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MIES ON SCENE A NIHAO FILMS & FUNDACIÓ MIES VAN DER ROHE PRODUCTION
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INDEX
Logline
Festivals
Resources
Credits
Technical information
Synopsis
Director’s statement
Main characters
Director’s bio / filmography
Contact
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MIES ON SCENE A NIHAO FILMS & FUNDACIÓ MIES VAN DER ROHE PRODUCTION
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LOGLINE
The story of a building that changed the history of architecture. Its construction and sub-
sequent reconstruction in two key moments of Barcelona immerse us in a reflection on the
perception of art, space and the concept of masterpiece.
FESTIVALS
Best Art Documentary: Fresh Stream Experimental Film Festival 2018- US
Official Selection: Architecture + Design Film Festival Winnipeg 2018 - Canada
Official Selection: DocsBarcelona International Documentary Film Festival 2018 - Spain
RESOURCES
Trailer (download): https://we.tl/XVrYjH1nNx
Trailer (online): https://youtu.be/3u52BKmtWg4
Pictures: https://we.tl/McvpojO7EW
Website: www.miesonscene.com
MIES ON SCENE A NIHAO FILMS & FUNDACIÓ MIES VAN DER ROHE PRODUCTION
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TECHNICAL INFORMATION
County of production: Spain
Year of production: 2018
Duration: 58 minutes
Original languages: English, Spanish, Catalan, German
Screening format: DCP. (Subtitles versions: English, Spanish, Catalan)
Format: 16:9
Shot in: Barcelona (Spain), New York (USA)
Production companies: Nihao Films, Fundació Mies van der Rohe
Website: www.miesonscene.com
CREDITS
Directors: Pep Martín & Xavi Campreciós
Producers: Anna Ramos, Antoni Garijo, Ivan Blasi, Pep Martín, Xavi Campreciós
Screenplay: Ivan Blasi, Anna Sala Giralt, Xavi Campreciós, Pep Martín
Music: Marc Mas
Sound: Brendan Golden, Blai Barba
Cinematography and editing: Pep Martín & Xavi Campreciós
MIES ON SCENE A NIHAO FILMS & FUNDACIÓ MIES VAN DER ROHE PRODUCTION
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SYNOPSIS
The Barcelona Pavilion, the masterpiece with which Mies van der Rohe and Lilly Reich staged
their revolutionary ideas in 1929, changed the History of architecture forever. It only existed
for eight months but paradoxically its image was always alive in the minds of generations of
architects around the world, becoming one of his greatest influences.
The Pavilion is still surrounded by myths and mysteries that this documentary addresses,
framing the building into a portrait in two acts of the Barcelona that made possible its cons-
truction in 1929 and its reconstruction in 1986. We immerse ourselves in a reflection on the
transformative capacity of art, the emotional perception of space and the concept of master-
piece.
DIRECTOR’S STATEMENT
During the last nine years we have had the pleasure of filming the Barcelona Pavilion on nu-
merous and varied occasions: video art, advertising spots or transformation interventions that
artists like Ai Weiwei have made in this space. It is a scenario of endless perspectives, lights
and reflections, a living building that changes at every hour of the day and at any season of
the year. Each time you record it, the Pavilion surprises you with a new reflection or a new vi-
sual composition, and you discover that fourth dimension that Mies created with the game of
materials and perspectives. A universe where the composition of each frame easily becomes
art within art because the Pavilion generates and multiplies beauty. This documentary is a ci-
nematographic essay within this space of Miesian architecture, at once abstract and rational,
finite and infinite.
MIES ON SCENE A NIHAO FILMS & FUNDACIÓ MIES VAN DER ROHE PRODUCTION
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MAIN CHARACTERS
Fritz Neumeyer: : German architect, prestigious and passionate specialist in the work of
Mies van der Rohe and the history of architecture. Author of the reference book “Mies van
der Rohe, the artless word” (1986) among others. Professor of architectural theory at TU
Berlin. He has taught at Harward, Santa Monica and several universities in Europe.
Eduardo Mendoza: Spanish writer and good connoisseur of the history of Barcelona, he
provides his vision of the city during the periods in which the Pavilion has existed. Cervan-
tes Prize 2016 and Premio Planeta 2010 among others. His literary work is usually set in his
native Barcelona. In his novel “The City of the Wonders” (1987), he makes a living portrait of
the evolution of Barcelona between the universal exhibitions of 1888 and 1929, a fictionali-
zed transcription of the collective memory of a generation of Barcelonians.
Barry Bergdoll: Specialist in the history of modern architecture, especially in France and
Germany. Professor of art history at Columbia University and curator of the Department of
Architecture and Design at the Museum of Modern Art in New York, MoMA. He has organi-
zed a series of exhibitions designed to offer new perspectives on the figure of Mies van der
Rohe, among which the exhibition “Mies in Berlin” (2001) stands out.
Xavier Rubert de Ventós: Philosopher and writer, he gives us the counterpoint on the per-
ception of art and the concept of masterpiece. Known as a cultural agitator in the rebirth
of the Barcelona of the 80s and 90s and promoter of the Eu Prize for Contemporary Archi-
tecture - Mies van der Rohe Award. Professor of Aesthetics at the School of Architecture of
Barcelona and professor at the universities of Berkeley, Harvard and New York. Author of an
extensive essay and philosophical production of aesthetics, theory of culture and practical
philosophy books.
Oriol Bohigas: Architect, urban planner and professor. He is one of the most important
characters in the transformation and modernization of Barcelona. He was the driving force
behind the reconstruction of the Mies van der Rohe Pavilion and the person who chose the
team that would carry it out. He was Director of the School of Architecture of Barcelona.
In 1984, he was appointed Councilor for Town Planning at the City Council, from where he
carried out the transformation planned for Barcelona on the occasion of the 1992 Olympic
Games.
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Fernando Ramos: Professor at several architecture universities in Europe and director of the
School of Architecture of Barcelona (1984-1991). He was part of the team that rebuilt the
German Pavilion and recovered the original geometry of the Pavilion, which would allow to
redo the plans for its reconstruction.
Cristian Cirici: Architect and furniture, lighting and construction elements designer. He
was part of the team that rebuilt the German Pavilion being in charge of the construction
details. He was the founder of prestigious design companies and professor at architecture
universities in Europe and the United States.
Martino Stierli: The Philip Johnson Chief Curator of Architecture and Design at MoMA. Profes-
sor at the Art History Institute of the University of Zurich. His work focuses on the relationship
between architecture, media and the representation of the modern space.
And the participation of: Paul Galloway, Isabel Bachs, Toni Mira, Jordi Marquès and the Pavi-
lion’s visitors.
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DIRECTOR’S BIO / FILMOGRAPHY
Xavi Campreciós: Documentary films director and producer. Graduated from ESCAC, his
short documentary Open 24 Hours was awarded the Best National Short Film Documen-
tary at Documenta Madrid 2010. For the last 10 years he has been working between China
and Spain, creating all kinds of audiovisual material for Nihao Films, especially about archi-
tecture.
Pep Martín: Publicist and documentary films director and producer. He worked for more
than 20 years as a creative director at Talp Communication. His documentary Ícaro was
awarded in 2010 as the Best Documentary by the Academy of Medical Science of Catalun-
ya and Balears, and included in the Official Selection at DocsBarcelona Film Festival 2010.
Since 2009 he has directed the documentaries for the EU Prize for Contemporary Architec-
ture – Mies van der Rohe Award. For the las 5 years he has created all kinds of audiovisual
material for Nihao Films.
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CONTACT
Nihao Films
Xavi Campreciós, Pep Martín
www.nihaofilms.com
+34 930242831 / +34 622919776
Fundació Mies van der Rohe - Press office
Miriam Giordano / Silvia Pujalte - Labóh
www.miesbcn.com
+34 93 319 26 64 / +34 606 60 22 30
www.miesonscene.com