MPC 500 Owner's Manual

7/24/2019 MPC 500 Owner's Manual

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2D 0AG;; CFG X0,&Y $%&'%Z [DCC@> C@ ;C:AC CFG OE:K[:=M @? CFG ;GWDG>=GQ

3D $GEG=C CFG $W ?N ;GEG=C CFG >GcC ;GWDG>=G C@ OE:KQ

8/0/C).*D F %/E#/*C/ .* )6/ 8E P./01 1#$.*D )6/ L0FI(FCJ 5.00 C6F*D/ )6/ 1.%L0FI F% %6&5*

3P)/$ L0FI.*D (FCJ )6/ C#$$/*)0I %/0/C)/1 %/E#/*C/ )& )6/ /*1' )6/ A@"KXX 5.00 %)F$) L0FI.*D (FCJ )6/ %/E#/*C/ I %/0/C)/1 .* )6/*/b) %/E#/*C/ P./01+ ZI $/L/F).*D )6.% %)/L' I CF* L0FI (FCJ %/^/$F0 %/E#/*C/% C&*).*#%0I+

!IF:KL T:=M CGH ;HREH>=H; CGH ;HFH=CHO @AOHA4& L0FI (FCJ )6/ %/E#/*C/% .* F L$/1/)/$G.*/1 &$1/$' #%/ 8B :>N CFG> X0&4 59Z 6$1*.7Q

46.% ($.*D% #L )6/ 8BQ

46/ F%%.D*/1 %/E#/*C/ 5.00 (/ L0FI/1 .* )6/ %/0/C)/1 &$1/$+

Tip:For more information about the SONG mode, see the Chapter 6: Song mode section of the Operator's Manual. (page 79)

'G=@ANL : $@D>NW* )6.% %/C).&*' I 5.00 0/F$* 6&5 )& F%%.D* F*1 L0FI $/C&$1/1 %*1% 5.)6 )6/ LF1%'.*%)/F1 &P #%.*D )6/ .*)/$*F0 L$/%/)+ Z/0&5 .% 6&5 )& $/C&$1 F* F*F0&D %.D*F0 P$&G F "2

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5D 0E:K CFG "4Q "FG=M CFG EG`GE BGCGA @> ;=AGG> :>N :NPD;C CFG AG=@ANL EG`GE D;L CFG X'-" .&!*Z M>@[Q

!"#$%&'(&) !" $%& '&$&( )*&+ $** ",( $* $%& (-)%$. $%& +*/01 2-33 4& 1-+$*($&1. 4/$ -" $%& +*/01 3&5&3 -+ $** 3*2. $%& +,'63& 2-33 ),-0, 3*$ *" 0*-+&7 8&$ $%& 3&5&3 ,+ %-)% ,+ 6*++-43& 4/$ 0*$ (&,9%-0) $%& (-)%$ &1)&7

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Note:If you press the [DO IT] button wile sound is playing, the MPC500 will start the recording right after you press the [DO IT] button.

46/ A@"KXX 5.00 %)F$) )6/ $/C&$1.*D F#)&GF).CF00I 56/* )6/ "2 @0FI/$ %)F$)% )6/ L0FI(FCJ F*1 )6/ (&))&G &P )6/ %C$//* 5.00 C6F*D/ F% (/0&5a

Tip:If the recording level is too low, the MPC500 will not register the incoming audio and may not start the recording when you play the CD. Inthis case, go back to step 4 and set the level with the [REC GAIN] knob again.

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/D 0AG;; CFG X$-_+-*"-Z [DCC@> C@ N=G B: O:LGQ

2D !> CFG $W ?=G CF:C ;:K; iD>D;GNQj

3D 0AG;; CFG X%'&"#Z [DCC@> C@ ;GEG=C CFG %A:=M B: O:LG CFG> OAG;; CFG X0&'&)$Z [DCC@> C@ CFG 0A@LA:B :;; ?4= (#))&* 56.0/ L$/%%.*D )6/ 7>9"= (#))&*+ -&$ )6/L#$L&%/% &P )6.% )#)&$.F0' 5/ 5.00 /*)/$ F* /^/*) 5.)6 )6/ %)/L $/C&$1.*D .* )6/ 849@ 92W4 G&1/ )& L0FI )6/ L6$F%/ F) )6/(/D.**.*D &P )6/ %/E#/*C/+

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Note:to play back a sequence, exit out of Step Edit by pressing the [SEQUENCE] button. The sequence will not play from Step edit mode.Individual events can be played by selecting the event and hitting [PLAY].

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/D 0AG;; CFG X$-_+-*"-Z [DCC@> C@ N=G B: O:LGQ

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3D $=A@EE R=G EG>LCF O:A:BGCGAQ

5D $GC CFG >DB[GA @? CFG [:A; CFG *GR ?N OAG;; CFG X41 !%Z [DCC@>Q

JD 0AG;; X$-_+-*"-Z C@ AGCDA> C@ CFG ): ;GWDG>=G O:LGQ

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/D 0AG;; X$-_+-*"-Z

46.% 5.00 ($.*D I )& )6/ 8/E#/*C/ GF.* LFD/+

2D 0AG;; CFG X0,&Y $%&'%Z [DCC@> C@ OE:K [:=M CFG ;GWDG>=GQ

3D !> CFG %GBO@ ?


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Tip:While it cannot create them on its own, the MPC500 can play Patched Phrases from the MPC2500 and 1000. In a Patched Phrase, thephrase sample can follow the tempo of the sequence when it is changed.

$:`L CFG 4:C:46/ 1F)F F*1 F#1.& )6F) I .*L#) .*)& )6/ A@"KXX 5.00 (/ 1/0/)/1 56/* I )#$* &PP )6/ #*.)' #*0/%% I %F^/ .)+ WP I 5.%6 )& J//L )6/1F)F' L$&C//1 F% 1/%C$.(/1 .* )6/ [8F^/ O T&F1\ %/C).&* _LFD/ dHU` &$ )6/ ["&**/C).*D )6/ A@"KXX )& I$ C&GL#)/$\ _LFD/ dMQ` &P )6/BL/$F)&$Y% AF*#F0+

%DA>L 1?? CFG &DC@E@:N 2D>=C46/ A@"KXX .% 1/%.D*/1 0.J/ )6/ &)6/$ A@" %/$./% %FGL0/$%+ f&5/^/$' )6/ A@"KXX .% %/) )& F#)&GF).CF00I 0&F1 )6/ L$/%/) P.0/ 56/*I %5.)C6 &* )6/ #*.)' %& )6F) I CF* %)F$) L0FI.*D 5.)6 )6/ LF1% .GG/1.F)/0I+ ] CF* F0%& )#$* )6.% P/F)#$/ &PP' .P I 5 0.J/ )6/A@"KXX *&) )& 0&F1 )6/ L$/%/) P.0/+ W* )6.% CF%/' 56/* I )#$* &* )6/ #*.) I 6F^/ )& GF*#F00I 0&F1 &$ $/C&$1 %FGL0/% &* )6/ A@"KXX+

/D 0AG;; CFG X)14-Z [DCC@> :>N CFG> X0&4 9Z 6,1&47Q

2D !> CFG ,@:N ?=H46/ A@"KXX 6F% )5& %)/$/& /PP/C)% F*1 &*/ GF%)/$ /PP/C)+ W* )6/ 9PP/C) )IL/%' %&G/ LF$FG/)/$% .* -0I.*D @F* O 2/0FI CF* (/ %I*C/1 )& )6/ )/GL&&P )6/ %/E#/*C/+ 30%& )6/ T-B .* )6/ L$&D$FG CF* (/ %I*C/1 )& )6/ )/GL& &P )6/ %/E#/*C/+

See Chapter13: Effects section of the Operator's Manual. (page 131)

!

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l>N?@AB:= Ta;#/1F 1/ 72343=+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++d,! Z&)p* 1/ 789:;93A8=++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++d,! Z&)p* 1/ 7AB29=+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++d,

(EC@A: =:>= OHB@DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD/3

$>CHASAHC:= OH E> SA@LA:B: SAHOHCHAB:O@DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD/3

7A:T:= OH E>: CHASAHC:= =@> F@; S:O;DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD/5

$>CHASAHC:= OH Q:A= ;HA/L$&1#CC.p* 1/ 0F% %/C#/*C.F% /* /0 &$1/* %/0/CC.&*F1& +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ dK

7A:T:= OH E> ;@> F@@S OH E>: BEH;CA: OH ?A:;H DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD/U! 3N#%)/ 1/ 0&% L#*)&% 1/ .*.C.& I P.* 1/ 0F G#/%)$F ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++dQ! k$F(FC.p* /* %/C#/*C.F+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++dR! "&*P.D#$FC.p* 1/0 G.%G& *qG/$& 1/ (F$$F% LF$F 0F G#/%)$F I 0F %/C#/*C.F +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ dR

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+:>E:F OH OH Y'6"#6,%6Z9%)/ (&)p* 6FC/ FCC/%& F 0F LsD.*F 1/ AF.* 8/E#/*C/+ 9%)F /% 0F LsD.*F L$.*C.LF0 1/0 A@"KXX 1&*1/ %/ D$F(F* I %/ $/L$&1#C/* 0F% %/C#/*C.F%+8/ L#/1/ ^&0^/$ F /%)F LsD.*F /* C#F0E#./$ G&G/*)& L$/%.&*F*1& /0 (&)p* 789:;9 OH YI)*)+'Z9%)/ (&)p* F($/ 0F% LsD.*F% 4$FCJ @F$FG% _@F$sG/)$&% 1/ L.%)F` & 8/E#/*C/ @F$FG% _@F$sG/)$&% 1/ LsD.*F`' %/Dq* E#t %/CC.p* /%)t FC).^F C#F*1&%/ L#0%/ /0 (&)p* 1/ 7@3>3A8=+

!9@C`> OH Y+VN6Z9% L&%.(0/ C&*G#)F$ 0&% G&1&% L#0%F*1& /0 (&)p* 1/ 7AB29= I D&0L/F*1& #* LF1+ 90 G&1& F0 E#/ C&$$/%L&*1/ /0 LF1 %/ G#/%)$F F$$.(F 1/ CF1F

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'GOA@ND== NG D>: =:>= NGB@90 A@"KXX )./*/ #*F CF*C.p* 1/G& I #* L$&D$FGF L$/1/)/$G.*F1& /* %# G/G&$.F .*)/$*F I CF$DF 0&% 1F)&% F#)&Gs).CFG/*)/ C#F*1& %/ /*C./*1/0F #*.1F1+ 9%)F P#*C.p* %/ 1/*&G.*F [CF$DF F#)&Gs).CF\ _3#)&0&F1`+ @F$F $/L$&1#C.$ #*F CF*C.p* 1/G&' 6FDF 0& %.D#./*)/a

/D "@>G=CG E@; :DA4=+

30 L#0%F$ /0 (&)p* 7@T3] 843>4= %/ .*.C.F 0F $/L$&1#CC.p* 1/ 0F CF*C.p* 1/G&+ @F$F 1/)/*/$ 0F $/L$&1#CC.p*' L#0%/ /0 (&)p* 784B@=+"#F*1& L#0%/ /0 (&)p* 7@T3]= &)$F ^/v' /0 A@"KXX .*.C.F$s 0F $/L$&1#CC.p* /* /0 L#*)& 1&*1/ #%)/1 0F 1/)#^& 0F q0).GF ^/v+

2/%L#t% 1/ )/$G.*F$ 0F $/L$&1#CC.p* 1/ cXdS2eSf.Lg6&Lc' L$#/(/ F $/L$&1#C.$ &)$F CF*C.p*+ @#/1/ %/0/CC.&*F$ #*F CF*C.p* D.$F*1& 0F$#/1F 1/ 72343= /* /0 CFGL& 8E+

!>CGAOAGC:= NG D> OA@LA:B: OAGNGCGAB:N@36&$F' ^FG&% F .*)/$L$/)F$ /0 L$&D$FGF L$/1/)/$G.*F1& #%F*1& 0&% LF1%+ @#/1/ )&CF$ /0 L$&D$FGF %/0/CC.&*F1& /* /0 CFGL& @DG 1/ 0F LsD.*F@>W


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.A:[:= NG D>: CGAOAGC:= =@> E@; O:N;@F$F D$F(F$ 0F .*)/$L$/)FC.p* /* #*F %/C#/*C.F #%F*1& /0 L$&D$FGF L$/1/)/$G.*F1& .*)/$*&' 6FDF 0& %.D#./*)/a

/D 0DE;G GE [@Cm> NG X$-_+-*"-Z O:A: WDG :O:AGn=: E: OoL: OA== GE =:BO@ $W] ;GEG==G E: ;G=DG>= E: =D:E NG;G: LA:[:A E: CGAOAGC:=Q

9% L&%.(0/ %/0/CC.&*F$ C#F0E#./$ %/C#/*C.F LF$F D$F(F$ #*F .*)/$L$/)FC.p* L/$&' F 0&% P.*/% 1/ /%)F %/CC.p*' %/0/CC.&*/ #*F %/C#/*C.FE#/ 1.DF [#*#%/1+\

3D 0AG;G GE [@Cm> NG X%'&"#Z O:A: `@E`GA : E: OoL: ): %A:=MQ

5D -> GE =:BO@ %A] ;GEG==G E: O E: =D:E NG;G: LA:[:A E: CGAOAGC:=Q

T&% 1F)&% 1/ 0F .*)/$L$/)FC.p* %/ D$F(F* /* #*F L.%)F /* 0F %/C#/*C.F+ @#/1/ %/0/CC.&*F$ C#F0E#./$ L.%)F' L/$& /* /%)F CF%& %/0/CC.&*/[4$a 3d\+

JD 0DE;G GE [@Cm> NG X0&'&)$Z K ;GEG==G GE OA@LA:B: WDG NG;G: C@=:AQ

@F$F Gs% 1/)F00/% %&($/ 0F %/0/CC.p* 1/ L$&D$FGF% L$/1/)/$G.*F1&%' C&*%#0)/ c@0FI.*D F @$/%/) @$&D$FGc/* 0F LsD.*F dj 1/ /%)F D#uF+

[D 0DE;G GE [@Cm> X0,&Y $%&'%Z BCA:; B:>CG @OAGA E: ;@[AGLA:[:= ODE;:>N@ GE [@Cm> X$%10ZQ

1D 0DE;G GE [@Cm> X0,&YZ O:A: AGOA@ND=@ EG LD;C:] ODGNG DG`: LA:[:= ODE;:>N@ E@; [@C@>G; X'-"Z a X0,&Y $%&'%ZQ

"&* /%)F FCC.p* %/ CF*C/0F* 0&% 1F)&% 1/ 0F .*)/$L$/)FC.p* D$F(F1F /b.%)/*)/ I %/ .*.C.F #*F *#/^F D$F(FC.p*+

//D 0:A: :LAGL:A D>: LA:[:= : E@; N:C@; K: LA:[:N@;] ODE;G GE [@Cm> X0,&Y $%&'%Z BCA:; B:>CG @OACG @OACG>L: @OA/L$&1#C./*1& /%)F%%/C#/*C.F%' L#/1/ C$/F$ #*F CF*C.p* C&GL0/)F+

Consejo:Es posible fijar la longitud de la secuencia en el campo Bar y la firma de tiempo en el campo Tsig. Para ms informacin, consulte la seccin "Captulo 3:Caracterstica de secuencia del Manual del Operador (pgina 19).

!>CGAOAGC:= NG `:A= ;GA


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!'HFH== OH F:; ;H=EH>= C GE =:BO@ $W NG E: OoL: OA==== HF @AOH> ;HFH==:O@@F$F $/L$&1#C.$ 0F% %/C#/*C.F% /* /0 &$1/* %/0/CC.&*F1&' #%/ /0 G&1& 8B NG X)14-Z K EDGL@ X0&4 59Z 6$1*.7Q

2/ /%)F P&$GF FLF$/C/ 0F LsD.*F 8B


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.A:[:= NG D> ;@> ,!*- NG E: O:ACG CA:;GA:] ;CAG !*0+% ' K , 6->CA:N:; NGAG=F: G 9"B>2 _k$F(F$`

//D 'GOA@NDn=: GE "4Q bGA


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3N#%)/ /%)/ L#*)& 1/ G&1& E#/ /0 L$.G/$ (/F) 1/ 0F P$F%/ %/ )&E#/ C#F*1& #%)/1 D&0L// /0 LF1+ @#/1/ ^/$.P.CF$ /0 %&*.1& D&0L/F*1&C#F0E#./$ LF1 1/ d F R+

Nota: 8. FN#%)/ /0 L#*)& 1/ .*.C.& 1/GF%.F1& )/GL$F*& _^F0&$ Gs% L/E#/w&`' L#/1/ 1/G&$F$ F0Dq* )./GL& LF$F )&CF$ /0 L$.G/$ (/F)1/%L#t% 1/ E#/ D&0L// /0 LF1+ 8. 0& FN#%)F 1/GF%.F1& )F$1/ _^F0&$ Gs% D$F*1/`' L#/1/ L/$1/$%/ /0 L$.G/$ (/F)+

5D $GEG==G ->N G> GE =:BO@ NG O:AoBGCA@ K :PD;CG GE OD>C@ NG ?Q

@#/1/ ^F$.F$ /0 L#*)& 1/ P.* D.$F*1& 0F $#/1F 1/ 72343=+

3N#%)/ /%)/ L#*)& 1/ G&1& E#/ 0F $/L$&1#CC.p* 1/0 L$.G/$ (/F) 1/ 0F P$F%/ )/$G.*/ C#F*1& #%)/1 D&0L// /0 LF1+ @#/1/ ^/$.P.CF$ /0%&*.1& D&0L/F*1& C#F0E#./$ LF1 1/ d F R+

Nota: 8. FN#%)F /0 L#*)& 1/ P.* 1/GF%.F1& )/GL$F*& _^F0&$ Gs% L/E#/w&`' 0F $/L$&1#CC.p* L#/1/ )/$G.*F$ F*)/% 1/0 P.*F0 1/ 0F P$F%/+8. 0& FN#%)F 1/GF%.F1& )F$1/ _^F0&$ Gs% D$F*1/`' 0F $/L$&1#CC.p* L#/1/ )/*/$ $#.1&% & %.0/*C.&% .**/C/%F$.&% F0 P.*F0 1/ 0F P$F%/+

Consejo: Si retiene oprimido el [PAD 10] mientras est en la pgina TRIM, el MPC500 tocar la muestra desde el punto de inicio hasta el final repetidamente(reproduccin en loop). Use esta funcin para asegurarse de que ajusta los puntos de inicio y fin correctamente. Si no ajusta estos puntos correctamente, la frase nose reproducir al ritmo y sonar fuera de beat.

!7A:T:= H> ;H=EH>=389=+ 8/ /0.G.*F$s /0 /^/*)& .*)$&1#C.1&+

1D 0DE;G GE [@Cm> X$%10ZQ

2/ /%)F P&$GF %/ 1/%FC).^F /0 G&1& 849@ 92W4+

Nota:Para reproducir una secuencia, salga del modo Step Edit (Edicin por pasos) pulsando el botn de [SECUENCE]. La secuencia no sereproduce en el modo Step edit. Los eventos individuales se pueden reproducir seleccionando el evento y tocando [PLAY].

!%@>?=


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2D 0DE;G GE [@Cm> NG X0&'&)$Z O:A: G>CA:A : E@; O:AoBGCA@; NG ;G=DG>= E: ADGN: NG X4&%&Z O:A: ;GEG==:A GE =:BO@ $GWDG>=G EG>LCF 6,@>L=


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9I

9%)/ GF*#F0 1/%C$.(/ %p0& 0F &L/$FC.p* (s%.CF 1/0 A@"KXX+ 9%)/ /E#.L& )./*/ G#C6F% P#*C.&*/% Gs% LF$F %# C$/FC.p* G#%.CF0+ T/F /0AF*#F0 1/0 &L/$F1&$ LF$F FL$/*1/$ 0F &L/$FC.p* I 0F% P#*C.&*/% 1/0 A@"KXX+

Que se divierta con el MPC500!


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%:[EG NG; B:C;HHBH>C; Lh>hA:Ei DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD22! 4C6/% 1/ 1tL0FC/G/*) 1# C#$%/#$ +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ,,! A&0/))/ 72343= +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ,,! 4C6/ 789:;93A8= ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,,! 4C6/ 7AB29= +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,,

(EC@AH SHA?@AB:>=H l Fj: ;@> DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD2[! @$/LF$.*D )6/ $/C&$1.*D+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,M! TF*C/$ 0Y/*$/D.%)$/G/*)+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,M! 3%%.D*F).&* 1# %&* /*$/D.%)$t z #* LF1 ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,Q

-H=CEAH H> T@E=FH OkE> h=G:>C OH SGA:;HDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD2U! >tD0FD/ 1/% L&.*)% 1/ $/L{$/ 1/ 0YtC6F*).00&*+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,Q! 9*$/D.%)$/G/*) %#$ #*/ %tE#/*C/++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,R! >tD0FD/ .1/*).E#/ 1# *&G($/ 1/ G/%#$/% L$ 0htC6F*).00&* /) 0F %tE#/*C/+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ ,U!

>tD0FD/ .1/*).E#/ 1# )/GL& L$ 0htC6F*).00&* /) L$ 0F %tE#/*C/ +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++,U':EQHL:AOH OH; O@>>hH;DDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD21

Nh;:=C=C OH =G:ALHBH>C :EC@B:C=C; EC


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T&$%E#/ 0F A@"KXX /%) %% )/*%.&*' 0htC$F* 1/ 1tGF$$FD/ %hFPP.C6/ /) 0/% 1&**t/% .*)/$*/% %/ C6F$D/*) F#)&GF).E#/G/*)+;*/ P&.% 0/% 1&**t/% C6F$Dt/%' 0F P/*~)$/ 8/E#/*C/ AF.* /%) FPP.C6t/+

3. &;;DAGnT`@D; WDG v I5T4UT/r N:>; EG =F:BO $W GC :OODKGn ;DA E: C@D=FG X0,&Y $%&'%Z+

9* FLL#IF*) %#$ 0F )C6/ 7@T3] 843>4= 0F L.%)/ 1/ 1tG&*%)$F).&* 1t(#)/+ @$ F$$~)/$ 0F 0/C)#$/ 1/ 0F L.%)/' FLL#I/v %#$ 0F )C6/784B@=+ T&$%E#/ ^% FLL#I/v 1/ * /F# %#$ 0F )C6/ 7@T3]=' 0F A@"KXX $/C&GG/*C/$F 0F 0/C)#$/ z 0h/*1$&.) &} ^% 0hF^/v F$$~)t+

;*/ P&.% E#/ ^% F#$/v )/$G.*t 0F 0/C)#$/ 1/ XdS2eSf.Lg6&L ' /%%FI/v 1/ PF.$/ N/$ #*/ F#)$/ L.%)/+ W0 /%) L&%%.(0/ 1/ %t0/C).&**/$#*/ F#)$/ L.%)/ /* )$*F*) 0F G&0/))/ 72343= 1F*% 0/ C6FGL 8E+

2: OA@LA:BBG OArNr?Gn D>G NG; ;rWDG>=G; DC; EG =F:BO $W+

2. 3LL#I/v %#$ 0F )C6/ 74>3"?=+

"/C. L/$G/) 1h^$.$ 0F LFD/ 4$FCJ AF.*+

3. 3LL#I/v %#$ 0F )C6/ 7@3>3A8= L$ /*)$/$ 0/% LF$FG{)$/% 1/ 0F L.%)/ _4$FCJ @F$FG%`+

4. -F.$/ 1t$/$ 0/ C6FGL 1/% LF$FG{)$/% %#Lt$./#$ z 0hF.1/ 1/ 0F G&0/))/ 72343= L$ %t0/C).&**/$ @$&D$FG F%%.D*+

5. 8t0/C).&**/v 0/ L$&D$FGG/ 1t%.$t 1F*% 0/ C6FGL @$&D$FG %/0/C)+


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|% L^/v %t0/C).&**/$ )) L$&D$FGG/ 1F*% 0F GtG&.$/ /* )$*F*) 0F G&0/))/ 72343= 1F*% 0/ C6FGL @$&D$FG F%%.D*+

6. %:OGn EG O:NQ ,: )0"HII ?:G OAGL=G+

T/% 1&**t/% 1/ L/$P&$GF*C/ %&*) /*$/D.%)$t/% %#$ #*/ L.%)/ 1F*% 0F %tE#/*C/+ @D`GEEG OGA?@AB:>=G :Dc N@>>rG; NrPu G>AGL?@>=rG+

"/C. z L$ /PP/) 1/ PF.$/ $/N/$ 0F L/$P&$GF*C/ /*$/D.%)$t/ /) 1YFN)/$ 0F *^/00/ L/$P&$GF*C/ z C/))/ 1/$*.{$/ z 0hF.1/ 1/%LF1%+

6??:=HA E> S:O

/D "@BBG>=Gn EtG>AGLC ?A:=C>r G> :OODK:>C ;DA E: C@D=FG X0,&Y $%&'%Z C@DC G> B:CG>:>C E: C@D=FG X1b-'4+8Z G>?@>=rGQ

2. ->?@>=Gn EG O:N WDG `@D; Nr; B:CG>:>C G>?@>=rG E: C@D=FG X-'&$-Z+


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3LL#I/v /) GF.*)/*/v 0F )C6/ 79>389= /*P&*Ct/ /) )FL/v 0/ LF1 E#/ ^% 1t%.$/v %#LL$.G/$+ 9* FLL#IF*) %#$ 0/ LF1 F# (&*G&G/*)' % L^/v %#LL$.G/$ C/$)F.*% LF1% 1/ 0h/*$/D.%)$/G/*)+

$< `@D; ;rEG=C>Gn D>G :DCAG ;rWDG>=G N:>; EG =F:BO $W] `@D; O@D`Gn G>AGLC D>G >@D`GEEGOGA?@AB:>=GQ -> ?:C AGP@DGA =G; ;rWDG>=G; G>;GB[EG] `@D; O@D`Gn =ArGA D>G =F:>;@>Q

Conseil : Vous pouvez rgler la dure de la squence dans le champ Bar, et la signature temporelle dans le champ Tsig. Pour de plus amples renseignements, voir lasection Squences la page 19, dans le chapitre 3 du guide dutilisation.

2: ;rA=H; H> CHBS; AhHF

/D 4:>; EG =F:BO $W N:>; E: ?G>xCAG ): $GWDG>=G] ;rEG=C>Gn E: ;rWDG>=G WDG `@D; Nr; OAGBL] ;rEG=C>Gn D>G O


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Conseil :Po de plus amples renseignements sur le mode SONG, voir la section Mode Song la page 79, dans le chapitre 6 du guide dutilisation.ur

,\G>AGLC NtD> ;@>

2F*% C/))/ %/C).&*' ^% FLL$/*1$/v C&GG/*) F%%.D*/$ /) PF.$/ N/$ 0/% %&*% /*$/D.%)$t% F^/C

marque : TY/b/GL0/ C.S1/%%% /bL0.E#/ C&GG/*) PF.$/ 0h/*$/D.%)$/G/*) 1Y#*/ %$C/

he recording

0/% LF1% F# 0./# 1h#).0.%/$ 0/% L$t$tD0FD/%+ T/% .*1.CF).&*% C.S1/%%% % /bL0.E#/*) C&GG/*)

PF.$/ L$ /*$/D.%)$/$ #* %.D*F0 F*F0&D.E#/ L$&^/*F*) 1h#* 0/C)/#$ "2 ($F*C6t 1F*% 0h/*)$t/ %#$0/ LF**/F# F$$.{$/ 1/ 0F A@"KXX+

Re

L$&^/*F*) 1h#* 0/C)/#$ "2+ "/L/*1F*)' 0F A@"KXX L/#) /*$/D.%)$/$ z LF$).$ 1/ *h.GL&$)/E#/00/ %$C/ l G.C$&L6&*/' C&*%&0/ 1/ G.bFD/' &$1.*F)/#$' 0/C)/#$ A.*.1.%E#/ /) F#)$/% l

L$^# E#h/00/% L#.%%/*) ~)$/ ($F*C6t/% F#b /*)$t/% 1/ m L& 1/ 0F A@"KXX+

!Preparing tG=CGDA "4 u EtG>CArG !*0+% NG E:

#/ 1/ 0F A@"KXX /%) #*/ L$.%/ 1/ CF%E#/ 1htC)/ %)F*1F$1'$ ($F*C6/$ 0/ 0/C)/#$ "2' ^% F#$/v (/%&.* 1/

2. h/*)$t/ > /) T' /%) /* L&%.).&* TW=FGn E: ;@AC"3 1(0/+ @/#b C(0/% z C&**/C)/#$% >"3 z 48 1/ m L&+

3%%#$/vS^% E#/ 0F )C6/ TW


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2. T&$%E#/ 0F A@"KXX F )/$G.*t 0h/*$/D.%)$/G/*)' 0F P/*~)$/ %#.^F*)/ /%) F0&$% FPP.C6t/+

3. ^/v t$.P./$ 0htC6F*).00&* /*$/D.%)$t /* FLL#IF*) %#$ 0F )C6/ 7@T3]=+

/v %#$ 0F )C6/ 7@T3]=' 0htC6F*).00&* /*$/D.%)$t N/$F N#%E#hz C/ E#/ ^% $/0C6./v 0F )C6/+ 8. ^% *YF.G/v LF%

;; @> OE ;@> H>AHL S:O

|% L

8. % FLL#I0h/*$/D.%)$/G/*)' % L^/v 0/ %#LL$.G/$ /* FLL#IF*) %#$ 0F )C6/ 7"39"B>2+

L^/v GF.*)/*F*) PF.$/ 0YtC)/ 1/ 0YtC6F*).00&* /*$/D.%)$t z 0hF.1/ 1# LF1+ 4FL/v 0/ LF1 L$ ^% F%%#$/$ E#/ 0/ %&*

;rEG=C>GA D> O:N G> C:O:>C NC NG;;D;Q

|%/*$/D.%)$t L/#) ~)$/ /*)/*1#+

CONSEIL :Les chantillons seront assigns aux pads du programme slectionn dans le champ Program assign de la page Track params. Pour assigner leschantillons un nouveau programme, vous devez crer un nouveau programme en mode PROGRAM et le slectionner dans le champ Program assign de la pageMAIN avant de procder lassignation. Pour de plus amples renseignements sur comment crer un nouveau programme, voir la section Cration d'unprogramme la page 115 du guide d'utilisation.

Conseil : Vous pouvez rejouer seulement une partie de l'chantillon en modifiant les points de repre de dpart et de fin. Pour de plus amples renseignements, voirla section Rglage de la boucle la page 108 du guide d'utilisation.

Conseil : Il est possible de modifier lassignation de l'chantillon ou de modifier la mthode de lecture en mode PROGRAM. Pour de plus amples renseignements,voir la section Programme la page 115, dans le chapitre 12 du guide d'utilisation

,G=CDAG G> [@D=EG N\D> r=F:>C NG OFA:;G2F*% C/))/ %/C).&*' ^% FLL$/*1$/v C&GG/*) C$t/$ #*/ %tE#/*C/ z 0hF.1/ 1h#* tC6F*).00&* 1/ L6$F%/+ @$ GF)$.%/$ 0htC6F*).00&* 1/ L6$F%/ F^/C

#.^/v 0/% .*1.CF).&*% 1/ 0F %/C).&* 9*$/D.%)$/G/*) 1h#* %&* z 0F LFD/ ,M /) /*$/D.%)$/v #* tC6F*).00&* 1/ L6$F%/+ @$ PF.$/ $/N/$ 0F

0F P&*C).&* 1/ %tE#/*C/' ^% 1/^/v FN#%)/$ 0/% L&.*)% 1/ $/L{$/ 1/ 0htC6F*).00&* /) $tD0/$ /*%#.)/ 0/ )/GL& 1/ 0F %tE#/*C/ F# )/GL& 1/ 0F L6$F%/+

8(C0/ /* %#. F*) 0/ $I)6G/' /*$/D.%)$/v LF$ G/%#$/% _d G/%#$/' , G/%#$/%+++`+

Conseil : Lorsque vous enregistrez une phrase, commencez lenregistrement un peu avant le dbut et arrtez-le un peu aprs la partie que vous dsirez utilise. Decette faon, vous vous assurez que vous avez enregistr toute la partie dsire.

!*hLF:LH OH; S@C; OH AHSmAH OH Fkh=G:>C/v FN#%)/$ 0/% L&.*)% 1/ $/L{$/ 1/ 1tLF$) /) 1/ P.* L$ */ PF.$/ N/$ E#/ 0F LF$)./

/% tC6F*).00&*%+

@$ PF.$/ $/N/$ 0F (C0/ /* %#.^F*) 0/ $I)6G/' ^% 1/^1t%.$t/ 1/ 0htC6F*).00&*+ @$ $tD0/$ 0/% L&.*)% 1/ $/L{$/ 1/ 1tLF$) /) 1/ P.*' #).0.%/v 0/ G&1/ 4>WA+

1. &OODKGn ;DA E: C@D=FG X)14-Z GC G>;D


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3. 8t0/C).&**/v 0/ C6FGL 4$.G %) _1tLF$)` /) $tD0/v 0/ L&.*) 1/ $/L{$/ 1/ 1tLF$)+

|% L^/v G&1.P./$ 0/ L&.*) 1/ $/L{$/ 1/ 1tLF$) /* )$*F*) 0F G&0/))/ 72343=+

>tD0/v C/ L&.*) 1/ $/L{$/ L$ E#/ 0/ L$/G./$ (F))/G/*) 1/ 0F L6$F%/ N/ 0&$%E#/ ^% )FL/$/v %#$ 0/ LF1+ |% L^/v ^t$.P./$ 0/ %&*/* )FLF*) %#$ #* 1/% LF1% _d z R`+

Remarque : 8. ^% $tD0/v 0/ L&.*) 1/ 1tLF$) )$&L )) _^F0/#$ L0#% L/).)/`' #* L/# L0#% 1/ )/GL% L/#) %htC/$ F^F*) E#/ 0/ L$/G./$(F))/G/*) N/ FL${% E#/ ^% FI/v )FLt %#$ 0/ LF1+ 8. ^% $tD0/v 0/ L&.*) 1/ 1tLF$) )$&L )F$1 _^F0/#$ L0#% D$F*1/`' .0 %/ L/#) E#/ 0/L$/G./$ (F))/G/*) */ N/ LF%+

4. 8t0/C).&**/v 9*1 1F*% 0/ C6FGL @F$FG/)/$ /) $tD0/v 0/ L&.*) 1/ $/L{$/ 1/ P.*+

|% L^/v G&1.P./$ 0/ L&.*) 1/ $/L{$/ 1/ P.* /* )$*F*) 0F G&0/))/ 7 2343 =+

>tD0/v C/ L&.*) 1/ $/L{$/ 1/ PF&* z C/ E#/ 0&$%E#/ ^% )FL/$/v %#$ 0/ LF1' 0F 0/C)#$/ 1/ 0F L6$F%/ %YF$$~)/+ |% L^/v ^t$.P./$ 0/%&* /* )FLF*) %#$ #* 1/% LF1% _d z R`+

Remarque : 8. ^% $tD0/v 0/ L&.*) 1/ 1tLF$) )$&L )) _^F0/#$ L0#% L/).)/`' 0F 0/C)#$/ L/#) %YF$$~)/$ F^F*) 0F P.* 1/ 0F L6$F%/+ 8. ^%$tD0/v 0/ L&.*) 1/ 1tLF$) )$&L )F$1 _^F0/#$ L0#% D$F*1/`' .0 %/ L/#) E#/ 0/ %.D*F0 C&*)./**/ 1# ($#.) 1/% %.0/*C/% z 0F P.* 1/ 0F L6$F%/+

Conseil : Si vous maintenez [ PAD 10 ] enfonc lorsque vous tes sur la fentre TRIM, la MPC500 fera la lecture de lchantillon du point de dpart jusquau pointde fin en continu (lecture en boucle). Utilisez cette fonction pour vrifier si vous avez bien rgl vos points de repre. Si vos points de repre ne sont pas rglscorrectement, la phrase ne joue pas en suivant le rythme.

!6>AHLC ;EA E>H ;hREH>=H@$ (C0/$ 0F L6$F%/ F^/C 0F %tE#/*C/' %#.^$/ 0/% .*1.CF).&*% %#.^F*)/%a

/D 0@DA :??=G B: :OODKGA ;DA E: C@D=FG X$-_+-*"-ZQ

2. 4:>; EG =F:BO $W] ;rEG=C>Gn D>G ;rWDG>=G DC3"?= L$ %t0/C).&**/$ 0F LFD/ 4$FCJ GF.* /) FLL#I/v /*%#.)/ %#$ 0F )C6/ 7@3>3A8= L$ ^.%.&**/$ 0FLFD/ 4$FCJ LF$FG%+

4. 2F*% 0/ C6FGL @$&D$FG F%%.D*' %t0/C).&**/$ 0F L.%)/ z 0FE#/00/ % F^/v F%%.D*t 0htC6F*).00&* /*$/D.%)$t+

|% L^/v /*$/D.%)$/$ 0F %tE#/*C/ /* )/GL% $t/0 /* FLL#IF*) %#$ 0F )C6/7@T3] 843>4= )) /* /*P&*F*) 0F )C6/ 7>9"=+ @$ C/) /b/$C.C/' *% F00&*% .*%C$.$/ #* t^{*/G/*) F^/C0Y/*$/D.%)$/G/*) LF$ t)FL/% /* G&1/ 849@ 92W4 L$ PF.$/ 0YtC)/ 1/ 0F L6$F%/ F# 1t(#) 1/ 0F %tE#/*C/+

5. &OODKGn ;DA E: C@D=FG X)14-Z GC G>;D


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!*hLF:LH C@BTAH OH BH;EAH; S@EA Fjh=G:>C HC F: ;hREH>=H"6FE#/ *^/00/ %tE#/*C/ /%) $tD0t/ LF$ 1tPF#) z , G/%#$/%+ 8. 0F L6$F%/ /*$/D.%)$t/ C&*)./*) tDF0/G/*) , G/%#$/%' .0 *YI F LF% 1/

L$&(0{G/+ "/L/*1F*)' %. 0/ *&G($/ 1/ G/%#$/% 1/ 0F L6$F%/ /%) 1.PPt$/*) 1/ C/0#. 1/ 0F %tE#/*C/' % 1/^/v FN#%)/$ 0/ *&G($/ 1/G/%#$/% 1/ 0F %tE#/*C/ L$ E#h.0 %&.) .1/*).E#/ z C/0#. 1/ 0F L6$F%/+

/D 0@DA :??=G B: :OODKGA ;DA E: C@D=FG X$-_+-*"-ZQ

2. 3LL#I/$ %#$ 0F )C6/ 7@3>3A8= L$ ^$.$ 0F LFD/ 8/E#/*C/ LF$FG%+

3. @F$C$/v 0/ G/*# z 0hF.1/ 1/ 0F G&0/))/ 72343= /) %t0/C).&**/$ 8/E#/*C/ 0/*D)6 LF$FG/)/$ _1#$t/`+

4. >tD0/v 0/ *&G($/ 1/ G/%#$/ 1F*% 0/ C6FGL 4= L$ PF.$/ 0YtC)/ 1/ 0F %tE#/*C/+

3. 2F*% 0/ C6FGL !_4/GL&`' $tD0/v 0/ )/GL& 1/ 0F %tE#/*C/+8. 0F P.* 1/ 0F L6$F%/ C6/^F#C6/ 0/ 1t(#) 1/ 0F L$&C6F.*/ L6$F%/'$F0/*).%%/v 0/ )/GL& _^F0/#$ L0#% L/).)/`' %h.0 I F 1/% %.0/*C/% /*)$/ 0/% L6$F%/%' F#DG/*)/v 0/ )/GL& _^F0/#$ L0#% D$F*1/`+

Conseil : Bien que la MPC500 ne peut crer des Patched Phrases, elle peut faire la lecture de celles cres par la MPC2500 et 1000. Dans unePatched Phrase, lchantil lon de phrase peut suivre le tempo de la squence lorsque celle-ci est modifie.

$:D`GL:ANG NG; N@>>rG;T/% 1&**t/% /) 0hF#1.& E#/ ^% FN)/v z 0F A@"KXX %&*) /PPFCt% 0&$%E#/ ^% P/$G/v 0hFLLF$/.0' %F#P %. ^% 0/% %F#^/DF$1/v+ 8. ^%1t%.$/v DF$1/$ 0/% 1&**t/%' %#.^/v 0/% .*1.CF).&*% 1F*% 0F %/C).&* 8F#^/DF$1/ /) C6F$D/G/*) z 0F LFD/ dHU 1# D#.1/ 1h#).0.%F).&*' F*% 0F %/C).&* Z$F*C6/$ 0F A@"KXX z #* &$1.*F)/#$ z 0F LFD/ dMQ+

4r;:=C=C NG =F:ALGBG>C :DC@B:C


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Tipp:Die Lnge einer Sequence lsst sich im Bar Feld definieren. Die Takteinstel lung kann im Tsig Feld bestimmt werden. WeitereInformationen hierzu finden Sie im Abschnitt Kapitel 3: Sequence Funktionen in der MPC500 Bedienungsanleitung. (Seite 19)


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Tipp: Wenn Sie in der TRIM Seite das [ PAD 10 ] halten, spielt die MPC500 das Sample vom Start Punkt zum End Punkt wiederholt ab(Loopwiedergabe). Verwenden Sie die Funktion zur berprfung der richtigen Positionen der Start und End Punkte. Wenn diese Punkte nichtrichtig definiert wurden wird die Phrase nicht zum Takt passen und aus dem Rhythmus laufen.

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Hinweis:Zur Wiedergabe einer Sequence verlassen Sie den Step Edit durch Drcken des [SEQUENCE] Buttons. Im Step Edit Mode kann dieSequence nicht abgespielt werden. Einzelne Pads lassen sich durch Auswahl des Events und dem [PLAY] Button wiedergeben.

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1. @$/G/$/ .0 )F%)& 789:;93A8= / %/0/v.&*F$/ #* L$&D$FGGF C6/ %. 1/%.1/$F $.L$&1#$$/+

@/$ GFDD.&$. 1/))FD0. %#00F %/0/v.&*/ 1. L$&D$FGG. L$/1/P.*.).' /1. c@0FI.*D F @$/%/) @$&D$FGc' F LFD.*F Hj 1. E#/%)F D#.1F+

6. @$/G/$/ .0 )F%)& 7 @T3] 843>4 = )/*/*1& L$/G#)& .0 )F%)& 7>9"=+

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TF %/E#/*vF L$/1/P.*.)F { .GL&%)F)F F , G.%#$/+ 2&L& F^/$ $/D.%)$F)& L/$ , G.%#$/' 0hA@"KXX .*.v./$z F $.L$&1#$$/ 0F L$/%)Fv.&*/$/D.%)$F)F+ 9%/D#/*1& #*hF0)$F L$/%)Fv.&*/ C&* . LF1 { L&%%.(.0/ FDD.#*D/$0F F00F $/D.%)$Fv.&*/ F))#F0/+ :#/%)& { C6.FGF)&[1&LL.FDD.&\+

8. 8. L# .*)/$$&GL/$/ .0 1&LL.FDD.& L$/G/*1& .0 )F%)& 7 84B@=+

9. @$/G/$/ .0 )F%)& 7@T3]= L/$ $.L$&1#$$/ 0F L$/%)Fv.&*/ $/D.%)$F)F

10. 8/ *&* %. { %&11.%PF)). 1/00F L$/%)Fv.&*/' { L&%%.(.0/ F^^.F$/ #*F *#&^F $/D.%)$Fv.&*/ L$/G/*1& . )F%). 7 >9" = 7 @T3] 843>4 =+

"&% PFC/*1& /*D&*& CF*C/00F). . 1F). $/0F).^. F00F L$/%)Fv.&*/ $/D.%)$F)F / %. F^^.F #*F *#&^F $/D.%)$Fv.&*/+

11. @/$ FDD.#*D/$/ 0F $/D.%)$Fv.&*/ F. 1F). D.z $/D.%)$F).' L$/G/$/ .0 )F%)& 7 @T3] 843>4 = )/*/*1& L$/G#)& .0 )F%)& 7B|9> 2;Z=+

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1. HFFj@AOH ;HFHp:C@@/$ $.L$&1#$$/ 0/ %/E#/*v/ */00h&$1.*/ %/0/v.&*F)&' %/$^.$%. 1/00F G&1F0.)z 8B


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'GL@ ;D@>@W* E#/%)& LF$FD$FP& %. .GLF$F F1 F%%/D*F$/ / $.L$&1#$$/ %#&*. $/D.%)$F). C&* . LF1'F*v.C6t #).0.vvF$/ . L$/1/P.*.). .*)/$*.+ :#/00& C6/ %/D#/ { C&G/ $/D.%)$F$/ #* %/D*F0/F*F0&D.C& L$&^/*./*)/ 1F #* 0/))&$/ "2 C&00/DF)& F00h.*D$/%%& W"3 F 48 1F m\+

2. 3%%.C#$F$%. C6/ .0 L#0%F*)/ TW


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>/D&0F$/ E#/%)& L#*)& .* G&1& )F0/ C6/ .0 L$.G& (F)).)& 1/00F P$F%/ ^/*DF $.L$&1&))& E#F*1& %. (F))/ %#0 LF1+ 8. L# ^/$.P.CF$/ .0 %#&*&(F))/*1& E#F0%.F%. LF1 1F dSR+

Nota bene: %/ %. .GL&%)F .0 L#*)& 1h.*.v.& )$&LL& L$/%)& _^F0&$/ .*P/$.&$/`' L# &0/$C. 1/0 )/GL& L/$ $.L$&1#$$/ .0 L$.G& (F)).)& 1&L&F^/$ (F))#)& .0 LF1+ 8/ %. .GL&%)F .0 L#*)& 1h.*.v.& )$&LL& )F$1. _^F0&$/ GFDD.&$/`' .0 L$.G& (F)).)& L&)$/((/ GF*CF$/+

4. 8/0/v.&*F$/ 9*1 */0 CFGL& @F$FG/)/$ / $/D&0F$/ .0 L#*)& P.*F0/+

8. L# G&1.P.CF$/ .0 L#*)& P.*F$/ %/$^/*1&%. 1/00F $&)/00F 72343=+

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Nota bene: %/ %. .GL&%)F .0 L#*)& 1. P.*/ )$&LL& L$/%)& _^F0&$/ .*P/$.&$/`' 0F $.L$&1#v.&*/ L&)$/((/ )/$G.*F$/ L$.GF 1/00F P.*/ 1/00FP$F%/+ 8/ %. .GL&%)F .0 L#*)& 1. P.*/ )$&LL& )F$1. _^F0&$/ GFDD.&$/`' 0F $.L$&1#v.&*/ L&)$/((/ L$/%/*)F$/ $#G&$/ .*#).0/ & %.0/*v.& F00FP.*/ 1/00F P$F%/+

Consiglio: tenendo premuto il [PAD 10] in pagina TRIM, lMPC500 riprodurr il campione dal punto dinizio al punto di fine ripetutamente (riproduzione loop).Servirsi di questa funzione per assicurarsi di impostare i punti di inizio/fine adeguatamente. Se non si impostano questi punti adeguatamente, la frase non verrriprodotta al ritmo, e suoner fuori tempo.

!*HL: ;HREH>p:@/$ $.L$&1#$$/ $.L/)#)FG/*)/ 0F P$F%/ C&* 0F P#*v.&*/ %/E#/*vF' L$&C/1/$/ C&G/ %/D#/a

1. @$/G/$/ .0 )F%)& 789:;94= )/*/*1& L$/G#)& .0 )F%)& 7>9"=+ @/$ E#/%)F/%/$C.)Fv.&*/' .*%/$.$/G& #* /^/*)& C&* 0F $/D.%)$Fv.&*/ 1/00F PF%/ .* G&1F0.)z 849@ 92W4 L/$ $.L$&1#$$/ 0F P$F%/ F00h.*.v.& 1/00F%/E#/*vF+

5. @$/G/$/ .0 )F%)& 7AB29= / E#.*1. 7@32 dd= _849@ 92W4`+

389=+ Th/^/*)& .*%/$.)& %F$z CF*C/00F)&+

9. @$/G/$/ .0 )F%)& 784B@=+

"&% PFC/*1& ./*/ 1.%F)).^F)F 0F G&1F0.)z 849@ 92W4+

Nota:per riprodurre una sequenza, uscire da Step Edit premendo il tasto [SEQUENCE]. La sequenza non verr riprodotta dalla modalit Stepedit. Eventi singoli possono essere riprodotti selezionando levento stesso e battendo [PLAY].

!$BS@;C:pH OHFF@ ;CH;;@ >EBHA@ O< T:A SHA =:BSH H ;HREH>p: ;*F *#&^F %/E#/*vF { .GL&%)F)F .* GF*./$F L$/1/P.*.)F F , G.%#$/+ 8/ 0F P$F%/ $/D.%)$F)F { F %#F ^&0)F 1. , G.%#$/' *&* Ch{ L$&(0/GF 4#))F^.F' %/0F E#F*).)z 1. G.%#$/ 1/00F P$F%/ { 1.^/$%F 1F E#/00F 1/00F %/E#/*vF' (.%&D*F $/D&0F$/ .0 *#G/$& 1. G.%#$/ 1/00F %/E#/*vF .* G&1& C6/ C&$$.%L&*1FF E#/00& 1/00F P$F%/


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1. @$/G/$/ .0 )F%)& 789:;9p: W*P.*/' { */C/%%F$.& .GL&%)F$/ 0& %)/%%& )/GL& L/$ CFGL.&*/ / %/E#/*vF+

1. @$/G/$/ 789:;9


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HI

Vedi Capitolo 8: Cursore Q-Link del Manuale utente (pagina 93).

:#/%)& GF*#F0/ 1/%C$.^/ #*.CFG/*)/ 0/ P#*v.&*. 1. (F%/ 1/00hA@"KXX+ ThA@"KXX G/))/ F 1.%L&%.v.&*/ 1/00/ &%)$/ C$/Fv.&*. G#%.CF0.G&0)/ L.} P#*v.&*.+ T/DD/$/ .0 GF*#F0/ #)/*)/ L/$ .GLF$F$/ 0h#%& / 0/ P#*v.&*. 1/00hA@"KXX+

Buon divertimento con lMPC500!


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Documents

MPC 500 Owner's Manual