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MUSICAL FILM A celebration of sound and escape

MUSICAL FILM A celebration of sound and escape. DEFINITION Interweaves vocal and dance performances into the narrative of a film. Songs can either

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Page 1: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

MUSICAL FILM

A celebration of sound and escape

Page 2: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

DEFINITION

Interweaves vocal and dance performances into the

narrative of a film.

Songs can either be used to further the story or simply

enhance the experience of the audience.

Primarily an American genre, Japanese, Italian, British,

and German film have added to the genre.

Bollywood has resulted in a unique, specific offshoot of

the genre.

Page 3: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

THEATRICAL ELEMENTS

Big, colorful, over the top settings.

Scenery can convey a shift from reality to

something dreamlike.

Costuming is lavish.

Characters express feelings and thoughts

through song and dance rather than relying on

dialogue and body language.

Page 4: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

CINEMATIC ELEMENTS

Long shots – allow the audience to view the

dancers in their entirety

Tracking shots – camera follows the dancers as

they move across a set

Extreme long shots – accommodate grand sets

Bird’s-eye or crane – highlight complicated

choreography

Page 5: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

HISTORY

1930’s – extravagantly imaginative, elaborately

staged dance sequences, overused plots (Busby

Berkley)

Mid-1930’s – focus shifts to singing/dancing

teams like Fred Astaire and Ginger Rogers (Top

Hat)

Late 1930’s-1940’s – move towards better

unification of plot and music (The Wizard of Oz,

Singin’ in the Rain)

Page 6: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

HISTORY

Mid-1950’s-’60s – demand declining but screen

adaptations of Broadways musicals successful

(Oklahoma!, The King and I)

Contemporary currents: subtlety (Les Parapluies de

Cherbourg); exploitation (Elvis films); experimentation

(Beatles; The Who’s Tommy)

Period of decline followed in late ’60s and ‘70s.

Current period of resurgence

Page 7: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

SUB-GENRES

Broadway musical: already successful stage production

brought into film; built in anticipation and audience (Chicago,

My Fair Lady)

Animated musical: incorporate large musical numbers into the

narrative; family appeal; battle of good over evil with likable,

memorable characters (Beauty and the Beast)

Family musical: simple storyline with elaborate dance and

musical numbers; appeal to wide age range (The Sound of

Music, High School Musical)

Page 8: MUSICAL FILM A celebration of sound and escape. DEFINITION  Interweaves vocal and dance performances into the narrative of a film.  Songs can either

Western: Annie Get

Your Gun

Mystery: Edwin Drood

War: South Pacific, Hair

Science Fiction: Little

Shop of Horrors

Horror: Sweeney Todd

MUSICALS EVERYWHERE

Action/Adventure: The

Great Race

Fantasy: Mary Poppins

Documentary: This is It

Mockumentary: This is

Spinal Tap

Biography: Musical

Biography of Quincy Jones