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18 INTERVALS, CHORDS, AND EAR TRAINING. would form the chord of C. When the tones of a chord are close together the chord is said to be in close position; when they are separated the chord is said to be in open position. We shall learn more of close and open position in Chapter XIX. ‘ Chords in Close and Open Position. Close Open Close Open Close Open position. position. position. position. position. pogtion. ,_ n l. ‘ 18 —" *—l a i i #7 i a l a - ——<9~—t—6*—k— a L a .L s t v——H 8 “a & -9- -9- (1:1 0:1 D:I D:I F:I F:I Broken Chords. Often the tones that form a chord are not played together, the root of the chord can be played first, then the third, and then the fifth ; thus the chord of C can be played : Q_ eggs" - 3 or- _ The tones forming any chord can be struck in succession. A chord that has its tones struck in succession is called a broken chord. Chord of D. Broken chord of D. Chord of A. Broken chord of A. /__\ Chord of F. Broken chord of F. ,H jl l l 1 fl tfiisv%+—ti+—‘a§E—H a - L I i ll Play the broken chords of G, E, F#, B, ED, Gfl. Generated on 2015-03-01 04:45 GMT / http://hdl.handle.net/2027/umn.31951p01139349v Public Domain, Google-digitized / http://www.hathitrust.org/access_use#pd-google

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  • 18 INTERVALS, CHORDS, AND EAR TRAINING.

    would form the chord of C. When the tones of a chord are

    close together the chord is said to be in close position; when

    they are separated the chord is said to be in open position.

    We shall learn more of close and open position in Chapter

    XIX.

    Chords in Close and Open Position.

    Close Open Close Open Close Open

    position. position. position. position. position. pogtion.

    ,_ n l.

    18 " *l a i i #7 i a l a -