Organised Sound Volume 20 Issue 01

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  • 7/23/2019 Organised Sound Volume 20 Issue 01

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    ORGANISED SOUND, VOLUME 20 - ISSUE 01

    20 Years of Organised Sound: Looking back and forwardLeigh Landy

    Organised Sound, Volume 20, Issue 01, April 2015, pp 1-9doi: 10.1017/S1355771814000351, Published online by Cambridge University Press 05 Mar 2015

    Diversity, Interdisciplinarity, Language and House StyleRosemary Mountain

    Organised Sound, Volume 20, Issue 01, April 2015, pp 10-14doi: 10.1017/S1355771814000363, Published online by Cambridge University Press 05 Mar 2015

    Recollections and Reflections on Organised SoundJean-Claude Risset

    Organised Sound, Volume 20, Issue 01, April 2015, pp 15-22doi: 10.1017/S1355771814000375, Published online by Cambridge University Press 05 Mar 2015

    What Do We Know that Varse Didnt?Rajmil Fischman

    Organised Sound, Volume 20, Issue 01, April 2015, pp 23-29doi: 10.1017/S1355771814000387, Published online by Cambridge University Press 05 Mar 2015

    Past and Current Tendencies in Technology-Based MusicJran Rudi

    Organised Sound, Volume 20, Issue 01, April 2015, pp 30-36doi: 10.1017/S1355771814000399, Published online by Cambridge University Press 05 Mar 2015

    Organising Organised Sound: A coming of ageMary Simoni

    Organised Sound, Volume 20, Issue 01, April 2015, pp 37-39

    doi: 10.1017/S1355771814000405, Published online by Cambridge University Press 05 Mar 2015

    Technique, Creation, Perception and Experience in the Learning of Electroacoustic Music: Some practical proposalsAlessandro Cipriani and Vincenzo Core and Maurizio Giri

    Organised Sound, Volume 20, Issue 01, April 2015, pp 40-50doi: 10.1017/S1355771814000417, Published online by Cambridge University Press 05 Mar 2015

    Musique Concrte Today: Its reach, evolution of concepts and role in musical thoughtDaniel Teruggi

    Organised Sound, Volume 20, Issue 01, April 2015, pp 51-59doi: 10.1017/S1355771814000429, Published online by Cambridge University Press 05 Mar 2015

    Describe, Transcribe, Notate: Prospects and problems facing electroacoustic musicMarc Battier

    Organised Sound, Volume 20, Issue 01, April 2015, pp 60-67doi: 10.1017/S1355771814000430, Published online by Cambridge University Press 05 Mar 2015

    Listening WithMachines: A shared approachSimon Emmerson

    Organised Sound, Volume 20, Issue 01, April 2015, pp 68-75doi: 10.1017/S1355771814000442, Published online by Cambridge University Press 05 Mar 2015

    Artificial Intelligence in Organised SoundEduardo R. Miranda and Duncan Williams

    Organised Sound, Volume 20, Issue 01, April 2015, pp 76-81doi: 10.1017/S1355771814000454, Published online by Cambridge University Press 05 Mar 2015

    Cambridge University Press 2015.

  • 7/23/2019 Organised Sound Volume 20 Issue 01

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    ORGANISED SOUND, VOLUME 20 - ISSUE 01

    Interaction as Material: The techno-somatic dimensionGarth Paine

    Organised Sound, Volume 20, Issue 01, April 2015, pp 82-89doi: 10.1017/S1355771814000466, Published online by Cambridge University Press 05 Mar 2015

    Developing Telematic Electroacoustic Music: Complex networks, machine intelligence and affective data stream sonificationIan Whalley

    Organised Sound, Volume 20, Issue 01, April 2015, pp 90-98doi: 10.1017/S1355771814000478, Published online by Cambridge University Press 05 Mar 2015

    The Role of Apps in Electroacoustic Music: A new dimension for music through tablets and other devicesJoel Chadabe

    Organised Sound, Volume 20, Issue 01, April 2015, pp 99-104doi: 10.1017/S135577181400048X, Published online by Cambridge University Press 05 Mar 2015

    Paradigm Shifts and Electroacoustic Music: Some personal reflectionsBarry Truax

    Organised Sound, Volume 20, Issue 01, April 2015, pp 105-110doi: 10.1017/S1355771814000491, Published online by Cambridge University Press 05 Mar 2015

    Hugh Daviess Electronic Music Documentation 19611968James Mooney

    Organised Sound, Volume 20, Issue 01, April 2015, pp 111-121doi: 10.1017/S1355771814000521, Published online by Cambridge University Press 05 Mar 2015

    The UbuWeb Electronic Music Corpus: An MIR investigation of a historical databaseNick Collins

    Organised Sound, Volume 20, Issue 01, April 2015, pp 122-134doi: 10.1017/S1355771814000533, Published online by Cambridge University Press 05 Mar 2015

    Douglas Kahn. Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts.Berkeley: University of California Press, 2013. ISBN:978-0-52025-755-9Christopher HaworthOrganised Sound, Volume 20, Issue 01, April 2015, pp 135-138doi: 10.1017/S1355771814000508, Published online by Cambridge University Press 05 Mar 2015

    Briefly mentioned. Franois Delalande,Analyser la musique, pourquoi, comment?[Music analysis why, how?]. Paris: INA ditions: Collection InaEXPERT, 2013. ISBN: 978-2-86938-201-5 Ricciarda Belgiojoso, Constructing Urban Space with Sounds and Music. Farnham and Burlington, VT:Ashgate, 2014. ISBN: 978-1-47242-464-8 (hardcover); 978-1-47242-465-5 (eBook PDF); 978-1-47242-466-2 (eBook ePUB)Organised Sound, Volume 20, Issue 01, April 2015, pp 139-140

    doi: 10.1017/S135577181400051X, Published online by Cambridge University Press 05 Mar 2015

    OSO volume 20 issue 1 Cover and Front matter

    Organised Sound, Volume 20, Issue 01, April 2015, pp f1-f2doi: 10.1017/S1355771814000545, Published online by Cambridge University Press 05 Mar 2015

    OSO volume 20 issue 1 Cover and Back matter

    Organised Sound, Volume 20, Issue 01, April 2015, pp b1-b2doi: 10.1017/S1355771814000557, Published online by Cambridge University Press 05 Mar 2015

    Cambridge University Press 2015.