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NO. 205 JANUARYMARCH 2010 NAVA News www.nava.org The Quarterly Newsletter of the North American Vexillological Association The Oregon State Flag The Oregon State Flag Redesign Effort Redesign Effort Page 4 ALSO IN THIS ISSUE... Milestones . . . . . . . . . . . . . . . . . . . . . . . 1 Pennants and Vexillology . . . . . . . . . . . . 2 Research Note: An Appeal to Heaven . . 8 Vancouver’s Olympic FlagWalk . . . . . . . . 9 Gananoque, Ontario . . . . . . . . . . . . . . . . 10 Treasurer’s Report . . . . . . . . . . . . . . . . . . 11 Mystery Flag . . . . . . . . . . . . . . . . . . . . . . 12 Chumley . . . . . . . . . . . . . . . . . . . . . . . . . 13 NAVA 44: Los Angeles, California . . . . . 14 “Warm” flags in cold weather Peter Ansoff

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Page 1: NO. 205 JANUARYNAVA MARCH 2010 The Oregon … · 2014. 10. 1. · Trenton, NJ 08618-2193. navanews@nava.org Postmaster: ... A proposal doesn’t necessarily have to be successful

NO. 205 JANUARY—MARCH 2010

NAVANews

www.nava.org

The Quarterly Newsletter of theNorth American Vexillological Association

The Oregon State FlagThe Oregon State FlagRedesign EffortRedesign Effort

Page 4

ALSO IN THIS ISSUE...

Milestones . . . . . . . . . . . . . . . . . . . . . . . 1Pennants and Vexillology . . . . . . . . . . . . 2Research Note: An Appeal to Heaven . . 8Vancouver’s Olympic FlagWalk. . . . . . . . 9Gananoque, Ontario . . . . . . . . . . . . . . . . 10Treasurer’s Report. . . . . . . . . . . . . . . . . . 11Mystery Flag . . . . . . . . . . . . . . . . . . . . . . 12Chumley . . . . . . . . . . . . . . . . . . . . . . . . . 13NAVA 44: Los Angeles, California . . . . . 14

“Warm” flags in cold weather Peter Ansoff

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Friends:NAVA depends on the spirit of volunteerism from engaged

and capable individuals to operate. Your officers have shoul-dered much of the work of running this organization—thisdirect service, while rewarding at times, also distracts us fromour main purpose of setting goals and providing the directionnecessary to improve and grow NAVA. When you step up tohelp run your organization, you join NAVA’s leadership and helpthe organization operate effectively and efficiently.

That’s why I am pleased to announce the new leadership ofour Flag Conservation and Cannon Grant Committees.

Dr. Laura Kidd is serving as chair of the Flag ConservationCommittee. Those of you who attended NAVA 39 in Nashvillewill remember Dr. Kidd’s paper and presentation on the conser-

vation of an Illinois G.A.R. flag. She isan assistant professor in the School ofArchitecture at Southern IllinoisUniversity in Carbondale and specializesin historic costume and fashion design.Her interests in flag conservation andflag history dovetail nicely with thecommittee’s focus.

The Flag Conservation Committee promotes conservation,preservation, and restoration of historic flags by raising andgranting funds for museums and other repositories by selectingrecipients of the Grace Rogers Cooper Flag Conservation Grant.The grant has supported flag conservation efforts in Virginia,Tennessee, Mississippi, Maine, and Pennsylvania, and has beenawarded on more or less an annual basis since 2002, with thelast grant in 2007. Flag conservation assistance can be one ofthe premier NAVA programs with the right chair, and I thinkthat person is Dr. Kidd. She is very excited about working withNAVA to further develop and promote our efforts to conservehistorically and culturally significant flags in North America.

The Cooper Grant is one of the major ways NAVA supportsflag scholarship; it was joined this year by the Devereaux D.Cannon, Jr. Grant for research in vexillology, an annual grant todefray the costs associated with performing original academicresearch. The Cannon Grant Advisory Committee oversees theadministration of the grant program. Second Vice PresidentAnnie Platoff, an associate librarian at the University ofCalifornia at Santa Barbara and two-time Driver Award winner,chairs the committee. Serving with her is Professor Perry Daneof Rutgers University School of Law in Camden, N.J.; Dr. KenReynolds, a historian for the Canadian Forces, Department ofNational Defence, Ottawa, Ontario; and Dr. Scot Guenter,Professor of American Studies at San Jose State University, SanJose, California.

NAVA NewsPETER A. ANSOFF, EDITOR

HUGH L. BRADY, EDWARD B. KAYE,DAVID B. MARTUCCI, JOHN A. LOWE

EDITORIAL BOARD

North American Vexillological AssociationFOUNDED 1967

HUGH L. BRADY, PRESIDENT

GUSTAVO TRACCHIA, FIRST VICE PRESIDENT

ANNE M. PLATOFF, SECOND VICE PRESIDENT

WILLIAM J. TRINKLE, SECRETARY

EDWARD B. KAYE, TREASURER

NAVA News 205, (ISSN 1053-3338), January-March 2010, Vol. 43, No. 1Published quarterly by North American Vexillological Association,

1977 N. Olden Ave. Ext. PMB 225, Trenton, NJ 08618-2193.A benefit of NAVA membership. Articles, letters to the editor, and inquiriesabout rates and permissions may be sent to the editorial office.Editorial Office: NAVA News Editor, 1977 N. Olden Ave. Ext. PMB 225,Trenton, NJ 08618-2193. [email protected]: Send address changes to NAVA News, 1977 N. Olden Ave.Ext. PMB 225, Trenton, NJ 08618-2193.© 2010 North American Vexillological Association. All rights reserved.

Views expressed are those of individual authors and may not representthe views of NAVA, its officers, or the editor.Contact Hugh Brady: [email protected]

HUGHBRADY

FROM THE PRESIDENT

Volunteers & NAVAMany of you met Professor Dane at NAVA 41 in Hartford,

where he gave the Driver Award-winning presentation on flagsin context and a discussion of how we should study the aes-thetics of flags. Others will remember Dr. Reynolds’s presenta-tion on the Canadian Army’s “battle flag” during World War IIat NAVA 40 in Reno, for which he won the Driver Award thatyear. And most of us know Dr. Guenter from his distinguishedservice as NAVA president in the last century and his latestpresentation on Sarah Palin as patriotic earth-mother inCharleston this year, which also won the Driver Award.

All four committee members bring a breadth of vexillologi-cal knowledge to their task and, with their able help, I believethe Cannon Grant program will truly honor its namesake.

Our newest volunteer is Marlene Little, from Rockford,Illinois, who just joined NAVA last year. Marlene has graciouslyagreed to serve as a member of the NAVA 44 Flag Committee.She gave a great vexi-bit about her take on flag design andaesthetics in Charleston; her enthusiasm for flags and for NAVAwill be a tremendous help. I am grateful for her service.

Many of you have talents that NAVA could use. There aremany other important roles for which we need volunteers. Weneed an art director/layout editor for NAVA News; an editor forour website; folks to help plan and staff the Los Angeles annualmeeting and the Washington, D.C., International Congress ofVexillology; and service on other committees. Just shoot me ane-mail or call me on the phone and let’s talk about how youcan help.

Scot Guenter used to close each presidential column by urg-ing us to “keep studying those flags!” Your help with leadingNAVA lets all of us do that.

HUGH BRADYPRESIDENT

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NAVA News · No. 205 · January-March 2010 · 1

EDITOR’S NOTE

EditorialPolicy

Greetings to all from snowy Virginia (see the cover)!

Once again, we present a variety of topics and formats inthis issue. We generally try to strike a balance among“hard” research, current vexillological news, members’ activ-ities, and news about NAVA itself. We think that the currentmix is about right—please let us know your thoughts aboutthat. Also, remember that NAVA News doesn’t have a dedi-cated staff of reporters and feature writers—we rely on themembership and the vexi-public for the bulk of our material.If you have an idea for an article, a bit of news, or someinteresting flag-related photos, let us know!

There are two aspects of NN’s editorial policy that areworth mentioning from time to time. First, we are not a“journal of record” with respect to current vexi-events. Ourgoal is to publish interesting, current information andresearch, not to cover everything that happens in the worldof flags. The fact that Upper Bamozanga has changed thePantone shade in its Air Force Ensign is not something thatwe’d cover, unless there were unusual political or otheraspects of the change. (Color shades can be of interest onoccasion—witness the debate in the Scottish Parliament afew years ago over the blue in Scotland’s national flag!)

The second aspect is a bit dicier. We are often contactedby people who want us to help publicize their new flags orflag proposals. In some cases, these are intended to pro-mote a cause such as civil rights commemoration, recogni-tion of veterans, and so forth. In others, the person hasdesigned new flag for his/her state, city, etc., and wants helpgetting it adopted. Again, the standard we apply is whetheror not the proposed flag has any “traction”—has it receivedsome kind of popular recognition, is there significant publicand/or political support for the flag change? A proposaldoesn’t necessarily have to be successful to merit inclusion,but it needs to be something other than one person’s bril-liant idea. Unsuccessful flag campaigns can still be of inter-est because of public attention, lessons learned from thedesign process, or the quality of the proposed designs. Thearticle on the Oregon flag contest in this issue (page 2) is acase in point.

As I mentioned at the business meeting at NAVA 43 inCharleston, we are seeking a volunteer to do the layout forNAVA News. Ted Kaye has generously handled this tasksuperbly for the past several issues, but he has many otherthings on his plate. If you have a little experience with elec-tronic publishing and would like to make a major contribu-tion to NAVA’s work, drop me or Ted or me a line.

PETER ANSOFFEDITOR

Edward Mooney, Jr., of Palmdale, California, a NAVAmember since 1998, has been named the Daughters of theAmerican Revolution History Teacher of the Year for

California for 2010. Herepresents his state forconsideration for this year’sNational History Teacher ofthe Year. He says, “As ateacher, this meant a lot tome. It's the biggest awardI've received in almost aquarter-century of teach-ing.”

Ed teaches History,Geography, Civics,Economics, and EarthSciences at the high schoollevel, and is also a pub-lished author.

He developed the “FlagDetective” website(www.flagdetective.com)and has written extensivelyabout teaching with flags.In addition, Ed will see a

new edition of his novel The Pearls of the Stone Man, fromSourcebooks (sourcebooks.com), released in March.

Ed is shown here with a favorite flag, which he chal-lenges NAVA members to name!

Congrats MILESTONES

Gibraltar: December 2009A fort on the flag, and a flag on the fort. ROB KAYE Contact Peter Ansoff: [email protected]

FIELD REPORT: GIBRALTAR

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2 · January-March 2010 · No. 205 · NAVA News

By HANK GARDNER

Remember the old car commercial on TVwith the roaring song “see the U.S.A. inyour…”? Maybe it says something aboutyour age if you can complete the tune.Getting in the family car and heading offfor some terrific vacation was different inthose days. Whether it was a national park,a historic site, a tourist resort, or some-where else, even grandma’s house—a fewsouvenirs were added to the luggage for thetrip back home.

Often the souvenir was a pennant pro-moting the destination visited. I bought afew when I was young, and I’ve added oth-ers as I’ve grown older. I can’t honestly sayI’ve been to all of the places that mypennants represent, but eBay offers ameans to fill in the gaps of my collection.

Pennants come in a variety of sizes.They promote a variety of places, people,activities, events, and institutions. They arealso made of various materials. The oldquality items were felt, not synthetic fibers.The plainest were printed in an alternatecolor; more elaborate items had appliquédor sewn lettering. Some even had morethat one layer, such as a band with a datebelow a printed illustration.

Figures 1 and 2 show a wide variety ofpennants from historical parks, nationalparks, state parks, organizations, and cities.One can revisit heavenly Honolulu in thehalcyon days before Pearl Harbor or, at theother extreme, Hell, in Michigan (manycities around the world bear this name;what a great place for souvenirs!).

Figure 3 shows two vintage (1950s)pennants and a modern polyester sample.

Figure 4 shows two of the fanciest pen-nants in my collection. No expense wasspared in the production of these beautifulitems. Embroidery, raised lettering withshadows, and a multi-layered ribbon withdate on a very large pennant (35 x 14 inch-es and 29 ½ x 13 inches) show how com-plex a truly quality pennant can be. Thesmallest pennants in my collection measureonly 3 x 12 inches.

Figure 5 shows three pennants com-memorating special events. I got theOrange Bowl pennant when my familywent to the game.

Figure 6 shows several prototypes for apennant from my high school (pre-1960)and one from the school’s arch rival fromthe same period.

Figure 7 shows more historic sites andsome fun beach resorts.

1 2

Pennants and Vexillology

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NAVA News · No. 205 · January-March 2010 · 3

Figure 8 shows some of the college pen-nants that decorated the wall of my “gameroom” when I was in high school (before1965).

Finally, Figure 9 shows the variety ofsizes, designs, complexities, destinations

and materials foundin the pennants thatone may collect.

As I go throughmy collection manymemories comeback. It’s likebrowsing throughthe old familypicture album, andit’s another way toenjoy vexillologyand preserve itemsfrom the past aswell as the techno-logical changesinvolved in flag/pennant production.

Try it. You’ll likeit!

The author has been a NAVAmember since 1995.

3

8

4

6

5

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9

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4 · January-March 2010 · No. 205 · NAVA News

By TED KAYE

In anticipation of Oregon’s sesquicentennial,the state’s largest newspaper, The Oregonian,sponsored an effort to redesign the state’s flag.

Oregon became a state in 1859, but only in1925 did it adopt a state flag—the last amongthe then-48 states to do so—based on a flagused by the Oregon Military Department.

Oregon’s flag is now unique among U.S. stateflags—it has a different design on the reverse, abeaver (Oregon is known as “The Beaver State”,recalling the fur trade which first broughtEuro-American exploration to the area). Itsobverse displays the escutcheon from the stateseal, the year of admission “1859”, and—in casethe symbolism were not adequate—the words“STATE OF OREGON”.

Oregon is a Pacific Coast state, with a strongnatural beauty—from its beaches, rivers, andforests to its mountains and high desert. It hasan urban-rural divide—the Cascade Mountainsseparate the wet western third, with most ofthe cities, from the dry eastern two-thirds. Itspopulation is nearly 4,000,000. While it has amodern electronics industry and is home to thesportswear giant Nike, its roots are in forestryand agriculture. The first major Euro-American settlement began with pioneers com-ing across the Oregon Trail in the 1840s.

The Oregonian’s contest started in October2008 to allow participation by schoolchildren,offer designs for a vote during holidays, andhave a final design ready for the legislature inJanuary, in time to adopt a new flag forOregon’s 150th birthday, 14 February 2009.

In October, the contest began with a shortinvitation: “It’s been 150 years. Who wouldn’tneed a facelift?” followed by a front-page head-line: “A new state flag for Oregon? Sounds likea banner idea”. The article quoted Mike Hale(NAVA member and president of Elmer’s Flag& Banner in Portland, the largest flag store in

the country), Carita Culmer (a former NAVAofficer and author of an article on the Oregonflag just published in Raven), and me. It pro-vided a good history of the flag and the case fora change.

But it also quoted Oregon’s governor, TedKulongoski, saying that he loves the presentflag, has heard no one complain about it, willnot consider a new design, and has moreimportant priorities. That wasn’t a good start!

In explaining what made a good flag, thearticle laid out the principles of Good Flag, BadFlag, NAVA’s guide to flag design, and referredto NAVA’s website. The contest rules wereambiguous about whether non-Oregonianscould participate—although most entries didcome from Oregon. The contest requiredentries on 3”x5” cards and offered as a prize afull-size 3’x5’ flag of the winning design.

In an unanticipated outcome of the contest,the original 1925 flag, sewn for GovernorWalter Pierce by seamstresses at the state’slargest department store, Meier & Frank, wasidentified on display hanging in a library stair-well at Eastern Oregon University in Pierce’shome town of La Grande. School officialsimmediately launched an effort to research,authenticate, and conserve the artifact.

The contest gave designers a month to sub-mit their entries, with several articles in TheOregonian along the way. Around 2,500 entriescame in. The contest calendar had been timedto allow schoolchildren to participate—severalclass groups did so, submitting large batches ofentries. Many more were submitted by individ-ual children. However, the majority came fromadults, with some submitting multiple designs.

The quality of the entries was stunning—hundreds of them would have made a success-ful state flag. While professional graphic artists submitted spectacular designs, so did amateursand schoolchildren.

The Oregon State FlagRedesign Effort of 2008-09

The Oregonian launches the contest in October 2008

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NAVA News · No. 205 · January-March 2010 · 5

Mike Hale, Joan Carlin (the editor), and Iconducted an initial culling to select about 240entries for further consideration. Then a panelof six judges chose ten final designs, at leastone from each of the major thematic groupsrepresented in the entries.

The averageage of thedesigners ofthe finalistswas 60 years.The youngestwas 42; themost seniorwas 95-year-old NAVAmember DougLynch, thedean of thePortland

graphic design community and the creator ofthe flag of the city of Portland in 1969. No chil-dren’s designs were among the finalists,although one came close (judges rejected thedesign after determining that the centralcharge was not a beaver but a beaver-duck—acomposite of the mascots of rivals Oregon StateUniversity and the University of Oregon—looking something like a duck-billed platypus).

The Oregonian published the final tendesigns in the paper and on its website inDecember, giving readers until mid-January tovote. See pp 6-7 for the images and designers.

When voting closed in January, 2009, nearly9,000 votes had been tallied. “None”, with 21%,received the most votes, although that may beinconclusive, as the question was not framedcorrectly—it was not clear if voting for “None”meant “keep the old flag” or “another newdesign would be better than these”.

The “winner” was perhaps the most conven-tional of the designs: a beaver and star on blue,white, and green stripes. Ironically, at least twojudges had argued strongly against it, seeing init slight echoes of the flags of the neighboringstates of California and Washington.

A close second was one of the two “Tree”designs, one that also had a “Geographic” motif.In fact, the two “Tree” flags combined outpolledthe two “Beaver” flags, 29% to 24%. And the two“Geographic” flags combined were closelybehind the “Tree” flags and ahead of the“Beaver” flags, with 26% of the votes.

The results, as tallied by The Oregonian:None - 21% (1,846 votes) Flag G - Beaver with star 20% (1,778 votes) Flag I - Douglas Fir, blue and yellow 17% (1,565 votes) Flag H - Douglas Fir, blue and green 11% (1,018 votes) Flag C - Snow-capped mountains 9% (776 votes) Flag A - Mount Hood 7% (661 votes) Flag B - Wagon 5% (452 votes) Flag J - Beaver 4% (376 votes) Flag D - O for Oregon 3% (238 votes) Flag F - Gold salmon 2% (157 votes) Flag E - Wavy lines 1% (115 votes) Total Votes: 8,982

The winner was announced a week beforeOregon’s birthday. At the judges’ suggestion,The Oregonian announced that it would reversethe orientation of the beaver and have itsartists upgrade the design on the “winning”flag, in anticipation of taking the proposal tolawmakers.

However, the Oregon Legislature meets forabout six months every two years. The 2009session started in January and ran until June.By the time The Oregonian proposed a bill toadopt the new flag, it could not find a legislatorto sponsor it. The flag redesign effort died, atleast for the current biennium.

In the end, inadequate work went into edu-cating and convincing the public about thedesign drawbacks of the current flag and virtu-ally no success was achieved in securing gov-ernment agreement to consider or enact anychange. The contest process produced anexcellent array of prospective designs, and theculling and judging proved successful.Although the voting procedure could have beenimproved (by using a rating system and/or arunoff, and by making it truly statewide), itreceived significant public participation.

However, in the ultimate test of enacting anew state flag into law, the effort failed.

A full case study appears on the NAVA website:http://www.nava.org/Flag%20Design/CaseStudies.htm

The judges. Back: Diane Chonette, MikeHale, Tony Johnson; Front: Randy Cox,Ted Kaye, Joan Carlin. RANDY COX

Desig

n: R

ANDA

LL G

RAY

Beav

er:

THO

MAS

LIN

COLN

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6 · January-March 2010 · No. 205 · NAVA News

A. Gerald H. Black, 74, Warrenton, retired The process: When Black thought about what best said“Oregon”, he imagined snow-capped peaks of the Cascades,the golden hills of wheat, and the painted hills. He wanted asimple design to reproduce easily.What it means: Mount Hood dominates against a blue sky.The horizontal green stripe represents the forests and agri-cultural areas; the gold stripe represents the wheat fields andhigh deserts.

B. Eddy Lyons, 42, SW Portland, manager for a clinicalresearch program The process: He chose the iconic wagon to connect to ourroots, as well as the current flag.What it means: Stylized wagon for pioneers. Star for the loca-tion of the state. Red connects to the red, white, and blue ofthe U.S. flag.

C. Douglas Lynch, 95, NW Portland, professional designerThe process: Commissioned to design the city of Portland’sflag, he also noodled around with one for the state, and cameup with this. Lynch still draws by hand and calls himself “B.C.Before computer. I’m computer illiterate.”What it means: Green is for the agriculture. Gold is for thedesert or wheat. And the two parts of the state are separatedby the snow-capped mountains.

D. Jaymes Walker, 55, NE Portland, a landscape designer The process: “I purposefully kept this flag simple in order forit to represent all of Oregon.”What it means: The “O” stands for Oregon, and is doubled.The incoming stripes frame the letter and strengthen theimage to show the strength and solidarity. Blue and gold, thestate colors, represent the Pacific Ocean and western Oregon,and the high desert and wheat fields of eastern Oregon. Notethat the colors could be reversed.

E. John Mothershead, 50, Milwaukie The process: “I’ve always had an interest in flags, doodlingflags here and there and I saw the contest and said, ‘Oooh,that’s for me’.”What it means: The green and gold quarters symbolize agri-culture and the land. The wavy blue and white quarters sym-bolize the ocean and rivers. I wanted to make it flashy whereit would stand out.

Oregon State Flag Design Finalists

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NAVA News · No. 205 · January-March 2010 · 7

F. T. J. Borzner, 56, SW Portland, electronics technician The process: “I worked evenings about four weeks and prob-ably made over 100 variations on the flag.”What it means: Green represents growth and productivity ofthe land, the forests, farms, and vineyards. A gold salmonicon, inspired by Native American rock art, is for great valueand quality of life. The bars represent hydroelectric andgeothermal energy, the energy of workers, ranchers, andimmigrants. In their vertical positions, they both block andimpel the salmon.

G. Randall Gray, 42, West Linn, mapmaker, Clackamas Co.The process: Always interested in flags and design, Gray wasunimpressed with the front of the Oregon flag. But the back,with the beaver, was another matter. “The backside is thestart of something good.”What it means: Blue and gold for the state colors with greento represent trees and wilderness. White contrasts with blueand green. The beaver from the current flag links us withthe past. The star represents Oregon’s place in the Union.

H. Lorraine Bushek, 60, SW Portland, retired The process: The simplicity of the design came to Bushekquickly. She looked outside her home, surrounded byDouglas fir trees.What it means: She wanted to symbolize all the state, not justthe lush green valley, so she paired emerald with a brilliantblue to suggest the clear skies of eastern Oregon. (The treeis a very light tan.)

I. Karen L. Azinger, 51, NW Portland, writer/bus, consultant The process: Such a cool state, she says, deserves a cool flag.The tree comes from the Oregon license plate and she chosegreen for the beautiful outdoors and for Oregon’s environ-mental awareness. Yellow, to be inclusive: “I didn’t wanteastern Oregon left out.”What it means: The Douglas fir, the state tree, on a field ofblue, white, and gold. Blue for our Pacific Coast, white forour snow-capped mountains, green for our forests, and goldfor the grassy plains of eastern Oregon.

J. Thomas Lincoln, 69, Springfield, graphic designerThe process: “I was going for continuity because a radicalchange in the flag will be a hard sell.”What it means: Beaver would be singular to Oregon andmake our flag distinctive. The colors tie to the blue and goldof the current flag. He wanted to evolve and upgrade it, nottotally change it.

VOTERS’CHOICE

SOURCE: The Oregonian 3 January 2009

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8 · January-March 2010 · No. 205 · NAVA News

RESEARCH NOTE

The Flag, the General, & the Coloring BookBy PETER ANSOFF

The “Colonial andRevolutionary WarFlags” section of theFlags-of-the-Worldwebsite includes acurious flag image(right), with thisexplanation:

“The description...is very simple:white field and blackletters. The flag hasthe inscription“AN APPEAL TO HEAVEN” in capital lettersinterspersed with the inscription “une appella-tion au ciel” in lower-case letters. Consideringthe English and French inscriptions, the flagwas probably used following the Franco-American alliance in the latter part of the[Revolutionary] war.”

The source for this information is given asFlags to Color from the American Revolution,published by Bellerophon Books in 2000. Onewould not usually consider a coloring book asauthoritative. However, this one included a for-ward by Dr. Whitney Smith and was apparentlyregarded by FOTW as a reliable source. The

book itself captionsthe flag as an “Appealto Heaven Flag”, anddoes not provide anyother informationabout it.

It’s unlikely thatthe real primarysource for this flaghad anything to dowith the Franco-American alliance.It was probably amezzotint engravingof the AmericanGeneral Charles Lee,published in Londonin 1775 (left). Thegeneral is shown in a

combat scene featuring blazing cannons and aflag with the inscription “An Appeal to Heaven”.This was one of a series of portraits of Amer-ican military leaders published in Britain at thebeginning of the Revolution. Like most ofthem, it was a work of imagination. The por-trait bore no resemblance to Lee’s actualappearance, and the background details werethe artist’s imagina-tive creations.1

The series ofportraits was widelycopied in Europe.One set, by a Frenchengraver, used thesame basic imagesbut placed thesubjects in decorativeoval frames. TheFrench copy of theLee portrait (right)also included the flag.The engraver modi-fied the flag image toinclude a Frenchtranslation of theinscription, “uneAppellation au ciel”,below the originalEnglish words, pre-sumably for the bene-fit of his French-speaking customers.2This French engrav-ing is almost certainlythe source of theBellerophon Booksillustration and theFOTW image.

There is, of course,no evidence that thisflag actually existed.There were a numberof flags that displayed variants of the “Appeal toHeaven” motto, but the one with the Frenchtranslation was probably an imaginative cre-ation of a French engraver.

1 For a detailed discussion of these portraits, see Ansoff,“The First Navy Jack”, Raven 11, 2002.2 The French copy of the portrait of Navy Commander-in-Chief Esek Hopkins, in the same series, also includedFrench translations of the inscriptions of the flags in thebackground.

"An Appeal To Heaven" Flag.United States/Colonial and Revolutionary War

Flags, Flags of the World, www.fotw.net,visited 25 October 2008 (source cited as

Flags to Color from the American Revolution, Santa Barbara Calif., Bellerophon Books 2000)

Major General Charles Lee. Mezzotintportrait published by C. Shepherd,

London, 31 October 1775. Library ofCongress, image LC-USZ62-3617

French copy of the Lee Portrait.Undated, however, the caption refers to

Lee's capture by the British,which occurred in December 1776.

New York Public Library,Print Collection,Miriam and Ira D. Wallach Division of Art,

Prints and Photographs,Digital Image ID 422498

Detail of the flag above.

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Vancouver B.C. InstallsFlagWalk for OlympicsCircular versions of the flags of countriesparticipating in the 2010 Winter Games nowgrace a unique walking route connecting theYaletown and South Granville neighborhoodsof Vancouver, B.C. The 3.7-km. FlagWalk path-way, installed in November 2009, sports over450 decals representing 83 countries’ flags.

The goal: use the flags and slogan“Walk the World” to lure shoppers andtourists over Granville Bridge duringthe all-important weeks before andduring the Games. The decals appearin repeating alphabetical order, begin-ning at BC Place Stadium. They use anon-skid, durable 3-M material, indus-trially glued to the pavement.

FlagWalk is a $250,000 communitypartnership funded by neighborhoodbusiness associations. It has run acontest, published a coloring book forchildren, distributed free flag buttons,and created a commemorative posterfor sale to benefit a local theatre.

Sharon Townsend, executive direc-tor of the South Granville BusinessImprovement Association, calls theproject a success. “People are excitedto identify the flags”, she reports, andthe FlagWalk has definitely increasedbusiness.

To develop the flag-circles, graphicdesigner Clarke Wright looked to vex-illological sources such as www.vexilla-mundi.com, painstakingly researchingflag designs and exact Pantone/CMYKcolors. The resulting diversity of bluesand reds on the flags demonstrates hiscommitment to accuracy.

The project has sparked controver-sy as well. Townsend reports thatpeople complained after the decal forIran was installed, saying “You’ve putAllah on the sidewalk”. The Israeli flagdecals were vandalized, promptinggratitude from the local B’nai Brithorganization for their swift replace-ment. The Vancouver [Olympic]Organizing Committee, while support-

ing the project, expressed “gentle concerns”that FlagWalk includes the flag of Taiwan, giventhat China has objected to its recognition dur-ing the Olympics. But no change is anticipated,as FlagWalk has no official Olympic status anduses no Olympic trademarks.

The decals, already suffering in B.C.’s dampclimate, will be pulled up by mid-April. Posterscan be ordered on the FlagWalk website.

Image courtesy FlagWalk (www.flagwalk.ca)

NAVA News · No. 205 · January-March 2010 · 9

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10 · January-March 2010 · No. 205 · NAVA News

By JAMES CROFT

The green field of the flag of Gananoque repre-sents the verdant land surrounding the town.The small wavy blue vertical stripe, fimbriatedwhite, represents the Gananoque River, whilethe larger horizontal stripe signifies the St.Lawrence River, on whose north shore the townis located. The gold discs (“bezants” in heraldicterminology) are emblematic of the “ThousandIslands” which stretch over 50 miles down-stream from Kingston, Ontario. There are actu-ally over 1,865 islands in all and about twentyform the nearby St. Lawrence Islands NationalPark, the smallest of Canada’s national parksand the town’s most important tourist attrac-tion. Gananoque1, whose year-round popula-tion is about 5,000, is known as the “CanadianGateway to the Thousand Islands”.

In the canton is a representation of theUnion flag of 1606, which combines the flag ofEngland (a red cross on a white field) and theflag of Scotland (a white saltire on a dark bluefield). This flag honors the Loyalists whofounded this community—Colonel Joel Stone,who served with the Loyalist militia during theAmerican Revolutionary War, established a set-tlement here in 1789. Land was granted toColonel Stone for use as a mill site.

There are additional symbols on the town’scoat of arms. The crest consists of a gold coro-net of maple leaves alternating with oak leavesforming a Loyalist crown, another reference tothe community’s founders. This coronet wasespecially designed by the Canadian HeraldicAuthority to honor those Canadian municipali-ties and individuals with strong Loyalist back-grounds. The two maple leaves issuing fromthe coronet are colored green rather than red,as they are today, as green was the color usual-ly displayed during the town of Ganonoque’sincorporation in 1890. The two leaves here sig-nify the friendship and geographical tiesbetween Gananoque and the state of New York,just across the St. Lawrence River (the SugarMaple is New York’s state tree).

Flanking the shield to the observer’s left is aFirst Nation woman, representing both theMohawk Loyalist settlers and the MississaugaPeople who were the first in the area and have

lived there for cen-turies. The other sup-porter is a Loyalistwoman, signifying theLoyalists of Europeanheritage that settledthere after theAmerican Revolution.Both are dressed in1784 attire.

The motto “PaxVobiscum” is Latin for“Peace be with you”.Used in the ancientRoman world as aneveryday greeting, itwas chosen as a dis-play of friendship andreconciliation.

Gananoque, Ontario

Descriptions of Emblems

Shield: Vert a fess wavy bezante conjoined with a pallet wavy inchief both Azure fimbriated Argent a canton of the Union flag of1707 [sic 1606].Crest: Upon a helmet mantled Vert doubled Argent within awreath of these colors issuant from a Loyalist civil coronet Or asprig of two maple leaves Vert.Motto: PAX VOBISCUM (Peace be with you”).Supporters: On a grassy mound Vert, dexter a First Nationswoman of the region, sinister a Loyalist woman, both tempore1784 proper.Flag: A banner of the arms.Flag description: On a green field divided horizontally by awavy blue stripe, fimbriated white, thereon five gold discs, and athinner wavy blue stripe, fimbriated white, dividing the upper sec-tion of the flag vertically and connecting to the top of the horizon-tal stripe. In the canton a representation of the Royal Union flagof Great Britain of 1606.

Thanks to the Canadian Heraldic Authority for providinginformation for this article.

http://www.gg.ca/heraldry/

1 The name “gananoque” (gan-an-ock-way) is derivedfrom Onondaga, an Iroquoian language. Its meaning isunclear, but some possibilities are “rocks rising out ofwater” or “town on two rivers”. One way to rememberhow to pronounce this name is “the right way, the wrongway, and the Gananoque”.

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NAVA News · No. 205 · January-March 2010 · 11

TREASURER’S REPORT

NAVA Finances:Strong and ConsistentlyPositive ResultsIn 2009, NAVA ran a surplus for the third year in a row,exceeding our budgeted goal of breaking even. We are insolid financial shape with strong and growing reserves.

2009 ResultsThere were several reasons for last year’s positive results:

1) NAVA membership remains steady and most mem-bers are paying their dues promptly or in advance.

2) NAVA 43’s success delivered a significant surplus.3) Contributions from generous donors helped under-

write several NAVA programs.

These successes were offset in part by:4) A larger-than-usual Raven (although donations

covered the color printing, mailing costs increased due tothe additional weight).

5) Increased mailing and postage costs for NAVANews.

2010: A Budgeted SurplusThe 2010 budget (approved by thebudget committee and the board,and adopted at the 2009 NAVAannual meeting in Charleston) callsfor income and expenses resulting inbalanced budget—in fact, a surplus,as we’ve provided for a contingency as well. In essenceit’s a conservative, steady-state budget.

We also hold $2,354 in our Conservation and ResearchFunds, having made no grants in 2008 or 2009.

Current ChallengesMaintaining and growing membership in a difficult eco-nomic climate means that NAVA should continue to callon all members to help recruit and retain fellow flag-enthusiasts.

Please contact me or any board member with any ques-tions, concerns, or suggestions.

Contact Ted Kaye: [email protected]

NORTH AMERICAN VEXILLOLOGICAL ASSOCIATIONBudget Summary

(U.S. Dollars)

2009 2009 2010BUDGET ACTUAL BUDGET

INCOMEDues 12,800 15,886 12,800Driver Award 250 200 250Misc. Sales 800 525 800Contributions - General 1,500 995 1,000Contributions - Cons./Res. --- 635 ---Contributions - Raven --- 1,600 ---Interest 425 69 375NAVA Meeting 6,000 7,170 8,500

TOTAL INCOME 21,775 27,080 23,725

EXPENSESPublications

NAVA NewsLayout --- --- ---Printing 6,800 5,550 5,300Mailing 1,500 3,624 3,100

Total 8,300 9,174 8,400

RavenLayout 1,800 1,750 1,600Printing 2,500 4,200 2,500Mailing 500 1,473 500

Total 4,800 7,423 4,600

WEBSITE 350 --- 200

DIRECTORY 50 --- 50

Meetings (Annual Mtg.) 6,000 5,750 8,000

AdministrationPost Office Box 450 557 450Mailings/Officer Postage 500 254 300Supplies 200 --- 100Bank Fees 300 251 300Telephone 75 --- 75Driver Award 250 250 250Transfer to Cons./Res. --- 635 ---Contingency 500 --- 1,000

Total 2,275 1,947 2,475

TOTAL EXPENSES 21,775 24,294 23,725

SURPLUS (DEFICIT) --- 2,786 ---

UNRESTRICTED FUND BALANCE 34,238 34,238

TED KAYE

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12 · January-March 2010 · No. 205 · NAVA News

MYSTERY FLAG

Charleston ChallengeNAVA News 204 fea-tured this unusualflag in the collectionof the CharlestonMuseum, asking ifany reader couldshed light on it. JeffBridgman, a dealer inhistorical U.S. flags,writes:

An illustration of your mystery flag isrepresented on a printed paper trade card(below) dating to WWI that represents theAllied Forces. The five stripes represent‘America, Belgium, France, Great Britain,and Italy’.

The card is labeled ‘ALLIED FLAG of AllNations Fighting for Freedom’, and says,‘Let all lands that love sweet freedomForm one flag of all God’s stars.’

I think there was advertising on theback and we mistakenly framed it beforegetting an image [but I am not certain].

The canton of the mystery flag appearsto be printed (press-dyed wool, in thiscase), which, during the 20th century, pointstoward English manufacture. It isn't defini-tive proof of UK-production, but we seem tohave abandoned the press-dying process inthe U.S. by this time with respect to themanufacture of American national flags.

I don't know the reason for the 23 stars,but it sure is interesting to see this rare for-mat flag.

[Editor's comment]: Jeff's information gives us some interestingclues, but the mystery remains: Who actually made the flag in the

Charleston Museum, and for what purpose?

2007 Berlin [22 ICV] Proceedings(CD or Books)Send EUR19 for the CD or EUR68 forthe book (two volumes) to:DGF e.V. PF 02 11 19, D-10122 Berlin,Germany, or pay via PayPal [email protected]. (Contact [email protected] formore information.)The lectures are published in English orGerman as delivered.

2005 Buenos Aires [21 ICV]Proceedings (CD)Send US $9 (for USA delivery) or $11(elsewhere) to:Gus Tracchia, 82-67 Austin St #205.Kew Gardens NY 11415, USA.(Contact [email protected] for moreinformation.)

2003 Stockholm [20 ICV]Proceedings (CD)Send US $5 to:Jan Oskar Engene, Frydenbolien 24,NO-5161 Laksevag, Norway. (Contact [email protected] more information.)The proceedings are donated free ofcharge to any university/institution-al/public library.

2001 York [19 ICV] Proceedings(CD available soon)PDFs are downloadable from the FlagInstitute website. See:http://www.flaginstitute.org/index.php?location=12.3(Contact [email protected] formore information.)

The proceedings of 2009 Yokohama[23 ICV] are in production.

Congress Proceedings AvailableNAVA members now have the opportunity to buy CDs ofthe proceedings of four recent international congresses ofvexillology. The CDs, all in full color, are available fromthe congress sponsors; all prices include postage.Add thousands of pages of vexillological research to yourlibrary and at a very low cost!

3.5” x 5.5” trade card.Image ©1918 by P. H. Dodge

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NAVA News · No. 205 · January-March 2010 · 13

CHUMLEY THE VEXI-GORILLA

NAVA ClassifiedsUnusual collection of flag information and historical flags. TheFlag Guys® www.flagguys.com FREE catalog. 845-562-0088283 Windsor Hwy., New Windsor, NY 12553.

Chumley the Vexi-Gorilla™is the creation of Michael Faul,editor of Flagmaster, the distin-guished journal of the FlagInstitute in the UnitedKingdom. To a field not oftenblessed with humor’s grace, Mr.Faul brings a delightfully lighttouch, deep vexillological roots,and sparkling whimsy.

NAVA News is reprinting some vintageChumley flags that previously appearedin black-and-white.

MEMBER FLAG

Flag Reflects African Stripes

Returning NAVA member Jalal Aldoseri hailsfrom Bahrain, and is currently pursuing post-graduate work in translation studies in England.He ascribes the following meanings to the colorsof his flag: blue—quiet, white—peace anddreams, violet—ambiguity and languages,orange—freshness and allergy. The diagonalstripes recall some African national flags ofwhich he is fond.

Members are encouraged to send in their personal flagdesigns for inclusion in the NAVA Member Flag Registry.Send your photos, drawings, and descriptions [email protected] or mail to: Member Flag Registry,1977 N Olden Ave Ext PMB 225, Trenton NJ 08618-2193 USA Flag of Jalal M. Aldoseri, Leeds, West Yorkshire, United Kingdom

Dues Reminder!NAVA memberships run on a calendar basis, no matterwhen in a year a member joined. All dues are payable1 January for the full year; memberships lapse on 31March if dues are not paid. Please check your mailinglabel—it shows the year through which your dues arepaid. You can pay your NAVA membership dues viawww.PayPal.com to [email protected], or by check to theNAVA P.O., or go to www. nava.org. & click the"Renew" link in the upper right of the home page.

NAVA News ScheduleTo submit an item for publication, contact the editor, Peter Ansoff,at [email protected]. The publication schedule is:

Issue No. Deadline “In the Mail” Date206 30 April . . . . . . 20 June 2010207 31 July . . . . . . 20 September 2010208 30 Sept . . . . . . 20 December 2010209 31 January . . . 20 March 2011

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14 · January-March 2010 · No. 205 · NAVA News

North AmericanVexillological Association1977 N. Olden Ave. Ext. PMB 225Trenton NJ 08618-2193 USA

ADDRESS SERVICE REQUESTED

CHECK YOUR LABEL!If the “Paid Through” date is 2009 orearlier, it’s time to renew for 2010.Pay your NAVA membership dues viawww.PayPal.com to [email protected] orby check to the NAVA P.O. Box.Thank you!

NAVA 44NAVA 44 Los Angeles 8-10 October 2010Join your fellow members in Los Angeles, California,8-10 October 2010 for the 44th annual meeting of theNorth American Vexillological Association.We plan an exciting flag-filled program in sunnySouthern California.

REGISTRATIONA registration form is enclosed with thisNAVA News, and is available on the NAVAwebsite: www.nava.org.Early-bird registration is only $160.

Watch these Deadlines:Early-Bird registration—31 May 2010Papers/Displays, concept—30 June 2010 Regular registration—31 August 2010Papers/Displays, final—31 August 2010Hotel reservation—23 September 2010

PROGRAM HIGHLIGHTSHear more Vexi-Bits than ever, enjoy a banquet, several interestingpresentations, and the camaraderie of fellow NAVAns. OnSaturday, NAVA 44 will travel by bus to the Autry National Centerin Griffith Park. A prize of the collections is the “Fremont Flag”,the banner made for explorer John C. Fremont by his wife in 1841.

HOTEL: Hilton Garden Inn—Arcadia/Pasadena

NAVA 44’s host hotel, Hilton Garden Inn—Arcadia/Pasadena, islocated near the Rose Bowl and Santa Anita Mall. The nearest air-ports are Burbank and Ontario. A block of rooms has beenreserved through 23 Sept. 2010 for the nights of 6-11 October.The rate is $99/night plus tax—and includes complimentary break-fasts, parking, and Internet. Other nights before/after the meetingare at the same rate while available. Make sure to reserve before23 September 2010—space at the hotel cannot be guaranteed.Call (626) 321-4478 / (877) 782-9444 now, and mention “NAVA”.

SUBMITTING PAPERS & DISPLAYSIf you wish to present a paper or set up a display at NAVA 44,please mail the following information to 1st VP Gus Tracchia by30 June 2010: 1) Your name, address, telephone number, and e-mail address if available; 2) Title of your paper, presentation, sym-posium, workshop, or display; 3) Abstract of your paper, presenta-tion, symposium, workshop, or display; 4) Type and size of displayarea and/or equipment needed, including tables, electrical require-ments, audio/visual equipment, etc.; 5) Notice if you decline tohave your paper considered for the Captain William Driver Award.Please send a complete copy of the paper (in publishable form inboth hard-copy and electronic file in MS-Word with high-resolu-tion image files) by 31 August 2010 or it will be deleted fromthe program. SEND TO: Gus Tracchia, 82-67 Austin St. #205, KewGardens, NY 11415 (718) 847-2616 e-mail: [email protected]