ECD BOOK 2019 AUTHOR’S NAME

Full Paper submission template and guidelines for ECD Book 2019: The French period of environmental colour design

Author’s First Name and Surname1, Second Author’s First Name and Surname2, Third Author’s First Name and Surname3

1 Author’s (Authors’) Company (or Institute, Faculty and University), City, Country2 Author’s (Authors’) Company (or Institute, Faculty and University), City, Country3 Author’s (Authors’) Company (or Institute, Faculty and University), City, Country

AbstractAt the beginning of the paper is a single-paragraph abstract concisely summarizing the major aspects of your paper in a prescribed sequence that includes: 1) the overall purpose of the study and the research problem(s) you investigated; 2) the basic method of the study; 3) major findings or trends found as a result of your analysis; and, 4) a brief summary of your interpretations and conclusions. The abstract should be between 200 and 250 words, and also include 5 keywords.

In sum, the full paper should include an abstract (200–250 words), keywords (5), your manuscript, and a short biography of each author (150 words).

Please use this document as a template.Submit your paper in both WORD and PDF. Length of full paper: 8–12 pages including images, tables, and references. Please submit unpublished work only.Images: High-quality images are needed as separate files. A caption is required for

each image and table. Copyright permissions are the author's responsibility and all sources should be cited.

Language: English. Full Paper submission deadline: June 15, 2019. Send your contribution by e-mail to SG ECD: ecd.studygroup@yahoo.com

IntroductionFull papers will be published in a book.

Peer-reviewed and accepted papers will be published by Smolensk State University Press in the collection “Social Transformations.” The aim is to present the final publication in October 2019 at the AIC 2019 Midterm Meeting in Buenos Aires, Argentina, see http://aic2019.org

It will be indexed in the Russian Science Citation Index. Therefore, we have to take into account the following requirements:

1. All the papers will be reviewed by two reviewers. The names of the reviewers will be listed at the beginning of the book.

2. All the papers should have a UDC (Universal Decimal Classification). UDC is a code that represents the main field of study of the research. The authors can find it, e.g., at https://en.wikipedia.org/wiki/Universal_Decimal_Classification

ECD BOOK 2019 AUTHOR’S NAME

All citations in the article must be referred to a full reference. Please provide a separate bibliography section that lists in full all sources that were cited in the paper, as well as any additional sources used.

The final edition will also include a Russian translation of the abstracts and the author information.

This project of the AIC Study Group on Environmental Colour Design is supported by the Embassy of France in Russia and Smolensk State University in Russia.

Editors of the volume are Verena M. Schindler, Yulia A. Griber and Martine Bouchier.

Project description and theme of the publication

Title of the projectThe French Period of Environmental Colour Design

Project content and descriptionIn France in the 1960s a new way of applying colour at a monumental scale emerged whereby colour schemes covered entire building façades, residential development towers, new towns, industrial sites, and infrastructure. In short, colour became part of the urban and architectural project. A new generation of colour designers and colour consultants was not only at work in shaping the natural, built, and human environments, but also in reflecting and developing colour theories.

The aim of this project is to explore the work of renowned colour consultants working in France at this time such as France and Michel Cler, Jacques Fillacier, Victor Grillo, Bernard Lassus, André Lemonnier, Jean-Philippe Lenclos, Georges Patrix, Dan Reisinger, Fabio Rieti, and Ryoichi Shigeta.

A further aim of this project is to investigate the influence these colour consultants also had in creating colour concepts and ambiences for urban spaces beyond France. This includes the worldwide impact they have had upon designers, artists, and researchers up to the present. For example, the Atelier Cler’s work included designing colour projects in Hong Kong, Vietnam, and the French West Indies. As well, since the 1970s, Jean-Philippe Lenclos has been realizing projects in Far East countries such as Japan, Korea, and China.

The third aim of this project is therefore to further analyze how the ideas, methodological approaches, concepts, and theories that emerged in the French context still prevail today. This entails investigating whether and how they have changed over time in response to the contemporary context, especially as shaped by new technologies.

DetailsYou may use this document as a template. All the text is single-spaced. The title of the paper is Times New Roman 14, bold, left margin. The author’s name is separated by one line from the title, Times New Roman 12, left margin. The author’s (authors’) institution(s) are written out in full. Times New Roman 12, left margin. For authors of different institutions or companies, use superscript numerals 1, 2, 3.

ECD BOOK 2019 AUTHOR’S NAME

Section headings: Times New Roman 12, bold, left margin. Sections are consecutively. After the abstract comes first the introduction, and ends with the conclusions, the last section, before the acknowledgments and references.

Subsection headings (if necessary): Times New Roman 12, bold, left margin, italics. The main text is Times New Roman 12, justified, all paragraphs with a 1.0 cm indent in the first line, with exception of the first line after a heading, i.e., no indent for the first paragraph after a heading.

Use italics for foreign words, and titles of books or works of art. Figure captions: Times New Roman 10, left margin. Footnotes: Times New Roman 10, justified, with no indent.1 List of bibliographical references: Times New Roman 10, justified, with French

indent (flush-and-hang style) 1 cm. An appendix (if there is one) is placed at the very end of the paper, after the

references.Provide a short biography of around 150 words. Author’s postal address is placed after the bibliographical references, Times New

Roman 10, left margin, and E-mail addresses of all authors. These are the general aspects of the guidelines.

Quotations and footnotesIncorporate quotations of up to three lines directly into your text, enclosed with double quotation marks. Use single quotation marks only within double ones (for instance, for a quotation within a quotation). Place quotations of four lines or more in a different paragraph, without quotation marks, with continuous indent of 1.0 cm from both sides, and separated by an empty line from the previous and next paragraphs.

Use a block indented […] and without quotation marks for a quotation of more than four lines […] Do not indent the first line of the paragraph more than the rest. (Lester 1987: 115)Replace omitted quoted material with ellipsis dots between square brackets. (Lester 1987: 118)

References should be cited in the text using by the author-date system, that is, giving the last name (surname) of the author(s) followed by the year of publication in parentheses, and page numbers when necessary; for example: Judd (1941), Wyszecki and Stiles (1967: 456). If there are more than three authors, citations need only name the first author; for example: Ikeda, Obama, Kusumi, and Shinoda (2003) becomes Ikeda et al. (2003). Footnotes should be numbered consecutively in the text with superscript Arabic numerals and should appear at the bottom of the page.

Figures and tablesFigures can be good contrast drawings and high-quality photographs (high resolution of

1 Footnotes may be used when an idea is to be developed or a comment added without interrupting the main discourse. Do not use footnotes for bibliographical references.

ECD BOOK 2019 AUTHOR’S NAME

300dpi and more, please send the pictures as separate files). Make references to the figures in the text by means of Arabic numbers (Figure 1, Figure 2, etc.). If copyright protected material is to be published, authorization in writing from the copyright holder should be obtained and submitted along with the paper.

Figure 1. Figure captions are placed below the picture, date. Photo: Name of the Photographer, date

For copyrighted pictures:

1. The Copyright Symbol2. The Year of the Creation3. The Name of the Author4. A Rights Statement

Example: © 2013 John Light. All rights reserved.

Make references to tables in the text by means of Arabic numbers (Table 1, Table 2, etc.). Place captions on top of the table (see Table 1).

Table 1. Table captions are placed on the top of the table

Caption References in text Figures at bottom Figure 1, 2, etc. Tables on top Table 1, 2, etc.

The table is positioned at the left margin.

List of bibliographical referencesPlease place the list of references at the end of your paper. Every work cited must have a bibliographical reference entry, and no bibliographical entry should be given that does not have an in-text citation by means of the author-date system. Arrange the bibliographical list in alphabetical order by the author’s last name. In the case of various authors, only the first one goes in inverted order (Surname, First Name), the remaining authors go in the natural order (First Name Surname), separating each author with a comma. Complete references should be given; each reference should contain the last names and first names of all authors, the year of publication, the full title of the article or book. Then, the pertinent publication data come, which is different for books or articles, as explained next. If there is more than one work by a certain author published in the same year, identify the works by

ECD BOOK 2019 AUTHOR’S NAME

adding a lowercase letter in alphabetical order, e.g., 1984a, 1984b, 1984c, etc.For books, the title goes in italics, New Times Roman 10. Books should include also

the city of publication and the publisher, separated by a colon. Thus, the items are: a) author, b) year, c) title, d) city and publisher. These four items are separated by periods. Examples:

Düttman, Martin, Friedrich Schmuck, and John Uhl. 1980. Farbe im Stadtbild. Berlin: Archibook.Küppers, Harald. 1978a. Das Grundgesetz der Farbenlehre. Cologne: Du Mont.——. 1978b. Farben Atlas. Cologne: Du Mont.Wyszecki, Georges, and Walter S. Stiles. 1967. Color science, concepts and methods, quantitative data and

formulas. New York: John Wiley and Sons.

For articles published in journals, the title of the article goes in normal characters. Then comes the name of the journal, in italics, volume, issue number in parentheses (when needed), and both beginning and ending pages of the paper. Examples (notice punctuation details):

Hård, Anders, and Lars Sivik. 1981. NCS - Natural Color System: A Swedish standard for color notation. Color Research and Application 6 (3): 129–138.

Judd, Donald B. 1941. Whiteness of light surface-colors. Journal of the Optical Society of America 31: 462–470.

For articles published in anthologies or proceedings of congresses, the title of the article goes in normal characters. After a period, write the word “In”, the title of the book or proceedings (in italics) and the name of the editor. Following that, provide the city of publication and publisher, and at the end give the pages of the article. Examples (notice punctuation details):

Ikeda, Mikeda, Tahara Obama, Asumi Kusumi, and Hitoshi Shinoda. 2003. Color appearance of color charts observed with a cataract experiencing goggle. In AIC Color 2015, Proceedings, ed. by A. Hansuebsai. Bangkok: Chulalongkorn University, 417–421.

Unpublished works, including university theses, internal and proprietary reports, government reports, and the like should not be cited as references unless they are freely available to all persons from all countries, and are accompanied by specific information on where and how to acquire them. Unpublished works may be referred to as “private communications” but should be attributable to specific persons and should be available from the author of the paper in which the citation is made.

Documents on the Internet can mainly be of two classes: reproduction of works published elsewhere (in which case the previous criteria apply, and the Internet address should be given as an additional source), or documents originally published on the Web. For these last ones, the following data should be provided: a) author of the document or the responsible for the page (institution or person), b) year (of creation, update, or access to the page), c) URL address, d) and, full date of access.

Examples:

ECD BOOK 2019 AUTHOR’S NAME

National Research Council, Committee on Vision, Working-Group 41. 1981. Procedures for testing color vision. Washington, DC: National Academy of Sciences, National Research Council. Available online, www.nap.edu/catalog/9186.html.

Ronchi, Lucia, comp. 2002. Light and color in environmental design: Some annotated terms. Available online, www.fadu.uba.ar/sitios/sicyt/color/glossary.htm. Accessed: June 25, 2009.

For other kinds of references, such as public documents, artistic works, other electronic documents, etc., follow the criteria of style for the author-date citations and reference lists.

AcknowledgementsThis section is used to acknowledge sources of funding, people or institutions that have aided the authors in the work presented.

ReferencesCler, Michel. 2011. Colour Appearance in Urban Chromatic Studies. In New Directions in Colour Studies,

edited by Carole P. Biggam, Carole A. Hough, Christian J. Kay and David R. Simmons, University of Glasgow, Amsterdam: John Benjamins, 181–189.

Environmental Colour Design: Theory and Praxis. 2017. Guidelines for the publication of the article. Available online http://www.ad-chroma.com/index.php?article_id=101&clang=1, under the section “projects”.

Lester, John D. 1987. Writing articles, 5th ed. Glenview, Illinois: Scott, Foresman and Co.AIC Study Group on Environmental Colour Design. 2017. Theories and Practice: How to design with colour.

Available online, http://www.ad-chroma.com/index.php?article_id=101&clang=1. Accessed: January 13, 2017.

Free Harvard Referencing Generator. 2017. Harvard Citation Generator, 34th ed. Harvard: The Harvard University Press.

AppendixIf the paper includes an appendix, it should be placed at the very end of the paper, after the references.

Short biographyPlease submit a short biography of ca. 150 words, together with your paper.

Your AddressAddress: Mary O. Cyan, Department of Colorimetry, Faculty of Engineering,University of Magentopolis, 357 Chromatic Av., Magentopolis, M1234 New Gray, ColorlandE-mail: cyan@magentopolis.edu

UDCPlease add the fields of research that fit to your paper using the UDC (Universal Decimal Classification). UDC is a code that represents the main field of study of your research. The authors can find it, e.g., at: https://en.wikipedia.org/wiki/Universal_Decimal_Classification

ECD BOOK 2019 AUTHOR’S NAME

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Note:

The AIC Study Group on. Environmental Colour Design published a book in 2017, which is a collection of twelve papers.

Citation:

SCHINDLER Verena M. and Yulia A. GRIBER (Eds.) 2017. Environmental Colour Design: Theory and Practice. (Social Transformations 27). Smolensk State University Press, Smolensk. ISBN 978-5-88018-433-0 (English, French, German)

SCHINDLER Verena M. and Yulia A. GRIBER (Eds.) 2017. Environmental Colour Design: Theory and Practice. (Social Transformations 28). Smolensk State University Press, Smolensk. ISBN 978-2354-110352 (Russian)

This publication can be downloaded from the following websites:

1. Google Scholar (only description, full version is not allowed here).

2. Academia (full-text versions).

3. Researchgate  (full-text versions).

4. E-Library (Website of the Russian Science Citation Index) (full-text versions).

5. Website of the ColorLab of the Smolensk State University (full-text versions), http://color-lab.org/publikacii/

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We look forward to receiving your paper!Also see our website

Verena M. SCHINDLER is art and architectural historian, author, editor, and independent scholar, with Masters degrees from the University of Zurich (UZH), The Bartlett (UCL), and also in Fine Arts from the School of Art and Design, Lucerne University (HSLU). She was affiliated with Atelier Cler, Paris. She has worked at the Institute for the History and Theory of Architecture (gta), and the Department of Architecture, ETH Zurich. Her research focuses on colour in architecture, urbanism, and the environment; the history of colour systems; colour in art; and, colour in cross-cultural contexts. She is co-chair of the AIC Study Group on Environmental Colour Design (SG ECD).

Yulia A. GRIBER is Director of ColorLab and Professor of Sociology and Philosophy at Smolensk State University, Russia, where she graduated in linguistics. She also holds a

ECD BOOK 2019 AUTHOR’S NAME

degree in sociology from FU Hagen, Germany. She obtained her PhD in Philosophy from Moscow State Pedagogical University, and her post-doctorate in cultural studies from Saint-Petersburg State University of Culture and Arts, Russia. Her research focuses primarily on colour in culture, and colour in urban environments. She is co-chair of the AIC Study Group on Environmental Colour Design (SG ECD).

Martine BOUCHIER is Professor at Superior National School of Architecture Paris-Val-de-Seine (ENSAPVS), France, and researcher at the National Centre for Scientific Research (CNRS 7218), Habitat Research Centre (CRH), Architecture City Urbanism Environment Laboratory (LAVUE). She is also member of the Doctoral School (ED 395) “Spaces, Cultures and Societies of Past and Present”, Paris West, Nanterre. She is editor-in-chief of the book series “Crossborder(s)”, Archibooks. Her research focuses on visual culture of urban territories, as well as public space and democracy.