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Implementation framework
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Participatory Art/New Genre Public Art
In many neighborhoods of color as well as moderately income neighborhoods, the arts are either non-existent or limited to poorly funded school based programs. Even worst, when local or community based organizations attempt to provide art, they are required to comply with rigid agency requirements, high costs and little media exposure.
These overwhelming circumstances make art non-essential or a low priority in the very communities that need creativity the most.
“New genre public art” is different from object based “public art”. The public has nothing to do
with the first process whereas “new genre public art” is based on the relationship between the local space and the audience.
Great example is When Faith Moves Mountains by Francis Alys. In the arid desert of Peru, five hundred participants literally moved a sand dune ten centimeters during this installation. It was a project for the 2002 Lima Biennial and a commentary on
the country‘s transition from a dictatorship to democracy.
So, what can we do?
Mix traditional Public Art + Event-based Social Art
Getting public participation is
very difficult particularly when
more pressing human concerns
demand immediate attention.
Cultivating participation needs
to be underwritten partially.
City policies need to be a little
more flexible. And that does
not mean standards should be
lowered at all BUT the City of
New York is asking artists and
arts group take on TOO much
risk which limits small groups
and poorer neighborhoods
from engaging community
residents and visitors to art.
NRA/ERF acknowledges these
challenges and seeks to
alleviate some of these
burdens.
•Get NYCDPR & NYCDOT to work collaboratively with the community which includes
scheduling.
•Presently, multi-day special events permits are not allowed. Perhaps two day permits
could be allowed.
•Engineering studies are required by NYCDOT and quite expensive. NRA/ERF could
sponsor blanket insurance like the Times Square Alliance.
•Expedite the lengthy approval process which makes marketing and promotion difficult
(even if you submit a special events permit months in advance.
•Expedite outstanding capital contracts that would improve repairs and improvements.
Introduce
•Artists Residencies (paid time to develop projects)
•Artist Fellowships (merit based financial awards)
•Art making workshops for the public
•Art making workshops for artists
There is precedence in NYC & around the country
Creative Times 2010 Keys to the
City
John Malpede 2004 RFK in EKY