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A magazine based around the culture of the “Mods’, with articles including that of art and fashion and everything in between that bears relevant to their lifestyle.
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ISSUE #1 DEC 2011
ABOUT US
A M AG A Z I N E BA S E D A R O U N D T H E C U LT U R E O F T H E
“M O D S ’, W I T H A RT I C L E S I N C LU D I N G T HAT O F A RT
A N D FA S H I O N A N D E V E RY T H I N G I N B E T W E E N T HAT
B E A R S R E L E VA N T T O T H E I R L I F E S T Y L E .
A S I T S C H R I S T M A S , W E H E R E F E E L A L I T T L E T R E AT I S I N O R D E R .
HAV E A TA S T E R E D I T I O N O N U S ! W E ’ L L K E E P YO U I N S U S P E N S E , B U T
O N LY U N T I L W E T U R N T HAT L I T T L E C O R N E R W H I C H M A N Y O F U S
C A L L T H E N E W Y E A R , F O R T H E F U L L E D I T I O N O F ‘M O D. A WAY O F
L I F E ’.
X X
A MeSSAge frOM US
3
feATUreS
4 S TO C K I N G F I L L E R S : 6 O F T H E B E S T T R E AT S F O R A L L O F YO U M O D S O U T
T H E R E .
6 G I R L S C A N D O I T TO O
1 2 W E A R E L O V I N G : L A M B R E T TA E I C M A : A S N E A K P E A K O F T H E B R A N D N E W
S C O O T E R S T R A I G H T O U T O F T H E S H OW R O O M .
1 4 P H O TO G R A P H E R P R O F I L E : D E A N C HA L K L E Y: B Y G AV I N S T O K E R
1 6 M I L E S K A N E : P R OV I N G M O D M U S I C I S S T I L L A L I V E W E TA L K T O T H E O N E
A N D O N LY A B O U T FA S H I O N , R I D I N G S O L O A N D G I R L S .
2 0 H I S WA R D R O B E : A L O O K I N T O T H E M A I N I T E M S O F H I S M O D WA R D R O B E .
2 1 H E R WA R D R O B E : H E R WA R D R O B E … H I S WA R D R O B E ? ? W E ’ L L S E E .
2 2 E V E RY B O DY L O V E S A M O D : W E H E A R F R O M T E R RY M U R R AY, W H O L E T S U S
I N T O H I S M O D L I F E .
2 4 M U S I C R E V I E W: T H E W H O - Q UA D R O P H E N IA - T H E D I R E C TO R’ S C U T:
W E R E V I E W T H E L O N G AWA I T E D R E - WO R K E D V E R S I O N .
STOCKINg fILLerS
MODICA JEWELLERY. LAMBRETTA HELMET. LONG SLEEVE
FRED PERRY
AS IT IS GETTING COLDER
AND COLDER WE FEEL
WRAPPING UP THE THE
BEST IDEA. TRY A LONG
SLEEVED POLO FROM FRED
PERRY. KEEP WARM WITH
STILL LOOKING IMPECCA-
BLY STYLISH.
PERFECT WITH A PAIR OF
SKINNY JEANS AS A CHRIST-
MAS DINNER WITH
THE FAMILY OUTFIT.
WWW.ENDCLOTHING.
CO.UK
£65
WE LOVE THESE
LIMITED EDITION
LAMBRETTA HELMETS
BY HERITAGE HELMETS.
EVEN IF YOU DON’T OWN A
SCOOTER, THIS WOULD BE A
GREAT PIECE TO JUST HAVE
ON A BOOKSHELF. SHOW IT
OFF!
PICK THIS UP FROM:
WWW.HERITAGEHELMETS.
COM £150
ADORABLE PIECES BY
MODICA WOULD BE LUSH
IN ANY WOMENS’ STOCK-
ING THIS CHRISTMAS. GOT
A PARTY TO GO TO? THESE
PIECES WOULD LIVEN UP A
LITTLE BLACK COCKTAIL
DRESS.
WWW.MODICAJEWELLERY.
COM
£45
5
THE LOOK - PAUL GORMAN. DIANA CAMERA. TUKTUK RECORD
CASE.
COLLECT 7-INCH VINYL?
THESE TUKTUK LEATHER
RECORD BOXES SHOULD
DO THE JOB STORING YOUR
BEST RECORDS.
AS A BONUS, THEY LOOK
GOOD TOO, AVAILABLE IN
FIVE DIFFERENT COLOURS,
EACH WITH A DIFFERENT
FABRIC LINING
WWW.WEARETUKTUK.COM
£55
THE DEFINITIVE GUIDE TO
MUSIC AND STYLE. THIS IS
DEFINATLY A MUST HAVE
IN YOUR STOCKING THIS
CHRISTMAS. FIND YOUR
FAVOURITE DECADE AND
LOOK INTO THE
CLOTHING AND MUSIC.
PICK UP A COPY FROM
WWW.AMAZON.COM
£24.99
THIS QUIRKY LITTLE
CAMERA WOULD BE GREAT
AS A STOCKING FILLER.
FAMOUS FOR ITS DREAMY,
RADIANT AND LO-FI
IMAGES, YOU CAN GET
A TRULY PROFESSIONAL
PHOTOGRAPH FOR
LITERALLY PENNIES.
FIND THIS AT WWW.
URBANOUTFITTERS.CO.UK
£55
7
Gi rl s C a n D o It To o.
P H O T O G R A P H Y: L E A N N E W E B B
S T Y L I N G : L O U I S A M E T C A L F
M A K E U P : O L I V IA C R E A N E
P O S T P R O D U C T I O N : L E A N N E W E B B
M O D E L : M A RTA
9
11
L a m b r e t t a
ALONGSIDE WITH VESPA, LAMBRETTA IS THE MOST
FAMOUS SCOOTER BRAND IN THE WORLD. THE
COMPANY BEGUN PRODUCING ITS
SIGNATURE SCOOTER MODEL BACK IN 1947,
BECOMING AN ICON OF THE 50S AND 60S IN ITALY
AND ABROAD. AFTER AN ALMOST 40-YEARS LONG
HIATUS AND WITH AN ALL-ITALIAN MANAGEMENT,
THE LEGENDARY BRAND IS NOW BACK INTO
BUSINESS, PRESENTING AT THE 2011 EICMA TWO
NEW PRODUCTS THAT RETAIN THE STYLE OF ITS
NOBLE LAMBRETTA ANCESTORS.
THE DEVELOPMENT OF THE NEW
LAMBRETTA HAS BEEN ONGOING
FOR A WHILE AND WE’VE HEARD
PLENTY OF RUMOURS AND
SPECULATION REGARDING THE
EVENTUAL LOOK AND CAPACITY
OF THE RESURRECTED MARQUE.
We Are LOVINg
13
B r u t u s T r i m f i t
THIS CLASSIC BRITISH SHIRT IS BEING
INTRODUCED TO A WHOLE NEW
GENERATION WHILST ALSO APPEALING TO THOSE
FOR WHOM THE BRUTUS TRIMFIT REMAINS AN
ENDURING AND BEAUTIFUL MEMORY.
THE LABEL BECAME KNOWN FOR THEIR AWARD
WINNING ADVERTS, NUMBERING DAVID BAILEY
AND SAATCHI AND SAATCHI AMONG THE
CREATIVES WORKING ON THE INNOVATIVE AND
PROVOCATIVE CAMPAIGNS.
PhOTOgrAPher PrOfILeWITH HIS IMAGES FREQUENTLY GRACING THE LIKES OF THE SUNDAY TIMES,
DEAN CHALKLEY IS A MAN IN DEMAND. BUT IT’S FOR HIS SHOTS OF THE
GOOD, THE BAD AND THE UGLY OF THE MUSIC SCENE FOR NME THAT HE WAS
NAMED PORTRAIT PHOTOGRAPHER OF THE YEAR AT THE PICTURE EDITORS’
AWARDS 2006. BY GAVIN STOKER.
STARTING OUT AS A HOBBYIST TO ESCAPE A
CAREER IN THE CIVIL SERVICE,
CHALKLEY STUDIED PHOTOGRAPHY AT
BLACKPOOL COLLEGE OF ART AND DESIGN,
AND DID THE OBLIGATORY SPELL OF
ASSISTING BEFORE HIS TALENTS CAME TO
THE ATTENTION OF DAZED AND CONFUSED,
MIXMAG AND, OF COURSE, NME.
HIS EXHIBITION NOW STAND TALL: ICONS
OF THE NEW SONIC GENERATION, AT BIR-
MINGHAM’S SNAP GALLERIES, ATTRACTED
OVER 2,000 VISITORS DURING ITS TENURE AT
LONDON’S SPITZ GALLERY. DEAN HOPES HIS
SHOTS WILL COME TO DEFINE A CRITICAL
MOMENT IN YOUTH CULTURE. ‘THE GOOD
THING IS THAT MUSIC IS ALWAYS EVOLVING;
THERE WILL BE MORE REVOLUTIONS IN THE
FUTURE,’ SAYS DEAN, WHOSE AMBITION IS
TO PHOTOGRAPH BOYHOOD HERO PAUL
WELLER.
IN THE STUDIO DEAN OFTEN SHOOTS
TETHERED TO A G5 MAC. ‘I THINK THAT
GIVES THE SHOOT ENERGY AND GIVES THE
CLIENT CONFIDENCE,’ HE SAYS.
‘WE CAN MAKE ON-THE-SPOT
DECISIONS AND SAY: “WE’VE GOT THAT,
LET’S MOVE ON.”’
‘WHAT I’VE FOUND FASCINATING ABOUT
PHOTOGRAPHY IS YOU CAN DIP IN AND
OUT OF PEOPLE’S LIVES.’
‘TREAT YOUR SUBJECTS AS PEOPLE AND
GET TO KNOW THEM A BIT – IT ISN’T A
PRODUCTION LINE.’
“AMBITION TO PHOTOGRAPH
PAUL WELLER.”
15
DeAN ChALKLeyHAVING SHOT MEDIUM FORMAT REPORT-
AGE-STYLE WORK OUT OF COLLEGE ON A
MAMIYA RB67 AND THEN A HASSELBLAD
H1, IT WAS AN EASY TRANSITION TO DIGI-
TAL FOR DEAN WHEN THE FIRST COMPAT-
IBLE BACKS FROM LEAF AND PHASE ONE
APPEARED. HOWEVER, AS HE PREFERS TO
SHOOT HANDHELD AND ‘MOVE AROUND A
LOT’, THE ARRIVAL OF THE MORE PORT-
ABLE EOS 1DS MARK II FULL-FRAME DSLR,
WITH ITS 16.7MP RESOLUTION AND 4FPS
SHOOTING SPEED, CAME AS A CREATIVE
BLESSING.
HE USES THE CANON 24-70MM ZOOM AS
HIS ‘WORKHORSE’, BUT ALSO FAVOURS
CANON’S 35MM F1.4 AND 80-200MM FOR
PORTRAITURE. ‘OFTEN I’LL SHOOT A
PORTRAIT SESSION FOR AN EDITORIAL
FEATURE BY DAY, THEN THE BAND IN
THE EVENING IF THEY’RE PLAYING A
GIG,’ HE SAYS. ‘THE 80-200MM LETS ME
CROP TIGHTER AND, COUPLED WITH THE
24-70MM, GIVES ME THE FULL RANGE.’ AN
EPSON
MILeS KANe: LAD ABOUT TOWN
M I L E S HA S B E C O M E A M A N S Y N O N Y M O U S W I T H M O D E R N S T Y L E A N D I S A
T R E N D S E T T E R W I T H A N E V E R G R O W I N G FA N BA S E . H I S O W N L O O K HA S
D R AW N I N S P I R AT I O N F R O M M A N Y D I F F E R E N T P L AC E S A N D P E O P L E ;
OA S I S , T H E S T R O K E S , S E R G E G A I N S B O U R G H , PAU L W E L L E R A N D T H E
B E AT L E S W I T H A H E AV Y N O D T O M O D FA S H I O N A N D T HAT S T R A I G H T
TA L K I N G L A D D I S H I M AG E O F 6 0 ’ S C O O L - B R I TA N N IA .
H I S S NA P P Y S T Y L E I S C L E A N A N D S I M P L E A N D K E E P S T O A U N I F O R M O F
S HA R P F I T T E D JAC K E T S , D R A I N P I P E J E A N S , C R I S P I R O N E D S H I RT S A N D A
M U T E D B U T C O N F I D E N T C O L O U R S C H E M E .
I G E T T H E F E E L I N G T H I S I S A YO U N G M A N W H O U N D E R S TA N D S FA S H I O N
A N D T H E C O N N O TAT I O N S A N D S Y M B O L I S M I T B R I N G S A N D HA S C O M E T O
D E F I N E T H E M O D E R N M O D F O R A N E W G E N E R AT I O N B U T HA S A D D E D H I S
O W N T W I S T T O A N E S TA B L I S H E D A N D I N S TA N T LY R E C O G N I S A B L E S T Y L E .
17
YOU’VE RECENTLY BEEN TAGGED AS
“THE MOST STYLISH MAN IN
BRITAIN” AND EVEN ARCTIC
MONKEY’S “BEST DRESSED FRIEND”.
DO YOU HAVE A STYLE ICON?
WELL, I’VE ALWAYS LOVED CLOTHES SINCE
I WAS YOUNGER, I THINK IT’S ABOUT
BEING YOURSELF, BUT STILL LOOKING
SHARP AND COMBINING THE TWO.
OBVIOUSLY IM NOT GONNA GO ROUND
WEARING A SUIT ALL THE TIME ARE
BECAUSE THAT WOULD BE SILLY. IN TERMS
OF STYLE ICONS I SUPPOSE THERE’S
FRENCH SINGER JACQUES DUTRONC WHO
HAS AN INFLUENCE ON ME. HES FROM THE
LATE SIXTIES AND VERY MOD AND ALSO
ROCK AND ROLL, BUT I JUST LIKE TO DO
MY OWN THING AND HAVING MY OWN
TAKE ON WHAT I THINK IS STYLISH.
PUTTING YOUR OWN TWIST ON A STYLE
IS WHAT SETS YOU APART FROM ANYONE
ELSE. I LOVE THE WHOLE SOPHISTICATED
PARISIAN LOOK, BUT I LIKE TO MIX IT UP
WITH A BIT OF MOD STYLE, TOO. I THINK
THE COMBINATION IS PRETTY ROCK ‘N’
ROLL.
WHAT DO YOU THINK ABOUT THE
RELATIONSHIP BETWEEN MUSIC
AND FASHION?
MUSIC AND FASHION HAVE A SYMBIOTIC
RELATIONSHIP FOR ME. LOOKING GOOD
IS AS IMPORTANT AS THE MUSIC. I WANT
TO LOOK SHARP TO REFLECT THE MUSIC
I’M CREATING. ALL MY HEROES ARE THE
SAME: FROM SERGE GAINSBOURG TO
PAUL WELLER.
“JACQUES DUTRONC HAS A HUGE INFLUENCE ON ME”
WHAT’S THE STRANGEST GIG
YOU’VE EVER PLAYED?
I PLAYED A GIG A COUPLE OF MONTHS
AGO IN STOKE WHERE THIS MOTHER
AND DAUGHTER CAME. THE MOTHER
HAD ALL THESE PAINTINGS OF ME, I
SUPPOSE THAT IS THE STRANGEST FAN
EXPERIENCE IVE HAD.
DO YOU GET NERVOUS GOING ON
STAGE BECAUSE YOU’RE RIDING
SOLO NOW?
I DO, BUT IT’S WEIRD BECAUSE I’VE STILL
GOT A BAND BEHIND ME. I KNOW THAT
WE HAVE REALLY GOD SONGS BUT IT DOES
SOMETIMES WORRY ME HOW FANS ARE
GOING TO RESPOND TO THEM. WHEN I
STARTED BY MYSELF I WAS REALLY
APPRECIATIVE OF THE KIDS COMING
TO THE LITTLE CLUB DATES BECAUSE,
APART FROM “INHALER” I WAS PLAYING 40
MINUTES OF TUNES THAT NO ONE KNOWS!
I’M AM GLAD TO BE GIGGING AGAIN, BUT I
WANT TO BE ON A BIGGER STAGE.
WHO WOULD BE YOUR PERFECT
WOMAN?
BRIGITTE BARDOT, SHE HASN’T TURNED UP
YET. SAYING THAT I DON’T REALLY HAVE
A PERFECT IDEA OF WHAT MY PERFECT
WOMAN WOULD BE. AS LONG AS THEY
MAKE ME LAUGH AND HAVE THE SAME
INTERESTS AS ME I DON’T MIND.
“IT WORRIES ME HOW FANS ARE GOING TO
RESPOND TO NEW MATERIAL.”
19
eVeryBODy LOVeS A MOD
IN ‘79 MY FIRST INTRODUCTION TO MOD WAS
AN ARTICLE IN THE SUN
FEATURING THE PURPLE HEARTS THOUGH I
DO NOT KNOW WHY IT APPEALED TO ME. I
IGNORED IT, THEN A POOR POP SONG CALLED
“YOU NEED WHEELS” WAS RELEASED I FOUND
MYSELF REALLY ENJOYING WATCHING THE
MERTON PARKAS ON TOP OF THE POPS BUT I
STILL PREFERED BLONDIE AND ELVIS COSTEL-
LO AND THE ATTRACTIONS, FINALLY “TIME
FOR ACTION” WAS HITTING THE AIRWAYS
AND I WAS FINALLY PULLED INTO THE DARK
AND MYSTERIOUS WORLD OF UNDERGROUND
YOUTH CULTURE, I BECAME A MOD.
MY FIRST CLOTHES MADE ME LOOK A RIGHT
STATE, FRED PERRY POLO SHIRT, LEVI JEANS
WITH INCH TURN UP, A SMALL SIXTIES JACKET
WHICH AT THE TIME THOUGHT WAS SHIT
BUT WHEN I GOT SHARPER IN LATER YEARS I
REALISED IT WAS A COOL JACKET, I JUST DID
NOT KNOW HOW TO DRESS.
I WAS ONE OF THE FIRST MODS IN MY
SCHOOL SO I HAD NOONE TO COMPARE
CLOTHING WITH. OF COURSE I HAD MY DE-
SERT BOOTS,YES I WAS MADE, I WAS A MOD.
I EVEN LISTENED TO MY PARENTS SHOCK!
I HAD MY HAIR CUT SHORT AND OFF MY
EARS. THE ONE THING I REALLY REMEMBER
WAS THE ATMOSPHERE, THE FEELING OF
BEING A MOD. IN OXFORD THE VIOLENCE
HAD NOT REALLY STARTED BETWEEN THE
MODS AND ROCKERS SO WALKING OUT OF
THE HOUSE WAS SUCH A BUZZ.
THE FIRST TIME I WENT UP TOWN TO MEET
OTHER MODS I WAS GIVEN THE
NICKNAME MINTY BECAUSE MY CHRISTIAN
NAME IS MURRAY. I WENT AND HAD MY
FIRST EVER ALCHOLIC DRINK, A HALF PINT
OF SKOL, I WAS TOO SCARED TO ORDER A
PINT. I WAS A 15 YEAR OLD WHO LOOKED
12 BUT STILL MANAGED TO BLAG DRINKS
THROUGH USING BULLSHIT. I REMEMBER
POINTING OUT A PARKED MINI TO THE BAR
STAFF AND STATING IT WAS MINE SO I HAD
TO BE OVER 17 AT LEAST. ONE PLACE WE
COULD GET BEER WAS IN COLLEGE DISCO’S.
THESE PLACES PLAYED GOOD MUSIC FOR
THE TIME, A LOT OF MOTOWN, SIXTIES POP
WITH A BIT OF JAM, TWO-TONE THROWN
IN. OXFORD EVEN HAD IT’S OWN MOD BAND
THE SIX-MORE-PROPHETS.
TERRY ‘MINTY’ MURRAY REMINICES ON HIS
YOUNGER DAYS AS A MOD.
SATURDAYS WOULD BE SPENT TRAWLING
THE SECOND HAND SHOP’S FOR CLOTHING,
SHIRTS,TIES AND FROM OXFAM MY FIRST
SUIT FOR I THINK £8.00. YES I WAS GETTING
THERE. BY THE END OF ‘79 I HAD MY SUIT,
PARKA, MY FIRST PAIR OF LOAFERS, I WAS
FEELING THE BUSINESS BUT IN EARLY ‘80
EVERYTHING WOULD CHANGE. BY THE
END OF ‘79 THERE WERE AROUND 20 MOD’S
IN MY SCHOOL, IN EARLY ‘80 THIS TURNED
TO AROUND 5 AND THE VIOLENCE ON THE
STREETS WAS UNBELIEVABLE, UNLESS YOU
WERE THERE IN ANY TOWN/CITY IN THE
COUNTRY IT IS ALMOST IMPOSSIBLE TO
DESCRIBE THE LEVELS OF HATRED AND
VIOLENCE AIMED AT MOD’S.
MY ‘MATES’ WHO I WENT TO YOUTH CLUB
WITH THOUGHT IT WAS FUN EVERY WEEK
TO GIVE ME A KICKING. I WAS THINKING
OF GIVING IT ALL UP WHEN I WENT INTO
OXFORD CITY CENTRE ONE DAY AND I
BUMPED INTO SOME EX-MOD’S WHO HAD
ALL TURNED TO THE OTHER SIDE, BEING
ROCKERS. AFTER SAYING HELLO THEY
KICKED THE SHIT OUT OF ME IN FRONT OF
ALL THE SHOPPERS. SOON AFTER I DECIDED
TO GIVE UP BEING A MOD, FOR MYSELF, NOT
BECAUSE SOMEONE TOLD ME TO.
THE REST IS HISTORY REALLY. I BOUGHT
SCOOTERS WHEN LAMBRETTAS WERE
CHEAP, MY STARSTREAM COST £55, THEN
I BOUGHT A LI SERIES 3 FOR £150, AND A
VESPA P200E WAS £759 ON THE ROAD. YOU
TRY TELLING THAT TO THE KIDS OF TODAY,
THEY WONT BELIEVE YOU.
I HAVE MET SOME GREAT PEOPLE FROM
ALL OVER THE COUNTRY OVER THE LAST
COUPLE OF DECADES AND I HAVE MORE
GOOD MEMORIES THAN BAD. SO HERE’S TO
THE MOD SCENE THE BEST THING THAT HAS
EVER HAPPENED TO YOUTH CULTURE AND
IT’S FUCKING BRILLIANT THAT SOME OF THE
BANDS AND PEOPLE ARE BACK.
23
MUSIC reVIeW
ORIGINALLY RELEASED AS A DOUBLE ALBUM
BACK IN 1973, QUADROPHENIA HAS BEEN
BROUGHT BACK UP TO DATE, POLISHED
AND EXTENDED WITH A DOUBLE CD BOX
SET WHICH CONTAINS SOME OF THE EARLY
DEMOS AS WELL AS UNUSED SONGS.
QUADROPHENIA IS A TRULY BRITISH PIECE
OF ARTISTRY. THE SECOND OF THE WHO’S
ROCK OPERA’S HAS SOME OF THE MOST
IMPRESSIVE ARRANGEMENTS AND
ORCHESTRAL BACKING OF ITS GENRE BUT
AT THE SAME TIME STILL MAINTAINS A REAL
EARTHINESS AND REALISM TO ITS CHAR
ACTER. THE SONGS ARE FAR MORE PITHY
AND DRAW ON THE BOND YOU DEVELOP
WITH JIMMY’S MENTALLY UNSTABLE PER-
SONALITY, WHO IS THE MAIN CHARACTER
OF THE FILM. IT’ IS NEAR ON IMPOSSIBLE TO
LISTEN TO THE ALBUM WITHOUT
PICTURING PHIL DANIELS, RAY WINSTON,
TOYAH, LESLIE ASH OR STING AS THE FILM
USES ALL OF THE MUSICAL REFERENCES TO
MAKE REAL JIMMY’S LIFE. THE CLARITY AND
COMPLEXITY OF THE TRACKS IS STUNNING.
THE INSTRUMENTATION FROM ALL
INVOLVED IS NOTHING SHORT OF
FANTASTIC WITH EVERY NOTE, EVERY
MOVEMENT AND EVERY VOCAL INTO-
NATION MAKING FOR A
MAGNIFICENT AURAL DELIGHT. THE
TITLE TRACK ALONE IS MESMERISING
IN ITS ENTIRETY WITH PETE’S GUITAR
AND KEITH MOON’S DRUMMING BE-
ING OF PARTICULAR BRILLIANCE.
DIRECTORS CUT
The WhO - QUADrOPheNIA
QUADROPHENIA IS NOW, MORE THAN EVER, A FANTASTIC HISTORICAL
COMMENTARY ON A VOLATILE ERA IN OUR MUSICAL PAST, BUT ALSO A GREAT
ALBUM THAT CAN, AND SHOULD BE, APPRECIATED FOR ITS OWN INCREDIBLE
MUSICAL QUALITY.
ISSUING A SHORT STATEMENT, THE GUITARIST EXPLAINED THAT THE NEW
EDITION OF THE ALBUM WAS INSPIRED BY THE CONTINUING DEVOTION OF FANS.
“THIS 2011 REVISIT TO THE WHO’S 1973 QUADROPHENIA RECORDING IS INSPIRED
BY CURRENT AND CONTINUING INTEREST IN THE PROJECT,” EXPLAINED
TOWNSHEND.
25
THE NEW MOD.Photography: Oliver Watson
Styling: Leanne Webb
Styling Assistant: Jay Bichard
Post Production: Oliver Watson and Leanne Webb
Model: Andy Jobling
27
29
31
33
35
STOCKISTS
G I R L S C A N D O I T T O O
PAG E S 6 - 1 1
I M AG E 1 : M A RTA W E A R S C H E C K E D S H I RT W W W. B E YO N D R E T R O.
C O M / NAV Y T R O U S E R S W W W. H & M . C O M
I M AG E 2 : M A RTA W E A R S D E N I M S H I RT W W W. W E A R E C O W. C O M /
C H I N O S B O S C O M B E V I N TAG E M A R K E T.
I M AG E 3 : M A RTA W E A R S D E N I M S H I RT W W W. T O P M A N . C O M / PA R K A
W W W. B E YO N D R E T R O. C O M
S T O C K I N G F I L L E R S
PAG E S 4 - 5
1 / W W W. M O D I C A J E W E L L E RY. C O M
2 / W W W. H E R I TAG E H E L M E T S . C O M
3 / W W W. E N D C L O T H I N G . C O. U K
4 / W W W. A M A Z O N . C O M
5 / W W W. U R BA N O U T F I T T E R S . C O. U K
6 / W W W. W E A R E T U K T U K . C O M
T H E N E W M O D
PAG E S 2 6 - 3 5
I M AG E 1 : A N DY W E A R S PA R K A W W W. B E YO N D R E T O. C O M /
T R O U S E R S W W W. J U M P T H E G U N . C O. U K / C H E C K E D S H I RT W W W.
T O P M A N . C O M / S H O E S M O D E L S O W N
I M AG E 2 : A N DY W E A R S PA R K A W W W. B E YO N D R E T R O. C O M /
S H I RT W W W. W E A R E C O W. C O M
I M AG E 3 : A N DY W E A R S L E V I S D E N I M JAC K E T W W W. W E A R E -
C O W. C O M / C H E C K E D S H I RT W W W. T O P M A N . C O M / B L AC K
J E A N S W W W. U R BA N O U T F I T T E R S . C O. U K / S H O E S M O D E L S O W N
I M AG E 4 : A N DY W E A R S D E N I M S H I RT W W W. B E YO N D R E T R O.
C O M / HA R R I N G T O N JAC K E T W W W. BA R AC U TA- G 9 . C O M / WO O L -
L E N HAT W W W. H & M . C O M
I M AG E 5 : A N DY W E A R S D E N I M S H I RT W W W. B E YO N D R E T R O.
C O M / HA R R I N G T O N JAC K E T W W W. BA R AC U TA- G 9 . C O M / WO O L -
L E N HAT W W W. H & M . C O M / B L AC K J E A N S W W W. U R BA N O U T F I T-
T E R S . C O. U K / S H O E S M O D E L S O W N
I M AG E 6 : A N DY W E A R S HA R R I N G T O N JAC K E T W W W. BA R AC U -
TA- G 9 . C O M / S H I RT W W W. W E A R E C O W. C O M / T R O U S E R S W W W.
J U M P T H E G U N . C O. U K / S H O E S M O D E L S O W N
I M AG E 7 : A N DY W E A R S HA R R I N G T O N JAC K E T W W W. BA R AC U -
TA- G 9 . C O M / S H I RT W W W. W E A R E C O W. C O M