Upload
carolina-escobar
View
216
Download
0
Embed Size (px)
DESCRIPTION
From A. H. Sommerstein, The Tangled Ways of Zeus
Citation preview
Oresteia Act II: two misconceptions
Page 1 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
UniversityPressScholarshipOnlineOxfordScholarshipOnline
TheTangledWaysofZeus:AndOtherStudiesInandAroundGreekTragedyAlanH.Sommerstein
Printpublicationdate:2010PrintISBN-13:9780199568314PublishedtoOxfordScholarshipOnline:September2010DOI:10.1093/acprof:oso/9780199568314.001.0001
OresteiaActII:twomisconceptionsAlanH.Sommerstein(ContributorWebpage)
DOI:10.1093/acprof:oso/9780199568314.003.0013
AbstractandKeywords
ThischapterdrawsattentiontotwomisconceptionsaboutAeschylus'Choephoroi.Itpointsout,firstly,thatElectraisrecommendedtopray(11021),andthendoespray(13044),forthereturnofOrestesandthecomingofsomeonewhowillavengeAgamemnon'smurder,asiftheseweretwoentirelyseparatethings;nottillsheandwehearofApollo'soracle(26996)doesshelearnthatOresteshimselfmustbetheavenger.Secondly,Apollo'soracleasatfirstreportedcontainsnopromiseofprotection,onlycommandsandthreats;thefirstmentionofapromisecomesonlyatlines10323,anduntilthentheaudiencecannotbesurethatApollowillnotlettheendlesscycleofrevengecontinueindefinitely.
Keywords:revenge,Choephoroi,Orestes,Electra,Apollo,oracle,avenger,protection
Oresteia Act II: two misconceptions
Page 2 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
TheproblemtowhichIwanttodrawyourattentionisonethatwekeepmeeting,indeedonethatwecan'treallyavoid,inthestudyofsomethingthathasbeenstudiedsolongandsointensivelyasGreektragedy.Itisthatbecauseweusuallyknowexactlyhowaplayendsbeforewehavebeguntoseeit,wefinditdifficulttorememberthattheoriginalaudiencedidnothavethispreciseknowledge.
Theywerenot,ofcourse,completelyignorant,andcertainlynotinthisparticularcase.ThestoryofhowAgamemnonwasmurderedtheyhadseenalreadyinAgamemnon.ThestoryofhowOrestesreturnedandkilledhisfather'smurderers,oneofwhomwashismother,hadbeentoldmanytimesbefore,andmoreoverthismatricidehadbeenpredictedinthepreviousplay,inthepropheciesofCassandra.Sotheoriginalaudienceknew,aswedo,thatOresteswasgoingtoreturnandkillhismother.Oresteshimself,ofcourse,alsoknowsthathemustkillhismother,becauseApollohastoldhimso.
ButwhataboutElectra?WhenOrestesarrivesatthebeginningoftheplay,heverysoonseesanumberofwomencomingalongwiththegravegiftswhichgivetheplayitsname.HerecognizesoneofthemashissisterElectra,andheconcealshimself.ThusElectrapraysfordivineaidagainsttheusurpersatatimewhen,unknowntoher,Orestesisactuallypresent.GiventhatweknowthatOresteshasreturnedandintendstokillthetwomurderers,itisveryeasyforustotakeitforgrantedthatsheisprayingforOrestestodojustthat.Letuslook,though,atwhatisactuallysaid.AtfirstElectraisnotsurewhattoprayfor,andsheaskstheoldwomenslavesofthechorusforadvice.Forwhom,sheasks(110),shouldIseekthefavourofthegods?Foryourself,andforallwhohateAegisthus.Youmean,(p.190) therefore,foryouandme?ShouldIaddanybodyelse?Andtheyreply,RememberOrestes(115).Shethanksthemforthisgoodadvice,andthen,andonlythen,theygoon(11721)torecommendthatsheshouldmakementionofthoseresponsibleforthemurder,andpraythatsomegodormortalmanwillcometokillthemintheirturn.
Somegodormortalman:theydon'texpectittobeOrestes,becausetheyhavealreadymentionedOrestesseparately.Rather,theyaresuggestingthatElectrashouldprayfortwodistinctblessings:first,thereturnofOrestes;secondly,thecomingofanavenger.Andthatiswhatshedoes.Addressingthespiritofherfather,sheprays:Pityme,andmakeourdearOrestesshinelikealightforthishouse.Ibegyouandhearme,fatherthatbysometurnoffateOrestesmaycomehere(1309).Sheaddsashortprayerforherself(1401),andthencontinues:Sucharemyprayersforourselves;forourenemies,Iaskforsomeonetoappeartoavengeyou,andthatthemurderersdieinjustrequitalforwhattheydid(1424).Justasthechorusleaderrecommended,twoseparateprayers,oneforthereturnofOrestes,theotherforthecomingofanavenger.Afterher,thechorusinsongalsoprayforthecomingofanavenger,whomtheydescribe(1603)asastrongmanwithaspear,awargodbrandishinghisbowincombat,readyfortheworkoffightinghandtohandandswordtosword.That'sneverOrestes,whoisaveryyoungman(andtheyareperfectlyawareofhisage)withnoexperienceofcombat.
We,theaudience,knowandtheoriginalaudienceknewtoothatElectra'stwoprayers,thoughdistinctinintention,wereineffectoneandthesame.ButElectradoesn'tknow
Oresteia Act II: two misconceptions
Page 3 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
this,andthatiswhatiscalleddramaticirony.Andtheironycontinues.WhenElectracomesfacetofacewiththeunknownpersonwhoisinfactOrestes,shestilldoesn'tknowthatheistheonewhowillhavetokillthemurderersoneofthemhismotherandhers.Whenheproveshisidentitytoher,shestilldoesn'tknow.Whenshejoyfullyembraceshimandcallshimherfather,hermother,hersister,andherbrotherinone(23843),shestilldoesn'tknow.WhenhethenpraystoZeusforaid(24663),shestilldoesn'tknowbecauseinthatprayerhemakesnomentionoftherevengekilling,askingonlytoberestored(p.191) tohisrightfulplaceinthehouseandcity,withnomentionofhowthismaybebroughtabout.
WhendoesElectraknowthetruth?OnlywhenOrestes,inhislongest(oratleasthislongestsurviving)speechinthetrilogy,tellsherandthechorusandusofwhatApollosaidtohimatDelphi:heorderedmetopassthroughallthesedangerstellingofviolenttormentsthatwouldchillmyheart,ifIdidnotpursuethosewhocontrivedmyfather'sdeathinthesamemannermeaningImustkilltheminreturn(2704).WeknewApollohadmadethatdemand(thoughweprobablydidn'tknowtillnowjusthowghastlywerethemenacesthataccompaniedit);toElectraitisaboltfromtheblue.
Atleast,however,thereseemstobesomereassurance:ApollohaspromisedOresteshissupport.Well,hashe,actually?Oristhatjustanotherpieceofhindsight?Weknow,orthinkweknow,thatApollowillprotectOrestesfromtheavengingspiritsofhismother(herErinyesorFuries)afterhehaskilledher.Howdoweknowthis?Inthefirstplace,becausethatiswhatactuallyhappenslaterinthetrilogy.Fine,butwehaven'tseentheendofthetrilogyyet.Secondly,becauseitalsohappened(thoughnotinquitethesameway)inanimportantearlierversionofthestory(bythelyricpoetStesichorus).1Fineagain,buthowcanwebesurethatthisdramatizationisgoingtofollowthesametrack?EvenfromthescantyinformationwepossessaboutStesichorus'Oresteia,wecanseethatAeschylushasalreadymadeonequitesignificantchange(havingClytaemestrakillAgamemnonwithaswordinsteadofanaxe),2andifwehadbetterinformationwewoulddoubtlessfindhehadmadeseveralmore.Atthispoint,therefore,ouronlyevidenceforanypromisebyApolloconsistsintheopeningwordsofthisspeechbyOrestes:Apollo'sgreatandmightyoraclewillnotbetrayme(26970).Thatcertainlydoessoundreassuring.Butitsoundsagooddealmorereassuringtousthanitcanhavedonetotheoriginalaudience,becausewecanlookaheadtothenextplay,whenthesamewordswillberepeatedby(p.192) Apolloinperson(Eumenides646),andthentheyreallywillbeanassuranceandapromise:
NeverwillIbetrayyou:Iwillbeyourguardiantotheend,andwhetherIstandneartoyouorfarfromyou,Iwillnotbekindlytoyourenemies.
Butonceagain,wehaven'theardthatyet.WhenOrestesnow,beforetheevent,talksaboutApollo'soracle,hesaysagreatdealaboutdarkandterriblemenacesofwhatwillbefallhimifhedoesnotcarryouthisrevenge;hesaysnotonewordaboutanyprotectionthatwillbegivenhimifhedoes.
HowlongisitbeforeweknowthatOrestescanindeedcountonApollo'sprotection?
Oresteia Act II: two misconceptions
Page 4 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
WhentheplottersimmediatelyproceedtomaketheirlonglamentandprayeratAgamemnon'stomb(306509),theymakeappealstoalargenumberofgodsZeus,theEarth,theunderworldgods,theErinyes,PersephonethequeenofHadesaswellastothemightyspiritofAgamemnonhimself.OfApollotheymakenomentionnor,indeed,ofanyoftheothergodsoftheupperworld,ofOlympus(forwhentheyspeakofZeus,3theymakeitclearthattheyaretalkingabouttheotherZeus,theZeusbelow,aeuphemisticnameforHades).*ThereisnothingheretosuggestthatOrestescanlooktoanyoftheOlympiansforprotection.WhenOrestesthereafterexplainshisplottoElectraandthechorus,westilldon'tknowhehasapromisefromApollo.Whenhegainsadmissiontothehouse,westilldon'tknow.WhenAegisthusisluredtothehousealone,westilldon'tknow.Whensonandmotheractuallyconfronteachother,westilldon'tknow.Neartheclimaxofthatconfrontation(924)shewarnshimBewareyourmother'swrathfulhounds!athreatofthetormentingfuryoftheErinyes.Orestes'obviousreplywouldbeWhyshouldIbeafraidofyourwrathfulhounds?IknowApollowillkeepmesafefromthem.Hesaysnothingofthesort.Whathedoessayis:IfIfailtodothis,howcanIescapemyfather'sErinyes?Inotherwords:IknowI'mdamnedifIdo;butI'malsodamnedifIdon't.
Alittleearlier,Oresteshadhesitatedforamoment,whenhismotherhadappealedtothemostbasictiesofnurtureandshownhimthebreastthathehadoncesucked.Heturnstothefriendwho(p.193) hasaccompaniedhimsilentlyallthroughtheplay,andasksPylades,whatshallIdo?ShouldIsparemymother'slife?(899).Here,again,wasthemomentforareassuringreply;buthedoesnotgetone.Instead,speakingfortheonlytimeintheplay,Pyladessays:WherewouldthatleaveApollo'soracledeliveredatDelphi?Wherewoulditleaveyourfaithful,bindingoath?Makeanyoneyourenemy,ratherthanthegods(9002).Inotherwords:ifyoudon'tdoit,youwillhavetoface,notonlytheavengingspiritsofyourfather,butalsothewrathofApollo.
Evenafterthekilling,whenOrestesappearsstandingoverthebodiesofthetwousurpersandmurderers,anddisplaysforalltoseetherobeinwhichhisfatherwastrappedandslain,eventhenwestillhaveheardnothingofanypromiseofprotectionbyApollo.ButthereisonestrangethingaboutOrestes'appearancenow.Hestillhashisswordinhisrighthand,butinhislefthandhehasanolivebranchwreathedinwool(mentionedat1035),thesymbolofthesuppliant.Whatdoesthismean?Weareabouttohear.TheErinyes,hetellsus,arealreadyattackinghimmentally,hefeelshimselfonthebrinkofmadness(10215),andthenhecontinues:
WhileIstillhavemysanity,IproclaimtomyfriendsthatIkilledmymothernotwithoutjusticethepollutedmurdererofmyfather,loathedbythegodsandthepowerthatinducedmetodarethisdeedwas,morethananythingelse,ApollotheseerofDelphi,whoseoracletoldmethatifIdidthisIwouldbebeyondthechargeofwickedness,butifIfailedIshallnottellthepunishmentofthat;noonecouldshootanarrowhighenoughtohitit.(102634)
Sonowatlast,morethan96percentofthewaythroughthisplay,morethantwothirdsofthewaythroughthewholeOresteia,weatlastknowthatApolloisnotgoingtoletthis
Oresteia Act II: two misconceptions
Page 5 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
endlesscycleofrevengecontinueindefinitely.Hehasmadeapromise,andOrestes,ashegoesontotellus,isgoingtoDelphitobeghimtofulfilit.Tillnow,wehadthought,Electrahadthought,thechorushadthought,thattherewasnowayoutforOrestes,anymorethantherehadbeenforallthosewhohadsufferedinthepreviousplay.Andnow,atlast,itseemsthatApollohasinfactpromisedhisprotection,and(ifwethinkaboutitbutwealmostcertainlywon't)thatOrestesknewthisallalong.
(p.194) ButthehorrendousErinyesarealreadyonhistrail.Hecanfeelthemwarpinghismind.Andthensuddenly(1048)heseesthem(which,atthisstage,nooneelsecan)andfleesinheadlongterror.
Sowhatisgoingtohappennow?Canwetell?Doweknow?Itissignificantthatthelastwordsofthisplayareanunansweredquestion:wherewillitend,wherewillthepowerofRuingotosleep?Theyhavenoidea.ItwilltakeanotherplaytoprovideananswerandprobablynooneinthatAthenianaudiencecouldhaveremotelyguessedwhattheanswerwasgoingtobe:hereandnow,amongyourselves,inAthens.Iurgeyou,whenyouhaveseenthisplay,togetacquaintedwiththatsequel,Eumenides.PerhapsyoumaythenperceivewhyIfounditsoutterlyappropriatethatwhenIpublishedaneditionofEumenides,itsofficialpublicationdate(namedinadvancenohindsighthere!)was9November1989:thedayofthebreakingoftheBerlinWall.4
Addendump.192whiletheZeusofCho.3825certainlyistheZeusbelow,thereisnoparticularreasontodoubtthatthementionsofZeusinCho.395and409refertothesupremegodofOlympus.Itremainstrue,however,thatinboththesepassagesthereisalso,incloseproximity,prominentmentionofchthonicpowers(399hearme,Earth,andyouhonouredgodsbelow;4057seeus,youmightyrulersoftheunderworld,andyouCursesofthedead).
Notes:(1)StesichorusPMG217.
(2)InStesichorusPMG219,Clytaemestradreamsofseeingasnakewiththetopofitsheadallbloodied,whichimpliesanaxeblowfromabove.ThatherweaponinAeschylusisaswordwasshownbyFraenkel(1950:iii.8069);thecounterargumentsofDavies(1987)wereansweredbySommerstein(1989c)andPrag(1991).
(3)Cho.3825:Zeus,Zeus,whosendsupfrombelowavengingruin,soonorlate,againstaudacious,recklesshumanviolence.
(4)Thischapter,whichoriginatedasapreperformancetalkgivenbeforeaproductionofChoephoroi(underthetitleGraveGifts)bytheActorsofDionysus,wasfirstpublishedinDionysus(York)14(2000)202.IammostgratefultotheActorsofDionysusforgivingpermissionforthisrepublication.Asinthe2000publication,Ihaveleftreferencestotheoriginaloccasionofdeliveryunchanged,thoughafewfootnoteshavebeenaddedinthepresentversion.
Oresteia Act II: two misconceptions
Page 6 of 6
PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2015.All Rights Reserved. Under the terms of the l icence agreement, an individual user may print out a PDF of a single chapter of amonograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: University ofOxford; date: 02 May 2015
Accessbroughttoyouby: UniversityofOxford