For the past decade, ORO Editions has been internationally recognized for translating its clients’ methodologies, practices, and design passion into sensational, visually-compelling objets d’art. Dedicated to the craft of superlative bookmaking, ORO uses only the finest print materials and works with the best designers to present powerful content and imagery in tribute to the finest creative minds of our time. Great design books are treasured and live on to spark creative innovation and shape our experience and understanding of the world. We believe that each book we produce should bring to readers a unique aesthetic and tactile experience while enhancing the global visibility of our clients and their creative work. ORO Editions is proud to inspire with titles such as:

Bespoke Home Bespoke Home is the first comprehensive survey of Bates Masi's fifty plus years of work, including several never-published works. It focuses on the firm's residential portfolio, specifically second homes on the East End of Long Island.

Naked: The Architecture of Guy Peterson This landmark volume documents the stunning work of Guy Peterson, who has spent his life pursuing and developing a rich architectural vision carefully tuned to the demands and opportunities afforded by the unique features of Florida and his design-by-removal process that has produced some of America's greatest coastal architecture.

The Restorative Home: Ecological Houses by David HertzThis richly illustrated monograph features fourteen houses created over the past thirty years by David Hertz FAIA, a pioneer of sustainable architecture and innovative construction. Text by Michael Webb explores the evolution of his work, the unique character of each house, and the consistent emphasis on tranquil and inspiring spaces for living.

LA+ Landscape Architecture Plus (LA+) from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. The first issue explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche and aesthetics.

Learning Through Practice: Rogers Partners Architects + Urban Designers This stunning book presents the explorations of the architects and urban designers at Rogers Partners. From the smallest detail to the largest impositions, their work penetrates sites and their stories to feel their inherent conditions and find inspiration in the discovery of the unseen, the peculiar, the untouchable, and the immovable.

Timber in the CityEssays from two leading figures in the use of mass timber in architecture, Andrew Waugh and Alan Organschi, lead a ground-breaking work that explores the innovative timber construction technology and the designs related to the Timber in the City competition, which involved more than 1,000 students and emerging professionals and plays a high-profile role in current architectural education.

For additional information, please visit our website at: www.oroeditions.com

Introduction2

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Introduction

New Titles

LA+ Journal

Contents

Courtesy of David Hertz FAIA Architects

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Bespoke HomeBates Masi + Architects

To respond to the unique opportunities of each client and site, Bates Masi + Architects has developed an approach rather than a devotion to a particular style. Careful study of the needs of the site and owners uncovers a guiding concept particular to each project. It may be derived from the owner’s interests, the site’s parameters, or the character of the place. That concept is distilled to its essence so that it can inform the design at all scales, from massing to materials to details. The consistency of the concept is evident in the finished product. It imbues even small details and simple materials with meaning, thus making the mundane memorable and timeless. The result is an architecture that is cohesive, innovative, contextual, and full of details that delight.

Bespoke Home is the first comprehensive survey of Bates Masi’s 50-plus years of work, including several never-before-published works. It focuses on the firm’s residential portfolio, specifically second homes on the East End of Long Island. Using each house as a case study, the book documents Bates Masi’s design process with concept images, diagrams, and narratives for each project. This book demonstrates how influences of the physical and historical context, as well as the client, are distilled into a guiding concept for each project. Construction drawings and details show how this concept is implemented in response to the requirements of site parameters, budget, climate, and structure. Finally, never-before-published photos show how the finished product reflects the concept at every scale.

With a foreword by noted architectural critic Paul Goldberger and over 200 pages of photos and draw-ings of extraordinary second homes, Bespoke Home will appeal to architects and design devotees alike.

Paul Masi received a Bachelor of Architecture from Catholic University and a Masters of Architecture from the Graduate School of Design at Harvard University. He worked at Richard Meier & Partners before joining this firm in 1998.

Harry Bates received a Bachelor of Architecture from North Carolina State University. After ten years with Skidmore, Owings & Merrill, he was in private practice in New York City for 17 years before moving the firm to Water Mill on the East End in 1980.

Paul Goldberger is a Contributing Editor at Vanity Fair. From 1997 through 2011, he served as the Architecture Critic for The New Yorker, where he wrote the magazine’s celebrated “Sky Line” column. He also holds the Joseph Urban Chair in Design and Architecture at The New School in New York City. He was formerly Dean of the Parsons school of design, a division of The New School. He began his career at The New York Times, where in 1984 his architecture criticism was awarded the Pulitzer Prize for Distinguished Criticism, the highest award in journalism.

ABOUT THE AUTHORS

Title: Bespoke Home Size: 9" x 11", Portrait Pages: 300 Printing: 4C + spot varnishBinding: Casebound Publication Date: Spring 2015ISBN: 978-1-941806-39-5Rights World: AvailableCost: $50.00

BOOK SPECIFICATIONS

Title: Bespoke Home Size: 9" x 11", Portrait Pages: 300 Printing: 4C + spot varnishBinding: Casebound Publication Date: Spring 2015ISBN: 978-1-941806-39-5Rights World: AvailableCost: $50.00

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NakedThe Architecture of Guy Peterson

This landmark volume documents the stunning work of Guy Peterson, who has spent his life pursuing and developing a rich architectural vision carefully tuned to the demands and opportunities afforded by the unique features of Florida and his design-by-removal process that has produced some of America's greatest coastal architecture. The landscape of Florida and its subtropical climate presents any architect with many challenges to overcome while maintaining its rich building traditions.

Guy Peterson, by his own example, has recaptured and redirected efforts towards an authentic Florida architecture. This book details the unique process by which Guy Peterson begins with the basics of climate, program, volume, and proportion and creates buildings of simplicity and power. The architecture showcased here is made from simple materials carefully employed to accomodate function, sculpt space, and capture light. Architecture that proves again and again that simplicity is the most powerful generator of architectural form. His is a naked architecture.

Guy Peterson, FAIA, is a lifelong Florida resident. A mod-ernist in his approach, the language of his architecture is honest and simplistic. His work is poetic, human, evokes emotion, and comes from the heart. He is the President and Principal Architect of Guy Peterson, Office for Archi-tecture. He holds both a Bachelor's degree and Master's degree in Architecture from the University of Florida.

Lawrence Scarpa, FAIA, has garnered international acclaim for the creative use of conventional materials in unique and unexpected ways. He is also considered a pioneer and leader in the field of sustainable design.

Alfonso Perez-Mendez is an Architect and Professor at the University of Florida. He practiced in Barcelona in 1980, and in New York since 1989 as a Senior Associate with Richard Meier, for whom he was the project archi-tect for the Barcelona Museum of Contemporary Art. He has written books on post second world war architecture such as “Craig Ellwood, in the Spirit of the Time” and “The Houses of El Pedregal".

ABOUT THE AUTHORS

Title: Naked Size: 9" x 9", SquarePages: 208Printing: 4C + spot varnishBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-55-5 Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

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Theisen HouseBRADENTON, FLORIDA

Site plan

The narrow project site, with double front-street setbacks of forty feet, created the need for a linear solution, while maintaining the goal of maximizing views across the large bay toward a barrier island. The geometry of this project carefully and purposely unfolds to allow for view opportunities, as well as separation of program functions. A three-story structural curtain wall system is used in areas where maximum views are available.

The program calls for a main house and a guesthouse. The main house contains the living area for the client, as well as a separate area for a live-in caretaker. A separate guest building is located east of the main house, and is connected by an internal vaulted gallery. The guestrooms enjoy views of the bay and a large, second-level rear terrace overlooks the rear courtyard.

Between the main house and the guesthouse is a private pool area and garden. This pool courtyard enjoys complete privacy from the street.

Behind the guesthouse is a large, private courtyard, anchored by two majestic live oak trees. A fifteen-foot grid was established between the oak trees to create an interactive garden, containing thirty-seven silver reflecting gazing balls, all located at precisely the same height.

This house represents calmness and peacefulness through its palette of nine shades of white, blue tinted glass reflecting the Florida sky and water, and white polished porcelain floors to reflect the water and sky within the house. The project is a careful study of positive and negative space, and creates an environment that is filled with freedom and light.

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Freund HouseSIESTA KEY, FLORIDA

On one of the most private beaches on the west coast of Florida sits the Freund House.

The program includes a multi-level residence for a family of four. The family’s main living spaces are located on the first elevated living level, including a children’s wing and quarters for a live-in assistant. All living spaces enjoy spectacular views of the Gulf of Mexico and nearby Heron Lagoon. The master bedroom suite, exercise area, library, and guest quarters are located on the uppermost level. These spaces also include panoramic views and access to a rooftop landscaped terrace for outdoor living activities.

The project is designed to unfold behind the trees upon entry down the formal drive, which is on axis with a low wall, anchoring the sky and horizon. The project is essentially a concrete pavilion with a glass curtain wall. Colored cubes that are carefully engaged within the purity of the concrete frame and grid identify the various program functions. These cubes are defined by color as well as form. Concrete bridges connect the cubes on the interior. The colors were chosen to reflect those on the underside of a common shell, one that could be found on the beach within the site.

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Hosman HousePALM ISLAND, FLORIDA

This house is designed as a vacation home for a family from Oklahoma City. Located on a remote tropical barrier island off the southwest coast of Florida, Palm Island is only accessed by boat or ferry, which allows it to maintain its exclusive privacy.

Consisting of approximately 4,800 square feet of living space, this house is the tallest single-family house our practice has completed. It consists of a ground floor, which is slightly elevated for the home’s entry foyer, as well as a covered terrace under the house for parties and looking out over the Gulf of Mexico. The second level contains four gulf front guest bedrooms all with private bathrooms and exterior terraces, a guest living room and an outdoor sleeping porch which doubles as the family ping pong room. Direct access to the lower level and the Gulf is located on this level through a private stair. The third floor is the gathering level that contains an open pavilion type space which houses the kitchen, dining, living, and tv rooms. This space enjoys a 180-degree uninterrupted view out to the beach and Gulf beyond. The fourth floor is the owner’s private floor containing two offices for the husband and wife, the master bedroom and master bathroom. A “port hole type” window in the husband’s office looks into the roof top pool and allows dramatic filtered light into the office. The final level, which is reached through an outside stair, is the roof level which is activated with a swimming pool, outdoor kitchen and bar and plenty

of space for relaxing and enjoying the dramatic views. Because of its height, the views from the top are not only dramatic to the beach and Gulf, but across the island and to the bay and mainland beyond.

The architecture is defined as a carefully carved large volumetric form that is broken into smaller elements that engage both within the large volume or project out to capture space and frame views. Along the south side, each floor opens to a “breezeway” that is typical of old Florida homes. This open space enjoys great breezes and is used also for dining and entertaining. The floors on all exterior elevated spaces and the roof are white concrete with imbedded shells and shark teeth that were collected over many years by the owners from this beach.

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Peterson HouseSARASOTA, FLORIDA

This house, designed in 1989, was for my parents’ final home as my father neared retirement. The house is located on the site where my two brothers and I were raised since the late 1950’s. The property backs up to a private club called the Field Club. It was constructed in 1925, and was the winter home for Stanley Field of Chicago, the brother of Marshall Field. This club is located on Roberts Bay, which separates the mainland from the Siesta Key barrier island. This twenty-plus-acre site offers dramatic views from the house and distant vistas to the bay.

The program is for a house of approximately 5,000 square feet, and one of the fundamental requirements was for a house that speaks to privacy and controlled, internal site views. The house is a series of stacked and interlocking volumetric elements, which are oriented to take advantage of the east-to-west sun during the day, as well as create opportunities for privacy. A series of site walls become a part of the project, and reach out into the landscape to create private gardens and opportunities for places of peace.

The interior is a sculpted space with a variety of scale changes for individual living areas. The ceilings are clear cypress wood, and the floors are handmade Mexican tiles. The entry is carefully hidden deep in the entry courtyard to create a series of experiences as one arrives to the front door.

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The Restorative HomeEcological Houses by David Hertz

This monograph represents over a dozen houses selected from the last thirty years, from one of the pioneers in sustainable architecture. With text by Michael Webb, this large, landscape-formatted book is beautifully laid out with striking photo-graphs depicting not only the finished works, but the unique construction processes as well. Each residence has a detailed project description and select drawings that explain the design process and how modern materials can be exploited to create self-sustaining homes, which work to restore not just the environment around them, but the people who call them home.

Architect David Hertz is the founder and president of David Hertz FAIA Architects, inc. and S.E.A., the Studio of Environmental Architecture, which he established in 1984. David is a founding member of the AIA Committee on the Environment (COTE) as well as the United States Green Building Council (USGBC) and was involved in the first LEED Platinum Commercial and Residential Projects in the U.S. Since 1990, David has been on the Academic Advisory Committee and the faculty of the UCLA Arc- ID Program teaching sustainable design courses. David has also taught at the USC School of Architecture, SCI-ARC, and Art Center College of Design. David has been serving on the Task Force of the Environment for the City of Santa Monica for over a decade, and is involved in numerous social and environmental non- profits worldwide.

Michael Webb, Hon. AIA/LA, is the author of twenty-six books on architecture and design and has written introduc-tory essays for many more. He is a regular contributor to The Architectural Review, Mark, The Plan and other Ameri-can and European journals, and has also written for The New York Times, Architectural Digest, and Dornus.

ABOUT THE AUTHORS

Title: The Restorative Home Size: 9" x 12", LandscapePages: 180Printing: 4C + offline gloss varnishBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-69-2 Rights World: AvailableCost: $50.00

BOOK SPECIFICATIONS

697.3mm

21.7mm304.8mm 304.8mm

314.8mm314.8mm

281.6mm

235.6mm

23mm

228.6mm

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THE RESTORATIVE HOMEECOLOGICAL HOUSES by DAVID HERTZ

697.3mm

21.7mm304.8mm 304.8mm

314.8mm314.8mm

281.6mm

235.6mm

23mm

228.6mm

THE R

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ISBN: 978-1-941806-69-2

9 7 8 1 9 4 1 8 0 6 6 9 2

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THE RESTORATIVE HOMEECOLOGICAL HOUSES by DAVID HERTZ

697.3mm

21.7mm304.8mm 304.8mm

314.8mm314.8mm

281.6mm

235.6mm

23mm

228.6mm

THE R

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THE RESTORATIVE HOMEECOLOGICAL HOUSES by DAVID HERTZ

10

LA+ Interdisciplinary Journal of Landscape ArchitectureIssue 1: WildTatum Hands, Editor

LA+ WILD explores the concept of WILD and its role in design, large-scale habitat and species conservation, scientific research, the human psyche, and aesthetics. This issue of LA+ includes contributions drawn from disciplines as diverse as evolutionary ecology, biology, visual arts, bioengineering, landscape architecture, planning, architecture, climatology, environmental history, philosophy, and literature. It features essays by Timothy Mousseau and Anders Møller, Timothy Morton, Paul Carter, Richard Weller, Julian Raxworthy, Emma Marris, Stefan Rahmstorf, Stephen Pyne, Nina-Marie Lister, and Orkan Telhan, among others. It also includes a review of the New York’s Rebuild by Design competition, and interviews with eminent ecologists Richard T. T. Forman and Daniel Janzen. The feature artist for this issue is Viennese bio-artist Sonja Bäumel.

LA+ (Landscape Architecture Plus) Journal from the University of Pennsylvania School of Design is the first truly interdisciplinary journal of landscape architecture. Within its pages you hear not only from designers, but also from historians, artists, lawyers, ecologists, planners, scientists, philosophers, and many more besides. LA+ aims to reveal connections and build collaborations between landscape architecture/urban design and other disciplines by exploring each issue's theme from multiple perspectives. The journal features a range of contribution types including essays, interviews, design criticism, graphic features, illustrations, and short-form pieces designed to provoke and inspire readers. LA+ Journal brings you a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually.

Dr. Tatum Hands is Editor-in-Chief of LA+ Interdisciplinary Journal of Landscape Architecture at the University of Pennsylvania School of Design. She was formerly editor of the Alternative Law Journal.

To join the mailing list, visit: www.laplusjournal.com

ABOUT THE EDITOR

Title: LA+ Journal (WILD) Size: 8.75" x 10.5", PortraitPages: 120 Printing: 4C + gloss varnish Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-59-3 Rights World: AvailableCost: $24.95

BOOK SPECIFICATIONS

Nina-MARIE LISTER

NEW INFRASTRUCTURE FOR LANDSCAPE CONNECTIVITY

Xing ecology, engineering, planning, design

Nina-Marie Lister is Associate Professor of Urban and Regional Planning at Ryerson University in Toronto. From 2009–2013, she  was Visiting Associate Professor of Landscape Architecture at Harvard University.  Trained as an ecologist and environmental planner, she is the founding principal of plandform.com, a creative studio practice exploring the relationship between landscape, ecology, and urbanism. She is co-editor with Chris Reed of Projective Ecologies (2014), and author of more than 30 scholarly and professional articles.

- Robert Smithson

NATURE IS NEVER FINISHED.

12

Learning Through PracticeRogers Partners Architects + Urban Designers

Learning Through Practice presents the explo-rations of the architects and urban designers at Rogers Partners. Throughout 20 years of practice designing in cities around the country, the firm has maintained an attitude of curiosity about the elements that make up design. From the smallest detail to the largest impositions, their work pen-etrates sites and their stories to augment inherent conditions and find inspiration in the discovery of the unseen, the peculiar, the untouchable, and the immovable.

The book tells the story of how these designers acquire knowledge and expertise in what they haven’t done but are doing by making buildings, spaces, and things. Rob Rogers and Isabelle Moutaud use the lens of sixteen of the firm’s projects analyzed in twenty-two case studies to explore ideas fundamental to the practice, navigating from how small things can have mas-sive effect, proving adaptability in authenticity, and opening space, to revealing the unexpected, designing the invisible to delight, and engaging responsibly with inherited patterns. Essays and catalogued inspirations preface each chapter, while a display of large images for each project discussed concludes the book. These projects include a park and pavilion on the National Mall and one in Minneapolis, a corporate campus in downtown Oklahoma City, the Ellipse south of the White House, an open space in Cody, the narrow streets in New York’s Financial District and the new wide ones nearby along the Hudson River, a temporary art museum in Kowloon, a power plant in Syracuse, benches to aid New York’s resil-ience, and many more.

Title: Learning Through Practice Size: 8.5" x 10.5", PortraitPages: 220Printing: 4C + spot varnish Binding: Trade Cloth Publication Date: Spring 2015ISBN: 978-1-941806-57-9Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

The founding partner of Rogers Partners Architects + Urban Designers, Rob Rogers creates institutional and cultural buildings that are civic work. Believing that even a single building is a piece of urban design, his work assert-ively and elegantly combines urbanism, landscape, and architecture. With 30 years of experience in practice and teaching, Rogers lectures widely on design in urban realms and his work has received national design awards from clients and peers. In addition to Learning Through Practice, he has co-authored Rogers Marvel Architects, a 20-year compendium of his previous firm’s work.

A passion for architecture and its impact on city and culture has led Isabelle Moutaud to work with some of the coun-try’s most celebrated up-and-coming design firms. She has led, advised, and written for architects, urban design-ers, and landscape architects for twenty years and is a published author in the US and Europe. After working with Rogers for a few years, she co-directed Learning Through Practice to share the powerful simplicity of the firm’s ap-proach to design.

ABOUT THE AUTHORS

14

DESIGN AND CONSTRUCTION IN MASS TIMBER Edited by Andrew Bernheimer

ISBN: 978-1-941806-00-5

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Construction in wood, one of the world’s oldest building materials, has become one of the newest and most in-novative systems through the use of mass timber technolo-gies (cross-laminated timber and glue-laminated timber). This new book, from ORO Editions and Parsons The New School for Design, details the Timber in the City competi-tion, which involved more than 1,000 students and emerg-ing professionals. With essays from two pioneering figures in the use of mass timber in architecture, Andrew Waugh (designer of the UK’s first CLT building) and Alan Organschi (architect, professor at Yale, noted authority on high-perfor-mance timber architecture), the book also showcases built and in-progress works by cutting-edge architects around the world, including Shigeru Ban Architects (Tokyo, Paris, New York), Bucholz McEvoy Architects (Dublin), Michael Green Architecture (Vancouver, BC, Canada), Miller Hull Partnership (Seattle, San Diego), Perkins + Will (Chicago, 23 additional offices worldwide), Hugh Strange Architects (London), Ultramoderne (New York).

Timber in the CityDesign and Construction in Mass Timber

Andrew Bernheimer is director of the Master of Architecture program and an assistant professor at Parsons The New School for Design. He is the principal of Bernheimer Architecture, based in Brooklyn. Bernheimer was a founding partner of the award-winning firm Della Valle Bernheimer, subject of the monograph Think/Make. He has lectured at major universities and institutions, and his work has been featured in numerous articles and publications.

Alan Organschi is a design principal and a partner at Gray/Organschi Architecture in New Haven, Connecticut. He is also a lecturer at the Yale School of Architecture and coordinates Yale's first-year graduate housing studio. Organschi has lectured on architecture, technology, and the ecological impacts of building at universities and public and professional forums in the United States, Canada, and Europe.

Andrew Waugh is a founding director of Waugh Thistleton Architects in London and a noted advocate for timber construction. In 2010, he was awarded the President's Medal of the Royal Institute for British Architects for his research into high-rise buildings in timber. Waugh lectures across the world with a focus on sustainability, timber construction, and the future of architecture and has taught at universities in England, Australia, Mexico, and the United States.

ABOUT THE AUTHORS

Andrew Bernheimer with Alan Organschi and Andrew Waugh

Title: Timber in the CitySize: 6.5" x 8.625", Portrait Pages: 192Printing: 4C + offline spot varnishBinding: Trade PaperPublication Date: Spring 2015ISBN: 978-1-941806-80-7 Rights World: AvailableCost: $35.00

BOOK SPECIFICATIONS

16

ListeningBohlin Cywinski JacksonHouses 2009-2014

We all harbor particular memories of houses we’ve encountered and visited, moments and experiences that stay with us well past departure. Finding these nuances demands active listening — not just to the owner or client of the building, but to the site, the culture, the materials, and the house itself. This is exemplified in Listening, a profile of twelve houses designed by renowned architecture firm Bohlin Cywinski Jackson.

Alexandra Lange is an architecture and design critic. Her essays, reviews, and features have appeared in Architect, Domus, Dwell, Medium, Metropolis, New York Maga-zine, the New Yorker blog, and the New York Times. She has been a featured writer at Design Observer, and has a monthly Opinion column at Dezeen. She has taught architecture criticism in the Design Criticism Program at the School of Visual Arts and the Urban Design & Architecture Studies Program at New York University. During academic year 2013–2014 she was a Loeb Fellow at the Harvard Graduate School of Design.

Michael Cadwell is the Walter H. Kidd Professor and Di-rector of the Knowlton School of Architecture at Ohio State University. His exploration of construction as a transforma-tive cultural act extends across domains: sculpture with small buildings on remote sites and museums, collected as Pamphlet Architecture 17 (Princeton Architectural Press); writing with Strange Details (MIT Press) in which he exam-ines canonic works of twentieth century architecture; es-says, and lectures; and architectural practice in partnership with Jane Murphy.

Rick Joy is Principal of Rick Joy Architects, an architecture and planning firm established in 1993 in Tucson, Arizona whose work is widely recognized for its responsiveness to site and context and use of material. Joy received the 2002 American Academy of Arts and Letters Award in Architec-ture and in 2004 won the prestigious National Design Award from the Smithsonian Institute/Cooper-Hewitt Museum.

Peter Bohlin is one of the founding principals of Bohlin Cywinski Jackson, which began practice as Bohlin and Powell in 1965. The firm’s success, and the professional recognition it has attained, are in large measure attributable to his design insights and unflagging dedication to set-ting the highest standards for all design work produced by the firm. His leadership and inspiration have established a culture of thoughtful, thorough design thinking throughout the practice, and he remains keenly interested in both broad conceptual thinking and detail expression, reviewing the development of design and documentation regularly with project teams. In 2010, the American Institute of Architects awarded Peter with the Gold Medal, the highest honor for an individual in the profession.

ABOUT THE AUTHORS

Title: Listening Size: 9.44" x 13.46", PortraitPages: 296 Binding: CaseboundPublication Date: Fall 2015ISBN: 978-1-941806-65-4 Rights World: AvailableCost: $70.00

BOOK SPECIFICATIONS

LISTENING BOHLIN CYWINSKI JACKSON

HOUSES 2009–2014

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Marc Manack, AIA is an Assistant Professor in the Fay Jones School of Architecture at the University of Arkansas, and founding principal of the firm SILO AR+D. Marc is the 2014 chair of the AIA Small Project Practitioners Knowl-edge Community.

Linda Reeder is the 2013 Chair of the AIA Small Project Practitioners Advisory Group, an Associate Professor at Central Connecticut State University, a solo practitioner, and a writer and editor.

Out of ScaleAIA Small Project Awards

Gordon Square Bus Shelter, 2011Robert Maschke Architects Inc.reference page 039

PS 234 Manhattan Walkway, 2011Macrae-Gibson Architects P.C.reference pages 038, 166, 168

This publication covers the first ten years of the AIA Small Project Awards program. Enough time has passed to meaningfully revisit and showcase previous award winning work, and to provide a record for readers to take stock of the evolution of the Small Project Awards program as a whole. Or-ganized into four chapters—Objects and Pavilions, Houses, Details, and Adaptive Reuse/Interiors—this book reveals that small projects have proper-ties, uses, foci, and contexts that are distinct from architecture that operates at larger scales.

This book asks the question, are there unique and defining qualities to small projects? With the contributing authors’ insightful chapter introduc-tions, along with the formatting and sequencing of work within each chapter, there exists a means to compare award winning projects and arrive at one’s own conclusion. One theme throughout is clear, though, that the smallness of the work is perhaps the biggest advantage for the small proj-ect practitioner. For this reason, the Small Project Awards program will continue to celebrate work whose creativity and impact are Out of Scale.

ABOUT THE AUTHORS

Title: Out of Scale Size: 8" x 10", Portrait Pages: 208 Printing: 4C Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-57165-005-4Rights World: AvailableCost: $35.00

BOOK SPECIFICATIONS

OUTOF

SCALE

AIA

SMALL

AWARDS

PROJECT

AmericAn institute of Architects smAll Project PrActitioners

mArc mAnAck, AiA & lindA reeder, AiA, editors

2005 2014

Marc Manack and Linda Reeder

19

Cape Russell Retreat, 2012Sanders Pace Architecturereference page 043, 084

Gordon Square Bus Shelter, 2011Robert Maschke Architects Inc.reference page 039

PS 234 Manhattan Walkway, 2011Macrae-Gibson Architects P.C.reference pages 038, 166, 168

Gordon Square Bus Shelter, 2011Robert Maschke Architects Inc.reference page 039

PS 234 Manhattan Walkway, 2011Macrae-Gibson Architects P.C.reference pages 038, 166, 168

Pedestrian Bridge, 2006Miro Rivera Architectsreference pages 020, 155

20

GenerationsSix Decades of Collage Art and Architecture Generated with Perspectives from Science

Generations showcases six decades of Herb Greene’s art and architecture informed by his interest in scienceand history. This “picture book” is organized to showcase large-scale images of Mr. Greene’s architecturalwork alongside his collage paintings and Armature drawings, in a way that reveals the unified philosophybehind all of his work. Its purpose is to tell a story of the important interrelationships between art, science, andphilosophy, which is described with simple narrative juxtaposed alongside these images.

Generations engages in an interdisciplinary discourse as a combination of body and mind processes that affect,and are affected by, biological and cultural evolution. The text and images throughout the book build to aconcluding section concerning Armatures, which are described as “collage constructions.” Armatures constitutea program of citizen participants under the direction of architects and artists to produce an on-goingrepresentation of historic continuity in public spaces. Most importantly, the reader learns how the humanpropensity to learn and grow happens by embracing creative work.

Herb Greene is an architect who studied under the direction of Bruce Goff. His architecture received international acclaim and is published worldwide. Alongside his unique architecture are a body of collage paintings, which express the same qualities and philosophies in painted form. His work is an analysis of a history in art and science that has shaped human experience in a mutual exchange.

Lila Cohen is an architect who has collaborated with Herb Greene over the years on creating a platform for his work. Her own work focuses on the nature of human experience as it fits within the context of demanding environmental and socio-economic conditions.

ABOUT THE AUTHORS

Title: GenerationsSize: 8" x 12", Landscape Pages: 240Printing: 4C + spot varnishBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-79-1 Rights World: AvailableCost: $39.95

BOOK SPECIFICATIONS

Herb Greene with Lila Cohen

22

Timeless Resorts

Title: Timeless Resorts: Stapati - Vol 1 Size: 11" x 11", Square Pages: 252 Binding: Casebound Publication Date: Spring 2015ISBN: 978-1-941806-91-3Rights World: AvailableCost: $60.00

BOOK SPECIFICATIONS

Timeless Resorts is the first major monograph of the multi-disciplinary design practice Stapati, established by Ar.Tony Joseph. This book examines the evolution of 11 captivating hospitality projects, where Stapati's philosophy of creating Timeless Architecture, by reinterpreting the vernacular for contemporary living is expounded.

The projects spread across India and Seychelles demonstrate a sensitive understanding of the context and culture, with the site forming the major generator, to develop narratives and experiences which transcend time and place. The fact that these resorts are the most successful in their respective areas of operation, establishes the relevance of contextual design.

The projects are captured in a series of captivating photographs, along with detailed descriptions on the ideas and concepts which shaped each project, further accentuated by drawings and sketches. The book also features a foreword by acclaimed architect and academician Christopher Charles Benninger, entitled – ‘Archipelago of the imagination’.

FOREWORD Christopher Benninger is one of India’s most renowned architects. His projects address the complex issues of design, context, climate, materials, sustainability, and technology, amidst the client’s programmatic needs. His recent book, Letters To A Young Architect, focuses on the practice of architecture in developing societies and was on the Top 10 Best Selling Non-Fiction Books List for 18 weeks in India. AUTHOR

Sujith G.S. is an Indian-born architect who is passionate about writing, blogging and architectural photography. He is a regular contributor to various architectural publications and has been a guest jury member for several architecture schools in India. He is presently researching a monologue on the architecture of Laurie Baker. He shares his perspectives on architecture and design through his blog ‘Architecture Student’s Corner.’ EDITOR

Abraham Tharakan is the Founder/Editor for FWD Life magazine. He is a copywriter and art director at various national and international ad agencies and is a consultant for projects related to History, Architecture, Popular Culture and Publishing, and continues to mentor start-ups for innovative design and operations solutions with a focus on technology.

Sujith G.S., Abraham Tharakan, and Christopher Benninger

24

Democratic ArchitectureDonald MacDonald

Democratic Architecture offers viable & afford-able solutions to our country’s ongoing housing problems. The book deals with tough urban prob-lems and raises questions not just about housing policy, but about larger political and ethical issues as well. It provides a critique of the various ap-proaches to post-war housing and then puts forth a number of innovative solutions to the problem. Many of the proposals are practical designs for low- and lower-middle housing, with an emphasis on increasing opportunities for home owner-ship. They include a variety of detached homes, multiunit buildings, and some alternative types of housing for people whose lifestyles diverge from the mainstream. With nearly 150 black and white and color illustrations, Democratic Architecture is a book that clearly lays out solutions to housing crises that we see occurring all too often in the United States and all over the world.

Donald MacDonald is an international, national, and regional winner of design awards. A graduate of Columbia University, he is best known for his architectural work in designing workable urban and suburban villages. He is also the architect of the new San Francisco-Oakland Bay Bridge, East Span Replacement.

ABOUT THE AUTHOR

Title: Democratic Architecture Size: 6" x 8", LandscapePages: 292 Binding: Trade Cloth Publication Date: Spring 2015ISBN: 978-1-941806-88-3Rights World: AvailableCost: $29.95

BOOK SPECIFICATIONS

15

Cypress RidgeSanta Rosa, CA

[Photo: Steve Proehl]

Round Walk VillagePetaluma, CA

[Photo: Steve Proehl]

30

Aerial view of a section of Levittown, Long Island, first of the three Levittowns which were built between 1947 and the mid-1960s. Note the lack of landscaping and the poor integration of the drainage reservoir into the site plan.

[Photo: Nassau, CO Museum Collection]

A partial aerial view of a built project in Pleasant Hill, California, showing the town’s

fragmentary planning and how that influenced this modern, high-density suburban village.

This layout of the units allows for more viewing planes and better privacy zones for the

housing owners.[Photo: Steve Proehl]

26

Manuel CadrechaPerkins+Will

Title: Manuel Cadrecha Size: 9" x 9", Square Pages: 264 Binding: Trade Cloth Publication Date: Summer 2015ISBN: 978-1-941806-81-4Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

The projects in this book represent the last 15 years of Manuel Cadrecha’s work across a wide range of project types, clients, and geographies. From city-scale international developments to neighborhood schools, these works are grounded in his abiding interest in materials and form, color and light, the old in the new, and the search for the inspiring in the everyday.

Featuring preliminary hand sketches along with personal insights into the design inspiration for these now iconic buildings, the book seeks to de-mystify the architectural process, clearly iden-tifying inspiration sources, and recognizing the benefits of a collaborative design process.

ABOUT THE AUTHOR

As a Design Director for Perkins+Will, Manuel Cadrecha’s daily work is about crafting a unified design tone and orchestrating teams that elevate the possibilities for each project. Over a 35-year career, Manuel has become an ardent advocate for interdisciplinary design, driving an evolu-tion towards a creative studio model that works across design scales and disciplines.

Title: Manuel Cadrecha Size: 9" x 9", Square Pages: 264 Binding: Trade Cloth Publication Date: Summer 2015ISBN: 978-1-941806-81-4Rights World: AvailableCost: $40.00

16 DESIGN FOR COLLABORATION

1315 PEACHTREE STREETATLANTA, GEORGIA

WHEN MY DAUGHTERS WERE LITTLE, my wife and I would bring them to the library in this concrete building on Peachtree Street. They loved that the library was on the second floor, with large windows overlooking the High Museum of Art and the graceful treetops of the adjacent neighborhood.

Years later, Perkins+Will purchased the building and I had the distinct pleasure of working with many of the firm’s most talented designers to transform it into a model for urban regeneration. It is now among the most energy efficient buildings in the world, a first-class creative design workplace, a home for a museum dedicated to design, and a library to inspire future generations.

I hope to one day bring my grandchildren.

17

216 DESIGN FOR LIVING

I SAW THIS BUILDING AS AN OPPORTUNITY to refresh the landscape of residential offerings in Atlanta. We designed the project as a vertical commons, a mini city within a city. Located in the heart of Midtown, right down the street from my office, the project responds to a growing demand for urban living in Atlanta in a way that redefines community.

The 35–story tower is made up of 392 residential units tailored for the Next generation of urbanites. To stand out in the booming residential market of Midtown, we focused on best practices in sustainability, generous and varied shared communal areas, authenticity of materials, simplicity of detail, and distinctive architectural expression.

With its stacked assembly of clear cubist volumes defining retail, parking, amenity, and residential areas, Eviva Peachtree creates a bold silhouette in the Atlanta skyline. A continuous, exposed, poured-in-place brise-soleil with translucent green panels defines the building exterior, providing effective solar control. From its ground level connection to the urban fabric of Midtown to the dramatic views from the shared decks and private balconies, Eviva Peachtree offers multiple levels for people to experience the energy of this changing city.

EVIVA PEACHTREEATLANTA, GEORGIA

217

28

In its considered response to the globalization of culture, HCMA has consistently achieved an architecture that is expressive of time and place, and uniquely interprets Canadian values of open-ness and inclusivity.

The firm’s concentration on civic buildings de-notes a deeply rooted concern for community, and recognition that in contemporary pluralis-tic society’s schools, libraries and community centres are both symbolically and literally, the meeting places for all sectors of our communities regardless of demography, faith, or ethnicity.

What distinguishes HCMA’s design approach is its conceptual shift from the traditional departure points of form or function, to a more organic and humanist approach by which inhabitation of the building and its surroundings mediate the inter-face between these two opposing forces. While function implies an empirical definition of pur-pose, and form a pre-occupation with sculptural abstraction, inhabitation connotes an understand-ing that buildings should embrace the richness and diversity with which our lives unfold.

PLACES: Public Architecture explores a selec-tion of key projects by HCMA which offer insight into the firm’s specific approach to community building through public architecture. Featured projects' typologies, many of which have been challenged by contemporary advancements in technology, include schools, libraries, fire halls, childcare centres, and more. Through the prac-tice of architecture HCMA asks “what is the future of the library, of education, and of public space in an increasingly online age?"

Vancouver is globally acclaimed for its advanced architec-ture and urbanism, and Hughes Condon Marler Archi-tects is one of its most respected and innovative design firms. Their work has earned Canada’s highest architecture award five times, and they have been shortlisted for a key prize at the 2013 World Architecture Festival in Singapore. The successor to a firm first established in 1976 by Roger Hughes, HCMA now includes partners Darryl Condon, Karen Marler, Stuart Rothnie, and Carl-Jan Rupp, the firm has a staff of 50 in their Vancouver and Victoria offices. HCMA established an early reputation as urban housing and school design experts, and for their skills in urban de-sign and facility programming. Their work now includes the complete range of public and private architecture, ranging from fire halls and mixed-use housing projects, to university laboratory/teaching pavilions and landmark public libraries.

Jim Taggart has 20 years of experience writing and editing architectural publications of all kinds. His work has ap-peared in magazines throughout North America, Europe, and the Far East. He is the recipient of several publishing awards, including an international Independent Publishers (IPPY) silver medal for his 2011 book Toward a Culture of Wood Architecture.

ABOUT THE AUTHORS

Title: Places Size: 10" x 10", SquarePages: 208Printing: 4C + spot varnishBinding: Trade ClothPublication Date: Spring 2015ISBN: 978-1-941806-44-9 Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

PlacesPublic ArchitectureHughes Condon Marler Architects

36

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30

Draw ItTools, Techniques, and MethodsLynn Craig, FAIA, RIBA

A compact, portable drawing resource book of over 200 highly illustrated pages of sketching and drawing techniques, the book is crafted to be a companion tool which is tucked in your travel gear and referred to regularly. The book is du-rable with helpful color-coded pages to cross reference with demonstrated drawing tools.

The book is organized into three Drawing Chapters: First, Tools + Techniques, from black and white to color drawings: Second, Methods, where perspective drawing rules are estab-lished, followed by Learning from The Masters to learn color theory and composition, then drawing Cityscapes + Land-scapes, Aerial Perspectives, with demonstrations of Quick Draw and Slow Draw techniques: Third, Drawing as a Way of Thinking where Analytical Sketching, Sequential Serial View drawings and Developing Design Proposals Using the Story Board Method are illustrated.

In writing about the drawings, the author passionately de-scribes the tools - the pens, pencils, sharpeners, erasers, and paper options - that are essential to the art of drawing, the art of relationship. This is a tool for everyone - whether you are traveling the globe or drawing in your backyard. With a multitude of examples and helpful insights for both the professional and beginner, this book will help you take the world around you and Draw It.

ABOUT THE AUTHOR

A nationally recognized design teacher and award winning architect, Professor Lynn Craig, FAIA, RIBA, teaches Freehand Drawing as a vehicle to visually analyze and communicate urban design, architecture and landscape projects to design students and professionals. Prof. Craig is an alumnus of Clemson University, and Washington University, St. Louis, with a Master of Architecture and Urban Design degree. A member of the AIA and the RIBA, having practiced internationally for ten years, receiving International Design awards, he returned to South Carolina in 1981 to practice architecture and teach at Clemson University, School of Architecture. WORKBOOK LAYOUT AND DESIGN

Cary Perkins, AIA, is a practicing architect with over ten years of experience in commercial and community-based design. Ms. Perkins also teach-es architectural design as an adjunct instructor at the South Carolina Governor’s School for the Arts and Humanities. Prior to receiving her Master of Architecture at Clemson, Ms. Perkins completed a BFA with a focus on oil painting from Converse College in Spartanburg, SC and spent several years working in marketing and advertising. Her love for graphic design and visual communication developed during this time and still plays a heavy role in her work.

Title: Draw It Size: 5.75" x 8.25", PortraitPages: 208Printing: 4C + offline spot varnish Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-76-0 Rights World: AvailableCost: $24.95

BOOK SPECIFICATIONS

Find a spot, unfold your stool, get your tools out, and just draw.

44

Sometimes people understand small details better than large master plan designs.

199

Circus Circus Casino in Reno was surrounded by a hot rod car show causing the building and car colors to blend and complement each other.

Drawing the Lake Tahoe landscape and its range of earth colors provides a contrast of colors from the interior Reno restaurant.

We all find ourselves in unexpected places when we draw.

162

Sketch pad to trace to final mylar...92

vii

Quick site sketch with color added makes a powerful image!

171

32

AlluviumDhaka, Bangladesh, in the Crossroads of WaterStephen Kieran and James Timberlake

Imagine the most extreme urban environment on earth—a place three times as dense as Manhattan, enveloped in a constant flow of water, beset by a relentless stream of rural migrants, plagued by annual monsoons, and threatened by climate change. A place where the very earth beneath your feet is constantly shifting from dry to wet, where categories like “dry” and “wet” in fact mean very little, since most of what exists is somewhere in between. This is Dhaka, capi-tal city of Bangladesh. Home to 14 million.

Since 2007, architects Stephen Kieran and James Timberlake have directed a design-research laboratory in Dhaka for graduate students at the University of Pennsylvania School of Design. What began as a desire to help a city in need became an immersion in investigating its ebbs and flows, mapping its urban systems, and charting its development via annual visits. The result of this extended study is Alluvium: Dhaka, Bangladesh, in the Crossroads of Water, a cross-genre book that incorporates diverse media, layers of narrative, and analysis to encourage new readings and perspectives.

The book includes first-person narratives by architects and planners, documentary photographs, and maps and info-graphics that visually represent the intricate connections between people, water, land, and health in this delta mega-city. The work proposes a new approach to understanding place that is interwoven with human interest—an intimate, collaborative, research-based model that holds relevance for both the developing and developed worlds.

Stephen Kieran and James Timberlake are founding partners of the internationally recog-nized, research-driven architecture firm Kieran-Timberlake. They were inaugural recipients of the prestigious Benjamin Latrobe Fellowship for architectural design research from the AIA Col-lege of Fellows in 2001. Their published works include five books on architecture: Manual: The Architecture of Kieran Timberlake, Refabricating Architecture, Loblolly House: Elements of a New Architecture, Cellophane House™, and Kieran-Timberlake: Inquiry.

ABOUT THE AUTHORS

Title: Alluvium Size: 9" x 12", LandscapePages: 352 Binding: Casebound Publication Date: Spring 2015ISBN: 978-1-941806-86-9 Rights World: AvailableCost: $50.00

BOOK SPECIFICATIONS

ALLUVIUM

Stephen Kieran James Timberlake

Dhaka, Bangladesh, in the Crossroads of Water

Extracts from Seven Years of the Dhaka Design-Research Labat the University of Pennsylvania School of Design

Imagine the most extreme urban environment on earth—a place three times as dense as Manhattan, enveloped in a constant flow of water, beset by a relentless stream of rural migrants, plagued by annual monsoons, and threatened by climate change.

Since 2007, architects Stephen Kieran and James Timberlake have directed a design-research laboratory on Dhaka, capital city of Bangladesh, for graduate students at the University of Pennsylvania School of Design. What began as a desire to help a city in need became an immersion in investigating its ebbs and flows, mapping its urban systems, and charting its development via annual visits. The result of this extended study is Alluvium: Dhaka, Bangladesh, in the Crossroads of Water, a cross-genre book that incorporates diverse media and layers of narrative and analysis to encourage new readings and perspectives.

The book includes first-person narratives by architects and planners, documentary photographs, and maps and infographics that visually represent the intricate connections between people, water, land, and health in this delta megacity. The work proposes a new approach to understanding place that is interwoven with human interest—an intimate, collaborative, research-based model that holds relevance for both the developing and developed worlds.

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ALLUVIUM

Stephen Kieran James Timberlake

Dhaka, Bangladesh, in the Crossroads of Water

Extracts from Seven Years of the Dhaka Design-Research Labat the University of Pennsylvania School of Design

Imagine the most extreme urban environment on earth—a place three times as dense as Manhattan, enveloped in a constant flow of water, beset by a relentless stream of rural migrants, plagued by annual monsoons, and threatened by climate change.

Since 2007, architects Stephen Kieran and James Timberlake have directed a design-research laboratory on Dhaka, capital city of Bangladesh, for graduate students at the University of Pennsylvania School of Design. What began as a desire to help a city in need became an immersion in investigating its ebbs and flows, mapping its urban systems, and charting its development via annual visits. The result of this extended study is Alluvium: Dhaka, Bangladesh, in the Crossroads of Water, a cross-genre book that incorporates diverse media and layers of narrative and analysis to encourage new readings and perspectives.

The book includes first-person narratives by architects and planners, documentary photographs, and maps and infographics that visually represent the intricate connections between people, water, land, and health in this delta megacity. The work proposes a new approach to understanding place that is interwoven with human interest—an intimate, collaborative, research-based model that holds relevance for both the developing and developed worlds.

FPO

ALLU

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34

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Clare Design Works 1980-2015

Clare Design was established in 1979 on the Sunshine Coast in Queensland. Lindsay and Kerry Clare, a husband and wife team, have been producing architectural projects for more 35 years. Their work has been consistently acknowledged at home and internationally for design excellence and environmental performance. They received the RAIA Gold Medal in 2010. In 272 pages, with photos and drawings (includ-ing design and construction details) Haig Beck and Jackie Cooper show 30 environmentally-sustainable buildings spanning 35 years of the practice of one of Australia’s foremost architects, Clare Design.

The Clares, practicing as architects on the far side of the world, approach their work with a philosophical position that produces beautiful, climatically respon-sive, low-impact, environmentally-sensitive build-ings. They achieved this working not from a body of widely accepted theory and practice but from first principles, applying native can-do empiricism to their designs. These buildings – made in partnership with clients – are demonstrations of this architectural philosophy. Almost from the inception of their prac-tice, their work was recognized and commended by their peers with architectural awards. Over the years their elegant and climatically sensitive buildings have been the subject of exhibitions, magazine articles, both popular and professional, and several books.

Clare DesignWorks 1980 - 2015Haig Beck & Jackie Cooper

In 1976, Haig Beck was appointed editor of Architectural Design magazine. In 1979, he and Jackie Cooper launched International Architect magazine in London. They returned to Australia in 1986 and have continued collaborating as architectural editors, critics, writers and publishers. In 1996, they launched UME magazine. The output of 40 years of writing includes books, chapters, articles, and critical reviews. Most of these have been jointly written.

ABOUT THE AUTHORS

Title: Clare DesignSize: 10" x 10", SquarePages: 272Printing: 4C + matt laminationBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-75-3 Rights World: AvailableCost: $39.95

BOOK SPECIFICATIONS

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28

Lindsay and Kerry Clare: Libraries, like town halls, hospitals, schools and markets, are prime civic institutions. Such signature buildings, more than domestic and commercial buildings, have the potential to help define districts through contributing to urban order and legibility.

The City of Melbourne Library at Dock Square is a key piece in the Victoria Harbour master plan. The Library helps establish an urban, civic character to the raw new precinct.

Designed on a heritage-listed wharf, the Library is a three-storey lightweight timber building sitting atop the wharf structure. Its placement avoids cutting into the original concrete beams below the deck, minimising its impact on the existing wharf fabric. Cross-laminated timber technology is used on the upper floor slabs, roof, columns, beams and core wall construction to achieve a building two- thirds the weight of conventional construction. Closely spaced columns allow the weight to be evenly distributed, eliminating need for any new footing in the mud of the Yarra River.

The height and placement of the building are determined by wind mitigation strategies to protect the new public space, Dock Square, and reduce the effects of downwash from surrounding towers.

The environmental goals of the building include a six-star Green Star rating and optimised passive environmental systems.

The Library is designed for twenty-four-hour public access, providing multi-modal information platforms and creative knowledge access. The library design moderates the placeless world of electronic data by fostering comfort, place-making and engagement with users.

The wall of louvres is a logical answer to the need for light, air, views and connec-tion to the landscape. The open glazed wall creates the feeling of living on a screened verandah. As children, both Clares had direct experience of living in louvred spaces.

198

Here, the tree canopy gives shade protection. The owners worked out how best to live in the house on very hot days: in the morning they keep the building closed for several hours until the thermal mass has delivered up all its stored cool, by which time breezes have arrived and the house can be opened up again.

Thermal mass works well in South-East Queensland, wherever it gets cool enough at night.

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28

Lindsay and Kerry Clare: Libraries, like town halls, hospitals, schools and markets, are prime civic institutions. Such signature buildings, more than domestic and commercial buildings, have the potential to help define districts through contributing to urban order and legibility.

The City of Melbourne Library at Dock Square is a key piece in the Victoria Harbour master plan. The Library helps establish an urban, civic character to the raw new precinct.

Designed on a heritage-listed wharf, the Library is a three-storey lightweight timber building sitting atop the wharf structure. Its placement avoids cutting into the original concrete beams below the deck, minimising its impact on the existing wharf fabric. Cross-laminated timber technology is used on the upper floor slabs, roof, columns, beams and core wall construction to achieve a building two- thirds the weight of conventional construction. Closely spaced columns allow the weight to be evenly distributed, eliminating need for any new footing in the mud of the Yarra River.

The height and placement of the building are determined by wind mitigation strategies to protect the new public space, Dock Square, and reduce the effects of downwash from surrounding towers.

The environmental goals of the building include a six-star Green Star rating and optimised passive environmental systems.

The Library is designed for twenty-four-hour public access, providing multi-modal information platforms and creative knowledge access. The library design moderates the placeless world of electronic data by fostering comfort, place-making and engagement with users.

Cross Laminated Timber (CLT) technol-ogy: The stringers and the balustrades of the central staircase are formed up as a pair of beam-like units linked by the treads and risers into a single prefab-ricated structural unit that was craned into place (see p 1??).The sketch (left) is typical of hundreds of such drawings made by Kerry Clare when detailing the building.Below left: The CAD rendered drawings by the architects of record reveal the expressive deception of the stair- case. Regulations require landings between floors. The sketch section shows the landing pushing the lower flight forward in relation to the stringer-cum-balus-trade – reducing the effective height of the balustrade. The regulatory require-ments for handrail heights and solid balustrades are met with layers of glass and steel that slide over each other in a layered aesthetic typical of the Clares’ detailing.These details are drawn up in this CAD-rendered construction section, that also shows sets of false treads and risers under the real ones in the lower flights, which – in conjunction with the layered glass and steel handrails – allow expression of the balustrades as single architectonic units (photograph, far left).

104 105

Lindsay and Kerry Clare: We were invited to join a consortium to provide a design tender proposal for student housing on UNSW Kensington Campus. Approximately 1030 beds were required for the 1.8 ha site on the campus. At the outset we wanted to provide a framework for good social and environmental outcomes with direct connectivity to campus and to the streets bounding the site. The broad concept of the scheme fell into place quite quickly and remained intact through rigorous buildability and value management review.

Materials, structure and environmental systems are tied into strategic decisions. It had to be a cost-effective precast construction system, with precast walls and floor panels configured like a pack of cards, with no intermediate columns, thereby preserving long-term interior flexibility.

We made use of the plenum created in the hollow-core floor panels for ventilation. Walls are in Thermomass – a sandwich of foam insulation between two precast concrete panels: on 40oC degree days, the wall remains cool; on cool days it is relatively warm. Where Thermomass was not used, we provided a rain screen of composite timber battens to shade the concrete walls.

We designed long windows, like big louvres, and later agreed to use double-sided sliders to save costs. Although these were agreed, we were told that window areas were priced at twenty per cent less glass, and the number of sliding panels was later halved. Sun-shades survived: the development consent included them, although some windows on lower levels are without sun-shades. Some units on the through-site walkway, which are like motels for quick rotation visitors, were compromised by the removal of privacy screens and shading.

Socially, units are mostly five-bedders. This number works well for younger students. Some one- and two-bed units accommodate single and small family units and visiting personnel.

Units are grouped around a core. Each core is designed to achieve views to the street, the courtyard or the campus proper for orientation and connectivity. People feel encouraged to talk to each other from different apartments. The entry lobbies act as social nodes, with natural light and breezes drawn across the spaces.

Inside the apartments, living areas are oriented north-south or east-west. Bedrooms draw air through plenums in the slab, enabling cross ventilation without having to leave doors open. There are no single orientation south-facing apartments.

The campus manager enquired why the energy bills are so low. It is all built in.

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240

36

Total Performance ArchitectureJay Pridmore and Larry Booth

Total Performance Architecture is a portfolio of an important architectural firm and simultaneously a discourse on creativity in an office setting. Larry Booth’s conviction is that innovation and “total per-formance” depend upon the sustained creativity of the design team. This book examines and dissects the process that challenges every individual on that team to devise design solutions–from initial con-cept to final construction–that are uniquely suited to the conditions of any commission.

The architecture of Booth Hansen has changed and evolved, not from one style to another–rather with the graceful integration of technology and aesthetic identity. Every commission is “modern beyond style.” Each design is open to all pos-sibilities, old and new, time-tested and innovative. Total Performance Architecture profiles an eclectic body of work born of freedom to create buildings remarkably well suited to their time, place and the people who inhabit them.

Jay Pridmore is the author or coauthor of many books,including Chicago Architecture and Design, BuildingIdeas: An Architectural Guide to the University ofChicago, Shanghai: The Architecture of China’s GreatUrban Center, and The American Bicycle. He has workedas a journalist in Chicago and has written extensivelyabout architecture.

Laurence Booth, FAIA, founded Booth Hansen in 1980.The work of the fi rm has never adhered to particularstyle or canon. Rather the firm is known for a discerniblesignature which has strong marks of innovation wovenwith sometimes subtle, and other times emphatic, notesof tradition. Very few firms achieve a result that distillsthese notes so eloquently. Very few have built such awide-ranging portfolio, from high-rises to single-familyhomes to interiors, all different, all inspired by an overallset of beliefs.

ABOUT THE AUTHORS

Total Performance A

rchitecture

Toward Total Performance chronicles forty years of architecture at Booth Hansen, a distinguished firm deeply rooted in the architectural tradition of Chicago. With Laurence Booth, FAIA, as design principal, Booth Hansen enjoys a reputation for timeless form through strict attention to the unique conditions of each commission. This book examines the firm, its designs, and the creative process that is integral to successful architecture.

Total Performance ArchitectureThe Work of Booth Hansen

Jay Pridm

ore

Title: Total Performance Architecture Size: 10" x 8", LandscapePages: 136Printing: 4C + offline spot vcarnish Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-82-1Rights World: AvailableCost: $24.95

BOOK SPECIFICATIONS

37

38

Michael P. JohnsonThe Unshakable Search for Architecture

The small, regional architectural firms working throughout the United States and abroad have a more profound effect on the built environment than the cultural imperialism thrust upon us, harking back to the Pre-Modernist movement of the last century.

Looking back 50-60 years we can find architects such as Bruce Goff; Oklahoma, Jack Hilmer; California and Al Beadle; Arizona, to see how their work influences architectural culture and generations of young students.

The Unshakable Search for Architecture is about the life work of Architect Michael P. Johnson, speaks directly of his regional buildings in both his native Wisconsin in his early career through the work after the migration to Arizona. It also expands upon his work in New York, Colorado, California in the US and further in Canada, Mexico and Italy. In addition, it examines the methodology of Michael’s involvement in teaching at the Frank Lloyd Wright School of Architecture for 25 years. One of the few books that explore the benefits that good architecture can have on our everyday lives.

Louise Noelle was born in Mexico City, 1944, she studied Art History at the Universidad Iberoameri-cana, Mexico City (BA 1969), and at the Univer-sidad Nacional Autònoma de México (MA1988); presently she is working on her doctoral thesis “Arquitectos contemporáneos de México”. She was editor of Arquitectura/México from 1976 to 1980 and coordinator of the design group Praxis Mexico City from 1978-1980. She joined the staff of the Instituto de Investigaciones Estéticas of the Univer-sidad Nacional Autónoma de México in 1981 and since 1982 has been a researcher at the Institute. She is involved in many aspects of architectural criticism, being a co-founder and director not only of the Comité International des Critiques d´ Archi-tecture (CICA) but also of the Mexican Association of Architectural Critics. Juhani Pallasmaa (b. 1936), Architect SAFA, Hon. FAIA, Int FRIBA, Professor Emeritus, Helsinki, has practised architecture since the early 1960s and established his own office Juhani Pallasmaa Architects in 1983 after having collaborated with a number of architects during twenty years. In addi-tion to architectural design, he has been active in urban, exhibition, product and graphic design. He has taught and lectured widely in Europe, North and South America, Africa and Asia, and published books and numerous essays on the philosophy and critique of architecture and the arts in over thirty languages.

Aris Georges is a design teacher, a graphic designer, and an artist. As a design teacher, Aris draws from European education, American gradu-ate studies, and over 25 years of apprenticeship in architectural and creative studios in the EU and the US. Aris promotes conscious thinking in architec-ture and design and his classes offer students the opportunity to expand their mental boundaries to explore and advance their ideas and vision. He en-gages his students through interactive processes and supports their development in striving to be unbound thinkers and designers.

ABOUT THE AUTHORS

Title: Michael P. Johnson Size: 7.5" x 12", Landscape Pages: 120 Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-90-6Rights World: AvailableCost: $29.95

BOOK SPECIFICATIONS

Louise Noelle with Juhani Pallasmaa & Aris Georges

interesó por la arquitectura aunque decidió no hacer estudios formales en una universidad sino directamente en la práctica; por ello en 1957 ingresó como aprendiz, al taller de William Wensler, donde se desempeñó por una década, aunque cabe agregar que en el los últimos periodos atendió paralelamente algunos proyectos personales, en su tiempo libre. Forzado por las circunstancias, fue tan solo en 1967 que presentó el Examen profesional, que le permitió obtener el diploma de arquitecto.

Desde sus épocas de estudiante, interesado en la arquitectura y las corrientes de la vanguardia internacional, había conocido a algunos de los principales exponentes a nivel nacional. Con Frank Lloyd Wright tuvo un breve encuentro en su primera juventud, cuyo fallecimiento en 1959, truncó su intención de ingresar como aprendiz en Taliesin. Poco después se acercó a otras figuras de la arquitectura, iniciando con un viaje a Bartles-ville, Oklahoma, para trabar conocimiento con Bruce Goff en 1961, y entablar lo que sería una larga amistad. Un año más tarde tiene un encuentro con Paolo Soleri, en Madison, Wisconsin, a raíz de una conferencia que este último ofreciera, y que derivó en un vínculo amistoso que perdura hasta hoy en día, que ambos viven en Arizona. Después vinieron encuentros con Victor Lundi, Paul Rudolph, Louis Kahn y Félix Candela, y mucho después la obra arquitectónica de Luis Barragán; también están sus relaciones con George Nakashima y Joseph Albers del entorno del arte y el diseño, así como con Donald Judd y Richard Serra; una conexión importante es la que estableció, a partir de 1967 durante la Expo de Montreal, con Bruno Zevi el connotado historiador y crítico italiano, manteniendo por muchos años una interesante correspondencia epistolar. En últimas fechas, el encuentro con Oscar Niemeyer, otro de los arquitectos que mucho le habían atraído, dio una dimensión particular a su interés por América Latina, donde México ha jugado un papel preponderante. Las enseñanzas de estos personajes que el considera sus maestros, tanto en diversos encuentros como por medio de numerosas publicaciones, son fundamentales para comprender el desarrollo mismo de su quehacer arquitectónico. Es preciso hacer una referencia a la idea que George Kubler presenta en su libro The Shape of Time, con relación a la interminable secuencia de ideas y objetos de arte, para poder explicar la correlación natural entre diversos artistas, para así evitar una posible crítica a la correspondencia de su trabajo.

El propio arquitecto Johnson confiesa que desde sus inicios se preocupó, no solo por leer con avidez sobre los que consideraba sus preceptores, sino por visitar la mayoría de sus obras, para conocer y aprender de primera mano del hecho construido. Este insaciable apetitito por saber y observar, lo ha llevado a una gran asiduidad dentro de la lectura y un constante deambular por el mundo en aras de transitar por aquellas creaciones que ha venido estudiando en libros y revistas.

Por otra parte, estas mismas inquietudes, y su profundo sentido de justicia social lo hicieron participar activa-mente en el movimiento de los Derechos Civiles, de finales de los sesenta. En particular se acercó al movimiento Chicano que se desarrollaba en California, preocupado por la situación de los migrantes, con un interés que

21

117113

40

Site SpecificKaren Forbes

Site Specific is an investigation into how place and context affects critical design development in an architectural site-related programme. Architects were shortlisted for this project for their particular (and sometimes contrasting) modes of working with site specificity within European and American contemporary architectural practice. All the archi-tects selected are working at an international level within their field and display a high level of intel-ligence and sensibility within their designs.

This book offers the reader a chance to under-stand the deeper thinking of the individual inter-viewees. This insight can enhance significantly an appreciation of some of the key issues in contem-porary architectural practice today.The reader gains an intimate portrait of the con-cerns, thoughts and feelings of these architects as they reflect on their own practice in the midst of their working challenges and successes. It reveals a more intricate, individually nuanced reading of site, meaning and context. It offers the reader a series of studies in the form of interviews, which should inspire future and current architects to con-sider issues of context in greater depth.

Karen Forbes is fascinated by the interface of art and architecture. Her work involves examining the creative possibilities which arrive from this dialogue.

Born in Glasgow in 1962, she works between Edinburgh and Amsterdam, She has been the recipient of a number of international fellowships to support her research including DAAD, Christoph Merian Stiftung, Beleyer Foundation, Basel, Chicago Project FOF, RMIT, Australia and the Scottish Arts Council Amsterdam Residency. Recent projects include ‘Evolution Tower’ Moscow (2005-15) and ‘The Solar Pavilion’ – a meeting point for the visual arts (2011)commissioned for the Visual Art Festival through Scottish Government Expo Funding, Creative Scotland and the British Council. She is currently Professor of Art at the University of Edinburgh and focused on new developments in art, place-making, interactive 3D imaging and architecture.

ABOUT THE AUTHOR

Title: Site Specific Size: 8.5" x 11.75" PortraitPages: 156 Printing: 4C + matt lamination Binding: Trade PaperPublication Date: Spring 2015ISBN: 978-1-941806-87-6Rights World: AvailableCost: $34.95

BOOK SPECIFICATIONS

25Knut Hamsun Center, Hamarøy, Norway

42

W+: The Future (Life) of a Historical BuildingAnderson Lee

In the spring of 2012, the Department of Architecture at The University of Hong Kong conducted a series of Research and Design (R&D) studio within its Master of Architecture Program. One of the R&D topics, led by Mr. Anderson Lee, was to study and examine the potential role and development of a historical building in the heart of Hong Kong: The Old Wan Chai Police Station and Married Quarters. The students were asked to address on issues ranging from public space in contemporary cities to heritage conservation; and from design and building technology to sustainable planning.

This book recorded the research and the subsequent design proposals. They are by no mean the final conclusion on a complex topic as such. In the studio which lasted only for 12 weeks, the students tried to identify: issues of scales that inform and affect architectural decision-making; the role of stakeholders pertaining to development; the urban and economic forces which shape the morphology of the urban fabrics; a new way to integrate new programmatic elements within the existing urban fabrics, and finally, to design a mixed-used project on a constrained site with a given formal and tectonic logic.

The Old Wan Chai Police Station and Married Quarters remains largely uninhabited and its future yet to be determined. Under the current political climate in Hong Kong, it is almost certain that this piece of colonial past would sit idle for a few more years to come…

Anderson Lee is an architect, educator and curator. He founded Index Architecture Limited in 2000. The architectural practice encompasses multidisciplinary services on urban planning, architecture, interior design and product/furniture design. He has been teaching at the Faculty of Architecture, the University of Hong Kong(HKU) since 2003. Currently he is the Academic Director of the HKU Shanghai Study Centre and the Program Director of the Career Discovery Program (HKU). He was also the Chief Curator of the 2011-2012 Bi-City Biennale of Urbanism\Architecture (Hong Kong).

ABOUT THE AUTHOR

Title: W+: The Future(Life) of a Historical Building Size: 5.875" x 8.25", Portrait Pages: 288 Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-85-2Rights World: AvailableCost: $39.95

BOOK SPECIFICATIONS

W + : T H E F U T U R E ( L I F E ) O F A H I S T O R I C A L B U I L D I N G

A N D E R S O N L E E

43

44

Coop Himmelb(l)auDalian International Conference Center

Coop Himmelb(l)au: Dalian International Conference Center represents an architectural monograph, covering the new Dalian International Conference Center from the first concept sketch to the final building.

The edition offers a detailed insight of the work and design process of the internationally well-known architecture company COOP HIMMELB(L)AU as exemplified in this special building.

Besides high-resolution images of the final building from in and outside, the book explores the design process from the very early beginning to the final appearing as a recognizable landmark for the city of Dalian. The iconic Gestalt of this special building expresses the power of the content: a city in a city, it shelters a flexible conference hall for 2,500 people and a multifunctional opera with 1,700 seats at the core, surrounded by conference rooms and passage-like places for stopovers and leisure.

The shown material ranges from concept sketches, model shots over construction documents to images of the final building. An essay written by Joseph Giovannini, architect as well as architectural critic, introduces the reader to the history, attitude and design-related processes of COOP HIMMELB(L)AU, as well as examining China's pivotal points in history.

Joseph Giovannini is a critic, architect, and teacher based in New York. Trained at Harvard’s Graduate School of Design, he has written for The New York Times, The Los Angeles Times, New York Magazine, Architect Magazine, Architectural Record, and he has taught at Columbia, Harvard, UCLA, USC, and SCI-Arc.

COOP HIMMELB(L)AU was founded in Vienna in 1968 and has since been operating under the di-rection of CEO and Design Principal Wolf D. Prix in the fields of art, architecture, urban planning, and design. Another branch of the firm was opened in the United States in 1988 in Los Angeles. COOP HIMMELB(L)AU currently employs over 100 people from 19 different countries. In numerous countries the team has realized museums, concert halls, science and office buildings as well as residen-tial buildings. Presently COOP HIMMELB(L)AU is working on various projects in Europe, Asia, and the Middle East.

Wolf D. Prix, born in 1942 in Vienna, is co-founder, Design Principal, and CEO of COOP HIMMELB(L)AU. He studied architecture at the Vienna Univer-sity of Technology, the Architectural Association of London as well as at the Southern California Institute of Architecture (SCI-Arc) in Los Angeles. Wolf D. Prix is counted among the originators of the deconstructivist architecture movement. COOP HIMMELB(L)AU had its international breakthrough with the invitation to the exhibition "Deconstructiv-ist Architecture" at MoMA New York in 1988. Over the years, Wolf D. Prix and COOP HIMMELB(L)AU have been awarded numerous international archi-tecture awards.

ABOUT THE AUTHORS

Title: Coop Himmelb(l)auSize: 9.84" x 9.84", SquarePages: 168Printing: 4C + spot varnish Binding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-40-1Rights World: AvailableCost: $35.00

BOOK SPECIFICATIONS

46

INSPIRE 2014Australian Institute of Architects AwardsKatarina Stübe and David Parken

Charting leading Australian architecture projects over the course of a decade from 2010 through to 2019, the INSPIRE series is a unique portrayal of award-winning designs from concept to comple-tion. Preliminary sketches, stunning photographs and quotes from architects and clients, give read-ers new insight into the design process.

INSPIRE 2014 marks the halfway point for our ten volume series. INSPIRE is a beautifully produced publication that features over 280 pages of excit-ing, innovative architectural projects by leading Australian designers who have been honoured in the 2014 National Architecture Awards program.

The INSPIRE series was developed by Institute CEO David Parken and German-born photogra-pher and publisher, Katarina Stübe. Each edition features individually numbered publications, with visual quirks linking all 10 in the series together – when lined up, an overall graphic theme will be revealed on the books’ spines.

The superior visual treatment, innovative graphic design and high production quality of the INSPIRE series reflect the standard of excellence we’ve come to expect from Australian architecture.

The INSPIRE series captures the forward thinking approach that characterizes Australian architecture industry; especially in the fields of sustainability, urban design, heritage architecture and international architecture.

INSPIRE is a must-have for any design enthusiast.

Katarina Stübe is an architectural photographer and founder of international publishing company REVEALbooks+fotos, under which she created and pub-lished Jørn Utzon’s Sydney Opera House, a memoir of Jørn Utzon and Australia’s famous icon. In 2010, Katarina docu-mented various national pavilions at World Expo Shanghai that feature in the award winning book 'The Unbeatable' published in March 2012. She also creates and co-pub-lishes the INSPIRE series, a collector’s edition featuring the annual Australian National Architecture Awards. All books in this 10-year series are joint publications with the Australian Institute of Architects.

Architect, advocate and former National President, David Parken is the CEO of the Australian Institute of Architects. The Institute is Australia’s peak architectural body, repre-senting 12,000 members across Australia and overseas. David is a Life Fellow of the Institute, with more than 20 years’ experience in private practice. David is an advocate for architecture, design and sustainability.

ABOUT THE AUTHORS

Title: InspireSize: 11" x 12", Portrait Pages: 272Printing: 4C + spot varnishBinding: Trade ClothPublication Date: Spring 2015ISBN: 978-0-980612-38-7 Rights World: AvailableCost: $79.95

BOOK SPECIFICATIONS

48

Ennead Profile Series 7Ennead Architects

Acting as a “profile” of a building as well as contributing to the “profile” of Ennead Architects, each book employs initial program studies, sche-matic sketches, early two- and three-dimensional study models, construction shots, final photogra-phy and a personal statement by the designer to present an intimate, insider’s view of the creative process. A supplementary piece written by a crit-ic, historian or client or a “found” text that relates to the designer’s aspirations or building’s pro-gram, site, function is included. The photographic narrative combines the precision and technical virtuosity of classic architectural photography with more lyrical and personal interpretations of the building, its context and the people who use it.

Ennead Architects creates architecture that shapes the public realm: this has been central to our practice since 1963. Their 180-person firm, based in New York City, works primarily with educational, cultural and scientific clients, includ-ing some of the most venerable institutions in North America, from Stanford to Yale Universities, from the American Museum of Natural History to the Clinton Presidential Library, from Carnegie Hall to the Standard Hotel on the High Line. Their diverse portfolio—including new construction, renovation and expansion, historic preservation, interior design and master planning—ranges from complex laboratory, research and teaching facili-ties for higher education to museums and per-forming arts centers to a wastewater treatment plant. Through form, light and materiality, Ennead creates expressive architecture that embodies each client’s mission and engages the user while shaping our place and time.

ABOUT THE AUTHOR

Title: Ennead 7 Size: 6.5" x 7.875", PortraitPages: 456 Binding: Five-Volume Set in Slipcase Publication Date: Spring 2015ISBN: 978-1-941806-47-0978-1-941806-48-7978-1-941806-49-4978-1-941806-50-0978-1-941806-51-7978-1-941806-52-4Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

10718

10715

10714

10133

49

3938

2322

5150

SOLID SURFACE POLYMERW/ MDF CORE (SSP)

4"2'

-6"

6"

FIBER CEMENT PANEL (FCP-4)ON 7/8" MTL FURRING CHANNEL,5/8" GWB ON METAL STUDFRAMING

STONE TILE BASE (STB)

1/8"

EQEQ

EQEQ

1/8"

1/4"JOINTTYP

1' - 11" 1"

1/2"

1' - 2 1/2"

10 1/2"

SOLID SURFACE POLYMERW/ MDF CORE (SSP)

ST STL ANGLE BRACKETAS REQ'D (SS)

LAMINATED GLASS (EGL-7)CAPTURED IN GLAZING CHANNEL@ HEAD AND JAMBS

ST STL CHANNEL TRIM (SS)

1/8" THICK ST STL PLATEFASTENED TO BACK OF SOLIDSURFACE POLYMER W/ MDFCORE

2"

2 1/2"

2'-4

"2"

B A A C E A F A A H C B A A E D F A B A A C D A C D A H A C GAD CADADHA

E A A F G DA A A F H H A A C A A AE G A A C A D A D G A D A C H A A D C CAE

C B A C E A F B A H H A D A A H A B A A A D A G C H A A D A C A H C G A A C C A

3.00°

TYP - SEE A301 FOR GEOMETRY

EQ EQ EQ EQ EQ EQ EQ EQ

5/8" X 2" SOLID WOODSLAT W/ NATURALCLEAR FINISH

FLEXIBLE WOODDOWEL AT 12"CENTERS

5/8" X 3 3/4" SOLID WOODSLAT W/ NATURALCLEAR FINISH

SEE F7 & E7/--- FOR ADDITIONAL INFO

1 1/4"

FACETED FIBER CEMENT PANELCLADDING (FCP-2)

VERT Z- FURRING

VARIES

1/2"

C.L. OF JOINTEL. 12' - 9 7/8" A.F.F.

3/8"

3/8"

SEE F7/--- FOR ADDITIONAL INFO

BLACK DUCT LINER(ACOUSTICAL ABSORPTION)BETWEEN FURRING

VERT Z- FURRING SHIM ASREQ'D

SHIM AS REQ'D TO MEDIATEBETWEEN FACETED GWB &CURVED GEOMETRY

FACETED GWB TAPEDAND SPACKLED

METAL STUD FRAMING

VARIES 5/8" 6" 2"

B.O. ANGLEEL. 8' - 0" A.F.F.

3/16

"

1/2"

1' - 4 1/2"TUBESTL

FINISH NAIL TOE NAILED THROUGHSIDE OF WOOD SLAT AND INTO FURRING.NAIL @ MAX 4" ALONG FURRING, ABOVEDOWEL TO CONCEAL. FILL HOLE IF VISIBLE.

WOOD DOWEL AT 12" O.C.

BLACK FABRIC, FIELD WRAPPEDAND SECURED TO WOOD FURRING.

CURVED WOOD FURRING, SECUREDTO Z- FURRING. HORIZ SPACING NOTO EXCEED 24".

LINE OF WOOD VENEER PANEL(WD-1) @ SIM CONDITION

LINE OF GWB (PT-3) @SIM CONDITION

CONT. CUT 4" X 7" X 5/8" CURVEDPTD STL ANGLE FASTENED TO Z-FURRING

5 5/8" 10 5/8"

1/4" ST STL PLATE (SS)NO EXPOSED FASTENERS

STEEL RELIEVING ANGLEWELDED TO TUBE STL -SHIM AS REQ'D

WOOD SLAT (SEE B6/---) FORLAYOUT

1/4"

(SEE A300 FOR ROTUNDA GEOMETRY)

FACETED FIBER CEMENT PANEL CLADDING(FCP-2)

1/4" JNTTYP

1/4" JNTTYP

3" MINERAL FIBER INSULATION

EXTERIOR SHEATHINGW/ AIR-VAPOR BARRIER

COMPOSITE STRUCTURAL COLUMN W/SPRAY-ON FIREPROOFING (SEE STRUCT.DWGS. )

10" MTL STUD FRAMING

PTD GWB

2" X 4" CURVED WOOD FURRING W/ FABRICWRAPPED BLACK DUCT LINER(ACOUSTICAL ABSORPTION)

WOOD SLAT PANELS (WSP)SEE B6/--- FOR TYPE

R.1

6.00°TYPICAL FIBER CEMENT PANEL

(FCP-2)

3.00°

WOOD SLAT PANELTYP (WSP)

(SEE B6/--- FOR TYPE)

6" MTL STUD FRAMING

FURRING Z-CLIP SHIM AS REQ'D TOMEDIATE BETWEEN FACETED GWB &CURVED WOOD FURRING

R20'-0

1/4" FACETE

DFC

PW

ALLR

18'-11" CO

LUM

NLIN

ER

.8

R 17'-8

1/2" BACK FAC

E OF W

SP

BLACK AIR PERMEABLE WATER MEMBRANE

SEE F5/A622 F0R ADDITIONAL INFORMATION

3.00°

WOOD SLAT PANELTYP (WSP)

(SEE B6/--- FOR TYPE

FIBER CEMENT PANEL CLADDINGALONG FACETED WALL (FCP-2)

1 1/4" Z - FURRING

1/8" THICK PTD STL CLOSURETAB WELDED TO CUT ANGLE

LINE OF FACETED FIBER CEMENTPANEL WALL (ABOVE)

1"

SPRAY-ON FIREPROOFING

FIRST LEVELEL. 134' - 0"

TO SHELFEL. 137'-6"

B.O. ALUM PANELCEILINGEL. 142'-0"

1 1/2" STONE TILE FLOORON 1" MORTAR SETTING BED

1/2": STONE TILE BASE(STB)

1/8" THICK ST STL W/ BENT SHELF &1/16" WELDED RETURN FLANGES (SS)FASTENED TO STUD WALL W/ Z CLIPS -NO EXPOSED FASTENERS

L.O. 1" GLASS TILE BEYOND(WT-1)

4"

1/16

"1"

WALL-MOUNTED LAVATORY ANDFAUCET (SEE PLUMBING)

1/8 " THK. ST STL CONT. BENTPLATE SHELF - COORDINATELOCATION W/ TILE COURSING &OMIT TILE AT PLATE LOCATION(SEE ELEV)

1/2"

FRAMELESS MIRROR ADHERED TOFURRING LOCATION AND SIZE WITHS.S. SHELF & TILE LAYOUT (SEE ELEV)

COVE LIGHT FIXTURE (SEE RCP FORTYPE AND LENGTH)

ALUM PANEL CEILING(APC-1)

1/8"

1/8"F.O. TILE TOEDGE OFRETURN

F.O. PLATETO F.O. TILE

TO MIRROREL. 141'-0"

6"

THIN SET GLASS TILE (WT-1)

SEALANT JOINT (TYP AT ALL TILE TOMIRROR & ST STL SHELFTRANSITIONS)

1/8" THICK ST STL W/ BENT SHELF &1/16" THICK WELDED RETURN FLANGES(SS) FASTENED TO STUD WALL W/ ZCLIPS - NO EXPOSED FASTENERS

BLOCKING AS REQ'D

Z CLIPS

THIN SET 1" GLASS MOSAIC TILE(WT-1)

BACKER ROD & SEALANT

L.O. STONE BASE (BELOW)(STB)

1/8"

1/2"

1/8"

R.7

41/

2".2

'-5

1/2"

.3'-

11/

4"

STONE TILE BASE (STB)

SEE F7/--- FOR ADDITIONAL INFO

CURVED BIRCH VENEER WOODPANEL (WD-1) FASTENED TOPLYWD BACKING W/ Z-CLIPS

FINISH GRADE WD BLOCKING

3/16

"1/

2"

2"

1' - 4 3/4"

SOLID SURFACE POLYMERW/ MDF CORE & 2" BULLNOSE

1/4"

LINE OF ST STL JAMB PLATE

A620D1

SIM

2 LAYERS OF PTD GWB (PT-2)

1/8" THICK ST STL PLATE (SS)

1/2"

1/2"

1/4" ST STL PLATE (SS)

1 3/4" 6 1/2"

1/2" 1 1/2"

1/2"

Z-CLIP

FINISH GRADE WDBLOCKING

R.71' - 1 1/4" 10"

2 LAYERS OF CURVEDPTD GWB (PT-3)

WD BASE (WDB)

41/

2".2

'-5

1/2"

.3'-

11/

4"

2 LAYERS OF CURVEDPTD GWB (PT-3)

LAMINATED GLASS (EGL-7)CAPTURED IN GLAZINGCHANNEL ON ALL FOURSIDES

2"1/4"

1/2"

1/2"

1/4" THICK ST STL PLATE(SS)

LINE OF 1/4" ST STL PLATE(SS) FASTENED W/ Z-CLIPS

1/2"

SOLID SURFACE POLYMERW/ MDF CORE & 2" BULLNOSE

1 1/2"

SOLID SURFACE POLYMERWORK SURFACE (BELOW)W/ EASED EDGES

LINE OF ST STL PLATE(ABOVE & BELOW)

LINE OF WOOD VENEERPANEL (ABOVE & BELOW)

1/4" CURVED ST STL (SS)DONOR PANEL (SEE ELEV)WELD TO JAMB PLATE ANDGRIND SMOOTH

1/4" ST STL (SS) JAMBPLATE

1/2"

LINE OF 1/2" JOINT (ABOVE& BELOW - SEE ELEV)

3/4"

1/4"

Z-CLIP WELDED TO BACKOF PLATE AND FASTENEDTHROUGH PLYWOOD TO WDFURRING

SEE F5 /A312 FOR GEOMETRY

1/4" CURVED ST STL (SS)DONOR PANEL (SEE ELEV)

1/8" THICK ST STL TABWELDED TO BACK OF CURVEDPLATE

Z-CLIP

LINE OF WOOD VENEERPANEL (ABOVE & BELOW)

WOOD PANEL VENEER(WD-1)

1/4"5/8

"

2 1/2"

1"

FIRST LEVELEL. 134'-0"

3/4" THICK STONE TILE@ BASE REVEAL

1/4"

BACKER ROD & SEALANT

AESS EXPOSED COMPOSITEPIPE COLUMN (SEE STRUCT)

SEE B7/A615 FOR TYPICAL STONEFLOOR TILE ASSEMBLYR.5

R.7

R 9 1/4"

HONED STONETILE (ST-1 TYP)

FLAMED STONETILE (ST-2 TYP)

1/4" JOINT (TYP)

SEE FLOOR PATTERNPLANS FOR JOINTLAYOUT

14" AESS COMPOSITE PIPECOLUMN (SEE STRUCT)

C4A622

This document is a copyright protected instrument of service, property of ARRAY andlicensed for use in the titled project only. Reproduction or use of this documentwithout written permission of ARRAY is illegal and will be prosecuted under the law.

ARRAY HFSCOPYRIGHT - 2007C

DATE:

Yhealthcare facilities solutions2520 Renaissance Blvd., Suite 110 King of Prussia, PA 19406t: 610.270.0599 f: 610.270.0995 www.arrahhfs.com

SEAL:

RRA

DATEDESCRIPTIONNO.

REVISIONS/ISSUES:

OWNER:

PROJECT:

Associate Architect:

A

PROJECT No.

CON/REF No.

DRAWN: CHECKED:

SCALE:

SHEET NO.

SHEET TITLE:

A

B

C

D

E

F

1 2 3 4 5 6 7 8

Inpatient PsychiatricFacility Replacement

Long Island JewishMedical Center -The Zucker HillsideHospital

75-59 263rd StreetGlen Oaks, NY 11004

Polshek Partnership Architects LLP320 West 13th Street New York, NY 10014t: 212.807.7171

MEP Enginner:

Flack + Kurtz512 Seventh Avenue New York, NY 10018t: 212.532.9600

Structural Engineer:O'Donnell & Naccarato111 South Independence Mall East, Suite 950Philadelphia, PA 19106t: 215.925.3788

Civil Enginner:Stantec Consulting50 West 23rd Street, 8th floor New York, NY 10010t: 212.366.5600

Equipment Planner:Source Atlantic55 Accord Park Drive Rockland, MA 02370t: 866.807.0337

Landscape Architect:Quennell Rothschild & Partners, LLP118 West 22nd Street New York, NY 10010t: 212.929.3330

KEY PLAN

As indicated

5/8/

2009

3:5

1:45

PM

A622

03/23/09

Author Checker

0714

Project Status

ROTUNDA INTERIORDETAILS

Auth

or

75% Construction Documents 02-16-2009Scope Delineation Set 03-23-2009Issued for Construction Set 05-11-2009

1 1/2" = 1'-0"B1 SECTION @ SECURITY OFFICE TRANSACTION COUNTER

1/4" = 1'-0"B6 ROTUNDA WOOD SLAT PANEL LAYOUT

3" = 1'-0"A PANEL TYPE A 3" = 1'-0"B PANEL TYPE B

3" = 1'-0"C PANEL TYPE C 3" = 1'-0"D PANEL TYPE D

3" = 1'-0"E PANEL TYPE E 3" = 1'-0"F PANEL TYPE F

3" = 1'-0"G PANEL TYPE G 3" = 1'-0"H PANEL TYPE H

3" = 1'-0"D7 HEAD DETAIL - ROTUNDA SLAT WALL

3" = 1'-0"E7 JOINT DETAIL - ROTUNDA SLAT WALL

3" = 1'-0"F7 SILL DETAIL - ROTUNDA SLAT WALL

FIRST SLAT OF ADJACENTPANEL (INCLUDE SLAT @END PANELS)

1 1/2" = 1'-0"F5 DETAIL PLAN - ROTUNDA WOOD SLAT WALL

3" = 1'-0"E5 PLAN DETAIL - ROTUNDA SLAT WALL END

3" = 1'-0"F1 DETAIL - ROTUNDA BATHROOM 12" = 1'-0"F3 PLAN DETAIL - ROTUNDA BATHROOM

1 1/2" = 1'-0"B2 ROTUNDA DISPLAY NICHE

3" = 1'-0"C1 DETAIL - WOOD PANEL JOINT

1 1/2" = 1'-0"B4 ROTUNDA SECURITY VIEW WINDOW

6" = 1'-0"E2 ROTUNDA DONOR PLAQUE - PLAN DETAIL

3" = 1'-0"C4 DETAIL - BASE OF ROTUNDA PIPE COLUMN 1" = 1'-0"C2 DETAIL PLAN @ ROTUNDA PIPE COLUMN

SOLID SURFACE POLYMERW/ MDF CORE (SSP)

4"2'

-6"

6"

FIBER CEMENT PANEL (FCP-4)ON 7/8" MTL FURRING CHANNEL,5/8" GWB ON METAL STUDFRAMING

STONE TILE BASE (STB)

1/8"

EQEQ

EQEQ

1/8"

1/4"JOINTTYP

1' - 11" 1"

1/2"

1' - 2 1/2"

10 1/2"

SOLID SURFACE POLYMERW/ MDF CORE (SSP)

ST STL ANGLE BRACKETAS REQ'D (SS)

LAMINATED GLASS (EGL-7)CAPTURED IN GLAZING CHANNEL@ HEAD AND JAMBS

ST STL CHANNEL TRIM (SS)

1/8" THICK ST STL PLATEFASTENED TO BACK OF SOLIDSURFACE POLYMER W/ MDFCORE

2"

2 1/2"

2'-4

"2"

B A A C E A F A A H C B A A E D F A B A A C D A C D A H A C GAD CADADHA

E A A F G DA A A F H H A A C A A AE G A A C A D A D G A D A C H A A D C CAE

C B A C E A F B A H H A D A A H A B A A A D A G C H A A D A C A H C G A A C C A

3.00°

TYP - SEE A301 FOR GEOMETRY

EQ EQ EQ EQ EQ EQ EQ EQ

5/8" X 2" SOLID WOODSLAT W/ NATURALCLEAR FINISH

FLEXIBLE WOODDOWEL AT 12"CENTERS

5/8" X 3 3/4" SOLID WOODSLAT W/ NATURALCLEAR FINISH

SEE F7 & E7/--- FOR ADDITIONAL INFO

1 1/4"

FACETED FIBER CEMENT PANELCLADDING (FCP-2)

VERT Z- FURRING

VARIES

1/2"

C.L. OF JOINTEL. 12' - 9 7/8" A.F.F.

3/8"

3/8"

SEE F7/--- FOR ADDITIONAL INFO

BLACK DUCT LINER(ACOUSTICAL ABSORPTION)BETWEEN FURRING

VERT Z- FURRING SHIM ASREQ'D

SHIM AS REQ'D TO MEDIATEBETWEEN FACETED GWB &CURVED GEOMETRY

FACETED GWB TAPEDAND SPACKLED

METAL STUD FRAMING

VARIES 5/8" 6" 2"

B.O. ANGLEEL. 8' - 0" A.F.F.

3/16

"

1/2"

1' - 4 1/2"TUBESTL

FINISH NAIL TOE NAILED THROUGHSIDE OF WOOD SLAT AND INTO FURRING.NAIL @ MAX 4" ALONG FURRING, ABOVEDOWEL TO CONCEAL. FILL HOLE IF VISIBLE.

WOOD DOWEL AT 12" O.C.

BLACK FABRIC, FIELD WRAPPEDAND SECURED TO WOOD FURRING.

CURVED WOOD FURRING, SECUREDTO Z- FURRING. HORIZ SPACING NOTO EXCEED 24".

LINE OF WOOD VENEER PANEL(WD-1) @ SIM CONDITION

LINE OF GWB (PT-3) @SIM CONDITION

CONT. CUT 4" X 7" X 5/8" CURVEDPTD STL ANGLE FASTENED TO Z-FURRING

5 5/8" 10 5/8"

1/4" ST STL PLATE (SS)NO EXPOSED FASTENERS

STEEL RELIEVING ANGLEWELDED TO TUBE STL -SHIM AS REQ'D

WOOD SLAT (SEE B6/---) FORLAYOUT

1/4"

(SEE A300 FOR ROTUNDA GEOMETRY)

FACETED FIBER CEMENT PANEL CLADDING(FCP-2)

1/4" JNTTYP

1/4" JNTTYP

3" MINERAL FIBER INSULATION

EXTERIOR SHEATHINGW/ AIR-VAPOR BARRIER

COMPOSITE STRUCTURAL COLUMN W/SPRAY-ON FIREPROOFING (SEE STRUCT.DWGS. )

10" MTL STUD FRAMING

PTD GWB

2" X 4" CURVED WOOD FURRING W/ FABRICWRAPPED BLACK DUCT LINER(ACOUSTICAL ABSORPTION)

WOOD SLAT PANELS (WSP)SEE B6/--- FOR TYPE

R.1

6.00°TYPICAL FIBER CEMENT PANEL

(FCP-2)

3.00°

WOOD SLAT PANELTYP (WSP)

(SEE B6/--- FOR TYPE)

6" MTL STUD FRAMING

FURRING Z-CLIP SHIM AS REQ'D TOMEDIATE BETWEEN FACETED GWB &CURVED WOOD FURRING

R20'-0

1/4" FACETE

DFC

PW

ALLR

18'-11" CO

LUM

NLIN

ER

.8

R 17'-8

1/2" BACK FAC

E OF W

SP

BLACK AIR PERMEABLE WATER MEMBRANE

SEE F5/A622 F0R ADDITIONAL INFORMATION

3.00°

WOOD SLAT PANELTYP (WSP)

(SEE B6/--- FOR TYPE

FIBER CEMENT PANEL CLADDINGALONG FACETED WALL (FCP-2)

1 1/4" Z - FURRING

1/8" THICK PTD STL CLOSURETAB WELDED TO CUT ANGLE

LINE OF FACETED FIBER CEMENTPANEL WALL (ABOVE)

1"

SPRAY-ON FIREPROOFING

FIRST LEVELEL. 134' - 0"

TO SHELFEL. 137'-6"

B.O. ALUM PANELCEILINGEL. 142'-0"

1 1/2" STONE TILE FLOORON 1" MORTAR SETTING BED

1/2": STONE TILE BASE(STB)

1/8" THICK ST STL W/ BENT SHELF &1/16" WELDED RETURN FLANGES (SS)FASTENED TO STUD WALL W/ Z CLIPS -NO EXPOSED FASTENERS

L.O. 1" GLASS TILE BEYOND(WT-1)

4"

1/16

"1"

WALL-MOUNTED LAVATORY ANDFAUCET (SEE PLUMBING)

1/8 " THK. ST STL CONT. BENTPLATE SHELF - COORDINATELOCATION W/ TILE COURSING &OMIT TILE AT PLATE LOCATION(SEE ELEV)

1/2"

FRAMELESS MIRROR ADHERED TOFURRING LOCATION AND SIZE WITHS.S. SHELF & TILE LAYOUT (SEE ELEV)

COVE LIGHT FIXTURE (SEE RCP FORTYPE AND LENGTH)

ALUM PANEL CEILING(APC-1)

1/8"

1/8"F.O. TILE TOEDGE OFRETURN

F.O. PLATETO F.O. TILE

TO MIRROREL. 141'-0"

6"

THIN SET GLASS TILE (WT-1)

SEALANT JOINT (TYP AT ALL TILE TOMIRROR & ST STL SHELFTRANSITIONS)

1/8" THICK ST STL W/ BENT SHELF &1/16" THICK WELDED RETURN FLANGES(SS) FASTENED TO STUD WALL W/ ZCLIPS - NO EXPOSED FASTENERS

BLOCKING AS REQ'D

Z CLIPS

THIN SET 1" GLASS MOSAIC TILE(WT-1)

BACKER ROD & SEALANT

L.O. STONE BASE (BELOW)(STB)

1/8"

1/2"

1/8"

R.7

41/

2".2

'-5

1/2"

.3'-

11/

4"

STONE TILE BASE (STB)

SEE F7/--- FOR ADDITIONAL INFO

CURVED BIRCH VENEER WOODPANEL (WD-1) FASTENED TOPLYWD BACKING W/ Z-CLIPS

FINISH GRADE WD BLOCKING

3/16

"1/

2"

2"

1' - 4 3/4"

SOLID SURFACE POLYMERW/ MDF CORE & 2" BULLNOSE

1/4"

LINE OF ST STL JAMB PLATE

A620D1

SIM

2 LAYERS OF PTD GWB (PT-2)

1/8" THICK ST STL PLATE (SS)

1/2"

1/2"

1/4" ST STL PLATE (SS)

1 3/4" 6 1/2"

1/2" 1 1/2"

1/2"

Z-CLIP

FINISH GRADE WDBLOCKING

R.71' - 1 1/4" 10"

2 LAYERS OF CURVEDPTD GWB (PT-3)

WD BASE (WDB)

41/

2".2

'-5

1/2"

.3'-

11/

4"

2 LAYERS OF CURVEDPTD GWB (PT-3)

LAMINATED GLASS (EGL-7)CAPTURED IN GLAZINGCHANNEL ON ALL FOURSIDES

2"1/4"

1/2"

1/2"

1/4" THICK ST STL PLATE(SS)

LINE OF 1/4" ST STL PLATE(SS) FASTENED W/ Z-CLIPS

1/2"

SOLID SURFACE POLYMERW/ MDF CORE & 2" BULLNOSE

1 1/2"

SOLID SURFACE POLYMERWORK SURFACE (BELOW)W/ EASED EDGES

LINE OF ST STL PLATE(ABOVE & BELOW)

LINE OF WOOD VENEERPANEL (ABOVE & BELOW)

1/4" CURVED ST STL (SS)DONOR PANEL (SEE ELEV)WELD TO JAMB PLATE ANDGRIND SMOOTH

1/4" ST STL (SS) JAMBPLATE

1/2"

LINE OF 1/2" JOINT (ABOVE& BELOW - SEE ELEV)

3/4"

1/4"

Z-CLIP WELDED TO BACKOF PLATE AND FASTENEDTHROUGH PLYWOOD TO WDFURRING

SEE F5 /A312 FOR GEOMETRY

1/4" CURVED ST STL (SS)DONOR PANEL (SEE ELEV)

1/8" THICK ST STL TABWELDED TO BACK OF CURVEDPLATE

Z-CLIP

LINE OF WOOD VENEERPANEL (ABOVE & BELOW)

WOOD PANEL VENEER(WD-1)

1/4"5/8

"

2 1/2"

1"

FIRST LEVELEL. 134'-0"

3/4" THICK STONE TILE@ BASE REVEAL

1/4"

BACKER ROD & SEALANT

AESS EXPOSED COMPOSITEPIPE COLUMN (SEE STRUCT)

SEE B7/A615 FOR TYPICAL STONEFLOOR TILE ASSEMBLYR.5

R.7

R 9 1/4"

HONED STONETILE (ST-1 TYP)

FLAMED STONETILE (ST-2 TYP)

1/4" JOINT (TYP)

SEE FLOOR PATTERNPLANS FOR JOINTLAYOUT

14" AESS COMPOSITE PIPECOLUMN (SEE STRUCT)

C4A622

This document is a copyright protected instrument of service, property of ARRAY andlicensed for use in the titled project only. Reproduction or use of this documentwithout written permission of ARRAY is illegal and will be prosecuted under the law.

ARRAY HFSCOPYRIGHT - 2007C

DATE:

Yhealthcare facilities solutions2520 Renaissance Blvd., Suite 110 King of Prussia, PA 19406t: 610.270.0599 f: 610.270.0995 www.arrahhfs.com

SEAL:

RRA

DATEDESCRIPTIONNO.

REVISIONS/ISSUES:

OWNER:

PROJECT:

Associate Architect:

A

PROJECT No.

CON/REF No.

DRAWN: CHECKED:

SCALE:

SHEET NO.

SHEET TITLE:

A

B

C

D

E

F

1 2 3 4 5 6 7 8

Inpatient PsychiatricFacility Replacement

Long Island JewishMedical Center -The Zucker HillsideHospital

75-59 263rd StreetGlen Oaks, NY 11004

Polshek Partnership Architects LLP320 West 13th Street New York, NY 10014t: 212.807.7171

MEP Enginner:

Flack + Kurtz512 Seventh Avenue New York, NY 10018t: 212.532.9600

Structural Engineer:O'Donnell & Naccarato111 South Independence Mall East, Suite 950Philadelphia, PA 19106t: 215.925.3788

Civil Enginner:Stantec Consulting50 West 23rd Street, 8th floor New York, NY 10010t: 212.366.5600

Equipment Planner:Source Atlantic55 Accord Park Drive Rockland, MA 02370t: 866.807.0337

Landscape Architect:Quennell Rothschild & Partners, LLP118 West 22nd Street New York, NY 10010t: 212.929.3330

KEY PLAN

As indicated

5/8/

2009

3:5

1:45

PM

A622

03/23/09

Author Checker

0714

Project Status

ROTUNDA INTERIORDETAILS

Auth

or

75% Construction Documents 02-16-2009Scope Delineation Set 03-23-2009Issued for Construction Set 05-11-2009

1 1/2" = 1'-0"B1 SECTION @ SECURITY OFFICE TRANSACTION COUNTER

1/4" = 1'-0"B6 ROTUNDA WOOD SLAT PANEL LAYOUT

3" = 1'-0"A PANEL TYPE A 3" = 1'-0"B PANEL TYPE B

3" = 1'-0"C PANEL TYPE C 3" = 1'-0"D PANEL TYPE D

3" = 1'-0"E PANEL TYPE E 3" = 1'-0"F PANEL TYPE F

3" = 1'-0"G PANEL TYPE G 3" = 1'-0"H PANEL TYPE H

3" = 1'-0"D7 HEAD DETAIL - ROTUNDA SLAT WALL

3" = 1'-0"E7 JOINT DETAIL - ROTUNDA SLAT WALL

3" = 1'-0"F7 SILL DETAIL - ROTUNDA SLAT WALL

FIRST SLAT OF ADJACENTPANEL (INCLUDE SLAT @END PANELS)

1 1/2" = 1'-0"F5 DETAIL PLAN - ROTUNDA WOOD SLAT WALL

3" = 1'-0"E5 PLAN DETAIL - ROTUNDA SLAT WALL END

3" = 1'-0"F1 DETAIL - ROTUNDA BATHROOM 12" = 1'-0"F3 PLAN DETAIL - ROTUNDA BATHROOM

1 1/2" = 1'-0"B2 ROTUNDA DISPLAY NICHE

3" = 1'-0"C1 DETAIL - WOOD PANEL JOINT

1 1/2" = 1'-0"B4 ROTUNDA SECURITY VIEW WINDOW

6" = 1'-0"E2 ROTUNDA DONOR PLAQUE - PLAN DETAIL

3" = 1'-0"C4 DETAIL - BASE OF ROTUNDA PIPE COLUMN 1" = 1'-0"C2 DETAIL PLAN @ ROTUNDA PIPE COLUMN

2120

32

50

Equal parts technological compendium, folktale and designers scratchpad; explore how the devices that are integral to our lives come to be as you dive into the creative chaos that makes one of the most winningest technology design firms in America tick. White moments, swarms, dark horses, wisdom instead of smarts & a decidedly old-school sketch and model first approach ensure all that comes through the shops doors is helping people live, work and play to their best.

Running along the booming edge of technological innovation, New Deal Design is a San Francisco based firm and National Design Award recipient that mingles industrial, graphic, & interaction designers with strategists & engineers through design and make people smile. Be inspired and learn the hidden story of the creative process through the lens of industry-shifting projects such as Fitbit Fitness Trackers, Google Project Ara, Whistle K9 Activity Tracker & Lytro Light Field Camera.

Riddle of the GutsNewDealDesign

Gadi Amit is a San Francisco based designer behind some of the most innovative and lasting technology devices cre-ated over the last decade. The creative leader and founder of NewDealDesign, Gadi was awarded the 2013 National Design Award for his commitment to crafting delightful and workable solutions for real people. His projects include the Fitbit line of wearable devices, the Ara Modular phone, the Lytro Light Field Camera, Sproutling and Whistle.

Working from the inside out, Gadi blends the practical with the magical to disrupt markets for global brands and turn start-ups into success stories. Gadi was named one of the ‘1000 Most Creative People’ by Fast Company Magazine in 2014, a ‘Master of Design’ in 2010 and with his team has been received over 100 design awards. Gadi keeps regu-larly speaks at conferences and contributes to top media publications worldwide.

ABOUT THE AUTHOR

Tale 02

10

Title: New Deal DesignSize: 8" x 11.5", Portrait Pages: 150Printing: 4C + spot varnishBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-63-0 Rights World: AvailableCost: $35.00

BOOK SPECIFICATIONS

Gadi Amit

Tale 02

10

Tale 02

24

52

10th Dragon RisingICC's Impact on West Kowloon and BeyondRebecca Lo and SHKP Limited

Kowloon, or Nine Dragons, has historically been the Chinese flipside to Hong Kong’s Central, where British traders first set up trading compa-nies in the protected Victoria Harbour. After the relocation of Hong Kong International Airport from Kowloon Bay to Chek Lap Kok, the relaxation of building height restrictions allowed for skyscrap-ers to begin dominating Kowloon’s skyline.

10th Dragon Rising chronicles the development of the International Commerce Centre (ICC) and how what was originally just another office build-ing is changing the way Hong Kong residents live, work, play, and perceive West Kowloon as the new central business district. From Governor David Wilson’s 1989 policy address outlining a masterplan for a rail corridor linking a new airport to Central, to KPF’s initial design sketches for what became a mixed-use engineering marvel, to case studies of those who have chosen West Kowloon as their office or home, 10th Dragon Rising illustrates how ICC challenges the old order of Central’s dominance.

A native of Hong Kong, Rebecca Lo grew up in Toronto and holds a Bachelor of Interior Design degree from the University of Manitoba. She returned to Hong Kong in 2000 and contributes to Beijing-based China Daily, Shanghai-based LP Luxury Properties, NYC-based Hospitality De-sign, and Manchester-based Sleeper.

Sun Hung Kai Properties Limited ("SHKP") was publicly listed in 1972 and is now one of the largest property com-panies in Hong Kong. It specializes in developing premium-quality residential projects, offices, and shopping centres. The Group employs more than 37,000 people.

ABOUT THE AUTHORS

Title: 10th Dragon RisingSize: 11" x 11", Square Pages: 180Printing: 4C + spot varnishBinding: Trade ClothPublication Date: Spring 2015ISBN: 978-1-935935-74-2 Rights World: AvailableCost: $50.00

BOOK SPECIFICATIONS

54

Casting ArchitectureTowersFlorian Schätz

Towers line the skylines of our cities as iconic forms of freedom, growth, and wealth. They iden-tify our cities. However, creating the memorable forms is one of the most challenging undertak-ings that architects and engineers face. The quest for creating the most significant superstruc-tures – a paradigm for all time – is not just about the mechanics of engineering combined with the art of building, but requires the architect and engineer to be visionaries.

Casting Architecture: Towers proposes new strategies for creating our most striking struc-tures. An unique hands-on design generates different forms through casting, stacking, and interlocking modular units and defines a path for-ward for towers not just under the sweltering sun of the tropics but under all weather conditions.

Following the successful momentum of Casting Architecture: Ventilation Blocks, Towers is the second edition of the construction, hands-on series at the NUS Department of Architecture. It inspires the creation of new vertical buildings and elevates the secret of unseen tall megaliths.

Ideal for young architects and designers, more than fifteen constructions are richly illustrated with drawings, essays, and images. Some models are elegant, some are refined, some are pure artifacts, but all aim to transform modular living in the compact city. Imagination. Making. Stacking. Casting Architecture allows it all.

Florian Schätz, an Architect, Builder and Humanist, makes ideas happen. The winner of the President Design Award draws on real-life experiences about how people interact with space. He crafts architecture with the Art of Engineer-ing, stacking houses, aircraft and objects the most effective way. He is founder of design think tank FACE 2050 and teaches Design and Construction at the National University of Singapore.

ABOUT THE AUTHOR

Title: Casting Architecture: TowersSize: 5.875" x 8.25" PortraitPages: 144Printing: 1C + spot varnishBinding: Trade Paper Publication Date: Spring 2015ISBN: 978-1-941806-72-2Rights World: AvailableCost: $22.50

BOOK SPECIFICATIONS

56

Jigsaw CityNew Towns in AsiaDaniel Elsea and Clare Jacobson

Jigsaw City explores the phenomenon of growth in Asia through the lens of AECOMS's work to cre-ate new urban settlements of many types at many scales. From India, to China, to the Phillippines, the developments explored include regional infas-tructure corridors, transit-oriented city extensions, downtown redevelopments, new communities, mixed-use open space districts, environmental conservation frameworks and ecological res-torations. On display are the efforts of strategic planners, environmental and ecological planners, masterplanners, urban designers, landscape architects, and civil engineers to deliver the places and infrastructure needed by rapidly growing populations and economies. At stake is quality of life for millions of people, the rise of a new Asian middle class, and the question of whether frenetic growth can be brought into balance with natural systems already strained to the breaking point. The premise of the book, and of AECOM’s work in the region, is that an interdisciplinary placemaking approach driven by multiple perspectives holds the best hope for tackling challenges of such magnitude. Increasingly relevant in this work is the use of quantitative modeling and decision-making tools capable of processing the vast amounts of information at play as planners and design-ers seek the optimal outcome for projects under convergent pressure from social, economic, and environmental imperatives. Jigsaw City is a col-lection of case studies chronicling efforts over the past two decades—looking to see what has been accomplished and what can be learned for the fu-ture as we continue to create the Asian metropolis.

Daniel Elsea is Creative Director for AECOM’s plan-ning, design + development group. Daniel’s interests lie in contemporary urbanism — in particular, the branding and (re)packaging of cities and urbanization in the developing world. Daniel has published numerous articles, reviews and essays on issues related to the built environment in publica-tions such as Topos, Architectural Record and Print.

Clare Jacobson is a Shanghai-based design writer, editor, and curator. She is the author of the book New Museums in China and co-author of Karlssonwilker Inc.’s Tell Me Why: The First 24 Months of a New York Design Com-pany. She is a contributing editor to Architectural Record, and her articles have also appeared in Engineering News Record, Randian, Architectural Review Asia Pacific, Azure, Landscape Architecture, and other magazines. As editor and editorial director at Princeton Architectural Press for 21 years, she originated, acquired, and developed more than 120 books on architecture, graphic design, landscape architecture, photography, and visual culture.

ABOUT THE AUTHORS

Title: Jigsaw CitySize: 10" x 10", Square Pages: 250Printing: 4C + spot varnishBinding: CaseboundPublication Date: Spring 2015ISBN: 978-1-941806-63-0 Rights World: AvailableCost: $65.00

BOOK SPECIFICATIONS

57

58

The complexities of working in a densely urbanised, highly regulated environment with an extreme tropical climate are not always immediately apparent in the clearly articulated forms created by MKPL Architects. This Singapore-based studio, founded in 1995 by Siew Man Kok and Cheng Pai Ling, approaches its master planning, architecture, landscape, and interior work with agility of thought and conviction of purpose. What emerges is a distillation of the complex into the simple. Encapsulated in MKPL’s work are comfortable spaces that influence the way people live, and forms that inspire a new perception and appreciation of the physical environment— made with the relentless pursuit of an architecture that reverberates the local light and atmosphere.

Relentless Pursuit of an Architecture captures the design conscience of the studio through the writings of its founding directors. It is as much a meditation on ‘the practice of practice’ as a presentation of MKPL’s most important work. It is also a window on the unique urban, regulatory, commercial, and landscape context of Singapore. The book unfolds as manifestations of MKPL’s inventive spirit via projects in Singapore and elsewhere in Asia, presenting an in-depth reflection on project particularities and processes, as well as outcomes. A foreword by Dr. Erwin Viray precedes the features on commercial, institutional, private, and governmental projects of a variety of scales, which are illustrated by full-colour photographs and drawings.

Title: Relentless Pursuit of ArchitectureSize: 9.5" x 9.5", SquarePages: 300Printing: 4C + spot varnishBinding: Casebound Publication Date: Spring 2015ISBN: 978-1-935935-44-5Rights World: AvailableCost: $50.00

BOOK SPECIFICATIONS

Relentless Pursuit of an ArchitectureMKPL ArchitectsSiew Man Kok, Cheng Pai Ling and John A. McLaughlin

Siew Man Kok and Cheng Pai Ling co-founded MKPL Architects Pte Ltd in 1995 after meeting while obtaining their bachelors of architecture degrees from the National University of Singapore (NUS).

John A. McLaughlin joined the firm in 2001 and was made a Director seven years later. Starting with small dwell-ings, innovative designs enabled MKPL's body of works to grow to include projects ranging in scale and type from high-rise residential towers, university buildings, a conser-vation shop house, and now several master plans.

Siew Man Kok taught at NUS from 1994 to 2010 and has contributed his time as a member of Singapore's HDB Ar-chitectural Design Panel, URA’s Design Advisory Commit-tee, and also sits on the Preservation of Monuments Board.

Cheng Pai Ling has dedicated her time as a board mem-ber of the Singapore Board of Architects since 2006 and as a member of the Professional Engineers Board since 2009. She has also mentored many young architecture profes-sionals in their journey to be registered.

ABOUT THE AUTHORS

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MKPL ARCHITECTS

The complexities of working in a densely urbanised, highly regulated environment with an extreme tropical climate are not always immediately apparent in the clearly articulated forms produced by MKPL Architects. This Singapore-based studio, founded in 1995 by Siew Man Kok and Cheng Pai Ling, approaches its master planning, architecture, landscape, and interior work with agility of thought and conviction of purpose. What emerges is a distillation of the complex into the simple – comfortable spaces that can influence the way people live, and forms that can inspire a new perception and appreciation of the physical environment.

Relentless Pursuit of an Architecture captures the design conscience of the studio through the writings of its founding directors. It is as much a meditation on ‘the practice of practice’ as a presentation of some of MKPL’s most important work. It is also a window on the unique urban, regulatory, commercial, and landscape context of Singapore. The book unfolds fourteen manifestations of MKPL’s inventive spirit via projects in Singapore and elsewhere in Asia, presenting an in-depth reflection on project particularities and processes, as well as outcomes. A foreword by Dr Erwin Viray precedes the features on commercial, institutional, private, and governmental projects of a variety of scales, which are illustrated by full-colour photographs and drawings.

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ArchPoetryUrban Architecture of MaléAhmar Mohamed

Dhivehi Raaje–the authentic local word for Mal-dives, has always been a fascination place for visitors who love the sunny, white sandy beaches, underwater beauty and the hospitality they get from islanders while they are on a resort. What they don't often see iis the life outside of the resort. As the concept of tourism in the Maldives is one hotel-one island concept; all that is worth seeing about Maldives and its people is just a step away from the resort life.

The conception of the Dhivehin (local terms for the Maldivian) and how they thrive in the midst of the tourism's income can only be seen by a visit to the capital city.

Malé–the capital city of the Maldives is the living construction site of the country. The construction and design industry in the Maldives has largely been an automatic offshoot from the tourism industry–and we are still building every single day. Buildings play a large role in the diversification of the dreams, shaping ideals, and the ideas of the private and public lives of the Dhivehin.

Ahmar Mohamed is a poet, designer, producer, cultural enthusiast, and community expressionist. He was born and raised in the Maldives. He has a Master's of Science in sustainable community de-sign from the University of Heriot-Watt. He is the founder of PMO and currently the principal de-signer of the studio. He is also a charted builder from the Charted Institute of Builder (CIOB).

ABOUT THE AUTHOR

Title: ArchPoetry Size: 8.25" x 11.25", PortraitPages: 250 Binding: Casebound Publication Date: Spring 2015ISBN: 978-1-941806-661 Rights World: AvailableCost: $40.00

BOOK SPECIFICATIONS

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AHMAR MOHAMED • PHOTOGRAPHY BY ALES JUNGMANN

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Architecture photobook of Malé, the capital of the Maldives.

Published by ORO Editions & PMO Publishwww.oroeditions.com www.pmo.mv

Copyright © PMO private limited | 2014

ISBN: 978-1-941806-66-1

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Every day is a building day. No need for an alarm clock, the next door construction site makes the best alarm. We used to live in a happily wondered beauty. We can all remember, but we don’t see it anymore in this uniformity. Loneliness, emptiness and separation are common in Malé. Before we could see where we grew our crops, but now there is a skyscraper. We are left to wonder if it is possible for us to stay and thrive.

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Mongrel RaptureThe Architecture of Ashton Raggatt McDougall

In his contribution to Mongrel Rapture, the first monograph on the polarising work of Australian architectural practice Ashton Raggatt McDougall (ARM), Charles Jencks identifies ARM as one of a handful of architectural practices internationally that operates in a mold he describes as ‘Radical Post Modernism’. Eschewing notions of good taste and formal purity, ARM opts instead for an ‘architecture of ideas’. Drawing from diverse sources that range across everything from Le Corbusier to Robert Venturi, computer programming to biblical verse, ARM’s architecture has been alternately celebrated and execrated by critics and the public alike. Despite ARM’s radicalism and the attention it garners, the practice has also produced some of the most important public buildings in Australia, including the National Museum of Australia, Canberra (2001), Melbourne Recital Centre and MTC Theatre (2008), and the Perth Arena (2013).

Mongrel Rapture combines extensive photography and plans of all of ARM’s major buildings with essays from a range of highly regarded critics, including Jencks, Mark C Taylor, Leon van Schaik, Harriet Edquist and others. Part scrapbook, part critical exegesis, like the architecture it documents Mongrel Rapture is both confronting and thought-provoking. A vital publication for anyone with an interest in this practice and Australian architecture’s very particular strain of ‘Radical Post Modernism’.

Charles Jencks designs landscapes and sculpture and writes on cosmogenic art. He is known for his books questioning Modern architecture and defining its successors - Late, New and Post-Modern architecture, and is the co-founder of Maggie Cancer Caring Centres.

Leon van Schaik AO is Professor of Architecture with an Innovation Chair in Design Practice Research at RMIT University. He is a writer and academic with research interests focusing on spatial thinking, the poetics of architecture, urban design and the processes involved in procuring innovative architecture.

Harriet Edquist is Professor of Architectural History and Head of the School of Architecture and Design at RMIT. She is the author of a number of books, including Harold Desbrowe-Annear: a life in architecture (Miegunyah Press, 2004).

CONTRIBUTORS

Title: Mongrel Rapture Size: 7.1" x 9.85", PortraitPages: 1,616 Binding: LeatherPublication Date: Spring 2015ISBN: 978-0-9872281-6-1 Rights World: AvailableCost: $70.00

BOOK SPECIFICATIONS

Charles Jencks, Leon van Schaik, Harriet Edquist et al

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