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The exhibition catalog for MINDCRAFT12 by Danish Crafts.
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benandsebastianThomas BentzenLouise CampbellLine DeppingAnne Fabricius MøllerGamFratesiPeter JohansenKaori JuzuJakob JørgensenChristina Liljenberg HalstrømEske RexLouise SassBente SkjøttgaardAnne TophøjTora UrupHenrik Vibskov
ForewordUffe ElbækThe Danish Minister for Culture
The economic crisis continues to pose considerable challenges on every level in society, but the crisis also holds the potential for creativity and inventiveness to thrive and lead to growth and progress. In the cultural sector, Denmark has a large creative resource and talent base that can make a real difference, especially in times like these. Not least in the field of craft and design, where the process of form-giving and making contributes to innovation and new products.
It is crucial for the considerable talent base in Danish art and culture to enter the international scene and meet inspiring international peers. In this encounter, Danish artists can draw inspiration from international trends, and in turn Denmark can contribute with the creative strengths that Danish artists bring with them. For Danish craft and design it is also essential that the highly competent practitioners connect with international companies and reach an international audience with an interest in design.
It can be difficult for individual practitioners to succeed in the international marketplace. Danish Crafts’ exhibitions and general platform enable the individual designer or maker to break through internationally. And here, Milan offers a unique opportunity for showcasing Danish craft and design and demonstrating how much it has to offer.
Danish craft and design is rooted in a strong tradition, and it is important to bring the Danish design competences into play in an international context to allow the strengths of the field to contribute to renewed optimism, development and innovation.
It is therefore my great pleasure to welcome you to MINDCRAFT12, which emanates experimental practice and international perspective based on the acclaimed qualities of Danish design.
Thinking Through MakingBirgitte JahnCEO, Danish Crafts
The younger generations of Danish craftspeople and designers are rooted in a tradition, a certain mindset that has always characterized Danish design.This is the mindset that Danish Crafts sets out to explore with MINDCRAFT –an exhibition concept with varying participants and externally appointed curators that presents some of the finest contemporary Danish craft and design.
MINDCRAFT was first launched at the 2008 Fuori Salone in Milan. The word MINDCRAFT refers to the cross-field that emerges in the creative process as an idea becomes a tangible work. Designers and craftspeople encounter many new discoveries and insights when they immerse themselves in the material.That’s thinking through making.
It has become a very experimental exhibition within the framework of a precise and structured concept. We walk the plank and highlight the competences that are present in Danish design and craft right now. We showcase some of the leading designers in Denmark as well as new upcoming designers with a convincing potential.
It can be difficult for the individual craftsperson or designer to succeed in the international marketplace, therefore MINDCRAFT is an important platform for the Danish designers
The approach in MINDCRAFT has never been exclusively experimental. It is also commercial. Some of the prototypes that were previously part of MINDCRAFT have subsequently been put into production.
Craft is basic research in relation to design. The qualities of craft have a crucial impact on the conception and development of new products today and creativity is essential, also for society at large. Craftspeople represent the powerful creative driving force that forms the basis for any product.
Insisting on QualityInterview with Cecilie ManzCurator
Cecilie Manz (b. 1972) belongs to the new generation of Danish designers that has both a free, experimental approach and an industrial approach to design. Her design idiom is clear and straight forward, as evident in the furniture designs Pluralis and Essay and the lighting series Caravaggio. She works with Fritz Hansen, Lightyears, Nils Holger Moormann and Bang & Olufsen, among others. Cecilie Manz graduated from The Danish Design School (now the Royal Danish Academy of Fine Arts, School of Design) in 1997 and also studied at the University of Art and Design in Helsinki.
Three concepts. According to designer and curator Cecilie Manz, the work with design and craft can be anchored in three concepts: function, material properties and quality. These are the three concepts that guide her own work – and which guided her selection of the craftspeople and designers included in this year’s MINDCRAFT exhibition in Milan.
“In the media, the emphasis is often on trends and style, but I don’t think that is reflective of the approach that most of us take to our profession. Design is about function and materials, among other factors. Therefore one examines the functional aspects of an object, asks questions and attempts to find the most appropriate material and the best technical solution to the problem. That’s working from the inside out. Later, one arrives at form,” says Cecilie Manz.
The works on display this year show great diversity. Designers and craftspeople work with very different materials – and in very different expressions. Still, there is one common denominator for the 18 designers and craftspeople who are represented in this year’s exhibition: their approach to the design process.
“Ceramist Anne Tophøj exemplifies that approach. This year, she presents a table service that is the result of many immersions in and experiments with ceramic techniques – and probably also many rejected ideas. She masters her craft, and that mastery enables her to challenge it. The service does not look the way it does simply because that might be pretty. It is a result of the creative process; there is a congruity between the way it was created and what you see. It forms a coherent story,” says Cecilie Manz.
Cecilie Manz was already familiar with most of the makers, except for the Danish-Japanese jewellery designer Kaori Juzu, whom she came across by coincidence.
“I have rarely been so convinced as when I saw her works. Yes! That’s it! It hit me right away. It’s hard to put into words what it was that hit me, exactly. Normally, perhaps, one would not exhibit jewellery at a furniture fair. But she was included for her approach to her materials. Now her works have become pieces in the puzzle that the exhibition also is,” says Cecilie Manz.
Cecilie Manz presented each of the exhibiting designers and makers with a challenge. Anne Tophøj’s challenge was, ‘Explore a technique, a table service’; Kaori Juzu’s was ‘A composition of enamel brooches, material properties’; and Eske Rex’ was ‘Gravity, motion, tensioned between two points in space’. The latter challenge sprang directly from the exhibition space in Ventura Lambrate in north-eastern Milan.
“Eske Rex’ work is anchored in physics, but it is also highly poetic. A length of string has been suspended between two points on the walls, but it is only attached to one of the walls. At the other end is a beautifully turned funnel with a magnet that reaches ‘hungrily’ for a piece of iron mounted on the wall.
Here one might ask where the functional quality lies. It’s not like a handle on a cup or an armrest on a chair. But what will happen if the magnet loses its capacity to maintain the tension? That offers a different perspective on function. Looking at the work offers a narrative and an experience,” says Cecilie Manz.
The Danish fashion designer Henrik Vibskov has not previously taken part in the MINDCRAFT exhibition, but this year he contributes with a rattan and leather rucksack with a built-in tuxedo. Furniture designer Jakob Jørgensen is represented in the exhibition with a piece of furniture proposing a novel way of storing books, where each book is suspended on a thin, flat stick that is placed in a wall-mounted rack. That is a piece of furniture that could easily be put into production. As could the stacking chair created by the Danish-Italian designer couple GamFratesi. But the purpose of the exhibition is not exclusively commercial.
“It’s also about demonstrating how the working process is reflected in the resulting works. It highlights the designers’ widely different perspectives and motivations for the projects. Their insistence on quality,” says Cecilie Manz.
benandsebastianThomas BentzenLouise CampbellLine DeppingAnne Fabricius MøllerGamFratesiPeter JohansenKaori JuzuJakob JørgensenChristina Liljenberg HalstrømEske RexLouise SassBente SkjøttgaardAnne TophøjTora UrupHenrik Vibskov
benandsebastianArchitects and artists
The Dandies
“The dandy [is] an actor playing himself […] He observes his image in order to modify it.”Sabine Melchior-Bonnet
The Dandies are optical mirrorsThe Dandies are material mirrorsThe Dandies are conceptual mirrors
The Dandies form a reflective and protective carapace. From within they present an amplified and intensified self-image, whilst from without they fragment and disperse the viewer’s presence. Combining the low-tech, homely handicraft of tiffany lamp making with the institutional aesthetics of one-way mirror glass, ‘The Dandies’ point to the doubleness involved in the construction of identity.
We work on the borderline between design, art and architecture. As such, we were interested here in creating a project that operates at several levels simultaneously: as a design object, as an image, and as a spatial installation that reflects, distorts and reshapes its context.
Our work evolves through a process of serious play, we tackle our interests head on, and we are not afraid to explore the dysfunctional and the unfashionable.
Materials Spy glass
Dimensions ⌀ 100 cm x D 50 cm
Made by benandsebastian
bena
ndse
bast
ian
– Th
e D
andi
es
Thom
as B
entz
en –
AS
H
Thomas BentzenIndustrial designer
ASH
ASH is a personal, nerdy experiment, where I have attempted to minimise the use of materials and tools in order to test the boundaries and determine exactly how light a wooden chair can be without losing its carrying capacity. The chair is a classic piece of joinery, where the seat and back have been produced in the lightest, thinnest veneer possible. Instead of moulding the chair I bent the seat and back by hand and glued them onto the frame. The solid ash wood frame of the chair is doweled together.
Materials Ash wood, veneer
Dimensions H 73 x W 54 x D 51 cm
Made by Thomas Bentzen
Louise CampbellDesigner
Papercuts
Sometimes it is worthwhile to stop up and take a close look at a project at an earlier stage than originally planned. I had intended for these lamps to be made in laser cut steel and textile, but during the process of model making, the many delicate qualities of the paper at hand outshone my original intensions. Commercially, paper for this project is far from ideal. It offers too many practical problems. Cleaning, for one. But look at the light and the shadows. Because the material is delicate, so is the light. For MINDCRAFT, where fragility is permitted, I have therefore decided to let them be at this stage of innocence.
I work in any material that makes sense in a given situation and which offers form-related possibilities and challenges. Every project should offer new, relevant challenges, and I have gradually come to acknowledge my tendency to always follow the line of most resistance.
Material Paper
DimensionsVarious
Hand made by Louise Campbell in cooperation with Louis Poulsen Lighting
Loui
se C
ampb
ell –
Pap
ercu
ts
Line
Dep
ping
– H
ook
Line DeppingFurniture designer
Hook
Hook is a coat hook that lets the user casually drop off a jacket or place a hanger with freshly ironed clothes. With its simple expression, Hook is designed to accommodate both order and chaos.
The point of departure for my work is function and use. My idiom is simple, and form is determined by function. With regard to function I also seek to make room for disorder, as I strive for a simple, functional expression that will also accommodate the messier, more chaotic aspects of life.
I mainly work in wood, often precious timbers, and often in combination with other materials. I like to mix different materials and create a field of tension between their different textural qualities.
Material Pre-compressed woodSponsored by Davinde Savværk
DimensionsH 26 x L 21 x D 15 and H 26 x L 47 x D 15 cm
Made by Line Depping
Anne Fabricius Møller
Textile printer/ textile designer
In Your Big Sunny Window
The work is a 30-metre length of dyed textile that has been folded up like a rolled joint with parallel curvy lines and pattern structures that resemble a landscape with the displacements that occur when too much fabric is crammed into a small space, rolled up and placed in a large, closed transparent acrylic case.
The work is art-in-progress; it develops constantly in interaction with the external influences of time and light. The fabric will continue to fade in the folds where it is exposed to light. My work engages the recipient, who decides whether – and if so, when – the case should be prised open, and thus how much the fabric should be allowed to fade. I think 12 years would be optimal.
Materials Dyed linen/cotton, cotton thread, polyester thread and acrylic case
Dimensions box: 8 x 70 x 90 cmprior to folding: fabric approx. 1.5 x 30 m
Made by Anne Fabricius Møller
Ann
e Fa
bric
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Møl
ler
– In
You
r B
ig S
unny
Win
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Gam
Frat
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Bee
tle C
hair
GamFratesi
Furniture designers, architects maa
Beetle Chair
The design is inspired by the aesthetic and anatomy of the beetle insect with its characteristic body shell, reinterpreted as a comfortable and functional chair with a hard exterior and a soft interior. The dynamic ability of the insect in space, is developed through a four-legged chair on castors. The chair is stackable and flexible suited for informal meetings, allowing mobility around the table and being flexible and spontaneous in the workspace. We spend countless hours experimenting in workshops and constantly work hands-on with the projects and materials. We place great emphasis on understanding all the processes and techniques fully, just as one has to understand tradition in order to be able to move on and build on it. Our works often revolve around contrasts, and we take a stringent approach in exploring the borderland between harmony and disharmony in the form of materials, proportions and technologies.
Based on a shared profound respect for the classic Danish furniture tradition and craftsmanship and equal fascination with the classic Italian intellectual and conceptual approach, our two cultures continually inspire and motivate our work.
Materials Upholstery, textile and metalSponsored by Kvadrat
Dimensions L 52 x D 58 x H 90 cm
Made by GamFratesi Produced at the Danish Art Workshops
Peter JohansenDesigner
All Good Things Come in Threes
The inspiration for the nested tables came from the fairytale about Goldilocks and the three bears. I transferred the differences between the three bears to the tables. This gives them uniquely individual expressions, but they still match each other, and as an added little detail the tables can be hung up one under the other. This sets the tables apart from other sets of nested tables, which typically have the same form and are simply made in different scales.
I mainly work in classic materials such as wood, metal and textile, but I take a broad interest in materials. Everyday life is a good source of inspiration, so I keep my eyes and ears open and try to convert my impressions to simple, cheerful furniture.
Material Danish ash wood
Dimensions H 60 x W 55 x D 40 cm
Made by Peter Johansen
Pete
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All
Goo
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Com
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Thr
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Kao
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Fie
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Kaori JuzuJewellery artist
Field of Interference
Field of Interference is a composition of unique brooches. To me, the creation of a composition is a completely open process where shapes, colours and sizes meet, interact and affect each other. Each brooch leads to a new brooch. Hand, metal and enamel are in a constant dialogue until the point where all doubt has been eliminated. I hope that people experiencing the composition become part of the field of interference that arises among the jewellery pieces.
With forging and repoussé work I feel the material and aim to transform that feeling into a form. By applying multiple layers of enamel I seek to enhance the expression, not solely in order to create something different but to add depth to the form. The layers of colour are built up in an intensive process until a moment is reached that evokes an expression of the moon gleaming on water – soft lifting, serene, subdued, yet strong, intimate enough to have inherited a life as well as a form. Form and surface melt together – no longer me but a storyteller.
Materials Enamel, copper, gold, silver, stainless steel
Made by Kaori Juzu
Jakob JørgensenFurniture designer
Poet’s Book Hanger
Poet’s Book Hanger is a playful experiment with the storage of books. I aim to create a new approach to book storage that is different from the classic bookcase. The work therefore consists of multiple book sticks that can be used both as bookmarks and for ‘hanging’ the books on the wall.
I strive to achieve a sculptural expression in a functional object. In several of my projects I have used small recurring identical elements in an attempt to create a more complex sculptural expression.
With my furniture I aim to express the same depth in a design, that serves as an utilitarian object in everyday life, as in a work of art, which typically has a different meaning.
Material Ash wood
Dimensions Two sizes: 10 x 140 cm and 10 x 65 cm
Made by Jakob Jørgensen
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Hal
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Geo
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Christina Liljenberg HalstrømFurniture designer
Georg
Georg is a small stool where everything is visible, and everything has a purpose. The decorative elements have emerged as a result of practical functions. The leather lace, for example, plays an important role in keeping the cushion in place, but it also has a significant impact on the visual expression of the stool. The stool was named after my oldest son, who spends many hours with me in the workshop and offers many useful comments.
I mainly work with wood and wool. In my process I always seek to preserve the function of the furniture while eliminating all superfluous features. I am fascinated with and love to explore the inherent properties of materials, which add life to my creative process and the expression of the furniture in its finished state. The result is minimalistic but still aesthetically challenging and sensuously inviting.
Materials Ash wood, wool and kapok,leather laceWool sponsored by Kvadrat
Dimensions Approx. H 48 cm x W 47 cm x ⌀ 31 cm
Made by Christina Liljenberg Halstrøm and Simon Hofer
Eske RexDesigner
Space Meter
Space Meter is an instrument that spans and measures the space between two positions in the showroom. The key to this project lies in the in-between. Both the immediate space between the two exhibition walls and a more subtle in-between-space that occur in a magnetic field: A string is stretched by magnetic force, but is at the same time held back by its length – precisely so that the magnet and the wall do not touch each other. At the end of the string is a turned-wood funnel. The funnel “floats” in space a few millimetres from the opposite wall. This creates an intense field of tension where gravity seems overruled. The work springs from my exploration of the ability of magnets to float, carried by their own pull.
The projects spring from a fascination of a natural phenomenon. My ideas are characterized by being minimal playful interventions, which examine various factors like time, force, gravity and their spatial potential. I typically work in wood and metal in which I design and construct machines that measure and span surfaces and spaces.
Materials String, wood, magnets.
Dimensions Variable, approx. 500 x 15 x 15 cm
Made by Eske Rex, produced at the Danish Arts Workshops.
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– S
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Loui
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ass
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leph
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Louise SassTextile and visual artist
Pink Elephants and In the Dark are two handprinted one-off textile friezes.
These works are based on an investigation of pure spectral colours, that I have developed into a systematic colour alphabet. The basic principle is a colour scale featuring the three primary colours. I use overprint technique, applying colour in overlapping layers of pure red, yellow and blue, printed directly onto the fabric. In some of my other textile prints I utilise a broader palette – investigating effects of light and colour by layering primary colours with varying concentrations of black. Applying several rounds of colour imbues the textile with vibrant, intense colour effects. The textile works are based on a combination of intuition, chemistry and craftsmanship.
Materials Reactive dye, cotton
Dimensions 72 x 62 cm and 94 x 87 cm
Made by Louise Sass
Pink Elephants & In the Dark
Bente SkjøttgaardCeramist
Frieze P7
A decorative frieze with a contemporary ornamentation: the imprint of a Pirelli P7 tyre on my own car. A contemporary imprint that is at once personal and highly recognisable. The P7 tyre track forms a beautiful relief in the clay. It is almost like an intervention when the clay is subjected to being run over by a car. But Frieze P7 is not a severe and expressive piece; instead it seeks to encourage quiet reflection.
The basic elements in my work are the materials: clay and glaze. I enjoy engaging in expressive ceramic experiments that test the boundaries of material and form.
I often take my point of departure in nature’s principles and regularities of form. This results in strange inscrutable sculptural growths and large wild and amorphous nature abstractions that may be both lush and melancholic with an expression of beauty in both growth and decay.
Materials Stoneware with glaze
Dimensions Approx. L 175 x 40 x 5 cm; Weight approx. 50 kg
Made by Bente Skjøttgaard, produced at Tommerup Keramiske Værksted.
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Ann
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.1
Anne TophøjCeramic designer
Fictile 12.1
Fictile 12.1 is a breakfast set or collection of breakfast ‘utensils’. The different colours, qualities and treatments reflect my goal of adding a new sensuous dimension to breakfast. So although ‘Fictile’ simply means ‘shaped in clay’, Fictile 12.1 expresses my fascination with and inspiration from the many different materials and techniques. In this case I use the techniques of pressing, jiggering and casting. The goal is to define a playing field with a few key players – to create an open space with a wide framework that is open to interpretation and further development.
My main goal is to explore combinations and juxtapositions of different materials and techniques in order to examine how they supplement, contrast and affect each other and make things happen that go beyond what the individual components contain and represent. It is essential for me not to have full control over the material and the process; they should be allowed to have a life of their own and to influence the outcome in combination with a certain random element. I see my role as the initiator of a process which then runs its course. The outcome should only reflect materials, tools and process and the random occurrences that may arise.
Materials Stoneware, porcelain and glacing
Dimensions Cup ⌀ 10 cmBowl ⌀ 15 cmPlate ⌀ 20 cm
Made by Anne Tophøj
Tora UrupGlass and ceramic designer
Tumblers & Plates
The glasses are made in thick clear glass, the plates in clear and opaline coloured glass. The pieces are made in a centrifugal process, where the glass is spun into shape. This technique produces an expression where the thick glass takes on a round and optical character. The optical effect is apparent when colours are reflected in the clear glass.
The round character is accentuated by the rounded rim of the tumbler, which is soft and pleasant to drink from; a detail that is a natural result of the production process.
With this series, my aim is to create glasses and plates with a design that enhances the experience of the material and that inspires and invites to serving and enjoying food and drink.
To me there is a challenge in exploring the classic everyday utilitarian objects such as the beaker, the bowl and the plate. My curiosity is sparked by the process of achieving maximum effect by few and simple means and by the resulting visual and sensuous experience. A particular characteristic of my works is a precise and simple expression with a built-in complexity.
Materials Clear and opaline glass
Dimensions Tumblers ⌀ 6-10 cmPlates ⌀ 19.5-33 cm
Made by Tora Urup
Tora
Uru
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Tum
bler
s &
Pla
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Hen
rik V
ibsk
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Sui
tnes
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Henrik VibskovDesigner
Suitnest Dinner
Suitnest Dinner is the ultimate picnic basket with a built-in shirt and jacket and room for food and utensils. A nest for a shirt, jacket, food and tableware made in leather, rattan and cotton, that leaves you ready to dress up once you reach your destination.
I mainly work with fashion, but I do not like being restricted, so I enjoy trying my hand at design, art and music whenever I get the chance. I work with multiple visions which can be expressed in a variety of ways. The key point for me is to try new avenues, dare to make mistakes and avoid being pigeon-holed or locked into a particular role.
MaterialsRattan, leather, cotton
DimensionsH 50 x W 45 x D 40 cm
Made by Henrik Vibskov
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e be
st fr
om 1
00 y
ears
– 1
00
dona
tions
from
the
Frie
nds
of th
e D
anis
h M
useu
m o
f Art
& D
esig
n 19
10-2
010,
Des
ign
Mus
eum
D
anm
ark,
Cop
enha
gen
Gal
lery
Inge
r Mol
in, S
tock
holm
Kom
posi
tione
r (C
ompo
sitio
ns),
Dan
ish
Des
ign
Cen
tre, C
open
hage
nLo
uise
Sas
s, R
öhss
ka M
useu
m,
Got
henb
urg
Gra
nts
and
hono
urs
Söd
erbe
rg P
rize,
Röh
sska
Mus
eum
, G
othe
nbur
gTh
ree-
year
wor
king
gra
nt fr
om
the
Dan
ish
Arts
Fou
ndat
ion
5th
Inte
rnat
iona
l Tex
tile
Com
petit
ion,
IT
F In
dust
rial T
echn
ique
Aw
ard,
Kyo
to
Ole
Has
lund
s Ku
nstn
erfo
nd,
hono
rary
gra
nt
Rep
rese
ntat
ion
Des
ignm
useu
m D
anm
ark
Röh
sska
Mus
eum
, Got
henb
urg
The
Sto
ckho
lm A
rts C
ounc
il:
Sto
ckho
lm C
ity L
ibra
ry &
S
ite s
peci
fic w
ork,
Ser
afen
S
uppo
rtive
hou
sing
com
plex
in
Sto
ckho
lm
The
Sw
edis
h A
rt B
oard
: Em
bass
y
of S
wed
en in
Cub
a, H
avan
a Th
e D
anis
h A
rts F
ound
atio
n
Ben
te S
kjøt
tgaa
rd
Cer
amis
tb.
196
1C
o-fo
unde
r of C
open
hage
n C
eram
ics
ww
w.s
kjoe
ttgaa
rd.d
k
Educ
atio
n
The
Arts
and
Cra
fts S
choo
l in
Kold
ing
(now
Kol
ding
Sch
ool o
f D
esig
n)
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Dan
s le
s N
uage
s, G
aler
ie M
aria
Lu
nd, P
aris
KIA
F 20
10, K
orea
Inte
rnat
iona
l Art
Fair,
Seo
ulA
dven
ture
s of
the
Fire
, The
In
vitat
iona
l Wor
ld C
onte
mpo
rary
C
eram
ics
Exhi
bitio
n, K
orea
Mel
lem
istid
(Int
ergl
acia
l per
iod)
, G
alle
ri N
ørby
, Cop
enha
gen
Gla
surs
tykk
er (G
laze
wor
ks),
Gal
leri
Nør
by, C
open
hage
n R
epre
sent
atio
n
Mus
ée N
atio
nal d
e C
éram
ique
de
Sèv
res,
Fra
nce
Fond
Nat
iona
l d’A
rt C
onte
mpo
rain
, Fr
ance
Roo
m 1
41, C
onte
mpo
rary
Cer
amic
s,
Vict
oria
and
Alb
ert M
useu
m, L
ondo
n Tr
aces
, ‘A
rt al
ong
Hæ
rvej
en’,
a pr
ojec
t by
the
Dan
ish
Arts
Fo
unda
tion
Gra
nts
and
hono
urs
Wor
king
gra
nt fr
om th
e D
anis
h A
rts
Foun
datio
nA
nnie
& O
tto J
ohs.
Det
lef’s
Cer
amic
s Aw
ard
Thre
e-ye
ar w
orki
ng g
rant
from
the
Dan
ish
Arts
Fou
ndat
ion
Ann
e To
phøj
Cer
amic
des
igne
rb.
196
0w
ww
.ato
p.dk
Educ
atio
n
The
Sch
ool o
f Dec
orat
ive A
rt (n
ow
The
Roy
al D
anis
h A
cade
my
of
Fine
Arts
– T
he S
choo
l of D
esig
n),
Cop
enha
gen
Mas
ter o
f Ind
ustri
al D
esig
n, M
ID,
Prat
t Ins
titut
e, N
ew Y
ork
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Sta
tistic
s><
Cer
amic
s. M
useu
m fü
r Ku
nst u
nd G
ewer
be, H
ambu
rg a
nd
Röh
sska
, Got
henb
urg
Cra
ft in
Dia
logu
e, N
atio
nalm
useu
m,
Sto
ckho
lmS
telvi
sion
2, G
alle
ri N
ørby
, C
open
hage
nN
ew D
anis
h C
eram
ics,
D
esig
nmus
eum
Dan
mar
k,
Cop
enha
gen
Gra
nts
and
hono
urs
Thre
e-ye
ar w
orki
ng g
rant
from
the
Dan
ish
Arts
Fou
ndat
ion
Wor
king
gra
nts
from
the
Dan
ish
Arts
Fo
unda
tion
Bie
nnal
e Pr
ize in
coo
pera
tion
with
Jo
bim
Joc
him
sen
Rep
rese
ntat
ion
Nat
iona
lmus
eum
, Sto
ckho
lm
Des
ignm
useu
m D
anm
ark,
C
open
hage
n S
ervic
e pl
ates
for B
o B
ech’
s R
esta
uran
t Pau
stia
n
Tora
Uru
p
Gla
ss a
nd c
eram
ic d
esig
ner
b. 1
960
ww
w.to
raur
up.d
k
Educ
atio
n
The
Sch
ool o
f Dec
orat
ive A
rt (n
ow
The
Roy
al D
anis
h A
cade
my
of
Fine
Arts
– T
he S
choo
l of D
esig
n),
Cop
enha
gen
Ass
ista
nt in
cer
amic
wor
ksho
p
Tobo
Sug
i, To
kona
me
MA
, Roy
al C
olle
ge o
f Art,
Lon
don
Clie
nts
Roy
al S
cand
inav
ia, H
olm
egaa
rdFr
itz H
anse
nKi
mur
a G
lass
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Køkk
entin
g (K
itche
nwar
e),
Roy
al C
open
hage
n“M
oder
n m
aste
rs”,
Mun
ich
New
Dan
ish
Gla
ss,
Hol
steb
ro K
unst
mus
eum
,D
esig
nmus
eum
Dan
mar
k,
Cop
enha
gen
Tora
Uru
p D
esig
n C
olle
ctio
n, N
eon,
A
mbi
ente
, Tok
yo
Sol
o ex
hibi
tion,
Gan
a A
rt C
ente
r, S
eoul
S
olo
exhi
bitio
n, g
alle
ry S
crem
ini,
Paris
Gra
nts
and
hono
urs
Thre
e-ye
ar w
orki
ng g
rant
from
th
e D
anis
h A
rts F
ound
atio
nG
rant
from
Kun
stfo
reni
ngen
af
14. a
ugus
t G
old
med
al, B
ayer
isch
er S
taat
spre
is
(Bav
aria
n S
tate
Aw
ard)
Inga
and
Ejvi
nd K
old
Chr
iste
nsen
’s
hono
rary
aw
ard
Rep
rese
ntat
ion
Euro
pean
Mus
eum
of M
oder
n G
lass
, C
obur
gH
ans
Han
sen
Col
lect
ion,
Ham
burg
Des
ignm
useu
m D
anm
ark,
C
open
hage
nD
anis
h A
rts F
ound
atio
n,
Cop
enha
gen
Hen
rik V
ibsk
ov
Des
igne
r, ar
tist,
mus
icia
nb.
197
2w
ww
.hen
rikvib
skov
.com
Educ
atio
n
Cen
tral S
aint
Mar
tins,
Lon
don
Exhi
bitio
ns
MoM
AP
S1
Pala
is d
e To
kyo
Zeeu
ws
Mus
eum
W
ilhel
m W
agen
feld
Mus
eum
N
eder
land
s A
rchi
tect
uurin
stitu
t R
otte
rdam
(NA
i)
Gra
nts
and
hono
urs
Thor
sten
and
Wan
ja S
øder
berg
’s
awar
d D
anis
h A
rt A
genc
y’s a
war
dG
rund
fos
Trav
ellin
g S
chol
arsh
ip
Tale
nt A
war
d
Ben
te S
kjøt
tgaa
rd
Cer
amis
tb.
196
1C
o-fo
unde
r of C
open
hage
n C
eram
ics
ww
w.s
kjoe
ttgaa
rd.d
k
Educ
atio
n
The
Arts
and
Cra
fts S
choo
l in
Kold
ing
(now
Kol
ding
Sch
ool o
f D
esig
n)
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Dan
s le
s N
uage
s, G
aler
ie M
aria
Lu
nd, P
aris
KIA
F 20
10, K
orea
Inte
rnat
iona
l Art
Fair,
Seo
ulA
dven
ture
s of
the
Fire
, The
In
vitat
iona
l Wor
ld C
onte
mpo
rary
C
eram
ics
Exhi
bitio
n, K
orea
Mel
lem
istid
(Int
ergl
acia
l per
iod)
, G
alle
ri N
ørby
, Cop
enha
gen
Gla
surs
tykk
er (G
laze
wor
ks),
Gal
leri
Nør
by, C
open
hage
n R
epre
sent
atio
n
Mus
ée N
atio
nal d
e C
éram
ique
de
Sèv
res,
Fra
nce
Fond
Nat
iona
l d’A
rt C
onte
mpo
rain
, Fr
ance
Roo
m 1
41, C
onte
mpo
rary
Cer
amic
s,
Vict
oria
and
Alb
ert M
useu
m, L
ondo
n Tr
aces
, ‘A
rt al
ong
Hæ
rvej
en’,
a pr
ojec
t by
the
Dan
ish
Arts
Fo
unda
tion
Gra
nts
and
hono
urs
Wor
king
gra
nt fr
om th
e D
anis
h A
rts
Foun
datio
nA
nnie
& O
tto J
ohs.
Det
lef’s
Cer
amic
s Aw
ard
Thre
e-ye
ar w
orki
ng g
rant
from
the
Dan
ish
Arts
Fou
ndat
ion
Ann
e To
phøj
Cer
amic
des
igne
rb.
196
0w
ww
.ato
p.dk
Educ
atio
n
The
Sch
ool o
f Dec
orat
ive A
rt (n
ow
The
Roy
al D
anis
h A
cade
my
of
Fine
Arts
– T
he S
choo
l of D
esig
n),
Cop
enha
gen
Mas
ter o
f Ind
ustri
al D
esig
n, M
ID,
Prat
t Ins
titut
e, N
ew Y
ork
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Sta
tistic
s><
Cer
amic
s. M
useu
m fü
r Ku
nst u
nd G
ewer
be, H
ambu
rg a
nd
Röh
sska
, Got
henb
urg
Cra
ft in
Dia
logu
e, N
atio
nalm
useu
m,
Sto
ckho
lmS
telvi
sion
2, G
alle
ri N
ørby
, C
open
hage
nN
ew D
anis
h C
eram
ics,
D
esig
nmus
eum
Dan
mar
k,
Cop
enha
gen
Gra
nts
and
hono
urs
Thre
e-ye
ar w
orki
ng g
rant
from
the
Dan
ish
Arts
Fou
ndat
ion
Wor
king
gra
nts
from
the
Dan
ish
Arts
Fo
unda
tion
Bie
nnal
e Pr
ize in
coo
pera
tion
with
Jo
bim
Joc
him
sen
Rep
rese
ntat
ion
Nat
iona
lmus
eum
, Sto
ckho
lm
Des
ignm
useu
m D
anm
ark,
C
open
hage
n S
ervic
e pl
ates
for B
o B
ech’
s R
esta
uran
t Pau
stia
n
Tora
Uru
p
Gla
ss a
nd c
eram
ic d
esig
ner
b. 1
960
ww
w.to
raur
up.d
k
Educ
atio
n
The
Sch
ool o
f Dec
orat
ive A
rt (n
ow
The
Roy
al D
anis
h A
cade
my
of
Fine
Arts
– T
he S
choo
l of D
esig
n),
Cop
enha
gen
Ass
ista
nt in
cer
amic
wor
ksho
p
Tobo
Sug
i, To
kona
me
MA
, Roy
al C
olle
ge o
f Art,
Lon
don
Clie
nts
Roy
al S
cand
inav
ia, H
olm
egaa
rdFr
itz H
anse
nKi
mur
a G
lass
Exhi
bitio
ns
MIN
DC
RA
FT11
, Fuo
ri S
alon
e, M
ilan
Køkk
entin
g (K
itche
nwar
e),
Roy
al C
open
hage
n“M
oder
n m
aste
rs”,
Mun
ich
New
Dan
ish
Gla
ss,
Hol
steb
ro K
unst
mus
eum
,D
esig
nmus
eum
Dan
mar
k,
Cop
enha
gen
Tora
Uru
p D
esig
n C
olle
ctio
n, N
eon,
A
mbi
ente
, Tok
yo
Sol
o ex
hibi
tion,
Gan
a A
rt C
ente
r, S
eoul
S
olo
exhi
bitio
n, g
alle
ry S
crem
ini,
Paris
Gra
nts
and
hono
urs
Thre
e-ye
ar w
orki
ng g
rant
from
th
e D
anis
h A
rts F
ound
atio
nG
rant
from
Kun
stfo
reni
ngen
af
14. a
ugus
t G
old
med
al, B
ayer
isch
er S
taat
spre
is
(Bav
aria
n S
tate
Aw
ard)
Inga
and
Ejvi
nd K
old
Chr
iste
nsen
’s
hono
rary
aw
ard
Rep
rese
ntat
ion
Euro
pean
Mus
eum
of M
oder
n G
lass
, C
obur
gH
ans
Han
sen
Col
lect
ion,
Ham
burg
Des
ignm
useu
m D
anm
ark,
C
open
hage
nD
anis
h A
rts F
ound
atio
n,
Cop
enha
gen
Hen
rik V
ibsk
ov
Des
igne
r, ar
tist,
mus
icia
nb.
197
2w
ww
.hen
rikvib
skov
.com
Educ
atio
n
Cen
tral S
aint
Mar
tins,
Lon
don
Exhi
bitio
ns
MoM
AP
S1
Pala
is d
e To
kyo
Zeeu
ws
Mus
eum
W
ilhel
m W
agen
feld
Mus
eum
N
eder
land
s A
rchi
tect
uurin
stitu
t R
otte
rdam
(NA
i)
Gra
nts
and
hono
urs
Thor
sten
and
Wan
ja S
øder
berg
’s
awar
d D
anis
h A
rt A
genc
y’s a
war
dG
rund
fos
Trav
ellin
g S
chol
arsh
ip
Tale
nt A
war
d
Danish Crafts DANISH CRAFTS is an institution under the Danish Ministry of Culture. The aim of DANISH CRAFTS is to promote, encourage high standards and increaseawareness of the qualities and potentials of contemporary Danish craft.
In recent years, DANISH CRAFTS has received a number of recognitions and awards for its annual collection Danish Crafts Collection and the MINDCRAFT exhibition, including Best Craftsmanship at ICFF, New York, Best Contribution to 100% Design, London and a Wallpaper* Design Award. Furthermore, DANISH CRAFTS has developed international collaborations with partners like Spazio Rossana Orlandi, Milan, Mint, London, Republic of Fritz Hansen, Denmark, MoMA, New York and Skandium, London.
DANISH CRAFTS collaborates with makers, retailers, manufacturers as well as organisations and government institutions. DANISH CRAFTS participates in international trade fairs and engages independent curators to create exhibitions and collections.
www.danishcrafts.dk
Credits Published by: Danish Crafts
Editorial: Birgitte Jahn Bo Kolbye Kristian Kastoft
Interviews: Laura Engstrøm
Translation: Dorte H. Silver
Curator & exhibition concept: Cecilie Manz
Graphic design: Rasmus Koch Studio
Photo: Danish Crafts 2012 / jeppegudmundsen.com
MINDCRAFT12 is supported by the Danish Ministry of CultureExhibition design sponsored by Forbo.
Informationscenter for dansk kunsthåndværk Information Centre of Danish Crafts
Kongens Nytorv 1E, 1.DK - 1050 Copenhagen
Tel (+45) 3312 6162
