Flute

p mp pppp

Senza Tempo

A

Fl.

pffppp

ff ff ff ff ff ff ff poco a poco cresc. poco sfz

Senza Tempo (in relation to circular torso movement)

B

7

Fl.

mf

13

Fl.p poco sfz ppp

18

Perc.

Shh

p

shh shh shhran dom- te- xt- as if in par ty-

Straight q=60ca.

C

24

mp p mp

p

MEMENTOfor 2 performers (dancer & flutist)& ELECTRONICS

Electronic soundscape fromsoundbox (wireless)

30" ca.

Music: Felipe Ignacio NoriegaScenography and movement: Cinthya Oyervides

exaggerated air toneupper joint + mouthpiece

II

simile

(sync new pitchwith start of newmov. cycle)

accel. en rit. in relation to movement

receive foot joint

turnfoot joint

Cinthya

III (flute is completed here)

4:3

voice flute key hit

Sounbox

sounds of marblescrushed against each other

sounds of marbles crackling heater

Fl.

tam

ppp

bien- yo te quie ro-te

quierofeliz

tequiero

feliz

tequiero

feliz

tequiero

feliz

p mp p

pp mp

mp f mf p mf p

Allegro Rubatorall.

D

34

pppp

Allegro Meccanico37

only hand gesture (no sound)

Flt.

mf (flute)

p (voice)

with echo (also in syllables)

key hit key hit

Sounbox

Flute is complete

3

voice

key slap

transition should be as smooth as possibleCinthy (shh shh shh shh rhtyhm)

Cinthy only movement

flute

voice

continue

3 3 3

2

Fl.

p f

48

Fl.

mp

mppoco rall. 52

Fl.

Senza Tempo56

Fl.

shh

pp

shh shh shh shh shh

p

f sffz pppp

Allegro

Fl.shh shh shh shh shh shh

< q = e >

Rubato66

mp cantabile

poco accel.

Fl.

mp mf f

71

commas related tochoreography

6

9

Kata only voice + beating tempo with key slaps ->

Cinthya colours the rhtyhmwith fingers

=> look for interesting finger patternsin rehearsals (tr 1 &2 keys work good) <=

Cinthya

changing formant with mouth

suck in

to high pressurequasi imperceptibilesound

accel figuregradually

reapeat very fastfor 4'

key clicks

rhythm tailed by C in movement hold noteREALLY long

C gadually fills up flutewith marbles

hold noteREALLY long

3

Fl.

p sub. mp

molto rall.

79

Fl.

pp

molto rall. 82

Fl.

88

Fl.

89

Always move torso in an introspective, slow and contemplative manner from left to right to let the marbles affect the sound

air tone like III 2

Only marble sounds, with subtle 'shh shh shh'(like rain-stick) 10' ca.

marblesdrop frominside theflute

Cinthya ->marble-emotions gesture

Cinthya ->marble-emotions gesture

4