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Mythology & the Greek Vase

Mythology & the Greek Vase

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Greek Art. Mythology & the Greek Vase. Greek Art. Very few Greek painted pictures have survived the 2500 years since they were painted. Most of what we know about Greek art comes from the pictures they painted on pottery. . Greek Vases. - PowerPoint PPT Presentation

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Page 1: Mythology & the Greek Vase

Mythology & the Greek Vase

Page 2: Mythology & the Greek Vase

Greek Art• Very few Greek

painted pictures have survived the 2500 years since they were painted.

• Most of what we know about Greek art comes from the pictures they painted on pottery.

Page 3: Mythology & the Greek Vase

Greek Vases

• The Greeks used ceramic vessels in every aspect of their daily lives: – storage, carrying, mixing,

serving, and drinking, and as cosmetic and perfume containers.

• Elaborately formed and decorated, vases were considered worthy gifts for dedication to the gods.

Page 4: Mythology & the Greek Vase

Greek Vases• Pots were covered with mythological

scenes• No paint was actually used, but rather

something called slip – The clay found near Athens has a lot of iron

in it, so it looks black when it is wet.– But if you fire it in an oven where there is

plenty of air getting in, the clay rusts, and turns red.

– If you fire it in an oven with no air getting in, the iron can't mix with oxygen, and the pot stays black.

Page 5: Mythology & the Greek Vase

Technique: Archaic Period1. Make a pot, and let it dry a little ("leather-dry"). 2. Then mix a little of the wet clay with a lot of

water, to make a kind of paint (called slip), which you use to make the black part of the picture.

3. Let the whole thing dry and fire it in a kiln:– First give it a lot of air, so the whole pot turns red,

slip and all.– Then shut off the air supply, but just for a little while

right at the end of the firing.– When the air runs out, the fire sucks oxygen right out

of the clay of the pot. But the places where there is slip, the slip is thinner and easier to suck air out of. So the slip turns black!

Page 6: Mythology & the Greek Vase

Black Figure

Painting

Page 7: Mythology & the Greek Vase

Black Figure Paintin

g

Page 8: Mythology & the Greek Vase

Black Figure Painting

Page 9: Mythology & the Greek Vase

Technique: Classical Period• Instead of painting

the people black, why not paint the background black and leave the people red? –Harder because

artist has to paint the background rather than the actual images.

Page 10: Mythology & the Greek Vase

Red Figure Painting

Page 11: Mythology & the Greek Vase

Red Figure Painting

Page 12: Mythology & the Greek Vase

Archaic vs. Classical

Black Figure Vase Painting Red Figure Vase Painting

Page 13: Mythology & the Greek Vase

Archaic vs. Classical

Black Figure Vase Painting Red Figure Vase Painting

Page 14: Mythology & the Greek Vase

The Hydria• This object is known

as a hydria.• Decorated vases such

as this would have been used when fetching water.

• Made of bronze or pottery, a hydria has three handles: two for carrying and one for pouring.

Page 15: Mythology & the Greek Vase

Amphora• Today we give cash

bonuses to athletes. We film them endorsing their favorite products. But in early Greece, victors in the Pan-Athenic games were awarded oil...and the oil was stored in large ceramic vessels called amphoras.

Page 16: Mythology & the Greek Vase

The Dinosa• Dinos were also

given as a prize during Greek competitions.

• It is a deep bowl without handles.

• Often a dinos was rounded on the bottom, and therefore needed a stand for support.

Page 17: Mythology & the Greek Vase

Kantharos• Dionysus, the Greek

god of wine, is often depicted as he drinks from a kantharos.

• Deep cup with two vertical handles which often extend high above the lip of the cup.

Page 18: Mythology & the Greek Vase

Lekythos

• A lekythos is a tall flask that held precious oil and was used in funerary rituals.

• The vessels were then left on graves or buried with the deceased.

Page 19: Mythology & the Greek Vase

Loutrophoros• The loutrophoros

was used to hold water during marriage and funeral rituals, and was placed in the tombs of the unmarried.

Page 20: Mythology & the Greek Vase

KYLIX• A fine gift for the Greek who has

everything would be a kylix, or an elegant, highly decorated drinking cup. This vessel might have been decorated on the outside walls, and also in the circular inside area, or tondo.

Page 21: Mythology & the Greek Vase

Pyxis• Where to keep your

lipstick and small change!!!? A small box-like container with a lid, might be the Greek solution. This container is usually round, but might have a number of many different vertical profiles.

• It's common to see illustrations of weddings or funerals on a pyxis

Page 22: Mythology & the Greek Vase

Krater• It was considered

uncivilized to drink wine straight... so mixing it with water was a social ritual. The early Greeks used a krater for this process. It's a large bowl with a wide mouth.

Page 23: Mythology & the Greek Vase

Meandros

…Or (meander)• Decorative border constructed from

a continuous line, shaped into a repeated motif– Frequently seen on Grecian urns

Page 24: Mythology & the Greek Vase
Page 25: Mythology & the Greek Vase
Page 26: Mythology & the Greek Vase

The Water Jar• There are two figures

on this water jar fighting a many-headed snake-like creature known as the Hydra.

• The figures on this water jar are Hercules, to the right, attacking the Hydra with his club, and his companion Iolaos, who is cutting one of the heads off of the monster.

Page 27: Mythology & the Greek Vase

Side View• Looking at the side of

the jar, one can see a crab pinching Hercules’s foot. Next to the handle is a sphinx, a winged creature with the body of a lion and a human head.

• There are also decorations inspired by nature. An ivy vine circles the shoulder of the jar, while palmetto and lotus patterns decorate the lower portion.

Page 28: Mythology & the Greek Vase

Comparing the Myth to the Vase

• What has the artist added to the story?• What has he left out?• Which moment in the story would you

have chosen to focus on if you were going to illustrate it on a vase?

• The Greeks liked to decorate their vases with repeated patterns. Examine the use of pattern on the vase:–What shapes are repeated and where

are they located on the vase?

Page 29: Mythology & the Greek Vase
Page 30: Mythology & the Greek Vase

Greek Architecture

• Temples & Government Buildings in the ancient Greece were architectural wonders•Modern examples that copy this

style?•Washington, D.C.

Page 31: Mythology & the Greek Vase

The Parthenon

The Supreme Court

Page 32: Mythology & the Greek Vase

Lincoln Memorial

Page 33: Mythology & the Greek Vase

National Portrait Gallery

Page 34: Mythology & the Greek Vase

Three Architectural Orders

• Architecture was a city-state’s chance to show off its wealth and artistry!–Doric Architecture- mainland Greece– Ionic Architecture- - western coast of

Asia Minor–Corinthian Architecture- - attributed

to a sculptor and architect known as Callimachus from the city of Corinth

Page 35: Mythology & the Greek Vase

Doric• Rather sturdy• Columns feature a

very simple stone capital (its top) in two pieces

• Plain• Mainly used in

mainland Greece and the colonies in southern Italy and Sicily.

Capital

Page 36: Mythology & the Greek Vase

Ionic

• Thinner and more elegant

• Its capital is Decorated with scroll-like design

• Underneath block is a decorative pattern

Horns of Ram

Egg

and

Dart

Page 37: Mythology & the Greek Vase

Corinthian• Its capital is

very elaborate and decorated with leaves.

• Thinner column

• Rarely used

Page 38: Mythology & the Greek Vase

Temple of Apollo at Didyma

Which Type of Order?

Page 39: Mythology & the Greek Vase

Which Type of Order?Templ

e of

Zeus

Page 40: Mythology & the Greek Vase

PARTHENON

Which Type of Order?

Page 41: Mythology & the Greek Vase

Doric, Ionic & Corinthian Columns

Page 42: Mythology & the Greek Vase

Background• The Greek drama began as a

religious observance in honor of Dionysus and grew to include stories of other gods and of the ancient heroes– Audience knew how it was going

to end– Portrayal of characters was the

focus– Explored ethical and moral

issues

Page 43: Mythology & the Greek Vase

Theatrical Genres• The Athenians were the

first to write dramasoTragedy- serious story

that usually ends in a disaster for main character

oComedy- stories that made fun of well known citizens and politicians; also made fun of customs

Page 44: Mythology & the Greek Vase

Theatrical Setting• Took place in large hillside

amphitheaters called theatrons • Few characters, never more than three

speaking actors allowed on the stage at once• Chorus of men and boys served as the

storytellers– Anywhere between 3 and 50– Sang and chanted a Dithyramb (= Drama)– Provided emphasis on importance of events and

also comic relief

Page 45: Mythology & the Greek Vase
Page 46: Mythology & the Greek Vase

The Stage• Skene – Portion of

stage where actors performed (included 1-3 doors in and out)

• Orchestra – “Dancing Place” where chorus sang to the audience

• Theatron – Seating for audience

Page 47: Mythology & the Greek Vase
Page 48: Mythology & the Greek Vase

Actors & Attire• Actors wore masks to

indicate the nature of the characters played.

• Men played women’s roles• Wore a strange-looking

wooden sole called a cothurnus or buskin, about six inches high

• Same actor appeared in several parts.

• Of the hundreds of Greek tragedies written, fewer than 35 survive.

Page 49: Mythology & the Greek Vase
Page 50: Mythology & the Greek Vase

Greek Playwrights 1.Aeschylus: wrote the

oldest surviving plays - began competing in 449 at Dionysus Theatre.–Most of his plays were

part of trilogies.–Wrote: Agamemnon,

Eumenides, The Persians, Prometheus Bound, The Seven Against Thebes

Page 51: Mythology & the Greek Vase

Greek Playwrights 2. Sophocles: second of the

great Greek playwrights – Increased the number of actors

to 3 (thereby reducing the importance of the chorus)

– Believed to have introduced the 3rd actor

– Fixed the chorus at 15 (had been 50).

– Invented skenographia (scene painting), to define the background.

– Wrote: Oedipus, Antigone, Electra

Page 52: Mythology & the Greek Vase

Greek Playwrights 3. Euripides: third of the of

the great Greek playwrights – Wrote about women and

mythological themes like Medea and Helen of Troy.

– Where Aeschylus and Sophocles emphasized plot, by adding an actor each, Euripides added intrigue.

– Also added love-drama