OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND ?· FIRST DAY’S SALE TUESDAY 29th APRIL 2014 OIL PAINTINGS,…

  • Published on
    20-Aug-2018

  • View
    212

  • Download
    0

Embed Size (px)

Transcript

<ul><li><p>FIRST DAYS SALE</p><p>TUESDAY 29th APRIL 2014</p><p>OIL PAINTINGS, WATERCOLOURS, DRAWINGS AND MINIATURES </p><p>Commencing not before 2.30pm</p><p>Pictures will be on view on:</p><p>Friday 25th April 9.00am to 5.15pm</p><p>Saturday 26th April 9.00am to 1.00pm</p><p>Sunday 27th April 2.00pm to 4.00pm</p><p>Monday 28th April 9.00am to 5.15pm</p><p>Limited viewing on sale day</p><p>Enquiries: Martin Scadgell</p><p>Tel: 01392 413100</p><p>Email: scadgellm@bhandl.co.uk</p><p>Enquiries: Daniel Goddard</p><p>Tel: 01392 413100</p><p>Email: goddardd@bhandl.co.uk</p></li><li><p>64</p><p>281 David Eustace [b.1950] A sore head oil on board 43 x 40.5cm.</p><p>100 - 200</p><p> Biography. David Eustace was born in Birmingham. He was encouraged to attend art school but a lack of money prevented this and he trained to become a carpenter. He did subsequently train at Sutton School of Art and then Exeter College of Art, but insists that he is self-taught. Eustace is a painter, muralist and jazzman, latterly part of a quartet called Shufflebones. His paintings reveal a social quirkiness combining odd characters and peculiar moments.</p><p>282 David Eustace [b.1950] My beautiful bath signed oil on octagonal board 33 x 33cm.</p><p> 100 - 200</p></li><li><p>65</p><p>283 David Eustace [b.1950] Morris man and bull dog; After a visit to the vets; Terrier in a pub; Mans best friend a group of four, one signed oils on board each 24 x 20.5cm. [4]</p><p> 200 - 300</p><p>283</p><p>284</p><p>284 David Eustace [b.1950] The Iron Bridge, Exeter signed oil on board, 28 x 20.5cm, in the artists cut out and painted frame, together with a painting of Exeter Prison. [2]</p><p>100 200</p><p>285 No Lot.</p></li><li><p>66</p><p>286 Dora Holzhandler [b.1928] Girl playing with a ball signed and dated 96 oil on board 16 x 11.5cm.</p><p> 200 - 300</p><p>287 Silvio Loffredo [1920-2013] Head of a girl signed and dated 79 oil on board 13.5 x 18.5cm.</p><p> 80 - 120</p><p>288Attributed to Vincent Cartwright Vickers [19th/20th Century] Google Bird pen, ink and watercolour 36.5 x 27cm.</p><p>300 - 400 Provenance. Private Collection David Pleydell-Bouveire Esq. 2005</p><p>289 - 290 No Lots</p><p>286</p><p>287</p><p>288</p></li><li><p>67</p><p>291 Michael Seward Snow [1930-2012] Grey to Mauve Space signed, inscribed and dated 1965 on the reverse oil on board 20.5 x 15cm, mounted on a painted backboard.</p><p>600 - 800</p><p> Provenance. Peterloo Gallery, Manchester 1968. Rowan Gallery, Lowndes Street, London. </p><p>291</p><p>292</p><p>292 Peter Thursby [1930-2011] Concave Pod initialled and numbered PT 250.74.10 bronze sculpture height 50.1cm, width 16.5cm, depth 14.2cm.</p><p> 2500 - 3500</p><p> Extract from Peter Thursby by Vivienne Light and Simon Olding. The descriptive title of Podmen came about as Thursby observed little men on scaffolding constructing buildings. They appeared to be framed in boxes like peas in a pod...therefore the name Podmen arose. As the series progressed so Podmen began to emerge climbing, falling, ascending, descending, whirling and rotating on external surfaces. Looking Forward, commissioned by Exeter City Council, was the beginning of Podmans escape from restricted compartments towards final release. From the biography Peter Thursby by Vivienne Light and Simon Olding.</p></li><li><p>68</p><p>293 Clifford Fishwick [1923-1997] Passing storm signed and dated 83 bottom right further signed, inscribed and dated on the reverse oil on board 60 x 70cm. </p><p> 300 - 500</p><p>294 Clifford Fishwick [1923-1997] Yacht Race Torbay signed and dated 69 bottom right inscribed with title on the stretcher oil on canvas 90 x 120cm. </p><p>500 - 700</p><p>295 Clifford Fishwick [1923-1997] Yacht Race Powderham signed and dated 1980 bottom right further signed and inscribed with title on the reverse watercolour 37 x 57cm. </p><p>120 - 180</p><p>296 Alfred Cohen [1920-2001] Coastal landscape with cottages signed oil on board 33 x 40.5cm.</p><p> 250 - 350</p><p>293</p><p>294</p><p>295</p><p>296</p></li><li><p>69</p><p>297</p><p>298</p><p>299</p><p>297 Arthur Karl Maderson [b. 1942] Foggy Morning, near Cappoquin signed further signed and inscribed on the reverse oil on board 22.5 x 18cm.</p><p> 500 - 700</p><p> Provenance. The George Gallery &amp; Montague Ltd, Exhibition of Recent Works by Arthur Maderson 1991.</p><p>298 Arthur Karl Maderson [b. 1942] Bathroom Study signed further signed and inscribed on the reverse oil on board 21 x 17.5cm.</p><p>400 - 600</p><p> Provenance. The George Gallery &amp; Montague Ltd, Exhibition of Recent Works by Arthur Maderson 1991. </p><p>299Francesco Raffaello Santoro [1844-1927] Fonti del Clitunni, Italy signed oil on board 40 x 27cm.</p><p> 400 600</p><p>300 No Lot</p></li><li><p>70</p><p>301Frederick John Widgery [1861 - 1942] The Exe Estuary, Topsham in the distance signed watercolour 17 x 45cm. </p><p> 150 - 250</p><p>302Frederick John Widgery [1861 - 1942] The Source of The Exe signed watercolour 17 x 44.5cm. </p><p>150 - 250</p><p>303Frederick John Widgery [1861 - 1942] Watermouth Creek, Devon signed and inscribed watercolour and bodycolour 16.5 x 27cm. </p><p>150 - 250</p><p>304Frederick John Widgery [1861 - 1942] Coastal view near Bournemouth signed and inscribed watercolour and bodycolour 17 x 27cm. </p><p>150 - 250</p><p>305Frederick John Widgery [1861 - 1942] Dartmoor landscape signed watercolour 16.5 x 27cm.</p><p> 100 - 200</p><p>301</p><p>302</p><p>303</p><p>304</p><p>305</p></li><li><p>71</p><p>306</p><p>307</p><p>308</p><p>309</p><p>306Alfred Leyman [1856-1933] The Lych Gate, Offwell signed watercolour 53 x 73cm. </p><p>600 - 900</p><p>307Frederick John Widgery [1861-1942] Nr. Okehampton, Dartmoor signed and inscribed bottom left bodycolour with watercolour 48.5 x 73.5cm</p><p> 250 - 350</p><p>308William Darton [19/20th century] Landing a catch at The Barbican Quay signed and dated 1924 watercolour 25 x 35cm.</p><p> 200 - 300</p><p>309Walter James Shaw [1851-1933] A Cornish Bay signed and dated 1882 oil on canvas 49 x 80cm. </p><p>300 - 500</p></li><li><p>72</p><p>310William Widgery [1822-1893] Devon North Coast, stormy sea, watch tower on hill beyond signed W.Widgery bottom left oil on canvas 152 x 102cm.</p><p> 300 500</p><p>311William Widgery [1822-1893] Rocky shore with towering cliffs signed W.Widgery bottom left oil on canvas 152 x 102cm.</p><p> 300 - 500</p><p>312John Faulkner [1835-1894] A Breckon Lane signed and inscribed bottom left watercolour 49 x 99cm.</p><p> 400 - 600</p><p>313H J Livens [19/20th century] Cattle watering on a highland river signed oil on canvas 125 x 110cm.</p><p> 400 - 600</p><p>310</p><p>312</p><p>311</p><p>313</p></li><li><p>73</p><p>314</p><p>316 317</p><p>314Charles Edward Brittan [1870-1949] A moorland sunset signed, inscribed and dated 1908 watercolour with scratching out 77 x 128.5cm. </p><p> 1200 - 1800</p><p>315 - No lot</p><p>316Circle of Thomas Sidney Cooper [1803-1902] Sheep resting oil on panel 12.5 x 21.5cm. </p><p> 150 - 200</p><p>317Thomas Whittle [19th century] Fishing in a river gorge, Derbyshire signed and dated bottom right oil on board 17.5 x 14.5cm</p><p> 250 - 350</p></li><li><p>74</p><p>318Continental School 19th century Lovers bathing in a grotto oil on panel 10 x 18cm. </p><p>500 - 800</p><p>319Circle of Julius Caesar Ibbetson [1759-1817] Sheep grazing in a woodland clearing oil on millboard 30 x 39cm</p><p> 200 - 300</p><p>320Manner of Abraham Pether [19th century] A moonlit estuary scene with sailing barge oil on panel 17.5 x 27cm.</p><p> 200 - 300</p><p>321Joseph Thors [c.1843-1898] Marshland with punt, farm and windmill in the foreground signed bottom right oil on canvas 49 x 74.5cm</p><p> 250 - 350</p><p>318</p><p>319</p><p>320</p><p>321</p></li><li><p>75</p><p>322</p><p>323</p><p>324</p><p>325</p><p>322Attributed to Dorothea Sharp [1874-1955] Gathering Blackberries initialled DS bottom right watercolour and bodycolour 40.5 x 64cm</p><p> 250 - 350</p><p>323Manner of James Baker Pyne, 19th century A Neapolitan capriccio, figures resting on balustraded steps, a view to a harbour and coastal town beyond oil on canvas 93 x 118cm</p><p> 300 - 500</p><p>324James Duffield Harding [1797-1863] Travellers in an upland wooded landscape signed and dated J.D. Harding 1851 bottom right watercolour heightened with white 30 x 42cm</p><p> 150 - 200</p><p>325William Cartwright [1864-1911] Stover Devon signed bottom left oil on canvas 31 x 48cm. </p><p>250 - 350</p></li><li><p>76</p><p>326Thomas Bush Hardy [1842-1897] Off Yarmouth- signed, inscribed and dated 1890 bottom right watercolour 25 x 36.5cm. </p><p>300 - 500</p><p>327Samuel Owen [1768-1857] A stormy beach scene, fisherfolk on a shore, coastal shipping in distance signed S.OWEN and indistinctly dated 28 bottom right watercolour with scratching out 8.5 x 12cm</p><p> 250 350</p><p>328Circle of Talbot Kelly [1861-1934] A Nile scene, dhows on the river bank, figures in the foreground indistinctly signed bottom right watercolour and bodycolour 27 x 43cm.</p><p> 200 300</p><p>326</p><p>327</p><p>328</p><p>329</p><p>329Attributed to Thomas Hart [1830-1916] Kynance Cove; The Cornish Coast two, pastel drawings each 34 x 48cm. [2] </p><p>200 300</p></li><li><p>77</p><p>330William Pitt [1853-1890] Fishermen and boats at Frogmore, Devon signed and inscribed on the reverse oil on canvas 61 x 122cm. </p><p>800 - 1200</p><p>331John Cheltenham Wake [19th Century British] Fishermen in coastal waters signed oil on canvas 84 x 127.5cm </p><p>700 - 900</p><p>331AWilliam Oliver [1804-1853] An extensive river landscape, figures on a riverbank in the foreground, outskirts of a town beyond, possibly Italy, the Tiber and environs of Rome signed, William Oliver and indistinctly inscribed bottom left oil on canvas 56 x 95cm</p><p> 800 - 1200</p><p>330</p><p>331</p><p>331A</p></li><li><p>78</p><p>332 Robert O Lenkiewicz [1941-2002] Self-Portrait with Red Scarf signed twice and inscribed on the reverse further marked with a red triangle oil on board 22.5 x 18cm.</p><p>5000 - 7000</p><p> The presence of a Red Triangle has been explained as a mark which Lenkiewicz used to indicate that a work was Not For Sale, or of a special significance and as a result a Red Triangle has caused intrigue where it appears. </p><p>332</p><p>The following 26 paintings and watercolours by Robert Lenkiewicz comprise 13 works from one private collection in Cornwall and the remainder come from six other small private collections.</p></li><li><p>79</p><p>333 Robert O. Lenkiewicz [1941-2002] Anna with striped jumper at the House signed twice and inscribed on the reverse oil on board 22.5 x 18cm. </p><p>4000 - 6000</p><p>334 Robert O. Lenkiewicz [1941-2002] Self Portrait signed twice and inscribed on the reverse oil on board 23 x 17.5cm. </p><p>4000 - 6000</p></li><li><p>80</p><p>335 Robert O Lenkiewicz [1941-2002] Portrait of Jolie Project 3, Mental Handicap 1976 signed oil on canvas 49.5 x 59.5cm. </p><p>2500 - 3000</p><p>336 Robert O Lenkiewicz [1941-2002] The Painter with Lindsey Seers signed and inscribed on the reverse oil on canvas 44 x 35cm. </p><p>5000 - 7000</p><p>335</p><p>336</p></li><li><p>81</p><p>337 Robert O. Lenkiewicz [1941-2002] Janice Smith, Study, Shortly after Birmingham Exhibition signed twice and inscribed on the reverse oil on board 55.5 x 55.5cm. </p><p>1000 - 1500</p><p>338 Robert O. Lenkiewicz [1941-2002] Portrait of a young woman signed on the reverse oil on board 34.5 x 24.5cm. </p><p>600 - 800</p><p>339 Robert O Lenkiewicz [1941-2002] Phillip Saunders Project - Gossip on The Barbican, 1979 signed twice and inscribed on labels attached to the reverse oil on board 36 x 29.5cm. </p><p>600 - 800</p><p>337</p><p>339</p><p>338</p></li><li><p>82</p><p>340 Robert O. Lenkiewicz [1941 - 2002] Orgasm, Project 9 It seems that her hands are blood red - her head and hair becomes green also the extremities, her feet. My right hand locked firmly in death white. As I press into her a grey blue spiral sweeps from above swirling through us turning red at genital area and plummets deep down into an ink black. As she makes climax the lower regions merge into a brilliant orange around a yellow, her eyes and mouth become black and the noise she makes covers my head with a death white inscribed and dated 28 Feb 78 watercolour, pen and ink drawing heightened with white 19.5 x 27cm.</p><p>800 - 1200</p><p> Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 505.</p><p>340</p><p>341</p><p>341 Robert O. Lenkiewicz [1941 - 2002] Orgasm Study Project 9 signed inscribed and dated 78 further signed, inscribed and dated on a label attached to the backboard watercolour heightened with white 25 x 26cm.</p><p>500 - 700</p><p>Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 183 </p></li><li><p>83</p><p>342 Robert O. Lenkiewicz [1941-2002] The Painter with Lisa, St Anthony Theme signed and inscribed along the right edge watercolour heightened with white and bodycolour 39 x 24cm. </p><p>800 - 1200</p><p>342</p><p>343</p><p>344</p><p>343 Robert O. Lenkiewicz [1941-2002] Study of Lisa Stokes signed and inscribed along the right side watercolour heightened with white 45 x 35cm. </p><p>1000 - 1500</p><p>344 Robert O. Lenkiewicz [1941-2002] Self Portrait signed and inscribed along the right side watercolour heightened with white 49 x 35cm. </p><p>2000 - 3000</p></li><li><p>84</p><p>345 Robert O. Lenkiewicz [1941 - 2002] Alex Donague and one other wax crayon drawing 43 x 36cm.</p><p>500 - 700</p><p> Provenance. Lenkiewicz Studio Sale, Bearnes, 2004. Lot 481. </p><p>346 Robert O. Lenkiewcz [1941-2002] Mouse Hampstead signed, inscribed and dated 1960s pencil drawing 25 x 27.5cm. </p><p>150 - 250</p><p>347 Robert O. Lenkiewicz [1941-2002] Four drawings of Mouse pen, ink and pencil each with Lenkiewicz Studio blindstamp largest 35.5 x 14cm in three frames.</p><p> 150 - 200</p><p>345</p><p>346</p></li><li><p>85</p><p>348 Robert O. Lenkiewicz [1941-2002] Study Lisa, St Anthony Theme signed and inscribed on the reverse oil on canvas 127 x 90cm. </p><p>4000 - 6000</p><p>348</p><p>349 350</p><p>349 Robert O. Lenkiewicz [1941-2002] The Painter with Rachel, Study Painter with Women, Observations on the Theme of The Double signed and inscribed as catalogued on the reverse oil on board 27 x 26.5cm.</p><p> 2000 - 3000</p><p>350 Robert O. Lenkiewicz [1941-2002] Study of Karen in the Studio signed and inscribed on the reverse oil on board 27 x 26.5cm. </p><p>2000 - 3000</p></li><li><p>86</p><p>351 Robert O. Lenkiewicz [1941-2002] Estuary Study - 8am February signed and inscribed on the reverse oil on canvas 114 x 65cm </p><p>6000 - 8000</p></li><li><p>87</p><p>352 Robert O. Lenkiewicz [1941-2002] Young Hasid signed twice and dated 1965 on the reverse also inscribed [Hampstead] Eton Avenue-study/ Young Hasid-for life size Four Figures Hasidic [Cabala] - painting now in Glasgow. [Hotel Shemtof 85-87 Fordwych Road] oil on board, 44 x 28.5cm.</p><p>4000 - 6000</p><p> Provenance. The Lenkiewicz Studio sale, Bearnes, Westpoint, Exeter, 2008 </p><p>353 Robert O. Lenkiewicz [1941-2002] Fragment from The Fight Project 17. Observations on Local Education signed and inscribed on the reverse, further inscribed [S W Fascism Column 88] oil on canvas 34.5 x 19cm.</p><p> 1000 - 1500</p><p> The Fight was a 1988 Project 17 painting which was cut into several fragments, this being one. Five other parts were sold in 2003 at the Sotheby/Bearnes Lenkiewicz Studio sale, lots 113 - 117.</p><p>352</p><p>353</p></li><li><p>88</p><p>354 Robert O. Lenkiewicz [1941-2002] The Painter with Karen signed twice on the reverse and inscribed Painter with Women Observation son the Theme of The Double Project 18 Aristotle &amp; Phyllis, oil on canvas 191 x 90cm.</p><p>20000 - 30000</p><p> Exhibited. The Painter With Women, Birmingham, 1994. </p></li><li><p>89</p><p>355 Robert O. Lenkiewicz [1941-2002] Study Karen Ciambriello signed twice and inscribed on the reverse oil on canvas 101 x 90cm </p><p>5000 - 7000</p></li><li><p>90</p><p>356 Robert O. Lenkiewicz [1941-2002] Study of The Hut - Landscape Series signed twice and inscribed on the reverse oil on canvas 57.5 x 58cm.</p><p> 3000 - 5000 Exhibited. Landscape Exhibition, 1995</p></li><li><p>91</p><p>357 Robert O. Lenkiewicz [1941-2002] The Painter with Lisa signed on the reverse and inscribed The Painter with Women Observations on the Theme of The Double St Anthony Theme Project 18 oil on canvas 99 x 89cm.</p><p>20000 - 30000 Exhibited. The Painter With Women, Birmingham, 1994. </p><p>358 No Lot</p></li><li><p>92</p><p>359Anglo/Indian School [19th/20th century] Nine views in India, Gateway of Palace, Marble throne in Council Chamber, Juinina Musjid, Mosque, Dewan Khas, Suftni Junj, Jerwina Musjid, The Kootub by...</p></li></ul>