*'. %;!"8&/; %, O&($9.8;04& I&8.;/ %; k9.=,-".%;%, O;#F/.8; %, W,/&#;" )!OcIvkOW,/*J
;9;/.";9%& & 7,-E&%& %, .9",-04& %& "&( 9& 8.9,(;J , %."8$#.9%& & 7&#,98.;/ %& "&( %.;9#, ;
$(; "$7&"#; 7-,7&9%,-V98.; %; .(;3,( 9& ;$%.&=."$;/> ! & N/#.(&J 7$1/.8;%& 9&" ;9;." %& 6
!98&9#-& S;8.&9;/ %; \,%, ^/:-,%& %, O;-=;/@& -,;/.?;%& 7,/; ^""&8.;04& ]-;"./,.-; %,
W,"2$.";%&-," %, K."#F-.; %; CE%.; )^/8;-*J ",3$, 9; (,"(; /.9@; 2$,"#.&9;9%& ; @,3,(&9.;
%; .(;3,( , -,8$7,-;9%& & (&(,9#& @."#F-.8& %& ;%=,9#& %& "&( 9& 8.9,(;> R&%&" %, 8,-#;
:&-(; ;-#.8$/;9%& .%,.;" %,-.=;%;" %; %."",-#;04& %& ;$#&->KA ;.9%; & ;-#.3& %, I$?;9; Q&1;/ "&1-, & $"& %& "./<98.& 9; &1-; %, \&1,-# ]-,""&9J
7$1/.8;%& 9& /.=-& %& Z !98&9#-& %; IcO6S!> c "+#.(& ;-#.3& -,"#;9#, :.8; ; 8;-3& %, S,w
O;--;"8&J 2$, 7-&7_, 9,"#, #,o#& 7$1/.8;%& 9; -,=."#; :7'8#,'#7. %& 69"#.#$#& %, K."#F-.; , %&
W-&3-;(; %, WF"e3-;%$;04& ,( K."#F-.; %; k9.=,-".%;%, g,%,-;/ %, k1,-/V9%.; )kgk*J
-,"3;#;- ;" 7-.98.7;." ,o7,-.<98.;" %, $9.4& ,9#-, "&( , .(;3,( 2$, 7&"".1./.#;-;( & ;%=,9#&
, ; 8&9"&/.%;04& %& "&( 9& 8.9,(;>
c" 7-Fo.(&" %&." ;9&" ;8;1;( 94& 8&9",3$.9%& (;9#,- ; -."8; &" 9N(,-&" 3,-;." %&
7-&7$/"&- ;9& %, MHHTJ %.(.9$.9%& 7;-; (,9&" %; (,#;%, %; 2$;9#.%;%, #&#;/ %, (;#,-.;."
7$1/.8;%&"> Q, 9&=, #-;1;/@&" 7$1/.8;%&" ,( MHHT )$( /.=-&J $(; %."",-#;04& , ",#, ;-#.3&"*J
TP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 38/181
1;.o&$ 7;-; 2$;#-& ,( MHHU )$(; %."",-#;04& , #-<" ;-#.3&"*J 9N(,-& #&#;/ 2$, (;9#,=, ,(
MHHB )$(; #,",J %$;" %."",-#;0_," , $( ;-#.3&*> ^ 2$,%; %; 2$;9#.%;%, #&#;/ %, (;#,-.;."
7-&($/3;%&" 9,""," %&." N/#.(&" ;9&" 8.#;%&" ,"#A -,/;8.&9;%; D 1;.o; 9; 7-&%$04& %, ;-#.3&">
!"#, :&-(;#& %, #-;1;/@& :&. & 2$, (;." -,3-,%.$ ,( 2$;9#.%;%,J ;#.93.9%& ,( MHHB "$;
(,9&- (;-8; %& 7,-E&%& %,7&." %&" ;9$/;%&" ;9&" %, MHH[ , MHHMJ 8&(& 7&%, ",- 9&#;%& 9&
3-A:.8& ; ",3$.-L
a\‑g6Oc 6G,=;9#;(,9#& 1.1/.&3-A:.8& 2$;9#.#;#.=& -,;/.?;%& 7&- ;9& )MHH[eMH[[*L
!( MHHU @&$=, ;7,9;" ; %."",-#;04& bc !#77"#$% , ; !"7;8.;/.%;%, I&9&-; 9& O.9,(;l
2$, 7,"2$."; ; #,89&/&3.; , ;" 8;-;8#,-E"#.8;" #+89.8;" %& "&( ($/#.8;9;/ 9& 8.9,(;J
%,:,9%.%; 7&- S+/.& O&"#; 9& W-&3-;(; %, WF"ea-;%$;04& ,( ^-#," %; k9.=,-".%;%, g,%,-;/
%, C.9;" a,-;." )kgCa*> ! (;." #-<" ;-#.3&"L $( %, !%$;-%& I;9#&" C,9%," 7$1/.8;%& 9;
-,=."#; 2)"7)-. a 87I'(;. %) 8($)-. %& SN8/,& %, !"#$%&" %, O.9,(; %, W&-#& ^/,3-,J
;7-,",9#;9%& %.:,-,9#," 7;%-_," %, $"& , (+#&%&" %, ;9A/.", %; -,/;04& "&(v.(;3,( 9&
8.9,(;> c$#-& %, g,-9;9%& C&-;." %; O&"#;J -,;/0;9%& & ,"7;0& %& "./<98.& 9&" ,"#$%&" "&1-,
; #-./@; "&9&-; 8.9,(;#&3-A:.8;J 7$1/.8;%& 9; -,=."#; D7.A".'B %& W-&3-;(; %, WF"e
a-;%$;04& ,( G,#-;" %; kgg> ! & N/#.(&J %, ;$#&-.; %, G$8.,9, ],//,1&9.J 7$1/.8;%& 9&"
;9;." %& 66 !98&9#-& S;8.&9;/ %; \,%, ^/:-,%& %, O;-=;/@& %; ^/8;-J , 2$, %."8$#, ; %.:E8./
-,/;04& ,9#-, ;" /.93$;3,9" .(;3+#.8; , "&9&-; 9& ;$%.&=."$;/>
Tm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 39/181
^.9%; 2$, 8&( $( 1;.o& 9N(,-& %, #-;1;/@&"J (,-,8, ",- %,"#;8;%& 9& ;9& %, MHHU &
;7;-,8.(,9#& %, &$#-& (&%,/& %, %&8$(,9#& 2$, + #;(1+( $(; 8&9#-.1$.04& /.#,-A-.; 7;-; &"
,"#$%&" ,( /E93$; 7&-#$3$,"; "&1-, & $9.=,-"& "s9.8& %& 8.9,(;> C;"J 94& ,"#A ;2$.
8&9#;1./.?;%& 9,( ;9;/.";%& %,=.%& "$; .9:&-(;/.%;%, 7,-;9#, & "."#,(; %, 7;%-&9.?;04&
.9#,-9;8.&9;/ 6IIS ) O$')7$.'("$., !'.$%.7% !)7(., P#-=)7 *> C,"(& 8&98."&J & 8;#A/&3& %;
(&"#-; 8.9,(;#&3-A:.8; .9#.#$/;%; b!"#$% ?)*(A$L W-&5,#& %, I&(lJ ,"7,8.;/ "&1-, ; #-./@;
"&9&-; %&" :./(,"J 8&9:.3$-; ; 7-.(,.-; .9.8.;#.=;J 9,"", (&/%,J %, 7-&7&-8.&9;- ;& 7N1/.8& &
8&9#;#& 8&( .9:&-(;0_," %, 7,"2$.";" %, ,"7,8.;/."#;" , ,"#$%.&"&" 9& ;""$9#&> ^ (&"#-;J 2$,
8&9#&$ 8&( ; 8$-;%&-.; %, !%$;-%& I;9#&" C,9%,"J ;8&9#,8,$ %&" %.;" [U ; [i %, %,?,(1-&
9& O,9#-& O$/#$-;/ %; 8.%;%, %, I4& W;$/& )OOIW* ,( %,8&--<98.; D .9;$3$-;04& %& ;#+ ,9#4&
b9&=& "."#,(; %, "&(lTP %, "$; ";/; %, ,o.1.04& G.(; ];--,#&> S& 8;#A/&3& ,98&9#-;(e", %&."#,o#&"> c 7-.(,.-&J %, ;$#&-.; %& 7-F7-.& !%$;-%& I;9#&" C,9%,"J ;-#.8$/; ;"7,8#&" %; :&-(;
%, 7-&%$04& , %, 7,9";(,9#& %; #-./@; "&9&-; 9& 8.9,(; ; 7;-#.- %; :.3$-; , %& 7-&:."".&9;/
b *"#$% %)*(A$)7 l &$ b7-&5,#."#; %, "&(lJ 8&(& ,/, %,".39;J 8&( ; 2$,"#4& %; %."#-.1$.04&
,"7;8.;/ %& "&( 9;" ";/;" %, 8.9,(; , &" :./(," ,o.1.%&" 9; (&"#-;> ! & ",3$9%&J %, G$.?
^%,/(& C;9?;9&J "&1-, ; ,=&/$04& %& "&( 8.9,(;#&3-A:.8&J 7-.98.7;/(,9#, ;#-,/;%& D
7-&%$04& "&9&-; %.;9#, %; #,89&/&3.; %.3.#;/J :;?,9%& 9&=;(,9#, $(; /.3;04& 8&( & #-;1;/@&
%, "&( %& :./(, JX " M.-G(7" %) ?j**),%"71 )g-.#? G;93J [iT[*> Z;/, -,"";/=;- & :;#& %, ",-$( @A1.#& 8&($( (&"#-;" 8.9,(;#&3-A:.8;" /;90;-,( 8;#A/&3&"J 7&-+( ;#+ & ;9& %, MHHU 94&
@A -,3."#-& %, &$#-;" (&"#-;" %,%.8;%;" ,o8/$".=;(,9#, D ;7-,8.;04&J -,:/,o4& , 8&(7-,,9"4&
%; #-./@; "&9&-; 9& 8.9,(;J , 2$, #;(1+( #,9@;( %."#-.1$E%& ,"", #.7& %, (;#,-.;/ #,o#$;/>
!( MHHB "$-3, ; 7-.(,.-; #,", -,=,/;%; 9& 7,-E&%& ;9;/.";%&J & %&$#&-;%& %, G$.?
^%,/(& C;9?;9& 9&(,;%& bc I&( 9& O.9,(;L %; ,%.04& %, "&( ;& *"#$% %)*(A$ H ,=&/$04&
#,89&/F3.8; , 7-&%$04& 1-;"./,.-;l> Q,:,9%.%& 9& W-&3-;(; %, WF"ea-;%$;04& ,( O.<98.;" %;
O&($9.8;04& %; kIWJ & #-;1;/@& 8&9"."#, :$9%;(,9#;/(,9#, ,( $(; -.8; , ;(7/; ;1&-%;3,("&1-, & $"& %; #-./@; "&9&-; 9; 9;--;#.=; 8.9,(;#&3-A:.8; %,"%, & ;%=,9#& %& 8.9,(; "&9&-&J ,
8&(& ,"", $"& ", (&%.:.8; ; 7;-#.- %& 7-&3-,""& #,89&/F3.8& 2$, ,o7;9%, ;" 7&"".1./.%;%," %,
8&9"#-$04& %&" :./(,"> KA #;(1+( ,9#-,=."#;" 2$, -,3."#-;( ,o7,-.<98.;" =.=,98.;%;" 7&-
-,9&(;%&" 7-&:."".&9;." ;#$;9#," 9& 8.9,(; 1-;"./,.-& 9& ",#&- %& "&(J 7-.98.7;/(,9#, 9;
A-,; %, 7F"e7-&%$04&J -,=,/;9%& ; ,=&/$04& %&" 7-&8,%.(,9#&" %, #-;1;/@&J %& 7,9";(,9#&
"&9&-& , %; 8&98,704& "&9&-; 8.9,(;#&3-A:.8; 9& 7;E" ;#+ & .9E8.& %& "+8$/& dd6>
S,"#, (,"(& ;9& & 9N(,-& %, %."",-#;0_," ;$(,9#; 7;-; %&."> I4& ,/;"L bk( !"#$%& %;
W,-:&-(;98, %; c-;/.%;%, 9& O.9,(;L -,3."#-&" %; =&? 9; /.93$;3,( %&8$(,9#;/lJ %,:,9%.%;
TP k( "."#,(; ?",=L ?(A('., >
Th
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 40/181
7&- !/,9 Q†77,9"8@(.## 9& W-&3-;(; %, !"#$%&" WF"ea-;%$;%&" ,( O&($9.8;04& ,
I,(.F#.8; %; W&9#.:E8.; k9.=,-".%;%, O;#F/.8; %, I4& W;$/& )WkOeIW*J , 2$, ,"#$%; ;
.(7&-#V98.; %; =&? 9& 8.9,(; %&8$(,9#A-.&> ! ; .9#.#$/;%; b69#-&%$04& D ^-2$,&/&3.; %;
!"8$#; &$ & S;"8.(,9#& %& O.9,(; I&9&-& ; 7;-#.- %& !"7E-.#& %; Ɨ7,-;l %, 6=;9 O;77,/,-J
2$, .9=,"#.3; ; @."#F-.; %&" -,3.(," %, ,"8$#; -,/;8.&9;%&" D @."#F-.; %& 8.9,(; "&9&-&J , :&.
%,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; kgg> XA & 9N(,-& %, ;-#.3&"
-,%$?.$J ;#.93.9%& ; (;-8; %, ;7,9;" $( ,o,(7/;-> Q, ;$#&-.; %, !%$;-%& I;9#&" C,9%," ,(
7;-8,-.; 8&( 6=&9,#, W.9#&J & #,o#& :&. 7$1/.8;%& 9; -,=."#; 2)"7)-. a 87I'(;. %) 8($)-. ,
:;/; "&1-, & "&( , ; 9;--;#.=; %& :./(, : J)$($. !.$'. )MHHU* %; %.-,#&-; ;-3,9#.9; G$8-+8.;
C;-#,/>
!( MHHP (;9#,(e", ; (+%.; %, $(; #,", , %$;" %."",-#;0_," %,:,9%.%;"> KA $(;$(,9#& "$#./ 9; 2$;9#.%;%, #&#;/ %, #-;1;/@&" %,=.%& ; 7$1/.8;04& %, $( ;-#.3& ; (;." 2$, 9&
,( MHHB> !9#4&J + ,( MHHP 2$, ;7;-,8, ; ",3$9%; #,", 7$1/.8;%; 9; %+8;%;> c %&$#&-;%& %,
g,-9;9%& C&-;." %; O&"#;J %,9&(.9;%& bc I&( 9& O.9,(; ]-;"./,.-&L -,=."4& %, $(;
.(7&-#V98.; .9%,:,-.%;lJ :&. &1#.%& 9& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; kgg>
!""; #,", =,.& ; ",- 7$1/.8;%; ,( :&-(;#& %, /.=-& ,( MHHhJ , + $(; ;7-&:$9%;%;
.9=,"#.3;04& %& 7;7,/ %,",(7,9@;%& 7,/& "&( ,( 7&9#&" :$9%;(,9#;." %; @."#F-.; %& 8.9,(;
9& ]-;"./>I&1-, ;" %."",-#;0_," 7-,",9#," ,( MHHP #,(e", & #-;1;/@& %, (,"#-;%& %,:,9%.%& 7&-
Z.#F-.; \&8@; ^(;-;/ 9& W-&3-;(; %, WF"ea-;%$;04& ,( g&9&;$%.&/&3.; %; WkOeIW>
Q,".39;%& b^ Z&? 9; J(*) )$ !;e$)L & :./(, 8(%.%) %) ?)#* "&1 ; ,"8$#; :&9&;$%.&/F3.8;lJ
;9;/."; 8&(& ; =&? , "$;" 2$;/.%;%," "&9&-;" ", ;""&8.;( ;&" %,(;." ,/,(,9#&" %; /.93$;3,(
8.9,(;#&3-A:.8;> ! #;(1+( ; 7,"2$."; %, Z.-3.9.; g/&-,"J bc O.9,(;J $(; ;-#, "&9&-;lJ 2$,
,"#$%; 1;".8;(,9#, & "&( , ",$" (&%&" %, $#./.?;04& 9& 8.9,(;J :&8;9%& 9& 7-&8,""& %,
,"8$#; :E/(.8;J , :&. %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; k9.=,-".%;%,g,%,-;/ %& \.& %, X;9,.-& )kg\X*>
c" %&." ;-#.3&" 7$1/.8;%&" ,( MHHP :&-;(L $( 7$1/.8;%& 9; -,=."#; !(A$(1(;.39" a
W)5(*'. %) 8#,'#7. :#%("5(*#., %; kIWJ 8&9#,9%& $( -,"$(& %; #,", %, %&$#&-;%& %& ;$#&-J
!%$;-%& I;9#&" C,9%,"J %& ;9& MHHHY , &$#-& 2$, -,"3;#; & 7,-8$-"& %&" b8.9,(;#F3-;:&"
:;/;9#,"l ;& /&93& %& #,--.#F-.& 1-;"./,.-&J ,( ,"7,8.;/ ,9#-, & 7,-E&%& %&" ;9&" %, [iHM ,
[iHhJ , :&-; 7$1/.8;%& 9& 7&-#;/ "$,($) %,%.8;%& ;& ,9".9& , D 7,"2$."; %& $9.=,-"&
;$%.&=."$;/ %,9&(.9;%& J$)-";($)Tm>
Tm KA -,3."#-& %; 7$1/.8;04& %,"#, (,"(& ;-#.3& #;(1+( 9&" ;9;." %& dd666 I.(7F".& S;8.&9;/ %, K."#F-.; %;^SWkK )^""&8.;04& S;8.&9;/ %&" W-&:,""&-," k9.=,-".#A-.&" %, K."#F-.;* ,( MHHBJ 7&-+( ;2$. 7-,:,-.$e",-,3."#-Ae/& 9& ;9& %, MHHP 8&(& 8&9"#; ;7&9#;%& 9& 8$--E8$/& G;##," %& ;$#&->
Ti
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 41/181
Q,7&." %,""," #-<" N/#.(&" ;9&" 8&( $(; 2$;9#.%;%, -;?&;=,/(,9#, 1;.o; %,
7$1/.8;0_,"J 9& ;9& %, MHHm ; 7-&%$04& 1.1/.&3-A:.8; %; A-,; =&/#; ; ",- .(7$/".&9;%; 7;-;
$( #&#;/ %, 9&=, #-;1;/@&"> c 9N(,-& %, %."",-#;0_," ",3$.$ 9; (+%.; %&" N/#.(&" %&." ;9&" e
MHHB , MHHP eJ 8&9#,9%& %$;" 7$1/.8;0_,"> I4& ,/;"L & (,"#-;%& %, C;-.;9& ^/=;-,?
%,9&(.9;%& b^ !"#,-,&:&9.; Q.3.#;/L k(; ;1&-%;3,( "&1-, ; #+89.8;J & 7;%-4& , ;
/.93$;3,( "&9&-; 8.9,(;#&3-A:.8; 9&-#,e;(,-.8;9; 9& 7,-E&%& %, [ii[ ; MHH[lJ %,:,9%.%& 9&
W-&3-;(; %, WF"ea-;%$;04& ,( O.<98.;" %; O&($9.8;04& %; kIWJ , 2$, %."8$#, & $"& %&
,"7;0& "&9&-& 9& 8.9,(; ;#-;=+" %; #,89&/&3.; ,"#,-,&:s9.8; %.3.#;/> ! ; %."",-#;04& %,
^/,o;9%-, ]-‡$#.3;(J bI&9&/&3.; , O.9,(;L ,/,(,9#&" 7;-; ;9A/.", A$%.&e=."$;/lJ %,:,9%.%;
9& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kg\XJ , 2$, ;9;/."; ; #-./@; "&9&-;
8.9,(;#&3-A:.8; ; 7;-#.- %, #,&-.;" %; (N".8; ,/,#-&;8N"#.8;>^ 2$;9#.%;%, %, ;-#.3&" ;$(,9#&$ 7;-; ",#,J ",9%& %,"#; =,? ; 7-.98.7;/ -,"7&9"A=,/ 7&-
-,=.3&-;- & 9N(,-& #&#;/ %, (;#,-.;." 7-&%$?.%&" ;#+ ,9#4&> Q&." %,/," "4& &-.$9%&" %, 7;-#,
%;" %."",-#;0_," %, (,"#-;%& 5A (,98.&9;%;" %;" ;$#&-;" Z.-3.9.; g/&-," , !/,9
Q†77,9"8@(.##J ",9%& & %; 7-.(,.-; 7$1/.8;%& 9&" ;9;." %& dZ66 O&93-,""& %; ^SWWcCJ
%."8$#.9%& ; 2$,"#4& %; ,"8$#; :E/(.8;Y , & %; ",3$9%; 9; \,=."#; F$(-"$')* 8()$'I1(;. %;
k9.=,-".%;%, !"#;%$;/ %, C&9#," O/;-&"J ;-#.8$/;9%& ; .(7&-#V98.; %; =&? 9& 8.9,(; , ;"
#-&8;" ,9#-, & -,3."#-& , ;" 7-A#.8;" %; &-;/.%;%, ; 7;-#.- %& %&8$(,9#A-.& b^%4& &$ I&(&"R&%&" g./@&" %; R,--;l )~;/#,- I;//," , Q;9.,/; R@&(;"J [iih*Th> c$#-& ;-#.3& %,
Q†77,9"8@(.## #;(1+( :&. 7$1/.8;%& 9&" ;9;." %& d6 !98&9#-& \,3.&9;/ %; ^""&8.;04&
]-;"./,.-; %, G.#,-;#$-; O&(7;-;%; )^]\^G6O*J ;9;/.";9%& ;" 7,-:&-(;98," , ; #-;%$04& %;
=&? 9;--;#.=; /.#,-A-.; 7;-; ; :E/(.8; 9& :./(, J)-`7(.* %" !#=%)*)$5",5(-)$'" )R&(A"
a$#.+--,?J [iPh*> KA #;(1+( & ;-#.3& %, CA-8.; O;-=;/@& %; I./=;J 7$1/.8;%& 9; 8.,(A7.-.@
W)5(*'. %) 4*'#%"* ) C)*/#(*. )- Y($A#.A)- ) JI%(. %; !O^vkIWJ ;9;/.";9%& &" ,/,(,9#&"
%; #-./@; "&9&-; 8&(& 8&--,"7&9%,9#," %, $(; 8/;"".:.8;04& %& "&( ,( #-<" 8;#,3&-.;"L 94&e-,7-,",9#;#.=&J -,7-,",9#;#.=& , :.3$-;#.=&> k( ;-#.3& %, O&9"$,/& G.9" "&1-, ; 2$,"#4& %;
9;--;04& ,( "11 9& 8.9,(; %&8$(,9#A-.&J 7$1/.8;%& 9&" ;9;." %& dZ6 !98&9#-& S;8.&9;/ %;
OcCWƗI> k( ;-#.3& %, I$?;9; \,8j C.-;9%; ;-#.8$/;9%& ; =&? , ; ,"8$#; 9& :./(, %,
g-;90&." a.-;-% "&1-, & 7.;9."#; a/,99 a&$/% )2<(7'LH'h" *<"7' 1(,-* .="#' D,)$$ D"#,% J
[iiT*J 7$1/.8;%& 9& /.=-& %& Z666 !98&9#-& %; IcO6S!> ! (;." $( #,o#& %, !%$;-%& I;9#&"
C,9%,"J ,"8-.#& ,( 7;-8,-.; 8&( S,w O;--;"8&J %."8&--,9%& "&1-, ; -,/;04& .(;3,( , "&(
9&" :./(," %, I#;9/,w `$1-.8jJ , 2$, :&. 7$1/.8;%& 9; -,=."#; 8FY2 a W)5(*'. T7.*(,)(7. %)
Th ^2$. =;/, $(; 7,2$,9; 8&--,04&L 9& ;-#.3& 8&9"#; 2$, & :./(, + %& ;9& %, [iiiJ (;" 8&9"$/#;9%& & O$')7$)'
J"5() ?.'.=.*)J 7-.98.7;/ 1;", %, %;%&" %, :./(," 9; .9#,-9,#J & :./(, + %;#;%& 9& ;9& %, [iih>
UH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 42/181
8#,'#7.J %; !%.#&-; ]-,3;9#.9.>
!( MHHm ;8&9#,8,$ ;.9%; &$#-& /;90;(,9#& %, 8;#A/&3& %, (&"#-; %, 8.9,(; 2$,
,o7/&-; & "&( ,( :./(,"> S,"#; &8;".4&J & O,9#-& O$/#$-;/ ];98& %& ]-;"./ )OO]]* -,;/.?;-;
,9#-, &" %.;" U , MM %, 5$/@& 9; 8.%;%, %, I4& W;$/& ; (&"#-; %, 8.9,(; b! & I&( ", g,?lJ
8&( 8$-;%&-.; %, g,-9;9%& C&-;." %; O&"#;> !(1&-; 94& ,"#;9%& ;2$. #;(1+( 8&9#;1./.?;%&
, ;9;/.";%&J & 8;#A/&3& #-A" 8&9".3& & #,o#& %, ;1,-#$-; bc "&(J %,"%, & .9E8.& %& 8.9,(;l %,
OcIR^J 7-&"",3$.%& %, 2$.9?, ;9A/."," e $(; 7;-; 8;%; :./(, ,o.1.%& 9; (&"#-; e =&/#;%;"
7;-; ; "&:."#.8;04& %; #-./@; "&9&-; %;" &1-;" 7-,",9#,"> O&/;1&-;-;( 7;-; #;/J &"
7,"2$.";%&-," K,-9;9. K,::9,-J I$?;9; \,8j C.-;9%;J g;1.A9 S$ˈ,?J \;:;,/ %, G$9; g-,.-, ,
G$E" /1,-#& \&8@; C,/&>
S& ;9& %, MHHh ; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(; 8&9#.9$; 7-&"7,-;9%&J #&#;/.?;9%& #-,?, #-;1;/@&"> ^ 8&(,0;- 7,/& /;90;(,9#& %& ",3$9%& /.=-&
9;8.&9;/ %; A-,;J bc I&( 9& O.9,(; ]-;"./,.-&l %, g,-9;9%& C&-;." %; O&"#;J 7$1/.8;%&
7,/; ,%.#&-; mG,#-;"> c /.=-& + 7-&=,9.,9#, %; #,", %, %&$#&-;%& %& ;$#&- %,:,9%.%; ,( MHHP ,
7-&7_, -,=,- $( 7;-;%.3(; "&1-, & 8.9,(; 9& ]-;"./ 2$, @;=.; ", #&-9;%& ",9"& 8&($( ,
2$, %.?.; 2$, b& "&( + & 2$, @A %, 7.&- #,89.8;(,9#, 9&" :./(," 9;8.&9;."l> ^ 7;-#.- %, 2$;#-&
7,-E&%&" ,"#.7$/;%&"J &" 2$;." ,9=&/=,( %,"%, & ;9& %, [iHM ;#+ & .9E8.& %&" ;9&" MHHHJ ;
@."#F-.; , ; .(7&-#V98.; %& "&( 9& 8.9,(; 1-;"./,.-& + -,8&9@,8.%;>^/+( %& /.=-&J & 9N(,-& %, %."",-#;0_," 8-,"8, 7;-; #-<"> ^ 7-,&8$7;04& ,( %,"=,9%;-
;"7,8#&" %; @."#F-.; %& "&( 9& 8.9,(; 9;8.&9;/ 8&9#.9$; ;#-;=+" %& #-;1;/@& %, (,"#-;%& %,
R.%, ]&-3," a$.(;-4," %,9&(.9;%& b^ 69#-&%$04& %& I&( Q.-,#& 9& O.9,(; Q&8$(,9#A-.&
]-;"./,.-& 9; Q+8;%; %, [iPHlJ , 2$, :&. %,:,9%.%& 9& W-&3-;(; %, WF"ea-;%$;04& ,(
O.<98.;" %; O&($9.8;04& %; kIW> O&(& & #E#$/& 5A "$3,-,J & #-;1;/@& :&8; 9; .9#-&%$04& %;
#+89.8; %, 3-;=;04& %, "&( ".98-s9.8& 8&( ,2$.7;(,9#& /,=, 9& 8.9,(; %&8$(,9#A-.& %&
7;E"> ^" &$#-;" %$;" %."",-#;0_," "4&L b!9#-, ; ,"8$#; , ; =."4&L & /$3;- %& ,"7,8#;%&- 9; &1-;%, \&1,-# ]-,""&9l %, W,%-& O;-%&"& ^"7;@;9J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,(
O&($9.8;04& I&8.;/ %; kgCaJ , 2$, ;9;/."; ; -,/;04& ,9#-, ; ,"8-.#$-; :E/(.8; , & /$3;- %&
,"7,8#;%&- 9; &1-; %, \&1,-# ]-,""&9> ! bc O&(7&".#&- I#;9/,w `$1-.8jL ;9A/.", %& "&( %&
:./(, ?) ",<"* =)- 1);<.%"* %, I#;9/,w `$1-.8j ;#-;=+" %; #,&-.; "&9&-; %, C.8@,/ O@.&9l
%, CA-8.& O;-%&"& C;-8&/.9&J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( ^-#," Z."$;."
#;(1+( %; kgCaJ , 2$, ;9;/."; ; ;-#.8$/;04& ;$%.&=."$;/ %& :./(, ?) ",<"* =)- 1);<.%"*
)I#;9/,w $1-.8jJ [iii*J %,"#;8;9%& & 7&#,98.;/ %& "&( 9;" ,"8&/@;" 9;--;#.=;" %& %.-,#&->
^ 2$;9#.%;%, %, ;-#.3&" #;(1+( 8-,"8,J "$1.9%& 7;-; 9&=,> Q&." %,/," :&-;( 7$1/.8;%&"
9; W)5(*'. F$(5)7*('B7(. :#%("5(*#., )\k^* %; k9.=,-".%;%, %, I4& O;-/&" )kgIO;-*L $( %,
U[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 43/181
X&"+ !%$;-%& ]&?.8;9.9 %."8&--,9%& "&1-, ; #-./@; "&9&-; %& :./(, :0(7. )`;#"[email protected]& ‿#&(&J
[ihh*Y , $( %, a,-"&9 \.&" G,(,J "&1-, ; 8-.;04& "&9&-; ;$%.&=."$;/> c$#-&" %&." "4& %,
;$#&-.; %, X&"+ O/A$%.& O;"#;9@,.-;> k( 7-&7&9%& .9=,"#.3;- & ;(1.,9#, "&9&-& , ;" :&-(;"
%, 8&39.04& 1,9,:.8.;%;" 8&( & $"& %, "&9" 8-.;%&" &$ (&%.:.8;%&" ,/,#-&9.8;(,9#,J , &$#-&
"&1-, ; 7;-#.8.7;04& %& "&( ,/,#-s9.8& 9; 8&9"#-$04& %; .(7-,""4& %, -,;/.%;%, 9& 8.9,(;>
^(1&" :&-;( 7$1/.8;%&" 9; -,=."#; 8"$')-G"7d$). %& 3-$7& %, 7,"2$."; bO&($9.8;04&J
^-#, , O.%;%,l %; g;8$/%;%, %, O&($9.8;04& I&8.;/ %; k9.=,-".%;%, %& !"#;%& %& \.& %,
X;9,.-& )k!\X*> KA #;(1+( $( ;-#.3& %, !/,9 Q†77,9"8@(.## "&1-, ; 7&/E#.8; %; =&? 9&
/&93;e(,#-;3,( J)-`7(.* %" !#=%)*)$5",5(-)$'" )R&(A" a$#.+--,? ^/,;J [iPh*J 7$1/.8;%&
9; -,=."#; ?)5(7)* a 8($)-. ) Q#-.$(%.%)* %; kgCa> k( ;-#.3& %, ^9%-, a;##. ,( 7;-8,-.;
8&( !%$;-%& I;9#&" C,9%,"J "&1-, & %,",9=&/=.(,9#& %& "&( 9& 8.9,(;J 7$1/.8;%& 9;O&/,04& O;%,-9&" %, W,"2$."; %& O,9#-& O$/#$-;/ I4& W;$/& )OOIW* .9#.#$/;%; K P"5"
8($)-. C.#,(*'.> k( #,o#& %, G$8.;9; K;$"",9 "&1-, ; -,/,=V98.; %& "&( 9; @."#F-.; %&
8.9,(;J 9; -,=."#; !)**n)* %" O-.A($B7(" %& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04&
I&8.;/ %; WkOe\I> c$#-& %, ^/.9, \.,-; W,%-,.-;" "&1-, & "."#,(; *#77"#$% B>[J 7$1/.8;%& 9;
W)5(*'. !"$"7. %& 69"#.#$#& %, ^-#," %; kS6O^CW> ! ;.9%;J $( ;-#.3& %, CA-8.; \,3.9;
O;-=;/@& %; I./=; ;9;/.";9%& &" ,/,(,9#&" %; #-./@; "&9&-; 9& 8.9,(;J 9; W)5(*'. %)
8"-#$(;.39" :#%("5(*#., %; 6SR!\OcC>Z;/, %,"#;8;- 2$, 9& ;9& %, MHHh #;(1+( @&$=, & /;90;(,9#& %, (;." $( 8;#A/&3& %,
(&"#-; %, 8.9,(; 2$, ,o7/&-&$ ; :$9%& =A-.;" 2$,"#_," %& "&( 8.9,(;#&3-A:.8&> W-&(&=.%&
7,/; O^6d^ O$/#$-;/ 9;" 8.%;%," %& \.& %, X;9,.-& , %, I4& W;$/&J & &15,#.=& :&. %,
;7-,",9#;- $(; @."#F-.; %& 8.9,(; ($9%.;/ ; 7;-#.- %& "&(> ^7,";- %, ,"#;- ;2$. (,98.&9;%&J
(;" 94& 8&9#;1./.?;%& 9,( .9=,"#.3;%&J ,"#, 8;#A/&3& 7&%, ",- 8&9".%,-;%& & (;." 8&(7/,#&
;#+ ,9#4& 7$1/.8;%&> W;-; ;7-&:$9%;- ; -,:/,o4& "&1-, & #,(;J & 8;#A/&3& -,N9, #;9#& #,o#&"
.9+%.#&" %, 7,"2$.";%&-," 8&(&L g,-9;9%& C&-;." %; O&"#;J X&4& G$.? Z.,.-;J I$?;9; \,8jC.-;9%;J C;-.;9; ];/#;-J ^-9;/%& Q. W;8,J Z.-3.9.; g/&-," , 6=;9 O;7,//,-Y 2$;9#& #,o#&" %,
-,:,-<98.;"J 8&(& %, S&,/ ]$-8@J !.",9"#,.9J ]+/; ];/A?"J \&1,-# ]-,""&9J ~;/#,- C$-8@J ,#8>
KA ;.9%; $(; 1.1/.&3-;:.; 8&(,9#;%; ;7-,",9#;%; 7&- 6=;9 O;7,//,-J 8&9#,9%& 8.98& /.=-&"
:$9%;(,9#;." "&1-, & "&( 9& 8.9,(; .9%.8;%&" 7&- ,/,Ti>
Q,7&." %& 7-&7$/"&- ;9& %, MHHhJ 9& ;9& %, MHHi @A $(; 7,2$,9; -,%$04& 9& 9N(,-&
#&#;/ %, #-;1;/@&"J 8;.9%& %, #-,?, 7;-; &9?,> 6""& 7&- 8&9#; %, 94& #,- @;=.%& 9,9@$(; %,:,";
Ti I4& ,/,"L Y. M"(c .# 8($S-. )[ihM* , F$ :7' !"$"7)@ ,) ;($S-.X <(*'"(7)X )*'<S'(/#)X G"S'(/#) )MHHT* ;(1&"%, C.8@,/ O@.&9Y +(,- !"#$%@ '<)"7L .$% C7.;'(;) )[ihB* %, !/.";1,#@ ~,." , X&@9 ],/#&9Y F$) :7;<S","A()
%# 8($S-. !"$"7) )MHHU* %, a.$"w W.";9&Y , :$.,L*) )' WS;)G'("$ %)* !"$* .# 8($S-. )MHHm* %, R@.,--wC.//,#>
UM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 44/181
%, #,",J 9,( /;90;(,9#& %, /.=-&> c 9N(,-& %, ;-#.3&" %.(.9$.$ 7;-; &.#& $9.%;%,"J , ;
2$;9#.%;%, %, %."",-#;0_," ",3$.$ 9; (+%.; %& ;9& ;9#,-.&-J 8&( #-<" 7$1/.8;0_,">
^" #-<" %."",-#;0_," %,:,9%.%;" ,( MHHi :&-;(L ; %, ^9; G$.?; ];-1&";J %,9&(.9;%;
b^ -,/;04& "&(e.(;3,( 9&" :./(," %, ;9.(;04& 9&-#,e ;(,-.8;9&" 9& :.9;/ %; %+8;%; %,
[iMHL %& "./,98.&"& ;& "&9&-&lJ %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( O.<98.;" %;
O&($9.8;04& %; kIWJ , 2$, %."8$#, "&1-, ; :$904& %& "&( 9& 8.9,(; %, ;9.(;04& 9&-#,e
;(,-.8;9&> ^ %, Q+1&-; c7&/"j.J 9&(,;%; \^9A/.", %& %)*(A$ "&9&-& 9& /&93;e(,#-;3,(
4$*.(" !"=7) . 8)A#)(7.lJ %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kgW\J ,
2$, :&8; 9& 7-&8,""& %, 7F"e7-&%$04& %& "&( %& :./(, 4$*.(" !"=7) . 8)A#)(7. )g,-9;9%&
C,.-,//,"J MHHh*> ! ; %, ^9%-,"&9 O;-=;/@&J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,(
O&($9.8;04& %; kgg> Q,9&(.9;%; b^ W,-8,704& I&9&-; 9& O.9,(;L =,- 8&( &" &$=.%&"J&$=.- 8&( &$#-&" ",9#.%&"lJ 7,"2$."; ; 7,-8,704& , & ,"7;0& "&9&-& 9& 8.9,(;>
W;-#, %; %."",-#;04& %, Q+1&-; c7&/"j. :&. 7$1/.8;%; 9,"", (,"(& ;9& ,( :&-(;#& %,
;-#.3& 9&" ;9;." %& Z !98&9#-& %, CN".8; , CE%.; )C$".C.%*J =.98$/;%& ;& Q,7;-#;(,9#& %,
CN".8; %; !O^vkIWJ :&8;9%& 9; 8&(7&".04& %&" "&9" ;(1.,9#," %& (,"(& :./(, ,"#$%;%&J
4$*.(" !"=7) . 8)A#)(7.> c$#-&" %&." ;-#.3&" :&-;( ,"8-.#&" 7&- `.-; W,-,.-;J , 7$1/.8;%&" 9;
W)5(*'. F$(5)7*('B7(. :#%("5(*#., )\k^*> k( %."8$#.9%& ; -,/;04& .(;3,( , "&( %& (+%.;e
(,#-;3,( 8.$%($<" )[imP* %, c?$;/%& O;9%,.;"J , &$#-& %.=$/3;9%& -,"$/#;%&" 7;-8.;." %&(,"#-;%& %; ;$#&-; 2$, ;.9%; ,"#;=; ,( ;9%;(,9#&J %."8&--,9%& "&1-, ; &-.3,( %& 7-&8,""&
%, 8-.;04& %& "&( 9& :./(, 4$*.(" !"=7) . 8)A#)(7.> ^ \k^ #;(1+( -,8,1,$ & ;-#.3& %,
^/:-,%& R&--," "&1-, ; #-./@; "&9&-; %& :./(, K* CB**.7"* )^/:-,% K.#8@8&8jJ [iPT*> Q&."
&$#-&" #,o#&" "4& %, ;$#&-.; %, X&"+ O/A$%.& O;"#;9@,.-;> k( 7$1/.8;%& 9; -,=."#;
4$'7)NJ)("*J ;""&8.;%; D WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ %; WkOe\.&J %."8&--,9%&
"&1-, ; 8&9"#-$04& %&" 8F%.3&" 9;--;#.=&" %& 8.9,(; , "$; -,/;04& 8&( ; 7-A#.8; "&9&-; , &"
(&%,/&" %, ;$%.1./.%;%," %&" 7-.(,.-&" 8.9,(;"> ! &$#-& 9; -,=."#; 8"$')-G"7d$). "&1-, ;.(7&-#V98.; %& "&( 9; ",9".1./.?;04& %& 8&-7& .(,-"& 9& %."7&".#.=& 8.9,(;#&3-A:.8&> KA
;.9%; $( ;-#.3& ,"8-.#& 7&- S;#;/.; ];--,9@; ,( 7;-8,-.; 8&( ^9#s9.& g,-9;9%& W;""&" "&1-,
; $#./.?;04& %& "&( "11 9; &1-; %; 8.9,;"#; ;-3,9#.9; G$8-,8.; C;-#,/J 7$1/.8;%& 9&" ;9;." %;
6SR!\OcC> ! #;(1+(J $( %, g;1.;9; q$.9#;9; "&1-, ; .(7&-#V98.; %; #-./@; "&9&-; 9&
:./(, c-:,$ )O;8A Q.,3$,"J [iii*>
^7,";- %; 7,2$,9; -,%$04& 9& 9N(,-& #&#;/ %, #-;1;/@&" 9& ;9& %, MHHiJ =;/, %,"#;8;-
2$, + 9,"#, (,"(& ;9& 2$, "$-3, & ",(.9A-.& #,(A#.8& %; IcO6S! =&/#;%& %.-,#;(,9#, 7;-;
&" ,"#$%&" %& "&( 9& 8.9,(; , 9& ;$%.&=."$;/> !"#, ",(.9A-.&J ".93$/;- 9& 7;E"J %,"%, ,9#4&
=,( &1#,9%& <o.#&J -,8,1,9%& $( 3-;9%, 9N(,-& %, 7-&7&"#;" %, 8&($9.8;0_," ;& /&93& %&"
UT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 45/181
;9&"J , ;$o./.;9%& 9; .9#,3-;04& %; 7,"2$."; , %&" 7,"2$.";%&-," 1-;"./,.-&" %& "&(
8.9,(;#&3-A:.8&>
q$;9%& 8&(,9#;(&" "&1-, & <o.#& %,"#, ",(.9A-.& 9&" N/#.(&" ;9&"J ."#& ".39.:.8;
%.?,- 2$, ; 7;-#.- %;" (,";" 7-+e8&9"#.#$E%;" 9&" ,98&9#-&" %; IcO6S! ;#+ MHHh8-.&$e", $( ,98&9#-& &9%, 9&(," 8&9@,8.%&" 7&- ,"#$%;- 8&"#$(,.-;(,9#, ; #-./@;"&9&-; %&" :./(," 9& ]-;"./ 7$%,-;( %.;/&3;- 8&( 7,"2$.";%&-," 9&=&" , 8&( $(; 7/;#+.; ",(7-, ,( 1&( 9N(,-&> ů" %&?, 8&($9.8;0_," ;7-,",9#;%;" 9& 7-.(,.-&,98&9#-& ",3$.-;(e", %,?&.#& 9& ",3$9%&J , 2$.9?, 9& #,-8,.-&> R;/ %.(.9$.04&J,9#-,#;9#&J 94& ", %,=,$ ; $(; 7&""E=,/ -,%$04& %& ,98;(.9@;(,9#& %, 7-&7&"#;">W,/& 8&9#-A-.&J 9& ;9& %, MH[[ & ",(.9A-.& -,8,1,$ ; (;.&- 2$;9#.%;%, %, #-;1;/@&" 7-&7&"#&"J ,(1&-; &" 8&&-%,9;%&-," #,9@;( %,8.%.%& -,",-=;- $( %&" ",." @&-A-.&" 7;-; %."8$""4& .9#,-9;J :-$#& #;(1+( %& ;(;%$-,8.(,9#& %& #-;1;/@&> S&" #-<",98&9#-&" nMHHiJ MH[H , MH[[pJ & ",(.9A-.& 8&93-,3&$ 7,"2$.";%&-," %; kIWJ %;kS6O^CWJ %; kgIO;-J %; kggJ %; kg\XJ %; kgXgJ %; kgIOJ %; kg\]J %; kg]^J%; kgW!J 1,( 8&(& 7;-#.8.7;9#," %;" $9.=,-".%;%," %, I;/;(;98; , %, ]&8@$(J &
2$, #-;%$?J ;& (,"(& #,(7&J ; ,:,#.=;04& %, $( %.A/&3& ,( V(1.#& 9;8.&9;/ , &8&9#;#& 7-&:E8$& 8&( .9"#.#$.0_," .9#,-9;8.&9;.">UH
!( MH[H & 9N(,-& %, ;-#.3&" (;9#,(e", & (,"(& ,( -,/;04& ;& ;9& %, MHHiJ 1,(
8&(& ; 2$;9#.%;%, %, %."",-#;0_,"> 9&=.%;%, + & "$-3.(,9#& %, %$;" #,"," %,:,9%.%;"J & 2$,
:;? 8&( 2$, & 9N(,-& #&#;/ %, #-;1;/@&" =&/#, ; ;#.93.- ; (;-8; %, MHHhJ 8&( & #&#;/ %, #-,?,
#-;1;/@&"> R,(e", ,9#4& ; #,", %, Q;9.,/ ~,-9,8j "&1-, & "&( 9& 8.9,(; %, ;9.(;04&J
.9#.#$/;%; bC&=.(,9#&" 69=."E=,."L @."#F-.; %; ,"#+#.8; %& "&( %& 8.9,(; %, ;9.(;04&lJ ,
%,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( ^-#," %; kgCa> ! ; #,", %, !/,9Q†77,9"8@(.##J bW&- $(; W&/E#.8; %; Z&? 9& O.9,(;L ,"#-;#+3.;" 7;-; ,(;98.7;04& %&
,"7,8#;%&- ,( J)-`7(.* %" !#=%)*)$5",5(-)$'" %, R&(A" a$#.+--,?lJ -,$9.9%& .9:&-(;0_,"
7$1/.8;%;" 9&" ;-#.3&" %; ;$#&-; %, MHHm , MHHhJ ,9:;#.?;9%& & 7;7,/ %; =&? 9& :./(, 8$1;9&
J)-`7(.* %" !#=%)*)$5",5(-)$'" )R&(A" a$#.+--,? ^/,;J [iPh*J %,9#-, &$#-&"
;7-&:$9%;(,9#&" %.;9#, & 8;-A#,- -,=&/$8.&9A-.& %; &1-;>
XA ;" #-<" %."",-#;0_," 7-,",9#," 9& ;9& %, MH[H "4&L bI, W&%," c$=.-J !"8$#;L ; 3<9,",
;$%.&=."$;/ %, 4$*.(" !"=7) . 8)A#)(7.lJ %, `.-; W,-,.-;J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( O.<98.;" %; O&($9.8;04& %; kIWJ , 2$, %."",-#; "&1-, & 7-&8,""& %, 8-.;04&
;$%.&=."$;/J 8&( <9:;", 9; 8&9"#-$04& "&9&-; %& :./(, 4$*.(" !"=7) . 8)A#)(7. )g,-9;9%&
C,.-,//,"J MHHh*> b^ W;.";3,( I&9&-; !/,#-s9.8;L ; 8&9"#-$04& %, 9&=;" ;$%.1./.%;%," 9&
8.9,(;l %, X&"+ O/A$%.& O;"#;9@,.-;J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,(
O&($9.8;04& I&8.;/ %; k!\XJ , 2$, 7-&7_, $(; 8&(7/,o; ;1&-%;3,( "&1-, 9&=&" (&%,/&"
7,-8,7#.=&" 9& 8.9,(; ; 7;-#.- %, 8&98,.#&" %; :,9&(,9&/&3.;J %;" 8.<98.;" 8&39.#.=;" , %;
#,&-.; %;" (;#,-.;/.%;%,"> ! b!o7-,"".=.%;%, &-;/ 9& 8.9,(;L %.A/&3&" 8&( ; :&9&;$%.&/&3.;lUH 69:&-(;04& -,#.-;%; %& *(') %; IcO6S!> Q."7&9E=,/ ,(L u@##7Lvv"&8.9,>&-3>1-v,98&9#-&v",(.›7$1/.8;8;&>;"7r
8&%xP[z> 8,""& ,( MP (;-0& %, MH[T>
UU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 46/181
%, W-."8./; K;w%+, I&$?;J %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,( g&9&;$%.&/&3.; %;
WkOeIWJ , 2$,J 8&(& 7&%, ",- 9&#;%& 7,/& #E#$/&J ;9;/."; ; 2$,"#4& %; ,o7-,"".=.%;%, &-;/ 9&
8.9,(; ; 7;-#.- %, ,9#-,=."#;" 8&( 7-&:."".&9;." %& (,.&>
I&1-, &" &.#& ;-#.3&" 7-,",9#," 9,"", ;9&J %&." %,/," :&-;( ,"8-.#&" ,( 8&95$9#& 7&-
Z.#&-.; \&8@; ^(;-;/J G+"/., g,--,.-; , W-."8./; K;w%+, I&$?;> c 7-.(,.-&J 8&9#;9%& #;(1+(
8&( ; 7;-#.8.7;04& %, C;-.; G;$-; C;-#?J :&. 7$1/.8;%& 9; -,=."#; D.,Bc(. %& W-&3-;(; %,
WF"ea-;%$;04& ,( O&($9.8;04& , I,(.F#.8; %; WkOeIW , %."8&--, "&1-, & 7;7,/
.9#,-7-,#;#.=& %&" -,8$-"&" %; =&? , %; :;/; 9& :./(, 8(%.%) %) ?)#* )g,-9;9%& C,.-,//," ,
`A#.; G$9%J MHHM*> ! & ",3$9%&J 7$1/.8;%& 9; -,=."#; Q."#N-1.&" %; O&($9.8;04& %&
W-&3-;(; %, WF"ea-;%$;04& ,( g&9&;$%.&/&3.; #;(1+( %; WkOeIWJ "&1-, & #-;1;/@&
%,",9=&/=.%& 8&( ; =&? , ; :;/; 9& 8.9,(;J 8&( <9:;", 9; ;#$;04& :&9&;$%.&/F3.8;> c$#-&"%&." ;-#.3&" "4& %, ;$#&-.; %, \&%-.3& O;--,.-&> k( 7$1/.8;%& 9& /.=-& %& d666 !98&9#-& %;
IcO6S! , &$#-& 9; -,=."#; 4H;"-G`* %; ^""&8.;04& S;8.&9;/ %&" W-&3-;(;" %, WF"e
a-;%$;04& ,( O&($9.8;04& )OcCWƗI*> ^(1&" 7&""$,( & 8&9#,N%& .%<9#.8& , :;/;( %&
$"& %& "&( 9& /&93;e(,#-;3,( 8($)-.X .*G(7($.* ) #7#=#* )C;-8,/& a&(,"J MHHB*> c$#-&"
%&." #,o#&" "4& %, g,-9;9%& C&-;." %; O&"#;> k( "&1-, &" -$E%&" 8&(& (;#+-.;e7-.(; 7;-; ;
7-&%$04& 8.9,(;#&3-A:.8; 8&9#,(7&-V9,;J 7$1/.8;%& 9; -,=."#; Y"A"*@ 8"-#$(;.39" f
F$(5)7*(%.%) /.3;%; ;& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; k!\XY , &$#-&;9;/.";9%& & "&( %,9#-& %& 7/;9&e",2$<98.; 9& 8.9,(;J #;(1+( 7$1/.8;%& 9& /.=-& %& d666
!98&9#-& %; IcO6S!> KA ;.9%; & ;-#.3& %, X&"+ O/A$%.& O;"#;9@,.-;J 7-&=,9.,9#, %, "$;
%."",-#;04&J 7$1/.8;%& 9; -,=."#; 8"$')-G"7d$).J ,"#$%;9%& & "&( ,/,#-s9.8& 9& 8.9,(; 7&-
$( =.+" :,9&(,9&/F3.8&> ! (;." & ;-#.3& %, g;1.;9; q$.9#;9; "&1-, ; #-./@; "&9&-; 9& :./(,
T,#) )Q,-,j X;-(;9J [iiT*J 7$1/.8;%& 9&" ;9;." %& Z6 !98&9#-& %, CN".8; , CE%.;
)C$".C.%*>
O@,3;e", ,9#4& ;& ;9& %, MH[[J N/#.(& .9=,"#.3;%&> !( -,/;04& D 2$;9#.%;%, %, #,"," ,%."",-#;0_," %, MH[HJ @A 7&$8; ;/#,-;04&> c 9N(,-& %, #,"," 8;. 7;-; $(J ;& (,"(& #,(7&
2$, & 9N(,-& %, %."",-#;0_," (;9#,(e", ,( #-<"> c 3-;9%, %,"#;2$, ,"#A 9; 2$;9#.%;%, %,
;-#.3&" 2$, ;#.93, $(; (;-8; -,8&-%, %,9#-& %& 7,-E&%& ;=;/.;%&> g&-;( %,?,9&=, ;-#.3&"
7$1/.8;%&"J , 2$, :;?,( %, MH[[ & ;9& %, (;.&- 7-&%$04& %; 7,"2$."; 1-;"./,.-;
8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(; ;2$. ,"#$%;%;>
^ N9.8; #,", %,"#, ;9& + & #-;1;/@& %, %&$#&-;%& %, X&4& a&%&wJ %,:,9%.%& 9& W-&3-;(;
%, WF"ea-;%$;04& ,( O.<98.;" %; O&($9.8;04& %; kIW> 69#.#$/;%& bW-&8,%.(,9#&" %,
#-;1;/@& 9; 8;7#;04& %, "&( %.-,#& 9&" /&93;"e(,#-;3,9" 1-;"./,.-&" 8"$'7. '"%"* , :$'p$(.L
; #+89.8; , & ,"7;0& 8-.;#.=&lJ 8&9"."#, ,( $(; (.9$8.&"; -,:/,o4& "&1-, ; 7-A#.8; %, #-;1;/@&
UB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 47/181
%& -,3."#-& "&9&-& ".98-s9.8& 9& 8.9,(;J , ", #&-9; & (;." 8&(7/,#& (;#,-.;/ "&1-, & "&(
%.-,#& ,( /E93$; 7&-#$3$,"; 7$1/.8;%& ;#+ & (&(,9#&> XA 9& 8;(7& %;" %."",-#;0_,"J #,(e", ;
%, S;#;/.; ];--,9@; ;1&-%;9%& ; &1-;J ; #-;5,#F-.;J ;" &70_," ,"#+#.8;" , & 7-&8,""& 8-.;#.=& %;
8.9,;"#; G$8-,8.; C;-#,/> S&(,;%; b^ ,o7,-.<98.; %& 8.9,(; %, G$8-,8.; C;-#,/L -,"E%$&" %&
#,(7& , "&9" D 1,.-; %; 7."8.9;lJ :&. %,:,9%.%; 9& W-&3-;(; %, WF"ea-;%$;04& ,(
C$/#.(,.&" %; kS6O^CW> ^ %."",-#;04& .9#.#$/;%; bO-.;9%& C$9%& 8&( I&9"L 7F"e7-&%$04&
%, "&( , *"#$% %)*(A$ 9& 8.9,(;l %, C;$-.8.& %, O;-& !"7&".#&J 2$, %."8$#, & 7-&8,""& %,
7F"e7-&%$04& %, "&( 9& 8.9,(; , :&. %,:,9%.%& 9& W-&3-;(; %, WF"ea-;%$;04& ,(
O&($9.8;04& %; k9.=,-".%;%, ^9@,(1. C&-$(1.> ! & (,"#-;%& %, g-,%,-.8& ^$3$"#&
W,""&; %,:,9%.%& 9& W-&3-;(; %, WF"eW-&%$04& ,( ^-#," %; kgCa> Q,9&(.9;%& bc G$3;-
g&-; %& G$3;-L #&7&3-;:.;" "&9&-;" %& 8.9,(; %&8$(,9#A-.&lJ ; 7,"2$."; ;1&-%; & "&( 9&8.9,(; %&8$(,9#A-.&>
!( -,/;04& ;&" ;-#.3&" ,98&9#-;%&" 9& ;9& %, MH[[J %,"#;8;e", & /;90;(,9#& %; -,=."#;
8(=)7,)A)$%.J =.98$/;%; ;& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; kggJ , "$;
,%.04& bI&9&-.%;%,"lJ %,%.8;%; ;& %,1;#, ,( #&-9& %& #,(; (E%.; , "&9&-.%;%,"> O&(7&"#;
7&- %&." =&/$(,"J $( ;7-,",9#;9%& %."8$""_," "&1-, & "&( 9;" 7-&%$0_," ;$%.&=."$;."
(&%,-9;" , 8&9#,(7&-V9,;"J , &$#-& "&1-, 9&=;" #,89&/&3.;" , ,"#+#.8;" "&9&-;" (.%.A#.8;"J ;
-,=."#; ;.9%; %."7&9.1./.?; (;." (;#,-.;." ,( ",$ ,"7;0& "$,($) %,9&(.9;%& b!"#;04&R-;9"(E%.;lJ &9%, + 7&""E=,/ ,98&9#-;-J 7&- ,o,(7/&J $(; ,9#-,=."#; -,;/.?;%; 8&( &
7,"2$.";%&- , 8&(7&".#&- :-;98<" C.8@,/ O@.&9U[> Q; %.=,-".%;%, %, ;-#.3&" 7-,",9#," 9;
-,=."#;J %,? ,92$;%-;(e", 9& -,8&-#, 7-&7&"#& 7&- ,""; -,=."4& "."#,(A#.8;> Q,"#," %,?J %&."
"4& %, ;$#&-.; %, g,-9;9%& C&-;." %; O&"#;L $( 2$,"#.&9;9%& ", @A $( @.7,-e-,;/."(&
"&9&-& 9& 8.9,(; ;-3,9#.9& 8&9#,(7&-V9,&J , &$#-& "&1-, & $"& %& "./<98.& 9& 8.9,(;> k(
%, G$.?; ^/=.( "&1-, ;" 7;.";3,9" "&9&-;" 9; &1-; %, \&1,-# ]-,""&9Y $( %, C;$-.8.&
O;/,.-& "&1-, ;" ;1&-%;3,9" "&9&-;" ,(7-,3;%;" 9& :./(, K !(,q$;(" )C&@",9 C;j@(;/1;:J[iih*Y $( %, 6=;9 O;7,//,- "&1-, ; ;-2$,&/&3.; %; ,"8$#;Y $( %, \&%-.3& O;--,.-& "&1-, &
"&( 9& 8.9,(; %, @&--&-Y $( %, \;:;,/ %, G$9; g-,.-, "&1-, ; @."#F-.; %; %$1/;3,(
8.9,(;#&3-A:.8; 9& ]-;"./Y $( %, 6";;8 W.7;9& "&1-, ;" 7;.";3,9" "&9&-;" 9& %&8$(,9#A-.&
?"$A )X.; |@;93ej,J MHHP*Y $( %, Z.=.;9, Z,%;9; "&1-, ; (&9#;3,( %, %&8$(,9#A-.&"
,#9&3-A:.8&" "&1 ; 7,-"7,8#.=; %; 1;9%; "&9&-;Y , $( %, \;:;,/ Z,9;98.& "&1-, &" ,:,.#&"
"&9&-&" 9&" 8$-#;"e(,#-;3,9" %, ;9.(;04& ,"#-,/;%&" 7,/; 7,-"&9;3,( a,-;/% C8]&.93e
]&.93>
U[ I^O6OJ \&%-.3& C;.;> b^ 7."#; "&9&-; 94& ,o."#,lL ,9#-,=."#; 8&( C.8@,/ O@.&9> .;Z73E7Q7*=/ )kgg>c9/.9,*J MH[[> Q."7&9E=,/ ,(L u@##7Lvvttt>7-&77.>$::>1-v8.1,-/,3,9%;vy!MyhHyiOe7."#;e"&9&-;e9yOTy^T&e,o."#,y!MyhHyiQz> 8,""& ,( TH 5$/> MH[[>
UP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 48/181
^/+( %,""," ;-#.3&" %; 8(=)7,)A)$%.J &$#-&" 9&=, :&-;( 8&9#;1./.?;%&" ,( MH[[> Q&."
%, X&"+ O/A$%.& O;"#;9@,.-;J ",9%& $( "&1-, 9&=&" (&%,/&" %, ,"8$#; 9& 8.9,(;J 7$1/.8;%&
9; \,=."#; %, !"#$%&" %; O&($9.8;04& %& 8$-"& %, O&($9.8;04& I&8.;/ %; WkOeW\Y , &$#-&
%."8$#.9%& ; 8&9#-.1$.04& %; 7,-"7,8#.=; %&" !"#$% !'#%()* D ;9A/.", %& "&( 9& 8.9,(;J
7$1/.8;%& 9& /.=-& %& d6Z !98&9#-& %; IcO6S!> S,"#, (,"(& /.=-& %; IcO6S! #;(1+( :&.
7$1/.8;%& & ;-#.3& %, \&%-.3& O;--,.-& "&1-, & $"& %& "&( 9; &1-; %& 8.9,;"#; .#;/.;9& I,-3.&
G,&9,>
KA #;(1+( & #,o#& %, S;#;"@; ^/(,.%; "&1-, ; 8&9"#-$04& %& ,"7;0& "&9&-& 9& 8$-#;e
(,#-;3,( K :7'(*'. )G$.? O;-/&" \.1,.-& ]&-3,"J [iPm*J 7$1/.8;%& 9; -,=."#; 8"J')-G" %&
W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; g;8$/%;%, OA"7,- GE1,-&> c ;-#.3& %,
],-9;-%& C;-2$,? ^/=," "&1-, ; 7-&%$04& "&9&-; 9& 8.9,(; 8&9#,(7&-V9,& , & 7-&8,""& %,:.9;/.?;04& %& "&( %& :./(, 27"G. %) 4,(') r )X&"+ W;%./@;J MH[H*J 7$1/.8;%& 9; -,=."#;
8($)-. 8.(G(7. %& a-$7& %, O.9,(; `.9&ec/@&> c %, Q;(w/,- O$9@; %."8$#.9%& ;
$#./.?;04& %& -$E%& :&-;e%,e8;(7& 8&(& :&-0; ,o7-,"".=; 8<9.8;J 7$1/.8;%& 9; -,=."#;
W#-"7)* %& a-$7& %, !"#$%&" %, G.93$;3,( , W-A#.8;" C.%.A#.8;" %; !O^vkIW> c #,o#& %,
a,-"&9 G,(, "&1-, 8/;"".:.8;0_," %&" ,/,(,9#&" %; #-./@; "&9&-; 8.9,(;#&3-A:.8;J 7$1/.8;%&
9; -,=."#; K7*"$ %& 8$-"& %, 3-;%$;04& ,( O.9,(; , ^$%.&=."$;/ , O.9,(; %, ^9.(;04& %;
k9.=,-".%;%, g,%,-;/ %, W,/&#;"> c %, \&%-.3& \&%-.3$," "&1-, ;" "&9&-.%;%," %& 8.9,(; %,R;-j&="jw , ; -,/;04& ,9#-, 8&(7&".04& ($".8;/ , %)*(A$ "&9&-& 9& 8.9,(;J 7$1/.8;%& 9;
-,=."#; J)%(.39" %&" 8$-"&" %, W$1/.8.%;%, , W-&7;3;9%; , %, X&-9;/."(& %; k9.=,-".%;%,
gkC!O> ! 7&- :.(J (;." $( ;-#.3& %, g,-9;9%& C&-;." %; O&"#; "&1-, & $"& %& "&( 9&
8.9,(; 1-;"./,.-& 8&9#,(7&-V9,&J 7$1/.8;%& 9; -,=."#; +(,-) 8#,'#7. %& C.98vOR^= )O,9#-&
R+89.8& $%.&=."$;/*>
k(; 8$-.&".%;%, %& ;9& %, MH[[ + 2$, 9,/, @&$=, #;(1+( & /;90;(,9#& %; ,%.04& ,(
/E93$; 7&-#$3$,"; )%, W&-#$3;/* %, $( %&" /.=-&" (;." :;(&"&" 9; 8&9#,(7&-;9,.%;%, 2$,,"#$%; & "&( , ; ;-#.8$/;04& ;$%.&=."$;/ 9& 8.9,(;J b^ ^$%.&=."4&L "&( , .(;3,( 9&
8.9,(;l %, C.8@,/ O@.&9> C,"(& ,o."#.9%& 8-E#.8;" "&1-, ; 2$;/.%;%, %,""; #-;%$04&J ,"";
,%.04& ,o7;9%, ;" 7&"".1./.%;%," %, 8&9#;#& 8&( ;" #,&-.;" %, $( %&" (;.&-," 7,"2$.";%&-,"
%; A-,;>
g;?,9%& & 1;/;90& 3,-;/J #,(e", $( #&#;/ %, %&." /.=-&"J 8.98& #,","J =.9#, , $(;
%."",-#;0_,"J , ","",9#; , 2$;#-& ;-#.3&"J -,"$/#;9%& ,( 9&=,9#; , %&." #-;1;/@&" 7$1/.8;%&"
,9#-, &" ;9&" %, MHH[ , MH[[J -,"7,.#;9%& &" /.(.#," 7-&7&"#&" 9,""; -,=."4& "."#,(A#.8;> c
9N(,-& %, /.=-&" ;.9%; + ".93,/&J (;" 7;-; $(; A-,; %, ,"#$%& 2$, 94& #.9@; 9,9@$(
,"7,8E:.8& ;#+ & :.( %& "+8$/& ddJ 5A + $( ;=;90&> Z;/, (,98.&9;- 2$, ,"#, 9N(,-& ",3$,
Um
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 49/181
!"#$!#%&'( *+, -#. /*# ?'" #;#+?7'( %' ,%' &# 39=3 8'*-# ' 7,%2,+#%<' &# &':$ 7:-"'$1
50'+4>+,6#+O K0GC IM0HB( 39=3L # 5J'7A<:!,$ &, E'. %' I:%#+, #+ !"#$%&'( *+
,-.*"("/?+;?&#"/7+O K@DJJNF0I_[>HH( 39=3LW N #+ 39=S 8Y , ?"#-:$]' &# ?*X7:!,2]' &#
+,:$ <"R$( ?"'-#%:#%<#$ &,$ &:$$#"<,2\#$ &# E:"6:%:, Z7'"#$( @QX'", M?'7$U: # F,<,7:,
P,""#%8,( +,$ /*# ,<Q ' T#!8,+#%<' &#$$, ?#$/*:$,( ,:%&, #$<]' %' ?"#7'^3W M %V+#"' &# <#$#$
<,+XQ+ Q +'&#$<'W >%<#"#$$,%<# %'<," /*# &,$ !:%!' &#T#%&:&,$( &*,$ oY -:",",+ 7:-"'$W B &#
Z#"%,%&' ['",:$ &, I'$<, K399kL # , &# N7#% @g??#%$!8+:<< K39=9LW J'"<,%<'( 'X$#"-, #$$,
&:$?'$:2]' #+ ,?"'-#:<," ,$ ?#$/*:$,$ &,$ <#$#$ # &:$$#"<,2\#$ ?,", , ?'$<#":'" ?*X7:!,2]' &#
7:-"'$ &, Y"#,W M %V+#"' &# &:$$#"<,2\#$ Q ?#"$:$<#%<#( $#6*:%&' #+ ?"'6"#$$' &#$&# ' ,%' &#
399S # $# #$<,X:7:.,%&' #+ *+, +Q&:, &# <"R$ <",X,78'$ ?'" ,%' , ?,"<:" &# 399cW M$ <",X,78'$
&# +#$<",&' ?'&#+( ?'"<,%<'( $#" !'%$:&#",&'$ '$ "#$?'%$Y-#:$ ?'" *+, X,$# #$<"*<*",7/*,%<:<,<:-, # #-'7*<:-, &, ?#$/*:$, X",$:7#:", !'%<#+?'"i%#, $'X"# ' $'+ !:%#+,<'6"YT:!'
%#$$# #$?,2' &# <#+?' #$<*&,&'W mY ' %V+#"' &# ,"<:6'$ Q ' 6",%&# "#$?'%$Y-#7 ?#7, -,":,2]'
&'$ -,7'"#$ <'<,:$ &# <",X,78'$ ?"'&*.:&'$ %' ?#"A'&'( ,<:%6:%&' $#* Y?:!# ,' :+?*7$:'%," ,
/*,%<:&,&# &# +,<#":,:$ ?*X7:!,&'$ #+ 39==W
B?#$," &# $#" ,?#%,$ *+ 7#-,%<,+#%<' %*+Q":!'( #$$, ,+'$<",6#+ &, #-'7*2]'
/*,%<:<,<:-, &, ?#$/*:$, X",$:7#:", !'%<#+?'"i%#, $'X"# ' $'+ !:%#+,<'6"YT:!' &#+'%$<",
/*# ,<Q #%<]'( ' !,+?' &'$ #$<*&'$ &' $'+ %' !:%#+, #$<#-# #+ *+ !'%$:&#"Y-#7&#$#%-'7-:+#%<' %' ?,A$( ?":%!:?,7+#%<# , ?,"<:" &, +#<,&# &, ?":+#:", &Q!,&, &' $Q!*7'
hh>W
!"! $%&'(&)*+, $%-./*)+,
B?b$ #$<# 7#-,%<,+#%<' /*,%<:<,<:-' &, ?#$/*:$, X",$:7#:", !'%<#+?'"i%#, $'X"# ' $'+
%' !:%#+, &'$ ,%'$ 399= l 39==( ?"#$#%!:,j$# *+, &:-#"$:&,&# &# +,%#:",$ !'+ /*# , <":78,$'%'", T': ,<Q #%<]' :%-#$<:6,&,W a'6'( , :%<#%2]' Q &# :&#%<:T:!," '$ ?":%!:?,:$ ,$$*%<'$
<",<,&'$( '"6,%:.," # !7,$$:T:!," #$$#$ +,<#":,:$ #+ 6"*?'$ ?,", ,-#":6*," $*,$ ?'$$A-#:$
<#%&R%!:,$ <#+Y<:!,$W
F, X*$!, ?'" '"6,%:.," # !7,$$:T:!," #$$, X:X7:'6",T:, #+ <b?:!'$ #$?#!AT:!'$( T'",+
#$<*&,&,$ ?"'?'$<,$ "#7#-,%<#$ &# !,<,7'6,2]' /*# ?"'!*",",+ ,' 7'%6' &'$ ,%'$ "#,7:.,"
,76*+ <:?' &# +,?#,+#%<' $#+#78,%<# , %A-#7 &' #;<#":'"W 3&.;&+9%'=82 +/ ,+-/* &/ <&;#
^3 M 7:-"' &# E:"6A%:, Z7'"#$ $#"Y 7,%2,&' !'+ ' +#$+' <A<*7' 5M I:%#+,1 *+, ,"<# $'%'",O( ?#7, N&:<'",
B%%,X7*+#W M &# @QX'", M?'7$U: !'+ ' <A<*7' 5>%<"'&*2]' ,' @#$#%8' &# 0'+1 *+, $:$<#+,<:.,2]' ,?7:!,&,%, ,%Y7:$# &' 7'%6,j+#<",6#+ :/('&+ ,+.%" ' 1"9-"&%'O( ?#7, N&:<'", e%:-#"$:&,&# eZJ`W N ' &# F,<,7:,P,""#%8, <,+XQ+ !'+ ' +#$+' <A<*7' &, &:$$#"<,2]'( 5B #;?#":R%!:, &' !:%#+, &# a*!"#!:, [,"<#71 "#$A&*'$&' <#+?' # $'%$ l X#:", &, ?:$!:%,O( ?#7, #&:<'", B7,+#&, N&:<'":,7W
^c
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 50/181
)ac\]C^SJ [ihH* :&. & 7-.(,.-& /,=;9#;(,9#& 1.1/.&3-A:.8& %,"8-.#.=& -,/;8.&9;%& ;&
$9.=,-"& %; #-./@; "&9&-; 8.9,(;#&3-A:.8; 2$, -,$9.$ 7-;#.8;(,9#, #&%&" &" /.=-&" , ;-#.3&"
7$1/.8;%;" ,( /E93$; .93/,"; , :-;98,"; ;#+ & :.9;/ %; %+8;%; %, [imH> O&9#,9%& 8,-8; %, TTH
#E#$/&"J ; 1.1/.&3-;:.; :&. %.=.%.%; ,( #-<" ",0_,"L 6> R,&-.; 3,-;/ , ,"#+#.8;Y 66> R,89&/&3.;
)"$1%.=.%.%; ,( b^> a,-;/l , b]> K."#F-.; e ; 8@,3;%; %& "&(l*Y , 666> CN".8;UT> O.98& ;9&"
%,7&."J ac\]C^S -,=."; ,"#, /,=;9#;(,9#& , & 7$1/.8; 9&=;(,9#,J %,"#; =,? 8&( 1-,=,"
8&(,9#A-.&" ,( 8;%; 1.1/.&3-;:.; -,:,-.%;> !( :$$"'.')% T(=,("A7.G<L )ac\]C^SJ [ihB*
;" 8;#,3&-.;" @;=.;( ($%;%&> ^ ",04& "&1-, bCN".8;l :&. ,o8/$E%; , ;7,9;" ;" %, bR,&-.;
3,-;/ , ,"#+#.8;l , %, bR,89&/&3.; ,( 3,-;/l :&-;( (;9#.%;"> S,"", 8;"& &" (;#,-.;." :&-;(
,9#4& %.=.%.%&" 9;" ",3$.9#," ",0_,"L 6> R,&-.; 3,-;/ , ,"#+#.8;Y 66> ^9A/.", , ,"#$%& %, 8;"&Y
666> R,89&/&3.; ,( 3,-;/Y , 6Z> K."#F-.;L ,"#./& , #,89&/&3.;UU> I,( %.(.9$.- & (+-.#& , & 7.&9,.-."(& %, ac\]C^SJ , ;7,";- %,"";" 8/;"".:.8;0_," 94& ",-,( 8&9".%,-;%;"
($#$;(,9#, ,o8/$".=;"J ,( 9,9@$(; %;" %$;" ".#$;0_," ; ;$#&-; 5$"#.:.8&$ ; ,"8&/@; %&"
#F7.8&"J &$ ;7-,",9#&$ &" (+#&%&" $#./.?;%&" 7;-; #;/> !/; ;7,9;" .9:&-(&$ & 2$, & /,.#&- .-.;
,98&9#-;- ,( 8;%; ",04&J 8&(& ; ,o,(7/& 9; ",3$9%; 7$1/.8;04&L
!9";.&" %, 8;#,3&-.;" (."#;" 2$, ;1&-%;( ; 7-A#.8; %& "&( %, :./(, ,( 8&9#,o#&"#,F-.8&" nfp ,"#4& /&8;/.?;%&" 9; ",04& %, 2)"7(. D)7., ) 4*'S'(;.Y ,9";.&" 8$5;<9:;", 9; #+89.8; &$ 7-;3(A#.8; "$7,-;( ",$ .9#,-,"", #,F-.8&J ,"#4& 9; ",04& 666>^-#.3&" ,"8-.#&" %$-;9#, & 7,-E&%& %& .9E8.& %& "&( 9& 8.9,(; 94& ,"#4& /."#;%&" ,(
Q(*'`7(.J (;" ,( 4*'S'(;. )6* &$ 2);$","A(. )666*J %,7,9%,9%& %; <9:;",> !$3,-;/(,9#, 8&/&2$,. ,9#-,=."#;" 8&( %.-,#&-," %, :./(," ,"7,8E:.8&" 9; ",04& 66J ,,9#-,=."#;" 8&( #+89.8&"J #;/ 8&(& ,93,9@,.-&" %, "&(J 9; ",04& 666> c /,.#&-,98&9#-;-A 9;" ",0_," 666 , 6Z 1.1/.&3-;:.;" (;." ",/,#.=;"J 7&- 9,8,"".%;%,J 2$, 9;"",0_," 6 , 66> Q& (,"(& (&%&J ,$ &15,#.=,. %;- ;7,9;" $(; ;(&"#-; %, ;-#.3&" #E7.8&",v&$ #,&-.8;(,9#, .9#,-,"";9#," %& 7,-E&%& %; 8@,3;%; %& "&(> ^ 1.1/.&3-;:.; ,o8/$.;-#.3&" 2$, #-;0;( ;9;/&3.;" ,9#-, :./(," =."$;." , "&( ; :.( %, ,o;(.9;- .%,.;" 8&(&-.#(& =."$;/J b"5)7'"$)*l )!.",9"#,.9 , I@;-.#"*J , &$#-;" %& #.7&> !$ #;(1+( 94&.98/$. 3,-;/(,9#, )8&( ,o8,04& %, ]-;j@;3,* ,9";.&" 7-,&8$7;%&" 7-.98.7;/(,9#,8&( ;/$"_," ;& "&( ,( :./(," ($%&">UB )ac\]C^SJ [ihBL UMm*
XA 9; T(=,("A7.G<() !#7 ,) !"$ .# 8($S-. )' ?.$* ,)* :#'7)* :7'* )G^Zc6!J "> %>*J 2$,
8&9#+( (;." %, hHH (;#,-.;." -,/;8.&9;%&" , ", ;$#& 8&9".%,-; $( %&" (;." ;1-;93,9#,"
/,=;9#;(,9#&" 5A (&9#;%& "&1-, & "&( , ; (N".8; 9& 8.9,(; , ,( &$#-;" ;-#,"J %.=.%, "$;
1.1/.&3-;:.; ,( 9&=, ;""$9#&"L 6> O-.;%&-,"L %,7&.(,9#&"J ,9#-,=."#;" , ;9A/.","Y 66> 9A/.", %&
"&( %, $(; &1-; &$ :./(,Y 666> R,&-.;J ,"#+#.8; , 7&+#.8; %& "&( 9& 8.9,(;Y 6Z> CN".8; %,
:./(,Y Z> =&? 9& 8.9,(;Y Z6> Q& ($%& ;& :;/;%&Y Z66> -#, "&9&-;Y Z666> K."#F-.;J "&8.&/&3.;
UT Q& &-.3.9;/L ON D)$)7., '<)"7L .$% :)*'<)'(;*Y OON 2);<$","AL \:N D)$)7.,s TN Q(*'"7L a '<) ;"-($A "1 *"#$% *Y OOON J#*(; )ac\]C^SJ [ihHL MPi*>
UU Q& &-.3.9;/L ON D)$)7., 2<)"7L .$% :)*'<)'(;*Y OON :$.,L*)* .$% 8.*) !'#%()*Y OOON D)$)7., 2);<$","ALY OMN
Q(*'"7L@ !'L,) .$% 2);<$","AL )ac\]C^SJ [ihBL UMm*>UB R-;%$04& %& ;$#&->
Ui
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 51/181
, :./&"&:.; %& "&(Y , 6d> R-;1;/@&"J :,--;(,9#;" , #+89.8;" %, 8-.;04&UP> c ;$#&- #;(1+( 94&
5$"#.:.8; 9,( ;7-,",9#; &" (+#&%&" $#./.?;%&" 9; ,"8&/@; %&" #F7.8&">
^.9%; 9,"#; /.9@; 7;-; .%,9#.:.8;- #,9%<98.;" .(7&-#;9#," 9; /.#,-;#$-; "&1-, ; #-./@;
"&9&-; 8.9,(;#&3-A:.8;J ,( 2<) 27.(, "1 !$.(,@ W);)$' Y(')7.'#7) "$ !"#$% ?)*(A$ )~!6IJ
[iii*J ;-#.3& 8&9#,9%& #;(1+( $(; -,=."4& 1.1/.&3-A:.8; 8&(,9#;%;J :&-;( ;7&9#;%&" &$#-&"
#.7&" %, ;1&-%;3,9" 8&($9" %, ",-,( -,=,/;%;" 9&" (;#,-.;." ,"8-.#&" "&1-, & "&( 9& 8.9,(;>
W;-; ~!6IJ 2$, :,? & /,=;9#;(,9#& %, #-;1;/@&" 7$1/.8;%&" ;7,9;" 9; %+8;%; %, [iiHJ
,"8-,=,- "&1-, *"#$% %)*(A$ 9& 8.9,(; #,9%.; 9; +7&8; ; 8;.- ,( 8.98& #.7&" %,
;7-&o.(;0_,"L
^ (;.&-.; %&" ;-#.3&" "4& ,"#$%&" %, 8;"& 2$, :&8;( ,( 7-&1/,(;" "&9&-&" , .% <";
"&/$0_," #+89.8;" %, :./(," ;#$;." )3,-;/(,9#, %, ;/#& &-0;(,9#&*> ^ ",3$9%;8;#,3&-.; 8&(7-,,9%, ;-#.3&" %, &$ "&1-, 7-&,(.9,9#," 7-&:."".&9;." %; .9%N"#-.;> S,"", 3-$7& .98/$. 7,-:." , @."#F-.;" &-;."J (;" 7&- ",-,( &8;".&9;%;" :-,2$,9#,(,9#, 7,/& /;0;(,9#& %, :./(," -,8,9#,"J ;8;1;( 8;.9%& 9; 8;#,3&-.; %, ,"#$%& %, 8;"&> S,""; 8.-8$9"#V98.;J ", 8&98,9#-;( 9& #-;1;/@& (;." -,8,9#, %, $( 7-&:."".&9;/> k(#,-8,.-& 3<9,-& + ,"8-.#& 7&- $( 8&95$9#& %, ;$#&-,"J ; (;.&-.; *"#$% %)*(A$)7*
7-&:."".&9;." 2$, 7&""$,( $(; =&8;04& 7;-; :;?,- ; ;-#, %& *"#$% %)*(A$ ",-;7-,8.;%; , 8&(7-,,9%.%;> !( 2$;-#&J ,(1&-; $( #.7& -;-&J + ; ;1&-%;3,( %.%A#.8; }; %,"8-.04& %& 7-&8,""& ,( ". 2$,J 7&- ",- ,"8-.#; 7&- ,"7,8.;/."#;" 9& ;""$9#& 2$,=;/&-.?;( ; ;-#, %& "&(J 7&%, #,- $( #&( %, %,:,";> Q, 2$;/2$,- (;9,.-;J ,"",";$#&-," ;""$(,( 2$, & 8&9@,8.(,9#& %& 7-&8,""& + $(; .9:&-(;04& ";$%A=,/ 7;-;%.-,#&-," , &$#-&" %& (,-8;%&J 7;-; ;8;%<(.8&" , 7;-; ,"#$%;9#," %, 8.9,(;> !(
2$.9#& #,( &" ,9";.&" #,F-.8&" ,( "&( 2$, %."8$#,( *"#$% %)*(A$ %.-,#;(,9#, &$ 7&-.(7/.8;04&>Um )~!6IJ [iiiL iB*
^& &-3;9.?;- ,""," 8.98& #.7&" 8&($9" %, ;7-&o.(;04& %;" ,"8-.#$-;"J ~!6I ;8;1; 7&-
(,"8/;- #F7.8&" (;." ,=.%,9#," %, ;1&-%;3,9" e 8&(& 7&- ,o,(7/&L b,"#$%&" %, 8;"&"lJ
b7,-:." , @."#F-.;" &-;."lJ b,9";.&" #,F-.8&"l , b;1&-%;3,( %.%A#.8;l e 8&( 8;-;8#,-E"#.8;" ,
7;-#.8$/;-.%;%," %, ;$#&-.; %, 8;%; 3-$7& %, #-;1;/@&> c" 8-.#+-.&" %, &-3;9.?;04& %,"";"
;7-&o.(;0_," 94& "4& ,=.%,9#,"J (;" 7,-8,1,e", 2$, 7-&=+( %;" ,"#.(;#.=;" 8&9"#;#;%;" ,
-,:&-0;%;" %$-;9#, ; ,o7&".04& %&" 8&9#,N%&" %, 8;%; (;#,-.;/ (,98.&9;%& 7&- ,/; 9&%,8&--,- %& #,o#&> Z;/, -,"";/=;- 2$, 7;-; 8&(,9#;- ; 1.1/.&3-;:.; -,=.";%; ;& /&93& %& ;-#.3&J
; ;$#&-; ;3-$7; &" (;#,-.;." %, ;8&-%& 8&( & :&-(;#& %, 7$1/.8;04&J , 94& 7,/;" 8.98&
8;#,3&-.;" ;7-,",9#;%;"> c$ ",5;J ,/; ;3-,3; &" %&8$(,9#&" 9&" .#,9"L bR-<" ^9#&/&3.;"lY
b^-#.3&"lY b!%.0_," !"7,8.;." %, W,-.F%.8&" %, O.9,(;lY , b\,=."#;" !"7,8.;/.?;%;" ,
^)=*(')*lUh> ^& :.9;/ %& #,o#& ~!6I ;.9%; ;7&9#; 9&=;" %.-,#-.?," , ; 8,9; .9#,-9;8.&9;/ %;"
UP Q& &-.3.9;/L ON Y)* ;7S.')#7*@ 'S-"(A$.A)*X )$'7)'()$*X .$.,L*)*Y OON :$.,L*)* %# *"$ %.$* #$) o#57) "# #$
1(,-Y OOON 2<S"7()X )*'<S'(/#) )' G"S'(/#) %# *"$ .# ;($S-.Y OMN J#*(/#) %) 1(,-Y MN Y. 5"(c .# ;($S-.Y MON ?#
-#)' .# G.7,.$' Y MOON :7' %# *"$Y MOOON Q(*'"(7)X *";(","A() )' G<(,"*"G<() %# !"$Y , OtN JS'()7*X "#'(,* )'');<$(/#)* %) ;7S.'("$>
Um R-;%$04& %& ;$#&->Uh Q& &-.3.9;/L 2<7)) :$'<","A()*Y :7'(;,)*Y !G);(., O**#)* "1 +(,- C)7("%(;.,*Y !G);(.,'L E"#7$.,* .$% )=*(')*>
BH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 52/181
7,"2$.";" "&1-, & "&( 9& 8.9,(;J "$3,-.9%& #;(1+( 8&9#,N%&" ; ",-,( %,",9=&/=.%&" 9&
:$#$-&>
k(; .9#,904& 8&--,"7&9%,9#, ,98&9#-;e", 9& .#,( 27)$%* ($ Y(')7.'#7) "$ '<) +(,-
!"#$%'7.;0 %; 7,"2$."; %, %&$#&-;%& %, C8a6GG )MHHh*J 2$, #;(1+( 8&(1.9; #F7.8&" (;."
8/;-&" %, ;1&-%;3,9" 8&( 8;-;8#,-E"#.8;" , 7;-#.8$/;-.%;%," %; ;$#&-.; %&" #-;1;/@&"> W;-;
C8a6GG )MHHhL [P*J "4& 2$;#-& ;" .9"#V98.;" :$9%;(,9#;." %; /.#,-;#$-; "&1-, ; #-./@; "&9&-;
9& 8.9,(;J 7&%,9%& @;=,- "&1-,7&".0_," ,9#-, ;" 8;#,3&-.;" , =;-.;0_," 9& 3-;$ %, <9:;", 9;
;$#,9#.8.%;%, %, 8;%; (;#,-.;/ 8&(& &15,#& 8-E#.8& &$ /&8;/ %, 7-A#.8; %, 7-&%$04&> ^7,";- %,
94& ",- ; 7-&7&"#; %; #,", &-3;9.?;-J 9,( #-;1;/@;- "&1-, ,"";" .9"#V98.;"J C8a6GG %,8/;-;L
!( 7-.(,.-& /$3;- @A #-;1;/@&" ;8;%<(.8&" 2$, ;1&-%;( ; #-./@; "&9&-; ; 7;-#.- %, 7,-"7,8#.=;" #,F-.8;" } 2$, =4& %, ,"#$%&" %, 3<9,-& , 7".8;9A/.", nfp ; ;9A/.",":&-(;." nfp , ($".8&/&3.;> !( ",3$9%& /$3;- @A %&8$(,9#&" ,"8-.#&" 7&- ,"#$%.&"&"%, 8.9,(; 2$, ", 8&98,9#-;( ,( 8&9#,o#&" %; 7-&%$04& %; #-./@; "&9&-;J .9%& %; ;-#,, #+89.8; %&" 7-&:."".&9;." %, "&( ;#+ ;" #,89&/&3.;" ,(7-,3;%;" 9&" 7-&8,""&"8-.;#.=&" n>>>p> k(; #,-8,.-; #,9%<98.; 7&%, ",- .%,9#.:.8; ,( &1-;" ,"8-.#;" 7,/&" 7-F7-.&" 8-.;%&-," %&" "&9" %&" :./(,"J 2$, :-,2$,9#,(,9#, #,( ",-=.%& %, :&9#, 7;-;,"#$%.&"&"> !/," 8&(1.9;( &" -,3."#-&" %& 7-&:."".&9;/."(& } :&-9,8,9%&8&9".%,-;0_," %, 7-.(,.-; (4& %, 7-A#.8;" %, 8-.;04& , 7-&%$04& } 8&( -,:/,o_,"#,F-.8;" "&1-, ; ,"#+#.8; %& "&( %& :./(, nfp> g.9;/(,9#,J @A #-;1;/@&" ,"8-.#&" 7&- 7-&:."".&9;." 7-&5,#;%&" 7;-; &$#-&" 7-&:."".&9;."J , "4& ,( 3,-;/ %,"#.9;%&" 7;-; :.9"%, .9"#-$04& #+89.8; , ;-#E"#.8; n>>>p> )C8a6GGJ MHHhL [Pe[m*
O&( 1;", 9,"";" -,:,-<98.;" %, (;7,;(,9#& ;/$%.%;"J &1",-=;e", ; %.:.8$/%;%, ,(
,98&9#-;- 7;%-_," %, 8;#,3&-.?;0_," %&" (;#,-.;." "&1-, "&( 9& 8.9,(;> c-; 7;-#.9%& %,
;1&-%;3,9" (;." 3,-;."J &-; ;""&8.;%& ; ;""$9#&" ,"#+#.8&"J & #F7.8& bR,&-.;l #;/=,? ",5; &
N9.8& ,( 8&($( ,9#-, #&%;" ,"";" 7-&7&"#;" 8&9".%,-;%;"> S4& &1"#;9#,J 9; %,#,-(.9;04& %;"
8/;"".:.8;0_," "$3,-.%;"J ~!6I )[iii* , C8a6GG )MHHh* -,;/0;-;( 1-,=,(,9#, & 7,-:./ %&"
;$#&-," , & 8&9#,o#& %;" 1.1/.&3-;:.;"J ",9%& 2$, ~!6I ;8;1; -,$9.9%& &" (;#,-.;." %, ;8&-%&
8&( & :&-(;#& %, 7$1/.8;04& , C8a6GG ", 2$,- #-;1;/@; "&1-, &" %;%&"> XA ac\]C^S
)[ihH , [ihB* , G^Zc6! )"> %>* ", ;#.=,-;( "&(,9#, 9;" #,(A#.8;"> ^ 7-.(,.-; %, :&-(; 1,(;1-;93,9#,J , & ",3$9%& $( #;9#& (;." &$";%& ;& %."8-.(.9;- #F7.8&" %.=,-"&"J 7&-+(
,9=&/=,9%& &$#-;" ;-#," 2$, 94& "F & 8.9,(;> I,( $( (+#&%& %, ",7;-;04& .9.8.;/J
;7;-,9#,(,9#, a&-1(;9 , G;=&., -,8&/@,( &" #-;1;/@&" :,.#&" ,( 7,-E&%&" %,#,-(.9;%&"J
&1",-=;( &" ;""$9#&" 7-.98.7;." %, 8;%; (;#,-.;/ , ;"".( &" 8/;"".:.8;(> W&-#;9#&J ; ;$"<98.;
%, 5$"#.:.8;#.=;" , (,#&%&/&3.;" 8&98-,#;" 9; ,/;1&-;04& %,"";" #;o.&9&(.;" /,=; ; 8-,- 2$,
#-;#;e", %, $( 5$/3;(,9#& 7;-#.8$/;- %&" ;$#&-," %, ;8&-%& 8&( ; ;=;/.;04& %&" #,o#&"
7-,",9#," ,( 8;%; /,=;9#;(,9#& 1.1/.&3-A:.8&> O&( & 7-&7F".#& %, ,o7/&-;- ;" #,9%<98.;" %, =E98$/& #,(A#.8& .9,-,9#," D 7,"2$.";
B[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 53/181
"&1-, & "&( 8.9,(;#&3-A:.8& 9& ]-;"./J , ,/,3,- 8;#,3&-.;" %.-,8.&9;%;" 2$, 7&"";(
-,7-,",9#;- 9,"#, (&(,9#& &" 7-.98.7;." #F7.8&" 5$/3;%&" (;." 8&9%.?,9#," 8&( ; -,;/.%;%,
1-;"./,.-; 8&9#,(7&-V9,; %&" ,"#$%&" %& "&( 9& 8.9,(;J :&-;( 8&/,#;%&" e 8&(& 5A
(,98.&9;%& 9& 8;7E#$/& "&1-, ; (,#&%&/&3.; %,""; %."",-#;04& e &" ;""$9#&" &$ #,(;"J &"
"$1#,(;"J &" &15,#&" , &" ;"7G#* ,"7,8E:.8&" %, ,"#$%& %&" (;#,-.;." ;2$. .9=,"#.3;%&"> !"","
%;%&" :&-;( %."#-.1$E%&" %, ;8&-%& 8&( & :&-(;#&J & #E#$/&J & ;$#&- , & ;9& %& #-;1;/@& 8&(&
7&%, ",- 8&9:,-.%& 9; #;1,/; ; ",3$.-L
R^]!G^ 66Q."#-.1$.04& %&" #,(;"J "$1#,(;"J &15,#&" , ;"7G#* ,"7,8E:.8&" %, ,"#$%& 7,-;9#, & :&-(;#&J & #E#$/&J & ;$#&- , &;9& %&" #-;1;/@&"L
L,3</D, #UD8E,P>8D,3P>*, #7</P>998*D, C8ZD7</9 %ZT7D,9 B*'L&"
0;A3, c I&( 9& O.9,(;
]-;"./,.-& v g,-9;9%&
C&-;." %; O&"#; v MHHh>
c "&( 9& 8.9,(;
1-;"./,.-&>
e K."#F-.; %& "&( 9&
8.9,(; 1-;"./,.-&>
e c 8.9,(; 1-;"./,.-&Y
e R,89&/&3.; %& "&( 9&
8.9,(;>
e W-.(,.-;" #,9#;#.=;" %, ".98-&9.?;04&J
,9#-, [iHM , [i[[Y
e ^ #-;9".04& 7;-; & 8.9,(; "&9&-& 9& :.(
%; %+8;%; %, [iMH , (,;%&" %, [iTHY
e ^" ($%;90;" -,/;8.&9;%;" 8&( ; 8@,3;%;
%&" 7-.(,.-&" 3-;=;%&-," %, "&( 7&-#A#./J
/.%,-;%;" 7-.98.7;/(,9#, 7,/& S;3-; ,(
[iPMY
e ^ %.8&#&(.; ,9#-, ; ,o8,/<98.; #+89.8;
;/8;90;%; , ; ,=&/$04& %; ,"#+#.8; "&9&-;
%&" :./(," ; 7;-#.- %&" ;9&" [iiH>
0;A3, I&(e.(;3,( 9& 8.9,(;L
; ,o7,-.<98.; ;/,(4 %,
g-.#? G;93 v G$.? %,/(&
C;9?;9& v MHHT>
^ :$904& %& "&( 9&
8.9,(;>
e ^ ,o7,-.<98.; ;/,(4 %,
g-.#? G;93Y
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e R,&-.;" %, 8.9,(; ,
"$;" -,/;0_," 8&( & "&(
%&" 7-.(F-%.&" %&
8.9,(; ;#+ & ;%=,9#& %&
"&(>
e c 8.9,(; ($%&Y
e c 8.9,(; "&9&-&Y
e c 8.9,(;
,o7-,"".&9."#; ;/,(4&>
e O&9#,o#& @."#F-.8& , & 7-&8,""& %,
,=&/$04& %& 8.9,(; ,o7-,"".&9."#; ;/,(4&
)%&" 7-.(F-%.&" ;#+ [iT[*Y
e c" :./(," %, g-.#? G;93L J)'7"G",(*
)[iMBe[iMP* , JX " M.-G(7" %) ?j**),%"71
)[iT[*>
#797 C&=.(,9#&" 69=."E=,."L ;
,"#+#.8; "&9&-; %& 8.9,(;
%, ;9.(;04& v Q;9.,/ G,;/
~,-9,8j v MH[H>
^ ,"#+#.8; "&9&-; %&
8.9,(; %, ;9.(;04&
e K."#F-.; %; 8-.;04& %&
"&( 3-;=;%&Y
e K."#F-.; %& "&( 9&
8.9,(;Y
e Q,",9=&/=.(,9#& %&
"&( 8&(& /.93$;3,( 9&
8.9,(; %, ;9.(;04&Y
e R.7&" %, "&( 9& :./(,
;9.(;%&>
e c 8.9,(; %,
;9.(;04&Y
e c 8.9,(; 9&-#,e
;(,-.8;9&Y
e R,89&/&3.; %& "&( 9&
8.9,(;>
e ^" &1-;" %&" ;9.(;%&-," c"j;-
g."[email protected],-J G,9 Gw, , S&-(;9 C8G;-,9>
#797 c I&( 9& O.9,(;
]-;"./,.-&L -,=."4& %, $(;
.(7&-#V98.; .9%,:,-.%; v
g,-9;9%& C&-;." %;
O&"#; v MHHP;>
c "&( 9& 8.9,(;
1-;"./,.-&>
e K."#F-.; %& "&( 9&
8.9,(; 1-;"./,.-&>
e c 8.9,(; 1-;"./,.-&Y
e R,89&/&3.; %& "&( 9&
8.9,(;>
e W-.(,.-;" #,9#;#.=;" %, ".98-&9.?;04&J
,9#-, [iHM , [i[[Y
e ^ #-;9".04& 7;-; & 8.9,(; "&9&-& 9& :.(
%; %+8;%; %, [iMH , (,;%&" %, [iTHY
e ^" ($%;90;" -,/;8.&9;%;" 8&( ; 8@,3;%;
%&" 7-.(,.-&" 3-;=;%&-," %, "&( 7&-#A#./J
/.%,-;%;" 7-.98.7;/(,9#, 7,/& S;3-; ,(
[iPMY
e ^ %.8&#&(.; ,9#-, ; ,o8,/<98.; #+89.8;
;/8;90;%; , ; ,=&/$04& %; ,"#+#.8; "&9&-;
%&" :./(," ; 7;-#.- %&" ;9&" [iiH>
BM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 54/181
#797 c I&( 9& O.9,(;L %;
,%.04& %, "&( ;& *"#$%
%)*(A$ H ,=&/$04&
#,89&/F3.8; , 7-&%$04&
1-;"./,.-; v G$.? ^%,/(&
C;9?;9& v MHHB>
c %,",9=&/=.(,9#&
%& "&( 9& 8.9,(;>
e !%.04& %, "&( , *"#$%
%)*(A$s
e !=&/$04& #,89&/F3.8;
%& "&( 9& 8.9,(;Y
e c "&( 9& 8.9,(;
1-;"./,.-&>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
H c" 7-&:."".&9;." , &"
7-&8,""&" %, #-;1;/@&
8&( & "&( 9& 8.9,(;Y
e c 8.9,(; 1-;"./,.-&Y
e c 8.9,(; 9&-#,e
;(,-.8;9&>
e !=&/$04& %& $"& %& "&( 9& 8.9,(; %,"%,
",$ ;%=,9#& 9& :.9;/ %; %+8;%; %, [iMHY
e Q,",9=&/=.(,9#& #,89&/F3.8& , ;
(&%.:.8;04& 9; (;9,.-; %; 8&9"#-$04&
:E/(.8; 9&" ;9&" [imHY
e ^ 7F"e7-&%$04& %, "&( ,( G&" ^93,/,"
, I4& g-;98."8&Y
e !=&/$04& %& "&( 9& 8.9,(; 1-;"./,.-& ;#+
(,;%&" %; %+8;%; %, MHHHY
e Q,1;#,L b^ 8&98,704& "&9&-; 9& 8.9,(;
9&" ;9&" [iiH ;#+ & 7-,",9#,l -,;/.?;%& 9&
%.; MUv[[vMHHTY
e !o7,-.<98.; %, #-;1;/@& 8&( & 8.9,;"#;
X&,/ ₠;(;5. %,",9=&/=.%; ;& /&93& %&"
:./(," %, 8$-#;e(,#-;3,( 9&" ;9&" [iiHY
e !9#-,=."#; 8&( &" 7-&:."".&9;."L X&"+
G$.? I;""&J C;$-& /.8,J Z.-3.9.; g/&-,"J
\&1,-#& g,--;?J C.8@,/ \$(;9J a.1; ""."
]-;"./J !%$;-%& I;9#&" C,9%," , C.-.;(
].%,-(;9>
#797 W&- $(; W&/E#.8; %; Z&?
9& O.9,(;L ,"#-;#+3.;"
7;-; ,(;98.7;04& %&
,"7,8#;%&- ,( bC,(F-.;"
%& I$1%,",9=&/=.(,9#&l
%, R&(A" a$#.+--,? v !/,9
Q†77,9"8@(.## v MH[H>
^" ,"#-;#+3.;" 7;-;
,(;98.7;04& %&
,"7,8#;%&- ,(
J)-`7(.* %"
!#=%)*)$5",5(-)$'"
)R&(A" a$#.+--,?
^/,;J [iPh*>
e ^ 7&/E#.8; %; =&? 9&
8.9,(;Y
e c 8;-A#,-
-,=&/$8.&9A-.& %& :./(,
J)-`7(.* %"
!#=%)*)$5",5(-)$'"Y
e R,&-.;" "&1-, ; =&? 9&
8.9,(;Y
e R,&-.;" %; &-;/.%;%,>
e c 8.9,(; 8$1;9&Y
e ^ =&? 9& 8.9,(;Y
e c-;/.%;%, ,
7,-:&-(;98,>
e c :./(, J)-`7(.* %"
!#=%)*)$5",5(-)$'")R&(A" a$#.+--,?
^/,;J [iPh*Y
e c /.=-& J)-`7(.* %"
!#=%)*)$5",5(-)$'" )!%($9%& Q,"9&,"J
[iPB*Y
#797 W-&8,%.(,9#&" %,
#-;1;/@& 9; 8;7#;04& %,
"&( %.-,#& 9&" /&93;"e
(,#-;3,9" 1-;"./,.-&"
8"$'7. 2"%"* , :$'p$(.L ;
#+89.8; , & ,"7;0&8-.;#.=& v X&4& a&%&w %,
I&$?; v MH[[>
^ 7-A#.8; %, #-;1;/@&
9; 8;7#;04& %, "&(
%.-,#&>
e W-&8,%.(,9#&" %,
#-;1;/@& 9; 8;7#;04& %,
"&( %.-,#& 9& 8&9#,o#&
%; 7-&%$04&
8.9,(;#&3-A:.8;
:.88.&9;/Ye ^ .98&-7&-;04& %& "&(
9& "."#,(; %,
-,7-,",9#;04& %& 8.9,(;
8/A"".8& 9&-#,e
;(,-.8;9&Y
e " #-;9":&-(;0_," %;"
7-A#.8;" %, 7-&%$04& , &
%,",9=&/=.(,9#& %,
#,89&/&3.; ,"7,8E:.8;
7;-; ;" 9,8,"".%;%," %;
-,;/.?;04&
8.9,(;#&3-A:.8; 8&(
"&( %.-,#& 9; #-;9".04&
7;-; & 8.9,(; "&9&-&>
e c "&( %.-,#& 9&
8.9,(;Y
e c #+89.8& %, "&(
%.-,#&Y
e R,89&/&3.; %& "&( 9&
8.9,(;Ye c 8.9,(; 9&-#,e
;(,-.8;9&Y
e W-&8,""& %, 8-.;04&>
e ^ 8;7#;04& %, "&( %.-,#& 9&" /&93;"e
(,#-;3,9" 1-;"./,.-&" 8"$'7. 2"%"*
)\&1,-#& C&-,.-;J MHHU* , :$'p$(. )R;#;
^(;-;/J MHHP*>
&;9973D/@+, ^9A/.", %& %)*(A$ "&9&-&
9& /&93;e(,#-;3,(
4$*.(" !"=7) . 8)A#)(7. v
Q+1&-; c7&/"j. v MHHi;>
c 7-&8,""& %, 7F"e
7-&%$04& %, "&( 9&
8.9,(;>
e c" 7-&:."".&9;."J ;"
7-.98.7;." :$90_," , &"
7-&8,%.(,9#&"
-,;/.?;%&" 9& 7-&8,""&
%, 7F"e7-&%$04& %, "&(
9& 8.9,(;>
e ^ 7F"e7-&%$04& %,
"&( 9& 8.9,(;Y
e ^ ,%.04& %, "&(Y
e c %)*(A$ "&9&-& 9&
/&93;e(,#-;3,( 4$*.("
!"=7) . 8)A#)(7.
)g,-9;9%& C,.-,//,"J
MHHh*Y
e W-&8,""& %, 8-.;04&>
e c :./(, 4$*.(" !"=7) . 8)A#)(7.
)g,-9;9%& C,.-,//,"J MHHh*>
&;9973D/@+, ^9A/.", %&" W;%-_," %,
Z&? 9& O.9,(;L ;
8&($9.8;04& &-;/ @$(;9;
,( %$;" =,-"_," %, 2<)
P#''L C7"1)**"7 v G$8.;9;O;"#-& v MHH[>
W;%-_," %, =&? 9&
8.9,(;>
e c $"& %; =&? , ;
8&($9.8;04& &-;/ ,(
%$;" =,-"_," %& :./(,
2<) P#''L C7"1)**"7N
e ^ :&9&;$%.&/&3.;Y
e ^ =&? 9& 8.9,(;>
e c" :./(," 2<) P#''L C7"1)**"7 )X,--w
G,t."J [iPT* , ",$ 7)-.0)J 2<) P#''L
C7"1)**"7 )R&( I@;%w;8J [iiP*>
BT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 55/181
&;9973D/@+, ^ !"#,-,&:&9.; Q.3.#;/L
$(; ;1&-%;3,( "&1-, ;
#+89.8;J & 7;%-4& , ;
/.93$;3,( "&9&-;
8.9,(;#&3-A:.8; 9&-#,e
;(,-.8;9; 9& 7,-E&%& %,
[ii[ ; MHH[ v C;-.;9&
^/=;-,? v MHHm>
^ ,"#,-,&:&9.; %.3.#;/
9& 8.9,(;>
e c $"& %& ,"7;0&
"&9&-& ;#-;=+" %;
#,89&/&3.; ,"#,-,&:s9.8;
%.3.#;/Y
e K."#F-.; %; ,=&/$04&
#,89&/F3.8; %&" "."#,(;"
%, -,7-&%$04& "&9&-;
9&" 8.9,(;"Y
e R,89&/&3.;
,"#,-,&:s9.8; ;9;/F3.8;Y
e R,89&/&3.;
,"#,-,&:s9.8; %.3.#;/Y
e !"7;8.;/.%;%, "&9&-;
9& 8.9,(;Y
e I."#,(;" (&9&:s9.8&"J
,"#,-,&:s9.8&" , %.3.#;."Y
e c 8.9,(; 9&-#,e
;(,-.8;9&>
e c" :./(," 9&-#,e;(,-.8;9&" %, :.804& 2$,
#,9@;( 3;9@& & 7-<(.& %, (,/@&- "&(
%;%& 7,/; ^8;%,(.; %, ^-#,
O.9,(;#&3-A:.8; , O.<98.; )^CW^I* 9&
7,-E&%& %, [ii[ ; MHH[>
&;9973D/@+, ^ !o7,-.<98.; %& O.9,(;
%, G$8-,8.; C;-#,/L
-,"E%$&" %& #,(7& , "&9"
D 1,.-; %; 7."8.9; v S;#;/.;
];--,9@; v MHHi>
c 8.9,(; %, G$8-,8.;
C;-#,/>
e ^ #-;5,#F-.;J ;" &70_,"
,"#+#.8;" , & 7-&8,""&
8-.;#.=& %, G$8-,8.;
C;-#,/Y
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e c "&( 9; &1-; %,
G$8-,8.; C;-#,/>
e c 8.9,(; ;-3,9#.9&Y
e ^ 8.9,;"#; G$8-,8.;
C;-#,/>
e W;9&-;(; %& 8.9,(; ;-3,9#.9& %,"%, &"
",$" 7-.(F-%.&" ;#+ & .9E8.& %& "+8$/&
dd6>
e c P#)5" 8($) :7A)$'($"Y
e c" :./(," %, G$8-,8.; C;-#,/L K Cd$'.$"
)MHH[*J : J)$($. !.$'. )MHHU* , : J#,<)7
!)- 8.=)3. )MHHh*>
&;9973D/@+, ^ 69#-&%$04& %& I&(
Q.-,#& 9& O.9,(;Q&8$(,9#A-.& ]-;"./,.-&
9; Q+8;%; %, [iPH v R.%,
]&-3," a$.(;-4," v MHHh>
c "&( %.-,#& 9&
8.9,(; %&8$(,9#A-.& 1-;"./,.-&>
e ^ .9#-&%$04& %& "&(
%.-,#& 9& 8.9,(;%&8$(,9#A-.& 1-;"./,.-&
9; %+8;%; %, [iPH>
e c "&( %.-,#& 9&
8.9,(;Ye c 8.9,(; 1-;"./,.-&Y
e c 8.9,(;
%&8$(,9#A-.&>
e c 8&9#,o#& %& 8.9,(; 1-;"./,.-& ,9#-, ;"
%+8;%;" %, [iBH , [iPHL O.9,(; S&=&JO.9,(; Z,-%;%, , & O.9,(; Q.-,#&Y
e c" 2$;#-& :./(," 7-&%$?.%&" 7&- R@&(;?
g;-j;" ,( I4& W;$/& ,9#-, [iPU , [iPBL
J)-`7(. %" 8.$A.3"J !#=')77d$)"* %"
1#')=", J M(7.-#$%"J P"**. 4*;",. %)
!.-=.Y
e !9#-,=."#; 8&( &" 7-&:."".&9;."L X$;-,?
Q;3&1,-#&J C.3$,/ I;3;#.&J a,-;/%& X&"+J
~;/#,- a&$/;-#J CA-.& O;-9,.-&J ^-9;/%&
O;--./@&J !%$;-%& !"8&-,/J Q.1 G$#:.J
^-9;/%& X;1&-J G$.? O;-/&" I;/%;9@;J
S,/"&9 W,-,.-; %&" I;9#&" , R@&(;?
g;-j;">
&;9973D/@+, ^ W;.";3,( I&9&-;!/,#-s9.8;L ; 8&9"#-$04&
%, 9&=;" ;$%.1./.%;%," 9&
8.9,(; v X&"+ O/A$%.&
O;"#;9@,.-; v MH[H;>
S&=;" ;$%.1./.%;%,"9& 8.9,(;>
e S&=&" (&%,/&" 7,-8,7#.=&"Y
e Q,"8-.04&
:,9&(,9&/F3.8; %;
,o7,-.<98.;
8.9,(;#&3-A:.8;Y
e :,#;0_," :E".8;"
.9%$?.%;" 7,/& ,"7;0&
"&9&-& ,/,#-s9.8&Y
e ^ -,/;04& %.;/+#.8; ,
%.;/F3.8; ,9#-, & 8&-7&
%& :./(, , & 8&-7& %&
,"7,8#;%&->
e c "&( ,/,#-s9.8& 9&8.9,(;Y
e ^ 7;.";3,( "&9&-;
,/,#-s9.8;Y
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e C&%,/&" %, ,"8$#;"
8&9#,(7&-V9,&"Y
e ^ :,9&(,9&/&3.;Y
e ^" 8.<98.;" 8&39.#.=;"Y
e !"#$%& %;"
C;#,-.;/.%;%,">
e ^ -,=&/$04& ,/,#-s9.8; %&" ;9&" [iBHJ[iPH , [imHY
e c "."#,(; ?",=Ls
e g./(," %, :.804& 8.,9#E:.8; 8&(& D#)77.
$.* 4*'7),.* )a,&-3, G$8;"J [imm*>
&;9973D/@+, ^ W,-8,704& I&9&-; 9&
O.9,(;L =,- 8&( &"&$=.%&"J &$=.- 8&( &$#-&"
",9#.%&" v ^9%-,"&9
O;-=;/@& v MHHi>
^ 7,-8,704& , &
,"7;0& "&9&-& 9&8.9,(;>
e ^ 7,-8,704& ;$%.#.=;Y
e c "&( 9; 9;--;#.=;:E/(.8;>
e ^ ;$%.04&Y
e ^ 7,-8,704& , ; ,"8$#;Ye c ,"7;0& "&9&-&Y
e c ,"7,8#;%&-Y
e R,89&/&3.; %& "&( 9&
8.9,(;>
e !9#-,=."#; 8&( $( 3-$7& %, 8.98&
7,""&;" -,;/.?;%; /&3& ;7F" $(; ",""4& %&:./(, : K*'7. ) " M)$'" )~;/#,- G.(; X->J
[iim*>
&;9973D/@+, ^ \,/;04& I&(e6(;3,(
9&" g./(," %, ^9.(;04&
S&-#,e^(,-.8;9&" 9&
g.9;/ %; Q+8;%; %, [iMHL
%& "./,98.&"& ;& "&9&-& v
^9; G$.?; ];-1&"; v
MHHi>
^ :$904& %& "&( 9&
8.9,(; %, ;9.(;04&
9&-#,e;(,-.8;9&>
e K."#F-.; %& 7-&8,""&
%, 7-&%$04& %& 8.9,(;
%, ;9.(;04& , %&
7-&8,""& %, 8-.;04& %,
"$;" #-./@;" "&9&-;" 9&
7,-E&%& :.9;/ %& 8.9,(;
"./,98.&"& , 9& .9E8.& %&
8.9,(; "&9&-&>
e c 8.9,(; %,
;9.(;04&Y
e c 8.9,(; 9&-#,e
;(,-.8;9&Y
e c 8.9,(; "./,98.&"&Y
e c 8.9,(; "&9&-&Y
e c -,;/.?;%&- ~;/#
Q."9,wJ &" .-(4&"
g/,."8@,- , ; 8&(7;9@.;
~;-9,- ]-&">
e c :./(, !').-=".' ^(,,() )k7 6t,-j"J
[iMh*Y
e c" :./(," %, ~;/# Q."9,wL C,.$) 87.6L
)[iMh* , 2<) Q.#$')% Q"#*) )[iMi*>
BU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 56/181
&;9973D/@+, ^ Z&? 9; J(*) )$ !;e$)L &
:./(, 8(%.%) %) ?)#* "&1
; ,"8$#; :&9&;$%.&/F3.8; v
Z.#F-.; ^(;-;/ v MHHm>
^ -,/;04& %; =&? 8&(
&" %,(;." ,/,(,9#&"
%; /.93$;3,(
8.9,(;#&3-A:.8; , ",$
,:,.#& 9; -(*) )$
*;e$)>
e ^ ,"8$#;
:&9&;$%.&/F3.8; 9&
:./(, 8(%.%) %) ?)#*
)g,-9;9%& C,.-,//," ,
`A#.; G$9%J MHHM*>
e ^ :&9&;$%.&/&3.;Y
e c 8.9,(;Y
e ^ =&? 9; ;-#,Y
e ^-(*) )$ *;e$)>
e ^ ,"8$#; :&9&;$%.&/F3.8; 9& :./(,
8(%.%) %) ?)#* )g,-9;9%& C,.-,//," ,
`A#.; G$9%J MHHM*>
&;9973D/@+, O-.;9%& C$9%& 8&(
I&9"L 7F"e7-&%$04& %,
"&( , *"#$% %)*(A$ 9&
8.9,(; v C;$-.8.&
!"7&".#& v MH[[>
c 7-&8,""& %, 7F"e
7-&%$04& %, "&( 9&
8.9,(;>
e !#;7;" %; 7-&%$04&
"&9&-; 8.9,(;#&3-A:.8;Y
e !"#$% %)*(A$ 9&
8.9,(;Y
e C,#&%&/&3.; %,
#-;1;/@& 8&( & "&( 9&
8.9,(; 9&-#,e;(,-.8;9&>
e ^ 7F"e7-&%$04& %,
"&( 9& 8.9,(;Y
e c !"#$% %)*(A$s
e c 8.9,(; 9&-#,e
;(,-.8;9&Y
e c 8.9,(; 1-;"./,.-&Y
e ^ #-;5,#F-.; %,
^/,"";9%-& G;-&8;>
e ^ 7-.(,.-; ",2$<98.; %& :./(, 27"G. %)
4,(') r )X&"+ W;%./@;J MH[H*Y
e !9#-,=."#; 8&( & "$7,-=."&- %, ,%.04& %,
"&( , (.o;%&- ^/,"";9%-& G;-&8;>
&;9973D/@+, !9#-, ; !"8$#; , ; Z."4&L
& /$3;- %& ,"7,8#;%&- 9;
&1-; %, \&1,-# ]-,""&9 v
W,%-& O;-%&"& ^"7;@;9 v
MHHh>
^ -,/;04& ,9#-, ;
,"8-.#$-; :E/(.8; , &
/$3;- %& ,"7,8#;%&-
9; &1-; %, \&1,-#
]-,""&9>
e ^ /.93$;3,( %&
8.9,(; ,( "$; -,/;04&
8&( & ,"7,8#;%&-Y
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e c 7-.98E7.& %, 94&-,%$9%V98.; ,9#-, &
=."$;/ , & "&9&-&Y
e ^ .(7&-#V98.;
,"#-$#$-;/ %& "./<98.&Y
e ^ 7,%;3&3.; %; ,"8$#;
8.9,(;#&3-A:.8; , ;
7,%;3&3.; %& &/@;->
e ^ &1-; %, \&1,-#
]-,""&9Y
e c ,"7,8#;%&-Y
e ^ ,"8$#; , & &/@;->
e c" :./(," %, ]-,""&9L K* .**#$'"*
Gu=,(;"* )[iTU*Y F- ;"$%)$.%" V -"7')
)*;.G"# &$ K 5)$'" *"G7. "$%) /#)7
)[iBP* , F-. ;7(.'#7. %`;(, )[iPi*>
&;9973D/@+, !o7-,"".=.%;%, c-;/ 9&
O.9,(;L %.A/&3&" 8&( ;
:&9&;$%.&/&3.; v W-."8./;
K;w%+, I&$?; v MH[H>
^ ,o7-,"".=.%;%, &-;/
9& 8.9,(;>
^ =&? , ; :;/; 9&
8.9,(;>
e ^ :&9&;$%.&/&3.;Y
e ^ =&? 9& 8.9,(;>
e !9#-,=."#; ",(.e;1,-#;" 8&( 7-&:."".&9;."
%& (,.&L ",." %.-,#&-,"J ",." ;#&-," , $(;
,%.#&-; %, "&(>
&;9973D/@+, 69#-&%$04& D ^-2$,&/&3.;
%; !"8$#; &$ & S;"8.(,9#& %& O.9,(;
I&9&-& ; 7;-#.- %&
!"7E-.#& %; Ɨ7,-; v 6=;9
O;7,//,- v MHHB>
^-2$,&/&3.; %;
,"8$#;>
e K."#&-.8.%;%, %&"
-,3.(," %, ,"8$#;Ye R.7&/&3.;" %; ,"8$#;Y
e ^ -,:&-($/;04& %;
@."#F-.; %& 8.9,(;
"&9&-&Y
e 1&-%;3,(
;-2$,&/F3.8; %; @."#F-.;>
e K."#F-.; %& 8.9,(;Y
e \,3.(," %, ,"8$#;>
e ^-2$.=&" %; ,"8$#; 9&" 7,-E&%&" ,9#-, &"
;9&" %, [MHH ; [iBHJ [PHH ; [iBH , [hhH ;MHHB>
&;9973D/@+, c O.9,(;J $(; ;-#,
"&9&-; v Z.-3.9.; g/&-," v
MHHP>
c "&( , ",$" (&%&"
%, $#./.?;04& 9&
8.9,(;>
e c" 7-,""$7&"#&"
&-3;9.?;8.&9;." %;
,"8$#; , %& :;?,- %& "&(
:E/(.8&Y
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e ^" :&-(;" %, -,8,704&
%& "&( 9& 8.9,(;>
e ^ ,"8$#;Y
e R,&-.; %; (N".8;
,/,#-&;8N"#.8;Y
e c :;?,- %& "&(
:E/(.8&>
e R-,8@&" %&" :./(,"L T,"h FG
)C.8@,/;93,/& 9#&9.&9.J [iPm*J F- '(7"
$. $"(') )]-.;9 %, W;/(;J [ih[* , K
Cd$'.$" )G$8-,8.; C;-#,/J MHH[*>
&;9973D/@+, c !#77"#$% , ;
!"7;8.;/.%;%, I&9&-; 9&
O.9,(; v S+/.& O&"#; v
MHHU;>
c *#77"#$% , ;
,"7;8.;/.%;%, "&9&-;
9& 8.9,(;>
e K."#F-.; %; #,89&/&3.;
%& "&( 9& 8.9,(;Y
e ^ ,"#,-,&:&9.; %.3.#;/
9& 8.9,(;>
e R,89&/&3.;
,"#,-,&:s9.8; ;9;/F3.8;Y
e R,89&/&3.;
,"#,-,&:s9.8; %.3.#;/Y
e !"7;8.;/.%;%, "&9&-;
9& 8.9,(;Y
e c 8.9,(; 9&-#,e
;(,-.8;9&>
e
&;9973D/@+, c O&(7&".#&- I#;9/,w
`$1-.8jL ;9A/.", %& "&(
%& :./(, ?) K,<"* T)-
+);<.%"* %, I#;9/,w
`$1-.8j ;#-;=+" %; #,&-.;
"&9&-; %, C.8@,/ O@.&9 vCA-8.& O;-%&"&
C;-8&/.9& v MHHh>
c "&( %& :./(, ?)
K,<"* T)- +);<.%"*
)I#;9/,w $1-.8jJ
[iii*>
e
e ^ #,&-.; "&9&-; %,
C.8@,/ O@.&9Y
e c %.-,#&- I#;9/,w
`$1-.8j>
e c :./(, ?) K,<"* T)- +);<.%"*
)I#;9/,w $1-.8jJ [iii*>
BB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 57/181
&;9973D/@+, c G$3;- g&-; %& G$3;-L
#&7&3-;:.;" "&9&-;" %&
8.9,(; %&8$(,9#A-.& v
g-,%,-.8& W,""&; v MH[[>
c "&( 9& 8.9,(;
%&8$(,9#A-.&>
e g$90_," %& "&( 9&
8.9,(;Y
e I,." (&%&" %,
,"#-$#$-;04& %,
;-3$(,9#&"v9;--;#.=;"
%& 8.9,(; %&8$(,9#;/Y
e c /$3;- +#.8&e7&/E#.8&
9& %&8$(,9#A-.&>
e c 8.9,(;
%&8$(,9#A-.&>
e c" :./(," 4$'#6(.6- "# !($1"$(.
?"$=.**. )Q?.3; Z,-#&=J [iT[*J 2('(;#'
+",,()* )g-,%,-.8j ~.",(;9J [iPm*J O@$/;"
g-&9#,-;" )G," ]/;9jJ [imU* , 2<)
O$5(*(=,) +7.-) )Ow9#@.; ],;##J [imU*>
&;9973D/@+, I, W&%," c$=.-J !"8$#;L ;
3<9,", ;$%.&=."$;/ %,
4$*.(" !"=7) . 8)A#)(7. v
`.-; W,-,.-; v MH[H>
c 7-&8,""& %, 8-.;04&
%& "&( 9& :./(,
4$*.(" !"=7) .
8)A#)(7. )g,-9;9%&
C,.-,//,"J MHHh*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e !#;7;" %; 7-&%$04&
"&9&-; 8.9,(;#&3-A:.8;Y
e W-&8,""& %, 8-.;04&>
e c :./(, 4$*.(" !"=7) . 8)A#)(7.
)g,-9;9%& C,.-,//,"J MHHh*Y
e c /.=-& 4$*.(" !"=7) . 8)A#)(7. %, X&"+
I;-;(;3&Y
e c -&#,.-& $#./.?;%& 7;-; ; :./(;3,(Y
e c" 8&-#," [ , m %; (&9#;3,(Y
e ^ ",""4& %, (.o;3,( ;9#," %, ",-
,9=.;%; ;& g,"#.=;/ %, O;99," , ; =,-"4&
:.9;/ %& :./(, ;7-,",9#;%; 8&(,-8.;/(,9#,
9;" ";/;" %, 8.9,(;Y
e !9#-,=."#; 8&( &" 7-&:."".&9;."L
g,-9;9%& C,.-,//,"J a$./@,-(, ^w-&";J
Q;9.,/ \,?,9%,J /,"";9%-& G;-&8;J
C;-8& 9#&9.& a$.(;-4," , -(;9%&
R&--," X->>
&;9973D/@+, I&( 9& O.9,(;J I./<98.&
9&" g./(,"L & .9,o7/&-;%&
, & .9;$%.#& v g,-9;9%&
C&-;." %; O&"#; v MHHT;>
^ :$904& %& "&( 9&
8.9,(;J 9; #,&-.; , 9;
;9A/.", :E/(.8;>
e c "./<98.& 8&(& 7;-#,
.9#,3-;9#, %& "&( 9&
8.9,(;Y
e ^ .9",-04& %& "&( 9&
8.9,(;Y
e ^ 7-.(;?.; %; =."4&Y
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e c ,"7;0& -,",-=;%& ;&
"&( 9; #,&-.; , 9;
;9A/.", :E/(.8;>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e c ,"#$%& %& "&(Y
e ^ #,&-.; , ; ;9A/.",
:E/(.8;Y
e c "./<98.& , & -$E%&>
e c :./(, K !(,q$;(" )C&@",9
C;j@(;/1;:J [iih*>
&;9973D/@+, I&9&/&3.; , O.9,(;L
,/,(,9#&" 7;-; ;9A/.",
A$%.&e=."$;/ v /,o;9%-,
]-‡$#.3;( v MHHm>
^9A/.", , %,"8-.04&
%& "&( 9& 8.9,(;>
e O&9=,-3<98.;" ,9#-,
(N".8; ,/,#-&e;8N"#.8;J
8.9,(; "&9&-& ,
".#$;0_," /.(.#," ,9#-,
,"#;" ;-#,">
e R,&-.; %; (N".8;
,/,#-&;8N"#.8;Y
e O.9,(; "&9&-&>
e
&;9973D/@+, k( !"#$%& %;
W,-:&-(;98, %; c-;/.%;%,
9& O.9,(;L -,3."#-&" %;
=&? 9; /.93$;3,(
%&8$(,9#;/ v !/,9
Q†77,9"8@(.## v MHHB>
^ =&? 9& 8.9,(;
%&8$(,9#A-.&>
e ^ 7,-:&-(;98, %; =&?Y
e ^ &-;/.%;%, 9;" (E%.;"Y
e c %.A/&3& ,9#-, &
"."#,(; &-;/ , =."$;/>
e ^ =&? 9& 8.9,(;Y
e c 8.9,(;
%&8$(,9#A-.&>
e c %&8$(,9#A-.& :%9" "# !"-"* 2"%"*
+(,<"* %. 2)77. )~;/#,- I;//," , Q;9.,//;
R@&(;"J [iih*>
>3D;Q, ů 1,.-; %; 7."8.9;J D 1,.-;
%& 2$;%-&L ; $#./.?;04& %&
"&( "11 , ; 8&9"#-$04& %,
#,9"4& 9; &1-; %,
G$8-,8.; C;-#,/ v S;#;/.;
];--,9@; , 9#s9.&
W;""&" v MHHi>
c "&( "11 9&" :./(,"
%; 8.9,;"#; ;-3,9#.9;
G$8-,8.; C;-#,/>
e !"#$%& ;9;/E#.8&e
.9#,-7-,#;#.=& %&" :./(,"
%, G$8-,8.; C;-#,/>
e c 8.9,(; ;-3,9#.9&Y
e c "&( 9&" :./(," %,
G$8-,8.; C;-#,/>
e c" :./(," %, G$8-,8.; C;-#,/L K Cd$'.$"
)MHH[*J : J)$($. !.$'. )MHHU* , : J#,<)7
!)- 8.=)3. )MHHh*>
>3D;Q, ^ %.:E8./ -,/;04& ,9#-,
.(;3,( , "&( 9&
;$%.&=."$;/
8&9#,(7&-V9,& v G$8.,9,
],//,1&9. v MHHU>
^ -,/;04& ,9#-, "&( ,
.(;3,( 9&
;$%.&=."$;/>
eQ.:,-,9#," :&-(;" %,
-,/;04& ,9#-, "&( ,
.(;3,(Y
e ^ 7-.(;?.; %; =."4&>
e G.93$;3,(
;$%.&=."$;/> e
>3D;Q, ^ !"8$#; gE/(.8;L $(;
;#.#$%, ,"#+#.8; v Z.-3.9.;
g/&-," v MHHm>
^ ,"8$#; :E/(.8;> e " :&-(;" %, -,8,704&
%& "&( 9& 8.9,(;>
e C&%&" %, ,"8$#;Y
e ^ ,"8$#; :E/(.8;> e
BP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 58/181
>3D;Q, ^ g&9&;$%.&/&3.; , & ;#&-
%, 8.9,(;L -,/;#&" %,
7-&:."".&9;." %& (,.&
8.9,(;#&3-A:.8& v G+"/.,
g,--,.-;J Z.#&-.; ^(;-;/ ,
W-."8./; K;w%+, I&$?; vMH[H;>
c #-;1;/@&
%,",9=&/=.%& 8&( ;
=&? , ; :;/; 9&
8.9,(; 8&( <9:;",
9; ;#$;04&
:&9&;$%.&/F3.8;>
e ^ ,o7-,"".=.%;%, &-;/
9& 8.9,(;>
e ^ :&9&;$%.&/&3.;Y
e ^ =&? 9& 8.9,(;Y
e c ;#&- %, 8.9,(;Y
e !9#-,=."#; ",(.e;1,-#;" 8&( #-<" ;#&-,"J
2$;#-& :&9&;$%.F/&3;" , $( %.-,#&->
>3D;Q, ^ 69",-04& %& I&( 9&
O.9,(;L 7,-8;/0&" 9;
7;"";3,( %, $( (,.&
=."$;/ 7;-; ;$%.&=."$;/ v
g,-9;9%& C&-;." %;
O&"#; v MHHT:>
^ .9",-04& %& "&( 9&
8.9,(;>
e ^ 7-.(;?.; %; =."4&>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e R,&-.;" "&1-, & 8.9,(;
:;/;%&> e
>3D;Q, ^ S;--;#.=;
g&9&8.9,(;#&3-A:.8; ,(
K !(,q$;("L ;$%.04&
"$15,#.=; , 8-&9&#&7.;" %&
,"7;0& :E/(.8& v C;$-.8.&
O;/,.-& v MH[[>
^" ;1&-%;3,9"
"&9&-;" ,(7-,3;%;"
9& :./(, K !(,q$;("
)C&@",9
C;j@(;/1;:J [iih*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c" ,"#$%&" %, 8.9,(;> e c :./(, K !(,q$;(" )C&@",9
C;j@(;/1;:J [iih*>
>3D;Q, ^ S&=; I&9&-.%;%, %&
O.9,(; ,( I4& W;$/& v
^9%-, a;##. , !%$;-%&
I;9#&" C,9%," v MHHh>
c %,",9=&/=.(,9#&
%& "&( 9& 8.9,(;>
e !=&/$04& #+89.8;J
7-&:."".&9;/ , ,"#+#.8; %&
"&( 9& 8.9,(;>
e c "&( 9; -,#&(;%; %&
8.9,(; 1-;"./,.-&>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
H c" 7-&:."".&9;." , &"
7-&8,""&" %, #-;1;/@&
8&( & "&( 9& 8.9,(;Y
e !"#+#.8; %& "&( 9&
8.9,(;Y
e c 8.9,(; 7;$/."#;9&>
e
>3D;Q, ^ W;.";3,( I&9&-;
!/,#-s9.8;L ; -,8&9"#-$04&
%& ($9%& "&9&-&
8&9#,(7&-V9,& 9&
8.9,(; v X&"+ O/A$%.&
O;"#;9@,.-; v MHHh;>
^ ,o7,-.<98.; %&
8.9,(; ",3$9%& $(
=.+" %;"
C;#,-.;/.%;%,">
e Q,"8-.04&
:,9&(,9&/F3.8; %;
,o7,-.<98.;
8.9,(;#&3-A:.8;>
e ^ 7;.";3,( "&9&-;
,/,#-s9.8;Y
e ^ :,9&(,9&/&3.;Y
e ^" 8.<98.;" 8&39.#.=;"Y
e !"#$%& %;"
C;#,-.;/.%;%,">
e
>3D;Q, ^ W;.";3,( I&9&-; , ;
^(1.,9#;04& %& Q,",9@&
%, I&(L &" "&9" ;(1.,9#,
8&(& /&8;/.?;%&-,"
,"7;8.;." , #,(7&-;." 9&
:./(, 4$*.(" !"=7) .
8)A#)(7. v Q+1&-;
c7&/"j. v MHHi1>
^ 8&(7&".04& %&"
"&9" ;(1.,9#," %&
:./(, 4$*.(" !"=7) .
8)A#)(7. )g,-9;9%&
C,.-,//,"J MHHh*>
^ -,/;04& ,9#-, ;
8&(7&".04& %&" "&9"
;(1.,9#," %& :./(,
4$*.(" !"=7) .
8)A#)(7. , & 8&98,.#& %,
7;.";3,( "&9&-; %,
C$--;w I8@;:,->
e ^ 8&(7&".04& %&" "&9"
;(1.,9#,"Y
e W;.";3,( "&9&-;>
e c :./(, 4$*.(" !"=7) . 8)A#)(7.
)g,-9;9%& C,.-,//,"J MHHh*>
>3D;Q, ^ W-,",90; %& I&(L
7-&7&"#; 7;-; $(;
.9=,"#.3;04& (;#,-.;/ %;
,o7,-.<98.; "&9&-; 9&
8.9,(; v X&"+ O/A$%.&
O;"#;9@,.-; v MHHi1>
^ ,o7,-.<98.; %&
8.9,(; ",3$9%& $(;
;7-&o.(;04& ,9#-, &"
,"#$%& %;"
(;#,-.;/.%;%," , ;
:,9&(,9&/&3.;>
e ^ .(7&-#V98.; %& "&(
9; ;:,#;04& %& 8&-7&
.(,-"& 9& %."7&".#.=&
8.9,(;#&3-A:.8&Y
e S&=&" (&%,/&"
7,-8,7#.=&">
e ^ 7;.";3,( "&9&-;
,/,#-s9.8;Y
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e C&%,/&" %, ,"8$#; 9&
8.9,(;Y
e ^ :,9&(,9&/&3.;Y
e !"#$%& %;"
C;#,-.;/.%;%,">
e
>3D;Q, ^ -,/;04& .(;3,( , "&(
9&" :./(," %, $1-.8j v
!%$;-%& I;9#&" C,9%," ,
S,w O;--;"8& v MHHm>
^ -,/;04& .(;3,( ,
"&( 9&" :./(," %&
%.-,#&- I#;9/,w
`$1-.8j>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c %.-,#&- I#;9/,w
`$1-.8j>
e c :./(, r[[_@ #-. "%(**S(. $" )*G.3"
)I#;9/,w $1-.8jJ [iPh*>
>3D;Q, ^ I.9:&9.; %&" WA"";-&" v
^/:-,%& R&--," v MHHi>
^ #-./@; "&9&-; %, K*
CB**.7"* )^/:-,%
K.#8@8&8jJ [iPT*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^ &1-; %, ^/:-,%
K.#8@8&8j>
e c :./(, K* CB**.7"* )^/:-,% K.#8@8&8jJ
[iPT*>
>3D;Q, ^ I$1(,-"4& 9;" 6(;3,9"
I&9&-;"L & "&( , "$;"
%.(,9"_," -,;." ,
.(;3.9A-.;" v Q;(w/,-
O$9@; v MH[[>
c -$E%& :&-; %,
8;(7& 8&(& :&-0;
,o7-,"".=; 8<9.8;>
^ .98&93-$<98.; ,9#-, &
2$, + =."#& , & 2$, +
&$=.%& 9; #,/;>
e c -$E%& :&-; %, 8;(7&Y
e I&( ;8$"(A#.8&>
e c" :./(,"L Q.-.;. C.7.A#.L. )W;?
!98.9;J MHHP*Y K Cd$'.$" )G$8-,8.;
C;-#,/J MHH[* , : J#,<)7 !)- 8.=)3.
)G$8-,8.; C;-#,/J MHHh*>
Bm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 59/181
>3D;Q, ^ #-./@; "&9&-; %, $(
:./(, .(;3.9A-.&L $(;
;9A/.", %& :./(, TYF4
)[iiT* %, Q,-,j X;-(;9 v
g;1.;9; q$.9#;9; v MH[H>
^9A/.", %; #-./@;
"&9&-; %& :./(,
TYF4 )Q,-,j
X;-(;9J [iiT*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^ &1-; %, Q,-,j
X;-(;9>
e c :./(, TYF4 )Q,-,j X;-(;9J [iiT*>
>3D;Q, ^ R-./@; I&9&-; %&O.9,(;L 7-&7&"#; 7;-; $(
b&$=.-l ;9;/E#.8& v CA-8.;
O;-=;/@& %; I./=; v MHHm>
^9A/.", %; #-./@;"&9&-; 9& 8.9,(;>
e O/;"".:.8;04& %&",/,(,9#&" %; #-./@;
"&9&-;Y
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^" #-<" 8;#,3&-.;" %,O@;-/," I;9%,-" W,.-8,L
94&e-,7-,",9#;#.=&J
:.3$-;#.=& ,
-,7-,",9#;#.=&Y
e c" ,/,(,9#&" %; #-./@;
"&9&-; 8.9,(;#&3-A:.8;L
(N".8;J ,:,.#& "&9&-& ,
=&?>
e c :./(, T.(,) C)71#-.%" )W;$/& O;/%;" ,GE-.& g,--,.-;J [iim*
>3D;Q, ^ =&? 9;" C,(F-.;" %&
I$1%,",9=&/=.(,9#&L %,
!%($9%& Q,"9&," ;
R&(A" a$#.+--,? ^/,; v
!/,9 Q†77,9"8@(.## v
MHHm;>
^ =&? ,( J)-`7(.*
%"
!#=%)*)$5",5(-)$'" >
e ^ #-;9"8-.04& %; =&? 9;
/,#-; 7;-; ; =&? 9; #,/;>
e c 8.9,(; 8$1;9&Y
e ^ =&? 9& 8.9,(;>
e c :./(, J)-`7(.* %"
!#=%)*)$5",5(-)$'")R&(A" a$#.+--,?
^/,;J [iPh*Y
e c /.=-& J)-`7(.* %"
!#=%)*)$5",5(-)$'" )!%($9%& Q,"9&,"J
[iPB*Y
>3D;Q, ^/+( %& 2$, ", =<L & "&(
, ;" 7;.";3,9" "&9&-;" 9&
%&8$(,9#A-.& ?"$A J %,
X.; |@;93ej, v 6";;8
W.7;9& v MH[[>
c "&( , ;" 7;.";3,9"
"&9&-;" 9&
%&8$(,9#A-.& ?"$A J
%, X.; |@;93ej,>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^ &1-; %, X.; |@;93e
j,Y
e W;.";3,( "&9&-;>
e c :./(, ?"$A )X.; |@;93ej,J MHHP*
>3D;Q, ^" .%,.;" %; #-./@; "&9&-;
%& :./(, :0(7. v X&"+
!%$;-%& ]&?.8;9.9 v
MHHh>
^ #-./@; "&9&-; %&
:./(, :0(7.
)`;#"[email protected]& ‿#&(&J
[ihh*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c 8.9,(; %,
;9.(;04&Y
e W-&8,""& %, 8-.;04&>
e c :./(, :0(7. )`;#"[email protected]& ‿#&(&J [ihh*>
>3D;Q, 8.$%($<"L ; 8&9"#-$04&
%& ,"7;0& 9;--;#.=&
;#-;=+" %; -,/;04&.(;3,(e"&( v `.-;
W,-,.-; v MHHi;>
^9A/.", %; -,/;04&
.(;3,( , "&( %&
(+%.;e(,#-;3,(8.$%($<" )c?$;/%&
O;9%,.;"J [imP*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e 9A/.", ;$%.&=."$;/
:&8;%; 9& ,/,(,9#&
"&9&-&>
e c :./(, 8.$%($<" )c?$;/%& O;9%,.;"J
[imP*>
>3D;Q, O&(& "&; @&5,
,o7,-.(,9#;/r v g,-9;9%&
C&-;." %; O&"#; v MH[[1>
c $"& %& "&( 9&
8.9,(;
8&9#,(7&-V9,&>
e 69&=;0_," "&9&-;" 9&
8.9,(; 8&9#,(7&-V9,&Y
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c 8.9,(;
8&9#,(7&-V9,&> e
>3D;Q, Q, c/@&" , c$=.%&" ],(
^1,-#&"L $(;
8/;"".:.8;04& %&" "&9" 9&
8.9,(; v CA-8.; O;-=;/@&
%; I./=; v MHHh>
^9A/.", %; #-./@;
"&9&-; 9& 8.9,(;>
e O/;"".:.8;04& %&"
,/,(,9#&" %; #-./@;
"&9&-;L
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^" #-<" 8;#,3&-.;" %,
O@;-/," I;9%,-" W,.-8,L
94&e-,7-,",9#;#.=&J
:.3$-;#.=& ,
-,7-,",9#;#.=&Y
e c" ,/,(,9#&" %; #-./@;
"&9&-; 8.9,(;#&3-A:.8;L
(N".8;J ,:,.#& "&9&-& ,
=&?>
e
>3D;Q, Q.A/&3&" "&1-, ; .(;3,(
=."$;/ , ; .(;3,( "&9&-;L
; ,o7,-.<98.; %, ,"8-.#$-;
%& "&9&-& 9&"
%&8$(,9#A-.&"
,#9&3-A:.8&" v Z.=.;9,
Z,%;9; v MH[[>
^ (&9#;3,( %,
%&8$(,9#A-.&"
,#9&3-A:.8&" "&1 ;
7,-"7,8#.=; %; 1;9%;
"&9&-;>
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e Q&8$(,9#A-.&"
,#9&3-A:.8&">
e c 8.9,(;
%&8$(,9#A-.&>
e c ];98& %, 6(;3,9" , !:,.#&" Z."$;."
)].,=* %; kg\aI>
Bh
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 60/181
>3D;Q, !:,.#&" I&9&-&" !92$;9#&
g;/; ^$%.&=."$;/L ;9A/.",
%, a,-;/% C8]&.93e
]&.93 D /$? %& ŗBMh %;"
69=,"#.3;0_," g./&"F:.8;" v
\;:;,/ Z,9;98.& v MH[[>
c $"& %& "&( 9&
8.9,(; %, ;9.(;04&>
e c" ,:,.#&" "&9&-&"
,92$;9#& :;/;
;$%.&=."$;/Y
e c :,9s(,9& ,.$A#.A)H
,(0) 7-;#.8;%& ,( a,-;/%
C8]&.93e]&.93>
e c 8.9,(; %,
;9.(;04&Y
e ^ 7-&%$04& %&"
,"#N%.&" %; kW^
)F$(')% C7"%#;'("$* "1
:-)7(;.*Y
e ^ &1-; b69=,"#.3;0_,"
g./&"F:.8;"l %, G$%t.3
~.##3,9"#,.9Y
e c :,9s(,9& ,.$A#.A)H
,(0)>
e c" :./(," , & 7,-"&9;3,( a,-;/%
C8]&.93e]&.93>
>3D;Q, 4,);'7"$(; 2"$.,('()*L &
,"7;0& ,/,#-s9.8& , ;
.(7-,""4& %, -,;/.%;%, 9;
:.804& 8.,9#E:.8; v X&"+
O/A$%.& O;"#;9@,.-; v
MHHh1>
c ,"7;0& ,/,#-s9.8& ,
; .(7-,""4& %,
-,;/.%;%, 9; :.804&
8.,9#E:.8;>
e ^ 7;-#.8.7;04& %& "&(
9; 8&9"#-$04& %;
.(7-,""4& %, -,;/.%;%,
9; ,o7,-.<98.;
8.9,(;#&3-A:.8;Y
e S&=&" (&%,/&"
7,-8,7#.=&">
e c "&( ,/,#-s9.8& 9&
8.9,(;>
e g./(," %, :.804& 8.,9#E:.8;>
>3D;Q, !"8$#;9%& & O.9,(; v
a,-"&9 G,(, v MHHh>
^ 8-.;04& "&9&-;
;$%.&=."$;/>
c" ,/,(,9#&"J ;" ,#;7;"
, & #-;1;/@& 8&( ; 7-&%$04& "&9&-;
8.9,(;#&3-A:.8;>
e ^" 8;(;%;" %, "&( 9&
8.9,(;Ye c$=.- o ,"8$#;-Y
e c" ,/,(,9#&" "&9&-&"
%& 8.9,(;>
e
>3D;Q, !"8$#;- #;9#& 2$;9#& ", =<
)8&(& $( :./(, .-;9.;9&J
"&1-, $(; 8-.;90; 8,3;J
7&%, ,9".9;- ; &$=.-r* v
g,-9;9%& C&-;." %;
O&"#; v MHHT1>
^ .(7&-#V98.; %;
;$%.04& 9; .9:V98.;>
e 7-.(;?.; %; =."4&> e W,-8,704& ",9"&-.;/
.9:;9#./>
e c :./(, K !(,q$;(" )C&@",9
C;j@(;/1;:J [iih*>
>3D;Q, 69#-&%$04& D -2$,&/&3.;
%; !"8$#;L %& "&( , %;
=&? 8&(& &15,#&" %,
,9$98.;04& v 6=;9O;7,//,- v MH[[>
^-2$,&/&3.; %;
,"8$#;>
e K."#&-.8.%;%, %&"
-,3.(," %, ,"8$#;Y
e R.7&/&3.;" %; ,"8$#;Y
e ^ -,:&-($/;04& %;@."#F-.; %& 8.9,(;
"&9&-&Y
e 1&-%;3,(
;-2$,&/F3.8; %; @."#F-.;>
e K."#F-.; %& 8.9,(;Y
e \,3.(," %, ,"8$#;>
e
>3D;Q, G$8-,8.; C;-#,/ , &
1,9,:E8.& %; .98,-#,?; v
!%$;-%& I;9#&" C,9%," ,
6=&9,#, W.9#& v MHHB>
^ -,/;04& ;$%.&=."$;/
9; &1-; %, G$8-,8.;
C;-#,/>
e
e ^ 8.9,;"#; G$8-,8.;
C;-#,/>
e c :./(, : J)$($. !.$'. )G$8-,8.;
C;-#,/J MHHU*
>3D;Q, c -#."#; I./,98.&"&L $(
,"#$%& %; 8&9"#-$04&
"&9&-; 9& :./(, %&
O.9,8/$1, k9.=,-".#A-.&
%, O;(7.9;" v S;#;"@;
^/(,.%; v MH[[>
^ 8&9"#-$04& %&
,"7;0& "&9&-& 9&
8$-#;e(,#-;3,( K
:7'(*'. )G$.? O;-/&"
\.1,.-& ]&-3,"J
[iPm*>
e ^ .9:/$<98.; ,o,-8.%;
"&1-, & :./(, 7,/&
8.9,(; "./,98.&"&
8;(7.9,.-&J 7-&%$?.%&"
9&" ;9&" [iMHJ , 7,/;
8@,3;%; %& "&( ; "$;"";/;" %, ,o.1.04&>
e c 8.9,(; 8;(7.9,.-&> e c 8$-#;e(,#-;3,( K :7'(*'. )G$.? O;-/&"
\.1,.-& ]&-3,"J [iPm*Y
e c 8.9,8/$1, $9.=,-".#A-.& %, O;(7.9;"e
IWY
>3D;Q, c ,9";.& 9& %&8$(,9#A-.&
, ; 2$,"#4& %; 9;--;04&
,( "11 v O&9"$,/& G.9" v
MHHm>
^" 7&"".1./.%;%,"
,"#+#.8;" %& $"& %;
9;--;04& ,( "11 9&
%&8$(,9#A-.&>
e ^ ,"#+#.8; %&
%&8$(,9#A-.& 1-;"./,.-&>
e c 8.9,(;
%&8$(,9#A-.& 1-;"./,.-&Y
e c 8.9,(;
%&8$(,9#A-.& :-;98<"Y
e ^ 9;--;04& ,( "11 >
e ^" &1-;" %&" 8.9,;"#;" O@-." C;-j,- ,
^39•" Z;-%;>
>3D;Q, c -A%.& , &" "./<98.&"L
;-#.8$/;0_," "&1-, & $"&
%& "&( ,( 8($)-.X
.*G(7($.* ) #7#=#* v
\&%-.3& O;--,.-& v MH[H;>
c $"& %& "&( 9&
:./(, 8($)-.X
.*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J
MHHB*>
e ^ ;-#.8$/;04& ,9#-, &
"&( , ,/,(,9#&" %;
,98,9;04& 9& :./(,
8($)-.X .*G(7($.* )
#7#=#* )C;-8,/&
a&(,"J MHHB*>
e c -A%.& , &" "./<98.&"
9& :./(, 8($)-.X
.*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J MHHB*>
e c :./(, 8($)-.X .*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J MHHB*>
Bi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 61/181
>3D;Q, c I&( !/,#-s9.8& 9&
O.9,(;L $(; ;1&-%;3,(
:,9&(,9&/F3.8; v X&"+
O/A$%.& O;"#;9@,.-; v
MH[H1>
^ ,o7,-.<98.; %&
8.9,(; ",3$9%& $(;
;7-&o.(;04&
:,9&(,9&/F3.8;>
e S&=;" ;$%.1./.%;%," 9&
8.9,(;Y
e S&=&" (&%,/&"
7,-8,7#.=&">
e c "&( ,/,#-s9.8& 9&
8.9,(;Y
e ^ :,9&(,9&/&3.;Y
e !"#$%& %;"
C;#,-.;/.%;%,"Y
e ^" 8.<98.;" 8&39.#.=;">
e
>3D;Q, c I&( !o7;9%.%&L &"
9&=&" ,"7;0&" %& "&( 9&
8.9,(; v X&"+ O/A$%.&
O;"#;9@,.-; v MH[[1>
S&=&" ,"7;0&" %&
"&( 9& 8.9,(;
e S&=;" ;$%.1./.%;%," 9&
8.9,(;Y
e S&=&" (&%,/&"
7,-8,7#.=&">
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e C&%,/&" %, ,"8$#;Y
e ^" 8.<98.;" 8&39.#.=;">
e c" "."#,(;" ?",=LJ !)$*#77"#$% , 2Qt >
>3D;Q, c "&( *#77"#$% , "$;"
:&-(;" %, $"& v /.9,
W,%-,.-;" v MHHh>
c "&( *#77"#$% > e R,89&/&3.;
,"#,-,&:s9.8; %.3.#;/ 9&
8.9,(;Y
e !"7;8.;/.%;%, "&9&-;
9& 8.9,(;>
e c "."#,(; *#77"#$%
B>[>
e c :&-(;#& %, "&( ($/#.8;9;/ %.3.#;/L
Q&/1w Q.3.#;/>
>3D;Q, c I&9@& %, !%."&9L &
;%=,9#& %& "&(
".98-&9.?;%& v S,w
O;--;"8& v MHHT>
^ .9",-04& %& "&( 9&
8.9,(;>
e W-.98.7;." ,o7,-.<98.;"
%, $9.4& ,9#-, "&( ,
.(;3,( 9& 8.9,(;>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e c .9=,9#&- R@&(;"
!%."&9>
e
>3D;Q, c !"#$%*;.G) %;
C&%,-9.%;%,L &" !"#$%
!'#%()* , & "&( 9& 8.9,(;
v X&"+ O/A$%.&
O;"#;9@,.-; v MH[[;>
c" !"#$% !'#%()* , &
"&( 9& 8.9,(;>
e c "&( 8&(& &15,#& %,
,"#$%& 7;-; & 8.9,(; ,
7;-; ;" 7-A#.8;" "&8.;."
%, $( (&%& 3,-;/>
e c" !"#$% !'#%()*s
H ^ !"#$% :7'N
e
>3D;Q, c-:,$L %& (.#& ; -,;/.%;%,
1-;"./,.-;> ^ .(7&-#V98.;
%; #-./@; "&9&-; 9;
,"#-;#+3.; 9;--;#.=; %,
O;8A Q.,3$," , "$;
-,/;04& 8&( & 8&9#,o#&
"&8.&8$/#$-;/ %, $(;
+7&8; v g;1.;9;q$.9#;9; v MHHi>
^9A/.", %; #-./@;
"&9&-; %& :./(,
K71)# )O;8A Q.,3$,">
[iii*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^ #-./@; "&9&-; %&
:./(, K71)# )O;8A
Q.,3$,"> [iii*>
e c :./(, K71)# )O;8A Q.,3$,"> [iii*>
>3D;Q, c" 8;(.9@&" %&" $"&" %&"
"./<98.&" )&$ ; /,(1-;90;
2$, 94& 7;""; %, X&@9
O;3,* v g,-9;9%& C&-;."
%; O&"#; v MH[[8>
c" $"&" %&" "./<98.&"
9& 8.9,(;>
e
H c 8.9,(;
8&9#,(7&-V9,&Y
H c "./<98.&> e
>3D;Q, c" "&9" %; 8&9#.9$.%;%,
.9#,9".:.8;%;L & 8;"& %,
I,-3.& G,&9, v \&%-.3&
O;--,.-& v MH[[;>
c $"& %& "&( 9; &1-;
%, I,-3.& G,&9,>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e ^ &1-; %, I,-3.&
G,&9,Y
e c 8&98,.#& %,
8&9#.9$.%;%,
.9#,9".:.8;%; %, Q;=.%
]&-%t,//>
e MT h)*')7$* -,;/.?;%&" ,9#-, &" ;9&" %,
[iTH , [iPH , B %, G,&9,Y
e ^ &1-; %, I,-3.& G,&9,>
>3D;Q, W;.";3,9" I&9&-;" %,\&1,-# ]-,""&9L $(;
;9A/.", ; 7;-#.- %&"
8&98,.#&" %, C$--;w
I8@;:,- v G$.?; ^/=.( v
MH[[>
^" 7;.";3,9" "&9&-;"%&" :./(," %, \&1,-#
]-,""&9>
e c" 7-.98.7;." "&9" 2$,8&(7_,( ;" 7;.";3,9"
"&9&-;" %&" :./(," %,
\&1,-# ]-,""&9>
e ^ &1-; %, \&1,-#]-,""&9Y
e c" 8&98,.#&" %,
C$--;w I8@;:,->
e c" :./(," %, ]-,""&9L K* :$b"* %"
C);.%" )[iUT*Y " Q;(;" %& ]&." %,
]&$/&39, )[iUB*Y ?(B7(" %) #- C.%7)
)[iB[*Y C(;0G";0)' )[iBi*Y : D7.$%)
2)*')-#$<. )[iPP*Y J"#;<)'') )[iPm*Y
F-. J#,<)7 ?";) )[iPi*Y q$;#-& S&.#,"
%, $( I&9@;%&- )[imM*Y K ?(.="
C7"5.5),-)$') )[imm*Y K ?($<)(7"
)\&1,-# ]-,""&9J [ihT*>
>3D;Q, W,9";9%& ; #-./@; "&9&-;
7;-; ;$%.&=."$;/ v a,-"&9
G,(, v MH[[>
^9A/.", %; #-./@;
"&9&-; 9& 8.9,(;>
e O/;"".:.8;04& %&"
,/,(,9#&" %; #-./@;
"&9&-;>
e c" ,/,(,9#&" %; #-./@;
"&9&-; 8.9,(;#&3-A:.8;L
(N".8;J ,:,.#& "&9&-& ,
=&?Y
e ^ 9;#$-,?; %& (;#,-.;/
"&9&-&>
e
PH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 62/181
>3D;Q, W,9";9%& ; \,/;04&
6(;3,(eI&( v !%$;-%&
I;9#&" C,9%," v MHHU>
^ #,&-.; , ; ;9A/.",
"&9&-; :E/(.8;>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c ,"#$%& %& "&(Y
e ^ #,&-.; , ; ;9A/.",
:E/(.8;Y
e
>3D;Q, W&%, & 8.9,(;
8&9#,(7&-V9,&
-,7-,",9#;- & ;(1.,9#,
"&9&-& ,( 2$, =.=,(&"r v
g,-9;9%& C&-;." %;
O&"#; v MH[H1>
c -$E%& 2$, 9&" 8,-8;
8&(& (;#+-.;e7-.(;
:$9%;(,9#;/ 7;-; ; 7-&%$04&
8.9,(;#&3-A:.8;
;#$;/>
e c $"& %& "&( 9&
8.9,(; 8&9#,(7&-V9,&>
e c 8.9,(;
8&9#,(7&-V9,&Y
e W;.";3,( "&9&-;> e
>3D;Q, W&%,e", %.?,- 2$, @A ;/3&
8&(& $( @.7,-e-,;/."(&
"&9&-& 9& 8.9,(;
;-3,9#.9&r v g,-9;9%&
C&-;." %; O&"#; v MH[[;>
c $"& %& "&( 9&
8.9,(;
8&9#,(7&-V9,&>
e K.7,-e-,;/."(& "&9&-&
9& 8.9,(;>
e c 8.9,(; ;-3,9#.9&Y
e c 8.9,(;
8&9#,(7&-V9,&Y e
>3D;Q, W&- $(; 7&/E#.8; %; =&?>
R&(A" a$#.+--,? ^/,; , ;"
J)-`7(.* %"
!#=%)*)$5",5(-)$'" v
!/,9 Q†77,9"8@(.## v
MHHh>
^ =&? ,( J)-`7(.*
%"
!#=%)*)$5",5(-)$'" >
e ^ 7&/E#.8; %; =&? 9&
8.9,(;Y
e ^ 9;#$-,?; 7,%;3F3.8;
%& 8.9,(; %, R&(A"
a$#.+--,? /,;>
e c 8.9,(; 8$1;9&Y
e ^ =&? 9& 8.9,(;>
e c :./(, J)-`7(.* %"
!#=%)*)$5",5(-)$'")R&(A" a$#.+--,?
^/,;J [iPh*Y
e c /.=-& J)-`7(.* %"
!#=%)*)$5",5(-)$'" )!%($9%& Q,"9&,"J[iPB*Y
>3D;Q, W-+e,"8$#;"L (&%,/&" %,
;$%.1./.%;%," %&"
7-.(,.-&" 8.9,(;" v X&"+
O/A$%.& O;"#;9@,.-; v
MHHi;>
C&%,/&" %,
;$%.1./.%;%," %&"
7-.(,.-&" 8.9,(;">
e c "$-3.(,9#& %,
8F%.3&" 9;--;#.=&" 9&"
7-.(,.-&" 8.9,(;">
e W-.(,.-&" 8.9,(;"Y
e C&%,/&" %, ,"8$#;>
e c 5.#%)5(,,)X & (,/&%-;(;J ;" 8;90_,"
./$"#-;%;"J ;" 9;--;0_," , &" $(;0),"%)"$* >
>3D;Q, W-.(,.-;" #,9#;#.=;" %,
"&9&-.?;04& 9& 8.9,(;
1-;"./,.-& )&"
8.9,(;#F3-;:&" :;/;9#,"
[iHMe[iHh* v g,-9;9%&
C&-;." %; O&"#; v MHHP1>
W-.(,.-;" #,9#;#.=;"
%, "&9&-.?;04& 9&
8.9,(; 1-;"./,.-&>
e c" 8.9,(;#F3-;:&"
:;/;9#," %, [iHM ; [iHh>
e 8.9,(; 1-;"./,.-&Y
e R,89&/&3.; %& "&( 9&
8.9,(;>
e c" 8.9,(;#F3-;:&" :;/;9#," %, [iHM ;
[iHh>
>3D;Q, W-&%$04& I&9&-; 9&
O.9,(; O&9#,(7&-V9,&L
$( &/@;- "&1-, %,";:.&"
%& "&( 9& 8.9,(;
1-;"./,.-& , & 7-&8,""& %,
:.9;/.?;04& %, "&( %&
:./(, 27"G. %) 4,(') r v
],-9;-%& C;-2$,? ^/=," v
MH[[>
W-&8,""& %, 8-.;04&
9; ,%.04& %, "&( ,
(.o;3,( %& :./(,
27"G. %) 4,(') r )X&"+
W;%./@;J MH[H*>
e ^ -,;/.%;%, 1-;"./,.-;
8&9#,(7&-V9,;
-,/;8.&9;%; D 7-&%$04&
"&9&-; 9& 8.9,(;>
e ^ 7F"e7-&%$04& %,
"&( 9& 8.9,(;Y
e ^ ,%.04& %, "&(Y
e ^ (.o;3,(Y
e O.9,(; 1-;"./,.-&>
e c g./(, 27"G. %) 4,(') r )X&"+ W;%./@;J
MH[H*Y
e !9#-,=."#; 8&( &" 7-&:."".&9;."L -(;9%&
R&--," X->J ^/,"";9%-& G;-&8; , 7;-#, %,
"$; ,2$.7, %, ,%.04& %, "&(>
>3D;Q, q$, 7;7,/ + %,/,3;%& ;&
"&(J ,( $( (,.&
;$%.&=."$;/r ^ .(;3,(
7-,7&9%,-;9#,J , ;
.9",-04& %& "&( 9&
8.9,(; v g,-9;9%& C&-;."
%; O&"#; v MHHT,>
^ .9",-04& %& "&( 9&
8.9,(;>
e c "&( 9; 9;--;#.=;
:E/(.8;Y
e ^ 7-.(;?.; %; =."4&>
e R,89&/&3.; %& "&( 9&
8.9,(;Y
e R,&-.;" "&1-, & 8.9,(;
:;/;%&> e
>3D;Q, \,/;0_," ,9#-, .(;3,9" ,
"&9" 9& :./(, 8($)-.X
:*G(7($.* ) F7#=#* v
\&%-.3& O;--,.-& v MH[H1>
c $"& %& "&( 9&
:./(, 8($)-.X
.*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J
MHHB*>
e ^ ;-#.8$/;04& ,9#-, &
"&( , ,/,(,9#&" %;
,98,9;04& 9& :./(,
8($)-.X .*G(7($.* )
#7#=#* )C;-8,/&
a&(,"J MHHB*>
e c -A%.& , &" "./<98.&"
9& :./(, 8($)-.X
.*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J MHHB*>
e c :./(, 8($)-.X .*G(7($.* ) #7#=#*
)C;-8,/& a&(,"J MHHB*>
>3D;Q, \,7-,",9#;0_," %, Z&? ,
g;/; 9& O.9,(; v G+"/.,
g,--,.-;J Z.#&-.; (;-;/J
C;-.; G;$-; C;-#? ,
W-."8./; K;w%+, I&$?; v
MH[H1>
\,7-,",9#;0_," %,
=&? , :;/; 9& 8.9,(;>
c 7;7,/ .9#,-7-,#;#.=&
%&" -,8$-"&" %, =&? ,
:;/; ,( #-<" ",2$<98.;"
%& :./(, 8(%.%) %)
?)#* )g,-9;9%&
C,.-,//," , A#.; G$9%JMHHM*>
e ^ :&9&;$%.&/&3.;Y
e ^ =&? 9& 8.9,(;>
e R-<" ",2$<98.;" %& :./(, 8(%.%) %) ?)#*
)g,-9;9%& C,.-,//," , `A#.; G$9%J MHHM*>
P[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 63/181
>3D;Q, \&1,-# ]-,""&9L & 8.9,(;
9$( ;#&-(,9#;%&
"./<98.& v I$?;9; Q&1;/ v
MHHT>
c $"& %& "./<98.& 9;
&1-; %, \&1,-#
]-,""&9>
e
e c "./<98.& 9& 8.9,(;Y
e c 8.9,(; %, \&1,-#
]-,""&9>
e
>3D;Q, \$E%&" , I./<98.&L
7-&7&"#; 7;-; $(; ,"#+#.8;%& "&( 9& 8.9,(; v
g,-9;9%& C&-;." %;
O&"#; v MHHT%>
^ .(7&-#V98.; %&"
-$E%&" , %& "./<98.&9& "&(
8.9,(;#&3-A:.8&>
e ^ 7-,7&9%,-V98.; %;
=&? "&1-, &" &$#-&",/,(,9#&" "&9&-&" 9&
8.9,(;>
e c 8.9,(; :;/;%&Y
e ^ #,&-.; , ; 7-A#.8; %;";-#," 9& "+8$/& ddY
e ^ 7-,7&9%,-V98.; %;
=&?Y
e c "./<98.& , & -$E%&>
e
>3D;Q, I4& ],-9;-%&L (&";.8& %,
=&?," )(&"#-$A-.& %&"
%.=,-"&" $"&" %; =&? 9&
8.9,(;* v g,-9;9%&
C&-;." %; O&"#; v MHHT8>
C&%&" ;/#,-9;#.=&"
%, $#./.?;04& %; =&?
9& 8.9,(;>
e c $"& %; =&? 9& :./(,
I4& ],-9;-%& )G,&9
K.-"?(;9J [imT*>
e ^ =&? 9& 8.9,(;> e c :./(, I4& ],-9;-%& )G,&9 K.-"?(;9J
[imT*>
>3D;Q, I, 7&%," &$=.-J ,"8$#;L
-,/;0_," ;$%.&=."$;." %&
:./(, 4$*.(" !"=7) .
8)A#)(7. , 8&9".%,-;0_,""&1-, ",$ 7-&8,""&
8-.;#.=& v `.-; W,-,.-; v
MHHi1>
c 7-&8,""& %, 8-.;04&
%& "&( %& :./(,
4$*.(" !"=7) .
8)A#)(7. )g,-9;9%&C,.-,//,"J MHHh*>
e c "&( 9; 9;--;#.=;
:E/(.8;>
e W-&8,""& %, 8-.;04&> e c :./(, 4$*.(" !"=7) . 8)A#)(7.
)g,-9;9%& C,.-,//,"J MHHh*Y
e c /.=-& 4$*.(" !"=7) . 8)A#)(7. %, X&"+
I;-;(;3&Y >e c 1/&3 ?(B7(" %) T,($%$)**Y
e c" 8&-#," [ , m %; (&9#;3,(Y
e ^ 7;/,"#-; 7-&:,-.%; 7,/& %.-,#&- g,-9;9%&
C,.-,//," 9; !O^ekIW ,( &$#$1-& %,
MHHhY
e ^ ,9#-,=."#; 8&98,%.%; 7&- g,-9;9%&
C,.-,//," ;& 7-&3-;(; \&%; Z.=;J %; RZ
8$/#$-;>
>3D;Q, I, 7&$8& ", %.? "&1-, &
"&(J 2$,( :;/; "&1-, &
"./<98.& 9&" :./(,"r v
g,-9;9%& C&-;." %;
O&"#; v MHHU1>
c "./<98.& 9& 8.9,(;> e c "./<98.& 8&(& 7;-#,
.9#,3-;9#, %& "&( 9&
8.9,(;Y
e c ,"7;0& -,",-=;%& ;&
"&( 9; #,&-.; , 9;
;9A/.", :E/(.8;>
H c "./<98.&>
e
>3D;Q, I&1-, & "&( 9& 8.9,(; %,
@&--&-L 7;%-_,"
-,8&--,9#," %, ,"#./& v
\&%-.3& O;--,.-& v MH[[1>
c "&( 9& 8.9,(; %,
@&--&->
e \,8$-"&" ,"#./E"#.8&" 9&
"&( 9& 8.9,(; %,
@&--&-Y
e c "&( 9; 9;--;#.=;
:E/(.8;>
e c 8.9,(; %, @&--&-> e g./(," %, @&--&->
>3D;Q, I&(J OV(,-;J ^04&L ;
-,/,=V98.; %& "&( 9;
@."#F-.; %& 8.9,(; v
G$8.;9; K;$"",9 v MHHh>
^ -,/,=V98.; %& "&(
9; @."#F-.; %&
8.9,(;>
e !=&/$04& "F8.&e
#,89&/F3.8; %& "&( 9&
8.9,(;Y
e c "&( 9; 9;--;#.=;
:E/(.8;>
e R,89&/&3.; %& "&( 9&
8.9,(;>
e c :.9;/ %; %+8;%; %, MH %& "+8$/& ddJ
;9& %, [iMi>
>3D;Q, I&( , -.#(& .9#,-9& 9&
7/;9&e",2$<98.; v
g,-9;9%& C&-;." %;O&"#; v MH[H;>
^ (&=.(,9#;04& %&
"&( %,9#-& %& 7/;9&e
",2$<98.;>
e ^ 8-.;04& %, -.#(&"
%."#.9#&" ,9#-, "&( ,
.(;3,( %,9#-& %, $(
(,"(& 7/;9&>
e c 7/;9&e",2$<98.;Y
e I&( , -.#(& 9&
8.9,(;>
e c" :./(," +(5) )^11;" .;-&"#;(.J MHHT*
, :$%.7(,<" )O;& a$.(;-4,"J MHHm*>
>3D;Q, I&9&-.%;%," %& 8.9,(;L
R;-j&="jw , ;
@,#,-&8-&9.; %; ,"8$#; v
\&%-.3& \&%-.3$," v MH[[>
I&9&-.%;%," %&
8.9,(;>e ".(1.&", ,9#-, ;
8&(7&".04& ($".8;/ , &
%)*(A$ "&9&-&>
e O&98,.#& %,
,9%&"(&",Y
e ^" "&9&-.%;%," %&
:./(, !'.,0)7 )^9%-,.
R;-j&="jwJ [imi*Y
e ^ @,#,-&8-&9.; %;
,"8$#;>
e c :./(, !'.,0)7 )^9%-,. R;-j&="jwJ
[imi*>
PM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 64/181
>3D;Q, bZ,-"4& 1-;"./,.-;l e
O&9#-.1$.0_," 7;-; $(;
@."#F-.; %; %$1/;3,(
8.9,(;#&3-A:.8; 9& ]-;"./
9;" %+8;%;" %, [iTH ,
[iUH v \;:;,/ %, G$9;
g-,.-, v MH[[>
K."#F-.; %; %$1/;3,(
8.9,(;#&3-A:.8; 9&
]-;"./>
e !o7,-.<98.;" %,
%$1/;3,( %, :./(,"
,"#-;93,.-&" 7;-;
,o.1.04&
8.9,(;#&3-A:.8; 9&
]-;"./Y
e c %,1;#, 2$, ;
%$1/;3,( "$"8.#;=; %&
7&9#& %, =."#; ;-#E"#.8&J
#,89&/F3.8& ,
,8&9s(.8&>
e O.9,(; 1-;"./,.-&Y
e O.-8$.#& ,o.1.%&-
1-;"./,.-&Y
e Q$1/;3,(>
e %$1/;3,( 8.9,(;#&3-A:.8; 9& ]-;"./
9;" %+8;%;" %, [iTH , [iUH>
>3D;Q, Z&? , O;9#& W&7$/;- %&
S,3-& 9& O.9,(; e
7&+#.8; 8.9,(;#&3-A:.8;
9& %&8$(,9#A-.& b^%4&
&$ I&(&" R&%&" g./@&" %;
R,--;l %, ~;/#,- I;//," ,
Q;9.,/; R@&(;" v !/,9
Q†77,9"8@(.## v MHHm1>
^ =&? 9& 8.9,(;
%&8$(,9#A-.&>
e ^ 7,-:&-(;98, %; =&?Y
e ^ &-;/.%;%, 9;" (E%.;"Y
e c %.A/&3& ,9#-, &
"."#,(; &-;/ , =."$;/>
e ^ =&? 9& 8.9,(;Y
e c 8.9,(;
%&8$(,9#A-.&>
e c %&8$(,9#A-.& :%9" "# !"-"* 2"%"*
+(,<"* %. 2)77. )~;/#,- I;//," , Q;9.,//;
R@&(;"J [iih*>
>3D;Q, Z&?," W&/.:s9.8;" ,
!"8$#;" C$".8;."L ;
;-#.8$/;04& %; 1;9%;
"&9&-; ,( g-;90&."
a.-;-% v I$?;9; \,8j
C.-;9%; v MHHm>
^ =&? 9& 8.9,(;> e ;-#.8$/;04& %; =&? ,
%; ,"8$#; 9& :./(, %,
g-;90&." a.-;-% "&1-, &
7.;9."#; a/,99 a&$/%>
e W,-:&-(;98, =&8;/Y
e Z&? ;8$"(A#.8;>
e c :./(, 2<(7'LH'h" *<"7' 1(,-* .="#'
D,)$$ D"#,% )g-;90&." a.-;-%J [iiT*>
>3D;Q, ~;/#,- C$-8@L ;
-,=&/$04& %; #-./@; "&9&-;
8.9,(;#&3-A:.8; v !%$;-%&
I;9#&" C,9%," v MHHP>
^" #-./@;" "&9&-;"
-,;/.?;%;" 7&- ~;/#,-
C$-8@ 9; %+8;%; %,
[imH>
e ^ .(7&-#V98.; %,
~;/#,- C$-8@ 9;
($%;90; %& 7,9";(,9#&
"&9&-& %&" :./(," 9&-#,e
;(,-.8;9&" %, :.804&>
e ~;/#,- C$-8@>
e O.9,(; 9&-#,e
;(,-.8;9&>
e c" :./(,"L K C"%)7"*" 8<)19" )[imM* ,
^7&8;/.", )[imi*J ;(1&" %& %.-,#&-
g-;98," g&-% O&77&/;>
^ 7;-#.- %,"#; #;1,/; + -;#.:.8;%& ; =;-.,%;%, %, ;""$9#&" &$ #,(;"J "$1#,(;"J &15,#&" ,
;"7G#* ,"7,8E:.8&" %, ,"#$%& 7-,",9#," 9&" /.=-&"J #,","J %."",-#;0_," , ;-#.3&" 1-;"./,.-&"
"&1-, & "&( 9& 8.9,(;> g;?,9%& $( 1;/;90& 7&- (,.& %; ;=;/.;04& %,"";" 7;-#," %&" #,o#&"
(,98.&9;%;"J ;/3$(;" %.=."_," #,(A#.8;" %; 7,"2$."; 1-;"./,.-; "&1-, & "&( 8.9,(;#&3-A:.8&
7&%,( ",- %,8.:-;%;"> .%,.; + ,9#4& 8&9#,(7/;- 8/;"".:.8;0_," 2$, -,$9;( , ,"8/;-,0;( ,"";
=;-.,%;%, %, 8&9#,N%& ,98&9#-;%;J %,"=,9%;9%& =E98$/&" ,9#-, ;" 7,"2$.";"> Z;/, %,"#;8;-
%,"%, 5A 2$,J 8&( ; ;1-;93<98.; %, ;""$9#&"J #,(;"J "$1#,(;" , &15,#&" %, ,"#$%&J @A#-;1;/@&" 2$, 7&%,( 7,-#,98,- ; (;." %, $(; 8;#,3&-.;> W&-#;9#&J #&%;" ;" %.=."_," 7-&7&"#;"
; ",3$.- 94& %,=,( ",- 8&9".%,-;%;" ($#$;(,9#, ,o8/$".=;"> I4& ,/;"L
PT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 65/181
e K."#F-.;Y
e R,89&/&3.;Y
e W,-8,704& I&9&-;Y
e W-&8,""& %, O-.;04&Y
e !/,(,9#&" %; R-./@; I&9&-;Y
e !"#$%&" %; Z&?Y
e !"#$%&" %& \$E%&Y
e !"#$%&" %& I./<98.&Y
e R,&-.;Y
e !"#+#.8; , !"#./&Y
e !"#$%&" %, O;"&>O&9:.-; ; /."#; 1.1/.&3-A:.8; 8&(7/,#; %."#-.1$E%; 7&- 8;#,3&-.; ,"#.7$/;%; 9& >*76, !!
%,"#; %."",-#;04&>
KJKJ: ;9DV3;/
^ 7-.(,.-; #,(A#.8; ,=.%,9#, ,"#A -,/;8.&9;%; ; 2$,"#_," @."#F-.8;"> !o."#,( 7,"2$.";"
2$, 7&""$,( 8&(& :&8& 7-.98.7;/ & -,"3;#, %, 7,-"7,8#.=;" "&1-, ; @."#F-.; %& "&( 9&8.9,(;> ^" ;1&-%;3,9" =;-.;( 1;".8;(,9#, ,9#-, ; @."#F-.; %; .9",-04& %& "&( 9& 8.9,(;J ;
@."#F-.; %& "&( 9& 8.9,(; 1-;"./,.-&J ; @."#F-.; %& "&( 9& 8.9,(; %, ;9.(;04& , ; 7-&7&"#;
%, $(; ;-2$,&/&3.; %; ,"8$#;>
c 7,-E&%& %& ;%=,9#& %& "&(J ; #-;9".04& %& 8.9,(; ($%& 7;-; & 8.9,(; "&9&-&J 2$,
,93/&1; 1;".8;(,9#, & :.( %; %+8;%; %, [iMH , .9E8.& %; %+8;%; %, [iTHJ + & (;."
,=.%,98.;%&> S,"#, ",9#.%&J 7,-(,;9%& ;" 7-.98.7;." #,9#;#.=;" , ,o7,-.<98.;" %, $9.4& ,9#-,
"&( , .(;3,( 9& 8.9,(;J , ;" #,&-.;" 2$, ", %,1-$0;-;( "&1-, ,""; #-;9".04&J ,"#4& &";""$9#&" 7-.98.7;." %&" ;-#.3&" bc I&9@& %, !%."&9L & ;%=,9#& %& "&( ".98-&9.?;%&l
)O^\\^IOcJ MHHT*UiJ bq$, 7;7,/ + %,/,3;%& ;& "&(J ,( $( (,.& ;$%.&=."$;/r ^ .(;3,(
7-,7&9%,-;9#,J , ; .9",-04& %& "&( 9& 8.9,(;l )OcIR^J MHHT,*J , b^ 69",-04& %& I&( 9&
O.9,(;L 7,-8;/0&" 9; 7;"";3,( %, $( (,.& =."$;/ 7;-; ;$%.&=."$;/l )OcIR^J MHHT:*> ^2$.J
=;/, (,98.&9;- 2$, &" (;9.:,"#&" 8/A"".8&" bQ,8/;-;04& "&1-, & g$#$-& %& O.9,(; I&9&-&l
%, !.",9"#,.9J W$%&=j.9 , ^/,o;9%-&=J , b2<) :7' "1 !"#$% l %, \,9+ O/;.-J "4& ",(7-,
Ui Z;/, (,98.&9;- 2$, ,"", ;-#.3& :&. -,#.-;%& %& 8;7E#$/& @&(s9.(& %; %."",-#;04& %, (,"#-;%& %& (,"(&;$#&- 2$, 94& ,"#A ;2$. .9=,"#.3;%; 7&- ", #-;#;- "&1-,#$%& %, 2$,"#_," %; #-./@; ($".8;/L O^\\^IOcJO/;$%.9,w \&%-.3$,"> #3;E?/ 189;o/EL (N".8; , ;-#.8$/;04& :E/(.8;> Q."",-#;04& )C,"#-;%& ,( O.9,(;*>kIW> I4& W;$/&J [iiT>
PU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 66/181
/,(1-;%&">
^ %+8;%; %, [imH + &$#-& 7,-E&%& -,;/0;%&J 7-.98.7;/(,9#, 7&- 7;-#, %; #,", bc I&( 9&
O.9,(;L %; ,%.04& %, "&( ;& *"#$% %)*(A$ H ,=&/$04& #,89&/F3.8; , 7-&%$04& 1-;"./,.-;l
)C^S|^ScJ MHHB*J 2$, ", 7-,&8$7; ,( -,"3;#;- & %,",9=&/=.(,9#& #,89&/F3.8& "&9&-& , ;"
.(7&-#;9#," (&%.:.8;0_," 9; (;9,.-; %; 8&9"#-$04& :E/(.8; 9,"#; +7&8;> W;-; .""&J ,"#,
(,"(& #-;1;/@& 1$"8; @."#&-.8.?;- ; ,=&/$04& %& $"& %& "&( 9& 8.9,(; %,"%, ",$ ;%=,9#&J 9&
:.9;/ %; %+8;%; %, [iMHJ ;#+ &" ;9&" [imHJ 2$;9%& ",3$9%& & ;$#&-J &8&--, (;." $(;
b-,=&/$04&l #-;?.%; 7,/& "&(> ! ;.9%;J ; -,/;04& @."#F-.8; ,9#-, ;" /.93$;3,9" "&9&-;" ,
.(;3+#.8;"J , ; -,/,=V98.; %& "&( 9; @."#F-.; %& 8.9,(;J "4& ;-#.8$/;0_," 7-,",9#," 9&" ;-#.3&"
b^ Q.:E8./ \,/;04& ,9#-, 6(;3,( , I&( 9& ^$%.&=."$;/ O&9#,(7&-V9,;l )]!GG!]cS6J
MHHU*J , bI&(J OV(,-;J ^04&L ; -,/,=V98.; %& "&( 9; @."#F-.; %& 8.9,(;l )K^kII!SJMHHh*J -,"7,8#.=;(,9#,>
XA ; @."#F-.; %& "&( 9& 8.9,(; 1-;"./,.-& 8&(,0; ; ",- .9=,"#.3;%;> c /.=-& bc I&( 9&
O.9,(; ]-;"./,.-&l )OcIR^J MHHh*J , ; #,", %& (,"(& ;$#&- bc "&( 9& 8.9,(; 1-;"./,.-&L
-,=."4& %, $(; .(7&-#V98.; .9%,:,-.%;l )OcIR^J MHHP;*J 1;", %& /.=-&J "4& %&." 3-;9%,"
,o,(7/&" %.""&> ^" 7-.(,.-;" #,9#;#.=;" %, ".98-&9.?;04& ,9#-, "&( , .(;3,( 9& 7;E"J ,9#-,
[iHM , [i[[Y ; #-;9".04& 7;-; & 8.9,(; "&9&-& 9& :.( %; %+8;%; %, [iMH , (,;%&" %, [iTHY
;" ($%;90;" -,/;8.&9;%;" 8&( ; 8@,3;%; %&" 7-.(,.-&" 3-;=;%&-," %, "&( 7&-#A#./ 9& .9E8.&%; %+8;%; %, [iPHY , ; %.8&#&(.; ,9#-, ; ,o8,/<98.; #+89.8; ;/8;90;%; , ; ,=&/$04& %; ,"#+#.8;
"&9&-; %&" :./(," 9;8.&9;." ; 7;-#.- %&" ;9&" [iiHJ "4& 7,-E&%&" ;7-&:$9%;%&" 9,"#; &1-;> ^"
7-.(,.-;" #,9#;#.=;" %, ".98-&9.?;04& %, "&( , .(;3,( 9& ]-;"./ ;.9%; "4& -,:&-0;%;" 7,/&
;-#.3&J %& (,"(& ;$#&-J .9#.#$/;%& bW-.(,.-;" #,9#;#.=;" %, "&9&-.?;04& 9& 8.9,(; 1-;"./,.-&
)&" 8.9,(;#F3-;:&" :;/;9#," [iHMe[iHh*l )OcIR J MHHP1*> ],( 8&(&J & 8&9#,o#& %;
.9#-&%$04& %; #+89.8; %, 3-;=;04& %, "&( ".98-s9.8& 8&( ,2$.7;(,9#& /,=,J 9& .9E8.& %;
%+8;%; %, [iPHJ ; 7;-#.- %; 7,"2$."; %; %."",-#;04& b^ 69#-&%$04& %& I&( Q.-,#& 9& O.9,(;Q&8$(,9#A-.& ]-;"./,.-& 9; Q+8;%; %, [iPHl )ak6C^\!IJ MHHh*>
c$#-; -,#-&"7,8#.=; 9;8.&9;/ ;1-;93,9#, ", %A ;.9%; 9; #,", %, G$.? ^%,/(& C;9?;9&
)MHHB*J 2$, -,"3;#; ; ,=&/$04& "&9&-; %& 8.9,(; 1-;"./,.-&J 7-.98.7;/(,9#, 9; A-,; %; 7F"e
7-&%$04& %, "&(J ;#+ (,;%&" %; %+8;%; %, MHHH> R&%&" ,""," #-;1;/@&" 8&9#-.1$,(
%.-,#;(,9#, 7;-; $(; (,/@&- 8&(7-,,9"4& %; @."#F-.; %; 7-&%$04& "&9&-; 8.9,(;#&3-A:.8; 9&
]-;"./ ,J 8&9",2$,9#,(,9#,J $(; (;.&- 8&9"8.,9#.?;04& %; .(7&-#V98.; %& "&( 9& 8.9,(;
9;8.&9;/> Z;/, ;8-,"8,9#;- .98/$".=, 2$,J #;9#& ;" 7,"2$.";" %, G$.? ^%,/(& C;9?;9& )MHHB*J
2$;9#& ; %, R.%, ]&-3," a$.(;-4," )MHHh*J 7&""$,( ,9#-,=."#;" -,;/.?;%;" 8&( 7-&:."".&9;."
%; A-,; ;" 2$;." "4& $( (;#,-.;/ =;/.&"& %, -,8$7,-;04& %, .9:&-(;0_," @."#F-.8;" ;#+ ;9#,"
PB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 67/181
94& %&8$(,9#;%;"> G$.? ^%,/(& ,9#-,=."#; &" 7-&:."".&9;."L X&"+ G$.? I;""&J C;$-& ^/.8,J
Z.-3.9.; g/&-,"J \&1,-#& g,--;?J C.8@,/ \$(;9J a.1; ^""." ]-;"./J !%$;-%& I;9#&" C,9%," ,
C.-.;( ].%,-(;9> ! R.%, ]&-3,"L X$;-,? Q;3&1,-#&J C.3$,/ I;3;#.&J a,-;/%& X&"+J ~;/#,-
a&$/;-#J CA-.& O;-9,.-&J ^-9;/%& O;--./@&J !%$;-%& !"8&-,/J Q.1 G$#:.J ^-9;/%& X;1&-J G$.?
O;-/&" I;/%;9@;J S,/"&9 W,-,.-; %&" I;9#&" , R@&(;? g;-j;">
^ ,o7,-.<98.; %, %$1/;3,( %, :./(," ,"#-;93,.-&" 7;-; ,o.1.04& 9& ]-;"./ 9;" %+8;%;"
%, [iTH , [iUH #;(1+( + ;9;/.";%; @."#&-.8;(,9#, 7,/& ;-#.3& b„Z,-"4& 1-;"./,.-;„ e
O&9#-.1$.0_," 7;-; $(; @."#F-.; %; %$1/;3,( 8.9,(;#&3-A:.8; 9& ]-;"./ 9;" %+8;%;" %, [iTH
, [iUHl )g\!6\!J MH[[*> { ,=.%,98.;%& & %,1;#, 2$, ; %$1/;3,( 7-&=&8;=; %& 7&9#& %,
=."#; ;-#E"#.8&J #,89&/F3.8& , ,8&9s(.8& 9& 8.-8$.#& ,o.1.%&- , 9& 8.9,(; 1-;"./,.-& %; +7&8;>
KA ;.9%; & 8;"& %& ;-#.3& b^ S&=; I&9&-.%;%, %& O.9,(; ,( I4& W;$/&l )a^RR6YC!SQ!IJ MHHh*J 2$, ; 7-.98E7.& #,( ; .9#,904& %, %."8&--,- "&1-, & "&( %& 8.9,(;
7;$/."#;9& 9; -,#&(;%; %, 7-&%$04& 9&" ;9&" [iiH> S; =,-%;%,J ,"#, (;#,-.;/ + $(;
#-;9"8-.04& %, $(; 7;/,"#-; %, !%$;-%& I;9#&" C,9%,"J (,%.;%; 7,/& 7-&:,""&- , 7,"2$.";%&-
^9%-+ a;##.> ^ (;.&- 7;-#, %& 8&9#,N%& %& #,o#& + %.-,8.&9;%& 7;-; ; @."#&-.; %; #+89.8;J %;
,"#+#.8; , %; ,=&/$04& %& 8;(7& 7-&:."".&9;/ 9; A-,;> !%$;-%& I;9#&" C,9%," $#./.?&$e",
%,"";" ;1&-%;3,9" 7;-; 8&9#,o#$;/.?;- ; @."#F-.; %& "&( 9& 8.9,(;J , ; 7;-#.- %;E ;%,9#-;- 9&
$9.=,-"& 1-;"./,.-&> G&3&J %."8&--, 1-,=,(,9#, "&1-, ; -,8&--<98.; %& "&( %.-,#& 9& 7;E"J ,#;(1+( "&1-, ; ,=&/$04& #+89.8; , ,"#+#.8; %& "&( 9& 8.9,(; 9;8.&9;/>
^ @."#F-.; %& 8.9,(; %, ;9.(;04& #;(1+( 8&(,0; ; ",- 8&9#;%;J #;9#& 7,/; #,",
bC&=.(,9#&" 69=."E=,."L ; ,"#+#.8; "&9&-; %& 8.9,(; %, ;9.(;04&l )~!\S!O`J MH[H*
2$;9#& 7,/; %."",-#;04& b^ \,/;04& I&(e6(;3,( 9&" g./(," %, ^9.(;04& S&-#,e^(,-.8;9&"
9& g.9;/ %; Q+8;%; %, [iMHL %& "./,98.&"& ;& "&9&-&l )]^\]cI^J MHHi*> ^ 7-.(,.-; -,"3;#;
; @."#F-.; %& %,",9=&/=.(,9#& %& "&( 8&(& /.93$;3,( 9& 8.9,(; %, ;9.(;04&J %."8&--,9%&
#;(1+( "&1-, ; ,=&/$04& #+89.8; , #,89&/F3.8; %& ;7;-;#& "&9&-& 7-.98.7;/(,9#, 9&" 7-.(,.-&" ;9&" %& 8.9,(; , 9& 7,-E&%& %, %,",9=&/=.(,9#& %; ;9.(;04& 9&" ;9&" 7F"
I,3$9%; a$,--;> XA ; ",3$9%; :&8; 9; @."#F-.; %& 7-&8,""& %, 7-&%$04& %& 8.9,(; %,
;9.(;04& , %& 7-&8,""& %, 8-.;04& %, "$;" #-./@;" "&9&-;" 9& 7,-E&%& :.9;/ %& 8.9,(;
"./,98.&"& , 9& .9E8.& %& 8.9,(; "&9&-&> ^(1&" #-;1;/@&" 3;9@;( %,"#;2$, 7&- ",-,( &"
7-.(,.-&" ,( /E93$; 7&-#$3$,"; 2$, 8&9#,(7/;( ,"", 3<9,-& 8.9,(;#&3-A:.8&>
!o."#, #;(1+( $( 8;"& E(7;- 7-,",9#, 9,"#, 3-$7& -,/;8.&9;%& D -,:&-($/;04& %;
@."#F-.; %& 8.9,(; "&9&-& ;9$98.;%; ;#-;=+" %; ;-2$,&/&3.; %; ,"8$#;J 7-&7&"#; 9; %."",-#;04&
b69#-&%$04& D ^-2$,&/&3.; %; !"8$#; &$ & S;"8.(,9#& %& O.9,(; I&9&-& ; 7;-#.- %& !"7E-.#&
%; Ɨ7,-;l )O^W!GG!\J MHHB* 2$, ".#$; ;" -,/;0_," @."#F-.8;" %& 8.9,(; 8&( & "&(J
PP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 68/181
#-;0;9%& ; &-.3,( %& "&( 8&(& b&15,#&l , %,8.:-;9%& &" (&(,9#&" %, -$7#$-; 9&" 7;%-_," %,
,"8$#; %; 8$/#$-; &8.%,9#;/> W;-#, %,"#; %."",-#;04& :&. 7$1/.8;%; 7&"#,-.&-(,9#, ,( $( ;-#.3&
.9#.#$/;%& b69#-&%$04& D ^-2$,&/&3.; %; !"8$#;L %& "&( , %; =&? 8&(& &15,#&" %,
,9$98.;04&l )O^W!GG!\J MH[[*>
!"#;" "4&J 7&-#;9#&J ;" 7,"2$.";" 2$, 7&""$,( 8&(& :&8& 7-.98.7;/ & -,"3;#, %,
7,-"7,8#.=;" @."#F-.8;" %& "&( 9& 8.9,(;J 8&9#;1./.?;9%& & #&#;/ %, $( /.=-&J #-<" #,","J #-<"
%."",-#;0_," , 9&=, ;-#.3&"> C;" + 8$-.&"& 9&#;- 2$, & -,"3;#, %, 7,-"7,8#.=;" @."#F-.8;" + $(;
;#.=.%;%, -,8&--,9#, #;(1+( ,( &$#-&" #-;1;/@&" 2$, 94& ,"#4& ;2$. %.-,#;(,9#, 8/;"".:.8;%&"
7&- 94& #,-,( ,"",98.;/(,9#, ,""; ;1&-%;3,( 8&(& 8,-9, 7-.98.7;/ %, 7,"2$.";J (;" ;
$#./.?;( ($.#;" =,?," 7;-; %,"8-,=,- $(; 8&95$9#$-; %& ;""$9#& 8,9#-;/ 7-,#,9%.%&> Q,"#;
:&-(;J 5$/3;e", .(7&-#;9#, 7;-; 8&(7/,(,9#;- ,"#; ",04&J $(; ,o7&".04& -A7.%; %&"8&9#,N%&" (;." -,/,=;9#," -,:,-,9#," D @."#F-.; %& "&( 9& 8.9,(; 7-,",9#," ,( &$#-&"
(;#,-.;." ,98&9#-;%&">
^"".(J ; .9=,"#.3;04& %& $"& %& "&( #;9#& 9& .9E8.& %& 8.9,(;J 7,-E&%& 8&9@,8.%&
8&(& ($%&J 2$;9#& 9& 8&(,0& %& 8.9,(; "&9&-&J &9%, ; <9:;", ,"#A 9; 8&9#,o#$;/.?;04& %;
7-&%$04& 8.9,(;#&3-A:.8; ;/,(4 %&" 7-.(F-%.&" ;#+ & ;9& %, [iT[J 7&%, ",- ,98&9#-;%; 9&
/.=-& bI&(e.(;3,( 9& 8.9,(;L ; ,o7,-.<98.; ;/,(4 %, g-.#? G;93l )C^S|^ScJ MHHT*> c
-,"3;#, %, ;7;-;#&" #,89&/F3.8&" , 7-&8,%.(,9#&" =;-.;%&" 2$, ;5$%;-;( 9& 7-&8,""& 2$,8$/(.9&$ 8&( ; .98/$"4& %& "&( 9&" :./(," ,"#A #;(1+( 7-,",9#, ,( :-;3(,9#&" %;
%."",-#;04& bI&( 9& O.9,(;J I./<98.& 9&" g./(,"L & .9,o7/&-;%& , & .9;$%.#&l )OcIR^J
MHHT;*> k(; ;7-&o.(;04& @."#F-.8; "&1-, ; .98&-7&-;04& %& "&( 9& "."#,(; %, -,7-,",9#;04&
%& 8.9,(; 8/A"".8& 9&-#,e;(,-.8;9&J ; ".#$;04& ,(7-,";-.;/ %,"", 7,-E&%&J ;" ($%;90;" %,
7-&8,%.(,9#& %, -,;/.?;04& %&" :./(,"J , (,"(& "&1-, & %,",9=&/=.(,9#& %, #,89&/&3.;
,"7,8E:.8; 7;-; ;" 9,8,"".%;%," %; -,;/.?;04& 8.9,(;#&3-A:.8; 8&( "&( %.-,#& 9,"#; :;", %,
#-;9".04& %& 8.9,(; ($%& 7;-; & "&9&-&J + ,98&9#-;%; 9; #,", bW-&8,%.(,9#&" %, #-;1;/@& 9;8;7#;04& %, "&( %.-,#& 9&" /&93;"e(,#-;3,9" 1-;"./,.-&" 8"$'7. 2"%"* , :$'p$(.L ; #+89.8; ,
& ,"7;0& 8-.;#.=&l )Ick|^J MH[[*> c ,"#$%& %, $( 8;"& (;." ,"7,8E:.8&J "&1-, ; (;9,.-;
8&(& &8&--,$ ; 8@,3;%; %& "&( D" ";/;" %, 8.9,(; %; 8.%;%, %, O;(7.9;"J 9& ,"#;%& %, I4&
W;$/&J ,"#A 7-,",9#, 9& ;-#.3& bc ^-#."#; I./,98.&"&L $( ,"#$%& %; 8&9"#-$04& "&9&-; 9& :./(,
%& O.9,8/$1, k9.=,-".#A-.& %, O;(7.9;"l )^GC!6Q^J MH[[*> c -,"3;#, %, (&%,/&" %,
,o.1.04& , 7,-8,704& %; ,o7,-.<98.; 8.9,(;#&3-A:.8; 9;" 7-.(,.-;" %+8;%;" %& "+8$/& ddJ %,
(+#&%&" %, ;8&(7;9@;(,9#& "&9&-& 9,"", 7,-E&%&BHJ , %, .9:&-(;0_," "&1-, ; -,=&/$04&
BH c -,"3;#, %, (&%,/&" %, ,o.1.04& , 7,-8,704& %; ,o7,-.<98.; 8.9,(;#&3-A:.8; 9;" 7-.(,.-;" %+8;%;" %&"+8$/& dd , %, (+#&%&" %, ;8&(7;9@;(,9#& "&9&-& 9,"", 7,-E&%&J #;(1+( 7&%, ",- 8&9:,-.%& %, :&-(;(;." "$8.9#; 9& ;-#.3& bW-+e,"8$#;"L (&%,/&" %, ;$%.1./.%;%," %&" 7-.(,.-&" 8.9,(;"l )O^IR^SK!6\^J
Pm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 69/181
,/,#-s9.8; %& "&( 9&" ;9&" [iBHJ [iPH , [imHJ 7&%, ",- 8&9"#;#;%& 9; %."",-#;04& b^
W;.";3,( I&9&-; !/,#-s9.8;L ; 8&9"#-$04& %, 9&=;" ;$%.1./.%;%," 9& 8.9,(;l
)O^IR SK!6\^J MH[H;*> ],( 8&(&J %, :&-(; (;." -,"$(.%;J 9& ;-#.3& %& (,"(&
7,"2$.";%&-J %,9&(.9;%& bW-+e,"8$#;"L (&%,/&" %, ;$%.1./.%;%," %&" 7-.(,.-&" 8.9,(;"l
)O^IR^SK!6\^J MHHi;*> k( 1-,=, @."#F-.8& %; #,89&/&3.; , "$;" .9:/$<98.;" 9& 8.9,(;
"&9&-& #;(1+( 7&%, ",- ,98&9#-;%& 9; %."",-#;04& b^ W,-8,704& I&9&-; 9& O.9,(;L =,- 8&(
&" &$=.%&"J &$=.- 8&( &$#-&" ",9#.%&"l )O^\Z^GKcJ MHHi*> ! ; @."#F-.; %; #,89&/&3.; , %&
$"& %&" "."#,(;" %, -,7-&%$04& "&9&-; 9& 8.9,(;J 7&%, ",- 8&9:,-.%; %, :&-(; (;."
;7-&:$9%;%; 9;" %."",-#;0_," b^ !"#,-,&:&9.; Q.3.#;/L k(; ;1&-%;3,( "&1-, ; #+89.8;J &
7;%-4& , ; /.93$;3,( "&9&-; 8.9,(;#&3-A:.8; 9&-#,e;(,-.8;9; 9& 7,-E&%& %, [ii[ ; MHH[l
)^GZ^\!|J MHHm* , bc !#77"#$% , ; !"7;8.;/.%;%, I&9&-; 9& O.9,(;l )OcIR^J MHHU;*>^.9%; 2$, & 7,-E&%& %; #-;9".04& %& 8.9,(; ($%& 7;-; & 8.9,(; "&9&-& ",5; &
(&(,9#& @."#F-.8& (;." ,"#$%;%&J ; 8;#,3&-.; ^;9DV3;/ 8&9",3$, ;1-;93,- 8&9#,N%&"
.(7&-#;9#," ;8,-8; %, 7-&8,""&" , :;#&" 9,8,""A-.&" 7;-; ; (,/@&- 8&(7-,,9"4& %& "&(
8.9,(;#&3-A:.8& 8&(& $( #&%&> { .9#,-,"";9#, 9&#;- 2$,J .9#-E9",8& ; ,"";" 2$,"#_,"
@."#F-.8;" ;1&-%;%;" 7,/&" #-;1;/@&"J ,"#A ; ;""&8.;04& #;9#& 8&( ; ,=&/$04& #,89&/F3.8; %&
"&( 9& 8.9,(;J 2$;9#& ;& %,",9=&/=.(,9#& %; /.93$;3,( "&9&-; 9&" :./(,"> c$ ",5;J @A $(;
8&9"8.,9#.?;04& %; .(7&-#V98.; %& 7-&3-,""& %; #,89&/&3.; 7;-; ; ;-#, 8.9,(;#&3-A:.8;J ;/+(%; -,:/,o4& "&1-, 8&(& ", %,$ & $"& %&" ,/,(,9#&" "&9&-&" 9; 9;--;#.=; :E/(.8; ;& /&93& %&"
;9&"> Z;/, %,"#;8;- & 2$;9#& ; @."#F-.; %& "&( 9& 8.9,(; 1-;"./,.-& #,( ".%& ,"#$%;%;J , &
.9E8.& %, $(; 7-,&8$7;04& ,( %,"=,9%;- ; @."#F-.; %& "&( 9& 8.9,(; %, ;9.(;04&> ! (;."J
7-&7&"#;" 8&(& ; %, -,:&-($/;04& %; @."#F-.; %& 8.9,(; "&9&-& ;9$98.;%; ;#-;=+" %;
;-2$,&/&3.; %; ,"8$#;J 7&- ,o,(7/&J , %, 8,-#; :&-(;J #&%;" ;" ;9A/."," @."#F-.8;" ;2$.
(,98.&9;%;"J 8&9#-.1$,( 7;-; ,9-.2$,8,- ; .(7&-#V98.; 8&9"#.#$#.=; %& "&( ,( .98.#;- &$#-&"
(&%,/&" %, ", ,"8-,=,- ; @."#F-.; %& 8.9,(;> O&(& ;:.-(; \.8j ^/#(;9J $( %&" (;.&-,"@."#&-.;%&-," %& "&( 9& 8.9,(;L
K&5, ,"#;(&" 8&(,0;9%& ; ,9#,9%,- ; 9,8,"".%;%, %, 9;%; (,9&" %& 2$, $(;-,%,:.9.04& %, #&%; ; @."#F-.; %& 8.9,(;J 8&( 1;", ,( 9&=&" &15,#&" , 9&=&" 7-&5,#&">^ N9.8; (;9,.-; %, 7-&(&=,- #;/ -,=&/$04& + ; %, .9"7,8.&9;- & (;.&- 9N(,-& 7&""E=,/ %, &15,#&"J 8&( $(; =&9#;%, %, 2$,"#.&9;- ",$" 7-F7-.&" 9&(," ,.%,9#.%;%,"J 5$9#;(,9#, 8&( &" 8&9#,o#&" 9&" 2$;." ;7-,9%,(&" ; 8&(7-,,9%<e/&">n>>>p W;-; $( $9.=,-"& %, ,"#$%&" %, 8.9,(; 8;%; =,? (;." 7-&:."".&9;/.?;%&J &9%, ;(;.&-.; %&" 8;"&" 5A @A ($.#& #,(7& :&-;( ,o7,-.(,9#;%&" , 5$/3;%&"J & "&( 7-,8.";",- 8@;(;%& 8&(& $(; 9&=; #,"#,($9@;J 7&." &:,-,8, 9&=;" ,=.%<98.;"J :&-0;9%&J;"".(J ; ;1,-#$-; %, ;9#.3&" %&"".,-"> O&( & "&(J + 8&98,%.%& $(; 9&=; ;$%.<98.;
7;-; & 8.9,(;>B[ )^GRC^SJ MHHUL m*
MHHi;*>B[ R-;%$04& %& ;$#&->
Ph
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 70/181
KJKJK #7o*,E,Q;/
#7o*,E,Q;/ + (;." $(; #,(A#.8; ,=.%,98.;%;> O&98,9#-;9%& ; 7-.98E7.& 9&" #-;1;/@&"
2$, 7-.&-.?;( ,"",98.;/(,9#, ;"7,8#&" #,89&/F3.8&" 8&(& :&8& 8,9#-;/ %, ,"#$%&J #,(e",
;7,9;" #-<" #-;1;/@&" ;2$. ;3-$7;%;"J ",9%& %$;" %."",-#;0_," , $( ;-#.3&> XA ;9#,8.7;9%& $(;
",(,/@;90; ,9#-, ,"";" 7,"2$.";"J #&%;" 7&""$,( ; (,"(; 7-,:,-<98.; %, ,9:&2$,L &"
"."#,(;" %, -,7-&%$04& "&9&-; 9& 8.9,(;>
^ #,89&/&3.; %&" "."#,(;" (&9&:s9.8&" )M('.G<"$)J J"5()'"$) , C<"'"G<"$)*J
,"#,-,&:s9.8&" ) W8: C.$"7.-(; b +.$'.*"#$% lJ 8($)7.-.J 8($)-.*;"G)J 2"%%H:KJ
!)$*#77"#$% , ?",=L !')7)"* , %.3.#;." ) v"%.0 8?! J ?",=L ?(A('., J ?2! , !"$L !??! *J + ;
1;", %, %."8$""4& %; %."",-#;04& b^ !"#,-,&:&9.; Q.3.#;/L $(; ;1&-%;3,( "&1-, ; #+89.8;J & 7;%-4& , ; /.93$;3,( "&9&-; 8.9,(;#&3-A:.8; 9&-#,e;(,-.8;9; 9& 7,-E&%& %, [ii[ ; MHH[l
)^GZ^\!|J MHHm*> !"#; 7,"2$."; %, (,"#-;%& =."; 8&(7-,,9%,- ,"";" #,89&/&3.;" #;9#& 7&-
$( =.+" #+89.8&J 2$;9#& 8&(& $(; 9&=; 7&"".1./.%;%, %, /.93$;3,(J .9=,"#.3;9%& & $"& %&
,"7;0& "&9&-& ,( :./(," 9&-#,e;(,-.8;9&">
^ %,"8-.04& #+89.8; %, :&-(;#&" %, "&( ,"#,-,&:s9.8& 9& 8.9,(; #;(1+( + & :&8& %;
%."",-#;04& bc !#77"#$% , ; !"7;8.;/.%;%, I&9&-; 9& O.9,(;l )OcIR^J MHHU;*J 2$, ;1&-%;
#;9#& ;" 7-.(,.-;" ,o7,-.<98.;" %, "&( ($/#.8;9;/ 8&( & "&( (;39+#.8&J 2$;9#& &" 7-.98.7;.":&-(;#&" %.3.#;."> 698/$.9%& ; #,89&/&3.; RKdJ & #-;1;/@& ;7-,",9#; ;.9%; $(; 8&(7;-;04&
%&" :&-(;#&" , "$;" ;7/.8;0_," ,( %.:,-,9#," (E%.;">
! ; #,89&/&3.; %, ,"7;8.;/.?;04& *#77"#$% B>[ + & ;""$9#& %& ;-#.3& bc I&( !#77"#$% ,
I$;" g&-(;" %, k"&l )W!Q\!6\^IJ MHHh*J 2$, %,/.9,.; & :$98.&9;(,9#& %,"", (&%,/& %,
-,7-&%$04& %, "&( , "$;" #+89.8;" %, (.o;3,(J ;7&.;9%&e", ;7,9;" 9& "."#,(; Q&/1w Q.3.#;/>
!"#," "4& 7&-#;9#&J &" N9.8&" #-;1;/@&" ,98&9#-;%&" 2$, 7&""$,( 8&(& :&8& 8,9#-;/ %,
,"#$%& ;"7,8#&" #,89&/F3.8&" %& "&( 9& 8.9,(;J &" 2$;." ", -,"$(,( D #,89&/&3.;,"#,-,&:s9.8; %.3.#;/> R&%;=.;J ;& ;=;/.;- ;" %,(;." 1.1/.&3-;:.;" /,=;9#;%;"J + :A8./ ,98&9#-;-
,( 7;-#, %&" %&8$(,9#&"J ,/$8.%;0_," ;8,-8; %; #,89&/&3.; %& "&( 9& 8.9,(;J 8&(& 7&-
,o,(7/& 9; 8;#,3&-.; ;9#,-.&-J &9%, + &1",-=;%& $(; 8,-#; -,8&--<98.; %& -,"3;#, #,89&/F3.8&
7;-; $(; ;-3$(,9#;04& @."#&-.&3-A:.8; %& "&( 9& 8.9,(;> !""; ;:.9.%;%, ,9#-, @."#F-.; ,
#,89&/&3.; %& "&( 9& 8.9,(; .98/$".=, 7&%, #;(1+( =.- ; ,"8/;-,8,- & 7&- 2$< %;
7,"2$.";%&-; O/A$%.; a&-1(;9 #,- ;""&8.;%& ,"";" #,(A#.8;" ,( ",$" %&." /,=;9#;(,9#&"
1.1/.&3-A:.8&"> !( T(=,("A7.G<L "$ !"#$% ($ +(,- )[ihH* ac\]C^S 8-.&$ ; ",04&
bR,89&/&3.;lJ "$1%.=.%.%; ,( %$;" =,-#,9#,"L ba,-;/l , bK."#F-.; e ; 8@,3;%; %& "&(lY , ,(
:$$"'.')% T(=,("A7.G<L )[ihB*J ;/+( %; ",04& .9%.=.%$;/ bR,89&/&3.; ,( 3,-;/lJ ;
Pi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 71/181
!"#$%&#'()*' ,)-,"." ) /?!&,) ;7&#/?*&'3 "#/&9) " /",-)9)=&'82 <"#/" #"-/&(): '.)*('="-#
#).*": !)* "1"5!9): ' "0)9%4>) /",-)9?=&,' () #)5 -) ,&-"5' " #).*" '# !*&-,&!'&#
"1!"*&6-,&'# (" %-&>) "-/*" #)5 " &5'="5 -)# !*&5?*(&)# () ,&-"5': OK 5"-,&)-'('# -)
/?!&,) !"#$%&"' ,)5) G*'=5"-/)# (" '9=%-# /*'.'9C)#: !)("5 (" ,"*/' G)*5' ,)5!9"5"-/'*
"#/' #"4>)2 I5 "#!",&'9: ) ,)-/"M() (" !'*/" (' /"#" ;H*),"(&5"-/)# (" /*'.'9C) -' ,'!/'4>)
(" #)5 (&*"/) -)# 9)-='#B5"/*'="-# .*'#&9"&*)# !"#$%& (")"* " +#$,#-&3 ' /L,-&,' " ) "#!'4)
,*&'/&0)8 JAE@DN: F_[[W: $%" /'5.L5 !)(" '=*"='* &-G)*5'4S"# !*",&#'# #).*" )# !*&-,&!'&#
'0'-4)# /",-)9?=&,)# 0)9/'()# !'*' ' =*'0'4>) () #)5 (&*"/): ,)5) !)* "1"5!9): )# #&#/"5'#
(" #)5 -) (&#,) J *".#)/"#/)-*? *;*$73W " -) G&95" J *".#)/"#/9-=3 *;*$73W: &-,9%&-() )
*"=&#/*) #)-)*) 5'=-L/&,): =*'0'()*"# (" #)5 !)*/K/"&#: 5&,*)G)-"# ;#"5 G&)8: /",-)9)=&'
(&=&/'9 !)*/K/&9 5%9/&!&#/': "/,2E.#"*0'B#" '&-(' %5' '!*)1&5'4>) () ,'5!) (' /",-)9)=&' () #)5 -) ,&-"5' ,)5
!"#$%&#'# -) Y5.&/) (' !"*,"!4>) (' "1!"*&6-,&' ,&-"5'/)=*KG&,'2 H)* "1"5!9): ) *"#='/" ("
/",-)9)=&'# (" #]-/"#" #)-)*' " (" ("5'&# ,)5!)-"-/"# (' &-/&/%9'(' ;*"0)9%4>) "9"/*X-&,'8
() #)5 -)# '-)# [R\_: [RZ_ " [RQ_: '/L ,C"='* -)0'5"-/" -' "0)9%4>) ()# (&#!)#&/&0)#
"#/"*")GX-&,)# (" *"!*)(%4>) () #)5: !)(" #"* "-,)-/*'() -' (&##"*/'4>) ;N H'&#'="5
A)-)*' I9"/*X-&,'3 ' ,)-#/*%4>) (" -)0'# '%(&.&9&('("# -) ,&-"5'8 JUNAPN<7IT^N:
F_[_'W2 V"5 ,)5): (" G)*5' 5'&# *"#%5&(': -) '*/&=) !*)0"-&"-/" ("##' 5"#5' !"#$%&#': ;EA)5 I1!'-(&()3 )# -)0)# "#!'4)# () #)5 -) ,&-"5'8 JUNAPN<7IT^N: F_[[.W2
E ,&-"5' L %5' '*/" "#/*&/'5"-/" /",-)9?=&,' " ,)-/&-%' "5 ,)-#/'-/" /*'-#G)*5'4>)
!)* ,)-/' (' "0)9%4>) ("#/" '!'*'/): .'#/'-() -)/'* !)* "1"5!9): ()&# '##%-/)# "5 "0&(6-,&'
-) 5"&) '/%'95"-/"3 ' $%"#/>) ()# !'(*S"# (" =".)#7**82 " (' /*'-#&4>) (' !*)O"4>) !'*' )
(&=&/'9\o2 k)=): -' "#!"*'-4' (" "1!'-(&* '# '.)*('="-# " .%#,'* )%/*'# !"#$%&#'# ,)5 G),)#
(" '-K9&#" $%" ->) #)5"-/" ) ()# #&#/"5'# (" *"!*)(%4>) #)-)*' -) ,&-"5' '$%& *",)**"-/"#:
G)*'5 /'5.L5 ,)-#%9/'()# )# N-'&# () U)-=*"##) V*'#&9"&*) (" I-="-C'*&' (" g%(&) (' NIAV*'#&9\c2 I-/*"/'-/): ' .%#,' ->) )./"0" 61&/)2 <'# !%.9&,'4S"# (' +.)-" <#:-#77%-#: 1"?-7$;
-)*/"B'5"*&,'-': G%-('(' "5 [Rci: " *"#!)-#K0"9 !"9) ("#"-0)90&5"-/) (" !'(*S"#
\F N $%"#/>) () =".)#7** "#/K *"9',&)-'(' m !"*,"!4>) () "#!",/'()* "5 *"9'4>) m &-/"-#&('(" () #)52 <' !*K/&,' '%(&)0&#%'9 &5!9&,' -' (&G"*"-4' (" ;0)9%5"8 "-,)-/*'(' "-/*" )# ,)-/"M()# ()# ,'-'&# (" /"9"0&#>)J!*)=*'5'# (" Ph: G&95"#: ,)5"*,&'&#: "/,2W: " "-/*" )# !*?!*&)# ,'-'&# "5 #&2 <) '-) (" F_[o G)& #'-,&)-'('%5' 9"& $%" /")*&,'5"-/" *"=%9'5"-/' ' !'(*)-&b'4>) ("##"# 0)9%5"# (" K%(&): 5'# -' !*K/&,' '&-(' CK5%&/'# (&#,%##S"# ' *"#!"&/) ("##"# !'(*S"# " (' '!9&,'4>) ('# !"-'9&('("# (' 9"&2
\o N /*'-#&4>) (' !*)O"4>) !'*' ) (&=&/'9 G)& /"5' (' 5"#' ;U&-"5' l&=&/'9 j l"#'G&)# " H"*#!",/&0'#3 !'-)*'5'() "#/K=&) '/%'9 () !*),"##) (" (&=&/'9&b'4>) () !'*$%" "1&.&()* .*'#&9"&*)8 -' A"5'-' NVU F_[o: "0"-/)'-%'9 (' N##),&'4>) V*'#&9"&*' (" U&-"5'/)=*'G&'2 H'*' 5'&# &-G)*5'4S"#: '##&#/' ) (".'/" -' ]-/"=*' !"9)=-#5 3 aC//!3ee```2d)%/%."2,)5e`'/,CnG"'/%*"f!9'd"*p"5."(("(q0fU_r9Fos1N&tu2 N,"##) "5 o_ (" 5'&)(" F_[o2
\c h"*#>) .*'#&9"&*' (' ,)-,"&/%'(' #),&"('(" !*)G&##&)-'9 ("(&,'(' "1,9%#&0'5"-/" m /",-)9)=&' () K%(&) -'K*"' (" "-="-C'*&' (" K%(&): /",-)9)=&'# (" ,)5%-&,'4S"# " "-="-C'*&' ',M#/&,'3 +.)-" <#:-#77%-#: 1"?-7$;2
Q_
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 72/181
.9%$"#-.;." , -,8&(,9%;0_," #+89.8;" %, A$%.&J ,o."#,( %.=,-"&" %&8$(,9#&" -,/;8.&9;%&" D
#,89&/&3.; %& "&( 9& 8.9,(;> C;" &" ;9;." %& 7-.98.7;/ ,=,9#& 8.,9#E:.8& %, ,93,9@;-.; %,
A$%.& 9& ]-;"./ "4& 1,( (;." -,8,9#,"J #,9%& "$; 7-.(,.-; ,%.04& 7$1/.8;%; ,( MHHTJ ,
.9:,/.?(,9#, ;.9%; 94& 7&""$,( ;-#.3&" ,( /E93$; 7&-#$3$,"; 2$, 8&9#,(7/,(
,"7,8.:.8;(,9#, ; A-,; 8.9,(;#&3-A:.8;> ^#+ ,o."#,( #-;1;/@&" 2$, 7&%,( %.;/&3;- %, 8,-#;
:&-(; 8&( ; 7-A#.8; %, (.o;3,( , -,"#;$-;04& %& "&( 9& 8.9,(;J %,"=,9%;9%& 7&- ,o,(7/&J
#+89.8;" %, -,(&04& %, .9#,-:,-<98.;" %, :$9%& ,( ".9;." %, A$%.& ; 7;-#.- %, G,#A($ ZIRBBJ
(;" 7&- 94& ;" ;7/.8;-,( %.-,#;(,9#, ;& 8.9,(;J 94& ,"#4& ;2$. ;1-;93.%&">
!( #,(7&" &9%, ; ,=&/$04& #,89&/F3.8; , "$;" .9#,-:,-<98.;" 9; "&8.,%;%, ", ,o7;9%,(
8;%; =,? (;." -A7.%&J + 9;#$-;/ 2$, & $9.=,-"& 8.9,(;#&3-A:.8& #;(1+( ",5; ;:,#;%&>
W&-#;9#&J ; #,(A#.8; ;8,-8; %; #,89&/&3.; + %, ,o#-,(; .(7&-#V98.; 7;-; -,:/,#.-J 8&(7-,,9%,-, ;8&(7;9@;- #&%;" ;" 9$;98," #+89.8;" %,"";" #-;9":&-(;0_,"J 7-.98.7;/(,9#, 7&- ,"#;"
,"#;-,( #;(1+( 8&9,8#;%;" %.-,#;(,9#, ;& %,",9=&/=.(,9#& %; /.93$;3,(J %, 7;%-_," ,
:&-(;#&" %, 7-&%$04&J %, (,-8;%&J %, -,;/.?;04&J %, ,o.1.04&J ,#8>
KJKJF G73o7k@+, C,*,3/
k(; #,-8,.-; 8/;"".:.8;04& 2$, 94& %,.o; %, -,/;8.&9;- 8&( 2$,"#_," %; ,=&/$04&@."#F-.8; , #,89&/F3.8;J ", -,:,-, D 7,-8,704& "&9&-; 9& 8.9,(;> ^2$.J %,=,e", :;?,- $(;
-,"";/=;L ; ,"8&/@; %& #,-(& G73o7k@+, C,*,3/ 7&%, 7;-,8,- .- 9; 8&9#-;(4& %&" 8&98,.#&"
%, b;$%.&=."4&l , b8&9#-;#& ;$%.&=."$;/lJ #4& %.:$9%.%&" 7&- C.8@,/ O@.&9 7;-; %,"8-,=,- ;
(;9,.-; 7,/; 2$;/ + %;%; ; 7,-8,704& %; ,o7,-.<98.; 8.9,(;#&3-A:.8;> W;-; OK6cS )MH[[*J
;$#&- %,""," 8&98,.#&"J ; 7,-8,704& 8&95$9#; %&" ,/,(,9#&" .(;3+#.8&" , "&9&-&" 9& 8.9,(;
", %A %, :&-(; %.:,-,9#, %; 7,-8,704& %, 8;%; ,/,(,9#& 8&9".%,-;%& ."&/;%;(,9#,>
R-;#;e", %, $(; ;#.=.%;%, 2$,J ,"#-;9@;(,9#,J 9$98; + 8&9".%,-;%; 9; "$; 9&=.%;%,L8&9#.9$;e", ; %.?,- =,-Ŵ $( :./(, &$ $( 7-&3-;(;J .39&-;9%& ; (&%.:.8;04&.9#-&%$?.%; 7,/; 1;9%; "&9&-;> c$ ,9#4&J 8&9#,9#;(&e9&" 8&( $( ,"2$,(; ;%.#.=&>^""."#.- ; $( ,"7,#A8$/& ;$%.&=."$;/ ,2$.=;/,-.;J ,( "$(;J ; =,- .(;3,9" ) ; &$=.-"&9"J (;9#,9%&e", 8;%; 7,-8,704& 7,-:,.#;(,9#, ."&/;%;> nfp 9& 8&9#-;#& ;$%.&=."$;/J$(; 7,-8,704& .9:/$,98.; ; &$#-; , ; #-;9":&-(;L 94& =,(&"Ŵ ; (,"(; 8&."; 2$;9%&&$=.(&"Y 94& &$=.(&"Ŵ ; (,"(; 8&."; 2$;9%& =,(&"> nfp ;& %,"8-,=,- , :&-($/;-; -,/;04& ;$%.&=."$;/ 8&(& 8&9#-;#& )&$ ",5;J 8&(& & &7&"#& %, $(; -,/;04& 9;#$-;/2$, -,(,#, 7;-; $(; @;-(&9.; 7-,,o."#,9#, ,9#-, ;" 7,-8,70_,"*J ,"1&0; $( (+#&%&%, &1",-=;04& , %, ;9A/.", "$"8,#E=,/ %, ",- ;7/.8;%& ;&" :./(,"J ;&" 7-&3-;(;" %,#,/,=."4&J ;&" =E%,&"J ,#8>J , -,"$/#;9#, %, 9$(,-&";" .9#,-=,90_," 7,%;3F3.8;">)OK6cSJ MH[[J 7> m*
BB ^ -,:,-<98.; %& ,o,(7/& 8.#;%& +L R₠a!GJ ^/;9 g-,.@&:Y ]6IO^6SKcJ G$.? ~;39,- W>> C,#A($ ZIR 7;-;\,(&04& %, \$E%& %, g$9%&> 69L O&93-,""& %, !93,9@;-.; %, ‑$%.& %; ^!Ie]-;"./J MHHm> >*/;9 =, [g.,*Q3799, =7 5*Q7*?/3;/ =7 B8=;,> I4& W;$/&J MHHm>
m[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 73/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 74/181
,"8$#;"L (&%,/&" %, ;$%.1./.%;%," %&" 7-.(,.-&" 8.9,(;"l )MHHi;* "&1-, ; 8&9"#-$04& %&"
8F%.3&" 9;--;#.=&" %& 8.9,(; , "$; -,/;04& 8&( ; 7-A#.8; "&9&-; , &" (&%,/&" %,
;$%.1./.%;%," %&" 7-.(,.-&" 8.9,(;">
^ ;$%.04& #;(1+( + 7-.=./,3.;%; 9; %."",-#;04& b^ W,-8,704& I&9&-; 9& O.9,(;L =,-
8&( &" &$=.%&"J &$=.- 8&( &$#-&" ",9#.%&"l )O^\Z GKcJ MHHi*> c ,"#$%& %; 7,-8,704&J %;
,"8$#; , %& ,"7;0& "&9&-& + $#./.?;%& 7;-; ;(7/.;- ; 8&(7-,,9"4& %; $#./.?;04& %& "&( 9;
8&9"#-$04& %; 9;--;#.=; :E/(.8;> W;-#.9%& %; -,:/,o4& "&1-, ; :$904& %& "&( 9& ($9%&J 9;"
".#$;0_," 8&#.%.;9;"J ; 7,"2$."; ,"#,9%,e", %; :.".&/&3.; %; ;$%.04& ;& %,",9=&/=.(,9#& %;
(,(F-.; ;$%.#.=; @$(;9; , ;" ($%;90;" ;8N"#.8;" "&:-.%;" %$-;9#, &" N/#.(&" "+8$/&"> I,9%&
$( %&" &15,#.=&" %,"7,-#;- & .9#,-,"", 7;-; ;" 7&#,98.;/.%;%," %& "."#,(; ;$%.#.=&J ;"
8;7;8.%;%," 7,-8,7#.=;" , $(; ,"8$#; (;." ;#,9#;J 1$"8;9%& ",(7-, $(; -,/;04& ,9#-, ,"";" 7,-8,70_," , & $"& %& "&( 9&" :./(,"> "".(J ;/+( %, %."",-#;- "&1-, &" 7&9#&" , ;" %.:,-,9#,"
;#.#$%," %, ,"8$#;J "4& ,/;1&-;%&" #-<" 9&=&" #.7&" %, ,"8$#;"L ; ,2$.7;-;%;J ; "$-%; , ;
8&9=,-3,9#,> ! (;."J ; %."8$""4& "&1-, &" ,"7;0&" "&9&-&" #-;? 7&""E=,." /&8;/.?;0_,"
,"7;8.;." %& "&( 9& 8.9,(;J ,"#./&" %, "&9&-.?;04& %, :./(," , ; -,/;04& ,9#-, ,"7,8#;%&- ,
:./(,J ; 2$;/ + ./$"#-;%; 8&( $(; 7,"2$."; ,(7E-.8;L $(; ,9#-,=."#; -,;/.?;%; /&3& ;7F" $(;
",""4& %& :./(, : K*'7. ) " M)$'" )~;/#,- G.(; X->J [iim* 8&( $( 3-$7& %, 8.98& 7,""&;"J
$#./.?;%; 7;-; %,(&9"#-;- ;/3$(;" %.:,-,98.;0_," %, ",9#.%& 2$;9%& ; 2$,"#4& -,:,-.%; + ; 7,-8,704& ;$%.#.=;>
W;-; ; =;/&-.?;04& %& 7&#,98.;/ %& $"& %& "&( 9&" :./(,"J ;" :&-(;" %, -,8,704& %& "&(
9& 8.9,(; "4& #;(1+( & :&8& %, ,"#$%& %, (;." $(; %."",-#;04&L bc O.9,(;J $(; ;-#,
"&9&-;l )gGc\!IJ MHHP*> W;-; %."8$-";- "&1-, 8-.#+-.&" /.3;%&" D 2$,"#4& %; ,"8$#; , %;
(;#+-.; "&9&-; ;7F" $(; 8&9#,o#$;/.?;04& "&1-, ; ;$#,9#.8.%;%, %& "&( 9; #,&-.; %, 8.9,(; ,
%; (N".8;J ; 7,"2$."; 1,9,:.8.;e", %; (&-:&/&3.; %&" "&9" 7-&7&"#; 7&- W.,--, I8@;,::,- ,(
",$ 27.('S %)* K=b)'* J#*(;.#c
wx
> Q,"#, (&%&J ; 2$,"#4& %& ,"7;0& "&9&-& , %, 8&(& ,/, +,o7/&-;%& 9& 8.9,(;J #-;9".#; 7&- %.:,-,9#," :&-(;" , (;9,.-;" 8&( 2$, &" "&9" 7&%,( ",-
$";%&" 9&" :./(,"> \,$9.9%& ;" 8;-;8#,-E"#.8;" %&" #.7&" %, ,"8$#;" ,"#$%;%;"J ; 7,"2$.";
:.9;/.?; -,:/,#.9%& "&1-, ; ;7-,8.;04& %& "&( 9&" :./(," ; 7;-#.- %; ,"8$#; :E/(.8;J , ;9;/."; ;
#-./@; "&9&-; %, #-,8@&" %&" :./(," T,"h FG )C.8@,/;93,/& ^9#&9.&9.J [iPm*J F- '(7" $.
$"(') )]-.;9 %, W;/(;J [ih[* , K Cd$'.$" )G$8-,8.; C;-#,/J MHH[*> Q,"#; %."",-#;04& #;(1+(
-,"$/#&$ ; 7$1/.8;04& %& ;-#.3& b^ !"8$#; gE/(.8;L $(; ;#.#$%, ,"#+#.8;l )gGc\!IJ MHHm*J
-+7/.8; %& .#,( @&(s9.(& %; %."",-#;04&>
k( :&8& (;." ,"7,8E:.8& + ,98&9#-;%& 9& ;-#.3& b!"8$#;- #;9#& 2$;9#& ", =< )8&(& $(
BP IOK^!gg!\J W.,--,> 27.('S %)* "=b)'* J#*(;.#c> W;-."L !%.#.&9" %$ I,$./J [iPP>
mT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 75/181
:./(, .-;9.;9&J "&1-, $(; 8-.;90; 8,3;J 7&%, ,9".9;- ; &$=.-r*l )OcIR^J MHHT1*J & 2$;/
%,(&9"#-; ; .(7&-#V98.; %; ;$%.04& 9; .9:V98.; 8&( 1;", 9& :./(, K !(,q$;(" )C&@",9
C;j@(;/1;:J [iih* , %."8$#,J ,( 8&9#-;7&9#&J ; 7-.(;?.; %; =."4& 9; "&8.,%;%, &8.%,9#;/>
g&-; ,"#," #-<" #-;1;/@&" %, (,"#-;%& , &" &.#& ;-#.3&" (,98.&9;%&" 2$, %.;/&3;(
%.-,#;(,9#, 8&( ; 2$,"#4& %; 7,-8,704& "&9&-; 9& 8.9,(; , 2$, 8&9",2$,9#,(,9#, ,"#4& ;2$.
;3-$7;%&"J %$;" 7,"2$.";" 8/;"".:.8;%;" ,( &$#-;" ",0_," #;(1+( (,-,8,( ",- 8.#;%;" %,
:&-(; 8&(7/,(,9#;-> ^ 7-.(,.-; + ; %."",-#;04& b69#-&%$04& D ^-2$,&/&3.; %; !"8$#; &$ &
S;"8.(,9#& %& O.9,(; I&9&-& ; 7;-#.- %& !"7E-.#& %; Ɨ7,-;l )O^W!GG!\J MHHB*J 5A
8/;"".:.8;%; 9; ",04& ^;9DV3;/J , 2$, 7-&7_, $(; (,/@&- 8&(7-,,9"4& %& 8.9,(; ; 7;-#.- %;"
1;"," %, $(; ;-2$,&/&3.; %,%.8;%; D ,"8$#;> Q,"#; :&-(;J -,"3;#; #-;9":&-(;0_," @."#F-.8;"
%& 8;(7& %& ;$%E=,/J .9=,"#.3;9%& ;" #.7&/&3.;" %; ,"8$#; %, W.,--, I8@;,::,-J %, R@,&%&- ~>^%&-9& , %, C.8@,/ O@.&9J #,9#;9%& b%,",(1;-;0;-l ; @."#&-.8.%;%, %; ,"8$#; %; @."#F-.; %;
(N".8;J , .9",-.- & 8.9,(; 8&(& $( %."7&".#.=& ;$%.&=."$;/ %, ".($/;04& %; 7-F7-.; ,"8$#;>
",3$9%;J #;(1+( $(; %."",-#;04&J + ; .9#.#$/;%; b!9#-, ; !"8$#; , ; Z."4&L & /$3;- %&
,"7,8#;%&- 9; &1-; %, \&1,-# ]-,""&9l )^IW^K^SJ MHHh* , 2$,J 8&(& ",-A =."#&J ,"#A
8/;"".:.8;%; 9; ",04& 59D8=,9 =7 ./9, 7&- 7-.&-.?;- & ,"#$%& %; &1-; %& 8.9,;"#; :-;98<"
\&1,-# ]-,""&9 ,o8/$".=;(,9#,> S& 2$, #;93, D 7;-#, %; ,"8$#;J ,"#, #-;1;/@& #;(1+( ;7&.;e
", 9& 7,9";(,9#& %, W.,--, I8@;,::,- , C.8@,/ O@.&9 7;-; 8&(7-,,9%,- ;" .(7/.8;0_," %;8&(7&".04& "&9&-; 9; "$; -,/;04& 8&( ; ,"8$#; 9& :./(, F- ;"$%)$.%" V -"7') )*;.G"# &$
K 5)$'" *"G7. "$%) /#)7 )\&1,-# ]-,""&9J [iBP*> ! ;.9%;J ;9;/."; ; =;-.;04& ,9#-, ;" ;#.#$%,"
%, ,"8$#; %& ,"7,8#;%&- , ;" ;#.#$%," %, ,"8$#; %& 7,-"&9;3,( 9,"", :./(, 2$,J /&3&J ,o.3, %&
,"7,8#;%&- $(; ;#,904& ,"7,8.;/ ;&" "&9">
c1",-=;e", ;"".(J 2$, 3-;9%, 7;-#, %&" #-;1;/@&" ;#-,/;%&" D 7,-8,704& "&9&-; 9&
8.9,(; $#./.?; %; #,&-.; %; (N".8; ,/,#-&;8N"#.8; 8&(& 1;", %, ;-#.8$/;04& #,F-.8;J &9%, ;
7,"2$."; %& 8&(7&".#&- , 7,"2$.";%&- :-;98<" W.,--, I8@;,::,- #&-9;e", -,:,-<98.;:$9%;(,9#;/J 1,( 8&(& ; %, ",$ %."8E7$/& C.8@,/ O@.&9> O&98,.#&" %& 7,"2$.";%&-
8;9;%,9", C$--;w I8@;:,-J 8&(& & %, b7;.";3,( "&9&-;lJ 8&(7/,#;( ; /."#; %, .9:/$<98.;"
(;." 8.#;%;" 9,"#, 3-$7&> ^#-,/;%; D ($/#.:;8,#;%; 7,-8,704& %; ,o7,-.<98.; 8.9,(;#&3-A:.8;J
; G73o7k@+, C,*,3/ #&-9;e", ,9#4& (;." $(; #,(A#.8; ,=.%,9#,J %,"7,-#;9%&J ,"#.($/;9%& ,
7;-#.8.7;9%& 9; :&-(;04& %, $(; 8&9"8.<98.; ;$%.#.=; %& ,"7,8#;%&->
mU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 76/181
KJKJ_ G3,o799,9 =7 .3;/@+,
O&( ; ,o."#<98.; %, %&8$(,9#&" =&/#;%&" 7;-; ; 7,"2$."; %; 7-A#.8; %, -,;/.?;04&
8.9,(;#&3-A:.8;J &$#-; ",04& 2$, 7&%, ",- .9%.8;%; + ; %,9&(.9;%; G3,o799,9 =7 .3;/@+,>
S,/; ,"#4& 8/;"".:.8;%&" &" (;#,-.;." 2$, 7-.&-.#;-.;(,9#, 1$"8;( 8&9@,8,- , %,"8-,=,- &"
7-&8,""&" , (+#&%&" %, #-;1;/@& 8&( "&( 9& 8.9,(;>
^ 7-A#.8; %, #-;1;/@& 9; 8;7#;04& %, "&( %.-,#& + (.9$8.&";(,9#, .9=,"#.3;%; 9; #,",
bW-&8,%.(,9#&" %, #-;1;/@& 9; 8;7#;04& %, "&( %.-,#& 9&" /&93;"e(,#-;3,9" 1-;"./,.-&"
8"$'7. 2"%"* , :$'p$(.L ; #+89.8; , & ,"7;0& 8-.;#.=&l )Ick|^J MH[[*> W;-#.9%& %, $(;
;7-&o.(;04& @."#F-.8; "&1-, & 8&9#,o#& %; .98&-7&-;04& %& "&( 9& "."#,(; %, -,7-,",9#;04&
%& 8.9,(; 8/A"".8& 9&-#,e;(,-.8;9&J ; 7,"2$."; %,#;/@; ;" ;#.=.%;%," 7-A#.8;" ,o,8$#;%;" 7,/&#+89.8& %, "&( %.-,#& 9& V(1.#& %; 7-&%$04& 8.9,(;#&3-A:.8; :.88.&9;/J 8&(& 7&- ,o,(7/&J
;1&-%;9%& ;" 8&9:.3$-;0_," #+89.8;"J ; 8&9"#.#$.04& %; ,2$.7,J ; %,:.9.04& %, ,"#-;#+3.;" 9;
7-+e7-&%$04& , 9; :./(;3,(J ; -&#.9; %, #-;1;/@& %& "&( %.-,#& 9& *)' J ; (&9.#&-;04& %& "&(J
;" -,/;0_," ,9#-, ;" %,(;." A-,;" #+89.8;" %, -,;/.?;04&J ,#8> ! ;.9%;J ;& ;9;/.";- &"
7-&8,%.(,9#&" ,(7-,3;%&" 9& -,3."#-& "&9&-& ".98-s9.8& %&" :./(," 8"$'7. 2"%"* )\&1,-#&
C&-,.-;J MHHU* , :$'p$(. )R;#; ^(;-;/J MHHP*J %,(&9"#-; & %.9;(."(& %& (+#&%& %,
#-;1;/@&J ;" %,(;9%;" ,"7,8E:.8;" .(7&"#;" 7,/&" :./(," , ; ;#$;04& %& #+89.8& %, "&( %.-,#&9& 7/;9,5;(,9#& %&" 7-&8,%.(,9#&" -,:,-,9#," ;& %,",9=&/=.(,9#& %, "&/$0_," ;%,2$;%;" D"
9,8,"".%;%," ,"7,8E:.8;" %, 8;%; 7-&5,#&> !"#; #,",J ;/+( %, -,/;#;- ; ,o7,-.<98.; 7-&:."".&9;/
%& 7-F7-.& ;$#&- 2$, + -,"7&9"A=,/ 7,/& "&( %.-,#& %&" :./(," .9%.8;%&"J 7&%, ",- 8&9".%,-;%;
; (;." 8&(7/,#; , ,"8/;-,8,%&-; 1.1/.&3-;:.; 7$1/.8;%; ,( /E93$; 7&-#$3$,"; ;#+ & (&(,9#&
;8,-8; %; 7-A#.8; %, #-;1;/@& 8&( & "&( %.-,#& 9& 8.9,(; %, :.804&>
XA ;1&-%;9%& %.:,-,9#," :;"," %& 7-&8,""& %, .9",-04& %& "&( :E/(.8&J ; ;9A/.", %&"
7-&8,%.(,9#&" %, 8-.;04& , -,;/.?;04& %; #-./@; "&9&-; 9;" %.=,-";" ,#;7;" %, 7-&%$04&8.9,(;#&3-A:.8; %& :./(, 4$*.(" !"=7) . 8)A#)(7. )g,-9;9%& C,.-,//,"J MHHh*J + ; 1;", %;
%."",-#;04& bI, W&%," c$=.-J !"8$#;L ; 3<9,", ;$%.&=."$;/ %, 4$*.(" !"=7) . 8)A#)(7.l
)W!\!6\^J MH[H*> W;-; #;9#&J ; 7,"2$."; 8&9".%,-; & /.=-& %, X&"+ I;-;(;3& 2$, %,$ &-.3,(
D ;%;7#;04& ;$%.&=."$;/J ; =,-"4& %& -&#,.-& $#./.?;%; 7;-; ; :./(;3,(J & 7-.(,.-& , & "+#.(&
8&-#, %; (&9#;3,(J ; ",""4& %, (.o;3,( ;9#," %, ",- ,9=.;%; ;& g,"#.=;/ %, O;99,"J , ;
=,-"4& :.9;/ %& :./(, ;7-,",9#;%; 8&(,-8.;/(,9#, 9;" ";/;" %, 8.9,(;> Q,"#; :&-(;J & ,"#$%&
7;-#, %;" -,/;0_," ,9#-, "&( , .(;3,( %,"%, ; 7-+e7-&%$04&J ;-#.8$/;9%& #;(1+( ;" #+89.8;"
, &" (+#&%&" $#./.?;%&" ;& /&93& %& 7,-8$-"& %, #-;1;/@& 8&( & "&( %.-,#&J ; (&9#;3,(J ;
8&(7&".04& ($".8;/J ; ,%.04& %, "&( , ; (.o;3,(> ^"".(J ; ,/;1&-;04& , ; ,o,8$04& %&
mB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 77/181
8&98,.#& "&9&-& %,"", :./(, ,( ,"7,8E:.8&J + ;7-,",9#;%; %, :&-(; ; 8&9#,(7/;- #&%&" &"
7;""&" %, "$; 8&9"#-$04& ;$%.&=."$;/J %,(&9"#-;9%& & 2$;9#& $( 7,9";(,9#& "&9&-& .9,-,9#,
%,"%, & .9E8.& %& 7-&5,#& :;=&-,8, $(; 2$;/.%;%, #+89.8; , ,"#+#.8; %& 7-&%$#& :.9;/> O&(&
:&-(; %, %.=$/3;- &" -,"$/#;%&" 7;-8.;." %,""; 7,"2$."; %, (,"#-;%&J :&. ;.9%; 7$1/.8;%& &
;-#.3& bI, W&%," c$=.-J !"8$#;L -,/;0_," ;$%.&=."$;." %& :./(, 4$*.(" !"=7) . 8)A#)(7. ,
8&9".%,-;0_," "&1-, ",$ 7-&8,""& 8-.;#.=&l )W!\!6\^J MHHi;*>
^ 7-A#.8; %, #-;1;/@& 9; 7F"e7-&%$04& %, "&( ,"7,8.:.8;(,9#, #;(1+( + ;/=& %,
7,"2$.";> ^ %."",-#;04& b^9A/.", %& %)*(A$ "&9&-& 9& /&93;e(,#-;3,( 4$*.(" !"=7) .
8)A#)(7.l )cWcGI`6J MHHi;* :&-9,8, .9:&-(;0_," %,#;/@;%;" "&1-, ;" 7-.98.7;." :$90_," ,
7-&8,%.(,9#&" -,;/.?;%&" 9& 7-&8,""& %, ,%.04& %, "&(J %, (.o;3,( , %, 8&98,704& %&
%)*(A$ "&9&-&Bm %, :./(," %, :.804&> O&(& 7&%, ",- 9&#;%& 7,/& #E#$/&J ,""; 7,"2$."; #;(1+(#-;1;/@; "&1-, & :./(, 4$*.(" !"=7) . 8)A#)(7. )g,-9;9%& C,.-,//,"J MHHh*J 7&-+( -,/;#; ,
%."8$#, 7-.&-.#;-.;(,9#, &" (+#&%&" %, 8-.;04& "&9&-; 9; ,#;7; %, :.9;/.?;04& %, "&( %; &1-;J
,o7/.8;9%& ; 7-A#.8; %, #-;1;/@& , ; -,/;04& ,9#-, &" 7-&:."".&9;." ,9=&/=.%&"J , =,-.:.8;9%&
2$, ; -,8-.;04& %& "&( 9; 7F"e7-&%$04& .9:/$,98.; %-;(A#.8; , 9;--;#.=;(,9#, ; &1-;
;$%.&=."$;/> Z;/, %,"#;8;- 2$, ; ;$#&-; :,? 7;-#, %; ,2$.7, %, ,%.04& %, "&( %& :./(,
;7&9#;%&J , .98/$".=,J 9&#;e", 2$, ,""; 7,"2$."; + $(; 3-;9%, -,:,-<98.; 1.1/.&3-A:.8; %;
%."",-#;04& %, W!\!6\^ )MH[H* @A 7&$8& 8.#;%;>Q, :&-(; 8&--,"7&9%,9#,J & ,"#$%& %& 7-&8,""& %, 7F"e7-&%$04& %, "&( 7;-; 8.9,(; +
& .9#,-,"", %; %."",-#;04& bO-.;9%& C$9%& 8&( I&9"L 7F"e7-&%$04& %, "&( , *"#$% %)*(A$
9& 8.9,(;l )!IWcI6RcJ MH[[*J 2$, ,/$8.%; ; (,#&%&/&3.; %, #-;1;/@& $";%; 7,/& 8.9,(;
9&-#,e;(,-.8;9&J -,/;#;9%& & #,-(& b *"#$% %)*(A$)7 l 8-.;%& 7&- ~;/#,- C$-8@ , .9=,"#.3;9%&
; #-;5,#F-.; %& "$7,-=."&- %, ,%.04& %, "&( , (.o;%&- 1-;"./,.-& ^/,"";9%-& G;-&8;J 8$5;
.9"7.-;04& %, (+#&%& %, #-;1;/@& =,( %; ,"#-$#$-; <",,Lh""%(.$.> ^ 7,"2$."; ;.9%; ;9;/."; ;
#-./@; "&9&-; %; 7-.(,.-; ",2$<98.; %& :./(, 27"G. %) 4,(') r )X&"+ W;%./@;J MH[H*> S,"#, 8;"&J#;9#& ; %."",-#;0_," %, `.-; W,-,.-; )MH[H*J 2$;9#& ; %, Q+1&-; c7&/"j. )MHHi;*J "4&
-,:,-<98.;" 1.1/.&3-A:.8;" 1;"#;9#, 8.#;%;"J $(; =,? 2$, 7&""$,( 8&(& ,/& ; 7-,",90; %,
^/,"";9%-& G;-&8; 8&(& "$7,-=."&- %, ,%.04& %, "&( %&" :./(," ,"#$%;%&"> G.3;04& ,"#; 2$,
", ,"#,9%, ;& 8&9#,N%& %& ;-#.3& bW-&%$04& I&9&-; 9& O.9,(; O&9#,(7&-V9,&L $( &/@;-
"&1-, %,";:.&" %& "&( 9& 8.9,(; 1-;"./,.-& , & 7-&8,""& %, :.9;/.?;04& %, "&( %& :./(, 27"G.
%) 4,(') rl )^GZ!IJ MH[[*J 2$, ;7-,",9#; , #;(1+( ;9;/."; & 7-&8,""& %, 8-.;04& 9; ,%.04&
%, "&( , (.o;3,( %& :./(, 27"G. %) 4,(') rJ ;/+( %, -,:/,#.- "&1-, 8&(7/.8;%&" %,";:.&"
Bm k(; 8$-.&".%;%,L & #,-(& 8&($(,9#, $#./.?;%& @&5, 9&" 8-+%.#&" %&" :./(," 7;-; %,".39;- & 2$, cWcGI`6)MHHi;* 8@;(; %, b%)*(A$ "&9&-&l + b%,",9@& %, "&(l>
mP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 78/181
,9:-,9#;%&" 7,/; 7-&%$04& "&9&-; 9& 8.9,(; 1-;"./,.-& 8&9#,(7&-V9,&>
Z;/, %,"#;8;- 2$, ;" #-<" %."",-#;0_," 8.#;%;"J ; %, Q+1&-; c7&/"j.J `.-; W,-,.-; , %,
C;$-.8.& !"7&".#&J 7&""$,( 3/&""A-.&"Bh ,o7/.8;9%& #,-(&" #+89.8&" $#./.?;%&" 9& b%.; ; %.;l
%&" 7-&:."".&9;." %, "&( 8.9,(;#&3-A:.8&J & 2$, + .(7&-#;9#, 7;-; ,"8/;-,8,- , ,o7;9%.- &
=&8;1$/A-.& %; A-,;>
c$#-&" #-<" ;-#.3&" 2$, %."8$-";( "&1-, & 7-&8,""& %, #-;1;/@& "4&L b!"8$#;9%& &
O.9,(;l )G!C!J MHHh*J b^" .%,.;" %; #-./@; "&9&-; %& :./(, :0(7.l )]c|6O^S6SJ MHHh* ,
bQ.A/&3&" "&1-, ; .(;3,( =."$;/ , ; .(;3,( "&9&-;L ; ,o7,-.<98.; %, ,"8-.#$-; %& "&9&-& 9&"
%&8$(,9#A-.&" ,#9&3-A:.8&"l )Z!Q^S^J MH[[*> c 7-.(,.-& %."8&--, %, :&-(; 1,( 3,9+-.8;
"&1-, &" ,/,(,9#&"J ;" ,#;7;" , & #-;1;/@& 8&( ; 7-&%$04& "&9&-; 8.9,(;#&3-A:.8;> c ",3$9%&
;1&-%; ; (,#&%&/&3.; %, 7-&%$04& %& :./(, %, ;9.(;04& :0(7. )`;#"[email protected]& ‿#&(&J [ihh*J,=.%,98.;9%& ; #+89.8; %, G7)*;"7($A $#./.?;%; 7;-; & ".98-&9."(& /;1.;/J & 7-&8,""& , ;"
:,--;(,9#;" %, 8&9"#-$04& %; #-./@; "&9&-;J , %,(&9"#-;9%& & 2$;9#& & "&( 8&/;1&-; 7;-; ;
#-;(; %& :./(,> ! & #,-8,.-&J ;7-,",9#; ; ,o7,-.<98.; 9; ,#;7; %, (&9#;3,( %, %&8$(,9#A-.&"
,#9&3-A:.8&"J -,:/,#.9%& "&1-, ; 7-,",90; %& "&( 9; ,/;1&-;04& %; 9;--;#.=; :E/(.8;J ;"
,"8&/@;" %, %,8$7;3,(J , ; -,/;04& ;$%.&=."$;/ 9; 7-&%$04& %&8$(,9#;/ %& ];98& %,
6(;3,9" , !:,.#&" Z."$;." %; kg\aI )].,=*BiJ 8&98,9#-;9%& 9& "&( 8&(& .(;3,( ".(1F/.8;
, ,( "$; 8;7;8.%;%, %, 9;--;- @."#F-.;">O&(& ;%,9%&J ;/+( %; #,",J %;" #-<" %."",-#;0_," , %&" 8.98& ;-#.3&" ;2$. ;/&8;%&"J $(
(;#,-.;/ 8&(7/,(,9#;- ; ,"#, 3-$7& + 7;-#, %; 7,"2$."; %, (,"#-;%& b^ !o7,-.<98.; %&
O.9,(; %, G$8-,8.; C;-#,/L -,"E%$&" %& #,(7& , "&9" D 1,.-; %; 7."8.9;l )]^\\!SK^J
MH[[*J 2$, ,/$8.%; & 7-&8,""& %, 8-.;04& , 7-&%$04& %; %.-,#&-; ;-3,9#.9; G$8-,8.; C;-#,/J
%,(&9"#-;9%& 8&(& ; 8.9,;"#; #-;1;/@; 8&( ; (;#+-.; "&9&-; ,( ",$" :./(," %, :&-(;
".93$/;-J 7;-#.9%& %, "&9&-.%;%," &$ ,"#E($/&" "&9&-&" 8&(& 7-,""$7&"#&" 7;-; ; ,/;1&-;04&
#;9#& %& -&#,.-&J 2$;9#& %; -(*) )$ *;e$) %, "$;" &1-;">O&9:&-(, 7,-8,1.%&J &" %&8$(,9#&" -,$9.%&" 9,""; #,(A#.8; 8&9#,(7/;( ;" ,#;7;"
8,9#-;." %, 8&98,704& "&9&-; 9& 8.9,(;J ,o7&9%& & #-;1;/@& 8&( & "&( %,"%, & -&#,.-&J 9;
7-+e7-&%$04&J ;#+ ; 7F"e7-&%$04&J ;-#.8$/;9%& ;"".(J 7-A#.8;" %, "&( %.-,#&J (&9#;3,(J
,%.04& %, "&( , (.o;3,(> Q,"#; :&-(;J #&-9;(e", (;#,-.;." %.%A#.8&" .(7&-#;9#," 9& ;$oE/.&
%; 8&(7-,,9"4& %, 7-&8,%.(,9#&" %, #-;1;/@& 8&( & "&(J :;8./.#;9%& & ;7-,9%.?;%& ,J
Bh ^ #,", %, C^S|^Sc )MHHB* #;(1+( 7&""$. $( 3/&""A-.& 8&( #,-(&" #+89.8&" 1,( ,o7/.8;#.=&>Bi c ].,= + $( 7-&5,#& 7,-#,98,9#, ;& SN8/,& %, !"#$%&" "&1-, O$/#$-;" O&9#,(7&-V9,;" )SkW!O"*J %&
W-&3-;(; %, WF"ea-;%$;04& ,( ^9#-&7&/&3.; I&8.;/ %; k9.=,-".%;%, g,%,-;/ %& \.& a-;9%, %& I$/)kg\aI*> k(; 8$-.&".%;%,L 9& ].,= ,o."#, & a-$7& %, R-;1;/@& "&1-, !#9&3-;:.; I&9&-; 8&&-%,9;%& 7&-Z.=.;9, Z,%;9;J , 2$, ,93/&1; ,"#$%&" ,#9&3-A:.8&" ,( ;9#-&7&/&3.; =."$;/ , "&9&-; ,( "&8.,%;%,"8&(7/,o;">
mm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 79/181
8&9",2$,9#,(,9#,J ;7-.(&-;9%& & 7-&8,""& %, :&-(;04& %, 9&=&" 7-&:."".&9;." 9; A-,;> ^/+(
%.""&J 8&9#-.1$,( 7;-; ; %."",(.9;04& %, 7-A#.8;" 2$, :;=&-,8,( & $"& %; 7&#,98.;/.%;%,
"&9&-; 9&" :./(,"J -,:&-0;9%& ; .(7&-#V98.; %& "&( 9; 8&9"#-$04& %; 9;--;#.=; :E/(.8;>
c1",-=;e", #;(1+( 2$, @A ; 7-,%&(.9V98.; %, $( (+#&%& %, #-;1;/@& ,o7/&-;%& ,( -,/;04&
D 7F"e7-&%$04&> q$;#-& 7,"2$.";" )#-<" %."",-#;0_," , $( ;-#.3&* ,"#$%;( &1-;" &9%, &
7-&:."".&9;/ ^/,"";9%-& G;-&8; , "$; ,2$.7, "4& 2$,( %,",9=&/=,( & b%,",9@& %, "&(l>
^7-&=,.#;9%& %.""&J ,"";" 7,"2$.";" ;8;1;( .9#,-;3.9%& %, :&-(; (;." 7-Fo.(; ;& 7&9#& %,
.9#,-8;(1.;-,( .9:&-(;0_," $(;" %;" &$#-;" 7;-; ,9-.2$,8,- & 8&9#,N%& ,"#$%;%&> W&- :.(J
(,"(& 2$, ,"#$%;9%& 8;"&" 7;-#.8$/;-,"J %&." ;-#.3&" 8&9#-.1$,( 7;-; ,o7;9%.-
8&9@,8.(,9#&" %, #-;1;/@& ,( &$#-&" 3<9,-&" 2$, 94& "F & %; :.804&J 8&(& & %, 8.9,(; %,
;9.(;04& , & %, %&8$(,9#A-.&" ,#9&3-A:.8&">
KJKJ[ 5E7<7*D,9 =/ #3;E?/ C,*,3/
c" ,/,(,9#&" :&-(;%&-," %; #-./@; "&9&-; #;(1+( -,8,1,( ;#,904& ,"7,8.;/ %, :&-(;
(;." %."#.9#; ,( ;/3$(;" 1.1/.&3-;:.;" 8&/,#;%;"> S,"#, 8;"&J -,:,-.9%&e", ; 7,"2$.";" 2$,
7-.=./,3.;( & ,"#$%& %; =&?J %&" -$E%&" , %& "./<98.& 9& 8.9,(;> ^7,9;" ; (N".8; 2$,J ;7,";-
%, 8&(7&9,9#, "&/,9, %; #-./@; "&9&-;J 94& 8&--,"7&9%, ;& .9#,-,"", %, .9=,"#.3;04& 7-+e%,:.9.%& 9,"#; %."",-#;04&PH ,J 7&-#;9#&J 94& 7&""$. $(; 8;#,3&-.; .9%.=.%$;/ 7;-; ".> W&-+(J
;9#," %, ,"7,8.:.8;- &" ,"#$%&" %&" ,/,(,9#&" ."&/;%;(,9#,J 9&#;e", $( 3-$7& %, (;#,-.;."
8$5& 7-&7F".#& 8,9#-;/ + ; ;7-,",9#;04& %, 8/;"".:.8;0_," 7;-; ; /.93$;3,( %& "&(
8.9,(;#&3-A:.8&>
S,"#, 3-$7& ,"#4& $(; %."",-#;04& , #-<" ;-#.3&"> ^ %."",-#;04&J .9#.#$/;%; bI&9&/&3.; ,
O.9,(;L ,/,(,9#&" 7;-; ;9A/.", A$%.&e=."$;/l )]\kR6a^CJ MHHm*J #,"#; ; ;7/.8;1./.%;%,
%; #.7&(&-:&/&3.; %, W.,--, I8@;,::,- 9& ;$oE/.& %; %,"8-.04& %&" ,/,(,9#&" "&9&-&" 9&8.9,(;J 8&(7/,(,9#;9%& 8&( ,"#$%&" %&" 8&(7&".#&-," , #,F-.8&" Q,9." I(;//,wJ R-,=&-
~."@;-# , C.8@,/ O@.&9> W;-; ,(7-,3;- & :,--;(,9#;/ #-;?.%& %; (N".8; ,/,#-&;8N"#.8; 9;
;9A/.", :E/(.8;J 8&98,9#-;9%&e", 9;" 7-&7-.,%;%," %&" "&9"J ; 7,"2$."; 1$"8; #;(1+( -,/;0_,"
,9#-, & ,/,(,9#& =."$;/ , ; 9;--;#.=; %, :./(,"> c #-;1;/@& $#./.?;e", %, $(; 8/;"".:.8;04&
7-.(A-.; %&" 8&(7&9,9#," %; #-./@; "&9&-; ,( (N".8;J -$E%&"J 8,9&3-;:.; "&9&-;P[ , 7;/;=-;>
PH \,.#,-;9%&L %,=.%& D 9,8,"".%;%, %, %,/.(.#;- & &15,#& %, 7,"2$.";J ; &704& 7&- 94& .9=,"#.3;- #-;1;/@&" 2$,;-#.8$/;( 2$,"#_," ,o8/$".=;" %; #-./@; ($".8;/ ;7;-,8, $(; =,? 2$, & ,"7;0& %, ,"#$%& "&1-, ; (N".8; 9&
8.9,(; ;/+( %, ($.#& ;(7/&J 7&""$. 2$,"#_," .9#-E9",8;" D /.93$;3,( ($".8;/ 2$, 8&(7,#,( ,"7,8.;/(,9#,;&" 7,"2$.";%&-," %; A-,; %, (N".8; , ;&" (N".8&" 7-&7-.;(,9#, %.#&">
P[ !"#; ,o7-,""4& + .9"7.-;%; 9; %."",-#;04& %, (,"#-;%& %, gGc\!I )MHHP* 2$,J 8&(& ",-A 8.#;%& ;& :.9;/%,"#, #F7.8&J ;7-,",9#; & #,-(& b8,9&3-;:.;" "&9&-;"l -,/;8.&9;%& ;&" "&9" 2$, 8&(7_,( & ;(1.,9#, %;
mh
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 80/181
^"".(J ; .9=,"#.3;04& ;7-&:$9%;e", 9; %,"8-.04& %&" "&9" 8&--,"7&9%,9#," %, 8;%; ,/,(,9#&J
$#./.?;9%&e", %, $(; b,"8$#; :.3$-;#.=;l , 1$"8;9%& ;$oE/.& 9; (;#,-.;/.%;%, , ,"7;8.;/.?;04&
%,""," "&9">
XA &" #-<" ;-#.3&" "4&L b^ R-./@; I&9&-; %& O.9,(;L 7-&7&"#; 7;-; $( „&$=.-„ ;9;/E#.8&l
)I6GZ^J MHHm*J bQ, c/@&" , c$=.%&" ],( ^1,-#&"L $(; 8/;"".:.8;04& %&" "&9" 9& 8.9,(;l
)I6GZ J MHHh*PM , bW,9";9%& ; #-./@; "&9&-; 7;-; ;$%.&=."$;/l )G!C!J MH[[*> c" %&."
7-.(,.-&" ;9;/.";( ; #-./@; "&9&-; 9& 8.9,(; ",3(,9#;9%&e; ,( (N".8;J ,:,.#& "&9&-& , =&?J
, 7-&7_,( #-<" 8/;"".:.8;0_," %& "&( .9"7.-;%;" 9;" 8;#,3&-.;" %& :./F"&:& ;(,-.8;9& O@;-/,"
I;9%,-" W,.-8,> I4& ,/;"L 94&e-,7-,",9#;#.=&J :.3$-;#.=& , -,7-,",9#;#.=&> c "./<98.& +
/,(1-;%& 1-,=,(,9#, 8&(& (;." $( -,8$-"& .9",-.%& D #-./@; "&9&-;> ! & #,-8,.-&J ($.#&
",(,/@;9#,J ;/+( %, 7;-#.- %; (,"(; %.=."4& )=&?J ,:,.#& "&9&-& , (N".8;*J 8.#; ;"8/;"".:.8;0_," 7-&7&"#;" 7&- I6GZ^ )MHHm , MHHh*J , ;.9%; :-;3(,9#; & "&( ,( -,/;04& D "$;
9;#$-,?; ($".8;/ , "$;" 7-&7-.,%;%," 2$;/.#;#.=;" 8&(& #.(1-,J %$-;04&J ;/#$-; , .9#,9".%;%,>
^/+( %.""&J 7;-; ;8-,"8,9#;-J 7&%,e", 8&9"#;#;- 2$, ; -,:/,o4& "&1-, ; #-./@; "&9&-;
-,/;8.&9;%; D %."7&".04& #,F-.8; %, ",$" ,/,(,9#&"J #;(1+( + ,98&9#-;%; ,( 7;-#," %, &$#-&"
#-;1;/@&" 8&( ; .9#,904& %, ,9#,9%,- & ".39.:.8;%& , & 7;7,/ %, 8;%; 8&(7&9,9#, %,9#-& %;
9;--;#.=; :E/(.8;> W&- ,o,(7/&L ,( 7;-#, %; %."",-#;04& bc G$3;- g&-; %& G$3;-L #&7&3-;:.;"
"&9&-;" %& 8.9,(; %&8$(,9#A-.&l )W!IIc^J MH[[* ;" :$90_," %; =&?J %; (N".8;J %&" -$E%&", %& "./<98.& + ;=;/.;%; %, ;8&-%& 8&( ;" 7,-"7,8#.=;" %, C.8@,/ O@.&9 , %& 7,"2$.";%&- ,
8&(7&".#&- "$,8& X&@99w ~.93"#,%#> !( $( 8;7E#$/& %; %."",-#;04& bC&=.(,9#&" 69=."E=,."L
; ,"#+#.8; "&9&-; %& 8.9,(; %, ;9.(;04&l )~!\S!O`J MH[H*J & 7;7,/ %; =&?J %; (N".8; ,
%&" -$E%&" "4& ,"#$%;%&" ,"7,8.:.8;(,9#, %,9#-& %& 8.9,(; %, ;9.(;04&J 8&98,9#-;9%& 9&"
#,o#&" %, ^/1,-#& O;=;/8;9#.J Q;=.% ]&-%t,// , `-."#.9 R@&(7"&9 , C.8@,/ O@.&9> ! (,"(&
9& #-;1;/@& %, (,"#-;%& bc O.9,(;J $(; ;-#, "&9&-;l )gGc\!IJ MHHP*J @A #;(1+( -,:/,o_,"
;8,-8; %&" ,/,(,9#&" %; #-./@; "&9&-;J (,"8/;9%& %.=."_," #,F-.8;" , 7-A#.8;"J ",5; $#./.?;9%& ;8/;"".:.8;04& #-;%.8.&9;/ ,( =&?J -$E%&" , (N".8;J &$ 1;",;9%&e",J 7&- ,o,(7/&J 9;
(,#&%&/&3.; ;%&#;%; 7,/; ,%.#&-; %, "&( :-;98,"; !((;9$,//, O;"#-&J 2$, #-;1;/@&$ 9&
]-;"./ 9& :.9;/ %; %+8;%; %, [imHJ "$1%.=.%.9%& &" ,/,(,9#&" ,( %.A/&3&"J (N".8; , -$E%&"
)-$E%&" %, ";/;J ,:,.#&" ,"7,8.;." "&9&-&"J , -$E%&" %, 7."#; &$ %, ;-2$.=&*J .98/$.9%& & 2$,
7-,:,-, %,9&(.9;- %, b8,9&3-;:.;" "&9&-;"lJ &$ ",5;J &" "&9" 2$, 8&(7_,( & ;(1.,9#, %;
8,9;>
8,9;>PM !""," %&." ;-#.3&" %, CA-8.; O;-=;/@& %; I./=; "4& 7-;#.8;(,9#, .%<9#.8&"> ^ N9.8; %.:,-,90; + 2$, 9&
7-.(,.-& @A $( E#,( ; (;." &9%, + -,;/.?;%; $(; ;9A/.", ;7/.8;%; ;& :./(, T.(,) C)71#-.$%" )W;$/& O;/%;", GE-.& g,--,.-;J [iim*>
mi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 81/181
!"#$% '( )%*(+$% +*'+,+'-%./ #? (?;-'#? '% ,#7/ '#? $-3'#? ( '# ?+.9*=+# ?8#
%2$(?(*;%'#? =#)# )%+? ;()<;+=%? (,+'(*;(? *% 2(?:-+?% 1$%?+.(+$% =#*;()2#$5*(% ?#1$( #
?#) *# =+*()%0
!"!"#"$ &'()*+' *, -+.
4(?()2(*>%*'# 2%2(. 6-*'%)(*;%. *% (?;$-;-$% *%$$%;+,% =+*()%;#"$<6+=%/ % ,#7 O%
2%.%,$%/ % 6%.%/ #? '+<.#"#?K G -) (.()(*;# '( '(?;%:-( *% ;$+.>% ?#*#$%0 ! +*;(*C8# %:-+ G '(
%.#=%$ #? ;$%1%.>#? :-( ;$%;%) (?2(=+6+=%)(*;( '% ,#7 *# =+*()% =#)# ?#*#$+'%'(/ =#)#
=#)2#*(*;( ?#*#$# $(.%=+#*%'# I +)%"()0 M *8# %;$%,G? '( ?(- .%'# ?()5*;+=#/ =#*6#$)(
%."-*? 2(?:-+?%'#$(? % (?;-'%)/ $(.%=+#*%*'#H% I :-(?;8# ;(B;-%. #- 2#$ +*;($)G'+# '( ?-%
6-*C8# '( (*-*=+%C8# ( =#*?;$-C8# '( ?(*;+'#/ =#)# 2#$ (B()2.#/ L< %2$#6-*'%$%) ;(J$+=#?
=#)# A(%*HE.%-'( @($*%$'(;DN ( F?)%+. _%,+($ D[0
! %)1+,%.9*=+% '#? (?;-'#? ?#1$( % ,#7 *# =+*()% G =#*?+'($%'% *% ;(?( WS#$ -)%
S#.3;+=% '% Y#7 *# E+*()%] (?;$%;G"+%? 2%$% ()%*=+2%C8# '# (?2(=;%'#$ () XR()J$+%? '#
\-1'(?(*,#.,+)(*;#X '( Z#)<? Q-;+G$$(7U O4PSSMT\E^RFZZ/ VokoK0 M)1#$% 1-?:-(
)#?;$%$ % $(.(,5*=+% '% ,#7 ( ?(- %.=%*=( 2#.3;+=# *# .#*"%H)(;$%"() !"#$%&'( *+
,-.*"("/?+;?&#"/7+ OZ#)<? Q-;+G$$(7 !.(%/ kgDcK 2#$ )(+# '% %2$#B+)%C8# =#) # ;(B;#63.)+=#/ % 2(?:-+?% ;%)1G) %*%.+?% % ,#7 () ?-% )%;($+%.+'%'( ( )('+%;+7%'% 2(.# =+*()%0
4(?;% 6#$)%/ % ;(?( '( M.(* 4i22(*?=>)+;; ;%)1G) =#*;$+1-+ 2%$% (??% ;()<;+=% -)% ,(7 :-(
%2$(?(*;% %."-)%? ;(#$+%? (?2(=36+=%? ?#1$( % ,#7 '# =+*()%/ =#)# =#*=(+;#? ( '(*#)+*%Cm(?
(?;%1(.(=+'%? '+%*;( % $(.%C8# '% ,#7 ( # (?2%C# *# =+*()%/ 2$(?(*;(? 2#$ (B()2.#/ *% #1$%
3' 9+&= '- 8&/"#' '( R+=>(. E>+#*0 !.G) '+??#/ % 2(?:-+?% +*?($( :-(?;m(? '% #$%.+'%'( ( '%
2($6#$)%*=( *% +*,(?;+"%C8# '# 6+.)(/ =>("%*'# % $(6.(;+$ ;%)1G) ?#1$( % $(.%C8# '% ,#7 =#)
# $+;)# ( % )#*;%"() () %."-)%? ?(:-9*=+%? '% #1$%0 S%$;( '(??% ;(?( 6#+ %*;($+#$)(*;( 2-1.+=%'% () '#+? %$;+"#? +*;+;-.%'#?] W! ,#7 *%? R()J$+%? '# \-1'(?(*,#.,+)(*;#] '(
M')-*'# 4(?*#(? % Z#)<? Q-;+G$$(7 !.(%U O4PSSMT\E^RFZZ/ Vooh%K ( WS#$ -)% S#.3;+=%
'% Y#7] Z#)<? Q-;+G$$(7 !.(% ( %? R()J$+%? '# \-1'(?(*,#.,+)(*;#U O4PSSMT\E^RFZZ/
DN @MbT!b4MZ/ A(%*HE.%-'(/ !YMll!b/ A#?G E%$.#?/ RjTZMFbj/ b#*%.' a0 /?+' ;7] E+*()%0 b+# '(A%*(+$#/ M-$#2% M'+;#$%/ kghgHkgco0 eeeeeeee/ A(%*HE.%-'(0 39?=,'(,' = 98,2=?' *+ <+:+0 \8# S%-.#] E+% '%? l(;$%?/ VooN0
D[ _!YFMb/ F?)%+. T00 E#$$#?8# ?#=+%./ 2$%")%;+?)# ( $(??(*;+)(*;#] ,#7(? '+??#*%*;(? *# E+*()% @$%?+.(+$#'( b(?-.;%'#?0 1+:+' &'()*+'0 EM@b!S/ ,0 h`/ 20 kNgHk``/ VooD0
eeeeeeee/ F?)%+. T00 j j.>%$ ( % Y#7] % *%$$%C8# )-.;+6#=%. '# =+*()% ( % =+6$% '% >+?;J$+% () ,2+
<"%/'%*+0 59(=0,()0, = 4+>9=*,*=/ \8# S%-.#/ ,0 V/ 20 kVhHkNc/ kggh0
co
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 82/181
MHHh*>
^ .(7&-#V98.; %; =&? 9& 8.9,(; %&8$(,9#A-.& #;(1+( + ";/.,9#;%; 7,/; %."",-#;04& %,
Q†77,9"8@(.##J %,9&(.9;%; bk( !"#$%& %; W,-:&-(;98, %; c-;/.%;%, 9& O.9,(;L -,3."#-&"
%; =&? 9; /.93$;3,( %&8$(,9#;/l )MHHB*> C;." $(; =,? #-;9".#;9%& 7,/;" %.:,-,9#,"
7&"".1./.%;%," %, ,"#$%& %; =&? 9& 8.9,(;J ; 7,"2$."; ;9;/."; & :./(, :%9" "# !"-"* 2"%"*
+(,<"* %. 2)77. )~;/#,- I;//," , Q;9.,//; R@&(;"J [iih* ;7-&7-.;9%&e", 7-.98.7;/(,9#, %&"
8&98,.#&" %& #,F-.8& "$E0& W;$/ |$(#@&- 7;-; .9=,"#.3;- ;" 2$,"#_," %;" 7,-:&-(;98," %; =&?J
, 8&9#-.1$.- 7;-; & ,"#$%& %; &-;/.%;%, 9;" (E%.;"> ^ (;9,.-; 8&(& :&-;( ,/;1&-;%;" 8,-#;"
"&9&-.%;%,"J ,"7;8.;/.%;%,"J 7,-:&-(;98," , 8&9"#-$0_," 7&+#.8;" %; =&? 9; &1-; + &1",-=;%;J
,9#,9%,9%& ; #-;%.04& &-;/ 8&(& $(; #-;%.04& %, ,"8$#;> W&-#;9#&J %,8.%.$e", %; (,"(;
:&-(; 8&9".%,-;- ,"", #-;1;/@& %, (,"#-;%& 9,"#; #,(A#.8;J 5A 2$, #;(1+( 8&(7/,(,9#; & 7,-8$-"& ,=&/$#.=& %& 7,9";(,9#& %; 7,"2$.";%&-;> #-,/;%& D %."",-#;04& ,"#A ;.9%; & ;-#.3&
bZ&? , O;9#& W&7$/;- %& S,3-& 9& O.9,(; e 7&+#.8; 8.9,(;#&3-A:.8; 9& %&8$(,9#A-.& ^%4&
&$ I&(&" R&%&" g./@&" %; R,--; %, ~;/#,- I;//," , Q;9.,/; R@&(;"l )QWW!SIOKC6RRJ
MHHm1* 2$, :;? $( ;7;9@;%& 3,-;/ %; 7,"2$.";>
c" 8&98,.#&" #,F-.8&" %, C.8@,/ O@.&9 , W;$/ |$(#@&- -,/;8.&9;%&" D =&? #;(1+( "4&
($.#& 1,( #-;1;/@;%&" 9& ;-#.3& bZ&?," W&/.:s9.8;" , !"8$#;" C$".8;."L ; ;-#.8$/;04& %;
1;9%; "&9&-; ,( g-;90&." a.-;-%l )C6\^SQ^J MHHm*> c #,o#& ;9;/."; ; ,o7/&-;04& "&9&-;%; =&? 9& :./(, %, g-;90&." a.-;-% "&1-, & 7.;9."#; a/,99 a&$/% )2<(7'LH'h" *<"7' 1(,-*
.="#' D,)$$ D"#,% J [iiT*J ;-#.8$/;9%&e; 8&( 2$,"#_," %; ,"8$#; :E/(.8;J %,"#;8;9%& ;
7,-:&-(;98, =&8;/ , ; =&? ;8$"(A#.8;>
^ 7-&8$-; %, &$#-;" :&-(;" %, $#./.?;04& %; =&? 9& 8.9,(; + ; 8,-9, %& ;-#.3& bI4&
],-9;-%&L (&";.8& %, =&?," )(&"#-$A-.& %&" %.=,-"&" $"&" %; =&? 9& 8.9,(;*l )OcIR^J
MHHT8*> k"&" 94& 8&9=,98.&9;." %; =&? "4& %,(&9"#-;%&" ; 7;-#.- %& :./(, !9" T)7$.7%"
)G,&9 K.-"?(;9J [imT*> Q."8$#,e", ; -,/;04& %&" %.A/&3&" 8&( &" 7/;9&" , ,92$;%-;(,9#&"$#./.?;%&"J 2$,"#_," %, ".98-&9."(&J %, %,"/&8;(,9#& ,"7;0&e#,(7&-;/ %; =&?J , -,/;0_,"
,9#-, =&?," , .(;3,9" 9& :./(,> XA ; 9;--;04& ,( "11 -,8,1, ;#,904& ,"7,8.;/ 9& ;-#.3& bc
,9";.& 9& %&8$(,9#A-.& , ; 2$,"#4& %; 9;--;04& ,( "11 l )G6SIJ MHHm*> W;-#.9%& %;
.9=,"#.3;04& %;" ,o7,-.<98.;" %& 8.9,;"#; :-;98<" O@-." C;-j,- , %; 1,/3; ^39•" Z;-%;J 2$,
$#./.?;( ; 9;--;04& ,( "11 %, (&%& ,9";E"#.8&J ;" 7&"".1./.%;%," ,"#+#.8;" %& $"& %; =&? "11 ,
"$; -,/;04& 8&( & 8.9,(; %&8$(,9#A-.& 1-;"./,.-& #;(1+( "4& -,:/,#.%;">
^#-;=+" %;" (;9.:,"#;0_," =&8;." %&" ;#&-," , 7,-"&9;3,9"J ; =&? 9& 8.9,(; + #;(1+(
.9#,-,"", %, ,"#$%& 7-,",9#, 9& 8;(7& %; :&9&;$%.&/&3.;> S; %."",-#;04& b^9A/.", %&"
W;%-_," %, Z&? 9& O.9,(;L ; 8&($9.8;04& &-;/ @$(;9; ,( %$;" =,-"_," %, 2<) P#''L
h[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 83/181
C7"1)**"7 l )O^IR\cJ MHH[*J & $"& %; =&? , %, ;/3$9" ;"7,8#&" %; 8&($9.8;04& &-;/ "4&
8&(7;-;%&" 9&" :./(," K C7"1)**"7 :,"G7.%" )X,--w G,t."J [iPT* , ",$ 7)-.0) %, [iiTJ
%.-.3.%& 7&- R&( I@;%w;8> W;-; .""&J "4& -,;/.?;%;" (,%.0_," %; %$-;04& , %; .98.%<98.; %,
(;9.:,"#;0_," %; 8&($9.8;04& &-;/ @$(;9; 9& :./(,J ;/+( %, ;=;/.;0_," %;" =&?," %&"
7-.98.7;." 7,-"&9;3,9"J -,/;8.&9;9%&e;" D" 7".8&%.9V(.8;" =&8;." @;1.#$;." , D" =;-.;0_," %,
=&?," %, ;8&-%& 8&( & 8&9#,o#& 9;--;#.=&>
^ 2$,"#4& %; ,o7-,"".=.%;%, &-;/ 9& 8.9,(; #;(1+( + .9=,"#.3;%; 9; %."",-#;04&
b!o7-,"".=.%;%, c-;/ 9& O.9,(;L %.A/&3&" 8&( ; :&9&;$%.&/&3.;l )Ick|^J MH[H*J @;=,9%&
#;9#& $(; ,o7&".04& #,F-.8; %& 2$, 5A :&. ,"#$%;%& "&1-, & 8.9,(; 9& 8;(7& %;
:&9&;$%.&/&3.;J 2$;9#& $(; ;9A/.", "&1-, & 7;7,/ %& 7-,7;-;%&- %, ,/,98& 9&" :./(," , ",$"
7-&8,%.(,9#&" %, #-;1;/@&> W;-#.9%& %, -,/;#&" %, ",." %.-,#&-,"J ",." ;#&-," , $(; ,%.#&-; %,"&( ,9#-,=."#;%&"PPJ $(; 7-&7&"#; %.%A#.8; + &-3;9.?;%; 7;-; $( (,/@&- ,9#,9%.(,9#& %&
7-&8,""& %, 8&9"#-$04& %; ,o7-,"".=.%;%, =&8;/ %& ;#&- 9& 8.9,(;J 2$, ,9=&/=, ; 7-A#.8; %,
-,;/.?;04& :E/(.8; e %; 7-+e7-&%$04& ;#+ ; :.9;/.?;04& e , ; -,:/,o4& "&1-, ; ;#$;04&
:&9&;$%.&/F3.8; 9& 8.9,(; 1-;"./,.-& 8&9#,(7&-V9,&> ^/3$9" 7;-V(,#-&" =&8;." ,98&9#-;%&"
2$, .9:/$,98.;( 9,"", 7-&8,""& :&-;(L 2$;/.%;%, =&8;/ , G(';<J 7-&5,04& , ,"#%$)**J
;-#.8$/;04&J -,""&9V98.;J 7-&"F%.;J "&#;2$, , -,3.&9;/."(&> c #-;1;/@& 8&( ; ,%.04& %, "&( ,
%$1/;3,( #;(1+( "4& 8&(7-,,9%.%&" 8&(& :,--;(,9#;" -,7;-;%&-;">XA ; %."",-#;04& b^ Z&? 9; J(*) )$ !;e$)L & :./(, 8(%.%) %) ?)#* "&1 ; ,"8$#;
:&9&;$%.&/F3.8;l )^C^\^GJ MHHP* ;9;/."; ; -,/;04& ,9#-, ; =&? , &" %,(;." ,/,(,9#&" %;
/.93$;3,( 8.9,(;#&3-A:.8;> c$ ",5;J 7;-#.9%& %; .9=,"#.3;04& "&1-, ; 7-&%$04& %& :./(,
8(%.%) %) ?)#* )g,-9;9%& C,.-,//," , `A#.; G$9%J MHHM*J + 7,"2$.";%; ; /.3;04& ,9#-, ;"
2$;/.%;%," %, ,9#&;04&J =,/&8.%;%,J ,"#%$)**J 7-&/&93;(,9#& , 7;$"; %; =&? %&" ;#&-,"J
5$9#;(,9#, 8&( 2$,"#_," %; .9#,-7-,#;04&J %& 8,9A-.&J %; ./$(.9;04&J %& :.3$-.9&J %;" 8&-,"J
%; =,/&8.%;%, , (&=.(,9#&" %, 8V(,-;J %; (&9#;3,(J %; #-./@; ($".8;/ , %, %,(;." "&9"J=,-.:.8;9%& &" ,:,.#&" %,""; -,/;04& 9; -(*) )$ *;e$) %; &1-;>
c ,"#$%& %; =&? 8&(7-,,9%.%& 9& 8;(7& %; :&9&;$%.&/&3.; + ;.9%; 7-,",9#, ,( (;."
%&." ;-#.3&"J ;(1&" 8&( 8&e;$#&-.; %, Ick|^ , ^C^\^G> c 7-.(,.-& + & .9#.#$/;%& b^
g&9&;$%.&/&3.; , & ^#&- %, O.9,(;L -,/;#&" %, 7-&:."".&9;." %& (,.& 8.9,(;#&3-A:.8&l
)^C^\^GY g!\\!6\^Y Ick|^J MH[H;* 2$, ;#-;=+" %, -,/;#&" %, #-<" ;#&-,"J 2$;#-&
:&9&;$%.F/&3;" , $( %.-,#&- ,9#-,=."#;%&"PmJ .9=,"#.3; & #-;1;/@& %,",9=&/=.%& 8&( ; =&? , ;
:;/; 7,/&" 7-&:."".&9;." %& (,.& 8.9,(;#&3-A:.8&J ,9:;#.?;9%& ; ;#$;04& :&9&;$%.&/F3.8; ,
PP ^ .%,9#.%;%, %&" ,9#-,=."#;%&" 94& + -,=,/;%; 9& #,o#&>Pm ^ .%,9#.%;%, %&" ,9#-,=."#;%&" #;(1+( 94& + -,=,/;%; 9& #,o#&>
hM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 84/181
;1&-%;9%& ; 8&9"#-$04& %; 7,-"&9;3,(J ; .9#,-7-,#;04&J ; -,/;04& 8&( & %.-,#&-J ;
:-;3(,9#;04& %; .9#,-7-,#;04&J ; ,o7-,""4& =&8;/J #+89.8;" =&8;." ,"7,8E:.8;"J & #-;1;/@& , ;
%,(;9%; :&9&;$%.&/F3.8;> ! & ",3$9%&J b\,7-,",9#;0_," %, Z&? , g;/; 9& O.9,(;l
)^C^\^GY g!\\!6\^Y C^\R|Y Ick|^J MH[H1*J 7-&=,9.,9#, %; %."",-#;04& %,
^C^\^G )MHHP*J .9=,"#.3; & 7;7,/ .9#,-7-,#;#.=& %&" -,8$-"&" %, =&? , %; :;/; ,( #-<"
",2$<98.;" %& :./(, 8(%.%) %) ?)#*PhJ ;-#.8$/;9%& ;"7,8#&" %; =&? -,/;8.&9;%&" D -(*) )$
*;e$) , & 8&9#,o#& %, 7-&%$04& %& :./(,>
^#-;=+" %; #,",J %;" 2$;#-& %."",-#;0_," , %&" &.#& ;-#.3&" ;2$. ;/&8;%&"J &1",-=;e", 2$,
& ,"#$%& %; =&? 9& 8.9,(; + $(; #,(A#.8; @.1-.%; (,"(& ,92$;9#& "&9&-.%;%,> \,"$(.9%&J
1;".8;(,9#, #,(e", %,1;#," "&1-, ; -,/;04& ,9#-, ; =&? , & ,"7;0& 8.9,(;#&3-A:.8&J ; 2$,"#4&
%; &-;/.%;%,J ; 7,-:&-(;98, %; =&?J ;/3$(;" 7&"".1./.%;%," ,"#+#.8;" %, $#./.?;04& %; =&?J , &2$;9#& ; .9#,-%."8.7/.9;-.%;%, ,9#-, :&9&;$%.&/&3.; , 8.9,(; 7&%, 8&9#-.1$.- 7;-; ; ,o7;9"4&
%,"";" %$;" A-,;" %, 8&9@,8.(,9#&J :;=&-,8,9%& ;"".(J & ;7-&:$9%;(,9#& "&1-, ;"
(;9.:,"#;0_," =&8;." 9; b"+#.(; ;-#,l> S&#;e", $(; :&-#, .9#,3-;04& ,9#-, ;" 7,"2$.";" %&
8;(7& %; :&9&;$%.&/&3.;> ^/+( %;" 7$1/.8;0_," ,( 8&95$9#& %, Ick|^ , ^C^\^GJ ;(1;"
8.#;( ; %."",-#;04& %, O^IR\c )MHH[* 8&(& -,:,-<98.; .(7&-#;9#, %, 7,"2$.";> c ,"#$%& %;
=&? ,"7,8.:.8;(,9#, 9& 8.9,(; %&8$(,9#A-.& #;(1+( + 8&9#,(7/;%&>
KJKJ[JK 59D8=,9 =, $8U=,
^ 7;/;=-; -$E%& 7&""$. $(; =;-.,%;%, %, ".39.:.8;%&"> ^ .9#,904& ;2$. + ;1&-%;- &"
#-;1;/@&" 2$, #-;#;( %& -$E%& 8&(& ,/,(,9#& "&9&-& 9& 8.9,(;J , 94& 8&(& ".9s9.(& %,
.9#,-:,-<98.;> G&3&J & 8&98,.#& %, -$E%& ,(7-,3;%& + -,:,-,9#, ;&" "&9" 2$, 8&(7_,( ; #-./@;
"&9&-; , 2$, 94& "4& 8/;-;(,9#, ($".8;." 9,( /.93$E"#.8&"> ! ;.9%;J ;8-,"8,9#;9%& ; #E#$/& %,
,"8/;-,8.(,9#&J 8&( ; %.9V(.8; %, #-;1;/@& %; 7F"e7-&%$04& %, "&( 9&" :./(," 7&%,e",%.=.%.- &" -$E%&" 1;".8;(,9#, ,( #-<" 8;#,3&-.;"L
e -$E%&" %, ;(1.,9#, &$ =.;0A7"#$% L -,/;#.=& ;&" "&9" %; b7;.";3,( "&9&-;l %;
%.,3,",J 3,-;/(,9#, 8&98,1.%&" ; 7;-#.- %; 8&(7/,o.%;%, 3,&3-A:.8; %; 8,9;> W&- ,o,(7/&L
"&9" 2$, 8&(7_,( & ;(1.,9#, %, $(; :/&-,"#;J &$ %, $(; 8.%;%,J ,#8Y
e -$E%&" %, ,:,.#& &$ ,:,.#& "&9&-&L %& .93/<" *"#$% )11);'*J "4& "&9" 7-&=,9.,9#," %,
;/3$( &15,#& &$ :&9#, "&9&-; ,"7,8E:.8;> W&- ,o,(7/&L & "&( %, 8;--&"J ;=._,"J #.-&"J
,o7/&"_,"Y
Ph ^2$. =;/, ; 8&--,04& %, $( 7,2$,9& ,2$E=&8&L 9& ;-#.3& 8&9"#; 2$, & :./(, + %& ;9& %, MHHBJ (;"8&9"$/#;9%& & O$')7$)' J"5() ?.'.=.*)J 7-.98.7;/ 1;", %, %;%&" %, :./(," 9; .9#,-9,#J & :./(, + %;#;%& 9&;9& %, MHHM>
hT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 85/181
e -$E%& %, ";/; )(;." 8&9@,8.%& 8&(& 1",)Lxy*L #,-(& $#./.?;%& 7;-; %,9&(.9;- &
7-&8,""& %, -,8-.;04& %, -$E%&" , 8-.;04& %, "&9" ,"7,8.;." ,( ,"#N%.&J ".98-s9.8&" 8&( ;
.(;3,(J 7-.98.7;/(,9#, ;2$,/," "&9" -,/;8.&9;%&" ; (&=.(,9#&" , ;0_," %&" ;#&-,"J 8&(&
7&- ,o,(7/&L 7;""&"J "&8&"J #;7;"J :;-:;/@;- %, -&$7;J 8&9#;#& 8&( &15,#&" %, 8,9;J ,#8>
Q, :;#& "4& 7&$8&" &" ,"#$%&" ,"7,8E:.8&" "&1-, & -$E%& 8&(& ,/,(,9#& "&9&-& 9&
8.9,(;> ^7,9;" #-<" ;-#.3&" %,%.8;(e", ,o8/$".=;(,9#, ; -,:/,#.- "&1-, ,"#, 8&(7&9,9#, %;
#-./@; "&9&-;> O;1, 5A %,"#;8;- 2$, ;" 7,"2$.";" 7,-#,98,9#," ; ,"#; #,(A#.8; ,o7/&-;( %,
(;9,.-; :$9%;(,9#;/ ; #,&-.; %& 8;9;%,9", C$--;w I8@;:,- , ",$ 8&98,.#& %, b7;.";3,(
"&9&-;lJ ;""&8.;9%&e;" ;& 8&9#,o#& 8.9,(;#&3-A:.8&>
^ 7&"".1./.%;%, %& 8.9,(; -,7-,",9#;- & ;(1.,9#, "&9&-& 9& 2$;/ =.=, & @&(,(
8&9#,(7&-V9,& $-1;9&J &9%, &" -$E%&" #&-9;(e", (;#+-.;e7-.(; ,"",98.;/ 7;-; ; 7-&%$04&8.9,(;#&3-A:.8;J + ; %."8$""4& 7-&7&"#; 7,/& ;-#.3& bW&%, & 8.9,(; 8&9#,(7&-V9,&
-,7-,",9#;- & ;(1.,9#, "&9&-& ,( 2$, =.=,(&"rl )OcIR^J MH[H1*> ^"".(J 7-.98.7;/(,9#, ;
7;-#.- %&" 8&98,.#&" %, I8@;:,-J + ;-#.8$/;%; ; -,/;04& ,9#-, & 8.9,(; 8&(& (,.& %, ,o7-,""4&
;$%.&=."$;/ , ;" 7;.";3,9" "&9&-;" 8;%; =,? (;." -,7/,#;" %, -$E%&">
XA ; -,/;04& ,9#-, & 7-&8,""& %, 8&(7&".04& %&" "&9" ;(1.,9#," , & 8&98,.#& %,
7;.";3,( "&9&-; %, I8@;:,- + ;7/.8;%; ;& :./(, 4$*.(" !"=7) . 8)A#)(7. )g,-9;9%&
C,.-,//,"J MHHh* 9& ;-#.3& b^ W;.";3,( I&9&-; , ; ^(1.,9#;04& %& Q,",9@& %, I&(L &" "&9";(1.,9#, 8&(& /&8;/.?;%&-," ,"7;8.;." , #,(7&-;." 9& :./(, 4$*.(" !"=7) . 8)A#)(7.l
)cWcGI`6J MHHi1*> O&(& & #E#$/& %& #-;1;/@& ,o7/.8.#;J "4& ;9;/.";%&" &" "&9" 2$,
8;-;8#,-.?;( &" ;(1.,9#," %,",(7,9@;9%& ; :$904& %, /&8;/.?;04& ,"7;8.;/ , 3,&3-A:.8; 9;
9;--;#.=; %; &1-;>
^ $#./.?;04& %& -$E%& :&-;e%,e8;(7& 8&(& :&-0; ,o7-,"".=; 8<9.8; 9&" :./(," Q.-.;.
C.7.A#.L. )W;? !98.9;J MHHP*J K Cd$'.$" )G$8-+8.; C;-#,/J MHH[* , : J#,<)7 !)- 8.=)3.
)G$8-+8.; C;-#,/J MHHh* + %."8$#.%; 9& ;-#.3& b^ I$1(,-"4& 9;" 6(;3,9" I&9&-;"L & "&( ,"$;" %.(,9"_," -,;." , .(;3.9A-.;"l )OkSK^J MH[[*> I,( %,.o;- %, 8.#;- ; 7;.";3,( "&9&-;
%, C$--;w I8@;:,-J & #,o#& ,o7;9%,e", %.;9#, ; ;9A/.", %&" ,"#E($/&" ;$%.&=."$;." , ;"
%.(,9"_," ",9"&-.;." 7-&=&8;%;" 9& ,"7,8#;%&- 7,/; -,/;04& ,9#-, .(;3,9" , -$E%&" 9&" :./(,"
.9=,"#.3;%&">
^/+( %,"";" #-<" 7,"2$.";"J 8&(7/,(,9#;9%& &" ,"#$%&" %& -$E%& 9& 8.9,(;J & ;-#.3&
bW;.";3,9" "&9&-;" %, \&1,-# ]-,""&9l )^GZ6CJ MH[[* 8&/;1&-; 8&( ,""; #,(A#.8; ;&
-,/;8.&9;- & 8&98,.#& %, I8@;:,- 8&( ; &1-; %, ]-,""&9J .%,9#.:.8;9%& ;" :$90_," 9;--;#.=;" ,
; ($".8;/.%;%, %&" 7-.98.7;." -$E%&" 2$, 8&(7_,( ;" 7;.";3,9" "&9&-;" %&" :./(," %&
Pi c #,-(& b 1",)Ll + -,:,-,9#, ; X;8j g&/,w )[hi[e[iPm*J $( %&" 7.&9,.-&" 9; ;-#, %, -,8-.;04& %, -$E%&">
hU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 86/181
8.9,;"#; :-;98<"> c$#-& 2$, #;(1+( #-A" 8&9#-.1$.0_," + & ;-#.3& b!:,.#&" I&9&-&" !92$;9#&
g;/; ^$%.&=."$;/L ;9A/.", %, a,-;/% C8]&.93e]&.93 D /$? %& ŗBMh %;" 69=,"#.3;0_,"
g./&"F:.8;"l )Z!S^SO6cJ MH[[*J 2$, ;9;/."; & $"& %&" ,:,.#&" "&9&-&" 9&" 8$-#;" %,
;9.(;04& %; kW^ )F$(')% C7"%#;'("$* "1 :-)7(;.* ,"#-,/;%&" 7,/; 7,-"&9;3,( a,-;/%
C8]&.93e]&.93J ; 2$;/ ", 8&($9.8; 7&- (,.& %, -$E%&"> ! (;."J 5A :;?,9%& $(; /.3;04& 8&(
; 7-Fo.(; #,(A#.8; -,:,-,9#, ;& ,"#$%& %& "./<98.&J & ;-#.3& b\$E%&" , I./<98.&L 7-&7&"#; 7;-;
$(; ,"#+#.8; %& "&( 9& 8.9,(;l )OcIR^J MHHT%* ,=.%,98.; ; .(7&-#V98.; %&" -$E%&" , %&
"./<98.& 9& "&( 8.9,(;#&3-A:.8&> 69%;3;9%& ; 7-,%&(.9V98.; %; =&?J & #-;1;/@& %,(&9"#-; ;
-,/,=V98.; %& -$E%& , %& "./<98.& 9;" ;-#," 9& "+8$/& ddJ 8.#;9%& (&(,9#&" 9; #,&-.; , 9&"
:./(," &9%, @A ; =;/&-.?;04& %,""," %&." ,/,(,9#&"> !"#, #,o#& + 9; =,-%;%, $(; 7-+=.; %,
;/3$(;" .%,.;" (;." ;7-&:$9%;%;" 9; %."",-#;04& %& (,"(& ;$#&-J %,9&(.9;%; bI&( 9&O.9,(;J I./<98.& 9&" g./(,"L & .9,o7/&-;%& , & .9;$%.#&l )OcIR^J MHHT;*J ,( ,"7,8.;/ "&1-,
& 8&9#,N%& %, ",$ #,-8,.-& 8;7E#$/& .9#.#$/;%& bI./<98.&J \$E%&l>
^7,";- %, 7,2$,9& & 9N(,-& %, (;#,-.;." 2$, ", %,%.8;( ; ,"#$%;- & -$E%& 9& 8.9,(;J
9&#;e", ; 7-,&8$7;04& ,( %,"#;8;- ,"#, ,/,(,9#& 2$,J ;& (,"(& #,(7& 2$, 7&%,
".(7/,"(,9#, -,%$9%;- ;" ;0_," .(;3+#.8;"J 7&%, #,- ",$ 7&#,98.;/ $#./.?;%& 8&(& ,/,(,9#&
8-.;#.=& , 7;-#.8.7;- ;#.=;(,9#, %; 8&9"#-$04& %-;(A#.8; , ,(&8.&9;/ %, $(; %,#,-(.9;%;
9;--;#.=;>
KJKJ[JF 59D8=,9 =, C;Ec*o;,
c ,"#$%& %& "./<98.& 8&(& ,/,(,9#& 8&9"#.#$#.=& %& "&( 8.9,(;#&3-A:.8& + #;(1+(
$(; #,9%<98.; #,(A#.8; ,=.%,98.;%; 9; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,;J ",9%&
8&9#,(7/;%& %.-,#;(,9#, ;7,9;" 7&- %&." ;-#.3&"> Q,"#; (;9,.-;J ;"".( 8&(& &" ,"#$%&" %&
-$E%&J ,"#; 7&%, ",- 8&9".%,-;%; $(; #,(A#.8; 7&$8& ,o7/&-;%;>c" ;-#.3&" "4&L bI, 7&$8& ", %.? "&1-, & "&(J 2$,( :;/; "&1-, & "./<98.& 9&" :./(,"rl
)OcIR^J MHHU1* , bc" 8;(.9@&" %&" $"&" %&" "./<98.&" )&$ ; /,(1-;90; 2$, 94& 7;""; %,
X&@9 O;3,*l )OcIR^J MH[[*> ^(1&" &" #,o#&" "4& %, g,-9;9%& C&-;." %; O&"#; , #;(1+(
7&""$,( :&-#, /.3;04& 8&( 7;-#, %, "$; %."",-#;04& ; 7&$8& 8.#;%;J bI&( 9& O.9,(;J I./<98.&
9&" g./(,"L & .9,o7/&-;%& , & .9;$%.#&l )MHHT;*> S&#;e", 2$, & ,"#$%& %& "./<98.& , %&" -$E%&"
9& 8.9,(; + -,8&--,9#, 9&" #-;1;/@&" %, OcIR^J & 2$;/ ,9#,9%, 2$, ;(1&" &" ,/,(,9#&"
7&""$,( $(; -,/;04& .9#-E9",8; ,9#-, ".> W;-; 7,9";- & "./<98.& , "$; ;8,.#;04& 8&(& 7;-#,
.9#,3-;9#, %, $( :,9s(,9& "&9&-&J & 7,"2$.";%&- -,;/.?; $( -,"3;#, %, 8&(& ,"#, ,/,(,9#&
5A :&-; -,:/,#.%& 9; /.#,-;#$-;J 9; (N".8;J 9; (.#&/&3.;J 9; :./&"&:.;J 9; @."#F-.;J 9; 8$/#$-; %&"
hB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 87/181
7&=&"J ,#8> !( -,/;04& ;& 8.9,(;J ;" ;9A/."," #&(;( 8&(& 7&9#& %, 7;-#.%; ; (;#,-.;/.%;%,
%&" "./<98.&" 9&" :./(,"J &$ ",5;J "./<98.& %; =&?J %&" -$E%&"J %; (N".8; &$ (,"(& .9"#;9#,"
%, "./<98.& #&#;/ 9; #,/;> KA #;(1+( ; -,:/,o4& "&1-, 8&(& ", 8&9"#-F. $(; .9#,-=,904&
"./,98.&"; ,( (,.& ;&" "&9" %, :./(,"J 8&(& ", %A "$; 7,-8,704&J , & 2$, .""& 7&%, ".39.:.8;->
W&-#;9#&J + %,"#; :&-(; 2$, ; 2$,"#4& %& "./<98.& + %,",9=&/=.%; 9&" ;-#.3&" (,98.&9;%&">
Q&." &$#-&" ;-#.3&" 7&%,( 8&/;1&-;- 8&( ,"#; #,(A#.8;J $(; =,? 2$, %,(&9"#-;( & $"&
%& "./<98.& 8&(& 7;-#, .9#,3-;9#, %; 9;--;#.=; :E/(.8;> c 7-.(,.-&J .9#.#$/;%& b\&1,-#
]-,""&9L & 8.9,(; 9$( ;#&-(,9#;%& "./<98.&l )Qc]^GJ MHHT*J ,=.%,98.; ; $#./.?;04& %&
"./<98.& 9; &1-; %, ]-,""&9J 8&9"#;9%& 2$, & %.-,#&- :-;98<" -,8&--.; ; ,"#, ,/,(,9#& b8&(&
$(; :&-(; %, :;?,- 8&( 2$, &" 3,"#&" , &" &15,#&" ", #&-9;"",( :;/;9#," , &" "&9" =&/#;"",(
; ",- -,;/(,9#, "&9&-&"l> ! & ",3$9%&J %,9&(.9;%& bc -A%.& , &" "./<98.&"L ;-#.8$/;0_," "&1-,& $"& %& "&( ,( 8($)-.X :*G(7($.* ) F7#=#*l )O^\\!6\cJ MH[H;* 2$,J ,( 7;-#,J =,-.:.8; ;
.9#,-:,-<98.; 7-&=&8;%; 7,/&" "./<98.&" 9&" ".39.:.8;%&" 2$, &" ,"7,8#;%&-," 8&9",3$,(
,o#-;.- %; %,8$7;3,( =."$;/ %& :./(, 8($)-.X :*G(7($.* ) F7#=#* )C;-8,/& a&(,"J MHHB*>
Q, :;#& & "./<98.& ;.9%; + 7&$8& %,1;#.%& 9; 7,"2$."; 1-;"./,.-; "&1-, & "&(
8.9,(;#&3-A:.8&> C;"J 7&- (;." 8&(7/,o& , "$15,#.=& 2$, ",5; & 8&98,.#& %, "./<98.&J ",5;
-,/;8.&9;%& 8&( & %."8$-"&J 8&( ; (N".8; &$ 8&( & -$E%&J ,"#; 8;#,3&-.; -,:/,#, ;
7;-#.8.7;04& %,"#, ,/,(,9#& #;(1+( 9& $9.=,-"& %; #-./@; "&9&-; 8.9,(;#&3-A:.8;J %;9%& $( 7;""& .(7&-#;9#, 7;-; ; ;(7/.;04& %& 8;(7& %, ,"#$%&" , 7,-8,70_," %& "&( 9& 8.9,(;>
KJKJW #7,3;/
c1",-=;9%& ;/3$9" #-;1;/@&" 2$, %."8&--,( %.-,#;(,9#, "&1-, ; #,&-.; %& "&( 9&
8.9,(;J #.7&" %, ;9A/.", :E/(.8; &$ & 8;(7& %&" ,"#$%&" %& "&( 7-&7-.;(,9#, %.#&J +
8&98,1.%; ; 8/;"".:.8;04& .9#.#$/;%; #7,3;/> W;-; ,"8/;-,8,-J =."#& 2$, + $(; ;#.=.%;%,.9#-E9",8; D 7,"2$."; ;8;%<(.8; ; $#./.?;04& %, $( ;-8;1&$0& #,F-.8& 8&(& 1;", %, -,:,-<98.;
&$ 7-,7;-;04& 7;-; ;/3$(; %."8$""4&J ,""; 8;#,3&-.; ;3-$7; "&(,9#, (;#,-.;." 2$, -,:/,#,(
"&1-, ; 7-F7-.; #,&-.; ,( ".> !"#, #.7& %, ;1&-%;3,( + ,98&9#-;%& ,"7,8.:.8;(,9#, ,( ;7,9;"
%&." ;-#.3&"> I4& ,/,"L
c ;-#.3& bc !"#$%*;.G) %; C&%,-9.%;%,L &" !"#$% !'#%()* , & "&( 9& 8.9,(;l
)O^IR^SK!6\^J MH[[;*J 2$, %."8$#, ; 8&9#-.1$.04& %& 8;(7& %&" !"#$% !'#%()* D ;9A/.",
%& "&( 9& 8.9,(;J 7-.98.7;/(,9#, ;#-;=+" %&" #-;1;/@&" %, X&9;#@;9 I#,-9,J !(./w R@&(7"&9
, \.8j ^/#(;9> R;(1+( 7-&8$-; /,=;9#;- ;/3$(;" 8&--,9#," %&" ,"#$%&" %& "&( 2$,J %.;9#,
"$; ;1&-%;3,( .9#,-%."8.7/.9;-J 7&%,( ;7-,",9#;- 9&=;" 7,-"7,8#.=;" 7;-; &" ,"#$%&"
hP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 88/181
8.9,(;#&3-A:.8&"> ! & ;-#.3& bW,9";9%& ; \,/;04& 6(;3,(eI&(l )C!SQ!IJ MHHU*J 2$,
;7-,",9#; (+#&%&" %, ;9A/.", 2$, 7,-(.#,( ;(7/.;- ; %."8$""4& %, $(; &1-; 8.9,(;#&3-A:.8;
;#-;=+" %; .9#,3-;04& ,9#-, &" ,/,(,9#&" =."$;." , "&9&-&"> Q,7&." %, $( ;7;9@;%& %;"
7-.(,.-;" (;9.:,"#;0_," ,"8-.#;" ;8,-8; %& "&( 9& 8.9,(;J ; ,o,(7/& %&" #,o#&" %,
-,;/.?;%&-," 8&(& !.",9"#,.9J W$%&=j.9J \,9+ O/;.-J ^/1,-#& O;=;/8;9#. , #,F-.8&" 8&(& ]+/;
];/A?"J & #-;1;/@& ,o7_, %&." (&%,/&" #,F-.8&" %, ;9A/.", ;$%.&=."$;/L & %; %$7/; Q;=.%
]&-%t,// , `-."#.9 R@&(7"&9 7-,",9#, 9& ;-#.3& b!"#+#.8; g$9%;(,9#;/ %& I&( 9&
O.9,(;lmHJ , & %, a,-;-% ],##&9 ,( b^ W;/;=-; , & I&(l m[> ^& :.9;/J C!SQ!I 94& %,.o; %,
(,98.&9;- ;/3$(;" 7-&7&"#;" %, C.8@,/ O@.&9 -,$9.%;" 9& /.=-& Y]:#%("HM(*("$mM>
k( #,-8,.-& #-;1;/@& 2$, ($.#& ;5$%; ; 8&(7/,(,9#;- ,""; ",04& + 9&=;(,9#, ;
%."",-#;04& bI&( 9& O.9,(;J I./<98.& 9&" g./(,"L & .9,o7/&-;%& , & .9;$%.#&l )OcIR^JMHHT;* ,J ,"7,8.;/(,9#,J ",$ ",3$9%& 8;7E#$/& %,".39;%& b^ #,&-.;J ; ;9A/.", , & ,"7;0& %&
"&(l> \,:/,#.9%& "&1-, ; 8&92$."#; %&" ,"#$%&" %& "&( 9& 8.9,(; 8&(& 9&=& 8;(7& %,
7,"2$."; 9& (,.& ;8;%<(.8&J -,"3;#; &" %&8$(,9#&" 2$, @&5, 7&%,( ",- 8&9".%,-;%&"
8&(7&9,9#," %, $(; #,&-.; 8/A"".8; %& "&( 8.9,(;#&3-A:.8&J , 8@,3; 9; 8&9#,(7&-;9,.%;%,
%."#.93$.9%& & %."8$-"& %, %&." 7-.98.7;." 7,9";%&-," 8&9#,(7&-V9,&" %; A-,;L & 9&-#,e
;(,-.8;9& \.8j /#(;9 , & :-;98<" C.8@,/ O@.&9>
^7,";- %, 7,2$,9;J ; %."8$""4& :&8;%; 9; #,&-.; %& "&( 9& 8.9,(; #&-9;e", -,"7&9"A=,/ 7&- 8&9#,o#$;/.?;- & %,",9=&/=.(,9#& %&" ,"#$%&" 9; A-,;> C;." 2$, $( ;3/&(,-;%& %,
8&98,.#&"J #,&-.;" , #,F-.8&"J ;(7/.; ;" 7&"".1./.%;%," %, ", 7,9";- & "&( 8&(& &15,#& %,
7,"2$."; 9& 8.9,(;> ^"".(J (&"#-;- 8&(& & "&( + 7-&1/,(;#.?;%& 9; #,&-.; 8.9,(;#&3-A:.8;
#;(1+( 8&/;1&-; 7;-; & (,/@&- ,9#,9%.(,9#& %& 8.9,(; 8&(& ;-#, ;$%.&=."$;/>
KJKJS 59D2D;o/ 7 59D;E,
!"#+#.8; , ,"#./& "4& %&." 8&98,.#&" %.:,-,9#," (;" 2$, 7&%,( ,"#;- ;""&8.;%&"> ^
%.:,-,90;" ,9#-, ,/," 7&%, ",- 8&(7-,,9%.%; ; 7;-#.- %; 8.#;04& ; ",3$.-J -,/;8.&9;%; D
%."8$""4& #,o#$;/ %&" #,-(&"L
!"#+#.8; + ; 7,-8,704& =."$;/ %, $( #,o#&J 8&( ",$" ,/,(,9#&"J 8&9".%,-;9%& & 7-&8,"";(,9#& %;" .9:&-(;0_," 2$, ;#.93,( & 8+-,1-&> ^ ,"#+#.8; ,"#AJ ,9#4&J 9;&-%,( /F3.8; ,( 2$, & #,o#& ", %,",9=&/=,J 9; -.2$,?; %, ;-3$(,9#;0_," ,:$9%;(,9#;0_," 9; 8&--,04& %& $"& %; /E93$; =,-9A8$/; , 9; &15,#.=.%;%, %& #,o#&> c,"#./& + ; 8&(1.9;04& %, ,/,(,9#&" =."$;."J %,9#-& %, $(; :-,2$<98.; %, %."#-.1$.04&J
mH 69 !/.";1,#@ ~,." , X&@9 ],/#&9 )&-3>*J +(,- !"#$%@ '<)"7L .$% G7.;'(;) )S&=; 6&-2$,L O&/$(1.; k9.=,-".#wW-,""J [ihB*J 7> [h[e[ii>
m[ a,-;-% ],##&9J 4*'S'(;. %" 8($)-. )I4& W;$/&L C;-#.9" g&9#,"J [ihm*J 7> TmeB[>mM C.8@,/ O@.&9J Y]:#%("HM(*("$ )W;-."L S;#@;9J [ii[*>
hm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 89/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 90/181
&$ !(-1"$(b. ?"$=.**. )Q?.3; Z,-#&=J [iT[*J 2('(;#' +",,()* )g-,%,-.8j ~.",(;9J [iPm*J
8<#,.* +7"$')7.* )G," ]/;9jJ [imU* , 2<) O$5(*(=,) +7.-) )Ow9#@.; ],;##J MHHi*>
O&(& 8&(7/,(,9#;04&J ;/+( %; %."",-#;04& , %&" 8.98& ;-#.3&" ;2$. (,98.&9;%&"J
&$#-&" #-;1;/@&" %.;/&3;( 8&( ,"#; #,(A#.8;> W&- ,o,(7/&L ;" 7&"".1./.%;%," ,"#+#.8;" %& $"&
%; 9;--;04& ,( "11 9& 8.9,(; %&8$(,9#A-.& + (&#.=& %, ;9A/.", 9& ;-#.3& bc ,9";.& 9&
%&8$(,9#A-.& , ; 2$,"#4& %; 9;--;04& ,( "11 l )G6SIJ MHHm*> c$#-&" %&." #-;1;/@&" %."8$#,(
$"&" ,"#+#.8&" %& "&( 8&( :&8& 9& 8.9,(; %, ;9.(;04&L ; %."",-#;04& bC&=.(,9#&"
69=."E=,."L @."#F-.; %; ,"#+#.8; %& "&( %& 8.9,(; %, ;9.(;04&l )~!\S!O`J MH[H* , & ;-#.3&
b!:,.#&" I&9&-&" !92$;9#& g;/; ^$%.&=."$;/L ;9A/.", %, a,-;/% C8]&.93e]&.93 D /$? %&
ŗBMh %;" 69=,"#.3;0_," g./&"F:.8;"l )Z!S^SO6cJ MH[[*> S& #-;1;/@& %, (,"#-;%& 7&%, ",-
,98&9#-;%& $( /,=;9#;(,9#& @."#F-.8& , #,F-.8& %, %.=,-";" 7&"".1./.%;%," %; /.93$;3,("&9&-; 8.9,(;#&3-A:.8; %,",9=&/=.%;" 9& 8.9,(; %, ;9.(;04&> ! 9& ;-#.3&J %."8$""_," ;8,-8;
%; 8-E#.8; ,"#+#.8; %& ,"#N%.& %, ;9.(;04& 9&-#,e;(,-.8;9& kW J , ;" 7&"".1./.%;%,"
/.93$E"#.8;" %& $"& %& ,:,.#& "&9&-& 9& 8;"& %& %,",9@& ;9.(;%& %, a,-;/% C8]&.93e]&.93>
! (;."J & ;-#.3& bc" I&9" %; O&9#.9$.%;%, 69#,9".:.8;%;L & 8;"& %, I,-3.& G,&9,l
)O^\\!6\cJ MH[[;*J 7&- ,o,(7/&J #,( ; .9#,904& %, ;=,-.3$;- ;/3$(;" :,--;(,9#;" 2$,
7-&7&-8.&9;( ; ,o7,-.<98.; .9#,9".:.8;%; %, :-$.04& 9; #-./@; "&9&-;J ;9;/.";9%& ; &1-; %,
I,-3.& G,&9, , #&(;9%& %, 1;", & 8&98,.#& %, b8&9#.9$.%;%, .9#,9".:.8;%;l %, Q;=.%]&-%t,//J 2$, ",3$9%& & ;-#.3&J ;1-;93, $( -,7,-#F-.& 8;%; =,? (;." ;(7/& %, -,8$-"&"
9;--;#.=&" , ,"#./E"#.8&" 9& 8.9,(;>
KJKJY 59D8=,9 =7 ./9,
S& 7-&8,""& %, .%,9#.:.8;04& %, ",(,/@;90;" 7;-; ,"#;1,/,8,- =E98$/&" #,(A#.8&" 9;
7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 8.9,(;#&3-A:.8&J 9&#;e", $( 9N(,-&".39.:.8;9#, %, #-;1;/@&" 2$, :&8;( ,"#$%;- ;"7,8#&" %& "&( ;7-&:$9%;9%& ,( 8;"&"
,"7,8E:.8&"J &$ ",5;J ;7/.8;9%& ;/3$(; 7,-"7,8#.=; %, ,"#$%& "&1-, $( 8;"& .9%.=.%$;/J 8&(&
7&- ,o,(7/&J $( 8.9,;"#; &$ $( :./(, ,"8&/@.%&> G&3&J &" #-;1;/@&" 2$, ,"#4& ;2$.
8/;"".:.8;%&" "4& ;2$,/," 2$, 8,9#-;/.?;( "$;" ;9A/."," ,( 8;"&" ,o8/$".=&"> c /,.#&- 7&%,
,9#4& 7,-8,1,- 2$, ;/3$9" (;#,-.;." 5A ;/&8;%&" ,( &$#-;" ",0_," 7&%,-.;( ,"#;- ;2$.
;3-,3;%&"> W&- ,o,(7/&J ;2$,/," 2$, .9=,"#.3;( ;/3$(; 2$,"#4& %& "&( ,( $( :./(,
7;-#.8$/;-J 8&(& ;" %."",-#;0_," %, cWcGI`6 )MHHi;*J %, W!\!6\^ )MH[H*J %, ^C^\^G
)MHHP*J %, QWW!SIOKC6RR )MHHB*J ;" #,"," %, QWW!SIOKC6RR )MH[H*J %, Ick|^
)MH[[*J ,#8> Q,"#; :&-(;J =;/, /,(1-;- 2$, 8&( ; ;(7/.#$%, %, ;""$9#&"J #,(;"J "$1#,(;" ,
hi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 91/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 92/181
+ ,"#$%;%& 9& ;-#.3& b^ -,/;04& .(;3,(v"&( 9&" :./(," %, `$1-.8jl )C!SQ!IY
O^\\^IOcJ MHHm*> Q,%.8;9%&e", 7-.98.7;/(,9#, D &1-; r[[_@ F-. "%(**S(. $" )*G.3"
)[iPh*J & #,o#& -,"";/#; ; 8&9"8.<98.; %& %.-,#&- 7;-; 8&( & 7&#,98.;/ %& "&( 9; 9;--;#.=;
:E/(.8;> ! & :./(, ?) ",<"* =)- 1);<.%"* )[iii* + ;9;/.";%& "&1 & ;"7,8#& %; .9#,-",04& %;"
/.93$;3,9" "&9&-; , .(;3+#.8; 9; %."",-#;04& bc O&(7&".#&- I#;9/,w `$1-.8jL ;9A/.", %& "&(
%& :./(, ?) ",<"* =)- 1);<.%"* %, I#;9/,w `$1-.8j ;#-;=+" %; #,&-.; "&9&-; %, C.8@,/
O@.&9l )C^\OcG6ScJ MHHh* 2$,J 8&(& 7&%, ",- 7,-8,1.%& 7,/& #E#$/&J $#./.?;e", ; #,&-.; %,
C.8@,/ O@.&9 8&(& ;7;-;#& %, .9=,"#.3;04& %; &1-;> !"", #-;1;/@& %, (,"#-;%& #;(1+(
%,"#;8; ; :.3$-; %, `$1-.8j 7&- $#./.?;- & 7&#,98.;/ %& (;#,-.;/ "&9&-& 9; &1-;>
c$#-&" 8.9,;"#;" ,"#$%;%&" "4&L g-.#? G;93J I,-3.& G,&9, , ~;/#,- C$-8@> ,o7,-.<98.;
%& %.-,#&- g-.#? G;93 + ,"#$%;%; 9& /.=-& bI&(e6(;3,( 9& O.9,(;L ; ,o7,-.<98.; ;/,(4 %,g-.#? G;93l )C^S|^ScJ MHHT*> \,;/.?;9%& $(; -,:/,o4& #,F-.8; ;8,-8; %& 7;7,/ %& "&(
#;9#& 9& 8.9,(; ($%& 2$;9#& 9& 8.9,(; "&9&-&J & #-;1;/@& %,%.8; D 8&9#,o#$;/.?;04&
@."#F-.8; , ;& 7-&8,""& %, ,=&/$04& %& 8.9,(; ,o7-,"".&9."#; ;/,(4&J :;?,9%& ; ;7/.8;04&
7-A#.8; %&" 8&98,.#&" %, "&( ,"#$%;%&" ,( %&." /&93;"e(,#-;3,9" %, g-.#? G;93L J)'7"G",(*
)[iMBe[iMP* , JX " M.-G(7" %) ?j**),%"71 )[iT[*> XA I,-3.& G,&9, , "$; &1-; "4& ;9;/.";%&"
9& ;-#.3& bc" I&9" %; O&9#.9$.%;%, 69#,9".:.8;%;L & 8;"& %, I,-3.& G,&9,l )O^\\!6\cJ
MH[[;* 8&( & .9#$.#& %, ;=,-.3$;04& %, ;/3$(;" :,--;(,9#;" 2$, 7-&7&-8.&9;( ; ,o7,-.<98.;.9#,9".:.8;%; %, :-$.04& 9; #-./@; "&9&-;> c 8&98,.#& %, 8&9#.9$.%;%, .9#,9".:.8;%; %, Q;=.%
]&-%t,// + 2$, %; ; 1;", #,F-.8; %; %."8$""4&> ! & #-;1;/@& %& %.-,#&-J (&9#;%&- , *"#$%
%)*(A$)7 ~;/#,- C$-8@ + 7,"2$.";%& 9& ;-#.3& b~;/#,- C$-8@L ; -,=&/$04& %; #-./@; "&9&-;
8.9,(;#&3-A:.8;l )C!SQ!IJ MHHP*> ^ .(7&-#V98.; %, C$-8@ 9; ($%;90; %& 7,9";(,9#&
"&9&-& %&" :./(," 9&-#,e;(,-.8;9&" %, :.804& + %,(&9"#-;%; ;#-;=+" %; ;9A/.", %;" #-./@;"
"&9&-;" -,;/.?;%;" 7&- ,/, 9; %+8;%; %, [imHJ ,( ,"7,8.;/ ,( %&." :./(," %, g-;98." g&-%
O&77&/;L K C"%)7"*" 8<)19" )[imM* , :G";.,LG*) P"h )[imi*> !"#, ;-#.3& + $( ;7;9@;%&3,-;/ %; #,", %, C!SQ!I )MHHH*>
c :./(, K !(,q$;(" )[iih* %& %.-,#&- .-;9.;9& C&@",9 C;j@(;/1;: + .9#,-,"", %,
7,"2$."; %, %&." #-;1;/@&"> c ;-#.3& b^ S;--;#.=; g&9&8.9,(;#&3-A:.8; ,( K !(,q$;("L
;$%.04& "$15,#.=; , 8-&9&#&7.;" %& ,"7;0& :E/(.8&l )O^G!6\cJ MH[[* ,"#$%; ;" ;1&-%;3,9"
"&9&-;" %& :./(,J %;9%& ;#,904& ;& $"& %& b7&9#& %, ,"8$#;l )&$ b7&9#&e%,e;$%.04&l* %,
O@.&9J , -,:/,#.9%& #;(1+( "&1-, ; -,/;04& ;$%.&=."$;/ 1;",;%; #;9#& 9& 8&98,.#& %,
b8-&9&#&7.;l %, C.j@;./ ];j@#.9J 2$;9#& 9&" 7-,""$7&"#&" #,F-.8&" %; b3-;(;#&/&3.;l %,
X;82$," Q,--.%;> c &$#-& #-;1;/@& 2$, ,"#$%; & 8;"& %& :./(, K !(,q$;(" + ; %."",-#;04& bI&(
9& O.9,(;J I./<98.& 9&" g./(,"L & .9,o7/&-;%& , & .9;$%.#&l )OcIR^J MHHT;*> Q, :;#& ,"#;
i[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 93/181
%."",-#;04& 8&9",3$, #-;9".#;- 7&- =A-.;" #,(A#.8;" 8&(& 5A 7&%, ",- &1",-=;%&> I,5;
%.;/&3;9%& 8&( ; @."#F-.;J &" ,"#$%&" %& -$E%& , %& "./<98.&J &$ -,:/,#.9%& "&1-, ; #,&-.; %&
"&( 9& 8.9,(;> C;" 7&- ,98,--;- & -,8&-#, %; 7,"2$."; ;9;/.";9%& & 8;"& %,"", :./(, 8.#;%&J
&9%, &" ;7&9#;(,9#&" %."8$#.%&" ;& /&93& %, #&%& & ,"#$%& "4& ;7/.8;%&"J %,8.%.$e", 7&-#;9#&
;/&8Ae/; ;2$. 9,"#; #,(A#.8;>
c /&93;e(,#-;3,( 8($)-.X :*G(7($.* ) F7#=#* )C;-8,/& a&(,"J MHHB* #;(1+( +
;9;/.";%& 7&- %&." #-;1;/@&"L &" ;-#.3&" bc \A%.& , &" I./<98.&"L ;-#.8$/;0_," "&1-, & $"& %&
"&( ,( 8($)-.X :*G(7($.* ) F7#=#*l )O^\\!6\cJ MH[H;* , b\,/;0_," ,9#-, .(;3,9" , "&9"
9& :./(, 8($)-.X :*G(7($.* ) F7#=#*l )O^\\!6\cJ MH[H1* 2$, 9; =,-%;%, 7&""$,(
8&9#,N%&" .%<9#.8&"> ^ 7;-#.- %; 8&9,o4& 8&( 8&(7&9,9#," %; ,98,9;04&J ;" ;-#.8$/;0_,"
,9#-, ; #-./@; "&9&-; , ;" 8&(7&".0_," =."$;." 9; 8&9"#-$04& %; 9;--;#.=.%;%, %& :./(, +.9=,"#.3;%;> c $"& %& "./<98.& , %&" "&9" &-.$9%&" %& -A%.& "4& %,"#;8;%&"J , & 8&98,.#& %,
b=;/&- ;3-,3;%&l %, C.8@,/ O@.&9 + ; 7-.98.7;/ 1;", #,F-.8; $#./.?;%;>
k( (;7,;(,9#& %& "&( , %;" 7;.";3,9" "&9&-;" %& %&8$(,9#A-.& ?"$A )X.; |@;93ej,J
MHHP* + -,;/.?;%& 9& ;-#.3& b^/+( %& 2$, ", =< e & "&( , ;" 7;.";3,9" "&9&-;" 9&
%&8$(,9#A-.& Q&93J %, X.; |@;93ej,l )W6W^ScJ MH[[*> ^ -,:/,o4& ;8,-8; %& $"& %& "&(
,9=&/=, #;(1+( & 8&9#,o#& %, -,8&9:.3$-;0_," ,"7;8.;."J "&8.;."J 7&/E#.8;" , ,"#+#.8;" %; &1-;>
XA ; -,/;04& .(;3,( , "&( %& (+%.;e(,#-;3,( 8.$%($<" )[imP* %, c?$;/%& O;9%,.;" +;9;/.";%; 9& ;-#.3& b8.$%($<"L ; 8&9"#-$04& %& ,"7;0& 9;--;#.=& ;#-;=+" %; -,/;04& .(;3,(e
"&(l )W!\!6\^J MHHi;* 2$,J $#./.?;9%& 7,-"7,8#.=;" #,F-.8;" %, C.8@,/ O@.&9 , C$--w
I8@;:,-J 7,-8,1, & ,/,(,9#& "&9&-& 8&(& 7;-#, :$9%;(,9#;/ #;9#& 9; 8&9"#-$04& %& ,"7;0& %;
%.,3,",J 2$;9#& %; 7-F7-.; 9;--;#.=; %& :./(,>
^ .(7&-#V98.; %; #-./@; "&9&-; 9&" /&93;"e(,#-;3,9" K71)# )O;-/&" Q.,3$,"J [iii* ,
T,#) )Q,-,j X;-(;9J [iiT* + .9=,"#.3;%; -,"7,8#.=;(,9#, 7,/&" ;-#.3&" bc-:,$L %& (.#& ;
-,;/.%;%, 1-;"./,.-;> ^ .(7&-#V98.; %; #-./@; "&9&-; 9; ,"#-;#+3.; 9;--;#.=; %, O;8A Q.,3$," ,"$; -,/;04& 8&( & 8&9#,o#& "&8.&8$/#$-;/ %, $(; +7&8;l )qk6SR^S^J MHHi* , b^ R-./@;
I&9&-; %, $( g./(, 6(;3.9A-.&L $(; ;9A/.", %& :./(, T,#) )[iiT* %, Q,-,j X;-(;9l
)qk6SR^S^J MH[H*> S&" %&." 8;"&" "4& %,"#;8;%&" ; 7;-#.8.7;04& %& "&( 9; ,"#-;#+3.;
9;--;#.=; %&" :./(,"J ",9%& 2$, 9& 7-.(,.-&J (&"#-;9%& 8&(& & "&( 7&%, -,=,/;- & 8&9#,o#&
"&8.&8$/#$-;/ %, $(; +7&8;> ! 9& ",3$9%&J ;9;/.";9%& ; ,o7,-.<98.; ;#E7.8; &9%, & "&( + &
N9.8& ,/,(,9#& 9;--;#.=& %.;9#, $(; #,/; ;?$/J ,o.3.9%& ; 7;-#.8.7;04& %& ,"7,8#;%&- , "$;
"$15,#.=.%;%, 9; 7-&5,04& (,9#;/ %, .(;3,9">
^ 7,-"&9;3,( a,-;/% C8]&.93e]&.93J 7-,",9#, ,( 2$;#-& 8$-#;"e(,#-;3,9" %,
;9.(;04& 7-&%$?.%&" 7,/; kW^ , 2$, ", 8&($9.8; ;#-;=+" %, ,:,.#&" "&9&-&"J + & :&8& %,
iM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 94/181
.9=,"#.3;04& %& ;-#.3& b!:,.#&" I&9&-&" !92$;9#& g;/; ^$%.&=."$;/L ;9A/.", %, a,-;/%
C8]&.93e]&.93 D /$? %& ŗBMh %;" 69=,"#.3;0_," g./&"F:.8;"l )Z!S^SO6cJ MH[[*J 2$, 1$"8;
,9#,9%,- ;" 7&"".1./.%;%," /.93$E"#.8;" %,"", $"& %& "&( ;#-;=+" %; :./&"&:.; %, G$%t.3
~.##3,9"#,.9 , ",$ /.=-& b69=,"#.3;0_," g./&"F:.8;"lmT>
c 8$-#;e(,#-;3,( K :7'(*'. )G$.? O;-/&" \.1,.-& ]&-3,"J [iPm* , ; 8&9"#-$04& %, ",$
,"7;0& "&9&-& + & 7&9#& 8,9#-;/ %, ,"#$%& %& ;-#.3& bc ^-#."#; I./,98.&"&L $( ,"#$%& %;
8&9"#-$04& "&9&-; 9& :./(, %& O.9,8/$1, k9.=,-".#A-.& %, O;(7.9;"l )^GC!6Q^J MH[[*>
^#-;=+" %, $(; ;1&-%;3,( @."#F-.8&e;9;/E#.8;J & #,o#& ,"#;1,/,8, -,/;0_," ,9#-, & :./(, , &
8.9,(; "./,98.&"& %; 8.%;%, %, O;(7.9;"J %."8&--,9%& #;(1+( "&1-, ; (;9,.-; 8&(& &8&--,$
; 8@,3;%; %& "&( D" ";/;" %, 8.9,(; %; 8.%;%,>
O@,3;e", ,9#4& ;&" N/#.(&" #-;1;/@&" ;2$. ;3-$7;%&"> c ;-#.3& bI&9&-.%;%," %& 8.9,(;LR;-j&="jw , ; @,#,-&8-&9.; %; ,"8$#;l )\cQ\6ak!IJ MH[[*J ;/+( %, :&8;- & ,"#$%& ,( $(
:./(, ,"7,8E:.8&"J !'.,0)7 )[imi* %& 8.9,;"#; -$""& ^9%-,. R;-j&="jwJ /,=;9#; $( %,1;#, 1,(
8&9#,(7&-V9,& "&1-, ;" :-&9#,.-;" %; #-./@; "&9&-; 8.9,(;#&3-A:.8;J ,"7,8.;/(,9#, "&1-, ;
".(1.&", ,9#-, #-./@; ($".8;/ , %)*(A$ "&9&-&> c :;#& %, #;(1+( ,"#;- ;""&8.;%& ;&" ,"#$%&"
%; (N".8; 9& 8.9,(;J #-&$o, %N=.%; ,( -,/;04& D .9",-04& &$ 94& %,""; 7,"2$."; 9; -,=."4&
"."#,(A#.8; ;2$. 7-&7&"#;> W&-+(J 8&9".%,-&$e", -,/,=;9#, .98/$.e/; $(; =,? 2$, ,"#, %,1;#,
,9=&/=, &$#-&" ;"7,8#&" .(7&-#;9#," %& "&( 8.9,(;#&3-A:.8& 2$, 94& ;7,9;" 2$,"#_,",o8/$".=;" %; #-./@; ($".8;/> ^"".(J & ;-#.3& %, \cQ\6ak!I 8&(,0; :;?,9%& $( 7;-;/,/&
,9#-, (N".8; , "&9&7/;"#.; 9& 8.9,(;J 8&(7-,,9%,9%& 2$, ;(1;" ;" A-,;" 8&&7,-;( ,9#-, ".
,( 7-&/ %; :&-0; ,9$98.;#.=;J 7/A"#.8; , 8<9.8; %, $( :./(,> c ;$#&- %,":;? 2$;/2$,-
7&"".1./.%;%, %, @.,-;-2$.?;04& ,9#-, (N".8;J "&9" , -$E%&"> C,%.;9#, ; #-./@; "&9&-; %& :./(,
!'.,0)7 J & #-;1;/@& $#./.?;e", %& 8&98,.#& %, b,9%&"(&",l %& :./F"&:& :-;98<" K,9-. ],-3"&9
7;-; ;:.-(;- 2$, ; ;-#, 8.9,(;#&3-A:.8; + $(; b@,#,-&8-&9.;l %, (,(F-.;"J ,o7,-.<98.;" ,
",9";0_,">c$#-& ;-#.3& &9%, 7&%, ",- &1",-=;%& (;." $( 8;"& %, .9#,-",804& ,9#-, &" ,/,(,9#&"
%; #-./@; "&9&-; 8.9,(;#&3-A:.8;J 2$,1-;9%& 1;--,.-;" %& 2$, + (N".8; , & 2$, + -$E%&J , =.8,e
=,-";J + & %,9&(.9;%& b^ I.9:&9.; %&" WA"";-&"l )Rc\\!IJ MHHi*> ^ 8&9"#-$04& %&" "&9" %&
/&93;e(,#-;3,( K* CB**.7"* )^/:-,% K.#8@8&8jJ [iPT* + ,"#$%;%; ; 7;-#.- %;" ,"8&/@;"
"&9&-;" 7-,",9#, 9& #-;1;/@& %& %.-,#&- K.#8@8&8j , %& 8&(7&".#&- ],-9;-% K,--(;99>
!"#," N/#.(&" #,o#&" ;1-,( (;-3,9" 7;-; ;1&-%;- &$#-;" 7,"2$.";" 2$, $/#-;7;"";( ;"
:-&9#,.-;" %; #-./@; "&9&-; 9,"", ",9#.%& %, 8&9=,-3.-,( ;"7,8#&" %; (N".8; , %&" -$E%&"J %;
#-./@; ($".8;/ , %& *"#$% %)*(A$> c1",-=;e", ,""; 8&9,o4& 7-,",9#, ,( %."",-#;0_,"
mT ~6RRa!SIR!6SJ G> 69=,"#.3;0_," g./&"F:.8;"> I4& W;$/&L S&=; O$/#$-;J [iii>
iT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 95/181
&-.,9#;%;" 7,/& 7-&:,""&- , 7,"2$.";%&- %; kS6O^CWJ S,w O;--;"8&J 8&(& 7&- ,o,(7/&J ,(
bg$#$-."(& , CN".8; 9; #-./@; "&9&-; %, Q?.3; Z,-#&=l )C^a^GK!IJ MHHB*J ,( bc-:,$L
%& (.#& D -,;/.%;%, 1-;"./,.-; e $(; ;9A/.", %; #-./@; "&9&-; %&" :./(," K71)# $)A7" )[iBi* ,
K71)# )[iii* 1;",;%&" 9; 7,0; K71)# %. 8"$;)(39" %, Z.9E8.$" %, C&-;,"l )qk6SR^S^J
MH[[*J , ,( b^ .9:/$<98.; %; #-./@; "&9&-; "&1-, ; 7,-8,704& %; &1-; 8.9,(;#&3-A:.8;L :
.$B,(*) 1I,-(;. %) TL) =L) T7.*(, J C7. 17)$') T7.*(, , 8)$'7., %" T7.*(, l )Z^IOcSO!GcIJ
MHHh*> c$ (,"(& ,( ,"#$%&" %& 8;(7& %; b"&9&/&3.;lJ 8&(& 9& ;-#.3& %& 7-&:,""&- ,
7,"2$.";%&- %, (N".8; ,/,#-&;8N"#.8; %; kg\XJ \&%&/:& O;,";-J .9#.#$/;%& bc #E(7;9& + $(;
#,/;rl )O^!I^\J MHHU*> W&-+(J ,"";" 7,"2$.";" 7&""$,( $( :&8& (;.&- -,/;8.&9;%& D
(N".8; , "$;" 2$,"#_," ,"7,8E:.8;"> W&- .""&J , 7;-; -,"7,.#;- &" /.(.#," 7-&7&"#&" 9,"";
-,=."4& "."#,(A#.8;J ,/;" 94& ,"#4& ;2$. 8&9#;1./.?;%;" 9,( ;9;/.";%;">
^& :.9;/.?;- ;" #,9%<98.;" #,(A#.8;" ;2$. 7-&7&"#;"J &1",-=;e", 2$, + -,8&--,9#, 9;
7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(;J ;7/.8;- ;/3$(; 7,-"7,8#.=; %,
,"#$%& %& "&( "&1-, $( :./(, &$ D &1-; %, $( 8.9,;"#; ,"7,8E:.8&mU> Q,"#; :&-(;J ; #,(A#.8;
59D8=,9 =7 ./9, ", #&-9; ; (;." ;(7/;J 7&%,9%& .98/$".=, ;1;-8;- #-;1;/@&" 2$, -,;/.?;(
;1&-%;3,9" 7;-#.8$/;-," "&1-, & "&( ;.9%; 94& -,8&--,9#," ,9#-, &" %,(;." (;#,-.;."J & 2$,
7,/& 8&9#-A-.& 5$"#.:.8;-.; ; :&-(;04& %, &$#-;" #,9%<98.;" #,(A#.8;"> XA ; #,(A#.8; ^;9DV3;/ +; N9.8; 2$, 7&""$. 7$1/.8;0_," 9&" 2$;#-& :&-(;#&" %, (;#,-.;." 8&/,#;%&"L /.=-&"J #,","J
%."",-#;0_," , ;-#.3&"> k(; .9:&-(;04& ,o#-; 2$, 7&%, ",- 7,-8,1.%; + 2$,J #-;9".#;9%& ,9#-,
,"";" #,9%<98.;"J ,"#4& $( /.=-&J #-<" #,","J ",." %."",-#;0_," , %,?&.#& ;-#.3&" 2$, ;-#.8$/;(
2$,"#_," -,/;8.&9;%;" ;& 8.9,(; 9;8.&9;/> !"#," (;#,-.;." 7&%,( ",- 8&9:,-.%&" /."#;%&" 9&
>*76, O %,"#, 7-&5,#&>
C;" %, :;#&J ; %.=,-".%;%, %, ;1&-%;3,9" %&" ,"#$%&" "&1-, & "&( 9& 8.9,(; ;2$.
;=;/.;%&"J 8,-#;(,9#, 7&%, (&#.=;- &$#-&" &/@;-," )&$ &$=.%&"* %.;9#, ,"";" 8/;"".:.8;0_,">!"";" #,9%<98.;" ;2$. 7-&7&"#;" -,7-,",9#;( @&5,J $(; %;" 7&"".1./.%;%," %, &-3;9.?;04&>
KJF G73i;E
^ 7-&%$04& %, 9&=&" 8&9@,8.(,9#&" ,( :&-(; %, #,o#& , ; :&-(;04& %, 7,"2$.";%&-,"
/.3;%&" %.-,#;(,9#, ;& ,9".9& ;8;%<(.8&J ,98&9#-;( 9;" #,","J 9;" %."",-#;0_," , 9&" ;-#.3&"J
mU ^ #E#$/& %, .9:&-(;04&J ,o."#, $(; /."#; 1.1/.&3-A:.8; ),( .93/<"* "&1-, & "&( 9& 8.9,(; %.=.%; 7&- :./(,">!/; 7&%, ",- ;8,"";%; 9,"#, ,($0 L u@##7Lvvttt>:./("&$9%>&-3v(&=.,/."#vz>
iU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 96/181
(;#,-.;." %, 3-;9%, 7-,"#E3.& 9; 7-&%$04& 8.,9#E:.8; %, $(; A-,; ,"7,8E:.8; %, 8&9@,8.(,9#&>
Q,"#; :&-(;J 5$/3;e", .(7&-#;9#, %,"#;8;- & 7,-:./ %; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-,
& "&( 8.9,(;#&3-A:.8&J :&8;9%& #;9#& 9&" /&8;." &9%, :&-;( 7$1/.8;%&"J 2$;9#& 9&"
7,"2$.";%&-," ;$#&-,">
!( -,/;04& D 7-&%$04& %, #-;1;/@&" %, %&$#&-;%& , (,"#-;%&J 9&=, $9.=,-".%;%,"
:&(,9#;-;( ; -,;/.?;04& %& #&#;/ %, 8.98& #,"," , =.9#, , $(; %."",-#;0_,"> Q,"";"
.9"#.#$.0_,"J &.#& ,"#4& 8&98,9#-;%;" 9; -,3.4& I$%,"#, %& ]-;"./ , ;7,9;" $(; 94& ",
,92$;%-; 9,"#; ;#-.1$.04&J 7,-#,98,9%& ; -,3.4& I$/>
I4& ,/;"L k9.=,-".%;%, %, I4& W;$/& )kIW*Y W&9#.:E8.; k9.=,-".%;%, O;#F/.8; %, I4&
W;$/& )WkOeIW*Y k9.=,-".%;%, ^9@,(1. C&-$(1. )k^C*Y k9.=,-".%;%, !"#;%$;/ %,
O;(7.9;" )kS6O^CW*Y k9.=,-".%;%, g,%,-;/ g/$(.9,9", )kgg*Y k9.=,-".%;%, g,%,-;/ %&\.& %, X;9,.-& )kg\X*Y k9.=,-".%;%, %& !"#;%& %& \.& %, X;9,.-& )k!\X*Y k9.=,-".%;%,
g,%,-;/ %, C.9;" a,-;." )kgCa*Y , k9.=,-".%;%, g,%,-;/ %& W;-;9A )kgW\*> S& 3-A:.8& ;
",3$.- 9&#;(e", &" =;/&-," 9$(+-.8&" %, #,"," , %."",-#;0_," %,:,9%.%;" 7&- 8;%; $(; %,"";"
$9.=,-".%;%,">
a\‑g6Oc 66q$;9#.%;%, #&#;/ %, #,"," , %."",-#;0_," 7&- $9.=,-".%;%,mBL
mB O&9:.-; ; /."#; 1.1/.&3-A:.8; %, #,"," , %."",-#;0_," %."#-.1$E%;" 7&- k9.=,-".%;%, 9& >*76, !!! %,"#,#-;1;/@&>
iB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 97/181
^ kIW + ; $9.=,-".%;%, 2$, 7&""$. ; (;.&- 2$;9#.%;%, %, #-;1;/@&" :&(,9#;%&"J
"&(;9%& %$;" #,"," , 2$;#-& %."",-#;0_,"> !( ",3$.%; ,"#A ; kgCaJ 2$, ;7-,",9#; $(; #,", ,
2$;#-& %."",-#;0_,"> R;9#& ; WkOeIW 2$;9#& ; kgg 7&""$,( $(; #,", , #-<" %."",-#;0_," 8;%;>
Q,7&."J ,"#A ; kg\X 8&( #-<" %."",-#;0_,"> ! ; kgW\J ; k!\XJ ; kS6O^CW , ; k^CJ #&%;"
8&( ;7,9;" $(; %."",-#;04&> ^ ",3$.-J ; -,7-,",9#;04& %,""," =;/&-," 7&-8,9#$;/(,9#,>
a\‑g6Oc 666W&-8,9#;3,( %, #,"," , %."",-#;0_," 7&- $9.=,-".%;%,L
698&-7&-;%;" D" .9"#.#$.0_," %, ,9".9&J ;" 7,"2$.";" %, (,"#-;%& , %&$#&-;%& ,"#4&
;:./.;%;" ;&" 7-&3-;(;" %, 7F"e3-;%$;04& &9%, "4& %,",9=&/=.%;"> !"#," 7-&3-;(;" %, 7F"e
3-;%$;04& ,"#4& ;""&8.;%&" ; A-,;" %, 8&9@,8.(,9#& ;" 2$;."J ",3$9%& ; O;7,"J ;7-,",9#;(
$(; @.,-;-2$.?;04&> c$ ",5;J &" 7-&3-;(;" %, 7F"e3-;%$;04& ,"#4& .9",-.%&" ,( $(; A-,;
,"7,8E:.8;J 2$, 7&- "$; =,? ,"#A .9",-.%; ,( $(; 3-;9%, A-,; %, 8&9@,8.(,9#&> I,9%& ;"".(J
;" #,"," , %."",-#;0_," "&1-, & "&( 9& 8.9,(; ;2$. /,=;9#;%;"J ,92$;%-;(e", ,( #-<" 3-;9%,"
A-,;" %, 8&9@,8.(,9#&J #-<" A-,;" ,"7,8E:.8;" , %&?, 7-&3-;(;" %, 7F"e3-;%$;04&J #&%&"
-,8&(,9%;%&" , -,8&9@,8.%&" 7,/; O;7,"> I4& ,/,"L
iP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 98/181
R^]!G^ 666Q."7&".04& %, a-;9%," ‑-,;" %, 8&9@,8.(,9#&J ‑-,;" , W-&3-;(;" %, WF"ea-;%$;04& 7&- k9.=,-".%;%,L
43/*=79 B37/9 B37/9 G3,Q3/</9 =7 GV9R43/=8/@+, P '*;A739;=/=7
O.<98.;" I&8.;." 7/.8;%;" O&($9.8;04&
O.<98.;" %; O&($9.8;04& v kIWO&($9.8;04& I&8.;/ v kgCa , k!\X
O&($9.8;04& v kgg , k^C
O&($9.8;04& , I,(.F#.8; v WkOeIW
C$/#.(,.&" v kS6O^CW
G.93$E"#.8;J G,#-;" , -#," ^-#," ) -#,"vCN".8;* ^-#," v kgCa
CN".8; v kg\X , kgW\
O.<98.;" %; I;N%, g&9&;$%.&/&3.;g&9&;$%.&/&3.; v WkOeIW
!%$8;04& ,( O.<98.;" , I;N%, v kg\X
XA ; 2$;9#.%;%, %, #,"," , %."",-#;0_," 8&9#.%; ,( 8;%; A-,; , 7-&3-;(; %, 7F"e
3-;%$;04& ,"#A %,(&9"#-;%; 9; #;1,/; ; ",3$.- mPL
R^]!G^ 6Zq$;9#.%;%, #&#;/ %, #,"," , %."",-#;0_," 7&- A-,; , 7-&3-;(; %, 7F"e3-;%$;04&L
B37/ G3,Q3/</9 =7 GV9R43/=8/@+,P'*;A739;=/=7 #7979 &;9973D/@m79 #,D/E
.,<8*;o/@+,
O.<98.;" %; O&($9.8;04& v kIW M U P
O&($9.8;04& v kgg [ T U
O&($9.8;04& , I,(.F#.8; v WkOeIW [ [ M
O&($9.8;04& I&8.;/ v kgCa e [ [
O&($9.8;04& I&8.;/ v k!\X e [ [
O&($9.8;04& v k^C e [ [
C$/#.(,.&" v kS6O^CW e [ [
>3D79h>3D79P1b9;o/l
^-#," v kgCa [ T U
CN".8; v kg\X e M M
CN".8; v kgW\ e [ [
L,*,/8=;,E,Q;/g&9&;$%.&/&3.; v WkOeIW e M M
!%$8;04& ,( O.<98.;" , I;N%, v kg\X e [ [
#,D/E R [ K: KW
!""," %;%&" .9%.8;( 2$, ; A-,; %, O&($9.8;04& + ; 2$, ;1-;93, ; (;.&- 2$;9#.%;%, %,
#,"," , %."",-#;0_," %,:,9%.%;" ,9#-, &" ;9&" %, MHH[ , MH[[ 9& 7;E"J 8&9#,9%& %,?,"",."
#-;1;/@&"> ! 7&-#;9#&J 7&%,e", ;:.-(;- 2$, + ; A-,; 2$, 7&""$.$ -,/;0_," %, 7,"2$."; (;."
7-Fo.(;" ;& 8;(7& %&" ,"#$%&" 1-;"./,.-&" "&1-, & "&( 8.9,(;#&3-A:.8&> !( ",3$.%;J ,"#A ;mP O&9:.-; ; /."#; 1.1/.&3-A:.8; %, #,"," , %."",-#;0_," %."#-.1$E%;" 7&- ‑-,; , W-&3-;(; %, WF"ea-;%$;04& 9&
>*76, !O %,"#, #-;1;/@&>
im
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 99/181
A-,; %, ^-#," )^-#,"vCN".8;* 8&( ",#, #-;1;/@&"J , %,7&."J ; %, g&9&;$%.&/&3.; 8&( #-<"> !(
#,-(&" %, 7&-8,9#;3,( ,""," 9N(,-&" -,7-,",9#;( &" ",3$.9#," =;/&-,"L
a\‑g6Oc 6ZW&-8,9#;3,( %, #,"," , %."",-#;0_," 7&- ‑-,;L
W;-; ,9#,9%,- ; 7/$-;/.%;%, %&" (,.&" 9&" 2$;." ", %,",9=&/=,-;( ;" #,"," , ;"
%."",-#;0_," 8&9#,(7&-V9,;" "&1-, & "&( 9& 8.9,(;J , 1$"8;- &$#-;" -,/;0_," ,9#-, &" %;%&"
;7-,",9#;%&"J + 9,8,""A-.& ;%,9#-;- $( 7&$8& (;." 9;" 7&""E=,." /.3;0_," ;8;%<(.8;"
,o."#,9#," ,9#-, &" #-;1;/@&">c" 7-&3-;(;" %, 7F"e3-;%$;04& 8&"#$(;( ,"#;- :-;3(,9#;%&" ,( A-,;" %,
8&98,9#-;04&J ;" 2$;." "4& %,"%&1-;%;" ,( /.9@;" %, 7,"2$.";> W&-+(J @A 8;"&" ,( 2$, &"
7-&3-;(;" %, 7F"e3-;%$;04& ", %.=.%,( "&(,9#, ,( A-,;" %, 8&98,9#-;04&J &$ %.-,#;(,9#,
,( /.9@;" %, 7,"2$.";> 69%,7,9%,9#, %.""&J + .(7&-#;9#, -,"";/#;- 2$, 9,"";" bA-,;"l ,
b/.9@;"l "4& &9%, ,"#4& ".#$;%&" &" 7-&5,#&" %, 7,"2$."; %,",9=&/=.%&" 7,/&" %&8,9#,"J &"
&-.,9#;%&-," %&" #-;1;/@&"J , 7,/&" %."8,9#,"J ;$#&-," %;" #,"," , %."",-#;0_," %,:,9%.%;" 9&
7-&3-;(;> ^"".(J 7&- %,/.(.#;-,( &" 8;(7&" %, .9#,-,"", , ";1,-," -,/;8.&9;%&" ;&" 7,"2$.";%&-," %,""," 7-&3-;(;"J ,"";" bA-,;"l , b/.9@;"l 7&%,( -,=,/;- ;:.9.%;%," ,9#-, &"
,"#$%&" &$ %,(;." 8;-;8#,-E"#.8;" %; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9&
8.9,(; >
O&(,0;9%& 7,/&" 7-&3-;(;" %, 7F"e3-;%$;04& -,/;8.&9;%&" D A-,; %, O&($9.8;04&
2$,J 8&(& 7&%, ",- 9&#;%&J :&-;( &" (;." 7-&8$-;%&" 7;-; & %,",9=&/=.(,9#& %;" 7,"2$.";"
8&9#,(7&-V9,;" "&1-, & "&( 9& 8.9,(;> ! 2$, ;2$. ,"#4& -,7-,",9#;%&" 7,/&" W-&3-;(; %,
WF"ea-;%$;04& %, O.<98.;" %; O&($9.8;04& %; kIWJ O&($9.8;04& %; kgg , %; k^CJO&($9.8;04& , I,(.F#.8; %; WkOeIWJ O&($9.8;04& I&8.;/ %; kgCa , k!\XJ , C$/#.(,.&"
%; kS6O^CW>
ih
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 100/181
c W-&3-;(; %, WF"ea-;%$;04& ,( O.<98.;" %; O&($9.8;04& %; kIW 8&98,9#-; #&%;" ;"
%$;" #,"," , 2$;#-& %."",-#;0_," 7-,",9#," 9; .9"#.#$.04&> c" 2$;#-& #-;1;/@&" %, (,"#-;%& mm ,
$( %, %&$#&-;%&mh ,"#4& ;""&8.;%&" D ‑-,; %, O&98,9#-;04& b!"#$%&" %&" C,.&" %; W-&%$04&
C,%.A#.8;l> ^7,9;" ; #,", %, G$.? ^%,/(& C;9?;9& )MHHB* 2$, ,"#A -,/;8.&9;%; D ‑-,; %,
O&98,9#-;04& bO&($9.8;04& , !"#+#.8; %& ^$%.&=."$;/l> ! (;."J ;" 2$;#-& %."",-#;0_," :&-;(
&-.,9#;%;" 7,/& W-&:> Q-> !%$;-%& I;9#&" C,9%,"J , ;" %$;" #,"," 7,/; W-&:“> Q-“> C;-.; Q&-;
C&$-4&> ^3&-;J ;& ;=,-.3$;- ;" /.9@;" %, 7,"2$."; %,""," &-.,9#;%&-,"J &1",-=;e", 2$, &
WWaO&( %; kIW 7;""&$ 7&- -,:&-($/;0_," ;& /&93& %&" &9?, ;9&" ,"#$%;%&">
S& 7-&8,""& %, ;%,2$;04& %&" 7-&3-;(;" %, 7F"e3-;%$;04& %; !"8&/; %, O&($9.8;04&
, ^-#," %; kIWJ ; A-,; %, 8&98,9#-;04& bO&($9.8;04& , !"#+#.8; %& ^$%.&=."$;/l :&. ,o#.9#;
9& ;9& %, MHHB> 6""& ,"8/;-,8, & 7&- 2$< %; #,", %, G$.? ^%,/(& C;9?;9& 7,-#,98,- ; $(;A-,; %, 8&98,9#-;04& %.:,-,9#, %; %& #-;1;/@& %, %&$#&-;%& %, X&4& a&%&w I&$?; )MH[[*J ,
;.9%; ;"".( 8&9#;- 8&( ; (,"(; &-.,9#;%&-;> !( MHHP :&. 2$;9%& "$-3.$ ; A-,; b!"#$%&" %&"
C,.&" %; W-&%$04& C,%.A#.8;lJ ; 2$;/ C,9%," , C&$-4& 7,-#,98,-;( ;#+ & ;9& %, MHHi> !(
MHHiJ :&. ,9#4& 8&9"#.#$E%& $( 9&=& 7-&3-;(; %, 7F"e3-;%$;04& (;." %.-,8.&9;%& 7;-; ;"
7,"2$.";" -,/;8.&9;%;" ;& 8.9,(;J D #,/,=."4&J ;& -A%.&J ;& =E%,& , D" (E%.;" %.3.#;."J
%,9&(.9;%& W-&3-;(; %, WF"ea-;%$;04& ,( C,.&" , W-&8,""&" $%.&=."$;." )WWaCW^*>
^ 8-.;04& %& W-&3-;(; %, WF"ea-;%$;04& ,( C,.&" , W-&8,""&" ^$%.&=."$;." +-,"$/#;%& %, $( /,3;%& %, 7,"2$."; @."#F-.8; , ,"#+#.8; %,",9=&/=.%& ;& /&93& %;"N/#.(;" #-<" %+8;%;" 7&- 7-&:,""&-," , 7,"2$.";%&-," ;""&8.;%&" D" =A-.;" :;"," 7,/;"2$;." 7;""&$ ; A-,; %, 8&98,9#-;04& %,%.8;%; ;&" ,"#$%&" %, 8.9,(;J -A%.& ,#,/,=."4&> c (,"#-;%& ,( -A%.& , #,/,=."4& :&. & 7-.(,.-& ; ",- 8-.;%&J ,( [imMJ /&3&",3$.%& ,( [imU 7,/& (,"#-;%& ,( 8.9,(; , #,;#-&> !( [ihHJ :&. 8-.;%& & %&$#&-;%&,( ;(1&" &" 8$-"&"> \,:&-($/;0_," 3,-;." %& 7-&3-;(; .(7/;9#;%;" ,( [iiP8&9"&/.%;-;( &" %&." 8$-"&" ,( $(; "F A-,; %, 8&98,9#-;04& %& 7-&3-;(; %, 7F"e3-;%$;04& ,( O.<98.;" %; O&($9.8;04&J ; 1,( "$8,%.%; A-,; %, O&($9.8;04& ,!"#+#.8; %& ^$%.&=."$;/> ^ 7;-#.- %& ;9& %, MHHiJ , 9& ,"7E-.#& %, 8&/;1&-;- 8&( &,":&-0& %, -,:&-($/;04& , ;%,2$;04& %, 7-&3-;(;" %, 7F"e3-;%$;04& , A-,;" %,8&9@,8.(,9#& ,( 8$-"& 9; !"8&/; %, O&($9.8;0_," , ^-#," , 9;" ;3<98.;" 9;8.&9;."
%, :.9;98.;(,9#&J 7-&:,""&-," ;#$;9#," 9; %&8<98.; , 9; 7,"2$."; -,/;8.&9;%; ;&8.9,(;J D #,/,=."4&J ;& -A%.&J ;& =E%,& , D" (E%.;" %.3.#;." 7-&7_,( ; 8&9"#.#$.04&%,"", 9&=& 7-&3-;(;J 2$, -,N9, ;"7,8#&" ;-#E"#.8&" , .9%$"#-.;."J #,F-.8&" , 7-A#.8&" %;A-,; ;$%.&=."$;/>mi
O&(& & WWaCW^ :&. 8-.;%& ,( MHHiJ #,9%& ",$" 7-.(,.-&" 7-&5,#&" %, (,"#-;%& ,
%&$#&-;%& .9.8.;%&" ,( MH[HJ 94& @&$=, #,(7& @A1./ 7;-; %."",-#;0_," , #,"," ",-,(
mm c %, C;-.;9& ^/=;-,? )MHHm*J R.%, ]&-3," a$.(;-4," )MHHh*J %, ^9; G$.?; ];-1&"; )MHHi* , %, `.-;
W,-,.-; )MH[H*>mh c %, X&4& a&%&w I&$?; )MH[[*>mi 69:&-(;0_," -,#.-;%;" %& *(') %& WWaCW^ %; !O^vkIW> Q."7&9E=,/ ,(L
u@##7Lvvttt>7&">,8;>$"7>1-v.9%,o>7@7r2x,9v9&%,vTHiz> 8,""& ,( MH 5;9,.-& %, MH[T>
ii
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 101/181
:.9;/.?;%;" ;#+ MH[[hH>
Z&/#;9%& D" /.9@;" %, 7,"2$.";J 7&- 8&9#; %; ;$"<98.; %, .9:&-(;0_," "&1-, ,/;" 9&"
#-;1;/@&"J , %.;9#, ; ;#$;/.?;04& %& *(')J %&" -,3$/;(,9#&" , %&" ,%.#;." %&" 7-&3-;(;" %, 7F"e
3-;%$;04& %; !O^vkIWJ 94& :&. 7&""E=,/ ,98&9#-;- (;." %,#;/@," "&1-, ;" /.9@;" %, 7,"2$.";
&9%, ,"";" #,"," , %."",-#;0_," :&-;( -,;/.?;%;" 9; +7&8;> ^ .9:&-(;04& 2$, ,o."#, + 2$,
;#$;/(,9#, !%$;-%& I;9#&" C,9%," , C;-.; Q&-; C&$-4& %,",9=&/=,( ",$" 7-&5,#&" %,
&-.,9#;04& 9; /.9@; .9#.#$/;%; bW&+#.8;" , R+89.8;"l>
^ /.9@; %, 7,"2$."; W&+#.8;" , R+89.8;" -,N9, 7-&:,""&-," %,%.8;%&" ;& ,"#$%& ,,o7,-.(,9#;04& %&" (&%&" %, 7-&8,%,- 9; -,;/.?;04& %, &1-;" ;$%.&=."$;."J ",5; 9;8&9#,(7&-;9,.%;%, &$ 9; @."#F-.; %&" (,.&" ;$%.&=."$;."J 8&( <9:;", 7;-; ; -,/;04&,9#-, #+89.8;" , 8&(7,#<98.;" ,"7,8E:.8;" %, 8-.;04&J 9&" 7/;9&" %, ,/;1&-;04& %,-&#,.-&"J (&9#;3,(J 8;7#;04& , ,%.04& %, "&(J ;9.(;04& %, .(;3,9"J %.-,04& ,
&-3;9.?;04& %; 7-&%$04&J 8&9".%,-;9%& "$7&-#," ;9;/F3.8&" , %.3.#;.">h[
S& *(') %& WWaCW^ + .9%.8;%& 2$, & 7-&5,#& %, 7,"2$."; %, !%$;-%& I;9#&" C,9%,"
%,",9=&/=.%& 9; 7F"e3-;%$;04& + "&1-, ; -,/;04& %.-,#&-v *"#$% %)*(A$)7 9; 8&9"#-$04& %;
#-./@; "&9&-;J , & %, C;-.; Q&-; C&$-4& "&1-, ; .98.%<98.; %; #,89&/&3.; 9; /.93$;3,(
8.9,(;#&3-A:.8; ; 7;-#.- %; (&9#;3,( 8&(& 7-&8,""& 8-.;#.=&hM>
c W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; kgg #;(1+( 8&98,9#-; ; #,",hT , ;"
#-<" %."",-#;0_,"hU 7-,",9#," 9; $9.=,-".%;%,> Q,"#;"J ;7,9;" ; %."",-#;04& %, 6=;9 O;7,//,-
)MHHB* + &-.,9#;%; 7,/; W-&:“> Q-“> C;-.; O-."#.9; g-;98& g,--;?> c" %,(;." #-;1;/@&" "4& %,
&-.,9#;04& %& W-&:> Q-> X&4& G$.? Z.,.-;> ^" .9:&-(;0_," "&1-, ; A-,; %, 8&98,9#-;04& &$
/.9@; %, 7,"2$."; %,""," (;#,-.;." 94& 8&9"#;( .9%.8;%;" 9&" #-;1;/@&"J ";/=& ,o8,04& %;
%."",-#;04& %, ^9%-,"&9 O;-=;/@& )MHHi* 2$, ;7&9#; ,"#;- ;""&8.;%; D A-,; %, 8&98,9#-;04&
b^9A/.", %; 6(;3,( , %& I&(l> 69=,"#.3;9%& ;" bA-,;"l , b/.9@;"l %&" %&." &-.,9#;%&-,"J
9&#;e", 7&-+( 2$, ; A-,; b^9A/.", %; 6(;3,( , %& I&(l 94& ,o."#, (;."> 698/$".=,J
;#$;/(,9#, & WWaO&( %; kgg ,"#A %.=.%.%& %.-,#;(,9#, ,( #&-9& %, #-<" /.9@;" %, 7,"2$.";J
94& 7&""$.9%& 7&-#;9#&J ; .9#,3-;04& 8&( A-,;" %, 8&98,9#-;04&> C;" 94& :&-;( ,98&9#-;%;"
(;." .9:&-(;0_," ;8,-8; %, $( 7&""E=,/ 7-&8,""& %, -,"#-$#$-;04& %& 7-&3-;(;> ^7,9;" 2$,
;#$;/(,9#, & &-.,9#;%&- X&4& G$.? Z.,.-; ,"#A ;""&8.;%& D /.9@; %, 7,"2$."; b!"#$%&" %,
O.9,(; , $%.&=."$;/l>
hH ^7,9;" 9& ;9& %, MH[T 2$, 8&(,0;( ; ;7;-,8,- &" 7-.(,.-&" #-;1;/@&" "&1-, "&( 9& 8.9,(; 7-&=,9.,9#,"%& WWaCW^ %; kIW> ^ ,o,(7/& %; %."",-#;04& b^" %.(,9"_," -,;." , .(;3.9A-.;" %& "&( 9&" :./(," %,G.8-,8.; C;-#,/l )OkSK^J MH[T*J , %,"#, 7-F7-.& #-;1;/@& %, (,"#-;%&>
h[ 69:&-(;0_," -,#.-;%;" %& *(') %& WWaCW^ %; !O^vkIW> Q."7&9E=,/ ,(Lu@##7Lvvttt>7&">,8;>$"7>1-v.9%,o>7@7r2x,9v9&%,vTHiz> 8,""& ,( MH 5;9,.-& %, MH[T>
hM 69:&-(;04& %."7&9E=,/ 9& ,($0 L u@##7Lvvttt>7&">,8;>$"7>1-v.9%,o>7@7r2x,9v9&%,vT[Bz> 8,""& ,( MH 5;9,.-&%, MH[T>
hT ^ %, g,-9;9%& C&-;." %; O&"#; )MHHP*>hU ^ %, 6=;9 O;7,//,- )MHHB*J ^9%-,"&9 O;-=;/@& )MHHi* , %, g,-9;9%& C&-;." %; O&"#; )MHHT;*>
[HH
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 102/181
N 9&-C' ,"-/*' #"% G),) (" &-/"*"##" -'# '-K9&#"# $%" '*/&,%9'5 (&#/&-/'# '.)*('="-#"5 *"9'4>) ') ,&-"5' " ') '%(&)0&#%'9: ,)5 6-G'#" -)# !*),"##)# !)9]/&,)# "#%.O"/&0)# '/*'0L# ()# $%'&# "##"# ,'5!)# #" ,)-#/&/%"52 <"##" #"-/&(): ) %-&0"*#) ()'%(&)0&#%'9 #" '!*"#"-/' ,)5) %5' '*"-' (" !*).9"5'/&b'4>) (' "#G"*' 5&(&K/&,': $%" !"*5&/" &-0"#/&='4S"# ,)5 '!)*/"# "#/L/&,)#: ",)-X5&,)#: C&#/?*&,)# " -'**'/&0)#:'*/&,%9'-()B) #).*"/%() ,)5) %5 ,'5!) /"?*&,)2i\
<) *-$7 () HHvU)5 (' @ww CK ' &-G)*5'4>) (" $%" '/%'95"-/" r)>) k%&b h&"&*'
("#"-0)90" !"#$%&#' #).*" ;E ,)*!) () 0";7% 3 N9'&* v)5"# " lO'95' V'/&#/'8iZ2 A).*" '
)*&"-/'()*' x'*&' U*&#/&-' w*'-,) w"**'b: ,)-#/' "5 #"% ,%**],%9) k'//"# $%" '!)#"-/)% ('
@ww "5 '.*&9 (" F_[[ " $%": -"#/' &-#/&/%&4>): ("#"-0)90"% !"#$%&#'# (&'-/" '# #"=%&-/"#
9&-C'#3 ;k&-=%'="5 " H)("*8: ;U)-/*)9" " P",-)9)=&' () h&*/%'98 " ;^"!*"#"-/'4>) -)
E,&("-/"82 x'# ' &-G)*5'4>) !*",&#' #).*" ' 9&-C' (" !"#$%&#' () /*'.'9C) (" 5"#/*'() ("UNHIkkI^ JF__\W ->) G)& )./&('2
<) H*)=*'5' (" H?#Bv*'(%'4>) "5 U)5%-&,'4>) " A"5&?/&,' (' H@UBAH "#/>)
!*"#"-/"# ()&# /*'.'9C)#: %5' /"#" " %5' (&##"*/'4>): '5.)# (" I9"- ly!!"-#,C5&// JF_[_z
F__\W " )*&"-/'()# !"9' H*)G{2 l*{2 r"*%#' H&*&# w"**"&*'2 N K*"' (" ,)-,"-/*'4>) L ("-)5&-'('
;A&=-) " A&=-&G&,'4>) -'# x](&'#83
U)5!*""-(" '/&0&('("# ,&"-/]G&,'# (" !"#$%&#': "-#&-) " )*&"-/'4>) #).*" #&#/"5'# ("#&=-)# " !*),"##)# (" #&=-&G&,'4>) -) ,'5!) ()# G"-X5"-)# ,)5%-&,',&)-'&#: "5
"#!",&'9 -) ,)-/"1/) ('# (&0"*#'# 5](&'#: "-/"-(&('# "5 #%'# (&5"-#S"# #"5&?/&,'# "&-#"*4S"# ,%9/%*'&#: ,)5 '# *"#!",/&0'# &5!9&,'4S"# "!&#/"5)9?=&,'#: C&#/?*&,'#:#),&'&# " /",-)9?=&,'#2 JHE<PTw|UTN @<ThI^ATlNlI UNP}kTUN lI A~EHN@kE: #2 (2W
I ' 9&-C' (" !"#$%&#' L ' ;U%9/%*' " '5.&"-/"# 5&(&K/&,)#8 $%" '.*'-="222
I#/%()# ('# *"9'4S"# "-/*" ' !*)(%4>) 5&(&K/&,' " ) ,)-/"1/) C&#/?*&,) " ,%9/%*'9:&5!9&,'-()B#": -"##" *",)*/": '# 5"(&'4S"# " &5!',/)# #),&'&#: !)9]/&,)#: ,)=-&/&0)# "/",-)9?=&,)# -' )*='-&b'4>) (' 0&(' ,)/&(&'-'2 <"##' !"*#!",/&0': &-0"#/&='5B#" '#*"9'4S"# "-/*" ,)5%-&,'4>) " /"5!)*'9&('("#: "#!',&'9&('("#: C&.*&()#:,)*!)*'9&('("#: 0&#%'9&('("# " &-/"*#%.O"/&0&('("# j /"5K/&,'# ,)-#&("*'('# -)# -]0"&#
*"=&)-'9: -',&)-'9 "e)% 5%-(&'92 JHE<PTw|UTN @<ThI^ATlNlI UNP}kTUN lIA~E HN@kE: #2 (2W
E *-$7 () H*)=*'5' (" H?#Bv*'(%'4>) "5 U)5%-&,'4>) " A"5&?/&,' (' H@UBAH '&-('
&-G)*5' $%" ) !*)O"/) (" !"#$%&#' (" r"*%#' H&*&# w"**"&*' L #).*" ;P*'(&4>) " /*'-#5&##>)
)*'93 ="#/)#: '5.&"-/": ,)5%-&,'4>)8iQ2
i\ T-G)*5'4S"# *"/&*'('# () *-$7 () H*)=*'5' (" H?#Bv*'(%'4>) "5 U)5%-&,'4>) (' @ww2 l&#!)-]0"9 "53aC//!3ee```2%GG2.*e!!=,)5en!'="p&(f[F[u2 N,"##) "5 F_ 5'*4) (" F_[o2
iZ T-G)*5'4>) (&#!)-]0"9 -) =-#5 3 aC//!3ee```2%GG2.*e!!=,)5en!'="p&(f[[\Zu2 N,"##) "5 F_ O'-"&*) (" F_[o2iQ T-G)*5'4>) (&#!)-]0"9 -) =-#5 3
aC//!3ee```c2!%,#!2.*e,)#e()`-9)'(e!*)O"/)#p!"#$%&#'p(),"-/"#pF_[[p_RpFFek[H*)O"/)r"*%#'w"**"&*'2!(G u2 N,"##) "5 F_ O'-"&*) (" F_[o2
[_[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 103/181
S; kgCaJ & W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ 8&9#+( ;7,9;" ;
%."",-#;04& %, W,%-& ^"7;@;9 )MHHh*J &-.,9#;%; 7,/& W-&:> Q-> O,";- a,-;/%& a$.(;-4,"J ,
2$, :;? 7;-#, %; A-,; %, 8&98,9#-;04& bO&($9.8;04& , I&8.;1./.%;%, O&9#,(7&-V9,;l>
^ A-,; %, 8&98,9#-;04& %& WWaO&(vkgCa e O&($9.8;04& , I&8.;1./.%;%,O&9#,(7&-V9,; e %,(;-8; & .9#,-,"", 9; .9=,"#.3;04& %; %.(,9"4& -,/;8.&9;/ %;8&($9.8;04&J ",$" 7-&8,""&" %, .9#,-/&8$04& , "$;" .9#,-:;8," .9#,-;#.=;" 9; =.%;"&8.;/J ;1-;93,9%& ; 7-,&8$7;04& 8&( 7,-"7,8#.=; .9#,-;8.&9;/ %; 8&($9.8;04&J;#-;=+" %, ",$" 8&(7&9,9#," (;#,-.;."J ".(1F/.8&" , "&8.;.">hh
!( -,/;04& D /.9@; %, 7,"2$.";J + =,-.:.8;%& 2$, 9; 8;7; %; %."",-#;04& ,"#A .9%.8;%; ;
%,9&(.9;%; bC,.&" , W-&%$#&" %; O&($9.8;04&l> W&-+(J ;& 7,"2$.";- & =E98$/& %, 7,"2$.";
%& &-.,9#;%&-J 9&#;e", 2$, @&5, ,/, ,"#A ;""&8.;%& D /.9@; %, 7,"2$."; bW-;3(A#.8;" %;
6(;3,(lJ .9#,-,"";%& 9;" A-,;" %, 8.9,(; (&%,-9&J ,o7,-.<98.; ,"#+#.8; , %."8$-"&"
(.%.A#.8&"> S,"#, 8;"& #;(1+( 94& :&-;( ,98&9#-;%;" (;." .9:&-(;0_," ;8,-8; %, $(
7&""E=,/ 7-&8,""& %, -,"#-$#$-;04& %& 7-&3-;(;> I&1-, ; /.9@; %, 7,"2$."; bW-;3(A#.8;" %;
6(;3,(lL
!"#; /.9@; %, 7,"2$."; ;1&-%; &" 7-&8,%.(,9#&" %, 8-.;04&J &" (&%&" %, ,o7-,""4& ,;" :&-(;" %, :-$.04& %;" .(;3,9"J #,9%& ,( =."#; ; ,"7,8.:.8.%;%, %&" %."7&".#.=&"J%."8$-"&" , 7,-:&-(;98," 2$, ;" 7-&%$?,(J ;"".( 8&(& "$; @.1-.%;04&> ^ /.9@; ;1-.3;; -,:/,o4& "&1-, ; 7-&%$04& .(;3+#.8;J ;#,9#;9%&e", 7;-; ",$" ;"7,8#&" %&8$(,9#;."J:.88.&9;." &$ 7/A"#.8&"> G,=;9%&e", ,( 8&9#; ; %.(,9"4& 7-;3(A#.8; 2$, + .9#-E9",8; ,
8&,o#,9".=; D %.(,9"4& &7-,"".=; %;" .(;3,9"J 7-&8$-;e", 8&(7-,,9%,- ;" (,%.;0_," 7,/;" 2$;." ,/;" .9"#;$-;( ,o7,-.<98.;" "$15,#.=;"J 7&/E#.8;" , ,"#+#.8;">hi
S& *(') %& WWaO&( %; kgCa @A #;(1+( ; .9:&-(;04& %, 2$, ;#$;/(,9#, & 7-&5,#& %,
7,"2$."; %& &-.,9#;%&- O,";- a,-;/%& a$.(;-4," + "&1-, b6(;3,9" %, :&-;L #-;9":&-(;0_,"
(.%.A#.8;" 9& 8.9,(; 8&9#,(7&-V9,&liH>
c W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ %; k!\X ;3-,3; $(;
%."",-#;04&J ; %, X&"+ O/A$%.& O;"#;9@,.-; )MH[H;*J &-.,9#;%; 7,/& W-&:> Q-> Z.9E8.$" ^9%-;%,
W,-,.-;J , 2$, ,"#A =.98$/;%; D /.9@; %, 7,"2$."; bR,89&/&3.; %, O&($9.8;04& , O$/#$-;l>!"#; /.9@; %,%.8;e", D .9=,"#.3;04& %;" ;-#.8$/;0_," ,9#-, #,89&/&3.;J 8&($9.8;04& ,8$/#$-;> ^" -,/;0_," %;" #,89&/&3.;" 8&($9.8;8.&9;." 8&( & &-%,9;(,9#& %;"8;#,3&-.;" "&8.;." , %& .(;3.9A-.&J 8&( :&-(;0_," "$15,#.=;" , 8&( ; ,(,-3<98.; %,(&%&" 9&=&" %, 7,-8,1,-J %, ",9#.- , %, 8&9@,8,-J 8&9"#.#$,( & ,.o& 8,9#-;/ ; 7;-#.-%& 2$;/ ;" %."8$""_," , 7,"2$.";" ,"#-$#$-;(e",> I4& 7-.=./,3.;%;" 9; -,:/,o4&;/3$(;" #,9%<98.;" %; 8&($9.8;04& 8&9#,(7&-V9,; )(&%,/&" %.3.#;."J -,%,"J 7-&8,""&" %, ".($/;04&J (&1./.%;%,*J ",( 7-,5$E?&J 8&9#$%&J %&" ,"#$%&" %, &$#-;"
hh 69:&-(;0_," -,#.-;%;" %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ %; kgCa> Q."7&9E=,/,(L u@##7Lvvttt>:;:.8@>$:(3>1-v%8"v7&"e3-;%$;8;&v#mz> 8,""& ,( MH (;-0& %, MH[T>
hi 69:&-(;0_," -,#.-;%;" %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ %; kgCa> Q."7&9E=,/,(L u@##7Lvvttt>:;:.8@>$:(3>1-v%8"v7&"e3-;%$;8;&v#[[z> 8,""& ,( MH (;-0& %, MH[T>
iH 69:&-(;04& %."7&9E=,/ 9& ,($0 L u@##7Lvvttt>:;:.8@>$:(3>1-v%8"v7&"e3-;%$;8;&v#[iv[v8,";-e3,-;/%&e3$.(;-;,"e[vz> 8,""& ,( MT 5;9> %, MH[T>
[HM
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 104/181
,"#-$#$-;" , "."#,(;" %, 8&($9.8;04&> R-;#;e",J ,( N/#.(; .9"#V98.;J %, .9=,"#.3;- &".(7;8#&" (;#,-.;."J ;" 8&9:.3$-;0_," ;:,#.=&e8&39.#.=;" , ;" -,7,-8$""_,""&8.&8$/#$-;." %;" %.:,-,9#," #,89&/&3.;" 8&($9.8;8.&9;." 9&" 8&9#,o#&" %, "$; 7-&%$04&J $#./.?;04& , %.:$"4&>i[
S4& :&-;( ,98&9#-;%;" .9:&-(;0_," "&1-, & 7-&5,#& %, 7,"2$."; %,",9=&/=.%& 7,/&
&-.,9#;%&- 9,""; 7F"e3-;%$;04&>
S& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; k^C ,"#A 7-,",9#, ; %."",-#;04&
%, C;$-.8.& !"7&".#& )MH[[*J &-.,9#;%; 7,/& W-&:> Q-> ^9%-+ a;##.J , 2$, :,? 7;-#, %; A-,; %,
8&98,9#-;04& bO&($9.8;04& O&9#,(7&-V9,;l> S& *(') %& WWaO&( %; k^C @A ; .9:&-(;04&
%, 2$, ,"#; A-,; %, 8&98,9#-;04& :&. -,9&(,;%; ;#$;/(,9#, 7;-; bO&($9.8;04& ^$%.&=."$;/l
; 2$;/ 8&98,9#-; %$;" /.9@;" %, 7,"2$.";L b^9A/.", %, W-&%$#&" ^$%.&=."$;."l , bW-&8,""&"
C.%.A#.8&" 9; O$/#$-; ^$%.&=."$;/l> W&-+(J 9& 8$--E8$/& G;##," %, ^9%-+ a;##. + .9:&-(;%&
2$, ,"#, -,;/.?&$ ;#.=.%;%," %, &-.,9#;04& 9; k^C ;7,9;" ,9#-, &" ;9&" %, MHHi , MH[[>
O&(& ;" .9:&-(;0_," %& *(') %& WWaO&( %; k^C ,"#4& ;#$;/.?;%;"J , 94& @A (;."
.9:&-(;0_," 9; %."",-#;04& "&1-, .""&J 94& :&. 7&""E=,/ ,98&9#-;- 2$;/ ; /.9@; %, 7,"2$."; &
&-.,9#;%&- , & #-;1;/@& %, (,"#-;%& ,"#;=;( ".#$;%&" 9; +7&8; %& %,",9=&/=.(,9#& %;
7,"2$.";> W&-+(J ;& &1",-=;- & 8&9#,N%& %; %."",-#;04& C;$-.8.& !"7&".#& )MH[[* 7-,""$7_,e
", 2$, ,"#;-.; (;." 7-Fo.(; %; /.9@; %, 7,"2$."; b^9A/.", %, W-&%$#&" ^$%.&=."$;."lJ 8&(&
7&%, ",- &1",-=;%&L
^ /.9@; nb^9A/.", %, W-&%$#&" ^$%.&=."$;."lp ", ;7F.; 9;" (N/#.7/;" =;-.;9#," %;=,-#,9#, ;9;/E#.8;J ; 2$;/J ;7/.8;%; ;& ,"#$%& %, 7-&%$#&" ;$%.&=."$;."J 7,-(.#, 2$, ;" 7,"2$.";" ", ".#$,( , ", (&=.(,9#,( %,9#-& %& $9.=,-"& %& -,8&9@,8.(,9#& %&"(&%&" , :&-(;" %, ,o7-,""4& 2$, 8&9:.3$-;( ; 8&($9.8;04& ;$%.&=."$;/> c" &15,#&"%,"#; /.9@; "4& &" 7-&%$#&" ;$%.&=."$;." ):./(,"J 7-&3-;(;" %, #,=<J =E%,&"J ".#," %,.9#,-9,# ,#8>*J ,9#,9%.%&" 8&(& 8&9#,N%&" 8&9:.3$-;%&" ,( .(;3,( , "&(J ,"$1(,#.%&" ;&" (;." =;-.;%&" #.7&" %, ;9A/."," ),"#+#.8;"J 7&+#.8;"J @."#F-.8;"J9;--;#.=;" ,#8>*>
^ /.9@; nbW-&8,""&" C.%.A#.8&" 9; O$/#$-; ^$%.&=."$;/lp ", ;7F.; 9& (&=.(,9#& %,
-,/;04& %&" 7-&8,""&" (.%.A#.8&" 8&( ; 8$/#$-; ,"7,8.:.8;(,9#, 8&9:.3$-;%; 7,/&$9.=,-"& %; .(;3,( , %& "&(J 7,-(.#.9%& 2$, ",5;( ,"#$%;%&" &" :,9s(,9&" %,(.%.;#.?;04& ;7,9;" 9& #.7& ,"7,8E:.8& %, 8$/#$-; 2$, =.8,5; 9& 8;(7& %; 8&($9.8;04&;$%.&=."$;/> c" &15,#&" %,"#; /.9@; "4& &" 7-&8,""&" (.%.A#.8&" ".#$;%&" 9& V(1.#& %,"$;" -,/;0_," 8&( ; %.9V(.8; %; 8$/#$-; ;$%.&=."$;/>iM
! 9; kS6O^CWJ & W-&3-;(; %, WF"ea-;%$;04& ,( C$/#.(,.&" -,N9, ;7,9;" ;
%."",-#;04& %, S;#;/.; ];--,9@; )MH[[*J &-.,9#;%; 7,/& W-&:> Q-> ^9#&9.& g,-9;9%& %;i[ 69:&-(;0_," -,#.-;%;" %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& I&8.;/ %; k!\X> Q."7&9E=,/
,(L u@##7Lvvttt>7738&(>$,-5>1-v;-,;›8&98,9#-;8;&>7@7z> 8,""& ,( MH (;-0& %, MH[T>iM 69:&-(;0_," %."7&9E=,." 9& ,($0 L u@##7Lvv7&-#;/>;9@,(1.>1-v,"#$%,e;2$.v7&"e3-;%$;8;&v8$-"&"v(,"#-;%&e,(e
8&($9.8;8;&v,"#-$#$-;e%&e7-&3-;(;v;-,;"e%,e8&98,9#-;8;&e,e/.9@;"e%,e7,"2$.";vz> ^8,""& ,( MT 5;9> %,MH[T>
[HT
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 105/181
O&98,.04& W;""&"> S4& :&-;( ,98&9#-;%;" .9:&-(;0_," "&1-, ; A-,; %, 8&9@,8.(,9#& &$ ;
/.9@; %, 7,"2$."; %& #-;1;/@&> W&-+(J 9&#;e", 2$, & W-&3-;(; %, WF"ea-;%$;04& ,(
C$/#.(,.&" %; kS6O^CW ,"#A 8&98,9#-;%; ;#$;/(,9#, ;7,9;" ,( $(; /.9@; %, 7,"2$.";J ;
%,9&(.9;%; bK."#F-.;J !"#+#.8; , Q&(E9.&" %, 7/.8;04& %& O.9,(; , %; g&#&3-;:.;l 2$,>>>
O&98,9#-; 7-&5,#&" %, 7,"2$."; 2$, 1$"8;( ; -,:/,o4& #,F-.8; "&1-, ; @."#F-.; %&8.9,(; , %; :&#&3-;:.;J ,o7/&-;9%& ; 7-&%$04& 9;8.&9;/ , .9#,-9;8.&9;/J , %;9%&%,"#;2$, ; ",$" 7-&8,%.(,9#&" 8-.;#.=&" , (,#&%&/F3.8&"J 1,( 8&(& ; "$;"%.(,9"_," ;$#&-;."> !o7/&-; #;(1+( ;" 7&"".1./.%;%," 8&39.#.=;" %;" .(;3,9" :.o;" ,;9.(;%;" 9&" 7-&8,""&" %, .9=,"#.3;04& %;" 8.<98.;" @$(;9;"> c #,--.#F-.& ;8;%<(.8&", ,"#,9%,J 7&-#;9#&J %& 8.9,(; %&8$(,9#A-.& ;& 8.9,(; %, :.804&J 7;"";9%& 7,/&=E%,&e;-#,J .98/$.9%& &" 8;(7&" %; :&#&3-;:.; %&8$(,9#A-.; , 8&9#,(7&-V9,; , %;" 7&+#.8;" ,o7,-.(,9#;.">iT
c 7-&5,#& %, 7,"2$."; -,;/.?;%& 7,/& &-.,9#;%&- ^9#&9.& g,-9;9%& %; O&98,.04& W;""&";#$;/(,9#, + "&1-, 8.9,(; , /.#,-;#$-;J 8&(& 8&9"#; 9& *(') %& W-&3-;(; %, WF"ea-;%$;04&
,( C$/#.(,.&" %; kS6O^CWiU>
XA &" 7-&3-;(;" %, 7F"e3-;%$;04& -,/;8.&9;%&" D A-,; %, ^-#," )^-#,"vCN".8;*J 2$,
,"#4& ,( ",3$9%& /$3;- ,( #,-(&" %, 2$;9#.%;%, %, #-;1;/@&" 9,/," %,",9=&/=.%&"J ;2$. "4&
-,7-,",9#;%&" 7,/&" 7-&3-;(;" %, -#," %; kgCa , %, CN".8; %; kg\X , kgW\>
c W-&3-;(; %, WF"ea-;%$;04& ,( ^-#," %; kgCa 8&98,9#-; $(; #,", , #-<"
%."",-#;0_,"J #&%;" :;?,9%& 7;-#, %; A-,; %, 8&98,9#-;04& bR,89&/&3.; %; 6(;3,(lJ ,".#$;9%&e", 9; /.9@; %, 7,"2$."; bO-.;04& , O-E#.8; %; 6(;3,( ,( C&=.(,9#&lJ ; 2$;/
,9:&8; #;9#& & #-;1;/@& #,F-.8& "&1-, ;-#,J 2$;9#& ; 8&95$3;04& ,9#-, #,&-.; , 7-Ao." ;-#E"#.8;
;#-;=+" %; 7-&%$04& , -,:/,o4& "&1-, & #-;1;/@& 7-&%$?.%&>
^" A-,;" %,""; G.9@; n8.9,(; , ;-#," %.3.#;."p 8&9#,(7/;( &" ",3$.9#," 8;(7&"LG.93$;3,( , Q-;(;#$-3.; O.9,(;#&3-A:.8;"Y 6(;3,( 8&(& Q&8$(,9#&Y R,89&/&3.;"%; 6(;3,(Y R,&-.; O-E#.8; %& 6(;3.9A-.& , !"#-;#+3.;" S;--;#.=;" %; 6(;3,(Y ^-#,O&(7$#;8.&9;/> ^ 7-&%$04& ;8;%<(.8; ,( 8.9,(; 9; 7F"e3-;%$;04& ;1-;93, ;.9%; &$9.=,-"& %;" .(;3,9" ".9#+#.8;">iB
^ #,", %, Q;9.,/ ~,-9,8j )MH[H* , ; %."",-#;04& %, S+/.& O&"#; )MHHU;* :&-;(
&-.,9#;%;" 7,/& W-&:> Q-> K,.#&- O;7$??& g./@&> S4& :&-;( ,98&9#-;%;" .9:&-(;0_," "&1-, &
7-&5,#& %, 7,"2$."; %,",9=&/=.%& 7&- ,"", &-.,9#;%&- 9,""; .9"#.#$.04&> ^7,9;" 8&9"#; ,( ",$
8$--E8$/& G;##," 2$, 94& ,o,-8, (;." ;#.=.%;%," %&8,9#," 9; kgCa %,"%, & ;9& %, MH[[> ! ;"
%."",-#;0_," %, CA-8.& O;-%&"& C;-8&/.9& )MHHh* , %, g-,%,-.8& W,""&; )MH[[*J &-.,9#;%;"
iT 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( C$/#.(,.&" %; kS6O^CW> Q."7&9E=,/ ,(Lu@##7Lvvttt>.;->$9.8;(7>1-v7&"3-;%$;8;&v($/#.(,.&">7@7z> 8,""& ,( MH (;-0& %, MH[T>
iU 69:&-(;04& %."7&9E=,/ 9& ,($0 L u@##7Lvvttt>.;->$9.8;(7>1-v%&8,9#,"v:,-9;9%&7;""&"vz> 8,""& ,( MT 5;9> %,MH[T>
iB 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( ^-#," %; kgCa> Q."7&9E=,/ ,(Lu@##7Lvvttt>,1;>$:(3>1-v7&"vr7;3,›.%xhz> 8,""& ,( MH (;-0& %, MH[T>
[HU
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 106/181
7,/& W-&:> Q-> X;/=,- ],#@s9.8&J & 2$;/ %,",9=&/=, 7-&5,#&" "&1-, 8.9,(; , -,/;0_," .(;3,( ,
"&(>
^ WF"ea-;%$;04& ,( CN".8; %; kg\X -,N9, %$;" %."",-#;0_,"J ; %, Z.-3E9.; g/&-,"
)MHHP* , ; %, ^/,o;9%-, ]-‡$#.3;( )MHHm*J ;(1;" &-.,9#;%;" 7,/& W-&:> Q-> \&%&/:& O;,";-> ^
A-,; %, 8&98,9#-;04& %,""," #-;1;/@&" + ; %,9&(.9;%; bC$".8&/&3.;l>
^ :&-(;04& %, C,"#-;%& *'7(;'" *)$*# ,( CN".8; 9; A-,; %, 8&98,9#-;04& J#*(;","A(. #,( 8&(& &15,#.=&" %,",9=&/=,- ; 8;7;8.%;%, %, .9=,"#.3;04& ,%."8$""4& %& :,9s(,9& ($".8;/ ,( "$;" %.=,-";" %.(,9"_," , (;9.:,"#;0_,"J ",5; 8&(<9:;", @."#F-.8;J ,#9&3-A:.8; &$ #,F-.8;J 7-&7&-8.&9;9%& & %,",9=&/=.(,9#& %;8;7;8.%;%, %, -,:/,o4&J %."8$""4& , 8&9#,o#$;/.?;04& %& :;#& ($".8;/J ;#-;=+" %, 7,"2$."; 8.,9#E:.8; , 7-&%$04& %, %."",-#;04& ,/;1&-;%; 8&( 1;", ,( 8-.#+-.&"(,#&%&/F3.8&" :$9%;(,9#;%&">iP
! ; /.9@; %, 7,"2$."; + bI&9&/&3.;lJ 2$, .9=,"#.3; & "&( ($".8;/ 8&(7-,,9%.%& 8&(&
:,9s(,9& ($/#.%."8.7/.9;- , ($/#.%.(,9".&9;/J ,9=&/=,9%& ;"7,8#&" 7".8&/F3.8&"J :E".8&"J
:.".&/F3.8&" , ,"#+#.8&"> S&#;e", 2$, & 7-&5,#& %, 7,"2$."; ;#$;/ %& &-.,9#;%&-J .9#.#$/;%&
bCN".8;J 6(;3,( , I&9&/&3.;L ,9#-, ; ,"8$#; , &$#-&" ",9#.%&"lJ + $( 7&$8& %.:,-,9#, %& 2$,
,-; %,",9=&/=.%& 9& 7,-E&%& %, 7-&%$04& %;" %."",-#;0_," %, gGc\!I )MHHP* , %,
]\kR6a^C )MHHm*> R;9#& & (&#.=& %; (&%.:.8;04& %& 7-&5,#&J 2$;9#& & ".39.:.8;%& %&
#,-(& b"&9&/&3.;lJ ,"#4& ,o7/.8;%&" 9; 8.#;04& ; ",3$.-L
!9#-, & 7-&5,#& ;9#,-.&- ; ,"#, )8&( #+-(.9& ,( HMvHi*J ; .98.%<98.; %, $(;".39.:.8;#.=; ;/#,-;04& 9& #E#$/& %,=, ",- ;7-,",9#;%; , %."8$#.%;> c" 7-&5,#&" #<( 7-&7F".#& 8&9",2…,9#, , 8&9=,-3,9#,L 7,-(;9,8, & #,(; „,"8$#; , &$#-&" ",9#.%&"„J 7&-+( & 9&=& 7-,#,9%,-A ;7-&:$9%;- ; "$1"#.#$.04& %; <9:;", ,( „#,89&/&3.;„ 7,/; ,("&9&/&3.;> 6"#& 94& ", %,=, ; $(; 8&9".%,-;04& (,9&- 7&- #,89&/&3.;J (;" 7&- %$;"-;?_,"L ; 7-.(,.-; 7,/& :;#& 2$, e 9,"#," #,(7&" ,( 2$, ;" „9&=;"„ #,89&/&3.;"%,.o;-;(e", ;1"&-=,- ,( 9&""& 8&#.%.;9& e ,/; ", #&-9; (;." :,--;(,9#; %, 7,"2$.";2$, #,(; 7;-; .9=,"#.3;04&> W&-#;9#& ,/; 94& (;." ",-=.-A ;& 7-&7F".#& %,"#, 7-&5,#&8&(& #,(; 8,9#-;/J (;" 8&(& $( %,9#-, &" %,(;." #F7.8&" ;1&-%;%&" 7,/; 7,"2$.";J;3&-; -,$9.%&" ,( „"&9&/&3.;„> n>>>p ^ ",3$9%; -;?4& 8&98,-9, D ;(7/.;04& %& ,"8&7&%; .9=,"#.3;04&J .9"8-,=,9%&e; ,( 8;(7& "&9&/F3.8&> !9#,9%,e", "&9&/&3.; 8&(&.(7&-#;9#, 8;(7& ($".8&/F3.8&J ,9#-,8-$?;9%& %,"%, ; .#%(" ;#,'#7) 9&-#,e;(,-.8;9;)=&/#;%; 7;-; .9=,"#.3;0_," %, 8$9@& 8$/#$-;/* ;#+ ; *"$","AI. ,"7;9@&/; )(;." =&/#;%; 7;-; ;7/.8;#.=&" , "&:#t;-,L ttt>,"($8>9,#v"&9&/&3.;v* , ; *"$","A() 1,/3; )(;.".9#,-,"";%; ,( (&%,/&" 7,-8,7#.=&" , 8&39.#.=&"Lttt>j&98&9>9/v7$1/.8›".#,vMMHvI&9&9.,$tv*> !( 7,"2$.";" %,"8-.#;" ,( #,o#&"-,8,9#,"J 8&9"#;#,. 8;%; =,? (;." ; -$7#$-; %, :-&9#,.-;" ,9#-, ; ,o7,-.<98.; ;8N"#.8; ,;" &$#-;" 7,-#,98,9#," ;&" &$#-&" ",9#.%&"J ;$(,9#;9%& ;.9%; (;." ; 8&(7/,o.%;%, %;,9$98.;04& %& 7-&1/,(;> ^ 7,"2$."; =,-";-A "&1-, ,"#; ;1-;93<98.;J #&(;9%& ;8&(7&".04& 8&(& (&%,/& , (+#&%&> k(; =.";%; 8$/#$-;/ ;7&9#; 7;-; ; ;1,-#$-; %;" 7&"".1./.%;%," ;-#E"#.8;" ", (;9.:,"#;-,( ,( :&-(;" , :&-(;#&" (;." .9#,-"#.8.;." 2$,;" :&-(;" , :&-(;#&" 8&9";3-;%&" 7,/; 8$/#$-; &:.8.;/ )(N".8;J #,;#-&J ;-#," 7/A"#.8;"J8.9,(;J ,#8>*J 7,/; .9%N"#-.; 8$/#$-;/ , 7,/; &7.9.4& 7N1/.8;> n>>>p ^"".(J ; 7,"2$.";
iP 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kg\X> Q."7&9E=,/ ,(Lu@##7Lvvttt>($".8;>$:-5>1-v7&"3-;%$;8;&v.9%,o>7@7r&7#.&9x8&(›8&9#,9#‚=.,tx;-#.8/,‚.%xTUh‚6#,(.%xMHMz> 8,""& ,( MH (;-0& %, MH[T>
[HB
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 107/181
7-,#,9%, ,(7-,,9%,- .98$-"_," ;& ,98&9#-& %, ".#$;0_," 9;" 2$;." & -,/;8.&9;(,9#&,9#-, &" ",9#.%&" 7-&1/,(;#.?; &" 8;(.9@&" ;8,.#&" 7&- :&-(;" %, 8&9@,8.(,9#& 7&$8&;%,2$;%;" ;& ,9#,9%.(,9#& %, &1-;" ($".8;." &$ ;-#E"#.8;" ,( 3,-;/>im
c W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kgW\ ;3-,3; ;7,9;" $(; %."",-#;04&J ;%, Q+1&-; c7&/"j. )MHHi* &-.,9#;%; 7,/& W-&:> Q-> S&-#&9 Q$%,2$,> S4& @A 9& #-;1;/@&
.9:&-(;0_," ;8,-8; %; A-,; , %; /.9@; %, 7,"2$.";J 7&-+( &1",-=;e", 9& *(') %& 7-&3-;(; 2$,
; A-,; %, 8&98,9#-;04& ; 2$;/ :;? 7;-#, & &-.,9#;%&- S&-#&9 Q$%,2$, ;#$;/(,9#, + ;
b69#,-7-,#;04&vW-&8,""&" O-.;#.=&"lJ , ; /.9@; %, 7,"2$."; + ; bR,&-.;J O-.;04& C$".8;/ ,
!"#+#.8; C$".8;/l>
^ /.9@; %, 7,"2$."; R,&-.; , O-.;04& C$".8;/ + %,"#.9;%; ; 7-&:."".&9;." 2$,%,",9=&/=;( ;#.=.%;%," 7,%;3F3.8;" , %, 7,"2$."; ,( 8&(7&".04&J #,&-.; , ;9A/.",
($".8;/> ^" %."8.7/.9;" ,"7,8E:.8;" %; /.9@; %, 7,"2$."; ,9=&/=,( ;"7,8#&" 8-.;#.=&"J#,F-.8&" , ;9;/E#.8&" %; /.#,-;#$-; ($".8;/> W-&5,#&" %, 7,"2$."; 7;-; ,"#; /.9@; %,=,( 7-.=./,3.;- 7,"2$.";" %, 8;-A#,- 8&(7&".8.&9;/J ,"#$%&" #,F-.8&v;9;/E#.8&" %, ;"7,8#&"J ,&1-;" %, %,#,-(.9;%&" 8&(7&".#&-,"J 7-,:,-,98.;/(,9#, 9;8.&9;.">ih
S; +7&8; ,( 2$, & (,"#-;%& %, Q+1&-; c7&/"j. :&. %,",9=&/=.%&J & &-.,9#;%&- S&-#&9
Q$%,2$, 7;-#.8.7;=; %& 7-&5,#& bG,.#$-;J !"8$#; , 69#,-7-,#;04&L ,"#$%&" %, W,-:&-(;98,
C$".8;/lii>
W;-#.9%& 7;-; &" N/#.(&" 7-&3-;(;" %, 7F"e3-;%$;04& ;7&9#;%&"J ,"#4& ;2$,/,"
-,/;8.&9;%&" D A-,; %, g&9&;$%.&/&3.;J ;2$. -,7-,",9#;%&" 7,/&" 8$-"&" %, g&9&;$%.&/&3.; %;
WkOeIW , %, !%$8;04& ,( O.<98.;" , I;N%, %; kg\X>
S& W-&3-;(; %, WF"ea-;%$;04& ,( g&9&;$%.&/&3.; %; WkOeIW ,"#4& 7-,",9#," ;"
%."",-#;0_," %, W-."8./; K;w%+, I&$?; )MH[H* , ; %, Z.#F-.; ^(;-;/ )MHHP*J ;(1;" &-.,9#;%;"
7,/; W-&:“> Q-“> G+"/., W.88&/&##& g,--,.-;> S&=;(,9#, 94& @A 9&" #-;1;/@&" .9:&-(;0_,"
;8,-8; %; A-,; , %; /.9@; %, 7,"2$.";J 7&-+( &1",-=;e", 9& *(') %& 7-&3-;(; 2$, ; A-,; %,
8&98,9#-;04& ; 2$;/ :;? 7;-#, & &-.,9#;%&-; G+"/., W.88&/&##& g,--,.-;J ;#$;/(,9#, + ;
%,9&(.9;%; bO/E9.8; g&9&;$%.&/F3.8;lJ , ; /.9@; %, 7,"2$.";J ; bZ&?L ;=;/.;04& ,
.9#,-=,904&l>
^ /.9@; %, 7,"2$."; ,( „Z&?L ;=;/.;04& , .9#,-=,904&„ #,( 8&(& &15,#.=& ,"#$%;- ;"-,/;0_," ,9#-, ;" %.(,9"_," &-3V9.8;J 7"E2$.8; , "F8.&e8$/#$-;/ %; =&?J ,( 8&9#,o#& %,$"& 7-&:."".&9;/J 7-,%&(.9;9#,(,9#,> !"#; G.9@; %, W,"2$."; #,( "$;" ;#.=.%;%,"8,9#-;%;" 9&" ,"#$%&" , 7,"2$.";" "&1-, =&?J 8&9".%,-;9%& ;" ;#$;0_," 8/E9.8;" , %,
im 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kg\X> Q."7&9E=,/ ,(Lu@##7Lvvttt>($".8;>$:-5>1-v7&"3-;%$;8;&v.9%,o>7@7r&7#.&9x8&(›8&9#,9#‚=.,tx;-#.8/,‚.%xUTB‚6#,(.%xMHBz> 8,""& ,( MP (;-0& %, MH[T>
ih 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( CN".8; %; kgW\> Q."7&9E=,/ ,(L
u@##7Lvvttt>@$(;9;">$:7->1-v7&-#;/v;-#,"v7&"e3-;%$;8;&v;-,;"e%,e8&98,9#-;8;&e/.9@;"e%,e7,"2$.";vz> ^8,""&,( MP (;-0& %, MH[T>
ii 69:&-(;04& %."7&9E=,/ 9& ,($0 L u@##7Lvvttt>@$(;9;">$:7->1-v7&-#;/v;-#,"v7&"e3-;%$;8;&v7-&5,#&e%,e 7,"2$.";vz> 8,""& ,( MT 5;9> %, MH[T>
[HP
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 108/181
;"",""&-.; %& :&9&;$%.F/&3&>[HH
Q$-;9#, & 7,-E&%& 2$, ,93/&1; & %,",9=&/=.(,9#& %&" (,"#-;%&" %, W-."8./; K;w%+,
I&$?; )MH[H* , ; %, Z.#F-.; ^(;-;/ )MHHP*J ; &-.,9#;%&-; 7;-#.8.7;=; %& 7-&5,#& bZ&?L $(;%.(,9"4& %, "$; -,7-,",9#;04& 9& 8&#.%.;9&l[H[>
! 9& W-&3-;(; %, WF"ea-;%$;04& ,( !%$8;04& ,( O.<98.;" , I;N%, %; kg\X ,"#A ;
%."",-#;04& %, G$8.;9; O;"#-& )MHH[*J &-.,9#;%; 7,/; W-&:“> Q-“> ^9.#; G,;9%-&J , :;?,9%&
7;-#, %; /.9@; %, 7,"2$."; bR,89&/&3.; !%$8;8.&9;/ 9;" O.<98.;" , 9; I;N%,lJ ; 2$;/>>>
69=,"#.3; ; .9",-04& %;" #,89&/&3.;" %; .9:&-(;04& , 8&($9.8;04& )R6O"* ,( 8&9#,o#&",%$8;#.=&" 9; "&8.,%;%, 8&9#,(7&-V9,;J ,( 7;-#.8$/;-J 9; 8&9"#-$04& %, (&%,/&" ,(,#&%&/&3.;" %, -,7-,",9#;04& , ,"#-$#$-;04& %& 8&9@,8.(,9#&J 9; ;7-,9%.?;3,( , 9&%,",9=&/=.(,9#& 8&39.#.=&>[HM
S4& :&-;( ,98&9#-;%;" .9:&-(;0_," "&1-, & 7-&5,#& %, 7,"2$."; %,",9=&/=.%& 7,/;
&-.,9#;%&-; 9,"", 7-&3-;(;>
O;1, ;2$. %,"#;8;- ; %.:.8$/%;%, ,( &1#,- .9:&-(;0_," 7-,8.";" "&1-, 2$;." %, :;#&
,-;( ;" A-,;"J ;" /.9@;" , &" 7-&5,#&" %, 7,"2$."; %&" &-.,9#;%&-," %&" #-;1;/@&" 9& 7,-E&%&
,( 2$, ,"#," ,-;( %,",9=&/=.%&"> I,5; 7,/; :;/#; %, @A1.#& %&" ;$#&-," ,( ;"".9;/Ae/;" 9;"
8;7;" &$ b:&/@;" %, -&"#&l %&" 7-F7-.&" #-;1;/@&"J &$ #;(1+( 7,/& :;#& %,"";" .9:&-(;0_,"
,"#;-,( ,( 8&9#E9$; ;#$;/.?;04&> 69:&-(;0_," 2$, @&5,J ,( $( 7-.(,.-& (&(,9#&J 7;-,8,(,"#;- ;8,""E=,." ;7,9;" 7&- (,.& %&" 8&9#,N%&" %&" *(')*J %&" -,3$/;(,9#&" &$ ,%.#;." %&"
7-&3-;(;" %, 7F"e3-;%$;04&> KA #;(1+( .9:&-(;0_," 9&" 8$--E8$/&" G;##," %&" &-.,9#;%&-,"J
7&-+( 8&9"#;#&$e", 2$, 9; (;.&-.; %;" =,?," ,"#;" 94& ,"#4& ,( 7/,9; ".9#&9.; 8&( ;" %&"
*(')* %&" 7-&3-;(;"J .9%.8;9%& 9&(,98/;#$-;" %.:,-,9#,"J 7&- ,o,(7/&> Q, 2$;/2$,- :&-(;J
7,-8,1,e", 2$, 3-;9%, 7;-#, %,""," 7-&3-;(;" %, 7F"e3-;%$;04& ,"#4& ,( 8&9"#;9#,
-,:&-($/;04& 8&( ; .9#,904& %, ", ;#$;/.?;-,( , ", ;%,2$;-,( D ,=&/$04& %&" 8;(7&" ,
#,(;" %, ,"#$%&">^7,";- %; %.:.8$/%;%, ,( -,"3;#;- ,"";" .9:&-(;0_,"J + 7&""E=,/ 9&#;- 2$, ,9#-, &"
7-&5,#&" %, 7,"2$."; (,98.&9;%&"J & %& W-&:> Q-> !%$;-%& I;9#&" C,9%," %; kIW + & 2$,
,"#A (;." -,/;8.&9;%& %.-,#& , ,"7,8.:.8;(,9#, 8&( ; =,-#,9#, %&" +(,- !"#$% !'#%()*> O&(
=E98$/&" 7-Fo.(&" ;&" ,"#$%&" %& "&( 9& 8.9,(;J 7&%,e", ;:,-.- ;2$,/," &-.,9#;%&-," 2$,
,"#4& &$ ,"#.=,-;( /.3;%&" ;& 8;(7& %&" +(,- !'#%()*J 8&(& &" W-&:"> Q-"> X;/=,- ],#@s9.8&
[HH 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( g&9&;$%.&/&3.; %; WkOeIW> Q."7&9E=,/ ,(Lu@##7Lvvttt>7$8"7>1-v7&"v:&9&;$%.&/&3.;v7-&3-;(;v/.9@;"›7,"2$.";>@#(/z> 8,""& ,( MP (;-0& %, MH[T>
[H[ 69:&-(;04& %."7&9E=,/ 9& ,($0 L @##7Lvvttt>7$8"7>1-v7&"v:&9&;$%.&/&3.;v%&t9/&;%"v%,:,";"vW-&5,#&"yMHMH[M>7%:z> ^8,""& ,( MT 5;9> %, MH[T>
[HM 69:&-(;04& -,#.-;%; %& *(') %& W-&3-;(; %, WF"ea-;%$;04& ,( !%$8;04& ,( O.<98.;" , I;N%, %; kg\X>Q."7&9E=,/ ,(L u@##7Lvvttt>9$#,">$:-5>1-v(,"#-;%&vz> 8,""& ,( MP (;-0& %, MH[T>
[Hm
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 109/181
, K,.#&- O;7$??& g./@& %; kgCaJ & W-&:> Q-> X&4& G$.? Z.,.-; %; kggJ ; W-&:“> Q-“> C;-.;
Q&-; C&$-4& %; kIWJ & W-&:> Q-> ^9%-+ a;##. %; k^CJ , & W-&:> Q-> ^9#&9.& g,-9;9%& %;
O&98,.04& W;""&" %; kS6O^CW> XA %, 8,-#; :&-(; -,/;8.&9;%&" ;& ;1-;93,9#, 8;(7& %&"
!"#$% !'#%()*J ,"#4& &" %&." &-.,9#;%&-," %; A-,; %; (N".8;J & W-&:> Q-> S&-#&9 Q$%,2$, %;
kgW\ , & W-&:> Q-> \&%&/:& O;,";- %; kg\X> I,9%& 2$, ,"", N/#.(& 8@,3&$ ; ;(7/.;- ",$
7-&5,#& %, 7,"2$."; ;7F" & #+-(.9& %, "$;" %$;" &-.,9#;0_," %, (,"#-;%&J .98&-7&-;9%& ; ;-#,
8.9,(;#&3-A:.8; 8&(& &15,#& %, ,"#$%& %; b"&9&/&3.;l> c" &$#-&" &-.,9#;%&-," ,"#4&
;""&8.;%&" ; A-,;" %.=,-";" 8&(& ; %; 8&($9.8;04& , %; :&9&;$%.&/&3.;J ; ,o,(7/& %& W-&:>
Q-> O,";- a,-;/%& a$.(;-4," %; kgCaJ %; W-&:“> Q-“> C;-.; O-."#.9; g-;98& g,--;? %; kggJ
%; W-&:“> Q-“> X,-$"; W.-." g,--,.-; %; WkOeIWJ %& W-&:> Q-> Z.9E8.$" ^9%-;%, W,-,.-; %;
k!\XJ %; W-&:“> Q-“> G+"/., W.88&/&##& g,--,.-; %; WkOeIW , %; W-&:“> Q-“> ^9.#; G,;9%-& %;kg\X>
Q,"#; (;9,.-;J 7,-8,1,e", 9& ]-;"./ $(; 8;-<98.; 9; 2$;9#.%;%, %, &-.,9#;%&-,"
-,/;8.&9;%&" ;& 8;(7& ,"7,8E:.8& %&" ,"#$%&" %& "&( 8.9,(;#&3-A:.8&> ^/+( %.""&J (,"(&
!%$;-%& I;9#&" C,9%,"J $( %&" 7-.(,.-&" %&$#&-," ,"7,8.;/.?;%&" ,( "&( 7;-; 8.9,(; 9&
7;E"J ",9%& #;(1+( 2$,( (;." &-.,9#&$ 9& 7,-E&%&J 8&(7$#;9%& 2$;#-& %."",-#;0_,"J 94&
,"#,=, ;#+ ,9#4& 8-,%,98.;%& 7;-; &-.,9#;- 7-&5,#&" %, %&$#&-;%&J 7&- ,o,(7/&> G&3&J /,=;e",
; 8-,- 2$, ,"#; 8;-<98.; + ; -,"7&9"A=,/ 7&- .9:/$,98.;- &" 7,"2$.";%&-,"J .9#,-,"";%&" ,(%,",9=&/=,- #-;1;/@&" %, (,"#-;%& , %&$#&-;%& "&1-, "&( 9& 8.9,(;J ; 1$"8;-,(
&-.,9#;%&-," %, &$#-&" 8;(7&" , A-,;" %, ,"#$%&>
W&- &$#-& /;%&J ; %.=,-".%;%, %, A-,;" %, 8&98,9#-;04&J /.9@;" , 7-&5,#&" %, 7,"2$."; ;"
2$;." ;" #,"," , ;" %."",-#;0_," ,"#4& &$ ,"#;=;( ;""&8.;%;"J -,7-,",9#; $(; ($/#.7/.8.%;%,
#,(A#.8; &:,-,8.%; 9&" 7-&3-;(;" %, 7F"e3-;%$;04&J , $(; ($/#.7/.8.%;%, %, .9#,-,"","
7;-#.8$/;-," %, ,"#$%& %&" &-.,9#;%&-,"> 6""& 8&(7-&=; ; 2$;/.%;%, .9#,-%."8.7/.9;- 7-,",9#,
9& 8;(7& %&" ,"#$%&" "&1-, & "&( 9& 8.9,(; #;(1+( 9& ]-;"./J :;?,9%& %,"", 8;(7& %, 7,"2$."; $( =,E8$/& %, .9#,-;04& ,9#-, ;" A-,;"> !"#; ($/#.7/.8.%;%, %,(&9"#-; #;(1+( $(;
8,-#; :/,o.1./.%;%, %;" A-,;" %, 8&98,9#-;04&J /.9@;" , 7-&5,#&" %, 7,"2$."; %&" &-.,9#;%&-,"
;& -,8,1,-,( ,"";" 7,"2$.";" %, (,"#-;%& , %&$#&-;%& 2$, #;(1+( ,9=&/=,( 8&9#,o#&"
%.=,-".:.8;%&"J 8&(& 7&%, ",- =."#& 9& .#,( ;9#,-.&- "&1-, ;" bR,9%<98.;" R,(A#.8;"l> Q,"#;
:&-(;J + 7&""E=,/ 9&#;- 2$, @&$=,J 7&-#;9#&J .9#,-,"", 7-.98.7;/(,9#, 7&- 7;-#, %&"
&-.,9#;%&-,"J ,( ,o7;9%.- ,"";" A-,;"J #;9#& ; %, O&($9.8;04& 2$;9#& ; %, ^-#,"
)^-#,"vCN".8;*J 8&(& ;#+ ; %, g&9&;$%.&/&3.;> C,"(& ",9%& A-,;" ;1-;93,9#,"J 7-&=;( 2$,
+ 7&""E=,/ :;?,- -,/;0_," ,9#-, "$;" ,"7,8.:.8.%;%," &$ :&8&" #,(A#.8&" , & $9.=,-"& "&9&-& %&
8.9,(;> c .9#,-,"", 7&- 7;-#, %&" &-.,9#;%&-," 7&%, ",- 8&(7-,,9%.%& 7-.98.7;/(,9#, 7&-
[Hh
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 110/181
@;=,- 7,"2$.";" ,( %,#,-(.9;%;" $9.=,-".%;%," , 7-&3-;(;" %, 7F"e3-;%$;04& 2$, ",
8&98,9#-;( ,( 8,-#&" %&8,9#,"> ^/+( %& W-&:> Q-> !%$;-%& I;9#&" C,9%," %; kIW 2$,
&-.,9#&$ 2$;#-& %."",-#;0_,"J , %& W-&:> Q-> \&%&/:& O;,";- %; kg\X 2$, &-.,9#&$ %$;"J
&$#-&" ,o,(7/&" %, 8&9=,-3<98.; %, &-.,9#;04& %, 7,"2$.";" 7&%,( ",- =,-.:.8;%&" 9& 8;"&
%; W-&:“> Q-“> C;-.; Q&-; C&-4&J #;(1+( %; kIWJ 2$, &-.,9#&$ %$;" #,","Y %; W-&:“> Q-“>
G+"/., W.88&/&##& g,--,.-; %; WkOeIWJ 2$, &-.,9#&$ %$;" %."",-#;0_,"Y %& W-&:> Q-> X&4& G$.?
Z.,.-; %; kggJ 2$, &-.,9#&$ $(; #,", , %$;" %."",-#;0_,"Y %& W-&:> Q-> K,.#&- O;7$??& g./@&
%; kgCaJ 2$, &-.,9#&$ $(; #,", , $(; %."",-#;04&Y , %& W-&:> Q-> X;/=,- ],#@s9.8&J #;(1+(
%; kgCaJ 2$, &-.,9#&$ %$;" %."",-#;0_,">
!"#; ;9A/.", 7&%, ",- $(; 7&""E=,/ 5$"#.:.8;#.=; 7;-; ,9#,9%,- & 7&- 2$< %; kIWJ %;
kgCaJ %; WkOeIWJ %; kgg , %; kg\X 8,9#-;/.?;-,( ; (;.&- 2$;9#.%;%, %, #,"," ,%."",-#;0_," 9& 7,-E&%&> c$ ",5;J ($.#& 7-&=A=,/ 2$, ."#& ;8&9#,8,$ 7,/& :;#& %, ;""&8.;%&" ;
,"#;" $9.=,-".%;%," ,"#;-,( &" &-.,9#;%&-," (;." 7-&8$-;%&" 7,/&" 7,"2$.";%&-," 7;-;
%,",9=&/=,-,( ;" 7,"2$.";" "&1-, & "&( 9& 8.9,(; ;2$. %,/.(.#;%;">
XA ,( -,/;04& ;&" ","",9#; , 2$;#-& ;-#.3&" /,=;9#;%&"J &1",-=;(e", #-.9#; , ",." /&8;."
&9%, ,/," :&-;( 7$1/.8;%&"> I,9%& 2$, &.#& ;-#.3&" :&-;( 7$1/.8;%&" ,( /.=-&" %, ,98&9#-&"J
%,? ,( ;9;." %, ,98&9#-&"J 2$;-,9#; , 2$;#-& ,( -,=."#;" ;8;%<(.8;"J $( ,( $( 8;%,-9& %,
8&/,04& , &$#-& ,( $( 7&-#;/ %, 7,"2$."; "$,($)[HT
> !( ,"7,8.;/J %,"#;8;(e", %&." %,"","/&8;." %, 7$1/.8;04&> c 7-.(,.-& "4& &" /.=-&" /;90;%&" 7,/; IcO6S!J 2$, -,:/,#,( &"
,98&9#-&" 9;8.&9;." %,""; "&8.,%;%, :$9%;(,9#;/ 7;-; & 7-&3-,""& , & .9#,-8V(1.& %&"
,"#$%&" %, 8.9,(; ,J 8&9",2$,9#,(,9#,J %&" ,"#$%&" %& "&( 8.9,(;#&3-A:.8& 9& 7;E"> O&(&
5A %.#& ;& /&93& %& .#,( b!=&/$04& q$;9#.#;#.=;lJ + 9; IcO6S! 2$, ,o."#, %,"%, MHHi $(
",(.9A-.& #,(A#.8& =&/#;%& ,o8/$".=;(,9#, 7;-; &" ,"#$%&" %& "&( 9& 8.9,(; , 9&
;$%.&=."$;/>
^ I&8.9, 7-&(&=, ,98&9#-&" ;9$;." 2$, ", 8&9:.3$-;( ;#$;/(,9#, 8&(& & ,"7;0& (;.".(7&-#;9#, 7;-; ; %.=$/3;04& , & %,1;#, %&" (;." -,8,9#," ,"#$%&" , 7,"2$.";" =&/#;%&" 7;-; ;" (;9.:,"#;0_," %& :,9s(,9& 8.9,(;#&3-A:.8& , A-,;" ;:.9"> c ,98&9#-& ;9$;/ +#;(1+( 7;-#, %& ,":&-0& %; ,9#.%;%, ,( 7-&7.8.;- &7&-#$9.%;%," 8&98-,#;" %,.9#,-;04& ,9#-, &" 7-&:."".&9;."J 7-&%$#&-,"J 8-E#.8&"J 7,"2$.";%&-,"J 7-&:,""&-," ,,"#$%;9#," %& 8;(7& %& ;$%.&=."$;/ %;" %.:,-,9#," -,3._," %& 7;E"> S,"", ",9#.%&J + %,:$9%;(,9#;/ .(7&-#V98.; ; 7$1/.8;04& ;9$;/ %; I&8.9,J 8&( $(; 7-&7&"#; ,%.#&-.;/",/,#.=; , -,7-,",9#;#.=; %&" #-;1;/@&" ;7-,",9#;%&" 9& ,98&9#-&>[HU
! & ",3$9%& %,"#;2$, =;. 7;-; ; ,%.04& %, 9N(,-& MU %, MH[[ %; -,=."#; 8(=)7,)A)$%.J
=.98$/;%; ;& W-&3-;(; %, WF"ea-;%$;04& ,( O&($9.8;04& %; kgg> !"#; :&. ; N9.8; -,=."#;
[HT O&9:.-; ; /."#; 1.1/.&3-A:.8; %, ;-#.3&" %."#-.1$E%&" 7&- /&8;/ %, 7$1/.8;04& 9& >*76, O! %,"#, #-;1;/@&>[HU 69:&-(;04& -,#.-;%; %& *(') %; IcO6S!> Q."7&9E=,/ ,(L u@##7Lvvttt>"&8.9,>&-3>1-v2$,(>;"7z> ^8,""& ,(
MP (;-0& %, MH[T>
[Hi
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 111/181
9& 7,-E&%& ,"#$%;%& 2$, /;90&$ $(; ,%.04& %,%.8;%; $9.8;(,9#, ;& %,1;#, "&1-, & "&( 9&
8.9,(; , ,( &$#-;" (E%.;"> O&(& 5A :&. (,98.&9;%& 9& .#,( b!=&/$04& q$;9#.#;#.=;lJ ;
,%.04& ,"#;=; 8&(7&"#; 7&- %&." =&/$(," , ;.9%; %."7&9.1./.?&$ (;." (;#,-.;." ,( ",$ ,"7;0&
"$,($) %,9&(.9;%& b!"#;04& R-;9"(E%.;l>
Q,=.%& #;9#& D 2$;9#.%;%, 8&(& D ,o8,/,9#, 2$;/.%;%, %;" 8&9#-.1$.0_," -,8,1.%;"9,"#; &8;".4&J #,(&" & 7-;?,- %, ;7-,",9#;- %&." =&/$(," ".($/#V9,&" %; 7$1/.8;04&J/;90;9%& $( -.8& 8&95$9#& %, %,1;#," ,( #&-9& %& #,(; CE%.; , I&9&-.%;%,"> c 7-.(,.-& =&/$(,J .9#.#$/;%& bI&9&-.%;%," } S& 8.9,(; , 9& ;$%.&=."$;/lJ .98/$. [T;-#.3&" 2$, ;7-,",9#;( =;-.;%;" %."8$""_," ;8,-8; %& "&( 9;" 7-&%$0_," ;$%.&=."$;."(&%,-9;" , 8&9#,(7&-V9,;"L %& @.7,-e-,;/."(& "&9&-& D" -,7-,",9#;0_," , -,e;7-&7-.;0_," %; (N".8; , %;" b7;.";3,9" "&9&-;"l 7,/;" ;-#," %;" #,/;"> !"#, =&/$(,#;(1+( 8&(7-,,9%, -,:/,o_," ;8,-8; %& "./<98.& 8&(& 7-&%$#&- %, ",9#.%& "&1-, & 7;7,/ %& "&( 9$(; 7,-"7,8#.=; @."#F-.8;> XA & ",3$9%& =&/$(, ;-#.8$/; [T ;-#.3&" ,(#&-9& %& 3-;9%, #,(; bI&9&-.%;%," } S&=;" #,89&/&3.;" ,"#+#.8;"l> I4& ;7-,",9#;%;"
;/3$(;" 2$,"#_," -,/;#.=;" D 7-&%$04& "&9&-; , ;$%.&=."$;/ 2$, 8.-8$/; 7,/; .9#,-9,#J 1,( 8&(& D" 9&=;" -,/;0_," ,9#-, 7-&%$04& 8&9"$(& %, "&9" %.;9#, %&" 9&=&"8,9A-.&" #,89&/F3.8&"J , D" ,o7,-.<98.;" ,"#+#.8;" 9&" 8&9#,o#&" $-1;9&" , @.7,-e8&9,8#;%&" %; 8&9#,(7&-;9,.%;%,> ^ !IR ‐c R\^SIC—Q6^J 7&- "$; =,?J8&9#,(7/; &" #-;1;/@&" %, =A-.&" 7,"2$.";%&-," 8&9=.%;%&" ,"7,8.;/(,9#, 7;-;8&9#-.1$.- 8&( #;." %."8$""_,"J ; 7;-#.- %; $#./.?;04& %, (;#,-.;/ %, 9;#$-,?; %.=,-";" ,,( (N/#.7/&" "$7&-#,"> )I6]6G6^J MH[[*
Q&" ","",9#; , 2$;#-& ;-#.3&" /,=;9#;%&"J &.#& ,"#4& 9&" /.=-&" %; IcO6S! , %,? 9;
-,=."#; 8(=)7,)A)$%.>
Q.;9#, %;" ,o7&".0_," 8&9#.%;" #;(1+( 9&" .#,9" "&1-, ; b!=&/$04& q$;9#.#;#.=;l , ;"
bR,9%<98.;" R,(A#.8;"lJ =;/, ;2$. (,9"$-;- 2$, 7,-8,1,e", $( @A1.#& %&" 7,"2$.";%&-,"
7$1/.8;-,( ;-#.3&" 2$, ;3/$#.9;( .9:&-(;0_," %, "$;" #,"," &$ %."",-#;0_,"> O,-8; %, =.9#, ,
",#, #,o#&" /,=;9#;%&" 7&""$,( ;/3$(; -,/;04& &$ 7-&8,%,( %, #-;1;/@&" %, (,"#-;%& ,
%&$#&-;%& %&" ;$#&-,"> !"#; + $(; 7-A#.8; 2$, :;8./.#; ; %.:$"4& %;" .%,.;" , %."8$""_,"
7-&7&"#;" 9,""," #-;1;/@&" (;.&-,"J ($.#;" =,?," (,9&" ;8,""E=,." &$ 2$, ,o.3,( $(; /,.#$-;
(;." %,9";> XA $(; ;#.=.%;%, 7&$8& %,",9=&/=.%; + ; 7$1/.8;04& ,( 8&95$9#& &$ 8&( 8&e
;$#&-.;> S,"#, 8;"&J ;7,9;" ",." ;-#.3&" :&-;( ,"8-.#&" 8&( 7;-8,-.; ,9#-, ;$#&-,">
!( -,/;04& ;&" ;$#&-," ,9=&/=.%&" 9; 7,"2$."; 1-;"./,.-; 8&9#,(7&-V9,; "&1-, & "&( 9&
8.9,(; ,"#$%;%;J "&(;(e", $( #&#;/ %, 8.92$,9#; , $( 7,"2$.";%&-,"> I,3$, ; #;1,/; 8&( ;
2$;9#.%;%, #&#;/ %, #-;1;/@&" 7$1/.8;%&" 7&- ;$#&- [HB>
[HB O&(& ;-#.3&" 8&( 8&e;$#&-.; :&-;( 8&9".%,-;%&" (;." %, $(; =,? 9; #;1,/;J & 9N(,-& #&#;/ %, (;#,-.;." =;.",- (;.&- 2$, & 5A 8&(7$#;%&>
[[H
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 112/181
R^]!G^ Zq$;9#.%;%, #&#;/ %, /.=-&"J #,","J %."",-#;0_," , ;-#.3&" 7$1/.8;%&" 7&- ;$#&- , 3<9,-&L
",<7 0;A3, #7979 &;9973D/@m79 >3D;Q,9 #%#>0
g,-9;9%& C&-;." %; O&"#; [ [ [ [M :[X&"+ O/A$%.& O;"#;9@,.-; e e [ m Y
!%$;-%& I;9#&" C,9%," e e e B [
!/,9 Q†77,9"8@(.## e [ [ T [
\&%-.3& O;--,.-& e e e U _
`.-; W,-,.-; e e [ M F
W-."8./; K;w%+, e e [ M F
Z.#F-.; ^(;-;/ e e [ M F
Q+1&-; c7&/"j. e e [ [ K
g;1.;9; q$.9#;9; e e e M K
a,-"&9 G,(, e e e M K
6=;9 O;7,//,- e e [ [ K
G+"/., W.88&/&##& g,--,.-; e e e M K
G$.? %,/(& C;9?;9& [ [ e e K
CA-8.; O;-=;/@& %; I./=; e e e M K
S;#;/.; ];--,9@; e e [ [ K
S,w O;--;"8& e e e M K
Z.-3.9.; g/&-," e e [ [ K
^/,o;9%-, ]-‡$#.3;( e e [ e :
^/:-,%& R&--," e e e [ :
^/.9, W,%-,.-;" e e e [ :
^9; G$.?; ];-1&"; e e [ e :
^9%-+ a;##. e e e [ :
^9%-,"&9 O;-=;/@& e e [ e :
^9#s9.& g,-9;9%& W;""&" e e e [ :
],-9;-%& C;-2$,? /=," e e e [ :
O&9"$,/& G.9" e e e [ :Q;(w/,- O$9@; e e e [ :
Q;9.,/ ~,-9,8j e [ e e :
g,%,-.8& W,""&; e e [ e :
6";;8 W.7;9& e e e [ :
6=&9,#, W.9#& e e e [ :
X&4& a&%&w e [ e e :
X&"+ !%$;-%& ]&?.8;9.9 e e e [ :
G$8.;9; O;"#-& e e [ e :
G$8.;9; K;$"",9 e e e [ :G$8.,9, ],//,1&9. e e e [ :
[[[
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 113/181
G$.?; ^/=.( e e e [ :
CA-8.& C;-8&/.9& e e [ e :
C;-.; G;$-; C;-#? e e e [ :
C;-.;9& a;1-.,/ /=;-,? e e [ e :C;$-.8.& O;/,.-& e e e [ :
C;$-.8.& !"7&".#& e e [ e :
W,%-& ^"7;@;9 e e [ e :
\;:;,/ %, G$9; g-,.-, e e e [ :
\;:;,/ Z,9;98.& e e e [ :
\&%-.3& \&%-.3$," e e e [ :
I$?;9; Q&1;/ e e e [ :
I$?;9; \,8j C.-;9%; e e e [ :
R.%, ]&-3," a$.(;-4," e e [ e :Z.=.;9, Z,%;9; e e e [ :
c1",-=;9%& &" 9N(,-&" #&#;."J 2$,( (;." 7$1/.8&$ :&. & W-&:> Q-> g,-9;9%& C&-;." %;
O&"#; %; kggJ 8&( $( /.=-&J $(; #,",J $(; %."",-#;04& , %&?, ;-#.3&"J 8&(7$#;9%& 2$;", &
%&1-& %, (;#,-.;." %& 7,"2$.";%&- X&"+ O/A$%.& O;"#;9@,.-;J & 7-Fo.(& ,( 2$;9#.%;%, %,
7$1/.8;0_,">
Z;/, ;.9%; %,"#;8;- 2$, 3-;9%, 7;-#, %&" ;$#&-," 7&""$,( ,o7,-.<98.; 9; 7-A#.8;
7-&:."".&9;/ %& (,-8;%& %, -,;/.?;04& ;$%.&=."$;/> !"#, + $( %;%& ,(7E-.8& 8&9"#;#;%& 7,/&
;$#&- %,"#; -,=."4& "."#,(A#.8; 2$, #;(1+( =;3$,.; 7-&:."".&9;/(,9#, ,9#-, & 8;(7& %;
7,"2$.";J %& ,9".9& , %; 7-A#.8; %, (,-8;%&> W;-; 8.#;- ;/3$9" ,o,(7/&"L & W-&:> Q-> !%$;-%&
I;9#&" C,9%," ;/+( %, ",- 7-&:,""&- %& 8$-"& %, ^$%.&=."$;/ %; kIW , %, &-.,9#;- 7-&5,#&"
%, (,"#-;%& 9& WWaCW^J ;#$; 8&(& %.-,#&- %, "&(J &$ b7-&5,#."#; %, "&(l 8&(& ,/, (,"(&
", %,".39;J ,( :./(,"> c W-&:> Q-> G$.? ^%,/(& C;9?;9&J ;$#&- %, $( /.=-& , $(; #,", ;2$.
/,=;9#;%&"J + "$7,-=."&- %, ,%.04& %, "&( , (.o;%&-> c W-&:> Q-> X&4& a&%&wJ #;(1+(
7-&:,""&- %& 8$-"& %, ^$%.&=."$;/ %; kIWJ + #+89.8& %, "&( %.-,#&> ],( 8&(& ; 7-&:,""&-;
%& 8$-"& %, 8.9,(; %; g^^WJ R.%, ]&-3," a$.(;-4,"> c W-&:> Q-> %; kgg g,-9;9%& C&-;."
%; O&"#;J ;#$; #;(1+( 8&(& #+89.8& %, "&(J ,%.#&- , b%,",9@."#; %, "&(l> Z.-3.9.; g/&-,"J
Q+1&-; c7&/"j.J `.-; W,-,.-; , ^9; G$.?; W,-,.-; #;(1+( "4& 7-&:,""&-;" , ,%.#&-;" %, "&(>
^ 7;-#.- %,"";" %;%&" ;7-,",9#;%&"J 7&%,e", ;:.-(;- 2$, @A 9; 7,"2$."; 1-;"./,.-;
8&9#,(7&-V9,; "&1-, & "&( 9& 8.9,(; $(; :&-#, .9#,3-;04& ,9#-, & #-;1;/@& ;8;%<(.8& , ;
7-A#.8; %& (,-8;%& %, -,;/.?;04& ;$%.&=."$;/> ^ 8&(7/,(,9#;04& ,9#-, 7,"2$.";%&-," ,
7-&:."".&9;." %, (,-8;%& ;#-;=+" %; #-&8; , .9#,-;04& %, ,o7,-.<98.;" + -,8&--,9#, 9& 8;(7&
%&" ,"#$%&" %& "&(> O&(& ;:.-(; ; 7,"2$.";%&-; !/.";1,#@ ~,."J b$(; %;" ;/,3-.;" %, ",
[[M
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 114/181
#-;1;/@;- 8&( &" ,"#$%&" %& "&( + 2$, @A $( ;(7/& .9#,-8V(1.& %, .%,.;" ,9#-, &"
7-&:."".&9;." %; A-,; , &" ;8;%<(.8&"l[HP )~!6IJ [iiiL iP*> C8a6GG #;(1+( 8&9"#;#;L
KA %, :;#& $( (;.&- %.A/&3& ,9#-, &" .9#,-,"";%&" 9& ,"#$%& 8-E#.8& %; #-./@; "&9&-; ,
;" 7,""&;" ,9=&/=.%;" ,( "$; 7-&%$04& -,;/L %&." 3-$7&" 2$, ;#+ &" N/#.(&" ;9&" 7;-,8.;( ,"#;- %,"8&9,8#;%&"> nfp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m )C8a6GGJ MHHhL [P*
S& 8;"& 8.#;%& 7&- ~,." , C8a.//J ,""; .9#,3-;04& ,9#-, ;8;%,(.; , (,-8;%& &8&--,
,9#-, 7-&:."".&9;." %.=,-"&"> XA 9& ]-;"./J $(; 7;-#, 8&9".%,-A=,/ %&" 7,"2$.";%&-," #;(1+(
;#$;( 7-&:."".&9;/(,9#, 9; A-,; %, -,;/.?;04& ;$%.&=."$;/> G&3&J &" /;0&" ,9#-, ; 7,"2$."; , &
(,-8;%& "4& :&-#;/,8.%&"> I,5; 9; -,:/,o4& #,F-.8; %& 7-F7-.& :;?,- 8.9,(;#&3-A:.8&J 9;
,o7;9"4& , 9& ,"8/;-,8.(,9#& %, #+89.8;" %, 7-&%$04&J 9; ;#$;/.?;04& %, -,8$-"&"
#,89&/F3.8&" , %, :/$o&" %, #-;1;/@& ,( 7-A#.8;" %, ,9".9&J 9& %,",9=&/=.(,9#& %, $(;
,"#-$#$-; %, 7,9";(,9#& 9;--;#.=& (;." "&:."#.8;%;J ,( 9&=&" (+#&%&" %, .9=,"#.3;04& , %,
8&9"#-$04& %, 7-&5,#&"J ,#8>
k(; N/#.(; 8$-.&".%;%, 9&#;%; + 2$, @A $( 8,-#& ,2$./E1-.& ,( -,/;04& ;& 3<9,-& %&"
7,"2$.";%&-,"> Z.9#, , ",#, "4& @&(,9" , =.9#, , 2$;#-& ($/@,-,">
[HP R-;%$04& %& ;$#&- N[Hm 6%,(>
[[T
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 115/181
!"#!$%&'"
! #$% &'()%*+$,-./'&$ (?$ ;$7) #)- &$(#'7)-*7$ 3% +)%* ;)-'/9-'&$ (* ='=8'$,-*/'* )%
82(,3* ;$-+3,3)#* #$=-) $ 3('<)-#$ 7$# )#+37$# 7) &'()%* ) *37'$<'#3*8: 1$ 5-*#'80 $ 4.='+$ )
$ '(+)-)##) 7$# ;)#>3'#*7$-)# ) ;-$/'##'$(*'# 7$ #$% )% )#+37*- +)$-'&*%)(+) $ #)3 &*%;$ 7)
*+3*6?$ <O% *3%)(+*(7$ )0 &$(#)>3)(+)%)(+)0 $ #3-,'%)(+$ 7) ($<$# 7$&3%)(+$# )
%*+)-'*'# -)7','7$# K ;-)#)(+)# ;-'(&';*8%)(+) (* .-)* *&*7O%'&* K0 &-)#&) )% 3% /83G$ *+9
)(+?$ '(97'+$: C ;)#>3'#* =-*#'8)'-* #$=-) $ *##3(+$0 >3) &4),$3 ($ /'(*8 7$ #9&38$ ;*##*7$
&$% ;$3&* -);-)#)(+*+'<'7*7)0 +)% ($# ;-'%)'-$# $(I) *($# 7$ #9&38$ MMH0 ) ($# ($<)(+* )
7$'# %*+)-'*'# *(*8'#*7$#0 * 7)%$(#+-*6?$ 7) >3) )#+) &*%;$ 7) )#+37$ B. 9 7',($ 7) #)-
-)&$(4)&'7$ +*%=9% ($ ;*2#:
! 8)<*(+*%)(+$ ='=8'$,-./'&$ -)*8'I*7$ ()#+) +-*=*84$ +)(+$3 #)- $ %*'# &$%;8)+$ )
*3+O(+'&$ ;$##2<)8: L*# $ /*+$ 7) )G'#+'- * ;$##'='8'7*7) 7) $3+-$# 7$&3%)(+$# (?$ +)-)% #'7$
&*+*8$,*7$# (*# =*#)# 7) 7*7$# *<)-',3*7*#0 ;$- )G)%;8$0 '%;$##'='8'+* */'-%*- >3) $
8)<*(+*%)(+$ &$(#),3'3 -)3('- * +$+*8'7*7) 7) +-*=*84$# )G'#+)(+)# ($ ;)-2$7$ *<*8'*7$: J)
>3*8>3)- /$-%*0 $ )#/$-6$ ;*-* -)#,*+*- ) -)3('- )##)# %*+)-'*'# /$' ,-*(7)0 &$(#),3'(7$ )(+?$
*,-3;*- 7$'# 8'<-$#0 &'(&$ +)#)#0 <'(+) ) 3%* 7'##)-+*6A)# ) #)##)(+* ) >3*+-$ *-+',$#: 1)#+)
#)(+'7$0 * )#+-3+3-* %)+$7$8E,'&* 7* -)<'#?$ #'#+)%.+'&* /$' )/'&')(+) ;*-* )#+';38*-0 $-7)(*- )
B3#+'/'&*- $# ;*##$# #),3'7$#:
@*8) 7)#+*&*- 3%* '%;$-+*(+) -)/)-O(&'* &$(#38+*7* >3) *B37$3 %3'+$ * -)*8'I*6?$ 7)#+)
8)<*(+*%)(+$: ! 1D&8)$ 7) N)#>3'#* )% H(/$-%*6?$0 F)&($8$,'*# ) N-.+'&*# _$&'*'#
[H1W!FSY]0 8',*7$ *$ N-$,-*%* 7) NE#KX-*73*6?$ )% Y$%3('&*6?$ ) H(/$-%*6?$ 7*
RW\X_0 #$= * &$$-7)(*6?$ 7* N-$/Z: J-Z: H7* \),'(* _+3%;/: ! (D&8)$ +)% $ $=B)+'<$
7)#)(<$8<)- )#+37$# ) ;)#>3'#*# -)8*&'$(*7$# Q ,)-*6?$0 +-*(#/)-O(&'* ) 3+'8'I*6?$ 7*
'(/$-%*6?$ ($# *%=')(+)# &')(+2/'&$0 +)&($8E,'&$0 )%;-)#*-'*8 ) 7* #$&')7*7) )% ,)-*8
UPT
: S&$(+9% +*(+$ 3% &*+.8$,$ 7) -)<'#+*# *&*7O%'&*# (*&'$(*'# )% &$%3('&*6?$ 7'#+-'=327*# ;$-
$-7)% *8/*=9+'&*0 >3*(+$ 3%* 8'#+* 7) +)#)# ) 7'##)-+*6A)# )% Y$%3('&*6?$ ($ 5-*#'8 &$%
#)3# -)#;)&+'<$# -)#3%$#0 7$ *($ U^^V *+9 VPPo:
C;)#*- 7) (?$ #) +)- &$(#),3'7$ &$8)+*- UPPk 7$# +-*=*84$# (* 2(+),-*0 &$(#'7)-$3K#)
)/'&*I * )#+-*+9,'* 7* 8)'+3-* +9&('&* *;8'&*7*0 ;-$;$#+* ;$- [JHC_g 1C@S_0 VPPT]0 ) >3)
3+'8'I* 7) ;*-+)# 7$# +)G+$# ;*-* )(&$(+-*- )8)%)(+$# '%;$-+*(+)# (* '7)(+'/'&*6?$ 7$ *##3(+$
7$ 7$&3%)(+$: C;)(*# +-O# %*+)-'*'# /'&*-*% 7)#/*8&*7$#c * 7'##)-+*6?$ iC(.8'#) 7$# N*7-A)#
UPT H(/$-%*6A)# -)+'-*7*# 7$ !"#$ 7$ H1W!FSY: J'#;$(2<)8 )%c m4++;chhbbb:3/-,#:=-h'(/$+)&hl: C&)##$ )% VT
%*-6$ 7) VPUj:
UUa
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 116/181
!" $%& '% ()'"*+, + -%*.')-+/?% %;+7 3.*+'+ "* !.+9 =";98"9 !" !"# %&''( )*+,#--+* 2
<(:1504> 6OOKG> + C.+7 %IM"="H9" +B"'+9 % MLM.7%> % ;"9.*% " +7J.'9 B+;AJ;+E%9 -)M+!%9 "*
%.M;+ B"9C.)9+@ !+ !)99";M+/?% D4 .&**+&/? " + N9B+-)+7)!+!" 1%'%;+ '% ()'"*+2 <(415:>
6OOF+G> + C.+7 %IM"="H9" +B"'+9 % ;"9.*%> % 9.*A;)%> + )'M;%!./?% " + I)I7)%J;+E)+@ " !% +;M)J%
D4 1%'3% !" N!)9%', % +!="'M% !% 9%* 9)'-;%')&+!%2 <(:00:1(4> 6OO_G> % C.+7 %IM"="H9"
+B"'+9 % MLM.7% " + )'E%;*+/?% !" C." "7" E%) ;"M);+!% !% -+BLM.7% 3%*[')*% !+ !)99";M+/?% !"
*"9M;+!% !% *"9*% +.M%;> (:00:1(4 <KWW_GS
(%*% E%;*+ !" )'="9M)J+; + =+;)"!+!" !" +99.'M%9 " %IY"M%9 !" "9M.!% "'-%'M;+!%9>
E%;+* )!"'M)E)-+!+9 M"'!]'-)+9 ;"7+-)%'+!+9 X9 M"*AM)-+9 !%9 M;+I+73%9 7"=+'M+!%9S :7J.*+9
%B/8"9 !" %;J+')&+/?% -3"J+;+* + 9"; -%'Y"-M.;+!+9 '%9 B;)*R;!)%9 !"99" B;%Y"M%> -%*% B%;
"\"*B7%> 9"B+;+; %9 !%-.*"'M%9 !" +-%;!% -%* % J]'";% -)'"*+M%J;AE)-%> %. -%* +
'+-)%'+7)!+!" !+ -)'"*+M%J;+E)+ "9M.!+!+S Z%;Q*> "9M+9 -+M"J%;)+9 9" M%;'+;+* *.)M%
;"9M;)M)=+9 " M+*IQ* '"* M%!%9 %9 *+M";)+)9 B%99."* -7+;+*"'M" % "9M.!% =%7M+!% B+;+ .*
J]'";% %. ;"J)?% "9B"-LE)-+S :99)*> +'+7)9+'!% % -%'M"U!% !%9 M;+I+73%9> %'&" -+M"J%;)+9
E%;+* "9M)B.7+!+9 B+;+ +J;.BAH7%9S P%;+* "7+9, T)9MR;)+@ 5"-'%7%J)+@ Z";-"B/?% 1%'%;+@
Z;%-"99% !" (;)+/?%@ N7"*"'M%9 !+ 5;)73+ 1%'%;+@ N9M.!% !+ $%&@ N9M.!%9 !% 0.L!%@ N9M.!%9
!% 1)7]'-)%@ 5"%;)+@ N9MQM)-+ " N9M)7%@ N9M.!%9 !" (+9%S ^"'3.*+ E%) -%'9)!";+!+ "\-7.9)=+S
: "\B%9)/?% +-";-+ !% B";E)7 !+ B"9C.)9+ I;+9)7");+ 9%I;" % 9%* '% -)'"*+ E%)
E.'!+*"'M+7 B+;+ "'M"'!"; %'!" "9M+ 9" -%'-"'M;+ C.+'M)M+M)=+*"'M"> C.+)9 %9 "9B+/%9
-%'M"*B%;V'"%9 C." E%*"'M+* "99+ B"9C.)9+ "> "'M?%> -%'M"\M.+7)&+; 9". .')=";9% +-+!]*)-%
!" B;%!./?% +M.+7S
: B+;M); "'M?% !+9 )'E%;*+/8"9 +99)*)7+!+9 '% 9"J.'!% -+BLM.7% !"9M" M;+I+73%>
-%'9)!";+*H9" ;"9B%'!)!+9 +9 C."9M8"9 -"'M;+)9 B;%B%9M+9 +% E%;*.7+; % B;)*");% B+99% !+
;"=)9?% 9)9M"*AM)-+ +C.) ;"+7)&+!+S 0"-%;!+'!%, o.+)9 " C.+'M%9 9?% !" E+M% %9 M;+I+73%9
I;+9)7");%9 -%'M"*B%;V'"%9 9%I;" % 9%* '% -)'"*+k o.+)9 %9 +99.'M%9 " %IY"M%9 !" "9M.!%!"'M;% !+ C."9M?% !+ M;)73+ 9%'%;+ -)'"*+M%J;AE)-+ B;"9"'M"9 '%9 M;+I+73%9k o.+)9 +9
B;)'-)B+)9 M"*AM)-+9 +I%;!+!+9k 4'!" "9M?% B.I7)-+!%9 "99"9 *+M";)+)9k o.+7 % B";E)7 !+
B"9C.)9+ " !%9 +.M%;"9 !%9 M;+I+73%9k Z%!"'!% +)'!+ +-;"9-"'M+; *+)9 !.+9 C.+'M)M+M)=+*"'M"
+=";)J.+!+9 + 'L="7 !" -.;)%9)!+!", o.+)9 " C.+'M%9 !"99"9 *+M";)+)9 +I%;!+* C."9M8"9
;"7+-)%'+!+9 +% -)'"*+ I;+9)7");%k N C.+7 + C.+'M)!+!" !" +.M%;"9 B%; J]'";%k
g')-)+7*"'M" 3+=)+ .*+ %.M;+ B";J.'M+ ;"7+-)%'+!+ X E%;*+ *"M%!%7RJ)-+ -%* C." +9
B"9C.)9+9 7"=+'M+!+9 E%;+* ;"+7)&+!+9> %. 9"Y+> + )!")+ ";+ M+*IQ* !)9-.M); C.+)9 %9 B%99L=")9
*QM%!%9 *+)9 .M)7)&+!%9 B"7%9 B"9C.)9+!%;"9 C." '?% 9%*"'M" + M;+!)-)%'+7 B"9C.)9+
I)I7)%J;AE)-+> )'";"'M" + C.+7C."; "9M.!% +-+!]*)-%S Z%;Q*> "9M+ )!")+ E%) !"9-+;M+!+ B%)9
KKc
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 117/181
!"#"$%&' $)* +',-.-/!.-* !* ?-#';*#$;* 7;*&-?'-;* &"7;' " &") !" .-!')* * ;'&3'-#" +' &$*
'&#;$#$;*9=" )'#"+"?82-.*< :"$."& #;*7*?1"& ?'5*!#*+"& '03?-.*) .?*;*)'!#' .")" ,"-
+'&'!5"?5-+" " 3';.$;&" "$ "& 3;".'+-)'!#"& *+"#*+"& 3*;* .1'2*; ') &'$& "74'#-5"& ,-!*-&
+' 3'&>$-&*< 6 )*-"; 3*;#' !=" '5-+'!.-* '&&* -!,";)*9="O "$ *3'!*& &' *3"-* ') $)*
,$!+*)'!#*9=" #'8;-.* +' 7*&' ;',';'!.-*? &') +' ,*#" &' *3'2*; * *?2$) )K#"+" #*!2G5'?<
C-*!#' +*& ;'&#;-9I'& !'.'&&M;-*& 3*;* +'?-)-#*; * ;'*?-H*9=" +* ;'5-&=" &-&#')M#-.* *>$-
3;"3"&#*O )$-#"& #;*7*?1"& ;'?*.-"!*+"& *" &") .-!')*#"2;M,-." ,-.*;*) +' ,";*O .")" 3"+'
&'; 5';-,-.*+"O 3"; '0')3?"O !* ?-&#* 3;'&'!#' !" !"#$% '((< B*?' +'&#*.*; >$'O &'
'&#'!+';)"& " .*)3" 7;*&-?'-;" +"& '&#$+"& +" &") !" .-!')* *" $!-5';&" +" *$+-"5-&$*?O
*?K) +' +".$)'!#"& ;'?*.-"!*+"& L& >$'&#I'& +* #;-?1* )$&-.*?O 1M #;*7*?1"& +'+-.*+"& L *;#'
&"!";*O L *$+-"+'&.;-9="O *" &") ') !"#$%O !* -!#';!'#O !* #'?'5-&="O '#.< J) ;'?*9=" *";'.";#' #')3";*?O #*)7K) K 3"&&G5'? !"#*; * '0-&#/!.-* +' )*#';-*-& &-2!-,-.*#-5"& 3$7?-.*+"&
!"& *!"& AE@A ' AE@DO >$' #*)7K) ,-.*;*) +' ,";* +* 3'&>$-&*< 6 '0')3?" '&#=" "& ?-5;"& 3";
1";* )'!.-"!*+"& *" ,-!*? +" -#') NJ5"?$9=" F$*!#-#*#-5*_[ ' * ;'5-&#* &'(#$ *+(,+-" !W SYO
>$' #;-!#* ' +"-& *!"& *38& &$* '+-9=" D] '!.*+'*+* 3"; X'*!%R?*$+' \';!*;+'# ') @ZY@O
3$7?-.* !"5*)'!#' $)* '+-9=" +'+-.*+* '0.?$&-5*)'!#' L #;-?1* &"!";* !" .-!')*O -!#-#$?*+*
NQ U") P"&&" +' R*+* T-?)'_ ^V6ooQUO AE@Dk< Q$ *-!+* " &$;2-)'!#" +' !"5"& '&3*9"&
+' +-&.$&&I'& .")" " U')-!M;-" g!#';!*.-"!*? NQ$5-; " C".$)'!#M;-"c )i&-.*O 5"H'& ';$G+"&_O >$' #'5' &$* 3;-)'-;* '+-9=" ') AE@A< \') .")" " 2;$3" +' '&#$+"& +" :;"2;*)*
+' :8&%m;*+$*9=" ') g)*2') ' U") +* hTUR*; +'!")-!*+" NmJUUQV6_ .;-*+" ') AE@AO
."";+'!*+" 3'?* :;",b< C;b< U$H*!* l'.j V-;*!+*O ' >$' &' +'+-.* *"& '&#$+"& &"7;' " $&" +"
&") ' +* )i&-.* !* ?-!2$*2') *$+-"5-&$*?< o$+" -&&" +')"!&#;* * +-)'!&=" ' *
-!#';+-&.-3?-!*;-+*+' >$' '&&' .*)3" &'2$' *#-!2-!+" !" 3*G&<
C'&#* ,";)*O '&#* ;'5-&=" &-&#')M#-.* !=" #';)-!* *>$-< :*;* 2*;*!#-; &$* ."!#-!$-+*+'O *
*)3?-*9=" +' &'$& ;'&$?#*+"&O " *.'&&" *"& +*+"& ' $)* )*-"; !"#";-'+*+' *"& )*#';-*-&?'5*!#*+"&O ,"- '?*7";*+" 4$!#*)'!#' .") '&&' 3;"4'#" +' )'&#;*+" $) 3";#*? ./('/$
+'&-2!*+" N6;#'&="& +" U")_ ^*.'&&G5'? 3'?" '!+';'9"c aaa<*;#'&*"&+"&")<";2k< R") )*-&
+' +"-& *!"& +' *#-5-+*+'O " N6;#'&="& +" U")_ +'-0"$ +' &'; *3'!*& $) ?(.! +'&#' 3;"4'#"
3*;* &' #";!*; N$)* +*& )'?1";'& ,"!#'& +' 3'&>$-&* ') ?G!2$* 3";#$2$'&* &"7;' " $!-5';&"
&"!";" +" .-!')*_ &'2$!+" * ."!.'-#$*+* ' )*-& *!#-2* ;'5-&#* +' .-!')* ') .-;.$?*9=" !"
\;*&-?O * 4M )'!.-"!*+* &'(#$ *+(,+-"< P*& 3*?*5;*& +" .;G#-." R*;?"& 6?7';#" V*##"&O '+-#";
+* &'(#$ *+(,+-"c
@@e
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 118/181
h)* +*& )'?1";'& ,"!#'& +' 3'&>$-&* ') ?G!2$* 3";#$2$'&* &"7;' " $!-5';&" &"!";"+" .-!')* K '&#' ?(.! .;-*+" 3'?" '+-#"; +' &") ' 3'&>$-&*+"; \';!*;+" V*;>$'H< Q'!+';'9" ;'i!' ;'3";#*2'!&O '!#;'5-&#*&O *;#-2"&O )"!"2;*,-*&O #'&'&O +-&&';#*9I'&O;'&'!1*& +' ?-5;"& ' 5G+'"& &"7;' " *&&$!#"< h)* *#'!9=" '&3'.-*? K +'+-.*+* *"&
7*&#-+";'& +* 3;"+$9=" &"!";*O .*)3" 3"$." ."!1'.-+" *#K )'&)" 3"; )$-#* 2'!#' 3;",$!+*)'!#' ,*)-?-*;-H*+* L .;-*9=" +' -)*2'!&< Q ."!.'-#" +' N"$5-+" 3'!&*!#'_ K!=" &8 $)* +*& .*#'2";-*& +" ?(.! O )*& *?2" >$' 3';3*&&* #"+" " )*#';-*? *?- ;'$!-+"<6 -+'-* K ,$!.-"!*; !=" &8 .")" $) *.';5" +' ;',';/!.-*& ' *#$*?-+*+'& &"7;'.*3#*9="O '+-9="O .;-*9=" ' ;'3;"+$9=" +" &") .-!')*#"2;M,-."O )*& #*)7K) .")"$) 3";#*? 3*;* ."!#'i+"& +-&3';&"& !* ;'+'< Q ('/; Nm;$3"& +' &")_O 3"; '0')3?"O;')'#' * +-5';&"& ,8;$!& !*.-"!*-& ' -!#';!*.-"!*-& +' +-&.$&&=" &"7;' " #')*O +')-.;","!-&#*& * +'&'!1" +' &")< Q 7?"2 #') $) 2;$3" +' ."?*7";*+";'&O )*& '&#M*7';#" L ."!#;-7$-9=" +' >$') #-5'; #'0#"&O 5G+'"& ' .$;-"&-+*+'& &"7;' * 7*!+* &"!";*+"& ,-?)'&< ^V6ooQUO AE@Dc ZSk
P* 5"!#*+' +' .""3';*; .") " +'&'!5"?5-)'!#" +' $)* ."!&.-/!.-* &"!";* ' $)*)*-"; 5*?";-H*9=" +* M;'*O &'4* !* 3'&>$-&*O !" '!&-!" "$ !* 3;M#-.* 3;",-&&-"!*?O '&#*
+-&&';#*9=" .")3?')'!#* $) 3;"4'#" >$' &' -!-.-"$ ') )'$ #;*7*?1" +' ."!.?$&=" +' .$;&"
') AEEZO &"7;' 7 3/'9$-%. =-.8'%%'./"( 2"% <,":"% 2" =-.2+15. 0./.-" *'/$#",.!-48'>"O
5"?#*!+"%&' *2";* *" $!-5';&" +"& '&#$+"& +" &") !" .-!')*< 6&&-)O '&3';*%&' >$' '&#'
#;*7*?1" &-2* *+-*!#' &'!+" +' *?2$)* ,";)* i#-? 3*;* *>$'?'& >$' &' -!#';'&&*) 3'?" *&&$!#"<
`M *-!+* $) ?"!2" .*)-!1" * &'; '03?";*+"<
@@]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 119/181
)*+*),-.(!/
?;73;%9=82;8
(-<):1504:
6doV6PO l-.j ^";2k< !"!# 6 O K.+-/"( .8 GC$.-I ./ M#"!$ "/2 0.+/2 O !< A]< GC$ 0,",$ .8
0.+/2 0,+2'$%HB$ %./ "+ >'/L#"J L,", 2$ (" -$>C$->C$ < T;*!.'nhU6c g!&#-#$#' ,"; R-!')* *!+R$?#$;' f o1' h!-5';&-#p ", g"a*O U3;-!2 @ZZZ*<
qqqqqO l-.j< M/,-.2+>,'./< g!c ()(/c O K.+-/"( .8 GC$.-I ./ M#"!$ "/2 0.+/2 O !< A]< GC$
0,",$ .8 0.+/2 0,+2'$%HB$ %./ "+ >'/L#"J L,", 2$ (" -$>C$->C$ < T;*!.'nhU6c g!&#-#$#' ,";R-!')* *!+ R$?#$;' f o1' h!-5';&-#p ", g"a*O U3;-!2 @ZZZ7<
qqqqqO l-.j< =$/%$- (AC'%,.'-$ 2+ >'/L#" "+,-$#$/,6 +/ #.2E($ 2$ >-'%$< g!c ';"9>;6O#
/;6K3#G l'5$' +r1-&#"-;'< PW seO *5;-?%4$-! @ZZS< 33< eS%]s<
qqqqqO l-.j< #$%&'( *$%+ #,-'. < P'a t";jc R"?$)7-* h!-5';&-#p :;'&&O AEEs<
qqqqqO l-.j ^";2<k< #,-'. /?&,;7 3 #,-'. 9;=8($8&@ P'a t";jc l"$#?'+2'O @ZZA<
qqqqqO l-.j ^";2<k< 2=%& *;&'8? #(-.$&< D *'/$#"H0.+/2 < P'a `*5'!c t*?' h!-5';&-#p :;'&&O!< eEO @ZYE*<
qqqqqO l-.j< M/,-.2+>,'./< g!c 2=%& *;&'8? #(-.$&< D *'/$#"H0.+/2 < P'a `*5'!c t*?'h!-5';&-#p :;'&&O !< eEO @ZYE7<
6dBJUO \';!*;+" V*;>$'H< : 5";C#=I% M=%2;II;%"83 H8I *>8B8I H8 M=%HLJA% /%"%=8.;"#O8>%9=E2;K8< V"!"2;*,-* ^o;*7*?1" +' R"!.?$&=" +" R$;&" +' R")$!-.*9=" U".-*?cl*+-*?-&)"k< T66RO h!'&3< \*$;$O AEEZ<
\6lQPPJoO X'*!< <(.!$ 2$ (" :C./'$< .8@;#=I HL .;"DO8O !< @SAO ,K5;-'; @Zes<
\JRuO X*p[ m6RO T;*!.j d'< 0.+/2 N$%.+->$% ./ ,C$ M/,$-/$, < g!c ()(/c 6 X"$;!*? ", o1'";p"! g)*2' *!+ U"$!+O !< A]< GC$ 0,",$ .8 0.+/2 0,+2'$%HB$ %./ "+ >'/L#"J L,", 2$ ("
-$>C$->C$< T;*!.'nhU6c g!&#-#$#' ,"; R-!')* *!+ R$?#$;' f o1' h!-5';&-#p ", g"a*O U3;-!2
@ZZZ< qqqqqqO X*p[ ml6XJC6O o"!p ^J+&k< N%F#=;"9 >@# ?%%Oc R;-#-.*? U#$+-'& -! T-?) U"$!+<h;7*!*c h!-5';&-#p ", g??-!"-& :;'&&O AEEY<
\JlP6lCJoO X'*!%R?*$+'< Q &") !" .-!')* 7;*&-?'-;"< g!c +;3O# .L3>L=8O l-" +' X*!'-;"cJ)7;*,-?)'O !< D]O @ZY@<
\gv6llQO P-."?*< 9$&;;& #8?=&::&;1< 8,'(;$5-($,' (, =-.$,0$<-=% (?&,;7< w";?+& ",6$+-"5-&-"!c h!-5';&-#L +'2?- U#$+- +- :*5-*O AE@@<
\QQlV6PO X"1![ dhCCtO o")[ o`QVUQPO C*5-+[ CQPQ`hJO w*?#'; ^'+-#k< 9;,4&8($,'< >6 *$%+O+=K&;< ,' *$%+O+=K$'G < d"!+"!c T*7'; *!+ T*7';O @ZZS<
@@Y
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 120/181
R6ll6URQO R?*$+-!'p l"+;-2$'&< <=;3@8 _LI;K83c )i&-.* ' *;#-.$?*9=" ,G?)-.*<C-&&';#*9=" ^V'&#;*+" ') R-!')*k< hU:< U=" :*$?"O @ZZD<
qqqqqqO R?*$+-!'p l"+;-2$'&< /[9W@=%"%Ic * ,";)*9=" +* 3"K#-.* )$&-.*? +" .-!')*< o'&'
^C"$#";*+" ') Vi&-.*k< hPgR6V:< R*)3-!*&O @ZZZ<
R6B6dR6PogO 6?7';#"< +;3O# # )#83;H8H#< U=" :*$?"c d-5;*;-* V*;#-!& T"!#'&O @ZSD<
qqqqqO 6?7';#"< #,-'. $' *$%+<< g!c wJgUO J?-&*7'#1[ \JdoQPO X"1! ^Q;2k< &'(# %.+/26
,C$.-I "/2 :-">,'>$< P'a t";jc R"?$)7-* h!-5';&-#p :;'&&< @ZYS<
R`JB6UUhO T;*!9"-& ^'+<k< C= "&0-& .- I$'M+=O !< A@S< B$ 0./ "+ *'/L#"< :*;-&chTQdJgUO )*;& @ZeY<
R`gQPO V-.1'?< ! !LH;%C;IA%S I%O # ;O89#O "% K;"#O8< d-&7"*c J+-9I'& o'0#" x m;*,-*O
AE@@<
qqqqqO V-.1'?< C1H-.$,OB$<$,'< :*;-&c P*#1*!O @ZZ@<
qqqqqO V-.1'?< C& <,' =- 8$'M+=< :*;-&c R*1-';& +$ R-!K)*O J+< +' ?rJ#"-?'O @ZYS<
qqqqqO V-.1'?< C= 0,$L =- 8$'M+=< :*;-&c R*1-';& +$ R-!K)*O J+< +' ?rJ#"-?'O @ZYA<
qqqqqO V-.1'?< =-.?(E#$% $, %.(+,'./% :.+- 2L9$(.::$- (AL,+2$ 2+ %./J $# <+-.:$ $, 2"/% ($
#./2 < g!c ()(/c 6 X"$;!*? ", o1'";p "! g)*2' *!+ U"$!+O !< A]< GC$ 0,",$ .8 0.+/2
0,+2'$%HB$ %./ "+ >'/L#"J L,", 2$ (" -$>C$->C$< T;*!.'nhU6c g!&#-#$#' ,"; R-!')* *!+ R$?#$;' f o1' h!-5';&-#p ", g"a*O U3;-!2 @ZZZ<
Rd6glO lK!'< /?& H;( ,: #,-'. < g!c wJgUO J?-&*7'#1[ \JdoQPO X"1! ^Q;2k< &'(# %.+/26
,C$.-I "/2 :-">,'>$< P'a t";jc R"?$)7-* h!-5';&-#p :;'&&< @ZYS<
RQ`JPO X"1! U< GC'% F$"- .8 0.+/2 < <@#8>=# !=>I _898Y;"#c o1'*#;' 6;#& V"!#1?p< P'at";jO @ZAZ<
RQUo6O T';!*!+" V";*'& +*< : I%O "% K;"#O8 7=8I;3#;=%< l-" +' X*!'-;"c ]d'#;*&O AEEY<
CJdm6CQO V*;G* J?'!* m$#-K;;'H< C= 8;&=8$J' <,',;= .&% =-.$,0$<-=%A #&%&88E,'5$5%$,G;@:$8=< d* `*7*!*c T$!+*.-8! +'? P$'5" R-!' d*#-!"*)';-.*!"O AE@@<
CQP6dCO X*)'&[ TlgJC\JlmO 6!!'[ V6lRhUO d*$;*< I%,<& DNF _[WSO_[YY6 *'/$#"
"/2 _.2$-/'%#< R"!#-!$$) g!#';!*#-"!*? :$7?-&1-!2 m;"$3O @ZZY
JgUJPUoJgPO U';2'-< ! 2%=O8 H% 2;3O#< l-" +' X*!'-;"c X";2' v*1*;O @ZZE<
qqqqqO U';2'-[ :hCQBugPO B< g<[ 6dJy6PClQB< H #(=(&+&'( < g!c wJgUO J?-&*7'#1[\JdoQPO X"1! ^Q;2k< &'(# %.+/26 ,C$.-I "/2 :-">,'>$< P'a t";jc R"?$)7-* h!-5';&-#p:;'&&< @ZYS<
T6PQO V-.1'?< [$-% +/$ 2'"($>,'W+$ 2+ 8'(# %./.-$< .8@;#=I HL .;"DO8O !< @SAO ,K5;-';@Zes<
@@Z
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 121/181
TJdgRJO T*7;-.-"< Q R-!')* \;*&-?'-;" ') Q T*!c " R1*3?-!%R?$7 ' &$* ;'?*9=" .") " 3'!&*)'!#" -!+$&#;-*? .-!')*#"2;M,-." !* +K.*+* +' @ZAE< 6!*-& +" ]X .%"9=#II% _L"H;83H# .%OL";K8JA% (7#=%R!O#=;K8"8 \.:-+(?*).:_Z< U=" :*$?"O AE@@<
TQldJPv6O X',,[ UoQPJO o';;- ^'+&<k< #,-'.< ,: ],0$&<6 $'(&;0$&X< X$(? (?& 8;&=(,;< ,:
:&=(-;& <,-'. (;=8K<< J)';p5-??'OR6c V-0\""j&O @ZZD<
mQVJltO C"$2?*&< /?& I,+$'G ,: #,-'. (, (?& H+&;$8=' I$'&+=6 = ?$<(,;7 ,: (?&
(;='<:,;+=($,' ,: =' $'.-<(;7< :1<C< C-&&';#*#-"!< h!-5';&-#p ", w-&."!&-!< V*+-&"!O @Z]S<
mQl\V6PO R?*$+-*< S'?('.!-":CI ./ 0.+/2 '/ &'(#G ("S !N<_!-O l-.j ^";2<k< 2=%&
*;&'8? #(-.$&< D *'/$#"H0.+/2 < P'a `*5'!c t*?' h!-5';&-#p :;'&&O !< eEO @ZYE<
qqqqqO R?*$+-*< /&=8?$'G (?& #,-'.(;=8K < F$*;#';?p l'5-'a ", T-?) U#$+-'& ^P"5')7';
@Z]ekc sse%sSA<
`6tUO w-??-*) `< #&& ='. R&=;6 H \;$&: R$<(,;7 ,: ],($,' 9$8(-;&< ='. (?& Z&0&%,N+&'(
,: #,-'. < P'a t";jc V::C6O @ZAZ<
`gdVJUO V-.1'?'< g& GC$-$ " &'$(2 *"(($2 0.+/2 *+(,+-$ 0,+2'$%Y O/2 ].$% M, _",,$-Y< g!c!O#=;K8" QL8=>#=3[O B"?< S]O P"< @ ^V*;.1O AEESkO 3< AsZ%ASZ<
()(/c 6 X"$;!*? ", o1'";p "! g)*2' *!+ U"$!+O !< A]< GC$ 0,",$ .8 0.+/2 0,+2'$%HB$ %./ "+
>'/L#"J L,", 2$ (" -$>C$->C$< T;*!.'nhU6c g!&#-#$#' ,"; R-!')* *!+ R$?#$;' f o1' h!-5';&-#p", g"a*O U3;-!2 @ZZZ<
uJddQmmO J+a*;+ w< X'%,.-I.8 0.+/2 _.,'./ ='>,+-$%< g!c U%L="83 \U/_M*Z< 0.>'$,I .8
_.,'./ ='>,+-$ </!'/$$-%< :*;#' gc B"?< esO !W e ^X$!' @ZSSkc AZ@%DEA< :*;#' ggc B"?< esO !W ]^X$?p@ZSSkc DSe%D]s< :*;#' gggc B"?< esO !W Y 6$2< @ZSSkc sAA%sD]<
d"\lhooQO B-.'!#< 0.+/2D./D&'(#6 '/,$-9'$R% R',C ,C$ *-$",.-% .8 &'(# 0.+/2 < d"!+"!c:;*'2'; :$7?-&1';&O @ZZs<
V6PR`JdO T;*!j< *$%+ #(-.76 "/ "/"(I,'>"( ?'?('.!-":CI< P'a X';&'pc T*-;?'-21 C-.j-!&"!h!-5 :;'&&O @ZZE<
qqqqqO T;*!j< *$%+ #(-.76 " -$%.+->$ !+'2$< P'a X';&'pc T*-;?'-21 C-.j-!&"! h!-5< :;'&&O@Z]D<
V6Pv6PQO d$-H 6+'?)" T<< ! )#38JA% /%OR(O89#O "% .;"#O8c * '03';-/!.-* *?')= +'T;-#H d*!2< C-&&';#*9=" ^V'&#;*+" ') R")$!-.*9="k< hU:< U=" :*$?"O @ZZZ<
V6luUO V*;#-! V-??';< ]-<$8 ='. (?& #$%&'( *$%+6 *./,$\,% "/2 *"%$ 0,+2'$%J ZQUPDZUT^<Q0,";+ h!-5';&-#p :;'&&O @ZZ]
V6ooQUO R*;?"& 6?7';#"O Q U") P"&&" +' R*+* T-?)'< )#C;I>8 +;3O# .L3>L=8O !< SY< l-"
+' X*!'-;"c Ro65nU6BnV-!RO AE@D<
@AE
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 122/181
VJPCJUO J+$*;+" U-)I'& +"& U*!#"&< ! >=;3@8 I%"%=8 "%I KL=>8RO#>=89#"I H# 2;KJA%=#83;Y8H%I #O /A% M8L3% #">=# ]PT^ # ]PP^< C-&&';#*9=" ^V'&#;*+" ') 6;#'&k JR6O hU:<U=" :*$?"O @ZZs<
VVVVVJ J+$*;+" U-)I'& +"& U*!#"&< V83>#= _L=K@c * ;'5"?$9=" !" 3'!&*)'!#" &"!";".-!')*#"2;M,-."< o'&' ^C"$#";*+" ') 6;#'&k< hU:< U=" :*$?"O AEEE<
V.d6lJPO P";)*!< o.,$% ./ O/'#",$2 0.+/2 < QL8=>#=3[ %2 +;3Oo )8H;% 8"H <#3#C;I;%"<B"?< ]O !W D ^U3;-!2@ZSDkc AAD%AAZ<
VgdgRJBgRO V?*+'!< &'(# 0.+/2 S$I./2 N$"(',I6 %+?k$>,'9$ %.+/2 '/ /"--",'9$ >'/$#"<d"p"?* V*;p)"$!# h!-5';&-#p< d"& 6!2'?'&O &') +*#*< C-&3"!G5'? ')cz1##3cnn)pa'7<?)$<'+$n))-?-.'5-.nPJw3';&nq:6:JlUn7'p"!+<3+,{< 6.'&&" ') @E +' 4$!<AE@D<
Vgl6PC6O U$H*!* l'.j< ! _kI;K8 "% .;"#O8 # 8 _kI;K8 H% .;"#O8 H# g=Y[IY>%2g;#I3%FIW;< C-&&';#*9=" ^V'&#;*+" ') V$?#-)'-"&k< hPgR6V:< R*)3-!*&O @ZZY<
VhlR`O w*?#';< &.-$R.-2 < g!c R`gQPO V-.1'?< H-.$,OB$<$,'6 %.+/2 ./ %>-$$/< P'a t";jcR"?$)7-* h!-5';&-#p :;'&&O @ZZs<
VVVVVJ w*?#';< #(;&(8?$'G #,-'. (, R&%N (?& ]$'. #&&< P'a t";j o-)'&O P'a t";jO Q.#"7';@O AEEE<
P6ov|PO R1;-&#"31';< /?& I,+$'G ,: #,-'. *$%+ $' #X&.&' _[WQO_[YW< hU%6\OU#".j1"?)O AE@E<
:6UFh6lgJddQO P-.1"?*&< #,-'.< ,: ],0$&<6 $'(&;0$&X< X$(? (?& 8;&=(,;< ,: :&=(-;&
<,-'. (;=8K<< :";# \;-+2' \""j&O @ZZe<
:JPPgPmoQPO C*5-+ l< d<< /%O 1;=#>%< C-&&';#*9=" ^V'&#;*+" ') R")$!-.*9="k< hP\<\;*&G?-*O @ZZD<
:gPR`O o;'5";[ \gXUoJlBJdCO u*;-!< 0.+/2 0,+2'$%6 /$R ,$>C/.(.!'$% "/2 #+%'>< g!c/%K;83 />LH;#I %2 /K;#"K#O B"?< DsO P"< SO U3'.-*? g&&$' "! U"$!+ U#$+-'&c P'a o'.1!"?"2-'&*!+ V$&-. ^Q.#<OAEEskO 3< eDS%esY<
:hCQBugPO B< g< H<7'8?;,'$<+ =< = 9;$'8$N%& ,: #,-'. *$%+< g!c wJgUO J?-&*7'#1[\JdoQPO X"1! ^Q;2k< &'(# %.+/26 ,C$.-I "/2 :-">,'>$< P'a t";jc R"?$)7-* h!-5';&-#p:;'&&< @ZYS
l6VQUO m$-")*;< *IB8J% 2c3O;K% I%"%=% #O !=>@L= :O8=< C-&&';#*9=" ^V'&#;*+" ')R")$!-.*9="k< hU:< U=" :*$?"O @ZZS<
UJyoQPO X*)-'< GC$ O+2'.D['%+"( NCI,C#% .8 _.2$-/',I6 0./! 78 *$I(./J 0.+/2 "/2
].>+#$/,"-I &'(##";'/! < /.:M*O h!-5';&-#p ", w*?'&O 67';p&#ap#1%huO AEEs<C-&3"!G5'? ')c z1##3cnnaaa<&."3'<!"##-!21*)<*.<$jn*;#-.?'<313}
-&&$'~)*pAEEsx-+~AsZx&'.#-"!~*;#-.?'{< 6.'&&" ')c @] +' 4$?< AE@A<
@A@
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 123/181
UQ6lJUO d$-H R?M$+-" R*4*-7*< '#=IA% 7=8I;3#;=8c +$7?*2') !* #5 .")" ;'.$;&" +-,$&"; +".-!')*< C-&&';#*9=" V'&#;*+"k< hT\6< U*?5*+";O @ZZ]<
U:QP6\dJO J< g< X'%,.-'>"( ]$9$(.:#$/, .8 0.+/2 &'(#%< g!c U%L="83 \U/_M*Z< 0.>'$,I .8
_.,'./ ='>,+-$ </!'/$$-%< B"?< sYO 63;< @Zs]c A]S%DED ' V*p< @Zs]c sE]%sAA<
o6tdQlO l-.1*;+< /?& U$<&'<(&$' "&=.&; < d"!+"!c \;-#-&1 T-?) g!&#-#$#'O @ZZY<
B6Pv< U*)-?'[ \l6V\gdd6O U•!-*[ lg\JglQO 6!*!+*[ UohV:TO g+*< V*3'*)'!#" +*&#'&'& ' +-&&';#*9I'& ') .")$!-.*9=" !" \;*&-? ^@ZZA%AEEAkc #'!+/!.-*& #')M#-.*&< )#C;I>8+!_*.:/O !< DDO 3< SD%eE< :";#" 6?'2;'O AEE]<
wJgUO J?-&*7'#1[ \JdoQPO X"1! ^Q;2k< *$%+ <,-'.6 (?&,;7 ='. N;=8($8&< P'a t";jcR"?$)7-* h!-5';&-#p :;'&&< @ZYS*<
qqqqqO J?-&*7'#1[ \JdoQPO X"1!< =-$8">$< g!c *$%+ <,-'.6 (?&,;7 ='. N;=8($8&< P'a t";jcR"?$)7-* h!-5';&-#p :;'&&< @ZYS7<
wgJlv\gRugO X*)'& J$2'!'< *$%+ ]-<$86 " C'%,.-I< P'a t";jc o*p?"; x T;*!.-&O AEEZ<
wlgm`oO \*&-?[ \l6hPO B-5-*! \< ]='$:&<(,6 Z$=%,G-& ,' #,-'. < g!c wJgUO J?-&*7'#1[\JdoQPO X"1! ^Q;2k< &'(# %.+/26 ,C$.-I "/2 :-">,'>$< P'a t";jc R"?$)7-* h!-5';&-#p:;'&&< @ZYS<
tJwC6ddO C*5-+ d'a-&< /?& 9;=8($8=% H;( ,: ],($,' 9$8(-;& #,-'. < \"&#"!c T".*? :;'&&O@ZZZ<
?;73;%9=82;8.8Bc>L3% ]
6dCJlUQPO :<[ mlJJPO U<[ `gmmgPUO X:o< ^'+<k< I,8?;='& "&0$&X&;<P R='.5,,K >AWAW
₠+:2",$2 _"->C AEEs< g!c o1' R".1;*!' d-7;*;pO g&&$' @O AEEs< R1-.1'&#';O huc X"1! w-?'px U"!&O d#+< C-&3"!G5'? ')c z1##3cnnaaa<.".1;*!'<";2n;'&"$;.'&n1*!+7""jn17""j<1#){<6.'&&" ') @E +' *2"&#" +' AE@A<
R6UolQO 6?+')*; 6;*$4"< )#C;IA% /;I>#OE>;K8 # O#>8R8"E3;I#< V'#"+"?"2-*<";2O AEE@<C-&3"!G5'? ')c z1##3cnn)'#"+"?"2-*<";2na3%."!#'!#n$3?"*+&nAE@EnEYn)'#*@<:CT{< 6.'&&"')c AS 4$?< AE@A<
RQQ:JlO `*;;-& V<[ `JCmJUO d*;;p B<< /?& R='.5,,K ,: "&<&=;8? #7'(?&<$<< B"?< ADe< P'a t";jc l$&&'? U*2' T"$!+*#-"!O @ZZs<
Cg6UO J+$*;+" w'!&'[ P6BJUO V*+*?'!* V*;#-!& d"3'&< !"E3;I# H# !IIL">%c #'";-* ' 3;M#-.*< \;*&G?-*c o1'&*$;$&O AEE]<
`JVgPmw6tO :-33*< T?=( $< = <7<&(+=($8 ;&0$&X^< `*pa*;+ V'+-.*? R"))$!-.*#-"!&<AEEZ<
@AA
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 124/181
XQ`PUQPO \?*-; o<[ URQoo%U`JdCQPO d";- 6< X<[ UPtCJlO d'&?-' \<[ PQ6lO U'#1 V<[`hJCQ%VJCgP6O o*!-*< *.#,$#:.-"-I O::-.">C$% ,. _$,"DO/"(I%'% '/ *.##+/'>",'./
N$%$"->C< g!c `6tJUO 6<T<[ Ud6oJlO V<C<[ UPtCJlO d<\< ^'+<k< /?& #HVU #,-;8&5,,K
,: H.0='8&. Z=(= H'=%7<$< ]&(?,.< :,; I,++-'$8=($,' "&<&=;8?< :*2< D@@%Ds]< U6mJ
:$7?-.*#-"!&O AEE]<
:QRgP`QO V*;2*;-+*< N;Ji#I H# )#C;IA% /;I>#OE>;K8 # _#>8"E3;I#< :";#$2*?c g!&#-#$#"U$3';-"; V-2$'? o";2*O AEEY< C-&3"!G5'? ')cz1##3cnn+".'!#'&<-&)#<3#n‑)q3".-!1"nd-."'&q+'q;'5-&*"q&-&#')*#-.*q'q)'#*!*?-&'<3+,{<6.'&&" ') AS 4$?< AE@A<
lQo`JlO o';'H-!1* J+!*< *H;>%=;83c l'5-&=" U-&#')M#-.* 0 l'5-&=" P*;;*#-5*< U=" :*$?"c6.#* :*$?-&#* J!,';)*2')O AEE]<
hPgBJlUgC6CJ CJ UƗQ :6hdQ< U-&#')* g!#'2;*+" +' \-7?-"#'.*&< '%K87L3E=;%
.%">=%38H% H% /(?;m5/M< U=" :*$?"O AEEe< C-&3"!G5'? ')cz1##3cnn@sD<@E]<]D<ZZnB".*7nU-7-0eSA<+??n6lB}`gJl~R`]s@<A<S<A<@Y<@D{< 6.'&&" ')c AZ+' 4$?< AE@A<
B6dJPRg6O V*;-* R;-&#-!* :*?1*;'&< _8B#8O#">% H8I M#IhL;I8I H# _#I>=8H% #1%L>%=8H% #O .%OL";K8JA% "% ?=8I;3c #'!+/!.-*& #')M#-.*& ."!&#;$G+*& !"& *!"& +' @ZYEO@ZYSO @ZZS ' AEEE< C-&&';#*9=" ^V'&#;*+" ') R")$!-.*9=" ' U')-8#-.*kO :hR< U=" :*$?"OAEES<
?;73;%9=82;8.8Bc>L3% ^
6CJUO J+$*;+"O \l6m6P„6O m$&#*5"O R6lCQUQO X$?-*!* ' \QhgddJoO l"+;-2" ^";2k<AEEY< 7 0.# /. *'/$#"< .8>E3%9% H# O%I>=8 # KL=I% =#83;Y8H%I "8 .8;$8 .L3>L=83< o'?*\;*&-?-&O l-" +' X*!'-;"<
R6JU6lO l"+"?,"< Q #G)3*!" K $)* #'?*}< g!c '( +%=LO H% .#">=% H# N;"9L89#O_LI;K83O AEEsO U=" :*$?"c R'!#;" +' d-!2$*2') V$&-.*? f JR6nhU:O AEEsO 5<@O 3< @]%AS<
R6ll6URQO R?*$+-!'p l"+;-2$'&< <=;3@8 _LI;K83c )i&-.* ' *;#-.$?*9=" ,G?)-.*<
C-&&';#*9=" ^V'&#;*+" ') R-!')*k< hU:< U=" :*$?"O @ZZD<R6Uo6P`Jgl6O X"&K R< U< Q %.+/2%>":$ +* )"+';!-+*+'c "& 0.+/2 0,+2'$% ' " &") !".-!')*< g!c b(( *I>LH%I H# .;"#O8 # !LH;%C;IL83 /%K;"#O B"?< AO 3< DAS%DDY< U=" :*$?"OAE@@<
R`gQPO V-.1'?< ! !LH;%C;IA%S I%O # ;O89#O "% K;"#O8< d-&7"*c J+-9I'& o'0#" x m;*,-*OAE@@<
RQUo6O T';!*!+" V";*'& +*< R*#M?"2" +* V"&#;* J " U") &' T'H< g!c _%I>=8 * % /%O I#+#Y< RR\\O U=" :*$?"O AEE]<
qqqqqO T';!*!+" V";*'& +*< /%O "% .;"#O8o /;3l"K;% "%I +;3O#Ic " -!'03?";*+" ' "-!*$+-#"< C-&&';#*9=" V'&#;*+" ') R")$!-.*9=" U".-*?k< hTT< l-" +' X*!'-;"O AEED<
@AD
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 125/181
!"#$%& ()*+,-./ !" $%&'(")'" *'+%" ' %&+,%(-*%+" $. ".& (." /%?&'" $' ;%7*'7%+
3+*9'?= (?;;-.7)39= 82-;7.)<= -* !?:15?);0/ "4>/ 49= >)6,=& OKGC/
(I>>M#4!$2HBB& M,-1/ >=,L7?5); <) J=A 1= !?1-*) -* 2-*E.?); <=
46@<-;-1D=,D?*-17=/ G -</ 49= >)6,=N M("!& OKGO/
F_[W2%#& !,)6<?)/ "##$%"%&' ()(*)$+,"-./ / H1N SMH4& M,?;)@-7Y - WM]B_#& X=Y18_.R0/ !"#$ &'()*+ ,-.'/? ;)* 7/;3,"3./ #-\ Z=.QN !=,6*@?) "1?D-.;?7+ >.-;;/ GUPT/
^^^^^& !,)6<?)/ (?;7?39=82<: 31 53014 ?1 >?76/ H1N %]B2%#& [?5Q 8=.R/0/ 9;#. !/.)3-
=,(*".& O K?1G68C53014 / #-\ $)D-1N Z),- "1?D-.;?7+ >.-;;& 1/ VK& GUPK/
2%F%]$oM4& 2?5Y-,,- %R1-;/ 8292*%"&. ' 3<"%7+ (+ 9*%?:+ ".(.*+ $' 15%,+ 0'*9.4/(?;;-.7)39= 82-;7.)<= -* 2k;?5)0/ "#H!%2>/ !)*g?1);& OKKT/
2%#c%#_& ]6?A %<-,*= i-.1)1<-;/ >.&6%&+,'& (. 7%('&+N ) -mg-.?:15?) ),-*9 <- i.?A])1R/ 49= >)6,=N >-.;g-57?D)N i%>M4>& OKKC/
2%44%(& B/2/2/ M;7h7?5)& M;7?,= - (?.-?7=/ [-D?;7) #k5,-= <- >-;b6?;) H17-.<?;5?g,?1).& 49=2?R6-,& OKKV/ (?;g=1LD-, -*N lY77gNjj\\\/a*./-<6/@.j1g?jKKP/g<ae/ %5-;;= -*N GK <- )R=;7=OKGO/
25FH]]& %*+ !Y).,=77-/ 8-. 2'),.$7'/;/? <'##?:''* !"#$ ='()*,/;31+ 5/'0.&&"');#
5/;3,"3.& ;)* =')"3 =,?#.& =")3. ,-. 4>6O&/ B-;- 8(=67=.)<= -* i?,=;=a?) -* H1R,:;0/"1?D-.;?7+ =a Mm-7-./ H1R,)7-..)& OKKP/
2%#c%#_& ]6?A %<-,*= i-.1)1<-;/ % -D=,639= <= ;=* 5?1-*)7=R.`a?5= - 2& = J)*g?.=<- (d;;-,<=.a/ O+9-?.,. $+ 3."9*+ >.2($ 1'"%,(K G*.C'9. $' >.& / H1N 2=;7.) 4=61<(-;?R1N >.=n-7= <- 4=*& OKKf& 49= >)6,=/
2M#(M4& M<6).<= 4)17=;/ !)7`,=R= <) 2=;7.) 4=61< (-;?R1N >.=n-7= <- 4=*/ H1N 3."9*+
>.2($ 1'"%,(K G*.C'9. $' >.&& OKKf& 49= >)6,=/
^^^^^& M<6).<= 4)17=;/ I+?9'* 32*7:N ) .-D=,639= <) 7.?,Y) ;=1=.) 5?1-*)7=R.`a?5)/ B-;-8(=67=.)<= -* %.7-;0 M!%& "4>/ 49= >)6,=& OKKK/
>M[MH[%& ]65?)1) %,*-?.)/ G*%(7MH%." $+ !*9%72?+BL. >.(.*+ (. O%('&+/ (?;;-.7)39=82-;7.)<= -* %.7-;0/ "i2F/ W-,= $=.?A=17-& GUUU/
>_#BHip!H% "#HJM[4H(%(M !%Bq]H!% (M 4o_ >%"]_/ J',2?+&'(9. $. G*.,*+&+
$' A"92$." GE"6@*+$2+$." '& O.&2(%7+BL. ' >'&%E9%7+/ >"!& 49= >)6,=& ;-* <)7)/(?;g=1LD-, -*N lY77gNjj\\\f/g65;g/@.j5=;j).b6?D=;j.-R6,)*-17=!=;/g<ae/ %5-;;= -* Gf <-
n61Y= <- OKGC/
r"H#B%#%& i)@?)1)/ D*/'2N <= *?7= s .-),?<)<- @.);?,-?.) t 6*) )1`,?;- <) 7.?,Y) ;=1=.)<=; a?,*-; u_.a-6 1-R.=u 8GUTU0 - u_.a-6u 8GUUU0 @);-)<=; 1) g-3) u_.a-6 <) !=15-?39=u <-J?1L5?6; <- 2=.)-;/ (?;;-7)39= 82-;7.)<= -* 26,7?*-?=;0 "#H!%2>/ !)*g?1);& OKGG/
4v& 4?*=1- >-.-?.) <-w !_4B%& i-.1)1<= 2=.)?; <) 8=.R/0/ >.& N F&+,'&/ [?= <- X)1-?.=Nx]-7.);& OKGO/
GOf
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 126/181
Ug\gdg6O V*$;-.-" +' \< ' :<< J+-#";-*?< .;7#=3#9#"H8 ^hTT< Q!?-!'kO !<AsO 5< E@O AE@@<
B6URQPRJdQU< 6!+;K d$-H Q?H"!< ! ;"23Ll"K;8 H8 >=;3@8 I%"%=8 I%7=# 8 B#=K#BJA% H8%7=8 K;"#O8>%9=E2;K8c O "/4('%$ 8g(#'>" 2$ SI$ ?I$ S-"%'( O =-" 8-$/,$ S-"%'( ' *$/,-"( 2.
S-"%'( < C-&&';#*9=" V'&#;*+" ') Vi&-.*k< hPgR6V:< R*)3-!*&O AEEY<
wJgUO J?-&*7'#1< GC$ G-"'( .8 ,C$ 0/"'(6 N$>$/, B',$-",+-$ ./ 0.+/2 ]$%'!/< g!c ()(/c 6X"$;!*? ", o1'";p "! g)*2' *!+ U"$!+O !< A]< GC$ 0,",$ .8 0.+/2 0,+2'$%HB$ %./ "+ >'/L#"J
L,", 2$ (" -$>C$->C$< T;*!.'nhU6c g!&#-#$#' ,"; R-!')* *!+ R$?#$;' f o1' h!-5';&-#p ", g"a*OU3;-!2 @ZZZ<
?;73;%9=82;8.:-.N5/4:
R6ll6URQO R?*$+-!'p< Q U"!1" +' J+-&"!c " *+5'!#" +" &") &-!.;"!-H*+"< !=>.L3>L=8^hThkO 5< SO !< eO 3< SD%eSO AEED<
R6UolQO d$.-*!*< !"E3;I# H%I M8H=i#I H# '%Y "% .;"#O8c * .")$!-.*9=" ";*? 1$)*!*') +$*& 5';&I'& +' GC$ o+,,I =-.8$%%.- < C-&&';#*9=" ^V'&#;*+" ') J+$.*9=" ') R-/!.-*& 'U*i+'k< hTlX< l-" +' X*!'-;"O AEE@<
RQUo6O PK?-" X"&K \*#-&#*< : <-;;,-'. # 8 #IB8K;83;H8H# I%"%=8 "% K;"#O8< C-&&';#*9="^V'&#;*+" ') 6;#'&k< hTVm< \'?" `";-H"!#'O AEEs*<
Cg6UO J+$*;+" w'!&'[ P6BJUO V*+*?'!* V*;#-!& d"3'&< !"E3;I# H# !IIL">%c #'";-* ' 3;M#-.*< \;*&G?-*c o1'&*$;$&O AEE]<
V6ooQUO R*;?"& 6?7';#"< Q U") P"&&" +' R*+* T-?)'< )#C;I>8 +;3O# .L3>L=8O !< SY< l-"+' X*!'-;"c Ro65nU6BnV-!RO AE@D<
V*?j)!+(!
R6ldUUQPO U5'! J< &'(# 0.+/2 S'?('.!-":CI< g!c *!C]#oDkZ6 F.+- B$"-/'/! 0:">$ 8.-
&'(# 0.+/2@ U') +*#*< C-&3"!G5'? ')c z1##3cnnaaa<,-?)&"$!+<";2n7-7?-"2;*31pn?-##?-&#<1#){<
6.'&&" ')c AA 4$!< AE@A<R6UolQO 6?+')*; 6<< )#C;IA% /;I>#OE>;K8 # O#>8R8"E3;I#< V'#"+"?"2-*<";2O AEE@<C-&3"!G5'? ')c z1##3cnnaaa<)'#"+"?"2-*<";2n)'#*@<:CT{< 6.'&&" ')c AS 4$?< AE@A<
d6BQgJO :-';;'< C= I;M=($,' #,',;&6 S'?('.!-":C'$< h!-5';&-#K +' V"!#;K*?O &') +*#*<C-&3"!G5'? ')c z1##3cnnaaa<.;'*#-"!&"!";'<.*n.;'*#-"!%&"!";'<313}7-7?-"2;*31-'…6;#&%+$%&"!{< 6.'&&" ') AA 4*!< AE@A<
VJl6O V-2$'?< H #&%&8(&. \$5%$,G;=N?7 ,: #,-'. ='. ]-<$8 :,; ],0$'G 9$8(-;&<< l"p*?R"??'2' ", V$&-.O d"!+"!O &') +*#*< C-&3"!G5'? ')c z1##3cnnaaa<&.1""?",&"$!+<."<$jn{<
6.'&&" ') DE !"5< AE@A<
@AS
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 127/181
whdTTO `*!& X< #,-'.A U$'& H;5&$(<5$5%$,G;=N?$&< R1;-&#-*!%6?7;'.1#&%h!-5';&-#†# u-'?Og!&#-#$# ,‡; PCd $!+ V'+-'!O d'-7!-H&#;O AEEE< C-&3"!G5'? ')c z1##3cnnaaa<$!-%j-'?<+'n)'+-'!n7';&"$!+<1#)?{< 6.'&&" ') AA 4*!< AE@A<
% 6&&".-*9=" P*.-"!*? +' :'&>$-&* ' :8&%m;*+$*9=" ') Vi&-.* ^6P::QVkcz1##3cnnaaa<*!33")<.")<7;n{
% 6&&".-*9=" P*.-"!*? +"& :;"2;*)*& +' :8&%m;*+$*9=" ') R")$!-.*9=" ^RQV:ˈUkcz1##3cnnaaa<.")3"&<";2<7;n3*2-!*<313})'!$~@x))'!$~{
% \*!." +' #'&'& +* R6:JUc z1##3cnnaaa<.*3'&<2"5<7;n&';5-."&n7*!."%+'%#'&'&{
% \-7?-"#'.* C-2-#*? \;*&-?'-;* +' o'&'& ' C-&&';#*9I'& \CoCkc z1##3cnn7+#+<-7-.#<7;n{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* :hR%U:c z1##3cnnaaa<&*3-'!#-*<3$.&3<7;n{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hJlXc z1##3cnnaaa<7+#+<$';4<7;n{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hTTc z1##3cnnaaa<7+#+<!+.<$,,<7;n#+'q7$&.*n{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hTVmcz1##3cnnaaa<7-7?-"#'.*+-2-#*?<$,)2<7;n{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hT:lcz1##3cnnaaa<3";#*?<$,3;<7;n#'&'&q*.';5"<1#)?{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hTlXc z1##3cnn,'!-0A<$,;4<7;cYZZ@nT},$!.~,-!+% 7%Ex?".*?q7*&'~#+$,;4{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hTUR*;cz1##3cnnAEE<@De<As@<Sen1#+".&n#'+'U-)3?-,-.*+"n#+'q7$&.*n-!+'0<313{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hPgR6V:cz1##3cnnaaa<7-7?-"#'.*+-2-#*?<$!-.*)3<7;n+".$)'!#n?-&#<313}#-+~]{
% \-7?-"#'.* C-2-#*? +' o'&'& ' C-&&';#*9I'& +* hU:c z1##3cnnaaa<#'&'&<$&3<7;{
% \-7?-"#'.* "!?-!' +' .-/!.-*& +* .")$!-.*9=" \QRRkc z1##3cnnaaa<7"..<$7-<3#n{
D R*#M?"2" +* \-7?-"#'.* :*$?" J)-?-" U*??'& m")'& ^R-!')*#'.* \;*&-?'-;*kcz1##3cnnaaa<.-!')*#'.*<2"5<7;n.2-%7-!na0-&<'0'n-*1n}g&-&U.;-3#~-*1n-*1<0-&x7*&'~6RJlBQx?*!2~3{
D ]'-$>,.-I .8 7:$/ O>>$% K.+-/"(% ^CQ6Xkc z1##3cnnaaa<+"*4<";2n{
% XUoQlc z1##3cnnaaa<4&#";<";2n{
% V!')".-!'c z1##3cnnaaa<)!')".-!'<.")<7;n{
@Ae
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 128/181
% Pi.?'" +' :'&>$-&* ') g!,";)*9="O o'.!"?"2-*& ' :;M#-.*& U".-*-& ^gPTQoJR%hTlmUkcz1##3cnnaaa<$,;2&<7;n-!,"#'.n{
% :?*#*,";)* d*##'&c z1##3cnn?*##'&<.!3><7;n{
% :";#*? +' :;"+$9=" R-'!#G,-.* ') R")$!-.*9=" hPgBJlRgJPRg6kc z1##3cnnaaa<$!-5';.-'!.-*<";2n{
% :";#*? +' l'5-&#*& +' 6.'&&" 67';#" ') R-/!.-*& +* R")$!-.*9="c z1##3cnnaaa<;'5-&#*&<$!-5';.-'!.-*<";2n{
% l'?*9=" +"& 3;"2;*)*& ' .$;&"& +' 38&%2;*+$*9=" ;'.")'!+*+"& ' ;'."!1'.-+"& 3'?*R6:JUc z1##3cnnaaa<.*3'&<2"5<7;n.$;&"&%;'.")'!+*+"&{
% U".-'+*+' \;*&-?'-;* +' J&#$+"& +' R-!')* ' 6$+-"5-&$*? UQRgPJkc
z1##3cnnaaa<&".-!'<";2<7;n{
% U".-'+*+' \;*&-?'-;* +' J&#$+"& g!#';+-&.-3?-!*;'& +* R")$!-.*9=" gPoJlRQVkcz1##3cnnaaa<-!#';.")<";2<7;n{
% U".-'+*+' +' J!2'!1*;-* +' ‿$+-" 6JU%\;*&-?kc z1##3cnn*'&7;*&-?<";2n&-#'n{
?;73;%9=82;8 H# !B%;%
6UUQRg6„ƗQ \l6UgdJgl6 CJ PQlV6U o|RPgR6U ^6\Pok< -?) ae^`c -!,";)*9="' +".$)'!#*9=" f l',';/!.-*& f J?*7";*9="< l-" +' X*!'-;"c 6\PoO AEEA<
qqqqq< -?) ae^Tc -!,";)*9=" ' +".$)'!#*9=" f l'&$)" f 63;'&'!#*9="< l-" +' X*!'-;"c6\PoO AEED<
6dBJUO \';!*;+" V*;>$'H< 0.+/2 0,+2'$% !" R-!')*c 3*!";*)* +* 3;"+$9=" 7-7?-"2;M,-.**#K * +K.*+* +' @ZeE< g!c !"8;I H8 ((( U%="8H8 1;IK#"># H% MMj_M! H8 *.!m5/M< U=":*$?"O AE@A<
\JRuO X*p[ ml6XJC6O o"!p ^J+&k< C,X&;$'G (?& \,,+6 *-','>"( 0,+2'$% '/ &'(# 0.+/2@h;7*!*c h!-5';&-#p ", g??-!"-& :;'&&O AEEY<
Cg6UO J+$*;+" w'!&'[ P6BJUO V*+*?'!* V*;#-!& d"3'&< !"E3;I# H# !IIL">%c #'";-* ' 3;M#-.*< \;*&G?-*c o1'&*$;$&O AEE]<
md6UUO m'!'< ]&(=OH'=%7<& =( Wg< R"??'2' ", J+$.*#-"!c 6;-H"!* U#*#' h!-5';&-#pO AEEE<C-&3"!G5'? ')c z1##3cnnaaa<252?*&&<-!,"n3*3';&n)'#*AS<1#)?{< 6.'&&" ') AE +' 4$?< AE@A<
qqqqqO m'!'< 9;$+=;7F #&8,'.=;7 ='. ]&(=O='@%$<& ,: "&<&=;8?< d*7";*#";p ", J+$.*#-"!l'&'*;.1c h!-5';&-#p ", R"?";*+"O @Z]e< C-&3"!G5'? ')c
z1##3cnn&#*#<&))$<'+$<.!n$33-.n,-?'n3+,n3;-)*;p<3+,{< 6.'&&" ') AA +' 4$?< AE@A<
@A]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 129/181
!"#$%&'()* ,-../? !"#$ &' # '(')$*#$&+ ,)-&)./? !/;7/39 #=9-8/2 <:1150-8/4-:0>?6OOK?
G(CC(I$(%* (0/M-9H &(BL$%"B* $/0? !"#$%& ()"*+& ,*+ -./ !)?$/ ;7,3/? "#$%&'()*+,* J?6* -?6? A-J=3.::2E A-J=3.::2 @0-J=3>-4; ,3=>>* 6OOD?
#(<$(CN<!(,@A(* <=>/3 (?? F ./.=2 9/ -0_:31=43-/ = 9/ 8-=08-:1=43-/ = >5/ .=3>.=84-J/0/8-:0/2 = -04=30/8-:0/2? -&./?(; 7/39'/;? =; 892$#<;:1$ [:02-0=W? $I$<S* Y:2?6]* 0?6* .?XR\NX\O? I3/>Z2-/* XKKD? L->.:0ZJ=2 =1E QM44.EUU777?>8-=2:?P3U.9_U8-UJ6]06U1/8-/>?.9_T?(8=>>: =1 RO 0:J? 6OX6?
#(%<!"A* ^3/0V? ?&;* 7$39(9 ,* ,*,=8-$%,= 2$2=$)3<,:.8? %=7 o=3>=;E ^/-32=-kML-8V-0>:0 @0-J ,3=>>* XKKO?
ggggg* ^3/0V? ?&;* 7$39(9 , </#)"<%/ 3"$+/? %=7 o=3>=;E ^/-32=-kM L-8V-0>:0 @0-J=3>-4;,3=>>* XK]R?
#(B<F%$* #/3-0/ 9= (093/9=H A(G(SFC* "J/ #/3-/? 509=;<&9($? =& )&($=$4$>/;7/&9(62/';? ci =9-mh:? Ch: ,/52:E (42/>* 6OOR?
ggggg* #/3-0/ 9= (093/9=H ggggg* "J/ #/3-/? OK'9/';? =& "&?G0/?;E .2/0=b/1=04: ==l=85mh: 9= .=>j5->/>H /1:>43/k=0> = 4a80-8/> 9= .=>j5->/H =2/P:3/mh:* /0e2->= =-04=3.3=4/mh: 9= 9/9:>? R =9? Ch: ,/52:E (42/>* XKK`?
%(CS(* L:1-0-j5=H !@Y"AA"* L-9-=3 d=9?n? =) 782 )2 <),':)+$&-)9 *)"?/==/# </%./<%./#?B=.=0>=3 2= <-0a1/* J? OX? I35l=22=>E ,=4=3 A/0k* 6OO\?
CS"B%* o:0/4M/0 d=9?n? 1") 78329 7$39&)' 5)#9), ? (P-0k9:0E B:542=9k=* 6OX6?
@%$Y"BC$L(L" L" CfF ,(@AF? C->4=1/ $04=k3/9: 9= I-P2-:4=8/> 9/ @C,? L-3=43-p=> ./3/ /.3=>=04/mh: 9= 9->>=34/mq=> = 4=>=> 9/ @C,E 9:851=04: =2=43r0-8: = -1.3=>>: ,/34= $d(I%Sn U +/?(&<; 89(&>#;=$ =& C/I4/$(&';? =; *+"H Ys0-/ #/34-0> I5=0: 9= F2-J=-3/^50/3:* 8::39=0/9:3/? [=4 /2?W? 6? =9? 3=J? /1.2? Ch: ,/52:E C->4=1/ $04=k3/9: 9= I-P2-:4=8/>9/ @C,* 6OOK?
Y(%S$* %/9-/ (53:3/ ,=3=>? L/ P-P2-:1=43-/ t 7=P:1=43-/E 51/ =l.2:3/mh: 8:08=-45/2 9:>1=8/0->1:> 54-2-p/9:> ./3/ 1=9-3 : 3=k->43: 9/ -0_:31/mh: = / 9-_5>h: 9: 8:0M=8-1=04:?7/39'/; =; 892$#<;:1$* I3/>Z2-/* J? RX* 0? 6* .? Xc6NX`6* 1/-:U/k:? 6OO6?
X6D
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 130/181
MH,BL 8A->4/ P-P2-:k3e_-8/ 8:1.2=4/ 9->43-P5Z9/ .:3 /0:?
JAAE
@/??&#(;:D&?N
<(CSBF* A58-/0/? M9F4/?& =$? ";=#D&? =& _$[ 9$ 7/9&<;E / 8:150-8/mh: :3/2 M51/0/=1 95/> J=3>q=> 9= 1./ 5"--8 0<)4/##)< ? L->>=34/mh: d#=>43/9: =1 "958/mh: =1 <-u08-/> =C/v9=n? @^Bo? B-: 9= o/0=-3:* 6OOX?
JAAJ
NNNNNNNNNNNNN
JAAW
S/.#$N
#(%w(%F* A5-p (9=21: =30/09=>? +$<Y/<;>&< 9$ '/9&<;E / =l.=3-u08-/ /2=1h 9= ^3-4pA/0k? Ch: ,/52:E ,=3>.=84-J/E ^(,"C,* 6OOR?
@/??&#(;:D&?N
<FCS(* ^=30/09: #:3/-> 9/? +$< 9$ '/9&<;] ?/439'/$ 9$? 2/4<&?E : -0=l.2:3/9: = :-0/59-4:? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^ ? B-: 9= o/0=-3:* 6OOR/?
M#(/>$?N
<(BB(C<F* <2/59-0=;? F C:0M: 9= "9->:0E : /9J=04: 9: >:1 >-083:0-p/9:? M#(704(0#;d@^@n* J? c* 0? `* .? cRN`c? @P=32s09-/* 6OOR?
<FCS(* ^=30/09: #:3/-> 9/? ( -0>=3mh: 9: >:1 0: 8-0=1/E .=38/2m:> 0/ ./>>/k=1 9= 511=-: J->5/2 ./3/ /59-:J->5/2? $0E M9;/? =$ 8 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =&7;#.;4X$? B-: 9= o/0=-3:* 6OOR_?
ggggg* ^=30/09: #:3/-> 9/? ">854/3 4/04: j5/04: >= Ju d8:1: 51 _-21= -3/0-/0:* >:P3= 51/83-/0m/ 8=k/* .:9= =0>-0/3 / :5J-3xn? $0E M9;/? =$ BB_8 7$9>#&??$ I#;?/4&/#$ =& '/39'/;?=; '$<09/';:1$ y $%S"B<F#? I=2: !:3-p:04=* 6OORP?
ggggg* ^=30/09: #:3/-> 9/? B5Z9:> = >-2u08-:E .3:.:>4/ ./3/ 51/ =>4a4-8/ 9: >:1 0: 8-0=1/?$0E ^(IB$C* #/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;* (0: $$$? ,:34: (2=k3=E
C52-0/* 6OOR9* J? * .? RXRNRXK?
X6K
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 131/181
<FCS(* ^=30/09: #:3/-> 9/? z5= ./.=2 a 9=2=k/9: /: >:1* =1 51 1=-: /59-:J->5/2x (-1/k=1 .3=.:09=3/04=* = / -0>=3mh: 9: >:1 0: 8-0=1/? ,'$? -&./?(;* ,=2:4/> N BC* J? ]* 0? X*
.? ]XNKX* 6OOR=?
ggggg* ^=30/09: #:3/-> 9/? (>) 6/<*,<+)E 1:>/-8: 9= J:p=> d1:>435e3-: 9:> 9-J=3>:> 5>:>9/ J:p 0: 8-0=1/n? $0E <(S(%$* (_3s0-: #=09=> =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;](0: $Y? Ch: ,/52:E ,/0:3/1/* 6OOR8* J? * .? R\cNRcO?
LFI(A* C5p/0/ #? B:P=34 I3=>>:0E : 8-0=1/ 051 /4:31=04/9: >-2u08-:? $0E ^(IB$C*#/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;] M9$ 888? ,:34: (2=k3=E C52-0/* 6OOR*J? * .? 6]cN6DX?
JAAR
@/??&#(;:D&?N
<FCS(* %a2-: o:>a I/4->4/? L '3,,8329 & ; &?\;'/;4/=;=& ?$9$#; 9$ '/9&<;? L->>=34/mh:d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OO\/?
M#(/>$?N
I"AA"IF%$* A58-=0=? ( 9-_Z8-2 3=2/mh: =043= -1/k=1 = >:1 0: /59-:J->5/2 8:04=1.:3s0=/ O
$0E M9;/? =$ 88 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =& 7;#.;4X$* @^C<N^2:3-/0{.:2->*6OO\?
<FCS(* ^=30/09: #:3/-> 9/? C= .:58: >= 9-p >:P3= : >:1* j5=1 _/2/ >:P3= : >-2u08-: 0:>_-21=>x? Z#;>$;(F N B=J->4/ 9: ,3:k3/1/ 9= ,{>N&3/95/mh: =1 A=43/> @^ * %-4=3{-* J? X`* .?XOcNXX`* 6OO\P?
#"%L"C* "95/39: C/04:>? ,=0>/09: / B=2/mh: $1/k=1NC:1? O,L-,)M Q 7#6(/'; =&7/9&<;* ,:34: (2=k3=* J? c* .? cXNcc* 6OO\?
JAAU
O&?&?N
#(%w(%F* A5-p (9=21: ^=30/09=>? L ?$< 9$ '/9&<;E 9/ =9-mh: 9= >:1 /: #)"*+ +/#$3*
K =J:25mh: 4=80:2{k-8/ = .3:95mh: P3/>-2=-3/? S=>= dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n?@C,? Ch: ,/52:* 6OOc?
@/??&#(;:D&?N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/? *< ,?(0=$ =; "$#<;9'& =; L#;4/=;=& 9$7/9&<;E 3=k->43:> 9/ J:p 0/ 2-0k5/k=1 9:851=04/2? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:= C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOc?
XRO
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 132/181
<(,"AA"B* $J/0? 89(#$=0:1$ P ;#G0&$4$>/; =; &?'0(; $0 $ 9;?'/<&9($ =$ '/9&<; ?$9$#$; \;#(/# =$ &?\6#/($ =; T\&#;? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9=o/0=-3:* 6OOc?
M#(/>$?N
#"%L"C* "95/39: C/04:>H ,$%SF* $J:0=4=? A583=8-/ #/34=2 = : P=0=_Z8-: 9/ -08=34=p/?O,L-,)M Q 7#6(/'; =& 7/9&<;* ,:34: (2=k3=* J? D* 6OOc?
JAA^
O&?&?N
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$E 3=J->h: 9= 51/ -1.:34s08-/-09=_=3-9/? S=>= dL:54:3/9: =1 <:150-8/mh: C:8-/2n? @^^? B-: 9= o/0=-3:* 6OO`?
@/??&#(;:D&?N
(#(B(A* Y-4{3-/ B:8M/ ,3/9:? M .$[ 9; *&') )2 '+02)E : _-21= G$+,+/ +/ C/"# >:P /=>854/ _:0:/59-:2{k-8/? L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:*6OO`?
^AFB"C* Y-3k-0-/ F>:3-:? L 7/9&<;] 0<; ;#(& ?$9$#;? L->>=34/mh: d#=>43/9: =1 #v>-8/n@^Bo? B-: 9= o/0=-3:* 6OO`?
M#(/>$?N
<FCS(* ^=30/09: #:3/-> 9/? ,3-1=-3/> 4=04/4-J/> 9= >:0:3-p/mh: 0: 8-0=1/ P3/>-2=-3: d:>8-0=1/4{k3/_:> _/2/04=> XKO6NXKODn? dJ=3>h: -04=k3/2n? )9&<$'/9&* 6OO`? L->.:0ZJ=2 =1EQM44.EUU777?10=1:8-0=?8:1?P3U-09=l?.M.U8-0=1/N8/4=k:3-/U6cNM->4:3-/N0:N8-0=1/NM->4:3-/N9:N8-0=1/UX6XN.3-1=-3/>N4=04/4-J/>N9=N>:0:3-p/8/:N0:N8-0=1/NP3/>-2=-3:N:>N8-0=1/4:k3/_:>N
_/2/04=>NXKO6NXKODT? (8=>>: =1 O] 9= b52? 6OX6?#"%L"C* "95/39: C/04:>? '/24=3 #538ME / 3=J:25mh: 9/ 43-2M/ >:0:3/ 8-0=1/4:k3e_-8/dXD]U66\n? $0E +/>9/2/';:1$ 0} 6`? Ch: ,/52:E (00/P251=* 6OO`?
JAAV
@/??&#(;:D&?N
(AY(B"w* #/3-/0: &/P3-=2? M ,?(&#&$2$9/; @/>/(;4E 51/ /P:39/k=1 >:P3= / 4a80-8/* : ./93h: = / 2-0k5/k=1 >:0:3/ 8-0=1/4:k3e_-8/ 0:34=N/1=3-8/0/ 0: .=3Z:9: 9= XKKX / 6OOX?L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OO]?
XRX
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 133/181
IB~@S$&(#* (2=l/093= I/2-v? +$9$4$>/; & 7/9&<;E =2=1=04:> ./3/ /0e2->= e59-:NJ->5/2?L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^Bo? B-: 9= o/0=-3:* 6OO]?
M#(/>$?N
L|,,"%C<!#$SS* "2=0? ( J:p 0/> #=1{3-/> 9: C5P9=>=0J:2J-1=04:E 9= "91509:L=>0:=> / S:1e> &54-a33=p (2=/? $0E M9;/? =$ B8 ,9'$9(#$ -&>/$9;4 =; M??$'/;:1$C#;?/4&/#; =& S/(&#;(0#; 7$<\;#;=; d(IB(A$<n? Ch: ,/52:* 6OO]/?
ggggg* "2=0 ? Y:p = </04: ,:.52/3 9: %=k3: 0: <-0=1/ N .:a4-8/ 8-0=1/4:k3e_-8/ 0:9:851=04e3-: I+>) )" ()7)# 1)+)# M$=.)# +, 1/<<, 9= '/24=3 C/22=> = L/0-=2/ SM:1/>?*H8)LHO,+ 7/&9(62/';* J? D* .? \XNcO* 6OO]P?
^AFB"C* Y-3k-0-/ F>:3-:? ( ">854/ ^Z21-8/E 51/ /4-459= =>4a4-8/? B_88 7$9>#&??$ =;
M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/'; d(%,,F#n? Ch: ,/52:*6OO]?
A$%C* <:0>5=2:? F =0>/-: 0: 9:851=04e3-: = / j5=>4h: 9/ 0/33/mh: =1 :__? $0E •Y$ "08:043: %/8-:0/2 9/ <:1.{>* 6OO]* <53-4-P/? M9;/? =$ B_8 ,9'$9(#$ H;'/$9;4 =; 7$<\T??<53-4-P/E S5-54-U<:1.{>* 6OO]?
#"%L"C* "95/39: C/04:>H <(BB(C<F* <2/59-0=;? ( 3=2/mh: -1/k=1U>:1 0:> _-21=> 9=G5P3-8V? -&./?(; 704(* Ch: ,/52:* .? cc N cK* OX :54? 6OO]?
#$B(%L(* C5p/0/ B=8V? Y:p=> ,:2-_r0-8/> = ">854/> #5>-8/->E / /34-852/mh: 9/ P/09/>:0:3/ =1 ^3/0m:-> &-3/39? $0E #/8M/9:* o3? B?H C:/3=>* B? L= A?H (3/vb:* A? <? 9=? dF3k?n?,?(0=$? =& 7/9&<; Q +$'/9& _888? Ch: ,/52:E (00/ I251=* 6OO]* J?X* .? \XN\D?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? ( S3-2M/ C:0:3/ 9: <-0=1/E .3:.:>4/ ./3/ 51 ₠:5J-3/0/2Z4-8:? 7;4/>#;<;E B=J->4/ 9= ">459:> = ,=>j5->/ =1 A-0k5/k=1 = #Z9-/? Ch: ,/52:* J:2?OR* 0: OX* 6OO]?
JAAk
S/.#$?N
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$? B-: 9= o/0=-3:E ]A=43/>E^(,"Bo* 6OOD?
@/??&#(;:D&?N
(C,(!(%* ,=93: </39:>:? ,9(#& ; &?'0(; & ; ./?1$E : 25k/3 9: =>.=84/9:3 0/ :P3/ 9=
B:P=34 I3=>>:0? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @^#&? I=2: !:3-p:04=*6OOD?
XR6
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 134/181
&@$#(Bf"C* <2:4-29= I:3k=>? M /9(#$=0:1$ =$ ?$< =/#&($ 9$ '/9&<; =$'0<&9(F#/$I#;?/4&/#$ 9; =K';=; =& Eg^Ac L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOD?
#(B<FA$%F* #e38-: </39:>:? L 7$<\$?/($# +(;94&i m0I#/'h E /0e2->= 9: >:1 9: _-21= C/ )=.)# 2/7 4/%.,+)# 9= C4/02=; G5P3-8V /43/Ja> 9/ 4=:3-/ >:0:3/ 9= #-8M=2 <M-:0?L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OOD?
M#(/>$?N
IFw$<(%$%* o:>a "95/39:? (> -9a-/> 9/ 43-2M/ >:0:3/ 9: _-21= IH$<,? -*M Y -&./?(;*9/.&#?/(F#/; =$ M0=/$./?0;4* J? \* .? X6* 6OOD? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`RT? (8=>>: =1 RO b52? 6OXX?
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? ( ,/->/k=1 C:0:3/ "2=43r0-8/E / 3=8:0>435mh: 9:1509: >:0:3: 8:04=1.:3s0=: 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: =<52453/? B-: 9= o/0=-3:* J:2? O`* 6OOD/?
ggggg* o:>a <2e59-: C-j5=-3/? B=/%-<)*$% 1)*,=$-$/#E : =>./m: =2=43r0-8: = / -1.3=>>h: 9=3=/2-9/9= 0/ _-8mh: 8-=04Z_-8/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? XX* 6OODP?
L|,,"%C<!#$SS* "2=0? ,:3 51/ ,:2Z4-8/ 9/ Y:pE S:1e> &54-a33=p (2=/ = /> !/7L<$,# +)
("2+/#/*?)=?$7/*-)? @&./#&? d@^#&n* J? c* .? XD\N6OR* 6OOD?
&(SS$* (093= ,-=3:H #"%L"C* "95/39: C/04:>? ( 0:J/ >:0:3-9/9= 9: 8-0=1/ =1 Ch:,/52:? $0E (093a ,-=3: &/44-? dF3k?n? <:2=mh: </9=30:> 9= ,=>j5->/E L H$.$ 7/9&<;";04/?(;? X =9? Ch: ,/52:E <=043: <52453/2 Ch: ,/52:* 6OOD* J? Oc* .? \RN`\?
!(@CC"%* A58-/0/? C:1* <s1=3/* (mh:E / 3=2=Js08-/ 9: >:1 0/ M->4{3-/ 9: 8-0=1/? +&??D&?=$ 8<;>/9F#/$ d$1.3=>>:n* J? 6O* .? X]N66? ,:34: (2=k3=* 6OOD?
A"#"* &=3>:0 B-:> ? ">854/09: : <-0=1/? -*M Y -&./?(; *9/.&?/(F#/; =$ M0=/$./?0;4* J?O6* .? X\c* 6OOD? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X\cT? (8=>>: =1 RO b52?6OXX?
,"LB"$B(C* (2-0= B-=3/? F >:1 #"<<)"*+ = >5/> _:31/> 9= 5>:? -&./?(; +$9$#;* J:2? X dXn*@%$<(#,* 6OOD?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? L= :2M:> = :5J-9:> P=1 /P=34:>E 51/ 82/>>-_-8/mh: 9:>>:0> 0: 8-0=1/? -&./?(; HM* Q -&./?(; =& 7$<09/';:1$ M0=/$./?0;4 =; 89(&#'$<* Ch:,/52:* J?X* 0?6* .?XKKN6X`* /k:U9=p 6OOD?
XRR
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 135/181
JAAg
@/??&#(;:D&?N
F,FACG$* LaP:3/ B=k-0/? M9F4/?& =$ =&?/>9 ?$9$#$ 9$ 4$9>;Y<&(#;>&< 42'#&8 78>,) #6)O3)&,#? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^,B? <53-4-P/* 6OOK/?
I(BIFC(* (0/ A5-p/ ,=3=-3/? M #&4;:1$ ?$<Y/<;>&< 9$? 2/4<&? =& ;9/<;:1$ 9$#(&Y;<&#/';9$? 9$ 2/9;4 =; =K';=; =& EgJAE 9: >-2=08-:>: /: >:0:3:? L->>=34/mh: d#=>43/9: =1<-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OOK?
<(BY(A!F* (093=>:0 C-2J/ 9=? M "&#'&\:1$ +$9$#; 9$ 7/9&<;E J=3 8:1 :> :5J-9:>*:5J-3 8:1 :543:> >=04-9:>? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:*6OOK?
M#(/>$?N
I(BB"%!(* %/4/2-/ <?H ,(CCFC* (04r0-: ^=30/09: 9/ <:08=-mh:? Ɨ P=-3/ 9/ .->8-0/* t P=-3/ 9: j5/93:E ( 54-2-p/mh: 9: >:1 :__ = / 8:0>435mh: 9= 4=0>h: 0/ :P3/ 9= A583=8-/ #/34=2?BBB88 7$9>#&??$ C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$ d$%S"B<F#n? <53-4-P/* \ / ]9= >=4=1P3: 9= 6OOK?
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? ,3aN=>854/>E 1:9=2:> 9= /59-P-2-9/9=> 9:> .3-1=-3:>8-0=1/>? ,9(#&c)&/$?* J? `* 6OOK/?
ggggg* o:>a <2e59-: C-j5=-3/? ( ,3=>=0m/ 9: C:1E .3:.:>4/ ./3/ 51/ -0J=>4-k/mh: 1/4=3-/29/ =l.=3-u08-/ >:0:3/ 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? O]* 0„ O`* 6OOKP?
F,FACG$* LaP:3/ B? ( ./->/k=1 >:0:3/ = / /1P-=04/mh: 9: 9=>=0M: 9= >:1E F> C:0>/1P-=04= 8:1: 2:8/2-p/9:3=> =>./8-/-> = 4=1.:3/-> 0: _-21= "0>/-: C:P3= / <=k5=-3/? $0E#5>-#-9* 6OOK* Ch: ,/52:? M9;/? =$ Ul ,9'$9(#$ =& )o?/'; & )6=/;E ">4a4-8/> 9: C:1*6OOKP? .? XNXD?
,"B"$B(* G-3/ C/04:>? G,*+$*.)E / 8:0>435mh: 9: =>./m: 0/33/4-J: /43/Ja> 9/ 3=2/mh:
-1/k=1N>:1? -*M Q -&./?(; *9/.&#?/(F#/; M0=/$./?0;4? Ch: </32:>* 6OOK/? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`XKT? (8=>>: =1 RO b52? 6OXX?
ggggg* G-3/ C/04:>? C= ,:9=> F5J-3* ">854/E 3=2/mq=> /59-:J->5/-> 9: _-21= B*#,$) ()2</ ,
G/3"/$<, = 8:0>-9=3/mq=> >:P3= >=5 .3:8=>>: 83-/4-J:? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4* .? XN6* 6OOKP? L->.:0ZJ=2 =1E QM44.EUU777?35/?5_>8/3?P3U>-4=Ux.‑X`DOT? (8=>>:=1 RO b52? 6OXX?
z@$%S(%(* ^/P-/0/? F3_=5E 9: 1-4: / 3=/2-9/9= P3/>-2=-3/? ( -1.:34s08-/ 9/ 43-2M/ >:0:3/ 0/=>43/4ak-/ 0/33/4-J/ 9= </8e L-=k5=> = >5/ 3=2/mh: 8:1 : 8:04=l4: >:8-:852453/2 9= 51/a.:8/? $0E Ul ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? C/04:>E B=/2=b: A-J3:> = "9-mq=>*
6OOK?
XR\
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 136/181
SFBB"C* (2_3=9: '=30=; A-1/? ( C-0_:0-/ 9:> ,e>>/3:>? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4? Ch: </32:>* 6OOK? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux
.‑6XK\…g_40XT? (8=>>: =1 RO b52? 6OXX?
JAEA
O&?&N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/ G:8M Y/p? "$# 0<; "$46(/'; =; _$[ 9$ 7/9&<;E=>43/4ak-/> ./3/ =1/08-./mh: 9: =>.=84/9:3 =1 !/7L<$,# +) ("2+/#/*?)=?$7/*-) 9= S:1e>&54-a33=p? S=>= dL:54:3/9: =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OXO?
'"B%"<G* L/0-=2 A=/2? )$./<&9($? 89./?6.&/?E M->4{3-/ 9/ =>4a4-8/ 9: >:1 9: 8-0=1/ 9=
/0-1/mh:? S=>= dL:54:3/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OXO?
@/??&#(;:D&?N
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? M ";/?;>&< +$9$#; ,4&(#j9/';E / 8:0>435mh: 9=0:J/> /59-P-2-9/9=> 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @"Bo? B-:9= o/0=-3:* 6OXO/?
,"B"$B(* G-3/ C/04:>? +& "$=&? L0./#] ,?'0(;E / ku0=>= /59-:J->5/2 9= B*#,$) ()2</ ,
G/3"/$<,? L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OXO?
CF@w(* ,3->8-2/ !/;9a=? ,a\#&??/./=;=& $#;4 9$ '/9&<;N 9-e2:k:> 8:1 / _:0:/59-:2:k-/?L->>=34/mh: d#=>43/9: =1 :0:/59-:2:k-/n? ,@<? Ch: ,/52:* 6OXO?
M#(/>$?N
(#(B(A* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* Aa>2-= ,-88:2:44:H CF@w(* ,3->8-2/ !/;9a=? (^:0:/59-:2:k-/ = : /4:3 9= 8-0=1/E 3=2/4:> 9= .3:_->>-:0/-> 9: 1=-: 8-0=1/4:k3e_-8:?@/?(o#I/$? =; 7$<09/';:1$* J? 66* .? XRRNX\]* 6OXO/?
ggggg* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* Aa>2-= ,-88:2:44:H #(BSw* #/3-/ A/53/ '=;HCF@w(* ,3->8-2/ !/;9a=? B=.3=>=04/mq=> 9= Y:p = ^/2/ 0: <-0=1/? Z;4Fa/;* J? XO* .? XcXNX`\* 6OXOP?
<(BB"$BF* B:93-k:? F 3e9-: = :> >-2u08-:>E /34-852/mq=> >:P3= : 5>: 9: >:1 =1 G$*/7,&
,#:$<$*,# / "<"2"#? B8 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX*6OXO/?
ggggg* B:93-k:? B=2/mq=> =043= -1/k=0> = >:0> 0: _-21= G$*/7,& I#:$<$*,# / J<"2"#?-&./?(; =; M??$'/;:1$ H;'/$9;4 =$? "#$>#;<;? =& "T?YZ#;=0;:1$ &< 7$<09/';:1$ ,Y
'$<\T?* I3/>Z2-/* J?XR* 0} X* 6OXOP?
XRc
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 137/181
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? F >:1 =2=43r0-8: 0: 8-0=1/E 51/ /P:39/k=1_=0:1=0:2{k-8/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? "9 XcE B-: 9= o/0=-3:*J:2? D* 06* 6OXOP?
<FCS(* ^=30/09: #:3/-> 9/? ,:9= : 8-0=1/ 8:04=1.:3s0=: 3=.3=>=04/3 : /1P-=04= >:0:3:=1 j5= J-J=1:>x S$>$?N 7$<09/';:1$ e *9/.&#?/=;=&? B-: 9= o/0=-3:* J:2? X]* 0„ R6*6OXOP?
ggggg* ^=30/09: #:3/-> 9/? C:1 = 3-41: -04=30: 0: .2/0:N>=j5u08-/? B8 ,?(0=$? =& 7/9&<;& M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX* 6OXO/?
z@$%S(%(* ^/P-/0/? ( S3-2M/ >:0:3/ 9= 51 _-21= -1/k-0e3-:E @1/ /0e2->= 9: _-21= IA@"dXKKRn 9= L=3=V o/31/0? $0E ^l ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? Ch: ,/52: E A=43/ =Y:p* 6OXO?
JAEE
O&?&N
CF@w(* o:h: I? &? 9=? "#$'&=/<&9($? =& (#;I;4X$ 9; ';\(;:1$ =& ?$< =/#&($ 9$? 4$9>;?Y<&(#;>&9? I#;?/4&/#$? 682$,# $898' & K2$G2&#E / 4a80-8/ = : =>./m: 83-/4-J:? S=>=dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n y ">8:2/ 9= <:150-8/mq=> = (34=>* @C,* Ch:,/52:* 6OXX?
@/??&#(;:D&?N
I(BB"%!(* %/4/2-/ <? M &a\&#/39'/; =$ '/9&<; =& S0'#&'/; );#(&4E 3=>Z95:> 9: 4=1.: =>:0> t P=-3/ 9/ .->8-0/? L->>=34/mh: d#=>43/9: =1 #524-1=-:>n? @%$<(#,* </1.-0/>* 6OXX?
"C,FC$SF* #/53-8-: 9= </3:? 7#/;9=$ )09=$ '$< +$9?E ,{>N.3:95mh: 9= >:1 = #)"*+
+/#$3* 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @0-J=3>-9/9= (0M=1P-#:351P-? Ch: ,/52:* 6OXX?
,"CCF(* ^3=9=3-8: (5k5>4: Y? 9= (?? L S0>;# 5$#; =$ S0>;#N ($\$>#;2/;? ?$9$#;? =$'/9&<; =$'0<&9(F#/$? L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&* I=2: !:3-p:04=* 6OXX?
M#(/>$?N
(AY$#* A5-p/ I?(?#?? ,/->/k=0> >:0:3/> 9= B:P=34 I3=>>:0? 7/I&>&9=; d@^^? F02-0=n*0?6\* J? OX* .? `6N]6* 6OXX
(A#"$L(* %/4/>M/ !=30/09=p? F /34->4/ >-2=08-:>:E 51 =>459: 9/ 8:0>435mh: >:0:3/ 0:_-21= 9: <-0=825P= @0-J=3>-4e3-: 9= </1.-0/>? 7$)(&<\$ dB=J->4/ "2=43r0-8/ 9: ,3:k3/1/
9= ,{>N&3/95/mh: =1 <:150-8/mh: 9/ ^/8529/9= <e>.=3 AZP=3:n* J:2? 6* 06* /0: R? Ch:,/52:* 9=p? 6OXX?
XR`
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 138/181
(AY"C* I=30/39: #/3j5=p? ,3:95mh: C:0:3/ 0: <-0=1/ <:04=1.:3s0=:E 51 :2M/3 >:P3=9=>/_-:> 9: >:1 0: 8-0=1/ P3/>-2=-3: = : .3:8=>>: 9= _-0/2-p/mh: 9= >:1 9: _-21= 1<):, +/
B=$-/ A? -&./?(; 7/9&<; 7;/\/#;* 0? RX? B-: <2/3:* >=4? 6OXX?
<(A"$BF* #/53-8-:? ( 0/33/4-J/ _:0:8-0=1/4:k3e_-8/ =1 E ($=@*%$)E /59-mh: >5Pb=4-J/ =83:0:4:.-/> 9: =>./m: _Z21-8:? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? XRDNX\D* 6OXX?
<(,"AA"B* $J/0? $043:95mh: t (3j5=:2:k-/ 9/ ">854/E 9: >:1 = 9/ J:p 8:1: :Pb=4:> 9==0508-/mh:? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? 6* .? ]NXc* 6OXX?
<(BB"$BF* B:93-k:? F> >:0> 9/ 8:04-05-9/9= -04=0>-_-8/9/E : 8/>: 9= C=3k-: A=:0=? $0EA/53/ <e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n? B88 ,?(0=$? =&7/9&<; & M0=/$./?0;4 +L78H,d? X=9?Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? Rc\NR`K?
ggggg* B:93-k:? C:P3= : >:1 0: 8-0=1/ 9= M:33:3E ./93q=> 3=8:33=04=> 9= =>4-2:?
7/I&>&9=; d@^^? F02-0=n* 0?6\* J?X* .? 6KN\6* 6OXXP?
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? F #)"*+#%,:/ 9/ 1:9=30-9/9=E :> ()"*+ (-"+$/# = :>:1 0: 8-0=1/? $0E A/53/ <e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n?B88 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 `+L78H,d? Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? R6cNRRD?
ggggg* o:>a <2e59-: C-j5=-3/? F C:1 "l./09-9:E :> 0:J:> =>./m:> 9: >:1 0: 8-0=1/?-&./?(; =& ,?(0=$? =; 7$<09/';:1$* J? X6* .? 6`cN6]R* 6OXXP?
<FCS(* ^=30/09: #:3/-> 9/? ,:9=N>= 9-p=3 j5= Me /2k: 8:1: 51 M-.=3N3=/2->1: >:0:3: 0:8-0=1/ /3k=04-0:x? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? D\NKO* 6OXX/?
ggggg* ^=30/09: #:3/-> 9/? <:1: >:/ M:b= =l.=3-1=04/2x? 5/4<& 704(0#;* J? c\* .? \KNc\*6OXXP?
ggggg* ^=30/09: #:3/-> 9/? F> 8/1-0M:> 9:> 5>:> 9:> >-2u08-:> d:5 / 2=1P3/0m/ j5= 0h: ./>>/ 9= o:M0 </k=n? 7/I&>&9=; d@^^? F02-0=n* %-4=3{-* 6\ b52? 6OXX8? L->.:0ZJ=2 =1EQM44.EUU777?.3:..-?5__?P3U8-P=32=k=09/U:>N8/1-0M:>N9:>N5>:>N9:>N>-2‡<R‡((08-:>T?(8=>>: =1 RO b52? 6OXX?
<@%!(* L/1;2=3 ^=33=-3/? ( C5P1=3>h: 0/> $1/k=0> C:0:3/>E : >:1 = >5/> 9-1=0>q=> 3=/->= -1/k-0e3-/>? -&./?(; -0<$#&?c "9? K* J:2 X* Ch: ,/52:* b/0=-3:Nb50M: 9= 6OXX?
^B"$B"* B/_/=2 9= A50/? Y=3>h: P3/>-2=-3/ <:043-P5-mq=> ./3/ 51/ M->4{3-/ 9/ 95P2/k=18-0=1/4:k3e_-8/ 0: I3/>-2 0/> 9a8/9/> 9= XKRO = XK\O? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J?X* .? ]NXD* 6OXX?
A"#"* &=3>:0 B-:>? ,=0>/09: / 43-2M/ >:0:3/ ./3/ /59-:J->5/2? L-+LH N B=J->4/ 9:><53>:> 9= <-0=1/ 9: <=/34= @^,"A* J? X* .? DKNKc* 6OXX
,$,(%F* $>//8? (2a1 9: j5= >= Ju N : >:1 = /> ./->/k=0> >:0:3/> 0: 9:851=04e3-: C)*3 * 9=
o-/ wM/0kNV=? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? ]R U O]NDR* 6OXX?
XR]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 139/181
BFLB$&@"C* B:93-k: ^:0>=8/ =? C:0:3-9/9=> 9: 8-0=1/E S/3V:J>V; = / M=4=3:83:0-/ 9/=>854/? )&=/;:1$ dI=2: !:3-p:04=n* J? XR* .? XXRNX66* 6OXX?
Y"L(%(* Y-J-/0=? L-e2:k:> >:P3= / -1/k=1 J->5/2 = / -1/k=1 >:0:3/E / =l.=3-u08-/ 9=
=>83-453/ 9: >:0:3: 0:> 9:851=04e3-:> =40:k3e_-8:>? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? 6KN\6* 6OXX?
Y"%(%<$F* B/_/=2 L? F?? "_=-4:> >:0:3:> =0j5/04: _/2/ /59-:J->5/2E (0e2->= 9= &=3/29#8I:-0kNI:-0k t 25p 9: ˈc6D 9/> $0J=>4-k/mq=> ^-2:>{_-8/>? 7/I&>&9=; d@^^? F02-0=n*0?6\* J? X* .? X6`NXR]* 6OXX?
XRD
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 140/181
MH,BL 88A->4/ P-P2-:k3e_-8/ 8:1.2=4/ 9->43-P5Z9/ .:3 4=09u08-/ 4=1e4-8/?
n8+OL-8M
S/.#$?
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$? B-: 9= o/0=-3:E ]A=43/>E^(,"Bo* 6OOD?
O&?&?N
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$E 3=J->h: 9= 51/ -1.:34s08-/
-09=_=3-9/? S=>= dL:54:3/9: =1 <:150-8/mh: C:8-/2n? @^^? B-: 9= o/0=-3:* 6OO`/?
#(%w(%F* A5-p (9=21: ^=30/09=>? L ?$< 9$ '/9&<;E 9/ =9-mh: 9= >:1 /: #)"*+ +/#$3*
K =J:25mh: 4=80:2{k-8/ = .3:95mh: P3/>-2=-3/? S=>= dL:54:3/9: =1 <:150-8/mh: = ">4a4-8/ 9:(59-:J->5/2n? @C,? Ch: ,/52:* 6OOc?
'"B%"<G* L/0-=2 A=/2? )$./<&9($? 89./?6.&/?E M->4{3-/ 9/ =>4a4-8/ 9: >:1 9: 8-0=1/ 9=/0-1/mh:? S=>= dL:54:3/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OXO?
@/??&#(;:D&?N
I(BIFC(* (0/ A5-p/ ,=3=-3/? M #&4;:1$ ?$<Y/<;>&< 9$? 2/4<&? =& ;9/<;:1$ 9$#(&Y;<&#/';9$? 9$ 2/9;4 =; =K';=; =& EgJAE 9: >-2=08-:>: /: >:0:3:? L->>=34/mh: d#=>43/9: =1<:150-8/mh:n? @C,? Ch: ,/52:* 6OOK?
<(,"AA"B* $J/0? 89(#$=0:1$ P ;#G0&$4$>/; =; &?'0(; $0 $ 9;?'/<&9($ =$ '/9&<; ?$9$#$; \;#(/# =$ &?\6#/($ =; T\&#;? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9=o/0=-3:* 6OOc?
&@$#(Bf"C* <2:4-29= I:3k=>? M /9(#$=0:1$ =$ ?$< =/#&($ 9$ '/9&<; =$'0<&9(F#/$
I#;?/4&/#$ 9; =K';=; =& Eg^Ac L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOD?
M#(/>$?N
I"AA"IF%$* A58-=0=? ( 9-_Z8-2 3=2/mh: =043= -1/k=1 = >:1 0: /59-:J->5/2 8:04=1.:3s0=/ O
$0E M9;/? =$ 88 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =& 7;#.;4X$* @^C<N^2:3-/0{.:2->*6OO\?
<(,"AA"B* $J/0? $043:95mh: t (3j5=:2:k-/ 9/ ">854/E 9: >:1 = 9/ J:p 8:1: :Pb=4:> 9=
=0508-/mh:? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? 6* .? ]NXc* 6OXX?
XRK
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 141/181
<(BB(C<F* <2/59-0=;? F C:0M: 9= "9->:0E : /9J=04: 9: >:1 >-083:0-p/9:? M#(704(0#;d@^@n* J? c* 0? `* .? cRN`c? @P=32s09-/* 6OOR?
<FCS(* ^=30/09: #:3/-> 9/? ( -0>=3mh: 9: >:1 0: 8-0=1/E .=38/2m:> 0/ ./>>/k=1 9= 51
1=-: J->5/2 ./3/ /59-:J->5/2? $0E M9;/? =$ 8 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =&7;#.;4X$? B-: 9= o/0=-3:* 6OOR_?
ggggg* ^=30/09: #:3/-> 9/? ,3-1=-3/> 4=04/4-J/> 9= >:0:3-p/mh: 0: 8-0=1/ P3/>-2=-3: d:>8-0=1/4{k3/_:> _/2/04=> XKO6NXKODn? dJ=3>h: -04=k3/2n? )9&<$'/9&* 6OO`P? L->.:0ZJ=2 =1EQM44.EUU777?10=1:8-0=?8:1?P3U-09=l?.M.U8-0=1/N8/4=k:3-/U6cNM->4:3-/N0:N8-0=1/NM->4:3-/N9:N8-0=1/UX6XN.3-1=-3/>N4=04/4-J/>N9=N>:0:3-p/8/:N0:N8-0=1/NP3/>-2=-3:N:>N8-0=1/4:k3/_:>N_/2/04=>NXKO6NXKODT? (8=>>: =1 O] 9= b52? 6OX6?
ggggg* ^=30/09: #:3/-> 9/? z5= ./.=2 a 9=2=k/9: /: >:1* =1 51 1=-: /59-:J->5/2x (-1/k=1 .3=.:09=3/04=* = / -0>=3mh: 9: >:1 0: 8-0=1/? ,'$? -&./?(;* ,=2:4/> N BC* J? ]* 0? X*
.? ]XNKX* 6OOR=?
^B"$B"* B/_/=2 9= A50/? ₠Y=3>h: P3/>-2=-3/ N <:043-P5-mq=> ./3/ 51/ M->4{3-/ 9/ 95P2/k=18-0=1/4:k3e_-8/ 0: I3/>-2 0/> 9a8/9/> 9= XKRO = XK\O? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J?X* .? ]NXD* 6OXX?
&(SS$* (093= ,-=3:H #"%L"C* "95/39: C/04:>? ( 0:J/ >:0:3-9/9= 9: 8-0=1/ =1 Ch:,/52:? $0E (093a ,-=3: &/44-? dF3k?n? L 9$.$ '/9&<; \;04/?(;? X =9? Ch: ,/52:E <=043:<52453/2 Ch: ,/52:* 6OOD* J? Oc* .? \RN`\?
!(@CC"%* A58-/0/? C:1* <s1=3/* (mh:E / 3=2=Js08-/ 9: >:1 0/ M->4{3-/ 9: 8-0=1/? +&??D&?=$ 8<;>/9F#/$ d$1.3=>>:n* J? 6O* .? X]N66? ,:34: (2=k3=* 6OOD?
O,7HLSLZ8M
@/??&#(;:D&?N
(AY(B"w* #/3-/0: &/P3-=2? M ,?(&#&$2$9/; @/>/(;4E 51/ /P:39/k=1 >:P3= / 4a80-8/* : ./93h: = / 2-0k5/k=1 >:0:3/ 8-0=1/4:k3e_-8/ 0:34=N/1=3-8/0/ 0: .=3Z:9: 9= XKKX / 6OOX?
L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OO]?<FCS(* %a2-: o:>a I/4->4/? L ?0##$09= & ; &?\;'/;4/=;=& ?$9$#; 9$ '/9&<; ? L->>=34/mh:d#=>43/9: =1 (34=> Y->5/->n? @^#&? I=2: !:3-p:04=* 6OO\/?
M#(/>$?N
,"LB"$B(C* (2-0= B-=3/? F >:1 #"<<)"*+ = >5/> _:31/> 9= 5>:? -&./?(; +$9$#;* J:2? X dXn*@%$<(#,* 6OOD?
X\O
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 142/181
",-7,"fpL +LHL-M
@/??&#(;:D&?N
<(BY(A!F* (093=>:0 C-2J/ 9=? M "&#'&\:1$ +$9$#; 9$ 7/9&<;E J=3 8:1 :> :5J-9:>*:5J-3 8:1 :543:> >=04-9:>? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:*6OOK?
<(CS(%!"$B(? o:>a <2e59-: C-j5=-3/? M ";/?;>&< +$9$#; ,4&(#j9/';E / 8:0>435mh: 9=0:J/> /59-P-2-9/9=> 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @"Bo? B-:9= o/0=-3:* 6OXO/?
^AFB"C* Y-3k-0-/ F>:3-:? L 7/9&<;] 0<; ;#(& ?$9$#;? L->>=34/mh: d#=>43/9: =1 #v>-8/n@^Bo? B-: 9= o/0=-3:* 6OO`?
M#(/>$?N
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? ( ,/->/k=1 C:0:3/ "2=43r0-8/E / 3=8:0>435mh: 9:1509: >:0:3: 8:04=1.:3s0=: 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: =<52453/? B-: 9= o/0=-3:* J:2? O`* 6OOD/?
ggggg* o:>a <2e59-: C-j5=-3/? ( ,3=>=0m/ 9: C:1E .3:.:>4/ ./3/ 51/ -0J=>4-k/mh: 1/4=3-/29/ =l.=3-u08-/ >:0:3/ 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? O]* 0„ O`* 6OOKP?
ggggg* o:>a <2e59-: C-j5=-3/? B=/%-<)*$% 1)*,=$-$/#E : =>./m: =2=43r0-8: = / -1.3=>>h: 9=3=/2-9/9= 0/ _-8mh: 8-=04Z_-8/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? XX* 6OODP?
ggggg * o:>a <2e59-: C-j5=-3/? F C:1 "2=43r0-8: 0: <-0=1/E 51/ /P:39/k=1_=0:1=0:2{k-8/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? "9 XcE B-: 9= o/0=-3:*J:2? D* 06* 6OXOP?
ggggg* o:>a <2e59-: C-j5=-3/? F C:1 "l./09-9:E :> 0:J:> =>./m:> 9: >:1 0: 8-0=1/?
-&./?(; =& ,?(0=$? =; 7$<09/';:1$* J? X6* .? 6`cN6]R* 6OXXP? ggggg* o:>a <2e59-: C-j5=-3/? ,3aN=>854/>E 1:9=2:> 9= /59-P-2-9/9=> 9:> .3-1=-3:> 8-0=1/>?,9(#&c)&/$?* J? `* 6OOK/?
<FCS(* ^=30/09: #:3/-> 9/? ">854/3 4/04: j5/04: >= Ju d8:1: 51 _-21= -3/0-/0:* >:P3= 51/83-/0m/ 8=k/* .:9= =0>-0/3 / :5J-3xn? $0E M9;/? =$ BB_8 7$9>#&??$ I#;?/4&/#$ =& '/39'/;?=; '$<09/';:1$ y $%S"B<F#? I=2: !:3-p:04=* 6OORP?
^AFB"C* Y-3k-0-/ F>:3-:? ( ">854/ ^Z21-8/E 51/ /4-459= =>4a4-8/? B_88 7$9>#&??$ =;M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/'; d(%,,F#n? Ch: ,/52:*
6OO]?
X\X
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 143/181
"-L7,++L @, 7-8MfpL
O&?&?N
CF@w(* o:h: I? &? 9=? "#$'&=/<&9($? =& (#;I;4X$ 9; ';\(;:1$ =& ?$< =/#&($ 9$? 4$9>;?Y<&(#;>&9? I#;?/4&/#$? 682$,# $898' & K2$G2&#E / 4a80-8/ = : =>./m: 83-/4-J:? S=>=dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n y ">8:2/ 9= <:150-8/mq=> = (34=>* @C,* Ch:,/52:* 6OXX?
@/??&#(;:D&?N
"C,FC$SF* #/53-8-: 9= </3:? 7#/;9=$ )09=$ '$< +$9?E ,{>N.3:95mh: 9= >:1 = #)"*+
+/#$3* 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @0-J=3>-9/9= (0M=1P-#:351P-? Ch: ,/52:* 6OXX?
F,FACG$* LaP:3/ B=k-0/? M9F4/?& =$ =&?/>9 ?$9$#$ 9$ 4$9>;Y<&(#;>&< 42'#&8 78>,) #
6)O3)&,#? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^,B? <53-4-P/* 6OOK/?
,"B"$B(* G-3/ C/04:>? +& "$=&? L0./#] ,?'0(;E / ku0=>= /59-:J->5/2 9= B*#,$) ()2</ ,
G/3"/$<,? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @C,? Ch: ,/52:* 6OXO?
M#(/>$?N
(AY"C* I=30/39: #/3j5=p? ,3:95mh: C:0:3/ 0: <-0=1/ <:04=1.:3s0=:N 51 :2M/3 >:P3=9=>/_-:> 9: >:1 0: 8-0=1/ P3/>-2=-3: = : .3:8=>>: 9= _-0/2-p/mh: 9= >:1 9: _-21= 1<):, +/
B=$-/ A? -&./?(; 7/9&<; 7;/\/#;* 0? RX? B-: <2/3:* >=4=1P3: 9= 6OXX?
IFw$<(%$%* o:>a "95/39:? (> -9a-/> 9/ 43-2M/ >:0:3/ 9: _-21= IH$<,? -*M N -&./?(;*9/.&#?/(F#/; =$ M0=/$./?0;4* J? \* .? X6* 6OOD? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`RT? (8=>>: =1 RO b52? 6OXX?
A"#"* &=3>:0 B-:>? ">854/09: : <-0=1/? -*M Y -&./?(; *9/.&?/(F#/; =$ M0=/$./?0;4* J?O6* .? X\c* 6OOD? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X\cT ? (8=>>: =1 RO b52?6OXX?
,"B"$B(* G-3/ C/04:>? C= ,:9=> F5J-3* ">854/E 3=2/mq=> /59-:J->5/-> 9: _-21= B*#,$) ()2</
, G/3"/$<, = 8:0>-9=3/mq=> >:P3= >=5 .3:8=>>: 83-/4-J:? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4* .? XN6* 6OOKP? L->.:0ZJ=2 =1E QM44.EUU777?35/?5_>8/3?P3U>-4=Ux.‑X`DOT? (8=>>:=1 RO b52? 6OXX?
Y"L(%(* Y-J-/0=? L-e2:k:> >:P3= / -1/k=1 J->5/2 = / -1/k=1 >:0:3/E / =l.=3-u08-/ 9==>83-453/ 9: >:0:3: 0:> 9:851=04e3-:> =40:k3e_-8:>? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X*
.? 6KN\6* 6OXX?
X\6
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 144/181
,S,),HOL+ @M O-8SnM +LHL-M
@/??&#(;:1$N
IB~@S$&(#* (2=l/093= I/2-v? +$9$4$>/; & 7/9&<;E =2=1=04:> ./3/ /0e2->= e59-:NJ->5/2?L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^Bo? B-: 9= o/0=-3:* 6OO]?
M#(/>$?N
A"#"* &=3>:0 B-:>? ,=0>/09: / 43-2M/ >:0:3/ ./3/ /59-:J->5/2? L-+LH N B=J->4/ 9:><53>:> 9= <-0=1/ 9: <=/34= @^,"A* J? X* .? DKNKc* 6OXX?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? L= :2M:> = :5J-9:> P=1 /P=34:>E 51/ 82/>>-_-8/mh: 9:>
>:0> 0: 8-0=1/? -&./?(; HM* Q -&./?(; =& 7$<09/';:1$ M0=/$./?0;4 =; 89(&#'$<* Ch:,/52:* J?X* 0?6* .?XKKN6X`* /k:U9=p 6OOD?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? ( S3-2M/ C:0:3/ 9: <-0=1/E .3:.:>4/ ./3/ 51 ₠:5J-3/0/2Z4-8:? 7;4/>#;<;E B=J->4/ 9= ">459:> = ,=>j5->/ =1 A-0k5/k=1 = #Z9-/? Ch: ,/52:* J:2?OR* 0: OX* 6OO]?
,+O*@L+ @M _Lq
O&?&?N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/ G:8M Y/p? "$# 0<; \$46(/'; =; .$[ 9$ '/9&<;E=>43/4ak-/> ./3/ =1/08-./mh: 9: =>.=84/9:3 =1 !/7L<$,# +) ("2+/#/*?)=?$7/*-) 9= S:1e>&54-a33=p? S=>= dL:54:3/9: =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OXO?
@/??&#(;:D&?N
(#(B(A* Y-4{3-/ B:8M/ ,3/9:? M .$[ 9; *&') )2 '+02)E : _-21= G$+,+/ +/ C/"# >:P /=>854/ _:0:/59-:2{k-8/? L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:*
6OO`?<(CSBF* A58-/0/? M9F4/?& =$? ";=#D&? =& _$[ 9$ 7/9&<;E / 8:150-8/mh: :3/2 M51/0/=1 95/> J=3>q=> 9= 1./ 5"--8 0<)4/##)< ? L->>=34/mh: d#=>43/9: =1 "958/mh: =1 <-u08-/> =C/v9=n? @^Bo? B-: 9= o/0=-3:* 6OOX?
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/? *< ,?(0=$ =; "$#<;9'& =; L#;4/=;=& 9$7/9&<;E 3=k->43:> 9/ J:p 0/ 2-0k5/k=1 9:851=04/2? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:= C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOc?
CF@w(* ,3->8-2/ !/;9a=? ,a\#&??/./=;=& $#;4 9$ '/9&<;N 9-e2:k:> 8:1 / _:0:/59-:2:k-/?
L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<? Ch: ,/52:* 6OXO?
X\R
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 145/181
M#(/>$?N
(#(B(A* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* Aa>2-= ,-88:2:44:H #(BSw* #/3-/ A/53/ '=;HCF@w(* ,3->8-2/ !/;9a=? B=.3=>=04/mq=> 9= Y:p = ^/2/ 0: <-0=1/? Z;4Fa/;* J? XO* .? XcXN
X`\* 6OXOP?
ggggg* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* Aa>2-= ,-88:2:44:H CF@w(* ,3->8-2/ !/;9a=? (^:0:/59-:2:k-/ = : /4:3 9= 8-0=1/E 3=2/4:> 9= .3:_->>-:0/-> 9: 1=-: 8-0=1/4:k3e_-8:?@/?(o#I/$? =; 7$<09/';:1$* J? 66* .? XRRNX\]* 6OXO/?
<FCS(* ^=30/09: #:3/-> 9/? (>) 6/<*,<+)E 1:>/-8: 9= J:p=> d1:>435e3-: 9:> 9-J=3>:> 5>:>9/ J:p 0: 8-0=1/n? $0E <(S(%$* (_3s0-: #=09=> =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;](0: $Y? Ch: ,/52:E ,/0:3/1/* 6OOR8* J? * .? R\cNRcO?
LF,,"%C<!#$SS* "2=0? ,:3 51/ ,:2Z4-8/ 9/ Y:pE S:1e> &54-a33=p (2=/ = /> !/7L<$,# +)
("2+/#/*?)=?$7/*-)? @&./#&? d@^#&n* J? c* .? XD\N6OR* 6OOD?
ggggg* "2=0? ( J:p 0/> #=1{3-/> 9: C5P9=>=0J:2J-1=04:E 9= "91509: L=>0:=> / S:1e>&54-a33=p (2=/? $0E M9;/? =$ B8 ,9'$9(#$ -&>/$9;4 =; M??$'/;:1$ C#;?/4&/#; =& S/(&#;(0#;7$<\;#;=; d(IB(A$<n? Ch: ,/52:* 6OO]/?
ggggg* "2=0? Y:p = </04: ,:.52/3 9: %=k3: 0: <-0=1/ N .:a4-8/ 8-0=1/4:k3e_-8/ 0:9:851=04e3-: I+>) )" ()7)# 1)+)# M$=.)# +, 1/<<, 9= '/24=3 C/22=> = L/0-=2/ SM:1/>?*H8)LHO,+ 7/&9(62/';* J? D* .? \XNcO* 6OO]P?
A$%C* <:0>5=2:? F =0>/-: 0: 9:851=04e3-: = / j5=>4h: 9/ 0/33/mh: =1 )44 ? $0E •Y$ "08:043: %/8-:0/2 9/ <:1.{>* 6OO]* <53-4-P/? M9;/? =$ B_8 ,9'$9(#$ H;'/$9;4 =; 7$<\T??<53-4-P/E S5-54-U<:1.{>* 6OO]?
#$B(%L(* C5p/0/ B=8V? Y:p=> ,:2-_r0-8/> = ">854/> #5>-8/->E / /34-852/mh: 9/ P/09/>:0:3/ =1 ^3/0m:-> &-3/39? $0E #/8M/9:* o3? B?H C:/3=>* B? L= A?H (3/vb:* A? <? 9=? dF3k?n?,?(0=$? =& 7/9&<; Q +$'/9& _888? Ch: ,/52:E (00/ I251=* 6OO]* J?X* .? \XN\D?
,+O*@L+ @L -*r@L
M#(/>$?E<FCS(* ^=30/09: #:3/-> 9/? ,:9= : 8-0=1/ 8:04=1.:3s0=: 3=.3=>=04/3 : /1P-=04= >:0:3:=1 j5= J-J=1:>x S$>$?N 7$<09/';:1$ e *9/.&#?/=;=&? B-: 9= o/0=-3:* J:2? X]* 0„ R6*6OXOP?
<@%!(* L/1;2=3 ^=33=-3/? ( C5P1=3>h: 0/> $1/k=0> C:0:3/>E : >:1 = >5/> 9-1=0>q=> 3=/->= -1/k-0e3-/>? -&./?(; -0<$#&?c "9? K* J:2 X* Ch: ,/52:* b/0=-3:Nb50M: 9= 6OXX?
F,FACG$* L=P:3/ B=k-0/? ( ./->/k=1 >:0:3/ = / /1P-=04/mh: 9: 9=>=0M: 9= >:1E F> C:0>/1P-=04= 8:1: 2:8/2-p/9:3=> =>./8-/-> = 4=1.:3/-> 0: _-21= B*#,$) ()2</ , G/3"/$<,? $0E
#5>-#-9* 6OOK* Ch: ,/52:? M9;/? =$ Ul ,9'$9(#$ =& )o?/'; & )6=/;E ">4a4-8/> 9: C:1*6OOKP? .? XNXD?
X\\
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 146/181
,+O*@L+ @L +8SsH78L
M#(/>$?N
<FCS(* ^=30/09: #:3/-> 9/? F> 8/1-0M:> 9:> 5>:> 9:> >-2u08-:> d:5 / 2=1P3/0m/ j5= 0h: ./>>/ 9= o:M0 </k=n? 7/I&>&9=; d@^^? F02-0=n* %-4=3{-* 6\ b52? 6OXX8? L->.:0ZJ=2 =1EQM44.EUU777?.3:..-?5__?P3U8-P=32=k=09/U:>N8/1-0M:>N9:>N5>:>N9:>N>-2‡<R‡((08-:>T?(8=>>: =1 RO b52? 6OXX?
ggggg* ^=30/09: #:3/-> 9/? C= .:58: >= 9-p >:P3= : >:1* j5=1 _/2/ >:P3= : >-2u08-: 0:>_-21=>x? Z#;>$;(F N B=J->4/ 9: ,3:k3/1/ 9= ,{>N&3/95/mh: =1 A=43/> @^ * %-4=3{-* J? X`* .?XOcNXX`* 6OO\P?
O,L-8M
M#(/>$?N
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? F #)"*+#%,:/ 9/ 1:9=30-9/9=E :> ()"*+ (-"+$/# = :>:1 0: 8-0=1/? $0E A/53/ <e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n?B88 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 `+L78H,d? Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? R6cNRRD?
#"%L"C* "95/39: C/04:>? ,=0>/09: / B=2/mh: $1/k=1NC:1? O,L-,)M Q 7#6(/'; =&7/9&<;* ,:34: (2=k3=* J? c* .? cXNcc* 6OO\?
,+OtO87M & ,+O8SL
@/??&#(;:1$N
,"CCF(* ^3=9=3-8: (5k5>4: Y-/00/ 9= (>>->? L S0>;# 5$#; =$ S0>;#E 4:.:k3/_-/> >:0:3/>9: 8-0=1/ 9:851=04e3-:? L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&* I=2: !:3-p:04=* 6OXX?
M#(/>$?N
<(BB"$BF* B:93-k:? C:P3= : >:1 0: 8-0=1/ 9= M:33:3E ./93q=> 3=8:33=04=> 9= =>4-2:?7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? 6KN\6* 6OXXP?
<FCS(* ^=30/09: #:3/-> 9/? <:1: >:/ M:b= =l.=3-1=04/2x? 5/4<& 704(0#;* J? c\* .? \KNc\*6OXXP?
ggggg* ^=30/09: #:3/-> 9/? ,:9=N>= 9-p=3 j5= Me /2k: 8:1: 51 M-.=3N3=/2->1: >:0:3: 0:8-0=1/ /3k=04-0:x? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? D\NKO* 6OXX/?
ggggg* ^=30/09: #:3/-> 9/? B5Z9:> = >-2u08-:E .3:.:>4/ ./3/ 51/ =>4a4-8/ 9: >:1 0: 8-0=1/?
$0E ^(IB$C* #/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;* (0: $$$? ,:34: (2=k3=EC52-0/* 6OOR9* J? * .? RXRNRXK?
X\c
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 147/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 148/181
<(BB"$BF* B:93-k:? F> >:0> 9/ 8:04-05-9/9= -04=0>-_-8/9/E : 8/>: 9= C=3k-: A=:0=? $0EA/53/ <e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n? B88 ,?(0=$? =&7/9&<; & M0=/$./?0;4 +L78H,d? X=9?Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? Rc\NR`K?
ggggg* B:93-k:? B=2/mq=> =043= -1/k=0> = >:0> 0: _-21= G$*/7,& I#:$<$*,# / J<"2"#?-&./?(; =; M??$'/;:1$ H;'/$9;4 =$? "#$>#;<;? =& "T?YZ#;=0;:1$ &< 7$<09/';:1$ ,Y'$<\T?* I3/>Z2-/* J?XR* 0} X* 6OXOP?
LFI(A* C5p/0/ #? B:P=34 I3=>>:0E : 8-0=1/ 051 /4:31=04/9: >-2u08-:? $0E ^(IB$C*#/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;] M9$ 888? ,:34: (2=k3=E C52-0/* 6OOR*J? * .? 6]cN6DX?
#"%L"C* "95/39: C/04:>H <(BB(C<F* <2/59-0=;? ( 3=2/mh: -1/k=1U>:1 0:> _-21=> 9=G5P3-8V? -&./?(; 704(* Ch: ,/52:* .? cc N cK* OX :54? 6OO]?
ggggg* "95/39: C/04:>H ,$%SF* $J:0=4=? A583=8-/ #/34=2 = : P=0=_Z8-: 9/ -08=34=p/?O,L-,)M y <3Z4-8/ 9= <-0=1/* ,:34: (2=k3=* J? D* 6OOc?
ggggg* "95/39: C/04:>? '/24=3 #538ME / 3=J:25mh: 9/ 43-2M/ >:0:3/ 8-0=1/4:k3e_-8/? $0E+/>9/2/';:1$ 0} 6`* .? XD]N66\? Ch: ,/52:E (00/P251=* 6OO`?
,"B"$B(* G-3/ C/04:>? G,*+$*.)E / 8:0>435mh: 9: =>./m: 0/33/4-J: /43/Ja> 9/ 3=2/mh:-1/k=1N>:1? -*M Q -&./?(; *9/.&#?/(F#/; M0=/$./?0;4? Ch: </32:>* 6OOK/? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`XKT? (8=>>: =1 RO b52? 6OXX?
,$,(%F* $>//8? (2a1 9: j5= >= Ju N : >:1 = /> ./->/k=0> >:0:3/> 0: 9:851=04e3-: C)*3 * 9=o-/ wM/0kNV=? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J?X* .? ]R U O]NDR* 6OXX?
z@$%S(%(* ^/P-/0/? ( S3-2M/ >:0:3/ 9= 51 _-21= -1/k-0e3-:E @1/ /0e2->= 9: _-21= IA@"dXKKRn 9= L=3=V o/31/0? $0E ^l ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? Ch: ,/52: E A=43/ =Y:p* 6OXO?
ggggg* ^/P-/0/? F3_=5E 9: 1-4: / 3=/2-9/9= P3/>-2=-3/? ( -1.:34s08-/ 9/ 43-2M/ >:0:3/ 0/=>43/4ak-/ 0/33/4-J/ 9= </8e L-=k5=> = >5/ 3=2/mh: 8:1 : 8:04=l4: >:8-:852453/2 9= 51/a.:8/? $0E Ul ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? C/04:>E B=/2=b: A-J3:> = "9-mq=>*
6OOK?BFLB$&@"C* B:93-k: ^:0>=8/ =? C:0:3-9/9=> 9: 8-0=1/E S/3V:J>V; = / M=4=3:83:0-/ 9/=>854/? )&=/;:1$ dI=2: !:3-p:04=n* J? XR* .? XXRNX66* 6OXX?
SFBB"C* (2_3=9: '=30=; A-1/? ( C-0_:0-/ 9:> ,e>>/3:>? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4? Ch: </32:>* 6OOK? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux
.‑6XK\…g_40XT? (8=>>: =1 RO b52? 6OXX?
Y"%(%<$F* B/_/=2 L? F?? "_=-4:> >:0:3:> =0j5/04: _/2/ /59-:J->5/2E (0e2->= 9= &=3/29#8I:-0kNI:-0k t 25p 9: ˈc6D 9/> $0J=>4-k/mq=> ^-2:>{_-8/>? 7/I&>&9=; d@^^? F02-0=n*
0?6\* J? X* .? X6`NXR]* 6OXX?
X\]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 149/181
MH,BL 888NA->4/ P-P2-:k3e_-8/ 9= 4=>=> = 9->>=34/mq=> 9->43-P5Z9/> .:3 @0-J=3>-9/9=?
*+"
O&?&?N
#(%w(%F* A5-p (9=21: ^=30/09=>? L ?$< 9$ '/9&<;E 9/ =9-mh: 9= >:1 /: #)"*+ +/#$3*
K =J:25mh: 4=80:2{k-8/ = .3:95mh: P3/>-2=-3/? S=>= dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n?@C,? Ch: ,/52:* 6OOc?
CF@w(* o:h: I? &? 9=? "#$'&=/<&9($? =& (#;I;4X$ 9; ';\(;:1$ =& ?$< =/#&($ 9$? 4$9>;?Y<&(#;>&9? I#;?/4&/#$? 682$,# $898' & K2$G2&#E / 4a80-8/ = : =>./m: 83-/4-J:? S=>=dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n y ">8:2/ 9= <:150-8/mq=> = (34=>* @C,* Ch:,/52:* 6OXX?
@/??&#(;:D&?N
I(BIFC(* (0/ A5-p/ ,=3=-3/? M #&4;:1$ ?$<Y/<;>&< 9$? 2/4<&? =& ;9/<;:1$ 9$#(&Y;<&#/';9$? 9$ 2/9;4 =; =K';=; =& EgJAE 9: >-2=08-:>: /: >:0:3:? L->>=34/mh: d#=>43/9: =1<-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OOK?
(AY(B"w* #/3-/0: &/P3-=2? M ,?(&#&$2$9/; @/>/(;4E @1/ /P:39/k=1 >:P3= / 4a80-8/* : ./93h: = / 2-0k5/k=1 >:0:3/ 8-0=1/4:k3e_-8/ 0:34=N/1=3-8/0/ 0: .=3Z:9: 9= XKKX / 6OOX?L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OO]?
&@$#(Bf"C* <2:4-29= I:3k=>? M /9(#$=0:1$ =$ ?$< =/#&($ 9$ '/9&<; =$'0<&9(F#/$I#;?/4&/#$ 9; =K';=; =& Eg^Ac L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOD?
,"B"$B(* G-3/ C/04:>? +& "$=&? L0./#] ,?'0(;E / ku0=>= /59-:J->5/2 9= B*#,$) ()2</ ,
G/3"/$<,? L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OXO?
*5)Z
O&?&?N
'"B%"<G* L/0-=2 A=/2? )$./<&9($? 89./?6.&/?E M->4{3-/ 9/ =>4a4-8/ 9: >:1 9: 8-0=1/ 9=/0-1/mh:? S=>= dL:54:3/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OXO?
@/??&#(;:D&?N
<FCS(* %a2-: o:>a I/4->4/? L '3,,8329 & ; &?\;'/;4/=;=& ?$9$#; 9$ '/9&<;? L->>=34/mh:d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OO\/?
,"CCF(* ^3=9=3-8: (5k5>4: Y? 9= (?? L S0>;# 5$#; =$ S0>;#E 4:.:k3/_-/> >:0:3/> 9:8-0=1/ 9:851=04e3-:? L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&* I=2: !:3-p:04=* 6OXX?
X\D
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 150/181
(C,(!(%* ,=93: </39:>:? ,9(#& ; &?'0(; & ; ./?1$E : 25k/3 9: =>.=84/9:3 0/ :P3/ 9=B:P=34 I3=>>:0? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @^#&? I=2: !:3-p:04=*6OOD?
#(B<FA$%F* #e38-: </39:>:? L 7$<\$?/($# +(;94&i m0I#/'h E /0e2->= 9: >:1 9: _-21= C/ )=.)# 2/7 4/%.,+)# 9= C4/02=; G5P3-8V /43/Ja> 9/ 4=:3-/ >:0:3/ 9= #-8M=2 <M-:0?L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OOD?
"*7Y+"
O&?&?N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/ G:8M Y/p? "$# 0<; "$46(/'; =; _$[ 9$ 7/9&<;E=>43/4ak-/> ./3/ =1/08-./mh: 9: =>.=84/9:3 =1 !/7L<$,# +) ("2+/#/*?)=?$7/*-) 9= S:1e>
&54-a33=p? S=>= dL:54:3/9: =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OXO?
@/??&#(;:D&?N
CF@w(* ,3->8-2/ !/;9a=? ,a\#&??/./=;=& $#;4 9$ '/9&<;N 9-e2:k:> 8:1 / _:0:/59-:2:k-/?L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<? Ch: ,/52:* 6OXO?
(#(B(A* Y-4{3-/ B:8M/ ,3/9:? M .$[ 9; </?& &9 ?'u9&E : _-21= <-9/9= 9= L=5> >:P /=>854/ _:0:/59-:2{k-8/? L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:*6OO`?
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/? *< ,?(0=$ =; "$#<;9'& =; L#;4/=;=& 9$7/9&<;E 3=k->43:> 9/ J:p 0/ 2-0k5/k=1 9:851=04/2? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:= C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOc?
*55
O&?&?N
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$E 3=J->h: 9= 51/ -1.:34s08-/-09=_=3-9/? S=>= dL:54:3/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:* 6OO`?
@/??&#(;:D&?N
<(,"AA"B* $J/0? 89(#$=0:1$ P ;#G0&$4$>/; =; &?'0(; $0 $ 9;?'/<&9($ =$ '/9&<; ?$9$#$; \;#(/# =$ &?\6#/($ =; T\&#;? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9=o/0=-3:* 6OOc?
<(BY(A!F* (093=>:0 C-2J/ 9=? M "&#'&\:1$ +$9$#; 9$ 7/9&<;E J=3 8:1 :> :5J-9:>*:5J-3 8:1 :543:> >=04-9:>? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:*6OOK?
X\K
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 151/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 152/181
MH,BL 8_EA->4/ P-P2-:k3e_-8/ 9= 4=>=> = 9->>=34/mq=> 9->43-P5Z9/> .:3 ‿3=/ = ,3:k3/1/ 9= ,{>N&3/95/mh:
7L)*H87MfpL
7/39'/;? =; 7$<09/';:1$ w *+"
O&?&?N
#(%w(%F* A5-p (9=21: ^=30/09=>? L ?$< 9$ '/9&<;E 9/ =9-mh: 9= >:1 /: #)"*+ +/#$3*
K =J:25mh: 4=80:2{k-8/ = .3:95mh: P3/>-2=-3/? S=>= dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n?@C,? Ch: ,/52:* 6OOc?
CF@w(* o:h: I? &? 9=? "#$'&=/<&9($? =& (#;I;4X$ 9; ';\(;:1$ =& ?$< =/#&($ 9$? 4$9>;?Y
<&(#;>&9? I#;?/4&/#$? 682$,# $898' & K2$G2&#E / 4a80-8/ = : =>./m: 83-/4-J:? S=>=dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n y ">8:2/ 9= <:150-8/mq=> = (34=>* @C,* Ch:,/52:* 6OXX?
@/??&#(;:D&?N
(AY(B"w* #/3-/0: &/P3-=2? M ,?(&#&$2$9/; @/>/(;4E @1/ /P:39/k=1 >:P3= / 4a80-8/* : ./93h: = / 2-0k5/k=1 >:0:3/ 8-0=1/4:k3e_-8/ 0:34=N/1=3-8/0/ 0: .=3Z:9: 9= XKKX / 6OOX?L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OO]?
I(BIFC(* (0/ A5-p/ ,=3=-3/? M #&4;:1$ ?$<Y/<;>&< 9$? 2/4<&? =& ;9/<;:1$ 9$#(&Y;<&#/';9$? 9$ 2/9;4 =; =K';=; =& EgJAE 9: >-2=08-:>: /: >:0:3:? L->>=34/mh: d#=>43/9: =1<-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OOK?
&@$#(Bf"C* <2:4-29= I:3k=>? M /9(#$=0:1$ =$ ?$< =/#&($ 9$ '/9&<; =$'0<&9(F#/$I#;?/4&/#$ 9; =K';=; =& Eg^Ac L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOD?
,"B"$B(* G-3/ C/04:>? +& "$=&? L0./#] ,?'0(;E ( ku0=>= /59-:J->5/2 9= B*#,$) ()2</ ,
G/3"/$<,? L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,? Ch: ,/52:* 6OXO?
7$<09/';:1$ w *55
O&?&?N
<FCS(* ^=30/09: #:3/-> 9/? L ?$< 9$ '/9&<; I#;?/4&/#$E 3=J->h: 9= 51/ -1.:34s08-/-09=_=3-9/? S=>= dL:54:3/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:* 6OO`?
@/??&#(;:D&?N
<(,"AA"B* $J/0? 89(#$=0:1$ P ;#G0&$4$>/; =; &?'0(; $0 $ 9;?'/<&9($ =$ '/9&<; ?$9$#$; \;#(/# =$ &?\6#/($ =; T\&#;? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9=o/0=-3:* 6OOc?
XcX
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 153/181
<(BY(A!F* (093=>:0 C-2J/ 9=? M "&#'&\:1$ +$9$#; 9$ 7/9&<;E J=3 8:1 :> :5J-9:>*:5J-3 8:1 :543:> >=04-9:>? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9= o/0=-3:*6OOK?
<FCS(* ^=30/09: #:3/-> 9/? +$< 9$ 7/9&<;] +/439'/$ 9$? 5/4<&?E : -0=l.2:3/9: = :-0/59-4:? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @^ ? B-: 9= o/0=-3:* 6OOR/?
7$<09/';:1$ & +&</T(/'; w "*7Y+"
O&?&?N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/ G:8M Y/p? "$# 0<; "$46(/'; =; _$[ 9$ 7/9&<;E=>43/4ak-/> ./3/ =1/08-./mh: 9: =>.=84/9:3 =1 !/7L<$,# +) ("2+/#/*?)=?$7/*-) 9= S:1e>
&54-a33=p? S=>= dL:54:3/9: =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OXO?
@/??&#(;:D&?N
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/? *< ,?(0=$ =; "$#<;9'& =; L#;4/=;=& 9$7/9&<;E 3=k->43:> 9/ J:p 0/ 2-0k5/k=1 9:851=04/2? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:= C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOc?
7$<09/';:1$ +$'/;4 w *5)Z
@/??&#(;:D&?N
(C,(!(%* ,=93: </39:>:? ,9(#& ; &?'0(; & ; ./?1$E : 25k/3 9: =>.=84/9:3 0/ :P3/ 9=B:P=34 I3=>>:0? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @^#&? I=2: !:3-p:04=*6OOD?
7$<09/';:1$ +$'/;4 w *,-v
@/??&#(;:D&?N<(CS(%!"$B(? o:>a <2e59-: C-j5=-3/? M ";/?;>&< +$9$#; ,4&(#j9/';E / 8:0>435mh: 9=0:J/> /59-P-2-9/9=> 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: C:8-/2n? @"Bo? B-:9= o/0=-3:* 6OXO/?
7$<09/';:1$ w *M)
@/??&#(;:D&?N
"C,FC$SF* #/53-8-: 9= </3:? 7#/;9=$ )09=$ '$< +$9?E ,{>N.3:95mh: 9= >:1 = >:5099=>-k0 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @0-J=3>-9/9= (0M=1P-#:351P-? Ch: ,/52:* 6OXX?
Xc6
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 154/181
)04(/<&/$? w *H87M)"
@/??&#(;:D&?N
I(BB"%!(* %/4/2-/ <? M &a\&#/39'/; =$ '/9&<; =& S0'#&'/; );#(&4N #&?6=0$? =$ (&<\$& ?$9? P I&/#; =; \/?'/9;? L->>=34/mh: d#=>43/9: =1 #524-1=-:>n? @%$<(#,* </1.-0/>*6OXX?
M-O,+ `M-O,+w)x+87Md
M#(&? w *5)Z
O&?&?N
'"B%"<G* L/0-=2 A=/2? )$./<&9($? 89./?6.&/?E M->4{3-/ 9/ =>4a4-8/ 9: >:1 9: 8-0=1/ 9=/0-1/mh:? S=>= dL:54:3/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OXO?
@/??&#(;:D&?N
#(B<FA$%F* #e38-: </39:>:? L 7$<\$?/($# +(;94&i m0I#/'h E /0e2->= 9: >:1 9: _-21= C/ )=.)# 2/7 4/%.,+)# 9= C4/02=; G5P3-8V /43/Ja> 9/ 4=:3-/ >:0:3/ 9= #-8M=2 <M-:0?L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OOD?
<FCS(* %a2-: o:>a I/4->4/? L '3,,8329 & ; &?\;'/;4/=;=& ?$9$#; 9$ '/9&<;? L->>=34/mh:d#=>43/9: =1 (34=>n? @^#&? I=2: !:3-p:04=* 6OO\/?
,"CCF(* ^3=9=3-8: (5k5>4: Y-/00/ 9= (>>->? L S0>;# 5$#; =$ S0>;#E 4:.:k3/_-/> >:0:3/>9: 8-0=1/ 9:851=04e3-:? L->>=34/mh: d#=>43/9: =1 (34=>n? @^#&* I=2: !:3-p:04=* 6OXX?
)o?/'; w *5-v
@/??&#(;:D&?N
^AFB"C* Y-3k-0-/ F>:3-:? L 7/9&<;] 0<; ;#(& ?$9$#;? L->>=34/mh: d#=>43/9: =1 #v>-8/n@^Bo? B-: 9= o/0=-3:* 6OO`?
IB~@S$&(#* (2=l/093= I/2-v? +$9$4$>/; & 7/9&<;E =2=1=04:> ./3/ /0e2->= e59-:NJ->5/2?L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^Bo? B-: 9= o/0=-3:* 6OO]?
)o?/'; w *5"-
@/??&#(;:D&?N
F,FACG$* LaP:3/ B=k-0/? M9F4/?& =$ =&?/>9 ?$9$#$ 9$ 4$9>;Y<&(#;>&< ,9?;/$ +$I#& ;7&>0&/#;? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^,B? <53-4-P/* 6OOK/?
XcR
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 155/181
5LHLM*@8LSLZ8M
5$9$;0=/$4$>/; w "*7Y+"
@/??&#(;:D&?N
CF@w(* ,3->8-2/ !/;9a=? ,a\#&??/./=;=& $#;4 9$ '/9&<;N 9-e2:k:> 8:1 / _:0:/59-:2:k-/?L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:* 6OXO?
(#(B(A* Y-4{3-/ B:8M/ ,3/9:? M .$[ 9; *&') )2 '+02)E : _-21= G$+,+/ +/ C/"# >:P /=>854/ _:0:/59-:2{k-8/? L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:*6OO`?
,=0';:1$ &< 7/39'/;? & +;o=& w *5-v
@/??&#(;:D&?N
<(CSBF* A58-/0/? M9F4/?& =$? ";=#D&? =& _$[ 9$ 7/9&<;E / 8:150-8/mh: :3/2 M51/0/=1 95/> J=3>q=> 9= 1./ 5"--8 0<)4/##)< ? L->>=34/mh: d#=>43/9: =1 "958/mh: =1 <-u08-/> =C/v9=n? @^Bo? B-: 9= o/0=-3:* 6OOX?
Xc\
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 156/181
MH,BL _NA->4/ P-P2-:k3e_-8/ 9= 43/P/2M:> j5= /P:39/1 j5=>4q=> 3=2/8-:0/9/> /: 8-0=1/ P3/>-2=-3:?
S/.#$?
<FCS(* ^=30/09: #:3/->? L ?$< 9$ '/9&<; I#;?/4&/#$? B-: 9= o/0=-3:E ]A=43/>E ^(,"Bo*6OOD?
O&?&?
<FCS(* ^=30/09: #:3/->? L ?$< 9$ '/9&<; I#;?/4&/#$E 3=J->h: 9= 51/ -1.:34s08-/-09=_=3-9/? S=>= dL:54:3/9: =1 <:150-8/mh: C:8-/2n? @^^? B-: 9= o/0=-3:* 6OO`/?
#(%w(%F* A5-p (9=21: ^=30/09=>? L ?$< 9$ '/9&<;E 9/ =9-mh: 9= >:1 /: #)"*+ +/#$3*
K =J:25mh: 4=80:2{k-8/ = .3:95mh: P3/>-2=-3/? S=>= dL:54:3/9: =1 <:150-8/mh: = ">4a4-8/ 9:(59-:J->5/2n? @C,? Ch: ,/52:* 6OOc?
CF@w(* o:h: I? &? 9=? "#$'&=/<&9($? =& (#;I;4X$ 9; ';\(;:1$ =& ?$< =/#&($ 9$? 4$9>;?Y<&(#;>&9? I#;?/4&/#$? 7$9(#; ($=$? & M9(j9/;E / 4a80-8/ = : =>./m: 83-/4-J:? S=>=dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n y ">8:2/ 9= <:150-8/mq=> = (34=>* @0-J=3>-9/9=9= Ch: ,/52:* Ch: ,/52:* 6OXX?
@/??&#(;:D&?
(#(B(A* Y-4{3-/ B:8M/ ,3/9:? ( J:p 0/ 1->= =0 >8ů0=E : _-21= <-9/9= 9= L=5> >:P /=>854/ _:0:/59-:2{k-8/? L->>=34/mh: d#=>43/9: =1 ^:0:/59-:2:k-/n? ,@<NC,? Ch: ,/52:*6OO`?
L|,,"%C<!#$SS* "2=0 <3->4-0/ C:5p/? *< ,?(0=$ =; "$#<;9'& =; L#;4/=;=& 9$7/9&<;E 3=k->43:> 9/ J:p 0/ 2-0k5/k=1 9:851=04/2? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:= C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOc?
"C,FC$SF* #/53-8-: 9= </3:? 7#/;9=$ )09=$ '$< +$9?E ,{>N.3:95mh: 9= >:1 = >:5099=>-k0 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @0-J=3>-9/9= (0M=1P-
#:351P-? Ch: ,/52:* 6OXX?&@$#(Bf"C* <2:4-29= I:3k=>? M /9(#$=0:1$ =$ ?$< =/#&($ 9$ '/9&<; =$'0<&9(F#/$I#;?/4&/#$ 9; =K';=; =& Eg^Ac L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOD?
F,FACG$* LaP:3/ B=k-0/? M9F4/?& =$ =&?/>9 ?$9$#$ 9$ 4$9>;Y<&(#;>&< ,9?;/$ +$I#& ;7&>0&/#;? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^,B? <53-4-P/* 6OOK/?
,"B"$B(* G-3/ C/04:>? +& "$=&? L0./#] ,?'0(;E ( ku0=>= /59-:J->5/2 9= "0>/-: C:P3= /<=k5=-3/? L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @C,? Ch: ,/52:* 6OXO?
Xcc
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 157/181
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 158/181
A$%C* <:0>5=2:? F =0>/-: 0: 9:851=04e3-: = / j5=>4h: 9/ 0/33/mh: =1 :__? $0E •Y$ "08:043: %/8-:0/2 9/ <:1.{>* 6OO]* <53-4-P/? M9;/? =$ B_8 ,9'$9(#$ H;'/$9;4 =; 7$<\T??<53-4-P/E S5-54-U<:1.{>* 6OO]?
F,FACG$* L=P:3/ B=k-0/? ( ./->/k=1 >:0:3/ = / /1P-=04/mh: 9: 9=>=0M: 9= >:1E F> C:0>/1P-=04= 8:1: 2:8/2-p/9:3=> =>./8-/-> = 4=1.:3/-> 0: _-21= B*#,$) ()2</ , G/3"/$<,? $0E#5>-1-9* 6OOK* Ch: ,/52:? M9;/? =$ Ul ,9'$9(#$ =& )o?/'; & )6=/;E ">4a4-8/> 9: C:1*6OOKP? .? XNXD?
,"B"$B(* G-3/? G,*+$*.)E / 8:0>435mh: 9: =>./m: 0/33/4-J: /43/Ja> 9/ 3=2/mh: -1/k=1N>:1?-*M Q -&./?(; *9/.&#?/(F#/; M0=/$./?0;4? Ch: </32:>* 6OOK/? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`XKT? (8=>>: =1 RO b52? 6OXX?
ggggg* G-3/ C/04:>? C= ,:9=> F5J-3* ">854/E 3=2/mq=> /59-:J->5/-> 9: _-21= B*#,$) ()2</ ,
G/3"/$<, = 8:0>-9=3/mq=> >:P3= >=5 .3:8=>>: 83-/4-J:? -*M N B=J->4/ @0-J=3>-4e3-/ 9:
(59-:J->5/2* J? …OO* .? XN6* 6OOKP? QM44.EUU777?35/?5_>8/3?P3U>-4=Ux.‑X`DOT
z@$%S(%(* ^/P-/0/? F3_=5E 9: 1-4: / 3=/2-9/9= P3/>-2=-3/? ( -1.:34s08-/ 9/ 43-2M/ >:0:3/ 0/=>43/4ak-/ 0/33/4-J/ 9= </8e L-=k5=> = >5/ 3=2/mh: 8:1 : 8:04=l4: >:8-:852453/2 9= 51/a.:8/? $0E Ul ,9'$9(#$ =& )o?/'; & )6=/; d#@C$#$Ln? C/04:> E B=/2=b: A-J3:> = "9-mq=>*6OOK?
Y"L(%(* Y-J-/0=? L-e2:k:> >:P3= / -1/k=1 J->5/2 = / -1/k=1 >:0:3/E / =l.=3-u08-/ 9==>83-453/ 9: >:0:3: 0:> 9:851=04e3-:> =40:k3e_-8:>? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X*
.? 6KN\6* 6OXX?
Xc]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 159/181
MH,BL _8NA->4/ P-P2-:k3e_-8/ 9= /34-k:> 9->43-P5Z9:> .:3 3=J->4/
S/.#$? =$? ,9'$9(#$? =; +L78H,
<(BB"$BF* B:93-k:? F 3e9-: = :> >-2u08-:>E /34-852/mq=> >:P3= : 5>: 9: >:1 =1 G$*/7,&
,#:$<$*,# / "<"2"#? B8 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX*6OXO/?
ggggg* B:93-k:? F> >:0> 9/ 8:04-05-9/9= -04=0>-_-8/9/E : 8/>: 9= C=3k-: A=:0=? $0E A/53/<e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n? B88 ,?(0=$? =& 7/9&<; &M0=/$./?0;4 dCF<$%"n? X=9?Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? Rc\NR`K?
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? F #)"*+#%,:/ 9/ 1:9=30-9/9=E :> ()"*+ (-"+$/# = :
>:1 0: 8-0=1/? $0E A/53/ <e0=./H (9/2P=34: #†22=3H &5>4/J: C:5p/H #/38=2 Y-=-3/? dF3k?n?B88 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 `+L78H,d? Ch: ,/52:E C:8-0=* 6OXX/* J? 6* .? R6cNRRD?
<FCS(* ^=30/09: #:3/-> 9/? (>) 6/<*,<+)E 1:>/-8: 9= J:p=> d1:>435e3-: 9:> 9-J=3>:> 5>:>9/ J:p 0: 8-0=1/n? $0E <(S(%$* (_3s0-: #=09=> =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;](0: $Y? Ch: ,/52:E ,/0:3/1/* 6OOR8* J? * .? R\cNRcO?
ggggg* ^=30/09: #:3/-> 9/? B5Z9:> = >-2u08-:E .3:.:>4/ ./3/ 51/ =>4a4-8/ 9: >:1 0: 8-0=1/?$0E ^(IB$C* #/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;* (0: $$$? ,:34: (2=k3=EC52-0/* 6OOR9* J? * .? RXRNRXK?
ggggg* ^=30/09: #:3/-> 9/? C:1 = 3-41: -04=30: 0: .2/0:N>=j5u08-/? B8 ,?(0=$? =& 7/9&<;& M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX* 6OXO/?
LFI(A* C5p/0/ #? B:P=34 I3=>>:0E : 8-0=1/ 051 /4:31=04/9: >-2u08-:? $0E ^(IB$C*#/3-/3:>/3-/ =4 /2? dF3k?n? ,?(0=$? +$'/9& =& '/9&<;] M9$ 888? ,:34: (2=k3=E C52-0/* 6OOR*J? * .? 6]cN6DX?
#$B(%L(* C5p/0/ B=8V? Y:p=> ,:2-_r0-8/> = ">854/> #5>-8/->E / /34-852/mh: 9/ P/09/>:0:3/ =1 ^3/0m:-> &-3/39? $0E #/8M/9:* o3? B?H C:/3=>* B? L= A?H (3/vb:* A? <? 9=? dF3k?n?
,?(0=$? =& 7/9&<; Q +L78H, _888? Ch: ,/52:E (00/ I251=* 6OO]* J?X* .? \XN\D?
M9;/? =; 8HO,-7L)
I(BB"%!(* %/4/2-/ <?H ,(CCFC* (04r0-: ^=30/09: 9/ <:08=-mh:? Ɨ P=-3/ 9/ .->8-0/* t P=-3/ 9: j5/93:E ( 54-2-p/mh: 9: >:1 :__ = / 8:0>435mh: 9= 4=0>h: 0/ :P3/ 9= A583=8-/ #/34=2?BBB88 7$9>#&??$ C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$ d$%S"B<F#n? <53-4-P/* \ / ]9= >=4=1P3: 9= 6OOK?
<FCS(* ^=30/09: #:3/-> 9/? ">854/3 4/04: j5/04: >= Ju d8:1: 51 _-21= -3/0-/0:* >:P3= 51/
83-/0m/ 8=k/* .:9= =0>-0/3 / :5J-3xn? $0E M9;/? =$ BB_8 7$9>#&??$ I#;?/4&/#$ =& '/39'/;?=; '$<09/';:1$ y $%S"B<F#? I=2: !:3-p:04=* 6OORP?
XcD
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 160/181
M9;/? =$ ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =& 7;#.;4X$
I"AA"IF%$* A58-=0=? ( 9-_Z8-2 3=2/mh: =043= -1/k=1 = >:1 0: /59-:J->5/2 8:04=1.:3s0=/ O
$0E M9;/? =$ 88 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =& 7;#.;4X$* @^C<N^2:3-/0{.:2->*6OO\?
<FCS(* ^=30/09: #:3/-> 9/? ( -0>=3mh: 9: >:1 0: 8-0=1/E .=38/2m:> 0/ ./>>/k=1 9= 511=-: J->5/2 ./3/ /59-:J->5/2? $0E M9;/? =$ 8 ,9'$9(#$ H;'/$9;4 =; -&=& M42#&=$ =&7;#.;4X$? B-: 9= o/0=-3:* 6OOR_?
M9;/? =; )0?/)/=
F,FACG$* L=P:3/ B=k-0/? ( ./->/k=1 >:0:3/ = / /1P-=04/mh: 9: 9=>=0M: 9= >:1E F> C:0>
/1P-=04= 8:1: 2:8/2-p/9:3=> =>./8-/-> = 4=1.:3/-> 0: _-21= B*#,$) ()2</ , G/3"/$<,? $0E#5>-#-9* 6OOK* Ch: ,/52:? M9;/? =$ Ul ,9'$9(#$ =& )o?/'; & )6=/;E ">4a4-8/> 9: C:1*6OOKP? .? XNXD?
z@$%S(%(* ^/P-/0/? ( S3-2M/ >:0:3/ 9= 51 _-21= -1/k-0e3-:E @1/ /0e2->= 9: _-21= IA@"dXKKRn 9= L=3=V o/31/0? $0E ^l ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? Ch: ,/52: E A=43/ =Y:p* 6OXO?
ggggg* ^/P-/0/? F3_=5E 9: 1-4: / 3=/2-9/9= P3/>-2=-3/? ( -1.:34s08-/ 9/ 43-2M/ >:0:3/ 0/=>43/4ak-/ 0/33/4-J/ 9= </8e L-=k5=> = >5/ 3=2/mh: 8:1 : 8:04=l4: >:8-:852453/2 9= 51/a.:8/? $0E Ul ,9'$9(#$ =& )o?/'; & )6=/; d#5>-#-9n? C/04:>E B=/2=b: A-J3:> = "9-mq=>*6OOK?
M9;/? =; MH""L)
^AFB"C* Y-3k-0-/ F>:3-:? ( ">854/ ^Z21-8/E 51/ /4-459= =>4a4-8/? B_88 7$9>#&??$ =;M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/'; d(%,,F#n? Ch: ,/52:*6OO]?
M9;/? =; MC-MS87L|,,"%C<!#$SS* "2=0? ( J:p 0/> #=1{3-/> 9: C5P9=>=0J:2J-1=04:E 9= "91509:L=>0:=> / S:1e> &54-a33=p (2=/? $0E M9;/? =$ B8 ,9'$9(#$ -&>/$9;4 =; M??$'/;:1$C#;?/4&/#; =& S/(&#;(0#; 7$<\;#;=; d(IB(A$<n? Ch: ,/52:* 6OO]/?
M9;/? =; 7L)"y+
A$%C* <:0>5=2:? F =0>/-: 0: 9:851=04e3-: = / j5=>4h: 9/ 0/33/mh: =1 )44 ? $0E •Y$ "08:043: %/8-:0/2 9/ <:1.{>* 6OO]* <53-4-P/? M9;/? =$ B_8 ,9'$9(#$ H;'/$9;4 =; 7$<\T??
<53-4-P/E S5-54-U<:1.{>* 6OO]?
XcK
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 161/181
-&./?(; 78C,-S,Z,H@M
(AY$#* A5-p/ I?(?#?? ,/->/k=0> >:0:3/> 9= B:P=34 I3=>>:0? 7/I&>&9=; d@^^? F02-0=n*0?6\* J? OX* .? `6N]6* 6OXX
<(A"$BF* #/53-8-:? ( 0/33/4-J/ _:0:8-0=1/4:k3e_-8/ =1 E ($=@*%$)E /59-mh: >5Pb=4-J/ =83:0:4:.-/> 9: =>./m: _Z21-8:? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? XRDNX\D* 6OXX?
<(,"AA"B* $J/0? $043:95mh: t (3j5=:2:k-/ 9/ ">854/E 9: >:1 = 9/ J:p 8:1: :Pb=4:> 9==0508-/mh:? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? 6* .? ]NXc* 6OXX?
<(BB"$BF* B:93-k:? C:P3= : >:1 0: 8-0=1/ 9= M:33:3E ./93q=> 3=8:33=04=> 9= =>4-2:?7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? 6KN\6* 6OXXP?
<FCS(* ^=30/09: #:3/-> 9/? ,:9=N>= 9-p=3 j5= Me /2k: 8:1: 51 M-.=3N3=/2->1: >:0:3: 0:
8-0=1/ /3k=04-0:x? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? D\NKO* 6OXX/?
ggggg* ^=30/09: #:3/-> 9/? F> 8/1-0M:> 9:> 5>:> 9:> >-2u08-:> d:5 / 2=1P3/0m/ j5= 0h: ./>>/ 9= o:M0 </k=n? 7/I&>&9=; d@^^? F02-0=n* %-4=3{-* 6\ b52? 6OXX8? L->.:0ZJ=2 =1EQM44.EUU777?.3:..-?5__?P3U8-P=32=k=09/U:>N8/1-0M:>N9:>N5>:>N9:>N>-2‡<R‡((08-:>T?(8=>>: =1 RO b52? 6OXX?
^B"$B"* B/_/=2 9= A50/? Y=3>h: P3/>-2=-3/ <:043-P5-mq=> ./3/ 51/ M->4{3-/ 9/ 95P2/k=18-0=1/4:k3e_-8/ 0: I3/>-2 0/> 9a8/9/> 9= XKRO = XK\O? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J?X* .? ]NXD* 6OXX?
,$,(%F* $>//8? (2a1 9: j5= >= Ju N : >:1 = /> ./->/k=0> >:0:3/> 0: 9:851=04e3-: C)*3 * 9=o-/ wM/0kNV=? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X* .? ]R U O]NDR* 6OXX?
Y"L(%(* Y-J-/0=? L-e2:k:> >:P3= / -1/k=1 J->5/2 = / -1/k=1 >:0:3/E / =l.=3-u08-/ 9==>83-453/ 9: >:0:3: 0:> 9:851=04e3-:> =40:k3e_-8:>? 7/I&>&9=; d@^^? F02-0=n* 0?6\* J? X*
.? 6KN\6* 6OXX?
Y"%(%<$F* B/_/=2 L? F?? "_=-4:> >:0:3:> =0j5/04: _/2/ /59-:J->5/2E (0e2->= 9= &=3/29#8I:-0kNI:-0k t 25p 9: ˈc6D 9/> $0J=>4-k/mq=> ^-2:>{_-8/>? 7/I&>&9=; d@^^? F02-0=n*0?6\* J? X* .? X6`NXR]* 6OXX?
-&./?(; *9/.&#?/(F#/; =$ M0=/$./?0;4 -*Md
IFw$<(%$%* o:>a "95/39:? (> -9a-/> 9/ 43-2M/ >:0:3/ 9: _-21= IH$<,? -*M Y -&./?(;*9/.&#?/(F#/; =$ M0=/$./?0;4* J? \* .? X6* 6OOD? QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`RT?(8=>>: =1 RO b52? 6OXX?
A"#"* &=3>:0 B-:> ? ">854/09: : <-0=1/? -*M Y -&./?(; *9/.&?/(F#/; =$ M0=/$./?0;4* J?O6* .? X\c* 6OOD? QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X\cT? (8=>>: =1 RO b52? 6OXX?
X`O
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 162/181
,"B"$B(* G-3/ C/04:>? G,*+$*.)E / 8:0>435mh: 9: =>./m: 0/33/4-J: /43/Ja> 9/ 3=2/mh:-1/k=1N>:1? -*M Q -&./?(; *9/.&#?/(F#/; M0=/$./?0;4? Ch: </32:>* 6OOK/? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X`XKT? (8=>>: =1 RO b52? 6OXX?
ggggg* G-3/ C/04:>? C= ,:9=> F5J-3* ">854/E 3=2/mq=> /59-:J->5/-> 9: _-21= B*#,$) ()2</ ,G/3"/$<, = 8:0>-9=3/mq=> >:P3= >=5 .3:8=>>: 83-/4-J:? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4* .? XN6* 6OOKP? L->.:0ZJ=2 =1E QM44.EUU777?35/?5_>8/3?P3U>-4=Ux.‑X`DOT? (8=>>:=1 RO b52? 6OXX?
SFBB"C* (2_3=9: '=30=; A-1/? ( C-0_:0-/ 9:> ,e>>/3:>? -*M Y -&./?(; *9/.&#?/(F#/; =$M0=/$./?0;4? Ch: </32:>* 6OOK? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux
.‑6XK\…g_40XT? (8=>>: =1 RO b52? 6OXX?
-&./?(; 7LHO,)"L-zH,M
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? ( ,/->/k=1 C:0:3/ "2=43r0-8/E / 3=8:0>435mh: 9:1509: >:0:3: 8:04=1.:3s0=: 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: =<52453/? B-: 9= o/0=-3:* J:2? O`* 6OOD/?
ggggg* o:>a <2e59-: C-j5=-3/? B=/%-<)*$% 1)*,=$-$/#E : =>./m: =2=43r0-8: = / -1.3=>>h: 9=3=/2-9/9= 0/ _-8mh: 8-=04Z_-8/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? XX* 6OODP?
ggggg* o:>a <2e59-: C-j5=-3/? ( ,3=>=0m/ 9: C:1E .3:.:>4/ ./3/ 51/ -0J=>4-k/mh: 1/4=3-/29/ =l.=3-u08-/ >:0:3/ 0: 8-0=1/? 7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? B-: 9=o/0=-3:* J:2? O]* 0„ O`* 6OOKP?
ggggg* o:>a <2e59-: C-j5=-3/? F >:1 =2=43r0-8: 0: 8-0=1/E 51/ /P:39/k=1 _=0:1=0:2{k-8/?7$9(&<\$#b9&;E 3=J->4/ 9= <:150-8/mh: = <52453/? "9 XcE B-: 9= o/0=-3:* J:2? D* 06* 6OXOP?
-&./?(; O,L-,)M
#"%L"C* "95/39: C/04:>? ,=0>/09: / B=2/mh: $1/k=1NC:1? O,L-,)M Q 7#6(/'; =&7/9&<;* ,:34: (2=k3=* J? c* .? cXNcc* 6OO\?
ggggg* "95/39: C/04:>H ,$%SF* $J:0=4=? A583=8-/ #/34=2 = : P=0=_Z8-: 9/ -08=34=p/?O,L-,)M Q 7#6(/'; =& 7/9&<;* ,:34: (2=k3=* J? D* 6OOc?
-&./?(; HM*
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? L= :2M:> = :5J-9:> P=1 /P=34:>E 51/ 82/>>-_-8/mh: 9:>>:0> 0: 8-0=1/? -&./?(; HM* Q -&./?(; =& 7$<09/';:1$ M0=/$./?0;4 =; 89(&#'$<* Ch:,/52:* J?X* 0?6* .?XKKN6X`* /k:U9=p 6OOD?
X`X
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 163/181
-&./?(; ,Y7$<\T?
<(BB"$BF* B:93-k:? B=2/mq=> =043= -1/k=0> = >:0> 0: _-21= G$*/7,& I#:$<$*,# / J<"2"#?-&./?(; =; M??$'/;:1$ H;'/$9;4 =$? "#$>#;<;? =& "T?YZ#;=0;:1$ &< 7$<09/';:1$ ,Y
'$<\T?* I3/>Z2-/* J?XR* 0} X* 6OXOP?
-&./?(; +LHL-M
,"LB"$B(C* (2-0= B-=3/? F >:1 #"<<)"*+ = >5/> _:31/> 9= 5>:? -&./?(; +$9$#;* J:2? X dXn*@%$<(#,* 6OOD?
,'$? -&./?(;
<FCS(* ^=30/09: #:3/-> 9/? z5= ./.=2 a 9=2=k/9: /: >:1* =1 51 1=-: /59-:J->5/2x (-1/k=1 .3=.:09=3/04=* = / -0>=3mh: 9: >:1 0: 8-0=1/? ,'$? -&./?(;* ,=2:4/> N BC* J? ]* 0? X*
.? ]XNKX* 6OOR=?
-&./?(; M#(704(0#;
</33/>8:* <2/59-0=;? F C:0M: 9= "9->:0E : /9J=04: 9: >:1 >-083:0-p/9:? M#(704(0#;d@^@n* J? c* 0? `* .? cRN`c? @P=32s09-/* 6OOR?
-&./?(; Z#;>$;(F
<FCS(* ^=30/09: #:3/-> 9/? C= .:58: >= 9-p >:P3= : >:1* j5=1 _/2/ >:P3= : >-2u08-: 0:>_-21=>x? Z#;>$;(F B=J->4/ 9: ,3:k3/1/ 9= ,{>N&3/95/mh: =1 A=43/> @^^* %-4=3{-* J? X`* .?XOcNXX`* 6OO\P?
-&./?(; +/>9/2/';:1$
#"%L"C* "95/39: C/04:>? '/24=3 #538ME / 3=J:25mh: 9/ 43-2M/ >:0:3/ 8-0=1/4:k3e_-8/
dXD]U66\n? $0E +/>9/2/';:1$ 0} 6`? Ch: ,/52:E (00/P251=* 6OO`?
-&./?(; *H8)LHO,+ 7/&9(62/';
LF,,"%C<!#$SS* "2=0? Y:p = </04: ,:.52/3 9: %=k3: 0: <-0=1/ N .:a4-8/8-0=1/4:k3e_-8/ 0: 9:851=04e3-: I+>) )" ()7)# 1)+)# M$=.)# +, 1/<<, 9= '/24=3 C/22=> =L/0-=2/ SM:1/>? *H8)LHO,+ 7/&9(62/';* J? D* .? \XNcO* 6OO]P?
-&./?(; 7*SO
X`6
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 164/181
#"%L"C* "95/39: C/04:>H <(BB(C<F* <2/59-0=;? ( 3=2/mh: -1/k=1U>:1 0:> _-21=> 9=G5P3-8V? -&./?(; 704(* Ch: ,/52:* .? cc N cK* OX :54? 6OO]?
-&./?(; 7;4/>#;<;
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? ( S3-2M/ C:0:3/ 9: <-0=1/E .3:.:>4/ ./3/ 51 ₠:5J-3/0/2Z4-8:? 7;4/>#;<;E B=J->4/ 9= ">459:> = ,=>j5->/ =1 A-0k5/k=1 = #Z9-/? Ch: ,/52:* J:2?OR* 0: OX* 6OO]?
-&./?(; @,_8-,+
L|,,"%C<!#$SS* "2=0? ,:3 51/ ,:2Z4-8/ 9/ Y:pE S:1e> &54-a33=p (2=/ = /> !/7L<$,# +)
("2+/#/*?)=?$7/*-)? @&./#&? d@^#&n* J? c* .? XD\N6OR* 6OOD?
-&./?(; +&??D&? =$ 8<;>/9F#/$
!(@CC"%* A58-/0/? C:1* <s1=3/* (mh:E / 3=2=Js08-/ 9: >:1 0/ M->4{3-/ 9: 8-0=1/? +&??D&?=$ 8<;>/9F#/$ d$1.3=>>:n* J? 6O* .? X]N66? ,:34: (2=k3=* 6OOD?
-&./?(; ,9(#&c)&/$?
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? ,3aN=>854/>E 1:9=2:> 9= /59-P-2-9/9=> 9:> .3-1=-3:>8-0=1/>? ,9(#&c)&/$?* J? `* 6OOK/?
-&./?(; @/?(o#I/$? =; 7$<09/';:1$
(#(B(A* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* A=>2-= ,-88:2:44:H CF@w(* ,3->8-2/ !/;9a=? (^:0:/59-:2:k-/ = : /4:3 9= 8-0=1/E 3=2/4:> 9= .3:_->>-:0/-> 9: 1=-: 8-0=1/4:k3e_-8:?@/?(o#I/$? =; 7$<09/';:1$* J? 66* .? XRRNX\]* 6OXO/?
-&./?(; Z;4Fa/;(#(B(A* Y-4:3-/ B:8M/ ,3/9:H ^"BB"$B(* Aa>2-= ,-88:2:44:H #(BSw* #/3-/ A/53/ '=;HCF@w(* ,3->8-2/ !/;9a=? B=.3=>=04/mq=> 9= Y:p = ^/2/ 0: <-0=1/? Z;4Fa/;* J? XO* .? XcXNX`\* 6OXOP?
-&./?(; SLZL+N 7$<09/';:1$ e *9/.&#?/=;=&
<FCS(* ^=30/09: #:3/-> 9/? ,:9= : 8-0=1/ 8:04=1.:3s0=: 3=.3=>=04/3 : /1P-=04= >:0:3:=1 j5= J-J=1:>x S$>$?N 7$<09/';:1$ e *9/.&#?/=;=&? B-: 9= o/0=-3:* J:2? X]* 0„ R6*
6OXOP?
X`R
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 165/181
-&./?(; 7$)(&<\$
(A#"$L(* %/4/>M/ !=30/09=p? F /34->4/ >-2=08-:>:E 51 =>459: 9/ 8:0>435mh: >:0:3/ 0:_-21= 9: <-0=825P= @0-J=3>-4e3-: 9= </1.-0/>? 7$)(&<\$ dB=J->4/ "2=43r0-8/ 9: ,3:k3/1/
9= ,{>N&3/95/mh: =1 <:150-8/mh: 9/ ^/8529/9= <e>.=3 AZP=3:n* J:2? 6* 06* /0: R? Ch:,/52:* 9=p? 6OXX?
-&./?(; 7/9&<; 7;/\/#;
(AY"C* I=30/39: #/3j5=p? ,3:95mh: C:0:3/ 0: <-0=1/ <:04=1.:3s0=:E 51 :2M/3 >:P3=9=>/_-:> 9: >:1 0: 8-0=1/ P3/>-2=-3: = : .3:8=>>: 9= _-0/2-p/mh: 9= >:1 9: _-21= ₠S3:./ 9="2-4= 6? -&./?(; 7/9&<; 7;/\/#;* 0 RX? B-: <2/3:* >=4? 6OXX?
-&./?(; ,?(0=$? =; 7$<09/';:1$
<(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? F >:1 =l./09-9:E :> 0:J:> =>./m:> 9: >:1 0:8-0=1/? -&./?(; =& ,?(0=$? =; 7$<09/';:1$* J? X6* .? 6`cN6]R* 6OXXP?
-&./?(; 5/4<& 704(0#;
<FCS(* ^=30/09: #:3/-> 9/? <:1: >:/ M:b= =l.=3-1=04/2x? 5/4<& 704(0#;* J? c\* .? \KNc\*6OXXP?
-&./?(; -*)L-,+
<@%!(* L/1;2=3 ^=33=-3/? ( C5P1=3>h: 0/> $1/k=0> C:0:3/>E : >:1 = >5/> 9-1=0>q=> 3=/->= -1/k-0e3-/>? -&./?(; -0<$#&?c "9? K* J:2 X* Ch: ,/52:* b/0=-3:Nb50M: 9= 6OXX?
-&./?(; L-+LH
A"#"* &=3>:0 B-:>? ,=0>/09: / 43-2M/ >:0:3/ ./3/ /59-:J->5/2? L-+LH N B=J->4/ 9:>
<53>:> 9= <-0=1/ 9: <=/34= @^,"A* J? X* .? DKNKc* 6OXX-&./?(; )&=/;:1$
BFLB$&@"C* B:93-k: ^:0>=8/ =? C:0:3-9/9=> 9: 8-0=1/E S/3V:J>V; = / M=4=3:83:0-/ 9/=>854/? )&=/;:1$ dI=2: !:3-p:04=n* J? XR* .? XXRNX66* 6OXX?
7$4&:1$ 7;=	$? =& "&?G0/?;N L H$.$ 7/9&<; ";04/?(;
&(SS$* (093= ,-=3:H #"%L"C* "95/39: C/04:>? ( 0:J/ >:0:3-9/9= 9: 8-0=1/ =1 Ch:
,/52:? $0E (093a ,-=3: &/44-? dF3k?n? <:2=mh: </9=30:> 9= ,=>j5->/E L H$.$ 7/9&<;";04/?(;? X =9? Ch: ,/52:E <=043: <52453/2 Ch: ,/52:* 6OOD* J? Oc* .? \RN`\?
X`\
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 166/181
"$#(;4 )9&<$'/9&
<FCS(* ^=30/09: #:3/-> 9/? ,3-1=-3/> 4=04/4-J/> 9= >:0:3-p/mh: 0: 8-0=1/ P3/>-2=-3: d:>
8-0=1/4{k3/_:> _/2/04=> XKO6NXKODn? dJ=3>h: -04=k3/2n? #0=1:8-0=* 6OO`? L->.:0ZJ=2 =1EQM44.EUU777?10=1:8-0=?8:1?P3U-09=l?.M.U8-0=1/N8/4=k:3-/U6cNM->4:3-/N0:N8-0=1/NM->4:3-/N9:N8-0=1/UX6XN.3-1=-3/>N4=04/4-J/>N9=N>:0:3-p/8/:N0:N8-0=1/NP3/>-2=-3:N:>N8-0=1/4:k3/_:>N_/2/04=>NXKO6NXKODT? (8=>>: =1 O] 9= b52? 6OX6?
X`c
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 167/181
MH,BL _88NA->4/ =l43/ 8:1 1/4=3-/-> 2=J/04/9:> 1/> j5= 0h: >= =08/-l/3/1 0: _:8: .3-08-./2 9/
.=>j5->/?
,+O*@L+ @M O-8SnM )*+87MS
S/.#$?N
I"B<!#(%C* S:0;? M )o?/'; =$ 5/4<&E 459: : j5= J:8u k:>4/3-/ 9= >/P=3 >:P3= / 1v>-8/9= 8-0=1/? Ch: ,/52:E ">83-453/> "9-4:3/* 6OO`?
<(BB(C<F* <2/59-0=; B:93-k5=>? +i>hX#$9$?E ( _:31/mh: 9/ .:a4-8/ 15>-8/2 9: 8-0=1/?Ch: ,/52:E Y-/ A=44=3/E ^(,"C,* 6OOR?
^B"$B"* B/_/=2 9= A50/ d:3k?n? H;? (#/4X;? =$ '/9&<; I#;?/4&/#$? B-: 9= o/0=-3:E S=2/I3/>-2->E <-0=#v>-8/E A-kM4* 6OOK?
&@"BB$%$* $3-0=5 o50-:3? M )o?/'; 9$ 7/9&<; C#;?/4&/#$E :> -0:J/9:3=> /0:> >=>>=04/?Ch: ,/52:E S=38=-3/ #/3k=1* 6OOK?
#‿•$#F* o:h:? M )o?/'; =$ 7/9&<;E :> XOO .3-1=-3:> /0:>? B-: 9= o/0=-3:E B:88:* 6OOR?YX = 6?
S$%!FBfF* o:>a B/1:>? )o?/'; "$\04;#c O&;(#$ & 7/9&<;c ,=43{.:2->? Y:p=>* XK]6
O&?&?N
"$G#"$"B* #/34-0? -&<$ *?;/E : 0/8-:0/2 = : =>43/0k=-3: 0/ 1v>-8/ 9: 8-0=1/ P3/>-2=-3:?S=>= dL:54:3/9: =1 #524-1=-:>n? @%$<(#,? </1.-0/>* 6OXO?
&@"BB$%$* $3-0=5 o50-:3? M )o?/'; 9$ 7/9&<; C#;?/4&/#$ =$? M9$? +&??&9(;E -0:J/mh: =9-e2:k:? S=>= dL:54:3/9: =1 <-u08-/> 9/ <:150-8/mh:n @C,? Ch: ,/52: 6OO6?
o"C@C* &5-2M=31= #/-/ 9=? ,4&<&9($? \;#; 0<; \$K(/'; =; <o?/'; =$ '/9&<;E
_=33/1=04/> 8:08=-45/-> = 1=4:9:2{k-8/> /.2-8/9/> 0/ /0e2->= 9/ 1v>-8/ 9:> _-21=> ID"#-/ M$*,= = E .)7/7 N"/ *>) /#-,?, =F? S=>= dL:54:3/9: =1 <:150-8/mh: = <52453/<:14=1.:3s0=/n? @^I(? C/2J/9:3* 6OO]?
A›,"w* I=30/39: "03-j5= B:p:? "$# 0<; &?'0(; '/9&<;($>#F2/';E =40:15>-8:2:k-/ 9/>1=9-/mq=> >:0:3:N15>-8/-> 9: _-21= P3/>-2=-3: ŗS3:./ 9= "2-4=ŗ? @^I(* 6OXO?
#(<$"A* G/4-/ (5k5>4/? ?&;*C <8:3;#, I3'&+ #29 1);)-&'&829 ;*-/<-/_-",=$-8 $* 6<,[$=$,*
G$*/7,? S=>= dL:54:3/9: =1 ^-21 C459-=>n? @0-J=3>-4; :_ C:54M/1.4:0? C:54M/1.4:0* 6OOD?
#$B(%L(* C5p/0/ B=8V? 5/4<;9=$ ; )o?/';E 51/ -04=3.3=4/mh: 9: 8-0=1/ 9= ^3/0m:->
&-3/39? S=>= dL:54:3/9: =1 #524-1=-:>n? @%$<(#,? </1.-0/>* 6OO`?
X``
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 168/181
,"B"$B(* #e38-: 9/ C-2J/? L ;)&$*8$&-E 9/ {.=3/* /: 8-0=1/* t 4=2=J->h:? S=>= dL:54:3/9:=1 #v>-8/n @%$B$F* 6OO]?
Y$L$&(A* A=:0/39: (2J/3=>? {M v;<;/'; K ;G0/{E /33/0b:> /59-:J->5/-> 9= 4=33-4{3-:>
15>-8/9:>? S=>= dL:54:3/9: =1 <:150-8/mh: C:8-/2n @^#&? I=2: !:3-p:04=* 6OOD?
@/??&#(;:D&?N
(&@$(B* '->2/-0= %:k5=-3/ 9=? )o?/'; '$<$ "&#?$9;>&< & '$<$ O#/4X; +$9$#; &<)&/$ M0=/$./?0;4E 51 =>459: 9= 3=2/mq=> -04=3/34Z>4-8/> =043= /> >5Z4=> ./3/ J-:2:08=2: >:2:9= o?C? I/8M = :> _-21=> C/3P/09/ = C=-> &=>4:>? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^&?&:-s0-/* 6OO]?
(A#"$L(* &/P3-=2/ #/8M/9: B/1:> 9= (21=-9/? L 7/9&<; "09h E 51 =>459: >:P3=
9:851=04e3-:> 9= B:8V = =>43/4ak-/> 9= .3:95mh: 9= =_=-4:> 9: _-21= E =$_) / , 4W<$,?L->>=34/mh: d#=>43/9: =1 <:150-8/mh: = <52453/ <:04=1.:3s0=/n @^I(? C/2J/9:3* 6OOK?
I(,S$CS(* (093a? 509:D&? =; )o?/'; 9$ 7/9&<;E 8:043-P5-mq=> ./3/ / =2/P:3/mh: 9==>43/4ak-/> 8:1.:>-8-:0/->? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^#&? I=2: !:3-p:04=*6OO]?
I"AA"IF%$* A58-=0=? 7$< ";/a1$N /> 3=2/mq=> =043= : >:1 = / -1/k=1 0: /59-:J->5/28:04=1.:3s0=:? d#=>43/9: =1 <:150-8/mh:n? @C,? Ch: ,/52:* 6OO\?
IF%"SS$* #/3-s0k=2/ <:=2M: o/8:1-0-? );9>0&I&;( & F#/=$Y<$./&E : >:1 =1 P/-2= .=3_51/9:? L->>=34/mh: d#=>43= =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOR?
<(BY(A!F* ^3/08->8: "k;9-:? L 7/9&<; '$<$ ,a\&#/39'/; +/92j9/';E / ./34-453/:3j5=>43/2 9: _-21= E ;="7$*,+)* 9= C4/02=; G5P3-8V? L->>=34/mh: d#=>43/9: =1 #524-1=-:>n@%$<(#,? </1.-0/>* 6OXO?
<!$S(BF* &5>4/J: B:8M/? I)$,8:8;&'E : 5>: 9: b/pp 0: 8-0=1/ 9= /0-1/mh: b/.:0u>?L->>=34/mh: d#=>43/9: =1 #v>-8/n @%$<(#,? </1.-0/>* 6OOK?
<FCS(* ^eP-: ^3=-3= 9/? "$K(/'; =$ "$\E / 1v>-8/ 8:1: 3=853>: 0/33/4-J: 0: 8-0=1/
8:04=1.:3s0=:? L->>=34/mh: d#=>43/9: =1 <:150-8/mh: = <52453/ <:04=1.:3s0=/n? @^I(?C/2J/9:3* 6OO]?
<@%!(* ,/52: B:P=34: ^=33=-3/ 9/? L 7/9&<; )0?/';4 H$#(&YM<&#/';9$ 9$? M9$? EgkAE/0e2->= 9= 43/m:> =>4a4-8:>* 4=1e4-8:> = 1=38/9:2{k-8:> /43/Ja> 9:> _-21=> ^/1/ = ^2/>M9/08=?L->>=34/mh: d#=>43/9: =1 <:150-8/mh:n? @(#? Ch: ,/52:* 6OOK?
"$G#"$"B* #/34-0? O#/4X; +$9$#;E / 1v>-8/ 8:1: =2=1=04: 9= >-04/l= 9: 9->853>:0/33/4-J: 0: 8-0=1/? L->>=34/mh: d#=>43/9: =1 #524-1=-:>n? @%$<(#,? </1.-0/>* 6OO\?
^"BB"$B(* C/093/ <3->4-0/ %:J/-> <-:88-? M??/< &#; ; <o?/'; =; M(4;9(/=;E / 43-2M/
15>-8/2 9: 8-0=1/ .:.52/3 P3/>-2=-3: 0: =l=1.2: 9/ <:1./0M-/ (42/04-9/ <-0=1/4:k3e_-8/XK\6UXK`6? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @%$<(#,? </1.-0/>* 6OXO?
X`]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 169/181
&(B<$(* L=1-/0 (2P5j5=3j5=? M G0&?(1$ =; <o?/'; $#/>/9;4 ;(#;.K? =; X/?($#/; =$'/9&<; I#;?/4&/#$? L->>=34/mh: d#=>43/9: =1 <-0=1/ = (59-:J->5/2n? @0-J=3>-4a 9= ,/3-> $$$?,/3->* 6OOK?
&FB$%$* La8-:? O#/4X;? =$ +&#(1$E 1v>-8/ = -1/k=1 0/ 3=.3=>=04/mh: 9: >=34h: 0: 8-0=1/ P3/>-2=-3: 3=8=04=? L->>=34/mh:? @%I? I3/>Z2-/* 6OO\?
!$<G#(%%* ^=2-.= <:.=44-? )o?/';] 7/9&<; & O&<\$ H;##;(/.$E 51/ /P:39/k=1/0/2Z4-8/ 9:> .3:P2=1/> 9= 8:04-05-9/9=? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @^,B? <53-4-P/*6OOD?
#(&(A!f"C* #-8M=22= (k0=>? 50(0#/?<$ & )o?/'; 9; (#/4X; ?$9$#; =& @[/>; _&#($.?L->>=34/mh: d#=>43/9: =1 #v>-8/n? @%$<(#,? </1.-0/>* 6OOc?
#(BS@<<$* #/53Z8-: L:44:? @/;4$>/?<$ & (#;=0:1$ /9(&#?&</T(/'; &< "/9h 54$i= 1")
!#;; E 254: = 1=2/08:2-/ 0/ $0k2/4=33/ 9: .{>Nk5=33/? L->>=34/mh: d#=>43/9:n? @^C<(B* 6OXO?
#(@(L* ,/52: (5k5>4: L- &-:3k-:? M '$<\$?/:1$ =& <o?/'; \;#; 2/4<& =& ;9/<;:1$E 51=>459: 9= 8/>:? L->>=34/mh:? @^Bo? B-: 9= o/0=-3:* 6OO6?
F%F^B"* <-04-/ </1.:2-0/ 9=? L [$$< 9;? (#/4X;? =; _&#; 7#0[? L->>=34/mh: d#=>43/9:=1 #v>-8/n? @%$<(#,? </1.-0/>* 6OOc?
,"B"$B(* </32:> "95/39:? M <o?/'; 9$ '/9&<; ?$9$#$ I#;?/4&/#$ =; =K';=; =& EgWA]9;'/$9;4/?<$] <o?/'; \$\04;# & /=&9(/=;=& '04(0#;4? L->>=34/mh: d#=>43/9: =1 #v>-8/n?@^Bo? B-: 9= o/0=-3:* 6OOD?
,"B"$B(* #e38-: 9/ C-2J/? M??;4($ ;$ O#&< ";>;=$#E /0e2->= 9= 51/ =>435453/ /59-:J->5/2?L->>=34/mh: d#=>43/9: =1 #v>-8/n? @%$B$F? B-: 9= o/0=-3:* 6OO6?
,"B"$B(* #-k5=2 C=3./? 7/9&<; & y\&#;E @1 "08:043: ">4a4-8: =1 '/k0=3? L->>=34/mh:d#=>43/9: =1 (34=>n* "<(N@C,* Ch: ,/52:* XKKc?
z@$%S(%(* ^/P-/0/? L#2&0E 9: 1-4: t 3=/2-9/9= P3/>-2=-3/ N 51/ /0e2->= 9/ 43-2M/ >:0:3/9:> _-21=> ŗF3_=5 0=k3:ŗ dXKcKn = ŗF3_=5ŗ dXKKKn P/>=/9:> 0/ .=m/ ŗF3_=5 9/ <:08=-mh:ŗ 9=Y-0Z8-5> 9= #:3/=>? L->>=4/mh: d#=>43/9: =1 #524-1=-:>n @%$<(#,? </1.-0/>* 6OXX?
C(AA"C* ^-2-.= #/44:> 9=? 8<;>&9? )0?/';/? $0 )o?/'; _/?0;4 N @1 =>459: >:P3= //_-0-9/9= =043= : >:1 = / -1/k=1 P/>=/9: 0: _-21= ^/04/>-/dXK\On 9= '/24 L->0=;?L->>=34/mh: d#=>43/9: =1 #524-1=-:>n? ,@<NC,? Ch: ,/52:* 6OO6?
C(%SFC* (0/ <=8Z2-/ 9:>? 7$<\$?/:1$ <0?/';4E =>459:> 9-3-k-9:> ./3/ /59-:J->5/2?L->>=34/mh: d#=>43/9: =1 A=43/>n? @^#S? <5-/Pe* 6OOD?
CF@w(* <M3->4-0= Y=3/> 9=? L +X$| @&.& 7$9(/90;#E : ku0=3: 15>-8/2 0: 8-0=1/?L->>=34/mh: d#=>43/9: =1 (34=> Y->5/->n? @^#&? I=2: !:3-p:04=* 6OOc
Y(C<F%<"AFC? (093a A5-p F2p:0? M /924039'/; =; (#/4X; ?$9$#; ?$I#& ; \&#'&\:1$ =;$I#; '/9&<;($>#F2/';E I ,*F=$#/ 4S=7$%, +/ 68/ 28/ 6<,#$= * 0<, 4</*-/ 6<,#$= = G/*-<,= +)
6<,#$= ? L->>=34/mh: d#=>43/9: =1 #v>-8/n? @%$<(#,? </1.-0/>* 6OOD?
X`D
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 170/181
M#(/>$?N
I(,S$CS(* (093aH ^B"$B"* Ca3k-:? (> _50mq=> 9/ 1v>-8/ 0: 8-0=1/ >=k509: &:3P1/0*'-0k>4=94 = <::VE 0:J:> =2=1=04:> ./3/ / 8:1.:>-mh: 15>-8/2 /.2-8/9/? B_8 7$9>#&??$ =;
MH""L)? I3/>Z2-/* 6OO`?
I(BB"%!(* %/4/2-/ <?H I@"%F* #? ,? I?H ^F%SF@B(* A? &?H #(CCF%* "3-8/H B"&$C*L:5k2/>H S‿,$(* L/0-=2? ( 1v>-8/ 0/ -1/k=1* / -1/k=1 0/ 1v>-8/E (0e2->= 9: 15>-8/2 =1/0-1/mh: ŗF =>43/0M: 1509: 9= o/8Vŗ? ,9?;/$ );>;[/9&* .? X\ N XD* OX >=4? 6OOK?
I"AA"IF%$* A58-=0=? (2k51/> 3=2/mq=> =043= /> -1/k=0> = :> >:0> 0: /59-:J->5/28:04=1.:3s0=:E : 83=.v>852: 9= 51/ =3/? $0E (0/-> 9: 7$9>#&??$ I#;?/4&/#$ =& '/39'/;? =;'$<09/';:1$ N $%S"B<F#? ,:34: (2=k3=* 6OO\
IB~@S$&(#* (2=l/093= I/2-v? #v>-8/ =2=43:/8v>4-8/* 8-0=1/ = 2-4=3/453/E 8:0J=3ku08-/>
=1 /0e2->= /59-:J->5/2? B_8 7$9>#&??$ =; M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/'; d(%,,F#n? I3/>Z2-/* 6OO`?
ggggg* (2=l/093= I/2-v? C:0> S:0-8:> = <:1.2=l:>E (34=1-=J = S/3V:J>V- =1 ₠C4/2V=3? B_7$9>#&??$ =; M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/'; d(%,,F#n?B-: 9= o/0=-3:* 6OOc?
<(BB(C<F* <2/59-0=; B:93-k5=>? ( $0_s08-/ #59/E / 1v>-8/ 0:> .3-1{39-:> 9: 8-0=1/?-&./?(; F0./#L*.&#? @P=32s09-/ * J:2? OX* 0„ OX* 6OOc?
ggggg* <2/59-0=; ? ( S3-2M/ #5>-8/2 9: _-21= #/3-/ (04:0-=4/E 51/ /0e2->= 1/83:=>435453/2?$0E M9;/? =$ BB 7$9>#&??$ =; MH""L)* ^2:3-/0{.:2->* 6OXO? J? X? .? ]66N]6`?
ggggg* <2/59-0=;? ( #v>-8/ 9= E 5,#%$7/*-) +/ "7, 5,Y>) $ y CZ04=>= = 8:0>:2-9/mh: 9:<-0=1/ #59:? 7;=	$? =& "T?YZ#;=0;:1$ =; *H87M)"* J? c* 0? X* .? cXNc`* 6OOX?
ggggg* <2/59-0=;? ( #v>-8/ 9= E 5,#%$7/*-) +/ "7, 5,Y>) $$ y ( ›.=3/ >=1 A-P3=4:?7;=	$? =& "T?YZ#;=0;:1$ =; *H87M)"* J? 6* 0? 6* .? X\KNXcD* 6OOX?
ggggg* <2/59-0=;? S3-2M/>E : >:1 = / 1v>-8/ 0: 8-0=1/? 7$<7/39'/; d@%$<(#,n* J? XX`* .?XN\* 6OXO?
<$F<<$* C/093/ <? %? H <(BB(C<F* <2/59-0=;? ( (42s04-9/ = >=5> >:0>? $0E #5>-8/ 9=U./3/N ^l &9'$9(#$ =& <o?/'; & <6=/;* 6OXO* Ch: ,/52:? #v>-8/ 9=U./3/* 6OXO?
ggggg* C/093/ <? %? H <(BB(C<F* <2/59-0=;? L= J=04: =1 .:./ : 15>-8/2 j5= /.3=>=04:5 / P:>>/ 0:J/ /: .vP2-8: 9= 8-0=1/ 0: I3/>-2? $0E •$• <:0k3=>>: (%,,F#? <53-4-P/* 6OOK?
ggggg* C/093/ <? %? H <(BB(C<F* <2/59-0=;? ,=>j5->/ =1 1v>-8/ /.2-8/9/ t 93/1/453k-/ =/: /59-:J->5/2 0: I3/>-2 9: >a852: ••$ N 3=2/4:> >:P3= 51 43/P/2M: J-J:? $0E BB Y '$9>#&??$MH""L)c 2:3-/0{.:2->* 6OXO?
<FCS(* ^eP-: ^3=-3= 9/? "1P/2/k=1 .:.E 51/ /0e2->= 9/ 43-2M/ >:0:3/ 9= S3/-0>.:44-0k? $0EM9;/? =$ BB8B 7$9>#&??$ =; 8HO,-7L)? I3/>Z2-/* 6OO`?
X`K
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 171/181
<FCS(* ^eP-: ^=33=-3/ 9/? S3-2M/> C:0:3/>E 51/ >-0=3k-/ =043= /> -09v>43-/> 8-0=1/4:k3e_-8/>= _:0:k3e_-8/? B8 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XO* 6OXO?
<FCS(* ^=30/09: #:3/-> 9/? $0Z8-: 9: <-0=1/ C:0:3:E / 3=2/mh: 8:1 / 1v>-8/ .:.52/3 0:
I3/>-2 = =1 :543:> ./Z>=>? ,?(0=$? +$'/9& =& 7/9&<;* (0: Y$$? Ch: ,/52:E (00/P251=*6OO`?
ggggg* ^=30/09: #:3/-> 9/? o:M0 '-22-/1> N ,=38=P=3 :5 0h: / 1v>-8/ 9= 8-0=1/? B-: 9=o/0=-3:E L+C Y L#G0&?(#; +/92j9/'; C#;?/4&/#;* 6OXO dFCI N F3j5=>43/ C-0_r0-8/ I3/>-2=-3/N ,3:k3/1/mh: #/-: 6OXOn?
ggggg* ^=30/09: #:3/-> 9/? F> =>459:> 9: >:1 0: 8-0=1/* 9/ 1v>-8/ = / 2=1P3/0m/ 9:>1v>-8:>? -&./?(; =$ 5&?(/.;4 89(	'/$9;4 =& 7/9&<; =& M#G0/.$ M#G0/.$ H;'/$9;4* J? ]*
.? c\NcK? B-: 9= o/0=-3:* 6OXO?
ggggg* ^=30/09: #:3/-> 9/? #v>-8/ .:.52/3 0: 8-0=1/ 9/ (1a3-8/ A/4-0/? 7/9&<;/?* B-: 9=o/0=-3:* J? RD* .? 66cN6RD* 6OOc?
^"B%(%L"C* &? ^?H BF<!(* "? C? "?H (%oFC* ^? '? 9:>? ,/->/k=0> C:0:3/> =1 8-9/9=8-0=1e4-8/>? $0E B_88 '$9>#&??$ =; MH""L)] JAAV* Ch: ,/52:?
^"BB"$B(* C? <? %? <?H <(BB(C<F* <2/59-0=;? L= J=04: =1 .:./ : 15>-8/2 j5=/.3=>=04:5 / P:>>/ 0:J/ /: .vP2-8: 9= 8-0=1/ 0: I3/>-2? $0E M9;/? =$ B8B 7$9>#&??$ =;MH""L)? <53-4-P/* 6OOK? .? \ORN\OD?
^B(%<F* <a>/3 !? B?H <(BB(C<F* <2/59-0=;? (0e2->= 9/ 43-2M/ 15>-8/2 9: _-21= ŗS:54>2=> #/4-0> 95 #:09=ŗ 9= (2/-0 <:30=/5? $0E M9;/? B_88 7$9>#&??$ =; MH""L) B_887$9>#&??$? Ch: ,/52:* 6OO]?
&@"BB$%$* $3-0=5 o50-:3? (.:04/1=04:> ./3/ 51 =>459: 9/ 1v>-8/ 0:> _-21=> 9= !51P=34:#/53:? -,78H, N B=J->4/ 9: ^=>4-J/2 $04=30/8-:0/2 9= <-0=1/ 9= (3j5-J:* B-: 9= o/0=-3:*
.? \O N \c* XO :54? 6OXO?
ggggg* $3-0=5 o50-:3? ŗ,-80-8ŗE 1v>-8/ = /34-852/mh: /59-:J->5/2? 5M7L)? B=J->4/ 9=<:150-8/mh: 9/ ^((,* J? K* .? R6NR]* 6OOX?
!"%G$%* A=:? (> 43-2M/> 9: 8-0=1/ O,L-,)M N <BZS$<( L" <$%"#(* ,FBSF(A"&B"* J? c* .? c`NcD* 6OO\?
!$<G#(%%* ^? <? #v>-8/ = F3k/0-p/mh: 9: S=1.: %/33/4-J: =1 $33=J=3>ZJ=2? -&./?(;*9/.&#?/(F#/; =$ M0=/$./?0;4 d@^C<(Bn* J? OO* .? XN6* 6OOD?
o"C@C* &5-2M=31= #/-/ 9=? ( #v>-8/ "l43/9-=ka4-8/ 0: <-0=1/ <:1=38-/2 I3/>-2=-3:<:04=1.:3s0=:E 51 =>459: >:P3= /> _50mq=> 9/ 1v>-8/ 0:> _-21=> P3/>-2=-3:> -09-8/9:> /:F>8/3 0:> /0:> KO? *H8-8L? B-: 9= o/0=-3:* 6OO6?
ggggg* &5-2M=31= #/-/? (2k50> (>.=84:> 9/ #v>-8/ 0: <-0=1/ #:9=30: I3/>-2=-3:?
7/9&7;'X$&/#; y B=J->4/ 9= <-0=1/ 9/ @^BI* </8M:=-3/* I(* 6OXO?
X]O
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 172/181
o"C@C* &5-2M=31= #/-/ 9=? ( #v>-8/ 9= F z5/43-2M:? @1/ 8:1./3/mh: =043= /> =>43/4ak-/>9= 5>: 9= 1v>-8/ 0: 8-0=1/ 82e>>-8: = 0/ .3:95mh: 8-0=1/4:k3e_-8/ P3/>-2=-3/ 8:04=1.:3s0=/?B888 ,9'$9(#$ H;'/$9;4 =; MH""L)? I=2: !:3-p:04=* 6OOX?
ggggg* &5-2M=31= #/-/ 9=? L: ₠2-l: /: 25l:E 51 =0>/-: >:P3= / 1v>-8/ 9= .{>N.3:95mh: 0:>/21:93/1/>? 7$9(&<\$#;9&;* C/2J/9:3* J:2? D* 0} 6* 6OXO?
ggggg* &5-2M=31= #/-/ 9=? F3_=5 = F3_=5? ( 1v>-8/ 0/> _/J=2/> 9= #/38=2 </15> = 9= </8eL-=k5=>? M#(704(0#; d@^@n* J? %?XO* .? KcNXOK* 6OOc?
A"#"* &=3>:0 B-:>? L:> 9=>/_-:> = .3/p=3=> 9= _/p=3 1v>-8/ ./3/ _-21=? -;?'09X$* C/04/#/3-/* .? XO N XO* XR b52? 6OOc?
AFY$C$* L/0-=2 #=0=p=>? B/9/1a> &0/44/2- = / 43-2M/ 15>-8/2 0: 8-0=1/ P3/>-2=-3:? 8+/<\T?/$ C#;?/4&/#$ =& "T?YZ#;=0;9=$? &< )o?/';? B-: 9= o/0=-3:* 6OXO?
#(<$"A* G? (? #=9-/mq=> 852453/-> 0: _-21= $0J/>:3E $04=3>=mq=> =043= / 1v>-8/ = : 8-0=1/?7$9(#;';<\$ d@^^n* J? 6X* .? 6X]N6RO* 6OXO?
ggggg* G? (? $04=38:0=lq=> =043= _-21=* 1v>-8/ .:.52/3 = 4=2=J->h: 0: 8-0=1/ P3/>-2=-3:? $0E7/'4$ =& '$92''/;? '/9&<; I#;?/4&/#$E L=>/_-:> 852453/-> = =8:0r1-8:>?Ch: ,/52:EC"C< U C,* 6OOD? J? X?
#(&(A!f"C* #? (?H <(BB(C<F* <2/59-0=;? ( >:0:3-9/9= _5453->4/ 9: _-21=ŗ"045>-/>1:* >-0_:0-/ 9: L:0P/>>ŗ 9= Lp-k/ Y=34:J? 7;=	$? =& "T?YZ#;=0;:1$ =;*H87M)"* J? D* .? 6XKN66\* 6OO]?
#(%<$%$* F? #? #?H <(BB(C<F* <2/59-0=;? ( ^:31/ 9/ #v>-8/ 9= <-0=1/? _+8)7M) N Y C-1.{>-: $04=30/8-:0/2 9= <:k0-mh: = (34=> #5>-8/->? J? X? .? RORNROK?&:-s0-/* 6OOK?
ggggg* F? #? #?H <(BB(C<F* <2/59-0=;? ( :3k/0-p/mh: 4=1e4-8/ 9/ 43-2M/ >:0:3/ 15>-8/29= "3/ @1/ Y=p 0/ (1a3-8/? $0E •$• <:0k3=>>: 9/ (%,,F#* 6OOK* <53-4-P/? M9;/? =$ B8B7$9>#&??$ =; MH""L)* 6OOK? .? ]]DN]DX?
ggggg* F? #? #?H <(BB(C<F* <2/59-0=;? "00-: #:33-8:0=E ( #v>-8/ ^/2/??? C=1 ,/2/J3/>?
$0E B_888 7$9>#&??$ =; MH""L)c C/2J/9:3 E (%,,F#* 6OOD? J? X? ggggg* F? #? #?H <(BB(C<F* <2/59-0=;? "00-: #:33-8:0=E F ŗ</0:0= $0J=3>:ŗ? B_887$9>#&??$ =; MH""L)? Ch: ,/52:E (0/-> 9: <:0k3=>>:* 6OO]?
#(BS$%C* ^=30/09/ (k5-/3 </30=-3:? 0,<,*)$+ 0,<H E 9/> 8:1.:>-mq=> 9= %-0: B:4/ t1v>-8/ =2=43:/8v>4-8/? B8 ,?(0=$? =& 7/9&<; & M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX*6OXO?
#"AAF* <2a2-/ ? #v>-8/ = <-0=1/E 51 .=j5=0: 4=l4: /04-_:31/2->4/ .:3 51/ =>4a4-8/ 9:-33/8-:0/2? -*M? B=J->4/ @0-J=3>-4e3-/ 9: (59-:J->5/2* J? X* .? X6cNXRc* 6OOD? L->.:0ZJ=2 =1E
QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑XRXT?
X]X
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 173/181
#$B(%L(* C5p/0/ B=8V? ( 2-P=39/9= = / 95.2-8-9/9= 9/ 1v>-8/ =1 V-=>2:7>V-? -*M NB=J->4/ @0-J=3>-4e3-/ 9: (59-:J->5/2* .? XN6* 6OOD? L->.:0ZJ=2 =1E QM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X66T?
ggggg* C5p/0/ B=8V? ( #v>-8/ 9= wP-k0-=7 ,3=->0=3 = : @0-J=3>: ^-88-:0/2 9= G3p;>p4:_G-=>2:7>V-? 8=K/;? & M#>0<&9($? -&./?(; =& @/.04>;:1$ 7/&9(62/'; =$ 7&9(#$ *9/?;4 *(1=3-8/0/ C,* J? \* 6OOX?
ggggg* C5p/0/ B=8V? I=30/39 !=331/00* 8:1.:>-4:3N/54:3x? 7;=	$? =& "T?YZ#;=0;:1$=; *H87M)"* </1.-0/> C, I3/>-2* J? `* 0? 6* .? XR`NX\R* 6OO6?
ggggg* C5p/0/ B=8V? ">854/3 51 ^-21=E Y/3-/mq=> 9= 51/ 1=>1/ #v>-8/? B888 ,9'$9(#$H;'/$9;4 =; MH""L)? I=2: !:3-p:04=* 6OOX?
ggggg* C5p/0/ B=8V? ^-21/09: / #v>-8/E /> J/3-/mq=> 9= =>854/ 0: _-21= 9= ^3/0m:-> &-3/39?
,?(0=$? +$'/9& =& 7/9&<;* (0: Y$$? Ch: ,/52:E (00/P251=* 6OO`?
ggggg* C5p/0/ B=8V? M$=7 ,# 7"#$%E F 3e9-: 15>-8/2 9= &2=00 &:529 = / 8:0>435mh: >:0:3/9: _-21= 9= ^3/0m:-> &-3/39? B8_ ,9'$9(#$ H;'/$9;4 =; MH""L)? ,:34: (2=k3=* 6OOR?
C5p/0/ B=8V? F Be9-: #5>-8/2 9= &2=00 &:529 = / <:0>435mh: C:0:3/ 9: _-21= 9= ^3/0m:->&-3/39? BB_88 7LHZ-,++L C-M+8S,8-L @, 78sH78M+ @M 7L)*H87MfpLd$%S"B<F#n? ,:34: (2=k3= BC* 6OO\?
#F%w(%$* o:>=44= #:0p/0-? (> J:24/> = t> J:24/> 9= >:0> = -1/k=0> =1 ,:3 J:24/ 9/ 1=-/N0:-4=? -*M N B=J->4/ @0-J=3>-4e3-/ 9: (59-:J->5/2? Ch: </32:>* 6OOD? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑XcRT?
#FB"SS$%* "95/39: Y?? <-0=* 1v>-8/ = M->4:3-/E !=-4:3 Y-22/NA:P:> ; F L=>8:P3-1=04: 9:I3/>-2 dXKR]n 9= !51P=34: #/53:? M#'X/.$? =& 4; 5/4<$(&';] Y/2=08-/* 0? \X* .? ]ONDR* 6OO6?
ggggg* "95/39: Y?? C:0:3-9/9=> 9: 8-0=1/ 9-4: >-2=08-:>:E _-21=> 8/04/04=>* M->4{3-/ =1v>-8/? +/>9/2/';:1$ d@S,n* J? X* 0} RX* .? X\KNX`R* 6OOK?
F%F^B"* <? <? 9=? ( u0_/>= / /mh: _-21/9/ .:3 1=-: 9= 8:0>435mq=> 15>-8/-> 0:> _-21=> 9/Y=3/ <35p?? 7;=	$? =& "T?YZ#;=0;:1$ =; *H87M)"* J? OR* .? RXN\6* 6OO`?
ggggg* <? <? F p::1 0:> 9:851=04:> 15>-8/-> 9/ <:1./0M-/ <-0=1/4:k3e_-8/ Y=3/ <35p?n/?(T#/; +$'/;4 d@%$<(#,n* J? XX* .? 6`XN6``* 6OOc?
ggggg* <? <? 9=H <(BB(C<F* <2/59-0=;? ( 1v>-8/ 0: 8-0=1/ P3/>-2=-3: =1 XKDX = 6OXOE/0e2->= 9/> 43-2M/> 15>-8/-> 9:> _-21=>? $0E M9;/? =$ BB 7$9>#&??$ =; MH""L)*^2:3-/0{.:2->* 6OXO? J? X? .? XN`?
ggggg* <? <? 9=H <(BB(C<F* <2/59-0=;? ( :P3/ 9= ^3/08->8: #-k0:0= 0: 8-0=1/ P3/>-2=-3:E /0e2->= 9/> 1v>-8/> 8:1.:>4/> ./3/ :> _-21=> 9/ <-/? Y=3/ <35p? $0E B_887$9>#&??$ =; MH""L)* 6OO]* Ch: ,/52:? (0/-> N (%,,F# •Y$$ <:0k3=>>:* 6OO]?
,"B"$B(* #-k5=2? L/ {.=3/ 7/k0=3-/0/ t =>4a4-8/ 8-0=1/4:k3e_-8/E /.3:l-1/mq=> .:>>ZJ=->?-&./?(; MS7,*? B-: 9= o/0=-3:* J:2? OK* 0} X]* 6OOD?
X]6
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 174/181
,$<<$%$* (2=l/093=? "043= / #v>-8/ = : <-0=1/ #-8M/=2 %;1/0 = ,=4=3 &3==0/7/;? -*M?-&./?(; *9/.&#?/(F#/; =$ M0=/$./?0;4] J? X* .? X6cNXRc* 6OOD? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑X6cT?
,$B"C* I=4s0-/ A=J-=0 H IŴ%L<!"%* L=0->= C/04/00/? @1 9=2-0=/1=04: /0/2Z4-8: 9/43-2M/ >:0:3/ 9: _-21= <-0=1/ ,/3/9->:? $0E B_8 7$9>#&??$ =; MH""L)* 6OOR* ,:34:(2=k3=? (0/-> 9: •Y$ <:0k3=>>: 9/ (%,,F#* 6OOR?
z@$%S(%(* ^/P-/0/H <(BB(C<F* %=;? %/ 43-2M/ 9= F3_=5 %=k3:? ( 3=.3=>=04/mh: 9/-1/k=1 >:0:3/ = 852453/2 P3/>-2=-3/ 0: _-0/2 9:> /0:> cO? $0E 8 v$#9;=; =& ,?(0=$? =&7/9&<; & 5$($>#;2/; =$ "#$>#;<; =& "T?YZ#;=0;:1$ &< )04(/<&/$?? </1.-0/>* 6OXO? J?X? .? XNX\?
B$I"$BF* "3-8? #v>-8/* <-0=1/ = 4:9/ 8:0_5>h: j5= >= .:9= -1/k-0/3? -*M Y -&./?(;
*9/.&#?/(F#/; =$ M0=/$./?0;4* J? X* .? X6cNXRc* 6OOD? L->.:0ZJ=2 =1EQM44.EUU777?5_>8/3?P3U35/U>-4=Ux.‑XRcT?
C(AA"C* ^-2-.= #/44:> 9=? ( %/453=p/ 0/ (34=E / C-1P-:>= 9: C:1 = 9/ $1/k=1? BBB87$9>#&??$ C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$ d$%S"B<F#n? %/4/2* 6OOD?
ggggg* ^-2-.= #/44:> 9=? ( F3-k=1 9/ S3-2M/ C:0:3/? )9&<$'/9&* J? X* .? K* 6OOD?
C(%S(%(* &? <? <? C?H %F&@"$B(* A? #? <:150-8/mh:* <-0=1/ = #v>-8/E : .=3>:0/k=1-0J->ZJ=2 =1 L53J/2 L->8:>? 8HO,-7L)? •$$ <:0k3=>>: 9= <-u08-/> 9/ <:150-8/mh: 0/B=k-h: <=043:!F=>4= y &:-s0-/ y &F 6] / 6K 9= 1/-: 9=6OXO?
ggggg* &? <? <? C? H %F&@"$B(* A->/093: #/k/2Mh=>? #v>-8/* 8-0=1/ = : 2-1-4= 9/>/0-9/9=E /0e2->= 9/ 8/0mh: 0/ 43-2M/ >:0:3/ 9: _-21= I-8M: 9= C=4= </P=m/>* 9= A/Z>I:9/0pV;? $0E 88 +&</9F#/$ )6=/; & 704(0#; `5;'$<Iw*5Zd* 6OXO* &:-s0-/N&F? M9;/? =$88 +&</9F#/$ )6=/; & 704(0#;* 6OXO?
C$AY(* "9->:0 L=21-3:? ( 1:9=30-9/9= .:3 43e> 9: ./0:E : /9J=04: 9:> _-21=> 8/04/04=> 0:I3/>-2? -&./?(; 7&'/4/;9; dC/04:>n* 6OO]?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? ( #v>-8/ 0: <-0=1/ I3/>-2=-3:? BBB888 7$9>#&??$C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$ d$%S"B<F#n? </l-/> 9: C52* 6OXO?
ggggg* #e38-/ B=k-0/ </3J/2M: 9/? ( #v>-8/ 0: <-0=1/ $095>43-/2 9:> (0:> KO? -&./?(; M_N (59-:J->5/2? Ch: A=:.:29:* J:2? OR* 0} O`* 6OOc?
ggggg* #e38-/ B=k-0/ </3J/2M: 9/? <:->/> 9/ 3:m/E / 1v>-8/ >=34/0=b/ 0: 8-0=1/ P3/>-2=-3:?CL77? I-P2-:4=8/ E*K=$*/ 9= <-u08-/> 9/ <:150-8/mh:* J? X* .? XNK* 6OOD?
Y"B(C* <M3->4-0=? F &u0=3: #5>-8/2 B=-0J=04/9:? BBB 7$9>#&??$ C#;?/4&/#$ =& 7/39'/;?=; 7$<09/';:1$ d$%S"B<F#n* C/04:>* 6K 9= /k:>4: / O6 9= >=4=1P3: 9= 6OO]?
X]R
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 175/181
Y$"$B(* o:h: A5-p? #v>-8/* 9/0m/ = .=3_:31/08=E : 8:3.: =1 1:J-1=04:? M??$'/;:1$704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2S=2/ I3/>-2->* 6OOD?
Y$L$&(A* A=:0/39: (?? ŗ( o/1/-8/ a /j5-ŗE 3=2/mq=> =043= 1v>-8/ = 4=33-4{3-: 0: /59-:J->5/2?-&./?(; C#;?/4&/#; =$ 7;#/I& d$1.3=>>:n* J? $•* .? \6cN\D\* 6OOK?
ggggg* A=:0/39: (?? (2k51/> 8:0>-9=3/mq=> >:P3= / 1v>-8/ 0:> _-21=> 9= o=/0 B:58M?@&./#&? d@^#&n* J? `* .? \`N`X* 6OOK?
,+O*@L+ @M 7MHfpL
O&?&?N
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? M ';9:1$ \$\04;# 9; X/?(T#/; =$ '/9&<; I#;?/4&/#$ ?S=>= dL:54:3/9: =1 #524-1=-:>n? @%$<(#,? </1.-0/>* 6OOK?
C$AY(* "9->:0 L=21-3:? L \;\&4 9;##;(/.$ =; ';9:1$ 9$? 2/4<&? I#;?/4&/#$? ; \;#(/# =;-&($<;=;? S=>= dL:54:3/9: =1 <:150-8/mh: = C=1-{4-8/n? ,@<? Ch: ,/52:* 6OOD?
@/??&#(;:D&?N
<(#(B%"$BF* ^/P-: L-/p? 7$9(#;=/:D&? =; ';9:1$E 1v>-8/ .:.52/3 P3/>-2=-3/ =1 ₠F#/09/3-1* 9= o52-: I3=>>/0=? L->>=34/mh: d#=>43/9: =1 <-u08-/> 9/ <:150-8/mh:n? @C,?Ch: ,/52:* 6OOK?
M#(/>$?N
(A#"$L(* &/P3-=2/ B/1:> 9=? L= F </04:3 9= o/pp / "/>; B-9=3E / 8/0mh: .:.52/3 0:8-0=1/ 0/> 9a8/9/> 9= XK6O / XK`O? BBB888 7$9>#&??$ C#;?/4&/#$ =& 7/39'/;? =;7$<09/';:1$ y </l-/> 9: C52* BC y 6 / ` 9= >=4=1P3: 9= 6OXO?
<FCS(* ^eP-: ^3=-3= 9/ ? Y-:2u08-/ .:. = >53_ 15>-8E ku0=3:> 15>-8/-> = 8/0mq=> 9: ./>>/9:
8:1: =2=1=04:> 0/33/4-J:> =1 ,52. ^-84-:0? $0E M9;/? 8B 7$9>#&??$ =& 7/39'/;? =;7$<09/';:1$ 9; -&>/1$ H$#=&?(& 8HO,-7L)d? C/2J/9:3* 6OO]?
^B"$B"* B/_/=2 9= A50/? F >-2u08-: d:5 /> 8/0mq=>n j5= .3=8=9=d1n : =>.:33:? $0E 7/9&<;/??B-: 9= o/0=-3:E (=3:.2/0:* 0? RD* 6OOc?
o"C@C* &5-2M=31= #/-/ 9=? ( J:p 9/ 152M=3 j5= 8M:3/ d=1 /2k51 25k/3 9: ./>>/9:nE />8/0mq=> 9:> _-21=> 9= (21:9{J/3? -&\&#(T#/$ O&;(#$ e @;9:;* J? XX* .? XRNXK* 6OOK?
C(%S(%(* &? <? <? C?H %F&@"$B(* A->/093: #/k/2Mh=>? ( 8/0mh: .:.52/3 P3/>-2=-3/ 0:8-0=1/ 0/8-:0/2 8:04=1.:3s0=:? $0E M9;/? =$ _ +&</9F#/$ 89(&#<&?(#;9=$? &<
7$<09/';:1$ d"C,#n? Ch: ,/52:* 6OXO?
X]\
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 176/181
C(%S(%(* &? <? <? C?H %F&@"$B(* A->/093: #/k/2Mh=>? </0>/m: = 0h: .=34=0m/E /-1.:34s08-/ 9/ 8/0mh: 0/ 43-2M/ >:0:3/ 9: _-21= S=33/ ">43/0k=-3/* 9= '/24=3 C/22=>? $0E M9;/?=$ B 7$9>#&??$ =& MSM87 N (>:8-/8-{0 A/4-0:/1=3-8/0/ 9= $0J=>4-k/9:3=> 9= 2/<:150-8/8-{0c I:k:4eN<:2r1P-/* 6OXO?
C<!Y(Bw#(%* CM=-2/? <52453/ .:.52/3 1/>>-J/ 0: I3/>-2E : 25k/3 9: 8-0=1/ >:0:3: = >5/3=2/mh: 8:1 / 1v>-8/ .:.52/3? -&./?(; r'$9&? B=8-_=* J:2?XO* 0: X* 6OOD?
C$AY(* #e38-/ B=k-0/ </3J/2M: 9/? ( 8/0mh: 0: 8-0=1/ P3/>-2=-3: 9:> /0:> DO? B8 ,?(0=$?=& 7/9&<; & M0=/$./?0;4 dCF<$%"n? Ch: ,/52:* J:2? XX* 6OXO?
ggggg* #e38-/ B=k-0/ </3J/2M: 9/? ( </0mh: .:.52/3 0/ !->4{3-/ 9: <-0=1/ I3/>-2=-3:?B_88 7$9>#&??$ =; M??$'/;:1$ H;'/$9;4 =& "&?G0/?; & "T?Y>#;=0;:1$ &< )o?/';d(%,,F#n? Ch: ,/52:* 6OO]?
ggggg* #e38-/ B=k-0/ </3J/2M: 9/? ( 8/0mh: .:.52/3 0: 8-0=1/ P3/>-2=-3:E :> _-21=>8/04/04=>* /> 8:1a9-/> 15>-8/-> = /> /J=0453/> -095>43-/-> 9/ <-0a9-/* (42s04-9/ = Y=3/ <35p?-&./?(; *9/.&#?/(F#/; =$ M0=/$./?0;4* .? OXNOR* 6OOD?
ggggg* #e38-/ B=k-0/ </3J/2M: 9/? (> 8/0mq=> 9: 1/0k5=NP=/4 dP-4n 0/> 43-2M/> 9: 8-0=1/EL:-> 4=1.:>? BB8 7$9>#&??$ C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$* I3/>Z2-/* ` / K 9=>=4=1P3: 9= 6OO` ?
Y(C<F%<"AFC* (? A? F? ? </8e L-=k5=>E ( 8/0mh: 8:1: 8:0J=0mh: .:a4-8/ 9/ 0/33/4-J/N(0e2->= 9/ 43-2M/ >:0:3/ 9= I;= P;= I3/>-2? $0E B_88 7$9>#&??$ =; MH""L) N (>>:8-/mh:
%/8-:0/2 9= ,=>j5->/ = ,{>Nk3/95/mh:* Ch: ,/52:* 6OO]?
L*O-L+
S/.#$?N
^"BB"$B(* L/0-=2/ </3J/2M: #?H ,($Y(* o:>a "95/39:? L }0=/$ 9; 89(	&(? @P=32s09-/E"9-P3/>* 6OOD
#FSS(* AZJ-/ #/3-/ Y? 9= #?H ^$A!F* ,/52: B:1=5 d:3k?n? M0=/$=&?'#/:1$E 43/0>_:31/09:
-1/k=0> =1 ./2/J3/>? <s1/3/ I3/>-2=-3/ 9: A-J3:E Ch: ,/52:* 6OXO?B$&!%$* B/_/=2 B:>:? M O#/4X; +$9$#; =; O&4&9$.&4; C#;?/4&/#;E 9/ 83-/mh: t _-0/2-p/mh:?Ch: ,/52:H "9? ,/52-0/>* 6OO\?
C‿* C-1:0= ,=3=-3/ 9= d:3k?n? -0<$? =; '04(0#; =; <o?/';E 0=k{8-:>* =>4a4-8/>* 2-0k5/k=0>= /59-P-2-9/9=>? ,:34: (2=k3=E C52-0/* 6OXO?
O&?&?N
<(,"AA"B* $J/0? L 7/9&<; & +&0 @0\4$? S=>= d#=>43/9: =1 <:150-8/mh:n? @^^? B-: 9=o/0=-3:* 6OXO?
X]c
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 177/181
!"##"$#%& ()*+,-) .)/?)-;7 37*9,+/7= ! #$%&'(%)'&*+ ,' -+&*'.,+ /?,;+7;3?%$ 9%=%8'23;*'38 +*?,29+<):17 275/, ;+5/+042>7 67> ,-,>,*972 27*7/72= O,2, K(7G97/)07 ,>
3G-9+>,+72C= IM$.%3H= .)>B+*)2& LJAJ=
#$E@M$& #)D),- #727= / <=;$:% 1+&+=% ,% <'$'&+7'$% 5=%3;$';=%8 0) 6/+):17 N D+*)-+F):17=
O,2, K(7G97/)07 ,> .+_*6+)2 0) .7>G*+6):17C= I[H= [17 H)G-7& LJJA=
[@I3& W)S/,*6, #76;)= <+9+$+0;%43> 1+&+=%43> &+3 6%)'3= O,2, K(7G97/)07 ,>
.7>G*+6):17C= HI.= [17 H)G-7& LJJY=
[]IX%& WG+F ]9)?+7 .)/?)-;7 E7*:)-?,2 0,= / O.3;K% ' +3 GC';*+3 1+&+=+3 &% -'&%<'%*=%$8 /,D-,R\,2 275/, G>) ,29Z9+6)= O,2, K(7G97/)07 ,> %/9,2 ._*+6)2C= I[H= [17 H)G-7&
AQQQ=
I;33'=*%MH'3B
U%[O][& 3)+F) 0, W)?,*P/,= !"#$%"$& "#( )*%#( +# ,+-.*%/-&! #$%&%'()&*+ &),%(-./*$-?*
%/; &)?&)*)/(%(-./* 7/ ($) 3-,9 =8,$.,,%/; 2&-<)= (+22,/9):17 K3,29/)07 ,> W,9/)2C I![.=
!-7/+)*TB7-+2& LJJ^=
!"##"$#%& ()*+,-) .)/?)-;7 37*9,+/7= ! 1+) L&*'=&J*;K+8 ) ,67-G:17& ) 2+9G):17 , )
,29Z9+6) 27*7/) *) +*9,/*,9= (+22,/9):17 K3,29/)07 ,> 3G-9+>,+72C= IM$.%3H= .)>B+*)2&
LJJV=
E%3]& %-,22)*0/7 .7*29)*9+*7= %?,2 2,> /G>78 ) 9/)*2+97/+,0)0, *7 6+*,>) 0, ]FG)-07
.)*0,+)2= (+22,/9):17 K3,29/)07 ,> 3G-9+>,+72C& IM$.%3H& .)>B+*)2o[H& LJJJ=
E%I("MX$& #+6)/07 .G9F= /=*' 1+&+=%8 ,*9/, ) B-)29+6+0)0, , ) 27*7/+0)0,= I> ,29G07 0,
6)27 , B,kG,*) B,/2B,69+?) ;+29T/+6)= (+22,/9):17 K3,29/)07 ,> .7>G*+6):17 , .G-9G/)C=
I!#g& LJJY=
]W$c"$#%& EG29)?7 iG,+/7F 0,= ! A+0+ 5$%KE I'%*:8 G>) ,RB,/+_*6+) 0, 0,2+<* 27*7/7 ,
0,2+<* 0, m7<72 0, 67>BG9)07/,2= (+22,/9):17 K3,29/)07 ,> 3G-9+>,+72C= IM$.%3H=
.)>B+*)2& LJJL=
[%.$.& #70/+<7 3)+)= @% #=%*;D?' ,? 1+& I%&3 $' N+?7'%? -;&')% /)'=;K%;& 4F_[_W
F_SY>= 3)29,/ L K3,29/)07 ,> "29Z9+6) , @+29T/+) 0) %/9,C= I*+?,/2+9, H)/+2 $$$& [7/57**,=
H)/+2& LJAA=
[$Wc%& "0G)/07 3+/)*0)= / 7+] ,+ +?*=+ &+ K;&')% 2=%3;$';=+ K+&*')9+=X&'+8 ) kG,2917
0) B/+>,+/) B,227)= (+22,/9):17 K3,29/)07 ,> .7>G*+6):17 [76+)-C= HI.= #+7 0, g)*,+/7&
LJJQ=
[$Wc%& W4-+)* .)>B,2)97= /=*' 1+&+=%8 G>) >,9)>7/D72, 0) >G2)2= (+22,/9):17 K3,29/)07
,> 3h2+6)C= I[H= [17 H)G-7& LJJ^=
A^V
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 178/181
CF(B"C* A5-p <2e59-: </b/-P/? _&#?1$ I#;?/4&/#;E 95P2/k=1 0/ 4J 8:1: 3=853>: 9-_5>:3 9:8-0=1/? L->>=34/mh: d#=>43/9:n? @^I(? C/2J/9:3* XKK]?
Y"C,(B* #/05=2 &=3/29:? +$< e "#$=0:1$ )0?/';4 \;#; ; )6=/;? L->>=34/mh: d#=>43/9:
=1 <:150-8/mh:n? @^Bo? B-: 9= o/0=-3:* 6OO`?
M#(/>$?
(C,(!(%* ,=93: </39:>:? ,:3 51/ .=3k504/ >:0:3/? $0E A"F%"A* o?H #"%LF%(* B? ^?dF3k?n? M0=/$./?0;4 7$<09/(F#/$ & ,=0';:1$E M->4{3-/>* .3:8=>>:> = .3:954:>? I=2:!:3-p:04=E (54u04-8/ "9-4:3/* 6OXO* J? OX* .? X6cNX\R?
(A#"$L(* A-p/093/ 9=? C:1 L-3=4: >=1.3= 3=2=k/9: / >=k509: .2/0: y 9=>J/2:3-p/9:* :43/P/2M: 9:> 4a80-8:> 9: >=4:3 a -1.3=>8-09ZJ=2 =1 j5/>= 1=4/9= 9/> .3:95mq=> .5P2-8-4e3-/>?
#/> :> .3:_->>-:0/-> 3=82/1/1 9/ _/24/ 9= 8:09-mq=>? S=2/ Y-J/* 0?\\* .? 66N6R* b/0? XKK`?
(%LB(L"* A=-2/0=H I"!A(@* #/3/H #"Cz@$S(* $0k3-9? ( J:p 0/ 95P2/k=1 9= 9=>=0M:>/0-1/9:> 9/ C</,7 ])<H#? M9;/? =$ _ 7$4TG0/$ 89(	'/$9;4 ~,=0';:1$ &7$9(&<\$#;9&/=;=&•? Ch: <3->4:Jh:* 6OXX?
(B(&~F* #/3->/ Y-=-3/ 9=? (0e2->= 9= >:1 9= F I/09-9: 9/ A5p Y=31=2M/?7/9&<;(T>#;2$?] 0? X* 9=p? XKDR?
(B(oF* A58-/0/ C? A? <? ? ( 83Z4-8/ 9= 8-0=1/* / 8M=k/9/ 9: >:1 = : _5453: 9: 8-0=1/?L4X;# d@^C</3n* J? XOUXX* .? 6`XN6`]* 6OOD?
I(AS(B* #/3-/0/? ( =J-9u08-/ 9: /59ZJ=2E : >:1 9:851=04/2 = / 43/9-mh: -04=3J=08-:0->4/0: 9:851=04e3-: P3/>-2=-3:? M??$'/;:1$ 704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X=9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2 S=2/ I3/>-2->* 6OODc
I(BB"%!( * %/4/2-/ <M3->4:_:2=44-? 7#0%/=$?] .0&4(;?] #$=&$?N *<; ;9F4/?& =; .$[ &< L\b9(;9$? (>:8-/8-{0 (3k=04-0/ 9= ">459:> 9= <-0= ; (59-:J->5/2 d(>("<(n? I5=0:> (-3=>*6OXO?
ggggg* %/4/2-/ <M3->4:_:2=44-? M &?(K(/'; ?$9$#; 9; $I#; =& S0'#&'/; );#(&4? (>:8-/8-{0
(3k=04-0/ 9= ">459:> 9= <-0= ; (59-:J->5/2 d(>("<(n? I5=0:> (-3=>* 6OXO?I"B%(BL"S* o=/0N<2/59=? ( "043=J->4/? M??$'/;:1$ 704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:10: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2 S=2/ I3/>-2->* 6OODc
<("C(B* B:9:2_:? F 4Z1./0: a 51/ 4=2/x? $0E _8 5$#0< =$ 7&9(#$ =& S/9>0;>&<)0?/';4? Ch: ,/52:* 6OO\* J?X* .? X]N6c?
<(,"AA"B* $J/0? B/-:> = S3:Jq=>E M-.=3N3=/2->1: = #)"*+ +/#$3* 0: 8-0=1/8:04=1.:3s0=:? M??$'/;:1$ 704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9=o/0=-3:E (>>:8-/mh: <52453/2 S=2/ I3/>-2->* 6OODc
<FCS(* ^=30/09: #:3/-> 9/? ( J:p = : =>.=2M:? B-: 9= o/0=-3:E o535P=P/ ,3:95mq=>* 6OXOd</4e2:k: 9/ 1:>43/ 8-0=1/4:k3e_-8/ <-0=/>4/> = $1/k=0> 9: ,:J:n?
X]]
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 179/181
<FCS(* ^=30/09: #:3/-> 9/? (> _50mq=> 9: >:1 0: 8-0=1/ 82e>>-8: 0/33/4-J:? M??$'/;:1$704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2S=2/ I3/>-2->* 6OOD?
ggggg* ^=30/09: #:3/-> 9/? <-0=1/ 159: = ./>>/k=1 ./3/ : >:0:3:? M??$'/;:1$ 704(0#;4O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2 S=2/I3/>-2->* 6OOD?
ggggg* ^=30/09: #:3/-> 9/? !e /2k: 8:1: 51 M-.=3N3=/2->1: >:0:3: 0: 8-0=1/ /3k=04-0:xM?$'/;'/T9 M#>&9(/9; =& ,?(0=$? =& 7/9& i M0=/$./?0;4 M?M,7Md? I5=0:> (-3=>* 6OXO?
ggggg* ^=30/09: #:3/-> 9/? F >:1 9/> 8-9/9=>* : 8a5 9= A->P:/? $0E M9;/? =$ _8 S0?$'$< N<-u08-/> 9/ <:150-8/mh: =1 <:0k3=>>: 0/ <:J-2Mh* 6OO\?
ggggg* ^=30/09: #:3/-> 9/? F >:1* 9=>9= : -0Z8-: 9: 8-0=1/? Ch: ,/52:E 7&9(#$ 704(0#;4
=$ C;9'$ =$ C#;?/4* 6OO] dS=l4: 9= /P=3454/ 9: </4e2:k: 9/ 1:>43/ " : >:1 >= _=pn?
^AFB"C* Y-3k-0-/? F C:1 0: <-0=1/ I3/>-2=-3: <:04=1.:3s0=:? M??$'/;:1$ 704(0#;4 O&4;C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2 S=2/ I3/>-2->*6OODc
^"BB"$B(* Aa>2-= ,? ? L5P2/9:3=>E 51/ J:p ./3/ : .=3>:0/k=1? $0E Aa>2-= ,-88:2:44:^=33=-3/H !=03-j5= F2-J/2 <:>4/? dF3k?n? _$[ M(/.;E _/2/09: >:P3= / 82Z0-8/ _:0:/59-:2{k-8/?Ch: ,/52:E B:8/* 6OOX?
^B"$B(* B/_/=2 9= A50/? S35>4=* #v>-8:> = Y-43:2/>E / 4=04/4-J/ 9= 1:0:.{2-: 9/ '=>4=30"2=843-8 0/ 8M=k/9/ 9: 8-0=1/ >:0:3: 0: I3/>-2 = >=5> 9=>9:P3/1=04:>? 8<$>$2;>/;E B=J->4/9= 2/ (>:8-/8-{0 (3k=04-0/ 9= ">459-:> 9= <-0= ; (59-:J->5/2* 0? c* 6OXX?
&(B<$(* L=1-/0 (2P5j5=3j5=? "l->4= 51 >:1 9-k-4/2 0: 8-0=1/x? <53-4-P/E -&./?(;7/&9(62/'; U ^(,* 6OX6?
A$%C* <:0>5=2:? F =0>/-: 0: 9:851=04e3-: = / j5=>4h: 9/ 0/33/mh: =1 :__? M??$'/;:1$704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2S=2/ I3/>-2->* 6OODc
AFI(CC$* "? '? ? <:1 : >:1 1:33= : .=3>:0/k=1 </32-4:> = 0/>8= : /4:3 <M/.2-0? -0;Y-&./?(; *9/.&#?/(F#/; =$ M0=/$./?0;4* J? OO* .? …OO* 6OOD? QM44.EUU777?5_>8/3?P3U35/U>-4=Ux .‑X`OT
#(<$"A* G? (? ? ,/->/k=1* 1v>-8/ .:.52/3 = : -1/k-0e3-: 9: >=34h: =1 _-21=> 3=8=04=>? $0E</-: (5k5>4: (1:3-1 #/8-=2? dF3k?n? ,9(#& Z&$>#;2/; & Z&$?$2/;E (P:39/k=0> <52453/-> 9:">./m:? B=8-_=E "9-4:3/ @0-J=3>-4e3-/U@^,"* 6OOK* J? * .? 6XcN6RO?
#(%w(%F* A5-p (9=21: ^=30/09=>? #-l/k=1 ./3/ C533:509? -&./?(; "#$=0:1$ }0=/$*Ch: ,/52:* .? RO N R6* XO 1/-: 6OXX?
ggggg* A5-p (9=21: ^=30/09=> ? #-l/09: 8:1 :> F5J-9:>? -&./?(; "#$=0:1$ }0=/$* Ch:,/52:* XO b52? 6OXO?
X]D
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 180/181
#(%w(%F* A5-p (9=21: ^=30/09=> ? I/8V 5.>E ./>>/9:* .3=>=04= = _5453:? -&./?(;"#$=0:1$ "#$2/??/$9;4 N I3/>-2* Ch: ,/52:* OX 0:J? 6OOD?
ggggg* A5-p (9=21: ^=30/09=> ? #-l/k=0> ./3/ 9-_=3=04=> _:31/4:>? -&./?(; "#$=0:1$
"#$2/??/$9;4 N I3/>-2* Ch: ,/52:* 66 /k:? 6OOD?
ggggg* A5-p (9=21: ^=30/09=> ? "9-mh: 9= >:1 = 1-l/k=1E =J:25mh: 0/ M->4{3-/ 9: 8-0=1/ P3/>-2=-3:? -&./?(; "#$=0:1$ "#$2/??/$9;4* Ch: ,/52:* OD 0:J? 6OO]?
ggggg* A5-p (9=21: ^=30/09=> ? #59/0m/> 0: ./0:3/1/ 9= e59-: ./3/ 8-0=1/? -&./?(;"#$=0:1$ "#$2/??/$9;4* Ch: ,/52:* OX 0:J? 6OOc?
#"%L"C* "95/39: C/04:>? ,/3/ 51/ 3=_2=lh: =1 4:30: 9/ /0e2->= 9: >:1 8-0=1/4:k3e_-8:?C;4;4;/';E B=J->4/ I3/>-2=-3/ 9= <-0=1/ = <52453/* Ch: ,/52:* J? OX* 0?OX* .? ]KNDR* XKK]?
#"%L"C* &-2P=34/? C:1 9-3=4:E >5/ 4a80-8/? 5/4<& 704(0#;* J? X* 0? `* .? c\Ncc* >=4? XK`]?
#$B(%L(* C5p/0/ B=8V? L5/> J:p=> ./3/ : >:1 0: 8-0=1/E S/4- = I3=>>:0? M??$'/;:1$704(0#;4 O&4; C#;?/4/?? dF3k?n? F C:1 0: <-0=1/? X =9? B-: 9= o/0=-3:E (>>:8-/mh: <52453/2S=2/ I3/>-2->* 6OOD?
%(&$I* Av8-/? ( =>4a4-8/ 9: >-2u08-:? $0E 7/9&<;/?? B-: 9= o/0=-3:* 0?X\*0:J=1P3:U9=p=1P3:* XKKD?
,(A$%G(CNC(%<!"C* "2/-0= =4 /2? M9F4/?& .$';4 =& \&#?$9;>&9? ?0/'/=;? =& 2/4<&? =&'/9&<;c X/?O 6<,#O 0#$N"$,-<O [:02-0=W? 6OXO* J:2?R6* 0?\* ..? \OKN\Xc? ".5P? o50= 6c* 6OXO?
,"B"$B(* </32:> "95/39:? ( #v>-8/ 0: 8-0=1/ >-2=08-:>: 0: I3/>-2? B-: 9= o/0=-3:E 7&9(#$704(0#;4 =$ C;9'$ =$ C#;?/4* 6OOX d</4e2:k:n?
,"B"$B(* Y-0Z8-5> (?H <(CS(%!"$B(* o:>a <2e59-: C-j5=-3/? #/-> k3/J=“ <:1: />4=80:2:k-/> 1-9-e4-8/> /_=4/1 /> >=0>:3-/2-9/9=> /59-4-J/> = :> 8{9-k:> >:0:3:>8:04=1.:3s0=:>? 7$9(#;';<\$ d@^^n* J? 6R* .? XRONX\R* 6OXX8?
,"B"$B(* '? ( =>./8-/2-p/mh: 9/ _/2/ 0: 8-0=1/? $0E O#;9?w2$#<w;:1$? Ch: ,/52:* XKDOH REKXNXOR?
B"IF@(C* ov2-/? ( 4=0>h: 3=/2->4/ 9= A583=8-/ #/34=2? ,\(/'E B=J->4/ 9= "8:0:1Z/ ,:2Z4-8/9= 2/> S=80:2:kZ/> 9= 2/ $0_:31/8-{0 ; <:150-8/8-{0? L:>>-u ">.=8-/2 <52453/ = ,=0>/1=04:*Y:2? $$ N L-0s1-8/> <52453/->* 9=p=1P3:U6OO`?
C‿? C-1:0= ,=3=-3/ 9=? ( 43-2M/ >:0:3/ 9= 51/ M->4{3-/ >-2=08-:>/E >:1* 1v>-8/* /59-P-2-9/9=>= 4=80:2:k-/> 0/ .=3>.=84-J/ 9:> ">459:> 9: C:1? $0E C‿* C-1:0= ,=3=-3/ 9= d:3k?n? -0<$?=; '04(0#; =; <o?/';E 0=k{8-:>* =>4a4-8/>* 2-0k5/k=0> = /59-P-2-9/9=>? ,:34: (2=k3=E C52-0/*6OXO?
C<!Y(Bw#(%* CM=-2/? F Be9-: = : <-0=1/ 0: I3/>-2 0:> /0:> XKRO? BB8B 7$9>#&??$
C#;?/4&/#$ =& 7/39'/;? =; 7$<09/';:1$* I3/>Z2-/* >=4=1P3: 9= 6OO`?
X]K
7/21/2019 OS ESTUDOS DO SOM NO CINEMA: Evolução Quantitativa, Tendências Temáticas e o Perfil da Pesquisa Brasileira Contemporânea sobre o Som Cinematogr…
http://slidepdf.com/reader/full/os-estudos-do-som-no-cinema-evolucao-quantitativa-tendencias-tematicas 181/181
CF(B"C* A5-p <2e59-: </b/-P/? <-0=1/ = L5P2/k=1 0/ SY? $0E I$fF* (31-09:H ,"B"$B(*(04:0-/H CF(B"C* A5-p <2e59-: </b/-P/H ,$SF#IF* B=0/4/ dF3k?n? O&<;? &<'$9(&<\$#;9&/=;=&] /<;>/9F#/$ & (&;(#;4/=;=&? X=9? Ch: ,/52:E (00/P251=* 6OOO* J?X*
.X\cNX]`?
'($C#(%* L/J-9? ( 8:0>.-3/mh: >:0:3/? 5/4<& 704(0#;* J? X* 0? \* .? \R* 1/3?U/P3? XK`]?
Y"L(%(* Y-J-/0=? L-e2:k:> =043= / $1/k=1 J->5/2 = / -1/k=1 >:0:3/ E ( =l.=3-u08-/ 9==>83-453/ 9: >:0:3: 0:> 9:851=04e3-:> =40:k3e_-8:>? _8 +&</9F#/$ 8<;>&9? =;704(0#;w704(0#; =;? 8<;>&9?? ,:34:* 6OXO?