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User Manual for OPCODE STUDIO 4
Citation preview
Copyright part, be coStudio 4
Opcode Systems, Inc.365 East Middlefield RoadMountain View, CA 94043
(650) 429-2400
http://www.opcode.com
Opcode Part Number: 110-0222-01
1995 Opcode Systems, Inc. All rights reserved. This document may not, in whole or pied, photocopied, reproduced, translated or converted to any electronic or machine
readable form without prior consent of Opcode Systems, Inc.
LIMITED WARRANTY
Opcode Systems, Inc. warrants the Studio 4 against defects in materials and workmanship for a period of one (1) year from the date of original retail purchase.
If you discoOpcode Sysobtain a RetNumber (noproduct retuIf the produplease attacnumber, a dcopy of the chase. WritAuthorizatiooutside of thUpon receivSystems, Inreplace, or rproduct.
This warranOpcode soft
This warranbeen damagmisapplicatithe written Inc.
All implied ranties of mparticular pone (1) yearpurchase ofremedies selieu of all otimplied.
Opcode Systems, Inc. is not responsible for special, incidental, or consequential damages resulting from any breach of warranty, or under any legal theory, including lost profits, downtime, good-will, damage to or replace-ment of equipment and property.ver a defect, first write or call tems, Inc. at (415) 856-3333 to urn Merchandise Authorization service will be performed on any rned without prior authorization).
ct needs to be returned to Opcode, h your name, address, telephone escription of the problem, and a dated bill of sale as proof of pur-e the Return Merchandise n (RMA) Number clearly on the e package and all correspondence. ing the returned product, Opcode c. will then, at its option, repair, efund the purchase price of the
ty applies only to the Studio 4; ware is warranted separately.
ty does not apply if the product has ed by accident, abuse, misuse, or on, or has been modified without permission of Opcode Systems,
warranties, including implied war-erchantability and fitness for a urpose, are limited in duration to from the original date of retail this product. The warranty and t forth above are exclusive and in hers, oral or written, express or
Some statestation of impincidental oabove limitayou. This wrights, and ywhich vary
Except to thimplied warInc. in connware are limfrom the daranties, wheapply to this
Opcode Sysrepresentatrespect to thual. This sopurchaser aquality and stances shafor any lossor incidentato use this p
Some stateslong an impor limitationdamages, sosions may n do not allow the exclusion or limi-lied warranties or liability for
r consequential damages, so the tion or exclusion may not apply to arranty gives you specific legal ou may also have other rights
from state to state.
e extent prohibited by law, all ranties made by Opcode Systems, ection with this manual and soft-ited in duration to ninety (90) days
te of original purchase, and no war-ther express or implied, shall product after said period.
tems, Inc. makes no warranty or ion, either express or implied, with e software described in this man-
ftware is sold as is. The ssumes the entire risk as to its performance. Under no circum-ll Opcode Systems, Inc. be liable or damage, direct, consequential, l, arising out of the use or inability roduct.
do not allow limitations on how lied warranty lasts or the exclusion of incidental or consequential the above limitations or exclu-ot apply to you.
COPYRIGHT
This software and manual are copyrighted 1995 by Opcode Systems, Inc. with all rights reserved. The software or manual may not be copied, in whole or part, without the express written consent of Opcode Systems, Inc. except for thbackup copprohibited.
This softwaStates Copyprovisions. user this licThe Studio with the Stumay be usedtime. If you ware or harguide first. Cpurchased tlocal source
If you still htems, Inc. T3331. See th
WARNING
NOTE: Thisand found toB digital devRules. Thesreasonable ence in resiequipment uquency eneaccordanceharmful inteHowever, thence will no
If this equipment does cause interference to radio or television equipment reception, which can be determined by turning the equipment off and on, the user is encouraged to try to cor-rect the interference by one or more of the following measures:
e original purchaser to make ies. Unauthorized duplication is
re is protected by both United right Law and International Treaty Opcode Systems, Inc. grants the ense, and use confirms agreement. 4 and OMS software may be used dio 4 by any number of users, and on more than one computer at a
have any problems with the soft-dware, please consult the users
onsult the dealer from which you he Studio 4, as they are your best of assistance.
ave a problem, call Opcode Sys-echnical Support Line at (415) 856-e Studio 4 manual for details.
equipment has been type tested comply with the limits for a Class ice, pursuant to Part 15 of the FCC e limits are designed to provide protection against harmful interfer-dential installations. This ses, and can radiate radio fre-
rgy, and if not installed and used in with the instructions, may cause rference to radio communications. ere is no guarantee that interfer-t occur in a particular installation.
Reorient o
Move the
Plug the ecuit differenpowered.
If necessarydealer or annician for ad
CAUTION: with Class Bterminals, pthis equipmeface cables.
Finally, anyequipment bby the granusers autho
ACKNOWL
Studio 4 mason and Jon
OMS, OMSStudio 4 Drr relocate the receiving antenna
equipment away from the receiver
quipment into an outlet on a cir-t from that to which the receiver is
, the user should consult the experienced radio/television tech-ditional suggestions.
Only equipment certified to comply (computer input/output devices, rinters, etc.) should be attached to nt, and must have shielded inter-
changes or modifications to the y the user not expressly approved
tee or manufacturer could void the rity to operate such equipment.
EDGEMENTS
nual written by Gregory A. Simp- Drukman.
Setup, Studio Patches Editor, and iver by Doug Wyatt.
Studio 4 M
TABLE OF CONTENTS
PART 1: Overview and Installation 1
CHAPTE
CHAPTE
CHAPTE
CHAPTE
anual i
R 1: Getting Started 3
Overview of the Studio 4...................................................................... 3How to Read this Manual .................................................................... 3The Studio 4 Package .......................................................................... 4Registering Your Studio 4 ................................................................... 4Timecode Basics .................................................................................. 5
R 2: Panel Descriptions 7
The Studio 4 Front Panel..................................................................... 7The Studio 4 Rear Panel ...................................................................... 8About the Interface Cables................................................................ 10
R 3: Hardware Installation 11
Power Connection .............................................................................. 11Computer ConnectionsOne Studio 4............................................ 11Computer ConnectionsNetworking ............................................. 13SMPTE Connections.......................................................................... 16MIDI Connections.............................................................................. 17
R 4: Software Installation and Setup 19
Installing OMS and the Studio 4 Software....................................... 19Launching the OMS Setup Application............................................ 20Studio 4 Icons in a Studio Setup Document .................................... 22Renaming Studio 4's........................................................................... 24Other Icons in a Studio Setup Document ........................................ 25
Table of Contents
ii
PART 2: Using The Studio 4 27
CHAPTER 5: Introduction 29
Using the Studio 4 with OMS-Compatible Applications................. 29Using the Studio 4 with Non-OMS Applications ............................. 30
CHAPTER
CHAPTER
CHAPTER
CHAPTER
Opcode Systems, Inc.
Studio 4Macintosh Communication Speed ................................ 30The Studio 4 Menu............................................................................. 31
6: Network Routing Window 33
When To Use The Network Routing Window ................................ 33Window Overview .............................................................................. 33Setting the MIDI Inputs..................................................................... 35Setting the MIDI Outputs.................................................................. 36
7: Routing, Channelizing and Muting Window 39
When to use the Routing, Channelizing and Muting Window...... 39Window Overview .............................................................................. 40MIDI Muting ...................................................................................... 42MIDI Channelizing ............................................................................ 44MIDI Routing...................................................................................... 45Timecode Routing .............................................................................. 48MIDI Beat Clock Routing.................................................................. 49The Clear and Help Buttons.............................................................. 52
8: Saving and Opening Studio 4 State Documents 53
Saving a Studio 4 State Document.................................................... 53Opening a Studio 4 State Document ................................................ 54Establishing a "Do Nothing" State ................................................... 54
9: SMPTE Reader Window 57
Using the SMPTE Reader Window.................................................. 57Using with Multiple Studio 4s .......................................................... 59
Table of Contents
Studio 4 Ma
CHAPTER 10: Stripe SMPTE Window 61
Setting and Using Start and Stop Times ...........................................61Setting and Using SMPTE Frame Rates...........................................62Setting and Using the MIDI Format .................................................62Guide to Setting SMPTE Levels ........................................................63Jam Sync ..............................................................................................63
PART 3
APPEND
APPEND
APPEND
nual iii
Start JamStripe Button ....................................................................64User Bits ..............................................................................................64Using with Multiple Studio 4s...........................................................64SMPTE Tutorial ..................................................................................65
: Appendices 69
IX A: Troubleshooting 71
Communication Problems..................................................................71Peripheral Problems ...........................................................................71Sync Problems.....................................................................................71MIDI Problems ...................................................................................73Miscellaneous Problems ....................................................................74
IX B: Networking a Studio 4 with a Standard MIDI Interface 75
Computer and MIDI Connections.....................................................75Software Setup.....................................................................................76Using the Network..............................................................................76Networking a Studio 4 and a Studio 3...............................................77
IX C: Specifications 79
General.................................................................................................79Connectors...........................................................................................79Switches ...............................................................................................80
Table of Contents
iv Opcode Systems, Inc.
Studio 4 M
PART 1: Overview and Installationanual 1
PART 1: Overview and Installation
2 Opcode Systems, Inc.
Studio 4 M
CHAPTER 1: Getting Started
OVERVIE
Opcodes Stosh MIDISMPTE timto-MIDI tim
MIDI featu
Eight iMIDI iaccesswith pOMS oTime P
NetwoadditioMIDI Piece asame n
Built-inand m
OMS ppatchemay bepatchetranspmany u
Standacation
A MIDMIDI
anual 3W OF THE STUDIO 4
tudio 4 is a multi-port Macin- interface with a built-in
ecode generator and SMPTE-ecode converter.
res of the Studio 4 include:
ndependently addressable nputs and outputsthis allows to 128 separate MIDI channels rograms that support either r Mark of the Unicorns MIDI iece.
rkingconnect up to three nal Studio 4s for 512 separate
channels. The MIDI Time nd Studio 4 can be part of the etwork. MIDI routing, channelizing
uting.atch compatibilityOMS s processed by the Macintosh used with the Studio 4. OMS
s allow MIDI data to be split, osed, modified, and mapped in seful ways.
rd (1MHz) and Fast communi-speeds.I activity indicator for each
port.
Front you usprintering cab
Timecode include:
SMPTframe
SMPTconver
SMPTsion (b
Jam Sywhen l
Flywhdropouerrors
The StudioSystem (Odriver softwchannelizinfunctions.
HOW TO
This manufully the fuoperation. presented panel thru switchesthese let e external peripherals (such as s or modems) without chang-les.
functions of the Studio 4
E Time Code generation (five rates).E-to-MIDI Time Code sion.E-to-Direct Time Lock conver-oth DTL and DTLe).ncing (rewrites fresh SMPTE ocked).eeling (remains locked despite ts or other short SMPTE
).
4 uses the Opcode MIDI MS) and the Studio 4 OMS
are to control all mapping, g, routing and timecode
READ THIS MANUAL
al does not attempt to teach ndamentals of MIDI or SMPTE A brief timecode overview is at the end of this chapter, but if
PART 1: Overview and Installation
4
youre new to either of these standards, you should read magazines specializing in music technology, or purchase introduc-tory MIDI and SMPTE books from your local bookstore or music dealer.
Also, you should be familiar with basic Macintoshplease readusing the S
This manuset up andStudio 4 oping. Howevoccur. Alwware chanfolder on y
The StudioSystem (Odriver softchannelizintions. If yoyou can rethrough.
NOTE:
If ythe first thrread the OMOMS and rlar attentiodiscussionsin your stuStudio Setu
This manu
Part 1
(Chapthe Stuand wiinto yo
chapter describing software installa-tion and setup.
Part 2: Using The Studio 4
(Chapters 5-10)This part explains how to set the Studio 4 internal state and use its SMPTE features.
operations. If youre not, the Macintosh manual before tudio 4.
al discusses how to connect, use the Studio 4it describes erations at the time of its print-er, updates and changes may
ays look for hardware and soft-ge information in the Read Me our master program disk.
4 uses the Opcode MIDI MS) and the Studio 4 OMS ware to control all mapping,
g, routing and timecode func-ure already familiar with OMS, ad this manual straight
ou have never used OMS, read ee chapters in this manual, then
S manual before installing eading Chapter 4. Pay particu-n to the OMS manual's of installation, defining devices dio and creating a current OMS p document.
al is divided into three parts:
: Overview and Installationters 1-4)This part discusses dio 4s front and rear panels
ll help you to integrate the unit ur studio. It concludes with a
Part 3This psectionStudioface, a
THE STU
Your StudiStudio 4, acables, 4 ruOMS and Sual, this Stregistration
REGISTE
Be sure to card. If weeligible forous other s
IMPORTAStudio 4 senumber is o
S/N _____
Purchase D
Once we reyoure entiand informOpcode Systems, Inc.
: Appendicesart includes a troubleshooting , details on networking the
4 with a standard MIDI inter-nd the Studio 4 specifications.
DIO 4 PACKAGE
o 4 package contains the n AC adapter, two 12 serial bber feet, rack-mount screws, tudio 4 software, an OMS man-
udio 4 manual and a card.
RING YOUR STUDIO 4
send Opcode your registration dont receive it, you wont be free technical support and vari-ervices and products.
NT: Please write down your rial number here. The serial n the back of the Studio 4.
__________________________
ate ______________________
ceive your registration card, tled to free technical support ation about upgrades, updates,
CHAPTER 1: Getting Started
Studio 4 Ma
and new products. Also, youll receive Opcodes periodic newsletter, which con-tains advanced tips, troubleshooting techniques and more.
Opcode technical support hours (Pacific Time) are 9:00am to noon and 2:00 to 5:00pm Mo
Call (650) but
please
tmanual firs
NOTE:
Teject to chan
TIMECOD
The operatassume yoCode, MIDLock. If yosection to dof synchrocode formamagazinesneed moretopics.
SMPTE T
SMPTE Titimecode sof Motion neers. It spdigital timitape; this tinto hours,By using Sreferred to
synchronize the playback of separate audio decks, video decks and computers.
Using SMPTE requires two separate actions:
Generating the SMPTE Time Code and recording it onto tape (a process nual
nday through Friday.
429-2349 for technical support, ry to find the answer in this t.
chnical support hours are sub-ge.
E BASICS
ional portions of this manual ure familiar with SMPTE Time I Time Code, and Direct Time
ure not, you should read this evelop a basic understanding
nization and the various time-ts. Consult music technology
or introductory books if you information about any of these
ime Code
me Code is an international tandard created by the Society Picture & Television Engi-ecifies a format for recording ng information onto magnetic iming information is divided minutes, seconds and frames. MPTE Time Code (often simply as SMPTE), you can
often r Readin
the taptimingback ocompu
There are Code: Lonand VerticLTC is reclinearly acrformat is reaudio trackrecorded wvideo tape.
Since diffeent speedsformat alsorates.
The StudioSMPTE Tiyou have aneed to usverter or aas Opcode
The Studiorates. Thes
24 Fra 25 Fra
pean) 5
eferred to as striping).g the SMPTE Time Code off e and using it as a master source for synchronizing play-f other tape machines and ters.
two types of SMPTE Time gitudinal Time Code (LTC), al Interval Time Code (VITC). orded on tape tracks that run oss the length of the tape. This corded on audio tape or on the of a video tape. VITC is ithin the video portion of a
rent video systems run at differ- (or frame rates), the SMPTE specifies a number of different
4 will both generate and read me Code in the LTC format. If tape striped with VITC, youll e either a VITC-to-LTC con- VITC-to-MTC converter such s Studio AV.
4 supports five SMPTE frame e rates are:
mes/secondFilm frame rate.mes/secondEBU (Euro-television frame rate.
PART 1: Overview and Installation
6
29.97 Drop FrameNTSC (North American) color television frame rate. This format runs at 30 Frames/sec-ond, but has the first two frames dropped every minute, except at min-utes 0, 10, 20, 30, 40 and 50.
29.97 Frames/second (Non-Drop)Used twithoutime dplayba
30 FraOriginsion stonly sidroppeis equa
MIDI TimLock
MIDI comSMPTE Tithe code mthat the coformat is cThe converetains SMframe timiputer to cosequencersynchronizmaster SM
Direct TimDirect TimMIDI syncby Mark oformer seqPerformerNewer ver
Enhanced Direct Time Lock (DTLe), which provides synchronization accuracy equal to MIDI Time Code.
The Studio 4 will convert SMPTE time-code (recorded at one of the five supported frame rates) to either MIDI
o sync to NTSC color television t dropping frames. SMPTE oes not match real-time, but ck pitch is unaffected.mes/second (Non-Drop)al NTSC black and white televi-andard. Often used in audio-tuations since there are no d frames and the SMPTE time l to real time.
e Code and Direct Time
puter software cannot read me Code directly off a tape, so ust be converted into a format mputer can understand. This alled MIDI Time Code (MTC). rter then sends MTC (which PTEs hour/minute/second/
ng information) to the com-ntrol the playback of MIDI s. You use MIDI Time Code to e your computer sequence to a PTE timing source.
e Lock (DTL) and Enhanced e Lock (DTLe) are alternate hronization formats developed f the Unicorn for their Per-uencer. Very old versions of require DTL to sync to tape. sions of Performer use
Time CodeLock formaFigure 1.1: tOpcode Systems, Inc.
or one of the Direct Time ts.
his will not print - its in white color
Studio 4 M
CHAPTER 2: Panel Descriptions
THE STU
Figure 2.1: S
From left tLEDs and
MIDI Por
These twofront panelconnectionother MIDcussed in dPanel sec
Front pane8/16 are d7/15 and 8you connecMIDI outppanel outpboth devic
Front pane16 are in adfound on th7/15 and 8rear panel.
IN OUT IN
715
OMS
IN OUT IN
715
OMSanual 7DIO 4 FRONT PANEL
tudio 4 Front Panel
o right, the front panel ports, buttons are as follows:
ts 7/15 and 8/16
pairs of MIDI ports are on the to facilitate quick, temporary of synthesizers, controllers or I devices. MIDI ports are dis-etail in The Studio 4 Rear
tion later in this chapter.
l MIDI output ports 7/15 and uplicates of MIDI output ports /16 found on the rear panel. If t a device to both a front panel
ut and its corresponding rear ut, MIDI data will be sent to es.
l MIDI input ports 7/15 and 8/dition to the 6 MIDI inputs e rear panel. MIDI input ports
/16 are not duplicated on the
If the 1-8/9these two pthe 1-8/9-1the ports a
MIDI In L
These eigh(LEDs) inone or morinput ports
MIDI Out
This row o(LEDs) inone or moroutput por
1MHz/F
Use this swspeed. 1Mface speedsoftware. Fthroughpunumber ofCheck yousee if they products thVision, Stu
2 3 64 51 7 81 41 09 1 1 1 21 3 1 5 1 6
IN
Studio4FAST
1Mhz MIDI MIDI
POWEROUT
816
A-THRU B-THRU
1-8
9-16
OPCODE SYSTEMS INC
OUT2 3 64 51 7 8
1 41 09 1 1 1 21 3 1 51 62 3 64 51 7 8
1 41 09 1 1 1 21 3 1 5 1 6
IN
Studio4FAST
1Mhz MIDI MIDI
POWEROUT
816
A-THRU B-THRU
1-8
9-16
OPCODE SYSTEMS INC
OUT2 3 64 51 7 8
1 41 09 1 1 1 21 3 1 51 6-16 switch is in the 1-8 position, orts are numbered 7 and 8. If
6 switch is in the 9-16 position, re numbered 15 and 16.
EDs
t red Light Emitting Diodes dicate MIDI data is arriving at e of the Studio 4s eight MIDI .
LEDs
f green Light Emitting Diodes dicates MIDI data is leaving e of the Studio 4s eight MIDI
ts.
ast Switch
itch to select a communication Hz is the standard MIDI inter- required by most MIDI ast speed increases MIDI t, thereby increasing the simultaneous MIDI channels. r MIDI application manuals to support Fast mode. Opcode at support Fast mode include
dio Vision and EZ Vision.
PART 1: Overview and Installation
8
NOTE:
The Studio 4 driver software must match the speed selected by the 1MHz/Fast switch. Configure the Studio 4 driver soft-ware as discussed in the Studio 4Macintosh Communication Speed sec-tion in Chapter 5.
1-8/9-16
Select the Studio 4 isnetwork. Tthrough 8 ports.
Select the Studio 4 isassigns poStudio 4's nections ar
NOTE:
If yset this swi
Thru Swi
These switaccess to pperipheral
When a Thtion, the SttransmittinMacintosh
When a Thtion, data freceived oports) is pathe A Thrpanel. Set
position when your Macintosh needs to communicate with an external peripheral (such as a printer or modem).
SMPTE/Power Indicator Light
Switch
1-8 position (switch in) if the the first or only Studio 4 in a his assigns port numbers 1 to the Studio 4's eight MIDI
9-16 position (switch out) if the the second in a network. This rt numbers 9 through 16 to the eight MIDI ports. Network con-e discussed in Chapter 3.
ou are using just one Studio 4, tch to the 1-8 position.
tches (A & B)
ches provide convenient rinters, modems or other
s.
ru switch is in the MIDI posi-udio 4 is in MIDI modeg MIDI data between your and various studio devices.
ru switch is in the THRU posi-rom the Macintosh (as n either the A or B input ssed through the Studio 4 to
u or B Thru ports on the rear a Thru switch to the THRU
This LED bSMPTE acsent or recindicator.
Power Sw
When pushout, the poPower LEDis in the ONconnected
THE STU
Figure 2.2: S
From left ttors are as
Power Co
Plug the poonly a 9VDsupply. Ththe Studio
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDCOpcode Systems, Inc.
links when there is any tivity. When no timecode is eived, the LED is lit as a power
itch
ed in, the power is ON. When wer is OFF. The SMPTE/ should light when the switch position if the power supply is
to the Studio 4 and plugged in.
DIO 4 REAR PANEL
tudio 4 Rear Panel
o right, the rear panel connec- follows:
nnector
wer supply into this jack. Use C 1.5A center-positive power e power supply is included with 4.
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
CHAPTER 2: Panel Descriptions
Studio 4 Ma
SMPTE IN Jack
This jack receives SMPTE timecode from a tape deck or other SMPTE source. The Studio 4 converts the SMPTE input into the MIDI format specified by the Stripe SMPTE window (see Chapter 10).
SMPTE O
This jack oerated (or This jack isinput of a tSMPTE ouwindow (S
Compute
The Studioditional Maconcept of port. OldeaddressablPrinter porEach Studi128 separaacross its tports are la(with the lito the Macmini-DIN cwith the St
You may ceither the MPrinter porStudio 4 BPrinter pora network.intosh com
(See Computer Connections in Chapter 3).
You cannot use the A port for network-ing. As a matter of convention, you may wish to connect A to the Modem port, leaving the B port free for connecting
nual
UT Jack
utputs SMPTE timecode gen-regenerated) by the Studio 4. normally connected to the line ape deck. You may set the tput level in the Stripe SMPTE ee Chapter 10).
r Ports and Thru Ports
4 does not implement the tra-cintosh MIDI interface a Printer port and a Modem r interfaces have a limit of 32 e MIDI channels; 16 on the t and 16 on the Modem port. o 4, however, can address up to te MIDI channels spread wo serial inputs. These input beled A and B. The inputs ttle Macintosh icons) connect intosh using standard 8-pin ables (supplied by Opcode udio 4).
onnect the Studio 4 A port to acintosh Modem port or
t. You may connect the port to the Modem port, the t or to another Studio 4 to form You can also connect two Mac-puters to one or two Studio 4s
the MacintMacintosh
Attach exteprinter or mor B THRcan use thenecting theSimply useThru switcof the Studsponding TSwitches Computer
MIDI OU
Connect thports of yodual numbtion of the panel.
MIDI outpduplicatednect deviceoutput andoutput, MI
MIDI IN C
Connect thports of yodual numb9
oshs Printer port, another or another Studio 4.
rnal peripherals (such as a odem) to the A THRU and/
U ports on the Studio 4. You se peripherals without discon- Studio 4 from the Macintosh. the corresponding front panel h to route data arriving at one io 4 computer ports to its corre-HRU port (see Thru
earlier in this chapter, and Connections in Chapter 3).
T Connectors
ese eight ports to the MIDI IN ur MIDI devices. Each port has ers that correspond to the posi-1-8/9-16 switch on the front
ut ports 7/15 and 8/16 are on the front panel. If you con-s to both a front panel MIDI its corresponding rear panel DI data is sent to both devices.
onnectors
ese six ports to the MIDI OUT ur MIDI devices. Each port has ers that correspond to the posi-
PART 1: Overview and Installation
10
tion of the 1-8/9-16 switch on the front panel. Two additional inputs are on the front panel.
ABOUT THE INTERFACE CABLES
The Studiomini-DIN cother thanStudio 4, pmini-DIN.
You shouldMIDI and your Studiaudio equi 4 comes with standard 8-pin ables. If you are using cables
the ones supplied with the lease ensure that they are 8-pin
use only high quality shielded audio cables when operating o 4 or any other professional pment.Opcode Systems, Inc.
Studio 4 M
CHAPTER 3: Hardware Installation
Use the ramount the equipment
Figure 3.1: R
If you do nStudio 4, yface. Attac(provided of the unit
POWER C
Place the tthe power rear panel,into a standoutlet. Useitive AC po
Figure 3.2: P
OMSOMS
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDCanual 11ckmount screws (provided) to Studio 4 in a standard 19 rack as shown in Figure 3.1.
ack Installation
ot wish to rack mount the ou may sit it on a steady sur-h the four rubber feet in this package) to the bottom to prevent it from sliding.
ONNECTION
ip of the power supply cord into jack on the far left side of the then plug the power supply ard 120VAC, 60Hz electrical
only a 9VDC, 1.5A, center pos-wer adaptor with the Studio 4.
ower Supply Connection
COMPUTONE STU
You may cthe Macintport, or to serial cableMacintoshsections.
Single Po
Single portfrequently non-MIDI while runnuse the spaout using tTHRU swi
You may cport or BModem orunlike the connect anthis reasontion) you mMacs Modfree for latMacs PrinPort Conneinterface (dConnection
2 3 64 51 7 8
1 41 09 1 1 1 2 1 3 1 5 1 6
IN
Studio4FAST
1Mhz MIDI MIDI
POWERIN OUT IN OUT
715
816
A-THRU B-THRU
1-8
9-16
OPCODE SYSTEMS INC
OUT2 3 64 51 7 8
1 41 09 1 1 1 2 1 3 1 5 1 6
2 3 64 51 7 8
1 41 09 1 1 1 2 1 3 1 5 1 6
IN
Studio4FAST
1Mhz MIDI MIDI
POWERIN OUT IN OUT
715
816
A-THRU B-THRU
1-8
9-16
OPCODE SYSTEMS INC
OUT2 3 64 51 7 8
1 41 09 1 1 1 2 1 3 1 5 1 6
To 120VAC, 60Hz outlet
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19ER CONNECTIONSDIO 4
onnect the Studio 4 to either oshs Modem port, Printer both. Connect the supplied s between the Studio 4 and the as discussed in the following
rt Connection
connections are useful if you use a Macintosh serial port for purposes (such as printing) ing MIDI applications. You can re Macintosh serial port with-
he Studio 4s front panel MIDI/tch.
onnect either the Studio 4s A port to either the Macintosh Printer port. The B port, A port, can also be used to additional MIDI Interface. For (and as a matter of conven-ay with to connect A to the em port, leaving the B port
er connection to either the ter port (discussed in the Dual ction section) or to another iscussed in the Computer sNetworking section).
PART 1: Overview and Installation
12
Figure 3.3 illustrates a common single port connection.
Figure 3.3: S
Figure 3.3 Modem poStudio 4. Oa printer) cMacintoshan additiona modem) Studio 4 anfront panel
Dual Por
Use a dualincreased ple, your Mwith notesExclusive Code). Itsdual port cchronizingtimecode.
You may cto either Myou may coModem or
Figure 3.4 connectionserial ports
external peripherals to the Studio 4 THRU jacks. You can switch between the Studio 4 and the external peripherals by using the corresponding THRU switch on the front panel.
OUT
SMPTE
IN
PORT B PORT A
BTHRU ATHRU9VDC
MACINTOSH 8-pin mini-DIN cable (supplied)
Optional cableto peripheral
Studio 4 MACINTOSH8-pin mini-DIN cables ingle (Modem) Port Connection
uses only the Macintosh rt for communicating with the ne external peripheral (such as an be connected directly to the Printer port. You can connect al external peripheral (such as to the A THRU jack on the d switch it in or out from the .
t Connection
port connection if you need MIDI throughput (for exam-
IDI data is densely packed , continuous controls, System messages and MIDI Time a good idea to always use a onnection when youre syn- MIDI playback with SMPTE
onnect the Studio 4s A port acintosh serial port. Similarly, nnect the B port to either the
Printer port.
illustrates a common dual port . Connect both Macintosh to the Studio 4, and attach any
Figure 3.4: D
NOTE: In shown in Fing window(see Chapte
ConnectiCompute
Two MacinStudio 4 bythe Studio other Maci
Figure 3.5: T
You can alsMacintoshFigure 3.6.Studio 4 netions are d
Optional cable to peripheral
OUT
SMPTE
IN9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
MACINTOSHOpcode Systems, Inc.
ual Port Connection
a two cable system, such as igure 3.4, use the Network Rout- to distribute data between ports r 6).
ng Two Macintosh rs
tosh computers may share one connecting one Macintosh to 4 A port and connecting the ntosh to the Studio 4 B port.
wo Macs Sharing One Studio 4
o connect two Studio 4s to two computers as shown in This is an example of a twork. Networking connec-
iscussed in the next section.
Optional cables to peripherals
PORT B PORT A
BTHRU ATHRU
(supplied)
Studio 4
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MACINTOSH
CHAPTER 3: Hardware Installation
Studio 4 Ma
Figure 3.6: T
If you connStudio 4, y
Computer
menu. Do not using tStudio 4.
Multiple M
Use only oactions thastatealwbefore initiactions fro
Actions thastate includ
Clickinwork RChann
Switchapplica
Perfor Makin
OMS SEditor
Using Vision
If you use the Studio
the enabling and/or routing of Studio 4 inputs to the Macintosh computers may be incorrect. If you suspect trouble, choose
OMS MIDI Setup
from within any OMS application and click
OK
.
OUT
MIDI OUT MIDI INSMPTE
IN
PORT B PORT A
BTHRU
ATHRU
9VDC 816
715
614
513
412
311
210
19
614
513
412
311
210
19
OUT
MIDI OUT MIDI INSMPTE
IN
PORT B PORT A
B
THRU
A
THRU
9VDC 8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MACINTOSH MACINTOSHnual
wo Macs Sharing Two Studio 4s
ect two computers to a ou must check the Multiple s option in the Studio 4
not check this option if you're wo computers to control the
acintosh Caveat
ne computer at a time to initiate t change a Studio 4s internal ays wait at least 1 second ating any state-changing m a different computer.
t cause the Studio 4 to change e:
g anywhere in either the Net-outing window or the Routing, elizing and Muting window.ing, opening or quitting tions.
ming Galaxy patch transfers.g different windows active in etup and the Studio Patches
.the Enable Inputs dialog in .
different computers to change 4s internal state too quickly,
COMPUTNETWOR
A networkone or twotosh serialserial portsworks. Sineither one nect up to MacintoshMIDI chan
NOTE: Whalways con
ConnectMacintos
There are two Studiocan connecsingle portas a 2-cableyou can acMIDI chan
One Netwo
The first oStudio 4's iFigure 3.7.1-8/9-16 swconnect th13
ER CONNECTIONSKING
is defined as the connection of Studio 4's to a single Macin- port. The Macintosh has two , so it can support two net-
ce each network can contain or two Studio 4's, you can con-four Studio 4s to a single for a maximum total of 512 nels.
en networking two Studio 4's, nect their B ports together.
ing Two Studio 4s to a h
many possible ways to connect 4's to a single Macintosh. You t them as one network on a , as two separate networks, or network. With two Studio 4s,
cess up to 256 independent nels.
rk/1-Cable
ption is to connect both n a single network as shown in Set each Studio 4s front panel itch as indicated. You may
e network to either Macintosh
PART 1: Overview and Installation
14
serial port. The advantage of this connec-tion is that you retain a free Macintosh serial port. The disadvantage is that all MIDI and timecode communications occur over a single Macintosh portyou could get data overloads if you have a very dense MIDI data stream and are syncing to SMPTE
Figure 3.7: O
Two Netwo
The seconplacing onserial port each Studias indicatecan balancbetween thusing the Ncussed in Chowever, uMIDI datadiscussed
Figure 3.8: T
One Network/2-Cables
The final option is to use a single 2-cable network. This is similar to the one net-work/1-cable configuration, except you connect a second cable between the last Studio 4's A port and the unused Macin-
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
MACINTOSH
MACINTOSH
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC timecode.
ne Network of Two Studio 4s
rks
d networking option involves e Studio 4 on each Macintosh as shown in Figure 3.8. Set o 4s front panel 1-8/9-16 switch d. With this connection, you e the MIDI data stream e two Macintosh serial ports etwork Routing window (dis-hapter 6). You cannot, se internal routings to send
from one box to another (as in Chapter 7).
wo Networks of One Studio 4 Each
tosh serial Set each Stswitch as i
This configibility. Youstream (unconnectionStudio 4's idata betwenetwork cofront panelexternal pe
Figure 3.9: O
ConnectiMacintos
You must uconnect thOne netwoother netwStudio 4s findicated. Fnection inv
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
Set to 1-8
Set to 9-16
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
Set to 1-8
Set to 1-8
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDC
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDC
MACINTOSHOpcode Systems, Inc.
port as shown in Figure 3.9. udio 4s front panel 1-8/9-16
ndicated.
uration provides optimum flex- can balance the MIDI data like the one network/1-cable ) and you can use the nternal routing to send MIDI en interfaces (unlike the two nnection). Use the Studio 4's THRU switches to access ripherals.
ne 2-Cable Network of Two Studio 4s
ng Three Studio 4s to a h
se two networks if you wish to ree Studio 4's to a Macintosh. rk contains two Studio 4's; the ork contains one. Set each ront panel 1-8/9-16 switch as igure 3.10 shows a typical con-
olving three Studio 4'swith
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
Set to 9-16
Set to 1-8
CHAPTER 3: Hardware Installation
Studio 4 Ma
this connection, you can access up to 384 independent MIDI channels.
Figure 3.10:
ConnectMacintos
You can coStudio 4s ttion uses twas shown iStudio 4s findicated. pendent Mfour Studio
Figure 3.11:
Networking Studio 4s and MIDI Time Pieces
You can use MIDI Time Pieces and Studio 4s together. In fact, the Studio 4 and MIDI Time Piece are completely interchangeable in a 2-unit network.
OUT
MIDI OUT MIDI INSMPTE
IN
PORT B PORT A
B
THRU
A
THRU
9VDC 8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MACINTOSH
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
Set to 1-8
Set to 1-8
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
MACINTOSH
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDCnual
Three Studio 4s in Two Networks
ing Four Studio 4s to a h
nnect a maximum of four o a Macintosh. This connec-o networks of two Studio 4s
n Figure 3.11. Set each ront panel 1-8/9-16 switch as
You can access up to 512 inde-IDI channels when you use 4s.
Four Studio 4s in Two Networks
When netwTime Piecethe Studio MTP driveexample ofStudio 4 ne
Figure 3.12:
NOTE: Thport is equi
WheneverPiece withappears toTime Piecethe MIDI Tport or whMIDI Time
NOTE: ThcommunicaTime Pieceinterfaces, connected t
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
Set to 9-16
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
Set to 9-16
Set to 9-16
Set to 1-8
Set to 1-8
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDC
AUDIOIN
AUDIOOUT
816
715
MACINTOSH15
orked, OMS views the MIDI as another Studio 4 and uses 4 OMS driver instead of the r. Figure 3.12 illustrates an a MIDI Time Piece in a twork.
MTP in a Studio 4 Network
e MIDI Time Piece Network valent to the Studio 4 B port.
you network a MIDI Time a Studio 4, the MTP always OMS as a Studio 4. The MIDI OMS driver is used only when ime Piece is alone on a single
en it's networked with another Piece.
e Studio 4 uses a more efficient tion protocol than the MIDI
, so when networking these two it is best to have the Studio 4 o the Macintosh.
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
MIDI OUT MIDI IN
614
513
412
311
210
19
614
513
412
311
210
19
715
Studio 4 set to 1-8
MTP set to 9-16
PART 1: Overview and Installation
16
Networking Studio 4s and Standard MIDI Interfaces
You may network a Studio 4 with a stan-dard MIDI interface. If you own an old standard MIDI interface and have more than 8 MIDI devices, the standard MIDI interface wMIDI portple of a Stustandard M
Figure 3.13:Network
Because yo1MHz wheMIDI interis not as fleStudio 4s,arrangemeaid. If youthan 8 MIDously consStudio 4.
NOTE: Yostandard inlator) with
If you use aface, you cport to theaccess eve
If your dual port standard MIDI interface is a Studio 3, Opcode strongly recom-mends that you connect the Studio 3 modem port to the Studio 4 B port, and the Studio 3 printer port directly to the Macintosh (as shown in Figure 3.14). This is because the Studio 3 communi-
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
MACINTOSH
STANDARD MIDI INTERFACEill provide a few additional s. Figure 3.13 shows an exam-dio 4 networked with a IDI interface.
Standard MIDI Interface in a Studio 4
ur Studio 4 must be used at n networked with a standard face and because MIDI routing xible as with a network of two
you should consider this nt only as a temporary band often need to access more I devices, you should seri-
ider purchasing an additional
u cannot network a self-powered terface (such as a MIDI Trans-
the Studio 4.
dual port standard MIDI inter-an connect its second serial free Macintosh serial port to n more MIDI ports.
cates with printer por
Figure 3.14:
Network cand a standatypical. If your studiothe Studio understandand OMS pnetwork. Fworking wcussed in A
SMPTE C
The Studiorear panel.receive a taOUT jack sspecified indiscussed receiving S
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT
MIDI OUT
MIDI IN
MIDI OUT
MACINTOSH
FOOTSWITCHES
FS2 FS1 FC1
OUT
SMPTE
IN
PORT B PO
BTHRU
9VDCOpcode Systems, Inc.
the Macintosh only over its t.
Studio 3 in a Studio 4 Network
onnections involving a Studio 4 ard MIDI interface are rather you use this type of network in , you should first learn to use 4 by itself. Only after you the operations of the Studio 4 atches should you attempt this or this reason, instructions for ith these connections are dis-ppendix B.
ONNECTIONS
4 has two SMPTE jacks on its The SMPTE IN jack is used to pe sync signal. The SMPTE ends SMPTE timecode as the Stripe SMPTE window
in Chapter 10. If the Studio 4 is MPTE at its SMPTE IN jack, it
MIDI OUT MIDI IN PRINTER
PORT
MODEM
PORT
123456OUT IN
TAPE / AUDIO
MIDI OUT MIDI INRT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
CHAPTER 3: Hardware Installation
Studio 4 Ma
duplicates the timecode and sends it to the SMPTE OUT jack.
Figure 3.15:
To use thedevice, concables betwtrack tape OUT jack tfor SMPTEtrack). ConStudio 4 totracks SMStudio 4 diing the mixother signa
MIDI CO
Connect a MIDI OUTthe like-nuto the devishows som
OUT
SMPTE
IN
PORT B PO
B
THRU
9VDC
Audio OutAudio In
OUT
MIDI OUT MIDI INSMPTE
IN
PORT B PORT A
BTHRU
ATHRU
9VDC 816
715
614
513
412
311
210
19
614
513
412
311
210
19
IN OUT
MIDI MIXER
IN OUT
MIDI EFFECTSnual
SMPTE Connections
Studio 4 as a synchronization nect a pair of shielded audio een the Studio 4 and a multi-
deck. Connect the SMPTE o the audio input of a tape deck striping (usually the last nect the SMPTE IN jack of the the audio output of the multi-PTE track. Connect the rectly to the tape deck, bypass-ing console, equalizer, or any l processing equipment.
NNECTIONS
MIDI devices MIDI input to a port on the Studio 4. Connect mbered Studio 4 MIDI IN port ces MIDI output. Figure 3.16 e typical MIDI connections.
Figure 3.16:
NOTE: If ydevice intomust conneOut ports tthe Studio
MIDI OUT MIDI INRT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
IN OUT
DRUM MACHIN17
MIDI Connections
ou wish to load patches from a Opcodes Galaxy program, you ct that devices MIDI In and
o identically-numbered ports on 4 (as shown in Figure 3.16).
IN OUT
SYNTH MODULE
IN OUT
SYNTHESIZERE
PART 1: Overview and Installation
18 Opcode Systems, Inc.
Studio 4 M
CHAPTER 4: Software Installation and Setup
INSTALLSTUDIO 4
NOTE: If yshould stopbefore contimanual.
The StudioStudio Patcthe Studio mapping, ccode funct
Follow theOMS disk software.
Whats I
The InstallOMS and Sdisk automInstaller anyou can beStudio 4.
NOTE: Yodriver to usrequires OManual 19ING OMS AND THE SOFTWARE
ou have never used OMS, you and read the OMS manual nuing with the Studio 4
4 uses the OMS Setup and hes Editor applications with 4 OMS driver to control all hannelizing routing and time-ions.
installation instructions on the to install OMS and the Studio 4
nstalled
er places all the necessary tudio 4 files onto your hard atically. After running the d restarting your Macintosh, gin to use OMS and your
u must install the Studio 4 OMS e the Studio 4. The Studio 4 S version 1.2 or later.
See the OMvarious OMinstalled.
The Studiotional files
Studiocation patchein Part
OMS driver patcheand is withinSequeChapte
StudioallowsStudioFolder
CAUTIONfiles or foldthe System sary files, bOMS operations sectioinformatio
Although tOMS applisetup of thS manual to learn about the S files and where theyre
4 package includes some addi-that arent part of basic OMS:
Patches Editor This appli-adds the ability to create OMS s. OMS patches are discussed Three of this manual.Program ChangesThis allows you to change OMS s from Macintosh applications installed in the OMS Folder the System Folder. See ncing Patch Changes in r 11 for more information. 4 OMS DriverThis driver
OMS to operate with your 4 and is installed in the OMS within the System Folder.
: Do not relocate or rename any ers that the Installer places in Folder. You may delete unneces-ut some files are essential for tion. See the Software Defini-
n of your OMS manual for more n.
he Studio 4 works with non-cations, all programming and e Studio 4 is handled by OMS.
PART 1: Overview and Installation
20
If you have never worked with OMS, please read the OMS manual before con-tinuing with the Studio 4 manual.
LAUNCHING THE OMS SETUP APPLICATION
By now yoStudio 4 tothe OMS slaunch the
a Turn o
b Double
If you havehaven't dedocument,create a neYour OMSdure in detin the nextCustom St
If you are adefined a cyou will nework with in Updatinment, late
Creating a New Custom Studio Setup Document
a Launch the OMS Setup application.
If you do not have a current OMS Studio Setup document, you will be asked to create one when you launch the OMS u should have connected the your Macintosh and installed oftware. The next step is to OMS Setup application:
n your Studio 4.
-click the OMS Setup icon.
never used OMS, or if you fined a current Studio Setup you will need to open and w Studio Setup document. manual describes this proce-ail, but highlights are included section, Creating a New udio Setup Document.
lready an OMS user and have urrent Studio Setup document, ed to update your setup to the Studio 4. This is described g an Old Studio Setup Docu-r in this chapter.
Setup a
A dialoFigure each Mcheck onectedinterfacStudio
Figure 4
b Click SThe Maserial plooks foOMS dinterfacuntitledOpcode Systems, Inc.
pplication.
g box appears (as shown in 4.1). There is a check box for acintosh serial port. You should nly those ports that are con-
to the Studio 4 or any other MIDI e you wish to appear in your Setup document.
.1: Interfaces Dialog Box
earch or hit the return key.cintosh searches the checked orts for MIDI interfaces. It also r any NuBus cards that have an
river installed. When it finds all es and cards, it creates a new, Studio Setup document. The
CHAPTER 4: Software Installation and Setup
Studio 4 Ma
Studio Setup document contains an icon for each Studio 4 and OMS driver object found.
Figure 4
c Add Mas disc
Each dStudio path. Ythe Stuactual devices
UpdatingDocumen
If you alreadocument,rent studioyou had a susing the Sit.
a Launch OMS Setup.
Your current studio setup document opens.nual
.2: Untitled Studio Setup Document
IDI devices and connect them ussed in your OMS manual.
evice that you connect to the 4 will have a port number in its ou must set MIDI port numbers in dio Setup document to reflect the Studio 4 port numbers to which are connected.
an Old Studio Setup t
dy have a current Studio Setup but it doesnt reflect your cur- configuration (for example, tandard interface, but are now tudio 4), youll need to update
Figure 4Docume
b ChoosInterfdialog
Figure 4
c Click Ukey.
A dialobox forshould21
.3: Standard Interface Studio Setup nt
e Studio>MIDI Cards & aces to open the Update Setup box.
.4: Update Setup Dialog Box
pdate Setup or hit the return
g box appears. There is a check each Macintosh serial port. You check only those ports that are
PART 1: Overview and Installation
22
connected to the Studio 4 or any other MIDI interface you wish to appear in your Studio Setup document.
Figure 4
d Click SYour oStudio with a were aunconnSetup
Figure 4
e ConneStudiodiscus
Each dStudio path. Y
the Studio Setup document to reflect the actual Studio 4 port numbers to which devices are connected..5: Interfaces Dialog Box
earch or hit the return key.ld interface disappears from your Setup document and is replaced Studio 4 icon. Any devices that ttached to old interfaces appear ected in the updated Studio
document.
.6: Unconnected Setup Document
ct the device icons to the 4 icon using techniques sed in the OMS manual.
evice that you connect to the 4 will have a port number in its ou must set MIDI port numbers in
Figure 4
f Save y
STUDIO 4SETUP D
The StudioStudio Setunumber of nected to tgiven its owthe Macintconnected.it indicatesused.
The followexamples onections anicons.
One Stud
If you haveto your MaOpcode Systems, Inc.
.7: Updated Studio Setup Document
our Studio Setup document.
ICONS IN A STUDIO OCUMENT
4 icons that appear in your p document depend on the Studio 4's and how they're con-he Macintosh. Each Studio 4 is
n icon and shows the name of osh serial port to which its If the words 2 cables appear, that two connecting cables are
ing sections show specific f Macintosh-to-Studio 4 con-d the resulting Studio Setup
io 4
only one Studio 4 connected cintosh when you search the
CHAPTER 4: Software Installation and Setup
Studio 4 Ma
serial ports, then your Studio Setup docu-ment will contain one Studio 4 icon. Figure 4.8 shows the possible ways to connect a single Studio 4 to a Macintosh and the Studio Setup icons that result.
Figure 4.8: S
Notice thaconnectedonly one icinterface isyou see twModem poport. The Sinterface bRouting wito allocate ports.
Two Studio 4s
There are numerous ways to connect two Studio 4's to a Macintosh. Some of these connections are shown in Figure 4.9 along with the resulting Studio Setup icons.
Macintosh
PORT B PORT A
BTHRU
ATHRU
Stud
Mac Studio 4 Connection Studio Setup Icon
Macintosh
PORT B PORT A
B
THRU
A
THRU
Stud
Mac
POR
Mac
PORnual
tudio Setup IconsOne Studio 4
t when both serial ports are to a single Studio 4, there is on. When a standard MIDI connected to both serial ports o icons; one representing the rt and the other the Printer tudio 4 appears as a single ecause you use the Network ndow (discussed in Chapter 6) MIDI data to each of the serial
Figure 4.9: S
The 1-8 aicons indicwhen therework (as spanel 1-8/9
io 4PORT B PORT A
BTHRU
ATHRU
Studio 4
Macintosh
io 4
PORT B PORT A
B
THRU
A
THRU
Studio 4
Macintosh
intosh
T B PORT A
B
THRU
A
THRU
Studio 4
intosh
T B PORT A
B
THRU
A
THRU
Studio 4
Macintosh
PORT B PORT A
BTHRU
ATHR
PORT B PORT A
B
THRU
A
THR
Macintosh
PORT B PORT
B
THRU TH
PORT B PORT
BTHRU TH
Macintosh
PORT B PORT A
B
THRU TH
PORT B PORT A
BTHRU TH
Mac Stud23
tudio Setup IconsTwo Studio 4s
nd 9-16 next to the Studio 4 ate the MIDI port numbers are two Studio 4's in a net-
elected by the Studio 4s front -16 switch).
U
Studio 4
U
Studio 4
A
A
RU
Studio 4
A
ARU
Studio 4
A
RU
Studio 4
ARU
Studio 4
io 4 Connection Studio Setup Icon
PART 1: Overview and Installation
24
Three Studio 4s
Figure 4.10 illustrates some connections involving three Studio 4's and the result-ing Studio Setup icons.
Figure 4.10:
Four Stu
If you conntosh, they Setup docu
PORT B PORT A
B
THRU
A
THRU
Macintosh
PORT B PORT A
BTHRU
ATHRU
PORT B PORT A
BTHRU
ATHRU
PORT B PORT A
B
THRU
A
THRU
Macintosh
PORT B PORT A
BTHRU
ATHRU
PORT B PORT A
BTHRU
ATHRU
Mac Studio 4 Connection Studio Setup Icon
Mac Studio 4 Connection Studio Setup Icon
PORT B PORT A
BTHRU
ATHRU
Studio 4
Macintosh
PORT B PORT A
BTHRU
ATHRU
Studio 4 Studio Setup IconsThree Studio 4s
dio 4s
ect four Studio 4s to a Macin-will be shown in the Studio ment as shown in Figure 4.11.
Figure 4.11:
RENAMIN
You can reStudio 4's iTo do so, sright of thenew name.in place of where that
In the folloshows a Stdefault Stulisting the Figure 4.13ment with the same pas a selecti
Studio 4
Studio 4
Studio 4
Studio 4
Studio 4
Studio 4
PORT B PORT A
B
THRU
A
TH
PORT B PORT A
BTHRU
ATHOpcode Systems, Inc.
Studio Setup IconsFour Studio 4s
G STUDIO 4S
name one or more of your n the Studio Setup document. imply click the name to the Studio 4 icon and type in a The name you choose appears the default Studio 4 name any- the interface name appears.
wing example, Figure 4.12 udio Setup document with the dio 4 name and a pop-up menu Studio 4 as a selection. shows a Studio Setup docu-
a custom Studio 4 name and op-up menu listing the Studio 4 on.
RU
Studio 4
RU
Studio 4
CHAPTER 4: Software Installation and Setup
Studio 4 Ma
Figure 4.12:
Figure 4.13:
OTHER ICSETUP D
Your Studiicons for acards or deyour Macin
A MIDI TiStudio 4 drStudio 4., Idocument name MTTime Pieceis alone onworked wi
Interface icdiscussed nual
Default Studio 4 Name
Custom Studio 4 Name
ONS IN A STUDIO OCUMENT
o Setup document also displays ny other interfaces, NuBus vices connected directly to tosh.
me Piece always uses the iver when its networked with a t appears in the Studio Setup as a Studio 4 with the default P as S4. The only time a MIDI icon appears is when the MTP its own port, or when it's net-th another MTP.
ons and NuBus card icons are in your OMS manual.25
PART 1: Overview and Installation
26 Opcode Systems, Inc.
Studio 4 M
PART 2: Using The Studio 4anual 27
PART 2: Using The Studio 4
28 Opcode Systems, Inc.
Studio 4 M
CHAPTER 5: Introduction
Before beghave read a current SStudio 4 prerences thdocument.manual or Setup docu
The Studioprograms tthat don't uMIDI Timestandard M
There are routing wh
With aMost sPerforwithinsequenMIDI
With astate rwork R6) anding an7). Youstates alwayswhen panual 29inning this section, you should your OMS manual and created tudio Setup document. ogramming uses OMS and ref-e current Studio Setup If you haven't read your OMS if you haven't created a Studio ment, do so at this time.
4 integrates seamlessly with hat use OMS. With programs se OMS, it can emulate a Piece or it can be used as a IDI interface.
three ways to control MIDI en you use a Studio 4:
sequencer application. equencers (such as Vision or mer) control MIDI routing the application. You use the cer to route MIDI inputs to
outputs. Studio 4 state. A Studio 4
eflects the settings of the Net-outing window (see Chapter
the MIDI Routing, Channeliz-d Muting window (see Chapter can save and recall Studio 4
at any time. The Studio 4 retains the latest state even ower is turned off.
With aallow yMIDI using StudiopatchePatche
USING TOMS-COMAPPLICA
Unless youlive performwith sequeMIDI applrequire yowithin themapplicationuse to inpu
With OMSas Vision amake sureapplicationdevice, thrapplicationdevices witions, OMSinputs are then tells ewhich inpun OMS patch. OMS patches ou to design very advanced
routing and processing paths the Macintosh (not the 4) to process MIDI data. OMS s are discussed in the Studio s Editor manual.
HE STUDIO 4 WITH PATIBLE
TIONS
use the Studio 4 for strictly for ance, you'll probably use it
ncers, librarians and other ications. These programs u to enable MIDI input devices
that is, you need to tell the which MIDI device(s) you'll t MIDI data.
-compatible applications (such nd Galaxy) you need only the input is enabled within the in order to route data from the ough the Studio 4 and into the . When you enable input thin OMS-compatible applica- tells the Studio 4 driver which
enabled. The Studio 4 driver ach Studio 4 in your network ts to route to the Macintosh.
PART 2: Using The Studio 4
30
In OMS-compatible applications, if you choose the Studio 4 as a MIDI input, only timecode from the Studio 4 and MIDI beat clock from any devices connected to the Studio 4 are sent to the applicationother types of MIDI data from devices attached to the Studio 4 are not sent. Select deviselecting tthem as M
For examp
Figure 5.1: E
In this exaMastermanenabled asare highligonly from tdevices cosent to Vis
See your Omanuals fo
USING THE STUDIO 4 WITH NON-OMS APPLICATIONS
The Studio 4 acts like a standard interface or a MIDI Time Piece when used with non-OMS applications. Use the Network Routing windows Compatibility columns
1. In Vision, choosinEnable Input Deviceopens this dialog boces by name (rather than he interface) if you want to use IDI inputs.
le, look at Figure 5.1.
nabling Inputs in Vision
mple, the GeoSkin Drums, 88 and MIDI Tuba are
input devices in Vision (they hted). Vision sees MIDI data hese devices. Data from other nnected to the Studio 4 is not ion.
MS-compatible application r more information.
to enable Mthe Port coments. Thediscussed
STUDIO 4COMMUN
For each Sdirectly to basic commthe positio1MHz/Fastion speed MIDI applimode, youStudio 4-tospeed for m
To establismust:
a Open tdocumicon to>Macindialog
g s x
2. Use this dialog box to tell Vision which devices will send it data.Opcode Systems, Inc.
IDI inputs and outputs, and lumns to choose port assign- Network Routing window is
in Chapter 6.
MACINTOSH ICATION SPEED
tudio 4 that's connected a Macintosh, you must set a unication speed to match both
n of the Studio 4s front panel t switch and the communica-settings you choose in your cations. If youre using Fast may also optimize the -Macintosh communication
aximum MIDI throughput.
h communication speed, you
he current OMS Studio Setup ent and double-click a Studio 4 open the Studio 4
CHAPTER 5: Introduction
Studio 4 Ma
Figure 5.2: Double-click Studio 4 Icon
The StSpeed Figure
Figure 5Speed D
b Set a bwith th
c Set a Scommset of
These mode oStudio
d On the1MHz/Fin the box.
e Click OK when youre finished and perform the same operation for any other Studio 4's connected directly to the Macintosh.
Determining the Optimum nual
udio 4Mac Communication dialog box looks as shown in 5.3.
.3: Studio 4Mac Communication ialog Box
asic communication speed e top set of radio buttons.
tudio 4->Macintosh unication speed with the lower radio buttons.
buttons allow you, when in Fast nly, to select an optimum 4->Mac communication speed.
Studio 4's front panel, set the ast switch to match the setting
Communication Speed dialog
Studio 4
The optimvides the fawithout ov1.33 x MIDwould like if you get o
THE STU
A Studio 4 Setup appldriver is inSetup docuStudio 4s. described
Figure 5.4: S
Chapter 9
Chapter 10
Chapter 6Chapter 7
Chapter 8
This Chapter
This Chapter
Chapter 331
->Mac Speed
um Studio 4->Mac speed pro-stest communication speed
errun errors. The default is I. Increase this speed if you higher throughput. Decrease it verrun errors.
DIO 4 MENU
menu appears in the OMS ication whenever a Studio 4 stalled and the current Studio ment contains one or more Studio 4 menu commands are in the indicated chapters.
tudio 4 Menu
PART 2: Using The Studio 4
32
Display ROM Version...
Choose this command to display the ver-sion numbers of your Studio 4 ROM. You should know your ROM version if you call Opcode Technical Support about your Studio 4.
ChoosingStudio 4
Any time tment contayoull see athe Studio
To select (down the mover the de
The SMPTwindows wYou must seither the SMPTE wiwindow is Stripe SMPChapter 10
Choose anopen eithea Routing, window forchoose anopen eithea Routing, window forRouting wiChapter 6.Muting wi
Using the Studio 4 Menu with a MIDI Time Piece
If you network a MIDI Time Piece with a Studio 4, the MTP appears as a Studio 4 in the Studio Setup document and is labeled MTP as S4. Everything in the Studio 4 Between Multiple s
he current Studio Setup docu-ins more than one Studio 4, listing of them at the bottom of 4 menu.
check) a Studio 4, simply pull enu and release the mouse sired Studio 4.
E Reader and Stripe SMPTE ork with the selected Studio 4. elect a Studio 4 before opening
SMPTE Reader or Stripe ndows. The SMPTE Reader discussed in Chapter 9. The TE window is discussed in .
y Studio 4 on a modem port to r a Network Routing window or Channelizing and Muting the modem port. Similarly,
y Studio 4 on a printer port to r a Network Routing window or Channelizing and Muting the printer port. The Network ndow is discussed in The Routing, Channelizing and ndow is discussed in Chapter 7.
menu workexcept StriDisplay Rthe SMPTETime Pieceand itll woMIDI syncOpcode Systems, Inc.
s with the networked MTP pe SMPTE, Jam Sync and OM Version. You can open Reader window for a MIDI that's networked to a Studio 4 rk except you can't change the hronization format.
Studio 4 M
CHAPTER 6: Network Routing Window
WHEN TOROUTING
You need twindow wh
workin using b
(Printemore S
You will newindow if yserial port applicationanual 33 USE THE NETWORK WINDOW
o use the Network Routing en:
g with non-OMS applications.oth Macintosh serial ports r and Modem) with one or tudio 4s.
ver need the Network Routing ou use only one Macintosh
and you use only OMS MIDI s.
WINDOW
Choose NeStudio 4 mRouting wi
Figure 6.1: N
The Netwothe namescurrent OMClick the Hinformatiowindow. OVERVIEW
twork Routing from the enu to open the Network
ndow.
etwork Routing Window
rk Routing window displays of the devices entered in your
S Studio Setup document. elp button to open on-line
n about the Network Routing
PART 2: Using The Studio 4
34
The Network Routing window shown in Figure 6.1 is based on the Studio Setup document shown in Figure 6.2. Your Net-work Routing window will reflect your own current OMS Studio Setup document.
Figure 6.2: S
The Netwofunctions:
When cationsStudiowhichthe Ma
For anboth MStudiories thin youdocum
When youare sent imStudio 4 alof this winthis setup
Routing window (or you make another window active). If you want your Studio 4 to remember the most recent Network Routing configuration, turn it off only after closing or de-activating this window.tudio Setup Document
rk Routing window has two
working with non-OMS appli-, it controls which inputs the
4 sends to the Macintosh and devices receive output from cintosh.
y application, if you connected acintosh ports to one or more
4s, it controls which port car-e data for each device defined r current OMS Studio Setup ent.
edit this window, the changes mediately to the Studio 4. The
ways reflects the current setup dow. The Studio 4 remembers when you close the Network
Multiple
If you havea single nework Routibar indicatconnected port, or bo
If you havenetwork coserial port)ing windowthe Studioon the modRouting wiChoose anopen the Nprinter porOpcode Systems, Inc.
Studio 4s
either one or two Studio 4s in twork, youll have only one Net-ng window. That windows title es whether your network is to the Modem port, the Printer th (2 cables).
two Studio 4 networks (one nnected to each Macintosh , youll have two Network Rout-s (one for each port). From 4 menu, choose any Studio 4 em port to open the Network
ndow for the modem port. y Studio 4 on the printer port to etwork Routing window for the t.
CHAPTER 6: Network Routing Window
Studio 4 Ma
SETTING THE MIDI INPUTS
The left side of the Network Routing window contains the MIDI In columns. These columns control the signal routing from each MIDI device to the Macintosh. You can also route the timecode signal generated
Figure 6.3: NSide
MIDI In P
If you connports to a none or twowhich serimunicate wswitch betwicon in thethe Printereach devictimecode (to either thport. Clickcolumn to quickly.
Use the MIDI In Port column to balance the MIDI input data between the two Macintosh serial ports. For instance, time-code data is very denseso to prevent timing errors, you should always route timecode to the least used serial port (ide-ally, its own port).nual
by the Studio 4.
etwork Routing Windows MIDI Input
ort Column
ect both Macintosh serial etwork (consisting of either
Studio 4s), you can select al port each device uses to com-ith the Macintosh. You can een ports by clicking the port
Port column. Choose either port or the Modem port for e. You can also choose to route as generated by the Studio 4) e Macintosh Printer or Modem and drag down the Port change many port assignments
In Figure 688, ProMathe Macintsent to the
If you connport to a Stthe Port coMacintoshthe port as
TIMECODhandle onlyper serial pStudio 4s, no more thing timing
MIDI In C
Use the Coto enable dwith non-Odevices Cobetween en(uncheckeCompatibicompatibil35
.3, data from the Masterman-ker/1 and Vectorific is sent to osh Modem port. Timecode is Macintosh Printer port.
ect only one Macintosh serial udio 4 (or pair of Studio 4s), lumn merely illustrates which port is used; you cant change signment by clicking it.
E NOTE: The Macintosh can one incoming timecode stream ort. If youre using multiple its up to you to make sure that an one Studio 4 per port is send-information to the Macintosh.
ompatibility Column
mpatibility (Compat) column evice inputs when you work MS software. Click each mpatibility column to toggle abled (checked) and disabled
d). Click and drag down the lity column to change multiple ity settings.
PART 2: Using The Studio 4
36
In Figure 6.3, only timecode and MIDI data from the Masterman-88 are sent to non-OMS applications. MIDI data from the ProMaker/1 and Vectorific sound modules will not be sent to non-OMS applications.
IMPORTAMIDI appldevices in tcolumn in the applicaOMS appliTime Piece
SETTING
The right swindow coThese colufrom the Mdefined in document.
Figure 6.4: NOutput Side
MIDI Out Port Column
If you connect both Macintosh serial ports to a network (consisting of either one or two Studio 4s), you can select which serial port each device uses to com-municate with the Macintosh. You can NT: If youre using non-OMS ications, you MUST enable he MIDI In Compatibility order for MIDI data to be sent to tion. This is true even for non-cations that work with the MIDI (such as Performer).
THE MIDI OUTPUTS
ide of the Network Routing ntains the MIDI Out columns. mns control the signal routing acintosh to each MIDI device
your current Studio Setup
etwork Routing Windows MIDI
switch betwicon in thethe Printereach deviccolumn to quickly.
Use the MIthe MIDI oMacintosh
In Figure 6sent to theand Vector
If you connport to a Stthe Port coMacintoshthe port as
MIDI Out
When you tions, use tcolumn to the Macintdevices Cobetween en(uncheckeCompatibilcompatibilOpcode Systems, Inc.
een ports by clicking the port Port column. Choose either port or the Modem port for e. Click and drag down the Port change many port assignments
DI Out Port column to balance utput data between the two serial ports.
.4, data from the Macintosh is Masterman-88, ProMaker/1 ific via the Modem port.
ect only one Macintosh serial udio 4 (or pair of Studio 4s), lumn merely illustrates which port is used; you cant change signment by clicking it.
Compatibility Column
work with non-OMS applica-he Compatibility (Compat) enable the flow of MIDI from osh to each device. Click each mpatibility column to toggle abled (checked) and disabled
d). Click and drag down the ity column to change multiple ity settings.
CHAPTER 6: Network Routing Window
Studio 4 Ma
In Figure 6.4, data from non-OMS applica-tions is sent to only the modem port and to the ProMaker/1 and Vectorific sound modules. Non-OMS applications will not send MIDI data to the Masterman-88 since its Compatibility column isnt checked.
MIDI TIMtions that wwill send Mregardless obility checknual
E PIECE NOTE: Applica-ork with the MIDI Time Piece IDI to the correct outputs, f whether the output Compati-
boxes are checked. 37
PART 2: Using The Studio 4
38 Opcode Systems, Inc.
Studio 4 M
CHAPTER 7: Routing, Channelizing and Muting Window
WHEN TOCHANNEWINDOW
Use this wrouting, chtings in theretained bythe settingdow, can bStudio 4 st
The Routinwindow (Rfor:
RoutintimecoFor exmight ious deYou caof MIDcontrodevice
ChannYou cotransmolder anual 39 USE THE ROUTING, LIZING AND MUTING
indow to set and view all of the annelizing and muting set- Studio 4. All settings are the Studio 4 and, along with
s in the Network Routing win-e saved to the Macintosh as a ate (see Chapter 8).
g, Channelizing and Muting CM window, for short) is used
g MIDI data (including de)ample, in a live situation you route various controllers to var-vices or groups of devices. n even merge any combination I inputs so that more than one
ller can play the same MIDI .elizing MIDI datauld, for example, change the it or receive channel of an fixed-channel MIDI device.
MutinFor exgenerawant sresponmute tdevice
NOTE: MIformed by a(discussed manual). Ithe Routingwindow thaerly, make OMS patching schemeMIDI routig unnecessary MIDI dataample, if your master keyboard tes aftertouch, but you don't ome of your sound modules to d to aftertouch, you could he aftertouch outputs to those s.
DI routing can also be per- sequencer or by OMS patches
in the Studio Patches Editor f youve designed a routing in , Channelizing and Muting t doesnt seem to perform prop-
sure that your sequencer (or ) doesnt have a conflicting rout-. Its up to you to keep track of ngs.
PART 2: Using The Studio 4
40
WINDOW OVERVIEW
Choose MIDI Routing, Channelizing and Muting from the Studio 4 menu to open the Routing, Channelizing and Muting window.
Figure 7.1: RWindow
When youreflects theand Mutin
Four separate areas make up the Routing, Channelizing and Muting grid. These areas are illustrated in Figure 7.2 and are discussed later in this chapter.outing, Channelizing and Muting
open an RCM window it current Routing, Channelizing
g setup of the Studio 4.
Figure 7.2: R
When you are sent imStudio 4 alof this windthis setup wwindow (oactive). If yrememberChanneliziturn it off oing the RC
RCM WinStudio 4
Notice thatsixteen rowcolumn repMIDI inpuof sixteen Sever, a singMIDI inpuyour StudioOpcode Systems, Inc.
CM Window Block Diagram
edit this window, the changes mediately to the Studio 4. The
ways reflects the current setup ow. The Studio 4 remembers hen you close the RCM
r you make another window ou want your Studio 4 to the most recent MIDI Routing, ng and Muting configuration, nly after closing or de-activat-M window.
dow with a Single
the MIDI Routing Area is a by sixteen column grid. Each resents one of sixteen Studio 4
ts and each row represents one tudio 4 MIDI outputs. How-le Studio 4 has only eight
ts and eight MIDI outputs. If Setup document contains
MIDI Routing Area
Timecode Routing Area
Channelizing Area
Muting Area
CHAPTER 7: Routing, Channelizing and Muting Window
Studio 4 Ma
only one Studio 4, youll use only the first eight rows and columns in the MIDI Rout-ing, Channelizing and Muting areas. Also, you'll use only eight of the timecode rout-ing squares.
The RCM window illustrates its active regions byof the gridwindow's tStudio 4 isPrinter por
RCM Winin a Sing
If you haveas shown iwork contasixteen MIumns 9-16
Figure 7.3: T
As shown in Figure 7.4, the entire RCM window grid is active when you connect two Studio 4's to a single network. Also, notice that both Studio 4's are repre-sented in the timecode routing area. The window's title bar indicates whether the network is connected to the Modem port,
OUT
SMPTE
IN
PORT B P
B
THRU
9VDC
OUT
SMPTE
IN
PORT B P
BTHRU
9VDC
MACINTOSHnual
dimming all unused portions as shown in Figure 7.1. The itle bar indicates whether the connected to the Modem port, t, or both (2 cables).
dow with Two Studio 4s le Network
a second Studio 4 connected n Figure 7.3, your Studio 4 net-ins sixteen MIDI ins and DI outs. Rows 9-16 and col-represent the second Studio 4.
wo Networked Studio 4s
Printer por
Figure 7.4: RSingle Netwo
RCM WinStudio 4
As discussyou have esingle netwyoull haveing and Mu
However, iworks (oneMacintoshRouting, Cdows (one
MIDI OUT MIDI INORT A
A
THRU
8
16
7
15
6
14
5
13
4
12
3
11
2
10
1
9
6
14
5
13
4
12
3
11
2
10
1
9
MIDI OUT MIDI INORT A
ATHRU
816
715
614
513
412
311
210
19
614
513
412
311
210
19
Set to 9-16
Set to 1-8
Optional 2nd cable41
t, or both (2 cables).
CM Window for Two Studio 4s in a rk
dow with Two or More s in Two Networks
ed in the previous sections, if ither one or two Studio 4s in a ork (or a 2-cable network),
only one Routing, Channeliz-ting window.
f you have two Studio 4 net- network connected to each
serial port), youll have two hannelizing and Muting win- for each port). From the
PART 2: Using The Studio 4
42
Studio 4 menu, choose any Studio 4 on a modem port to open the Routing, Chan-nelizing and Muting window for the modem port. Choose any Studio 4 on a printer port to open the Routing, Channel-izing and Muting window for the printer port. If a network has only one Studio 4, its RCM wa network RCM wind
MIDI MU
MIDI mutiprogram caftertouchsensing, beexclusive aevents at eoutput.
This is verdata streamired MIDI
NOTE: BePosition PoClock, StarMiscellaneRequest, Systatus bytes
Using MIDI Mutingindow uses only the 8x8 grid. If contains two Studio 4's, its ow uses the entire grid.
TING
ng allows you to mute notes, hanges, mono or polyphonic , pitch bend, controllers, active at clock, timecode, system nd miscellaneous system ither the Studio 4's input or its
y useful for thinning the MIDI by muting unused or undes-
messages.
at clock messages include Song inter, Song Select, Timing t, Stop and Continue messages. ous system events include Tune stem Reset and undefined MIDI 0xF4, 0xF5, 0xF9, and 0xFD.
Figure 7.5: M
Use the hoignated bymessages ainputs. Usecolumn to mthe Studio Opcode Systems, Inc.
IDI Muting Area
rizontal MIDI muting row (des- an M) to mute MIDI rriving at the Studio 4 MIDI the vertical MIDI muting ute MIDI messages leaving
4 MIDI outputs.
Studio4 Input Muting Row
Studio4 Output Muting Column
CHAPTER 7: Routing, Channelizing and Muting Window
Studio 4 Ma
Click one of the muting squares (as shown in Figure 7.6).
Figure 7.6: C
A Mute wiFigure 7.7.
Figure 7.7: D
You can elof MIDI dapassed (noarrow.
MIDI data which is muted is indicated by the international NO symbol.
You can toggle between muted and unmuted MIDI messages by clicking the nual
lick to Open Mute Window
ndow opens similar to
efault Mute Window
ect to mute up to eleven types ta. A MIDI message which is t muted) is indicated by an
icons.
Figure 7.8: C
Figure 7.8 that removthe MIDI d43
lick to mute/unmute
shows a mute configuration es polyphonic aftertouch from ata sent to the ProMaker/1.
PART 2: Using The Studio 4
44
When you have muted one or more MIDI messages, an M appears in the appropri-ate location in the Routing, Channelizing and Muting window.
Figure 7.9: M
MIDI CH
Use MIDI MIDI chanentering o
MIDI chanyou have dequipmentfixed chanizing to ch
Using MIDI ChannelizingIDI Muting Indicator
ANNELIZING
channelizing to change the nel number of data either
r exiting the Studio 4.
nelizing is particularly useful if evices (usually older MIDI ) that transmit or receive on a nel. You can use MIDI channel-ange a fixed MIDI channel.
Figure 7.10:
Use the Mnated by a MIDI messing columnmessages.
Click one oshown in F
Figure 7.11:Opcode Systems, Inc.
MIDI Channelizing Area
IDI channelizing row (desig-Ch) to rechannel incoming ages. Use the MIDI channeliz- to rechannel outgoing
f the channelizing squares (as igure 7.11).
Click to Open Channelizing Window
Studio4 Input Channelizing
Row
Studio4 Output Channelizing
Column
CHAPTER 7: Routing, Channelizing and Muting Window
Studio 4 Ma
A Channelizing window opens similar to Figure 7.12.
Figure 7