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Page 1: NEW DELHI | THURSDAY, 1 DECEMBER 2016 …thirdeyesight.in/articles/haier-india-retail-strategy.pdfReal World product suite which includes Discovery Channel, Animal Planet, Discovery

QUIZ 489

1 It started as a movement to create an international day of giving at the

beginning of the Christmas and holiday season in 2012. It was started by a

voluntary organisation in New York and the United Nations Foundation as a

response to commercialisation and consumerism in the post-Thanksgiving

season (Black Friday and Cyber Monday). It is now a global movement and has

raised more than 110 million from 700k people in 70 countries. Name it.

2 What is /dev/payments now?

3 Columbo is an American television series starring Peter Falk as Columbo, a

homicide detective with the Los Angeles Police Department. It ran from 1968

to 2003. His tendency to have one last parting shot before he left has

influenced a business buzzword in the world of emails. What is it?

4 What is the unique distinction these two

brands have in common — Titleist golf

balls and Hasselblad cameras?

5 Connect RPG Phillips Carbon Black, Mcleod

Russel, FACT (Fertilisers and Chemicals of

Travancore), Fevicol from Pidilite and the

Times of India.

6 He was one of Cartier’s main clients in India and also the first Indian to own

an aeroplane. He also followed an annual ritual/tradition of parading

himself in the buff along with a diamond studded breastplate. Name him.

7 What system was introduced into the rest of Europe and the world by

émigré Venetian glass-blowers to protect their skills against those of

local workers?

8 What was priced at USD 666.66 as the mark of the beast when it was

introduced for the first time?

9 Which company can also be called the Octothorpe Company?

10 Identify this brand that

courted controversy recently.

1. The banana fruit. Carl Linnaeus gave it

the scientific name Musa paradisiaca

2. The Airbnb mag

3. Gustavo Diaz, an employee of Home

Depot in Alabama. He runs a website

called Dolartoday.com during his

lunch hour which sets the benchmark

exchange rate used by his

compatriots to buy and sell black

market dollars. This in turn influences

the inflation rate in Venezuela. The

Venezuelan central bank twice filed

suit against his website unsuccessfully

4. Kombucha is predominantly the

main ingredient for all the organic

bottled drinks manufactured by

KeVita which has been acquired by

Pepsi for around $200 million

5. South Korean company Etoos

6. Samuel Colt. He invented a gun

(revolver) that fired multiple times

without reloading, its advanced

manufacturing created a mass market

7. The DRDO Rustom is a Medium

Altitude Long Endurance unmanned

combat air vehicle being developed

by DRDO for the three services

8. A giro transfer, a payment transfer

from one bank account to another

and instigated by the payer

9. Premier Ltd’s SUV brand Rio

10.Bossbots. Hugo Boss is guiding

consumers through attire for all of

their events this holiday season with

help from two style-savvy robots

One lucky winner will receive a cheque for ~2,000. Send your entries [email protected]. All entries must carry the postal address of the contestant. Lastdate for receiving entries: December 2 till 8 pm. Previous winners and employees ofBusiness Standard and their families are not eligible to participate. The winner ischosen on the basis of the first correct entry received. There were no correct entries to quiz No 488. The winner is based on the first correct entry.

ANSWERS TO THE STRATEGIST QUIZ 488

COMPILED BY GAURAV SRI KRISHNA, www.facebook.com/gaurav.s.krishna

GUEST COLUMN

MOVEMENTS

Content curatorDiscovery Networks Asia-

Pacific has appointed

Sameer Rao as vice-

president, Real World

Products-South Asia. Rao

will lead content curating,

audience development,

creative and original

content for Discovery’s

Real World product suite

which includes Discovery Channel, Animal

Planet, Discovery Science, Discovery Turbo,

Discovery Tamil, Discovery HD World and

Animal Planet HD World. Rao has over two

decades of experience in movie, broadcast

and consulting industries. He was most

recently with UTV’s studio division as creative

director. He holds a postgraduate diploma in

management from IIM Ahmedabad and is a

chartered accountant.

Digital marketingLiqvd Asia has bagged the digital performance

marketing mandate for rentickle.com, an

online shop for furniture, appliances and

other home furnishing essentials on rents.

Rentickle.com offers new products on rent in

Delhi, Gurgaon, Noida, Faridabad and

Hyderabad. Liqvd Asia will be working with

the founders and the marketing team of the

brand on their performance marketing pie

with a target to increase customer acquisition

through various digital marketing channels.

Agency headPublicis Capital Delhi has

appointed Nitin Pradhan

as head of creative.

Pradhan has in the past

worked with Mudra,

Ogilvy, Leo Burnett,

McCann, JWT and his last

stint was as a director

with Curious Films. An

alumnus of MICA, he has

more than 15 years of experience and has to

his credit many successful campaigns like KBC

Season 2: Umeed Se Dugna, KBC Season 3:

Kuchh Sawaal Zindagi Badal Saktey Hain,

Amaron, Bank of India (Rishton ki Jamapunji

campaign), Tata Sky and Tata Sky Plus

(featuring Aamir Khan), and Nestle Alpino.

Creative mandateSujata Appliances, a consumer

electronics and home appliances brand,

has assigned Soho Square with its creative

mandate after a multi-agency pitch. The

account will be handled by the agency’s

Gurgaon office. Established in 1980, Sujata

is a part of Mittal Electronics. The company

manufactures mixer juicer grinders in

India and its products have presence in

more than 18 countries.

Events often play an importantrole in building relevance ofbrands and reinforce their ben-

efits to the customers. As marketingautomation and big data become ava-ilable, the ability of brands to buildnear real-time event triggers has be-come possible today much morethan ever before. Many brands havetaken the recent demonetisation ev-ent as an opportunity to build stron-ger connect with customers. Also, thebrands that have been proactive tothe changing on-ground situationsover the last four weeks due to dem-onetisation are the ones that havefound stronger connect with custom-ers rather than those thatused this as a tactical com-munication opportunity.

While Paytm is a greatstory of a brand that has ta-ken advantage of this eve-nt through overnight adve-rtising messages acrossmainline dailies, there area lot of others that have tak-en advantage of this mom-entum creatively. The sim-ple rules of real-timecontent marketing for eve-nts like demonetisation are — a) agili-ty b) relevance c) repeatability d) res-onance and empathy e) imagination.

Big Bazaar, the retail store chain,has been the most agile and swift totake advantage of real-time contentmarketing during demonetisation.What’s been impressive is that theyhave come up with a series of messa-ges, as a follow-up measure, whichhas not been done by too many. Theywere probably the first brand toannounce on Twitter, on the night ofNovember 8, that their stores will beopen till 11.50pm. They followed thisup with cashless sale in their storesand finally started dispensing cashat their stores through special count-ers. The messaging inside and outsi-de the store was extremely visibleand this has contributed to their foot-falls as it resonated with some of thepains customers were going through.

Uber was another brand that usedthis effectively for customer servicerather than just marketing messages— reinforcing itself as a brand thatcares. They were immediately onTwitter and the mobile app urgingcustomers to carry smaller denomi-nations or requesting them to moveto digital payment methods.

The financial brand that was alertwith real-time content marketing wasAxis Bank with its Axis Pay — aUnified Payment Interface app. Axisdominated with this app through aseries of messages reinforcing theiroffline and online presence. The keyto their real-time marketing messag-

ing was the relevance of theproduct to the customers.Kotak Bank also did a phe-nomenal job with theiroffline campaign right afterthe event.

If one treated the gover-nment as a brand, theyused demonetisation effec-tively for real-time contentmarketing. The messagingpost-demonetisation incl-uding the PM’s messageson mobile app, well-publi-

shed polls and results, seeking feed-back from citizens and shaping theresponse from their side for a nationof our scale was quite interesting.

A lot of brands created one-off orsimilar messages like Zomato, Mobi-kwik, Freecharge, Nestlé, Nilkamaland Durex — the differentiation incontent was relatively poor or one-off. The ones that were first off-theblock caught all the attention and therest became blind spots. Those thatwere far more dynamic in their cont-ent over the weeks since November 8also caught attention as they builtresonance with the situation on theground rather than one-off messages.

The key to real-time content mar-keting is not just agility but continu-ity. Brands that are able to build thisacross media with near real-timecreativity and relevance are the onesthat will win customer attention.

How to marketreal timeBrands have seized demonetisation as anopportunity to connect with customers

What are the challenges foradvertisers in terms of creatingengaging content in the onlinevideo ecosystem? How is theIndian digital video market dif-ferent from other markets?We are a visual country. We havegrown up on Bollywood and a lotof other regional content. LikeAmerica, we have a growing TVviewing population, and if you a

look at it from a category per se, India is right for video as amedium. If you were to consider the situation 10 years agowe only had x number of channels and constrained progra-mming. Today, thanks to the proliferation of devices andchannels to propagate video I think it’s a giant opportunitycompared to other countries, like the US which is a single lan-guage/demographic. I think it is early times yet in India. Weare not fully on top of the curve creating engaging content.It is still adaptive kind of video, and as advertisers we are notgenuinely creating video content that is native to the space.

In India, one obvious thing that comes to mind is the needto produce content in so many different languages. Theeffect of Bollywood and its impact on any kind of contentthat you create is unique. Also, video needs a bandwidth forthe end consumer and therefore buffering, etc. will alwaysbe a challenge in the Indian context.

How has the growth of online channels impacted andinfluenced the advertising agency’s approach towardsbrand building and content creation?Again I believe the leadership in the space of creating onlinevideo content has been taken by a lot of new intermediaries,and agencies have been a little slow on the uptake. Initially,both advertisers and agencies tried to pass off offline contentas online. Over the last two or three years both advertisersand ad agencies have woken up to the importance of creat-ing fresh, organic content for various channels and contexts.Most brands and advertisers realise that video content/bran-ded content is a great opportunity to communicate withconsumers in ways which are more consumer-speak thanbrand-speak and which is more entertaining to consume. It’sjust that different brands have different levels of adoption.

How has the diversification of media services for agenciesimpacted people training and management?Never in my two decades of this business has there been somuch change. And therefore as we speak agencies are beingforced to do a 360-degree turn on their heads in terms ofquickly training their personnel to think differently and beready for newer formats and channels. Luckily, the youthdemographic in most agencies are ready for it, because theyany way dabble in this medium.

The agencies that are aware of this and changing areretooling their people faster. In areas like creating a quickvideo edit studio, people in-house who to train others indifferent techniques and algorithms of video proliferation,new analytic tools and just newer formats of storytelling

are areas agencies are focusing on. It’s not the classical artdirector-copy writer partnership sitting and creating somekind of communication for the client. So, today is the age ofthe generalist where you need to be a bit of a creative person,a bit of a producer, a bit of an editor, a bit of a videographerwith multiple skills thrown into one.

Are traditional established brands ready to experimentwith their brands in digital space?To answer that, you cannot paint all the brands with the samebrush because different categories have different points ofview on digital. So beauty products are very different on dig-ital, as compared to cars. If your consumers are expecting tointeract with you in this space, you should be there. If theyaren’t, don’t even waste your time. You need to mirror yourconsumers’ aspiration and then decide on your digital play.Every client I have spoken to or met in the last year or so hasbeen at least curious about digital play. In fact, some conser-vative brands and their owners are hungrier to learn. Sincethey come from a space of ignorance I think they are muchmore open to suggestions from agencies. But the flip side is,since it is a sunrise space there are too many players, toomuch of the bad is also being sold with the good, some-times what it does therefore is that brands and clients end upburning their fingers.

Could you give a rough estimate?I can’t give you a number. But for example, a brand which 10years ago was 100 per cent in traditional media is today aw-are of something called digital. There are brands like Google,there is branded content, a bunch of branded content pro-ducers, and then there is analytics, storytelling and even indigital there are multiple sectoral experts — some in socialmedia, building web assets, mobile ad, contextual, perfor-mance marketing. So I believe because there is a plethora ofoptions it is not necessarily good for advertisers and brandsbecause they end up either overbuying or underbuyingproducts and solutions.

‘This is the age of the generalist’

SANGEETATANWAR

Buoyed by impressive sales this fiscaland the ongoing expansion of its man-ufacturing plant at Ranjangaon near

Pune, Haier India is aiming to be amongthe top three in the home appliances andconsumer electronics segment by 2020. It’sa tall task for a player that has a single-dig-it share and is up against industry giantssuch as Samsung and LG who collectivelycommand 70 per cent of the market pie.

The Chinese brand appears well-placedto finally move out of its stronghold insouthern India and secure its place in theconsumer electronics market which is set togrow from $9.7 billion in 2015 to $20.6 billionby 2020 to become the fifth-largest in theworld by 2025. Haier India has clocked salesworth ~2,150 crore this fiscal and is lookingforward to achieve a target of ~6,500 crore by2020. Even as sales numbers look positivefor the Chinese player, the company is push-ing its product portfolio through multiple-brand retail outlets.

At the face of it, the company’s retailstrategy is in line with the industry trendswherein major home appliances and con-sumer electronics players take the multipleretail outlet route to save real estate, man-power and inventory holding costs. But digdeeper and we have Haier embracing themulti brand retail store format aggressively— for gaining higher brand visibility and tobe seen in the company of established high-end brands. But does this retail strategytranslate into higher sales numbers andhelp build brand saliency? The figures sug-gest the answer is an emphatic yes.

At present, about 90 per cent of HaierIndia’s revenues come from multi-brand-ed stores whereas standalone brand storescontribute 10 per cent. This is in stark con-trast to the 50-50 per cent split in revenueshare by multi-branded stores and stand-alone stores in 2010.

It’s these positive numbers that has led

Haier India to focus on expanding its net-work of dealers and distributors as againstopening up more standalone stores. As ofnow, Haier India only has 30 standalonebrand stores as against a multiple brandeddealer network of 5,500. According to thecompany, it is commanding strong growthin markets such as Maharashtra, TamilNadu, Kerala and Haryana, and looking togrow in cities such as Delhi and Hyderabad.

“Look at the competition. LG and Sam-sung enjoy maximum pull and command ahigher brand recall. Haier as a brand doesnot enjoy top-of-the-mind recall among alarge consumer set. It’s important to help

people see and compare your brand withthat of competitors. When you walk into amulti-branded store and see a certain brandamong established brands, it’s easy to makea buying call,” says Eric Braganza, presi-dent, Haier India.

Essentially, multi-branded stores helpincrease visibility. And this can be achievedby moving up the dealership value chainand going in for bigger display spaces.

According to Devangshu Dutta, chiefexecutive, Third Eyesight, if you want to bea mainstream brand then the key questionis how do you proliferate the market and atthe same time keep costs low. “Hence, for a

brand to create a significant market foot-print, a presence across multi-brand storesis essential. At the same time, for a relativelynew brand and even for established brandsthere is merit in having singular stores so asto be able to showcase the entire brandrange at one place.”

Haier India has been selective in forg-ing multi-branded retail partnerships. Thisis so because it does not want to be lost inthe crowd of multiple brands. While choos-ing retail partners Haier India looks atstores that offer 3,000 to 4,000 square feetin area and can display up to 15 to 18 com-pany products.

Braganza admits while going for mul-ti-branded stores there are constraints ingetting a large display. However, HaierIndia works closely with dealer partnersand offers them healthy margins toensure that the company’s products aredisplayed prominently and don’t end upas dead inventory that is merely occupy-ing store space.

Without revealing mark up offered todealers and retailers, Braganza says that itvaries from region to region, based uponthe volumes and stock available. At thesame time, he clarifies that the companydoes not believe in discounting the brand.Therefore, it’s wary of working with dealerswho offer discounts on products to eitherattract footfalls or sell more.

Haier takes multi-brand routeNEW DELHI | THURSDAY, 1 DECEMBER 2016 STRATEGY 9

. <

The Chinese player

has adopted a plan to

build its footprint

rapidly with lower

capital investment.

However, that might

mean less control on

the overall customer

experience

S SWAMINATHANCEO & co-founder,

Hansa Cequity

ANIL K NAIRCEO and managing

partner, Digital L&K

Saatchi & Saatchi

Since digital is a sunrise space

with too many players, too

much of the bad is being sold

with the good, Anil KNairtells RitwikSharma

E X P E R T T A K E

DEVANGSHUDUTTAChief executive,Third Eyesight

From the investment point of

view, it makes sense for brands to

go for multi-branded stores as

against standalone brand store

because of the high costs involved

in setting up a retail store and

managing inventory etc. On the

sales front, at the end of the day a

dealer would want to offer

maximum choices to customers

and also would be picking up

products which will sell faster.

Managing consumer

experience is a key challenge

while pushing the brand through

multi-branded stores. In such

stores, a brand has limited power

of controlling the communication

and consumer experience at the

point of purchase where five other

brands are vying for attention.

Consumer experience is better

controlled and managed in an

exclusive brand store.

Benefiton investment front

At present, about 90 per cent of Haier India’s revenues come from multi-branded stores

SANJAY K SHARMA