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Usi

ng th

e 17

Big

Dai

ly E

xerc

ises

for

Flut

e by

Taf

fane

l and

Gau

bert

D

aily

Rou

tine:

Goa

l = 2

5 to

30

min

utes

M

onda

y:

No.

1, 4

, 5, 6

, 7, 8

, 9, 1

0 Tu

esda

y:

No.

2, 4

, 5, 6

, 7, 8

, 9, 1

1 W

edne

sday

:N

o. 1

, 4, 5

, 6, 7

, 8, 9

, 12

Thur

sday

: N

o. 2

, 4, 5

, 6, 7

, 8, 9

, 13

Frid

ay:

No.

1, 4

, 5, 6

, 7, 8

, 9, 1

4 Sa

turd

ay:

No.

2, 4

, 5, 6

, 7, 8

, 9, 1

5, 1

6

Whe

n yo

u be

gin

your

stu

dy o

f the

Taf

fane

l, yo

u w

ill w

ant t

o be

gin

slow

ly. H

ere

are

som

e su

gges

tions

to g

et s

tarte

d.

Exe

rcis

e N

o. 1

Wee

k 1:

S

tart

in th

e lo

w o

ctav

e, li

ne 1

, 3, 5

, etc

., fir

st n

ine

note

s on

ly

Wee

k 2:

R

epea

t at t

he o

ctav

e W

eek

3:

Rep

eat i

n th

e th

ird o

ctav

e.

Wee

k 4:

P

lay

in e

ight

not

e ch

unks

with

a q

uarte

r res

t in

betw

een

each

chu

nk. A

s th

e w

eek

prog

ress

es, i

ncre

ase

the

tem

po

Wee

k 5:

P

lay

line

1, 3

, 5, e

tc.,

low

oct

ave,

in it

s en

tiret

y w

ith th

e qu

arte

r not

e to

60

, 72,

80,

96,

104

, 120

, 144

W

eek

6:

Rep

eat i

nstru

ctio

ns o

f Wee

k 5

at th

e oc

tave

. W

eek

7:

Rep

eat i

nstru

ctio

ns o

f Wee

k 5

in th

e th

ird o

ctav

e W

eek

8:

Pla

y al

l lin

es in

a d

otte

d rh

ythm

(lon

g, s

hort)

. W

eek

9:

Pla

y al

l lin

es in

a d

otte

d rh

ythm

(sho

rt, lo

ng).

Wee

k 10

: P

lay

entir

e ex

erci

se, s

lurr

ed, w

ith m

etro

nom

e m

arki

ngs

from

60

to 1

60

to fo

ur s

ixte

enth

s.

Wee

k 11

: Th

e fir

st 1

0 lin

es o

f the

exe

rcis

e m

ay b

e pl

ayed

at t

he h

arm

onic

(thi

rd

parti

al, i

. e. t

he lo

w D

1 w

ill s

ound

A2)

.

Page 53: Metodo de Flauta Taffanel Gaubert 4

Exe

rcis

e N

o. 4

Div

ide

this

exe

rcis

e in

to fo

ur p

arts

.

Par

t 1 w

ill in

clud

e ke

ys C

thro

ugh

g. (d

el d

oM a

l sol

m)

Par

t 2 w

ill in

clud

e ke

ys E

b th

roug

h bb

. (de

l Mib

M a

l sib

) P

art 3

will

incl

ude

keys

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thro

ugh

c#. (

del l

ab M

al d

o#)

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t 4 w

ill in

clud

e ke

ys A

thro

ugh

e. (d

el la

M a

l Mim

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p 1

(Eac

h w

eek

use

one

of th

e fo

ur p

arts

, key

wis

e)

Pla

y ei

ght n

otes

slu

rred

with

a q

uarte

r res

t in

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een

each

set

of e

ight

. M

ove

the

flute

from

bac

k to

fron

t with

eac

h se

t. W

hy?

1

. You

will

lear

n th

e pa

ttern

.

2. T

he re

st w

ill h

elp

you

deve

lop

mus

cle

mem

ory.

3. E

ach

chun

k is

abo

ut o

ne in

ch lo

ng.

(See

Slo

boda

for e

ye

m

ovem

ent d

iscu

ssio

n)

4

. You

will

lear

n th

at th

e se

cret

of f

ast p

layi

ng is

the

abili

ty to

put

man

y no

tes

on o

ne p

uff o

f air.

5. T

he re

st w

ill te

ach

you

to w

ait f

or th

e be

at to

com

e up

. Mos

t

youn

g pl

ayer

s pl

ay b

efor

e th

e be

at.

6

. You

will

dev

elop

a re

laxe

d w

ay o

f bre

athi

ng th

roug

h th

e

co

ntin

ued

repe

titio

ns.

7

. Be

sure

the

timbr

e (c

olor

) of a

ll th

e no

tes

in e

ach

set o

f eig

ht is

the

sam

e.

Exe

rcis

e N

o. 5

- C

hrom

atic

Th

e ar

ticul

atio

n pa

ttern

s at

the

top

of th

e ex

erci

se a

re e

xcel

lent

. All

keys

ea

ch d

ay

Exe

rcis

e N

o. 6

- Th

irds

and

Six

ths

At f

irst p

lay

in th

e ke

y of

C. A

s yo

u pr

ogre

ss, a

dd e

ach

flat/s

harp

, one

at

a ti

me

until

you

hav

e fiv

e fla

ts o

r fiv

e sh

arps

. A g

oal m

etro

nom

e se

tting

is

a m

easu

re to

80

- 88.

Exe

rcis

e N

o. 7

play

in fo

ur n

ote

chun

ks w

ith a

rest

in b

etw

een

each

gro

up. T

his

will

hel

p yo

u le

arn

the

patte

rns

in a

rela

xed

man

ner.

Rel

axat

ion

is o

ne o

f the

key

s to

bea

utifu

l, co

ntro

lled

play

ing.

Rem

embe

r tha

t you

can

do

man

y of

the

keys

in a

ll th

ree

octa

ves.

Page 54: Metodo de Flauta Taffanel Gaubert 4

Exe

rcis

e N

o. 8

and

9

at ti

mes

I ha

ve d

oubl

e to

ngue

d th

e ex

erci

se-s

omet

imes

dou

ble,

dou

ble

(a tk

on

each

not

e, fo

r rap

id to

ngui

ng. I

pre

fer t

he fo

rwar

d, F

renc

h to

ngui

ng w

hich

I ha

ve

my

stud

ent p

ract

ice

by s

ayin

g "th

icka

.")

Exe

rcis

e N

o. 1

0

This

exe

rcis

e is

bes

t lea

rned

in c

hunk

s. E

vent

ually

we

play

this

ver

y fa

st. D

otte

d rh

ythm

s ar

e go

od to

o.

Exe

rcis

e N

o. 1

1

Sam

e ad

vice

as

No.

10.

Ulti

mat

ely

this

exe

rcis

e sh

ould

sou

nd e

asy

and

feel

eas

y to

o. T

hink

abo

ut m

ovin

g th

e fin

gers

from

the

knuc

kles

in a

dow

n an

d up

mot

ion

keep

ing

the

finge

rs v

ery

clos

e to

the

keys

.

Exe

rcis

e N

o. 1

2

Sam

e ad

vice

as

No.

10.

Be

sure

you

und

erst

and

wha

t is

happ

enin

g th

eore

tical

ly

Exe

rcis

e N

o. 1

3

Sam

e ad

vice

as

No.

10.

Mak

e it

soun

d ea

sy

Exe

rcis

e N

o. 1

4

I pre

fer t

o sl

ur to

the

high

not

e, s

lur t

o th

e lo

w n

ote

and

repe

at th

is a

rticu

latio

n pa

ttern

aga

in. I

do

this

for a

sw

eepi

ng m

otio

n an

d ea

se o

f pla

ying

in a

ll th

ree

octa

ves.

Dou

ble

tong

uing

is g

ood

also

.

Exe

rcis

e N

o. 1

5 an

d 16

Lear

n th

e di

min

ishe

d tri

ads/

dim

inis

hed

7ths

in c

hunk

s. E

vent

ually

you

will

be

able

to

pla

y th

em v

ery

quic

kly

with

eas

e.