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Mephisto [A Rhapsody] - Gate Theatre –3rd
October – 26th October 2019 Page 1 of 34
Mephisto [A Rhapsody]
Audio Description
Introduction
Welcome to this audio
introduction to Mephisto [A
Rhapsody] at the Gate
Theatre, by Samuel Gallet,
translated from the French
by Chris Campbell.
Directed by Kirsty Housley,
Mephisto [A Rhapsody] - Gate Theatre –3rd
October – 26th October 2019 Page 2 of 34
it is adapted from the
fiercely political cult novel
by Klaus Mann, Mephisto
[Rhapsodie]. The novel is
based on the real-life story
of Gustaf Gründgens whose
dreams of fame led him to
betray everything, and at
the peak of his career,
perform Faust for Hitler.
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October – 26th October 2019 Page 3 of 34
Please note that this
production contains
depictions of suicide and
violence, swearing,
references to fascism,
racism, Islamophobia and
drugtaking. It also contains
flashing lights, haze, loud
noises and cigarette smoke.
The production lasts for 2
hours and 20 minutes with
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October – 26th October 2019 Page 4 of 34
an interval of 10 minutes.
Please check with the Box
Office for the time of the
touch tour. This
introduction has been
written by Ruth James.
In the town of Balbek, the
far right are about to seize
power. At the local theatre
Aymeric dreams of
celebrity; Luca longs for a
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October – 26th October 2019 Page 5 of 34
liberal revolution; Michael is
seduced by the extremists;
Juliette Demba is in fear for
her life. As this political
earthquake convulses
society, Aymeric must make
his choice: resist the forces
of hatred or harness them
for his own success.
As is usual at the Gate, the
theatre is in a different
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October – 26th October 2019 Page 6 of 34
configuration. The entrance
for this show is through the
small door at the top of
seven steps, leading up
from the foyer. We emerge
onto a red-carpeted
platform at one end of the
theatre, which has a small
props table to the right and
a clothes rack in front, at
the end of the platform. To
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October – 26th October 2019 Page 7 of 34
the left are seven steps
down into the acting and
audience area, the first one
very shallow, all covered by
the same red carpet. There
is a handrail on the right of
the steps.
The theatre is set out as a
long, open room, 15 metres
by 6 metres, with three
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October – 26th October 2019 Page 8 of 34
banked rows of black velvet
benches for the audience
on your right as you
descend the steps, crossing
the acting space to reach
them.
From the seats, the long
wall opposite us behind the
acting space, is covered
with a reflective, metallic
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October – 26th October 2019 Page 9 of 34
golden surface, as is the
wall behind the seating. To
create different locations,
purple velvet curtains can
be drawn across, which
hang on the far sides as we
enter. Lighting and sound
are also used to
differentiate between
locations, with bright neon
strips along the top of the
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October – 26th October 2019 Page 10 of 34
wall and at intervals across
the ceiling, which glow
different colours to
transform the space into
separate rooms, a nightclub
or a party. Sometimes an
actor is held in a spotlight,
while the rest of the space
is plunged into darkness.
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October – 26th October 2019 Page 11 of 34
In the centre of the long wall
is an opening, obscured by
a long fringe of glittering
gold metal strips, used as
an exit. Above is a black
panel, on which are
projected indications of the
location, such as ‘Balbek’,
‘To the Sea’ or ‘Capital’.
There is another exit at the
far right of the back wall,
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October – 26th October 2019 Page 12 of 34
and the actors also use the
steps up to the platform.
Using the clothes or props
stored on the platform, they
transform into other
characters and sometimes
change there, while the
action continues elsewhere.
To the right is a wooden
wall, with a mirrored sign
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October – 26th October 2019 Page 13 of 34
reading ÁPPLAUSE’ above
a wooden Stage Manager’s
desk. Also above the desk
is a row of birdies, small
stage lights, and to its left is
a tall stand holding several
larger stage lights. The
Stage Manager, Devika
Ramcharan, sits behind the
desk, operating the show
from a computer, with her
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October – 26th October 2019 Page 14 of 34
script, or Book, before her
and a monitor screen to her
left. There is also a
microphone and a small red
anglepoise lamp. Dev is a
brown woman, with purple
hair cut in a short bob, with
a headset and microphone.
The Props Stage Manager,
Nina Harding, is a white
woman, her long curly
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October – 26th October 2019 Page 15 of 34
brown hair tied up in a
ponytail. Both are dressed
in black and move efficiently
around the space, as, with
the cast, they clear chairs
and move props.
As we arrive, there are six
metal-framed chairs spaced
across the red-carpeted
floor, the frames painted red
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October – 26th October 2019 Page 16 of 34
and the seats and backs a
yellow plastic. Under the
chairs are set various
props, such as a large blue
plastic bag, beer bottles and
suitcases. Various cast
members walk through,
chatting, reading their
scripts or drinking from the
beer bottles. The two Stage
Managers also walk
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October – 26th October 2019 Page 17 of 34
through, making last minute
checks.
In one of the chairs sits a
figure later identified as
Klaus Mann, writer of the
novel Mephisto
[Rhapsodie], dressed in
grey trousers, held up with
striped grey braces, over a
white shirt and blue-spotted
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October – 26th October 2019 Page 18 of 34
beige tie, feet shod in light
brown brogues. Before the
show starts, Klaus
disappears and the same
actor reappears as
Barbara, a young white
woman with long chestnut
hair, some knotted at the
back with a black ribbon
away from her full fringe.
Barbara arrives in a beige
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October – 26th October 2019 Page 19 of 34
trenchcoat, carrying a large
brown suitcase, previously
stored under her seat. Her
short jeans are a light blue
and she has a white blouse
with a pattern of tiny black
dots.
Fabian Muller is a local
MP, a distinguished white
man in his 50’s, clad in a
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October – 26th October 2019 Page 20 of 34
dark blue suit, with a
matching tie, with a small
pin of the French flag in his
lapel. His greying hair is cut
short and he has a neat,
greying moustache. His
forehead is wrinkled into
worry lines. The same
actor also plays Théo
Marber, in a dark brown
tweedy jacket and black
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October – 26th October 2019 Page 21 of 34
polo neck, with a more
effete air.
Aymeric Dupré is an
intense, intellectual man in
his early 30’s, with a high
forehead, curly dark blonde
hair and piercing blue eyes.
He wears white converse
sneakers, dark-blue chinos
and a white t-shirt under a
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October – 26th October 2019 Page 22 of 34
long denim shirt, itself under
a denim jacket. Aymeric
also has horn-rimmed round
glasses, a small beard
under his chin and a hipster
moustache, the ends of
which he twiddles into
points.
Nicole is a slender young
woman, dressed at first in
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October – 26th October 2019 Page 23 of 34
skin-tight, shiny black
leggings and heavy leather
boots, with a black, polo-
necked top under a shiny,
metallic long shirt. Her long
black hair cascades over
her shoulders and she has
huge dark eyes.
Juliette Demba is a tall
black woman, her neat,
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October – 26th October 2019 Page 24 of 34
curled hair at first hidden in
a black turban. She first
appears in a long, glowing
sequined evening gown
with a low back and
spaghetti straps, with huge
gold hoop earrings. On her
feet are chunky-heeled
black boots. Juliette later
changes into an elegant
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October – 26th October 2019 Page 25 of 34
dark green halterneck
jumpsuit with a white jacket.
Eva runs the theatre
company and is slightly
older than her actors. She
is a white woman, neatly
dressed, with her long
blonde hair scraped back
into a tight bun. She wears
a brown 40s-style dress
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October – 26th October 2019 Page 26 of 34
with a collared neckline
over flat brown leather
knee-high boots. Eva is
made-up in an understated
way and wears round
glasses with no frames and
small gold earrings. She
has an air of having seen it
all but retains her idealism.
The same actress also
plays Barbara’s mother,
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October – 26th October 2019 Page 27 of 34
Anna Bauer, who is far
more flamboyant, with red
lips, her blonde hair flowing
over her shoulders. Anna
wears flowing silk wraps of
bright colours, worn over
elegant beige palazzo
trousers.
Luca is fresh-faced, with
delicate features, and wears
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October – 26th October 2019 Page 28 of 34
tight black skinny jeans and
a maroon and blue striped
shirt over a white and blue
striped top, that she’s
knotted at the side to show
her midriff. Luca’s mass of
long black hair is tangled,
some of it swept up into a
knot at the back of her
head. She wears crocodile
patterned DMs and often
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October – 26th October 2019 Page 29 of 34
carries a black notebook for
her writings.
Michael is a stocky, broad-
shouldered pale young
man, with short black hair.
He wears a long 70’s black
leather jacket over black
jeans and t-shirt. Michael is
very intense and committed
to his beliefs.
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October – 26th October 2019 Page 30 of 34
At times, the actors speak
to us directly, using a hand-
held microphone, while the
others watch and listen to
them. At others, they swing
into more traditional scenes,
or involve us directly in the
action. Along with the
Stage Managers, the cast
move the chairs and props,
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October – 26th October 2019 Page 31 of 34
sometimes while the action
continues around them.
Cast and Creatives
Cast
Nicole is played by Subika Anwar-Khan
Aymeric Dupré by Leo Bill
Luca by Elizabeth Chan
Eva and Anna Bauer are both played by Tamzin Griffin
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October – 26th October 2019 Page 32 of 34
Barbara by Rebecca Humphries
Théo Marber and Fabien Muller are both played by Sean Jackson
Juliette Demba is played by Anna-Maria Nabirye
Michael by Rhys Rusbatch
The Stage Manager on the Book is Devika Ramcharan
The Stage Manager on Props is Nina Harding
Creative Team
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October – 26th October 2019 Page 33 of 34
The Fight Director is Lisa Connell
The Sound Designers are Mike Winship and Helen Skiera
The Lighting Designer is Jessica Hung Han Yun
The Designer is Basia Bińkowska
The Director is Kirsty Housley
If you would like any more
information about your visit
to the Gate Theatre, please
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October – 26th October 2019 Page 34 of 34
call the Box Office on
Monday to Friday, 10am to
6pm on 020 7229 0706.
Their website is
www.gatetheatre.co.uk.