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New Keyboard
Music
Selah helps successful church musicians
www.selahpub.com
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[ ]Bayoubüchlein New Chorale Preludes
AGO Houston 2016organ solos n 160-616 n $50
This distinctive new collection of organ music for the liturgical year was commissioned for the 2016 National Convention
of the American Guild of Organists in Houston. The title refers to J. S. Bach’s volume of chorale-based organ works and Houston’s Gulf Coast waterways. Realizing that newer hymn tunes often
lacked chorale preludes, the convention’s new music committee decided that each piece in this collection would be based on a hymn tune composed since 1960. The works chosen are a combination of pieces commissioned by the convention and
pieces selected from an open “call for scores.”
Commissioned composers Chelsea Chen (Bethold) David Dahl (dunedin)
Nancy Galbraith (Mississippi) Anne Roberts (seed, scattered and sown)
Aaron David Miller (rejoice, rejoice) Rebecca Groom te Velde (judas and Mary)
Additional Composers Robert Train Adams
Hon Ki Cheung Matthew Corl
Benjamin Cornelius-Bates Ruth Draper
Michael Emmerich Thomas Fielding
Gregory Hamilton Joyce Kull
Louise Mundinger Brenda Portman
Bernard Wayne SandersJoyce Moon Strobel
Larry Taylor, Donald VerKuilen
Kathryn Sparks White
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Bayoubüchlein
New Chorale PreludesAGO Houston 2016
Bayoubüchlein
AGO Houston 2016 ORGAN SOLO
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Let All That Hath BreathAn Organ Album
for the 50th anniversary of the Association of Anglican Musicians
organ solos n 160-600 n $35
This album of 12 compositions by 12 composers was prepared in celebration of the 50th
anniversary of the Association of Anglican Musicians, with support from a bequest from
the estate of Bishop Chilton Powell and his wife Elizabeth. Some pieces are published for the
first time, and a few are new editions of out of print material composed by individuals important
during AAM’s history. Most of the works are relatively brief in duration and based on hymn
tunes. All will provide useful and distinctive voluntaries for worship.
Air–Gerre Hancock Introduction & Fanfare on helMsley–Bruce Neswick
Var. on “Good Christians, All”–Marilyn Keiser Fantasia on wondrous love–David Hurd
The Women at the Tomb–Dorothy J. Papadakos Shalom (Peace), from The Aeolian Sonata–Dan Locklair
Prelude on “Fight On, My Soul”–Robert J. Powell Sacred Dance on holy Manna–Janette Fishell
A Love So Fierce and Free: A Litany–David Ashley White Trumpet Tune in D–Sam Batt Owens
Fanfare–Alec Wyton Prelude on engelBerg–Craig Phillips
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[ 4 ]
Let All That Hath Breath
An organ albumfor the 50th anniversary of the
Association of Anglican Musicians
ORGAN SOLO
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Improvisation on Nicaea
organ solo
Alfred V. Fedak
Alfred V. Fedak
Improvisation on NicaeaAlfred V. Fedak
organ solo n 160-520 n $10
This dignified treatment of the familiar hymn nicaea (“Holy, holy, holy”) would make an excellent postlude for any time in the church year. Fedak takes the tune through seven key
areas before returning to a sturdy presentation of the entire tune in the home key of D.
ORGAN SOLO
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Scherzo Ostinato
organ solo
Alfred V. Fedak
Scherzo OstinatoAlfred V. Fedak
organ solo n 160-865 n $12
This exciting concert scherzo is based on a theme by Thomas Ravenscroft. The work begins
quickly but quietly, with an apprehensive atmosphere. The music gains in energy and
volume, building towards a dramatic conclusion. An impressive (though only moderately difficult)
work for recital, or Lenten postlude.
ORGAN SOLO
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Joyful, Joyful,We Adore Thee
Hymn to Joy
festival hymn setting for choir, congregation,
& organ
ALFRED V. FEDAK
Joyful, Joyful, We Adore TheeHymN to JoyAlfred V. Fedak
organ, choir, and congregation n 160-830 n $10
Beethoven’s hyMn to joy receives a congregational hymn setting by Fedak that will prove useful for festal occasions. The music begins with an extended organ toccata as an
ebullient introduction. This is followed by a straight-forward but engaging organ and congregational setting that will
require almost no preparation time, thus allowing for spending rehearsal time on other music.
FESTIVAL HYMN SETTING
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Partita
on
NUN DANKET ALLE GOTT
organ solo
Craig Phillips
160-602
Partita on NuN DaNket alle GottCraig Phillips
organ solo n 160-602 n $10
Craig Phillips’s signature organ style is on full display in this colorful partita on the familiar Thanksgiving hymn “Now Thank We All Our
God.” Structured without break, the music begins with a dramatic introduction and continues on to several different contemplative treatments of the tune before a rousing fughetta turns into a
toccata to bring the work to a glorious ending.
ORGAN SOLO
Craig Phillips
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[ 9 ]
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Rhapsodyfor organ
Craig Phillips
ORGAN SOLO
RhapsodyCraig Phillips
organ solo n 160-830 n $20
Commissioned for the Taylor Organ Competition of the Atlanta Chapter of the American Guild of Organists, this large-scale concert piece by
Craig Phillips displays all his hallmark color and brilliance. The outer sections are fast and bright, while the extended inner section is slow, lush,
and expressive.
Prelude on the Carillon d’Alet
Craig Phillipsorgan solo n 160-853 n $10
Written as a companion piece for his fugue, Craig Phillips’s prelude is inspired by the distinctive character of Duruflé’s beloved
“Scherzo.” As with the fugue, the musical theme is derived from the bells of the Eglise-St. André in the village of Alet-les-Bains, France. The prelude may be used to precede the fugue, or it can also
stand alone as its own work.
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160-853
Prelude on the Carillon d’Aletorgan solo
Craig Phillips
Fugue on the Carillon d’Aletorgan solo
Craig Phillips
ORGAN SOLO
Prelude on the Carillon d’Alet
Craig Phillipsorgan solo n 160-853 n $10
Written as a companion piece for his fugue, Craig Phillips’s prelude is inspired by the distinctive character of Duruflé’s beloved
“Scherzo.” As with the fugue, the musical theme is derived from the bells of the Eglise-St. André in the village of Alet-les-Bains, France. The prelude may be used to precede the fugue, or it can also
stand alone as its own work.
Fugue on the Carillon d’Alet
Craig Phillipsorgan solo n 160-852 n $10
The composer writes: “This piece is based on the bells of the Eglise-St. André in the village of
Alet-les-Bains, France. This is a somewhat fanciful interpretation of the simple, but very interesting two-tone angelus that is heard three times daily
from the bell tower of the church, which is adjacent to the ruins of the 11th century Notre-
Dame Abbey.”
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[ ] [ ]
Praise, My Soul, the King of Heaven
lauDa aNimaCraig Phillips
Organ, brass quintet, percussion, choir, and congregation n 820-621 n $35
Commissioned by the American Guild of Organists for the 2016 National Convention
in Houston, this organ/brass/percussion arrangement of one of the great hymns of praise
will enliven any festival service. The setting includes an instrumental introduction followed by
treatments of the four sung verses.
Lauda AnimaPraise, My Soul, the King of Heaven
forOrgan, Brass Quintet & Timpani
Choir & Congregation
Full Score and Parts
PHILLIPSCraig Hymn Arrangements by
PHILLIPSCraig Hymn Arrangements by
All Creatures of Our God and King
Lasst uns Erfreuen
INSTRUMENTAL
AGO Houston 2016 [ ]
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All Creatures of Our God and Kinglasst uNs erfreueN
Craig PhillipsOrgan, brass quintet, percussion,
choir, and congregation n 820-620 n $50
Commissioned for the 2016 National Convention in Houston, this organ/brass/percussion arrangement of one of the great
hymns of praise will enliven any festival service. The setting includes an instrumental introduction followed by treatments of the seven sung verses. (The fifth and sixth verses feature women’s and
men’s voices respectively.)
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Three Pastoral Scenesfor violin, bassoon, & organ
Craig Phillips
Three Pastoral ScenesCraig Phillips
organ, violin, and bassoon n 160-935 n $25
Phillips has written a number of effective pieces of chamber music involving organ. This suite employs the unusual combination of
violin and bassoon with organ. The three short movements each have a different character: a bucolic andante grazioso first
movement (perhaps depicting the gentle countryside), a warm and gently lyrical movement with a flowing texture (perhaps a brook scene), and a very energetic, rustic dance finale. Score
includes reproducible parts for instrumentalists.
ORGAN AND INSTRUMENTS
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[ ]All Creatures of
Our God and Kinglasst uNs erfreueN
Craig PhillipsOrgan, brass quintet, percussion,
choir, and congregation n 820-620 n $50
Commissioned for the 2016 National Convention in Houston, this organ/brass/percussion arrangement of one of the great
hymns of praise will enliven any festival service. The setting includes an instrumental introduction followed by treatments of the seven sung verses. (The fifth and sixth verses feature women’s and
men’s voices respectively.)
Three Reflectionson Hymn Tunes
for solo piano
David Ashley White
David Ashley White
PIANO
Three Reflections on Hymn TunesDavid Ashley White
piano n 830-612 n $10
These moderately easy piano pieces are treatments of three hymn tunes: the Welsh
tune avon (also known as MartyrdoM), the Sacred Harp melody a song of texas, and
one of White’s original tune (garden district). Expressive and lyrically pianistic, the pieces are suitable for service preludes and interludes; or all
three together as a concert suite.
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A Second Light
Organ solo
David Ashley White
ORGAN SOLO
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A Second LightDavid Ashley Whiteorgan solo n 160-660 n $9
A beautiful, elegant organ solo based on the plainsong melody Jesu dulcis memoria.
“This is an atmospheric work with a
contemporary harmonic language that coheres and embraces beauty.” –The Journal of the
Association of Anglican Musicians
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Joyful, Joyful,We Adore Thee
Hymn to Joy
festival hymn setting for choir, congregation,
& organ
Biblical Sketchesfor organ and trumpet in C
by David Schelat
In the beginning… (Genesis 1:1–5)David danced before the Lord with all his might (II Samuel 6:14)
David Schelat
ORGAN AND TRUMPET
Biblical SketchesDavid Schelat
organ and trumpet n 160-924 n $15
Commissioned for the 2015 Pittsburgh Regional Convention of the American Guild of Organists. The two movements explore very contrasting moods,
forming either an effective concert diptych or a prelude and postlude for services. The first movement is a quiet rhapsody depicting creation
emerging from the earth “without form and void.” The hymn tune Bunessan makes subtle appearances. The second movement depicts David’s dance before the ark in a rondo of energetic praise. Though the first movement in particular requires great expressive musicianship, the diptych is only of moderate difficulty overall, and the trumpet part does not go above an A--
making it useful for amateur or professional players alike.
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Joyful, Joyful,We Adore Thee
Hymn to Joy
organ soloMary Beth Bennett
Prelude & Toccata on KINGSFOLD
organ solo
Mary Beth Bennett
Mary Beth Bennett
Prelude & Toccata on kiNGsfolDMary Beth Bennett
organ solo n 160-652 n $12.50
This two movement treatment of the English folk hymn Kingsfold was commissioned for the 2015 Pittsburgh Mid-Atlantic Regional Convention of the American Guild of Organists. The expressive
prelude begins with a lush, broad treatment with the melody presented in the pedal on a 4’ stop. A brief, celeste interlude leads to a flowing, plainchant-like setting before the mysterious celeste music returns to close. The ebullient toccata takes the
hymn through a variety of keys with a perpetually moving texture.
ORGAN SOLO
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From Harp to PipeEarly American Hymn Tunes
Robert J. PowellRobert J. Powell
From Harp to Pipe Early American Hymn Tunes
Robert J. Powellorgan solo n 160-663 n $15
Powell has composed six preludes on early American hymn tunes: lenox (“Blow Ye the Trumpet Blow”), BaBel’s streaMs (“By the Waters of Babylon”), the saint’s delight (“In Adam We Have All Been One”), saManthra (“Isaiah the Prophet”),
savannah (“Jesus, Lord, We Look to Thee”), and Bethel (“O for a Closer Walk with God”). The beautiful and ruggedly
modal character of the original tunes is respected and highlighted in Powell’s accessible settings.
ORGAN SOLO
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6salm
PPr
elude
s
Robert J. Powell
6 Psalm PreludesRobert J. Powell
organ solo n 160-685 n $15
Robert Powell has been composing organ psalm preludes for decades, and this new offering
contains six short, expressive organ pieces that will make ideal service voluntaries. The totality
(or subset groupings) may also be played as concert music, or combined with some of
Powell’s other psalm preludes from years past.
ORGAN SOLO
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A Mohawk River Suite
Alfred V. Fedak
INSTRUMENTS AND VOICE
A Mohawk River SuiteAlfred V. Fedak
keyboards, flute, voice n 160-926 n $25
Originally composed for a house concert involving various keyboard instruments (harpsichord, piano, and organ), flute, and singers, this
work can also be seen as an anthology of musical settings and variations on the familiar hymn “Shall We Gather at the River?” The
keyboard movements in various historical musical styles can be easily adapted for any keyboard instrument or performance context. Several of the movements with voice could be used as stand-alone settings,
and there is also an ornamented baroque-style air for flute and keyboard that would make an effective offertory. The suite concludes
with a solo organ toccata: an excellent postlude.
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