Organiste Titulaire Cathédrale Notre-Dame de Paris CONCERT OLIVIER LATRY Organiste Titulaire Cathédrale Notre-Dame de Paris 24 October ANNO DOMINI MMXIII 7:30 o’clock in the Evening

INAUGURAL CONCERT

OLIVIER LATRY

Organiste Titulaire Cathédrale Notre-Dame de Paris

24 October ANNO DOMINI MMXIII

7:30 o’clock in the Evening

CATHEDRAL OF SAINT PAUL

NATIONAL SHRINE OF THE APOSTLE PAUL

239 SELBY AVENUE

SAINT PAUL, MINNESOTA

WWW.CATHEDRALSAINTPAUL.ORG

PHOTO: LIAM FLAHIVE

A Year of Celebratory Concerts

The Inaugural Year of Concerts Olivier LATRY 24 October 2013 Titular Organist, Cathedral of Notre-Dame, Paris, France Professor of Music, Paris Conservatory

Simon JOHNSON 25 February 2014 Organist & Assistant Director of Music, St. Paul’s Cathedral, London, England

Sean VOGT 26 June 2014 Director, Cathedral Choir, Cathedral Schola Cantorum, Apollo Male Chorus Samuel HOLMBERG 21 August 2014 Sacred Music Intern, Cathedral of Saint Paul Janette FISHELL 25 September 2014 Professor of Music, Indiana University Jacobs School of Music, Bloomington, IN Chair, Organ Department Jean-Baptiste ROBIN 30 October 2014 Titular Organist, Cathedral of Saint-Pierre, Poitiers, France Organist, Royal Chapel, Palace of Versailles, France Professor of Organ, Conservatoire à Rayonnement Régional, Versaillie, France

CATHEDRAL OF SAINT PAUL + + + NATIONAL SHRINE OF THE APOSTLE PAUL

3

Inaugural Organ Concert E. M. Skinner, Op. 518 (1927)

Æolian-Skinner, Op. 1398 (1963) Quimby Pipe Organs, Inc., Op. 69 (2013)

OLIVIER LATRY, ORGAN

24 OCTOBER ANNO DOMINI MMXIII

7:30 O’CLOCK IN THE EVENING

PROGRAM

Final (from Sonata No. 1) Alexandre GUILMANT (1837-1911)

Cantabile César FRANCK

(1822–1890)

Allegro vivace (from Symphony No. 5) Charles-Marie WIDOR

(1844–1937)

Berceuse (from 24 Pièces en style libre) Louis VIERNE Carillon de Westminster (from Pièces de fantaisie) (1870–1937)

Sicilienne (from Suite Op. 5) Maurice DURUFLÉ

(1902–1986)

Evocation II Thierry ESCAICH

(b. 1965)

Improvisation on submitted themes Olivier LATRY

(b. 1962) EXCLUSIVE NORTH AMERICAN MANAGEMENT: Karen McFarlane Artists, Inc. www.concertorganists.com

7

C A T H E D R A L O F S A I N T P A U L + + + N A T I O N A L S H R I N E O F T H E A P O S T L E P A U L S A I N T P A U L , M I N N E S O T A

U S A


4

OLIVIER LATRY

French organist Olivier Latry is one of the most distinguished concert organists in the world today. One of three titular organists at the Cathedral of Notre-Dame in Paris, he is also Professor of Organ at the Paris Conservatory of Music, Organist Emeritus with the Montreal Symphony Orchestra in Canada, and maintains a full schedule of concert performances appearing regularly as a soloist at prestigious venues and festivals, and with leading orchestras around the world.

Mr. Latry was born in Boulogne-sur-Mer, France, in 1962 where he began his musical studies. He later attended the Academy of Music at St. Maur-des-Fossés, studying organ with Gaston Litaize. From 1981 to 1985 he was titular organist of Meaux Cathedral, and at the age of 23 won the competition to become one of the three titular organists of the Cathedral

of Notre-Dame in Paris along with Philippe Lefebvre and Jean-Pierre Leguay; the three of them succeeding Pierre Cochereau. In 1990 he succeeded his teacher, Gaston Litaize, as organ professor at the Academy of Music at St. Maur-des-Fossés, and then subsequently in 1995 was appointed Professor of Organ at the Paris Conservatory where he continues to teach today along with his distinguished colleague, Michel Bouvard.

Having performed in more than fifty countries on five continents, Mr. Latry does not want to specialize in any specific repertoire, but rather wishes to explore all styles of organ music, as well as the art of improvisation. In 2000, to celebrate Olivier Messiaen as one of the greatest composers of the 20th century, he performed three complete cycles (six recitals each) of Messiaen’s organ music, at the Cathedral of Notre-Dame in Paris, the Church of St. Ignatius Loyola in New York City and St. Paul’s Cathedral in London. Mr. Latry has also inaugurated many significant concert hall organs around the world, including Verizon Hall (Philadelphia USA), The Palace of the Arts (Budapest, Hungary), and The Musikverein (Vienna, Austria). In 2014 he performs the inaugural concerts at La Maison Symphonique (Montréal, Canada) and a concert as part of the inaugural concert series at the Royal Festival Hall in London (UK).

In addition to concerts and teaching, Mr. Latry has made his mark through many recordings on the BNL label featuring music of Bach, Widor’s Symphonies 5 and 6, Vierne’s Symphonies 2 and 3 and the complete works of Duruflé. With Deutsche Grammophon he has recorded a transcription disc entitled “Midnight at Notre-Dame”, a disc featuring the organ works of César Franck, and the complete organ works of Olivier Messiaen. He has also recorded the Poulenc Concerto and the Barber Toccata Festiva with the Philadelphia Orchestra, and the Jongen Symphonie Concertante with the Liège Orchestra. His most recent recording on the Naïve label is entitled “Trois Siècles d’Orgue Notre-Dame de Paris” which features music composed by past and current organists of Notre-Dame Cathedral.

In recognition of his distinguished work in the field of organ performance and teaching, Mr. Latry has received many prestigious awards and honorary degrees including the Prix de la Fondation Cino et Simone Del Duca (Institut de France–Académie des Beaux-Arts) in 2000, and “Honoris Causa” Fellowships from the North and Midlands School of Music (UK) in 2006, and from the Royal College of Organists (UK) in 2007. He was also presented the International Performer of the Year award by the New York City chapter of the American Guild of Organists in April 2009, and received an honorary Doctor of Music degree from McGill University in Montreal Canada in 2010.


5

n September 22 of 1963, the inaugural concert was played on the newly-installed Æolian-Skinner pipe organ located in the Cathedral choir gallery. The program from that concert recalls:

In 1927 a three manual, thirty rank Ernest Skinner organ was installed in the sanctuary of the Cathedral. In designing a new instrument for the gallery, the decision was made to make the new instrument playable from the existing sanctuary console, and to make the sanctuary organ playable from the new console to be built in the gallery. In order to produce a tonal blend which would be cohesive with a modern type instrument, it was necessary to rebuild and revoice some of the ranks of the sanctuary organ. Since the primary function of an organ in Catholic liturgy is one of accompaniment, the new organ was designed with this in mind. Because of the acoustics of the Cathedral and the length of the reverberation period, careful study was necessary in both the selection and the voicing of the ranks which make up the new instrument. The organ is a happy blending of the Classic and the Baroque, capable of great tonal variety and of wide dynamic range. Negotiations for the gallery organ were begun by the late Monsignor George E. Ryan with the Æolian-Skinner Organ Company of Boston in the fall of 1957. Actual installation in the Cathedral was begun in January of 1963 and the work was completed on June 29. The formal blessing of the organ by Archbishop Binz took place on June 30 when the organ was used for the first time at the Pontifical High Mass marking both the patronal feast of the Cathedral and the coronation of Pope Paul VI which took place in Rome on the same day.

Ordained for sacred use exactly 50 years later by His Excellency, Archbishop John C. Nienstedt, the present project honors that history, embraces the original tonal design of the E. M. Skinner sanctuary organ, and fulfills the artistic vision first drawn by the hand of Cathedral architect Emmanuel-Louis Masqueray over a century ago. The current project is the fruition of the talents of many highly-skilled artisans, led by Quimby Pipe Organs of Warrensburg, Missouri. Mr. Michael Quimby, president of the firm, summarizes the project in these words:

The vision for the renewal of the two Cathedral pipe organs reflects the idea that the instruments would retain the tonal and mechanical integrity of their original builders. Located in the sanctuary apse above the entrance to the Cathedral sacristy, the work on the 30-rank, 2,053 pipes, 1927 Skinner Opus 518 three manual and pedal pipe organ involved restoring the tonal character of the instrument when built. If Mr. Skinner were to hear this organ today he would immediately recognize that this was one of his creations. The 65-rank, 3,917 pipes, Opus 1398 Æolian-Skinner instrument installed in the gallery in 1963 reflected the desire of the Cathedral to rebuild the instrument mechanically, and expand the instrument tonally in alignment with the significant work of this builder, such as at the Cathedral Church of Saint John the Divine in New York City, the largest Gothic cathedral in the world. The Cathedral of Saint Paul gallery instrument now has four manuals, a new Bombarde Division of thirteen ranks, one new rank in the Great Division, four additional new ranks in the Choir Division, five additional new ranks in the Pedal Division, and a full-length metal 32' Contre Bombarde—12 pipes extending the original 16' Pedal Bombarde. The original Æolian-Skinner ranks were refurbished and voiced to blend with the new ranks. The most dramatic tonal addition is the Pontifical Trompette, playable from the Bombarde manual, which can be played in single notes and be heard above the full organ. A very significant change in the control of the instruments was the replacement of the original consoles with two that are identical, allowing the tonal resources of both the sanctuary and gallery consoles to be played independently or together. Each console can be moved to any suitable location. The new organ case based on concepts of the Cathedral architect Emmanuel-Louis Masqueray, provides a visual appearance for the gallery organ that fits the majesty of the Cathedral. Large pipes of the Great and Pedal are seen in the façade.

O

The Cathedral Organs


6

QUIMBY PIPE ORGANS Michael QUIMBY, organbuilder, received a Bachelor of Music Education degree in 1973 and a Master of Arts degree in music history and literature with applied emphasis in organ in 1975 from Central Missouri State University in Warrensburg. He is a member of Pi Kappa Lambda national honor society of music and the American Institute of Organbuilders, of which he served as president from 1991 to 1994. Additionally, he served on the AIO Board of Directors and as chair of the Ethics Committee from 1987 to 1989. He is a member of the American Guild of Organists, serving as dean of the greater Kansas City chapter from 1988 to 1989, the Organ Historical Society, and the American Choral Directors Association. In addition to his duties as President of Quimby Pipe Organs, Inc., Michael presently serves as organist at First United Methodist Church of Warrensburg, Missouri. CATHEDRAL OF SAINT PAUL, SAINT PAUL, MINNESOTA: Tonal and mechanical rebuild with additions of Æolian-Skinner, Opus 1398, and tonal restoration of E. M. Skinner Opus 518. Two twin IV-manual consoles provided to control the resources of both instruments from the Sanctuary, or the Gallery.

ORGAN SPECIFICATION, QUIMBY PIPE ORGANS OP. 69

GALLERY GREAT ORGAN - 13 Ranks Name Pitch Pipes Description Violone 16' 73 Principal 8' 61 Violone (ext) 8' 61 notes Bourdon 8' 61 Spitz Flute 8' 61 Octave 4' 61 Koppel Flute 4' 61 Twelfth 2 2/3' 61 Fifteenth 2' 61 Seventeenth 1 3/5' 49 Mixture III-IV 232 Bombarde (Pedal) 8' 61 notes, from Pedal Cromorne (CH) 8' 61 notes, from Choir Great to Great 16' Great Unison Off Great to Great 4' Zimbelstern GALLERY SWELL ORGAN - 14 Ranks Name Pitch Pipes Description Rohr Bordun (ext) 16' 61 notes, Extension of Swell 8' Rohr Flute Geigen Principal 8' 68 Rohr Flute 8' 80 Viola da' Gamba 8' 68 Voix Celeste 8' 68 Octave 4' 68 Flauto Traverso 4' 68 Spindle Flute 2' 61 Plein Jeu IV 2' 244 Hautbois (ext) 16' 61 notes, Extension of Swell 8' Hautbois Trompette 8' 80 Hautbois 8' 80 Clarion 4' 68


7

Tremulant Swell to Swell 16' Swell Unison Off Swell to Swell 4' Pontifical Trumpet (BOMB) 61 notes Does not couple. When drawn, only this stop will play on the Swell manual, but all other Swell stops may be drawn and coupled to other manuals. GALLERY CHOIR ORGAN - 15 Ranks Name Pitch Pipes Description Viola Pomposa (ext) 16' 61 notes, Extension of 8' Viola Pomposa Gedeckt 8' 68 Viola Pomposa 8' 80 Viola Pomposa Celeste 8' 68 Erzahler 8' 61 Erzahler Celeste 8' 56 Spitz Principal 4' 68 Block Flute 4' 68 Nazard 2-2/3' 61 Zauber Flute 2' 61 Tierce 1 3/5' 61 Mixture III 1-1/3' 183 Cromorne 8' 68 English Horn TC 8' 49 Tremulant Choir to Choir 16' Choir Unison Off Choir to Choir 4' GALLERY BOMBARDE ORGAN - 13 Ranks Name Pitch Pipes Description Violone (GT) 16 61 notes, from Great Open Diapason 8' 49 Flute Harmonique 8' 49 Octave 4' 61 Quint 2 2/3' 61 notes Super Octave 2' 61 notes Mixture V 2-2/3' 134 Also draws above 12th & 15th Tierce Mixture VI 2-2/3' 49 Adds 17th to Mixture V

Harmonics Mixture VII 2-2/3' 49 Adds ♭21st to Mixture VI Trompette Harmonique (ext) 16' 61 notes Trompette Harmonique 8' 73 Hautbois (SW) 8' 61 notes, from Swell Clarion Harmonique 4' 61 Pontifical Trompette 8' 61 Does not couple. When drawn, only this stop will play on the Bombarde manual, but all other Bombarde stops may be drawn and coupled to other manuals. Sanct. Swell on Bomb.


8

GALLERY PEDAL ORGAN - 4 Ranks Name Pitch Pipes Description Bourdon 32' 56 Principal 16' 32 Violone (GT) 16' 32 notes, From Great Bourdon (ext) 16' 32 notes, Extension of Pedal 32' Bourdon Viola Pomposa (CH) 16' 32 notes, From Choir Rohr Bordun (SW) 16' 32 notes, From Swell Octave 8' 44 Violone (GT) 8' 32 notes, From Great Bourdon (ext) 8' 32 notes, Extension of Pedal 32' Bourdon Rohr Flute (SW) 8' 32 notes, From Swell Choral Bass (ext) 4' 32 notes, Extension of Pedal 8' Octave Unit Harmonic Flute (BOMB) 4' 32 notes, From Bombarde Nachthorn 4' 32 Pedal Mixture IV 128 Contra Bombarde 32' 85 Bombarde (ext) 16' 32 notes, Extension of Pedal 32' Contre Bombarde Trompette Harmonique (BOMB) 16' 32 notes, From Bombarde Hautbois (SW) 16' 32 notes, From Swell Bombarde (ext) 8' 32 notes, Extension of Pedal 32' Contre Bombarde Hautbois (SW) 8' 32 notes, From Swell Pontifical Trompette (BOMB) 8' 32 notes, From Bombarde 8' Pontifical Trumpet Bombarde (ext) 4' 32 notes, Extension of Pedal 32' Contre Bombarde Hautbois (SW) 4' 32 notes from Swell Pontifical Trompette (BOMB) 8' 32 notes, From Bombarde


9

SANCTUARY GREAT ORGAN - 6 Ranks Name Pitch Pipes Diapason 8' 73 Wald Flute 8' 73 Gemshorn 8' 73 Octave 4' 73 Flute 4' 61 Fifteenth 2' 61 Great to Great 16' Great Unison Off Great to Great 4' Echo Chimes SANCTUARY SWELL ORGAN - 17 Ranks Name Pitch Pipes Bourdon 16' 73 Diapason 8' 73 Gedeckt 8' 73 Salicional 8' 73 Voix Celeste 8' 73 Flauto Dolce 8' 73 Flute Celeste 8' 61 Octave 4' 73 Flute Triangulaire 4' 73 Mixture V 305 Fagotto 16' 73 Cornopean 8' 73 Oboe 8' 73 Tremulant Swell to Swell 16' Swell Unison Off Swell to Swell 4' SANCTUARY CHOIR ORGAN - 6 Ranks Name Pitch Pipes Concert Flute 8' 73 Dulciana 8' 73 Harmonic Flute 4' 73 Nazard 2-2/3' 61 Piccolo 2' 61 Clarinet 8' 73 Tremulant Choir to Choir 16' Choir Unison Off Choir to Choir 4' Chimes Echo Chimes


10

SANCTUARY PEDAL ORGAN - 1 Rank Name Pitch Pipes Description Resultant (ext) 32' 32 notes, From Open Diapason Open Diapason 16' 44 Echo Lieblich (SW) 16' 32 notes Octave (ext) 8' 32 notes Gedeckt (SW) 8' 32 notes Fagotto (SW) 16' 32 notes Fagotto 8' 32 notes, From Swell Echo Chimes INTER-MANUAL COUPLERS (on both consoles) Name Pitch Description Bombarde to Pedal 8' Great to Pedal 8' Swell to Pedal 8' Swell to Pedal 4' Choir to Pedal 8' Choir to Pedal 4' Bombarde to Great 8' Swell to Great 16' Swell to Great 8' Swell to Great 4' Choir to Great 16' Choir to Great 8' Choir to Great 4' Bombarde to Choir 8' Swell to Choir 16' Swell to Choir 8' Swell to Choir 4' Great to Choir 8' Pedal to Choir 8' Great to Pedal 8' Swell to Pedal 8' Swell to Pedal 4' Choir to Pedal 8' Swell to Great 16' Swell to Great 8' Swell to Great 4' Choir to Great 16' Choir to Great 8' Choir to Great 4' Swell to Choir 16' Swell to Choir 8' Swell to Choir 4' All Swells to Swell Manual Transfer with Orange indicator LED on coupler rail


11

COMBINATION ACTION Name Description Generals 1-20 on pistons, 21-34 on toe studs Bombarde Divisionals 1-7, 0 Gallery Swell Divisionals 1-7, 0 Gallery Great Divisionals 1-7, 0 Gallery Choir Divisionals 1-7 Sanctuary Swell Divisionals 1-7 Sanctuary Great Divisionals 1-4 Sanctuary Choir Divisionals 1-4 Gallery Pedal Divisionals 1-4 (toe studs) Sanctuary Pedal Divisionals 1, 2 (toe studs) Couplers 0 (cancel), 1-4 (programmable) Full Organ piston & Toe Paddle with RED indicator LED on coupler rail General Cancel Gallery Cancel Sanctuary Cancel Set Piston Previous Piston NEXT Pistons 5 pistons & 1 toe stud Memory Level Up & Down Pistons on keycheek Memory Level Indicator window with RED indicator LED on coupler rail Step Level Indicator window with AMBER indicator LED on coupler rail CRESCENDO AND EXPRESSION PEDALS Name Description Crescendo Pedal Standard Crescendo with 60 stages, Crescendo A, B, C and Standard, controlled by keycheek pistons; 512 levels of memory, with indicator LED's on coupler rail Crescendo Stage Window with GREEN indicator LED on coupler rail Gallery Swell Expression Pedal Gallery Choir Expression Pedal Sanctuary Swell Expression Pedal Sanctuary Choir Expression Pedal REVERSIBLES Name Description Swell to Great (piston) Bombarde to Great (piston) Bombarde to Pedal (piston & toe paddle) Swell to Pedal (piston & toe paddle) Great to Pedal (piston & toe paddle) Choir to Pedal (piston & toe paddle) 32' Bombarde (piston & toe paddle) 32' Bourdon (piston & toe paddle) Zimbelstern (toe paddle)


12

From a drawing by Emmanuel-Louis Masqueray Note influence of pedal towers in the new case design by Professor Duncan Stroik


13

LET THE CYMBALS RING:

A NEW ORGAN CASE FOR THE CATHEDRAL OF SAINT PAUL

Duncan STROIK

The Cathedral of Saint Paul is the magnum opus of French emigré architect Emmanuel Louis Masqueray (1861-1917). Located on a hill across from Cass Gilbert’s brilliant Minnesota State Capitol, together this pair of domes dominate the skyline of Saint Paul, Minnesota. The interior of the cathedral, which has one of the largest seating capacities of a cathedral in the United States, never had an organ and organ case designed to fill the vast volume. In 2011, a commission was awarded to design a new organ case that would reflect the sophisticated “modern French” classicism of the cathedral.

One prominent element of the cathedral is a magnificent rose window high on the back wall, 18’-6” in diameter, where the choir loft is also located. The client requested that this window be left visible, unlike in many French cathedrals where it is covered by the organ and organ case. Presented with this requirement the architect devised a solution: the organ pipes and case curve downward at the center, following the lower circumference of the circular rose window. This sweeping movement creates a dynamic form for the organ case while creating a concave frame for the rose window.

Two 35’ cylindrical towers house the largest of the organ pipes to either side of the rose window. Carved and gilded ornamentation with an antique patina adorn these two great towers, which culminate in bell-shaped domes, giving a visual expression of the music they bring forth. Statues of angels holding a trumpet and a lyre evoke figural representation of this heavenly music while Saint Cecilia, patroness of music, watches over the choir below.

A master British woodcarver hand carved the architectural and organic details and fabricated and installed the walnut organ case. Six months were spent on shop fabrication, assembly, and carving, so that the erection of the organ case on site would only take six days. Parishioners of the cathedral were delighted to enter the church to find this magnificent new organ case and organ in place.


14

Casework Awards to date - 2013 Faith & Form Magazine and the Interfaith Forum on Religion, Art, and Architecture (IFRAA) Design Awards - Merit Award in the category of "Liturgical / Interior Design" 2013 Association of Licensed Architects Design Awards - Silver Award in the category of "Interior Architecture" 2013 Chicago - Midwest Chapter of the Institute of Classical Architecture and Art Acanthus Awards - Acanthus Award in the category of "Allied Arts & Craftsmanship"


15


16

The Artisans QUIMBY PIPE ORGANS INC

Dave Beck

Andy Burkhart

Chaz Dewsbury

Timothy Duchon

Ben Emerson

Chris Emerson

Charles Ford

Eric Johnson

Scott Jones

Jacob King

Kevin Lors

Jessie Martens

Richard A. Mowen

Richard L. Mowen

Richard Nickerson

Riley Platt

Michael Quimby

Janille Rehkop

Carl Repp

Jim Schmidt

Brian Seever

Dan Sliger

Chirt Touch

DUNCAN G. STROIK ARCHITECT, LLC

Duncan G. Stroik, Principal

Forest E. Walton, Project Manager

AGRELL ARCHITECTURAL CARVING

Ian Agrell, Master Carver and Owner

Marita Freese , Project Manager

Michael Anthony, Workshop manager

Mukund, Carver

Monaj, Carver

Atanu, Carver

Sushil, Carver

Parimol, Carver

Sanka, Carver

Peter Werkhoven, Gilder

GEOFF'S WOODWORKING Shop Construction of casework:

Geoff Arko, Shop manager and Owner

Scott Richter, Master woodworker

Ted Knight, Woodworker

Danny Gutierrez, Finishing/shop apprentice

Robert Firestone, Shop Helper


17

GEOFF'S WOODWORKING continued Casework Installation:

Geoff Arko, Supervisor

Scott Richter, Lead carpenter

Ted Knight, Carpenter

Danny Gutierrez, Carpenter

Jason Feldman, Engineer/Supervisor

Richie Weirick, Rigger/Hoisting Supervisor

Sam Hartshorn, Rigger

Robert Firestone, Helper

Edward Feldman, Liaison

MICHAUD COOLEY ERICKSON Heating and Lighting Design:

Douglas C. Cooley, Principal In Charge

Gregory J. Cardinal, Heating Design

Greg Lecker, Lighting Design

J.E. DUNN CONSTRUCTION

Brad Meyer, Superintendent

Shaun Corty, Foreman/Superintendent

Shelly Pearson, Project Coordinator

Chelsea Atkinson, Project Coordinator

Brent Marlow, Project Manager

Jeff Callinan, Project Executive

Chad Doornink, Labor Foreman

David Knoll, Carpenter

Tyler Timm, Laborer

Jeremy Chell, Carpenter Foreman

Tom Madison, Superintendent NORTH COUNTRY CONCRETE

Aaron Virkus, Project Manager

Alicia Winslow, Project Coordinator

Jim Bloedow, Field Supervisor

Denny Lachermeier, Finisher

Ralph Guerrero, Finisher

Aaron Renshaw, Labor

CORVAL GROUP

Mitch Swaggert, Project Manager

Charles Brady, Pipefitter Forman

Mile Selinski, Pipefitter

Jim Gonia, Pipefitter

Frank Pfiffner, Pipefitter

Chad Spillman, Pipefitter

INFINITY SCAFFOLD

Clint Pullin, Project Manager

Jason Rahn, Project Manager

Dan Amos, Lead Foreman

Steve Marx, Laborer


18

JOE AND SONS PLUMBING

Joe O’Brien, owner

Corey Carlson, Plumber

NAC

Mike Zender, Sales Manager

Steve Houle, Automation Technician

CLEAN CONSTRUCTION AND BUILDING SERVICES

Pam Burke, Owner

Heri Garrido Gonzalez, Foreman

SWANSON AND YOUNGDALE

Pat Skodje, Project Manager

Pedro Arias, Painting Foreman

EGAN-WEBER ELECTRIC

Greg Pheneger, Project Manager

Mick Stickan, Electrician

Mike Samec, Electrician

Eric Anton, Electrician

John Emmerich, Electrician

Bob Shomel, Electrician

Charlie Wivinus, Electrician

SCHAEFER HARDWOOD FLOORS

Amy Schaefer Lee, Owner/President

Mike Johnson, Journeyman Floor Installer

Ted Kemple, Journeyman Floor Sander

Jodi Peters, Journeywoman Floor Finisher


19


20

CATHEDRAL OF SAINT PAUL NATIONAL SHRINE OF THE APOSTLE PAUL

239 Selby Avenue Saint Paul, Minnesota 55102

www.cathedralsaintpaul.org

651.228.1766

Documents

Organiste Titulaire Cathédrale Notre-Dame de Paris CONCERT OLIVIER LATRY Organiste Titulaire Cathédrale Notre-Dame de Paris 24 October ANNO DOMINI MMXIII 7:30 o’clock in the Evening