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EN1210

UNIVERSITY OF WARWICK

September 2014 Examinations

Medieval to Renaissance English Literature _________________________________________________________________________ Time allowed: 3 hours, plus 15 minutes of reading time. During this reading time notes may be made on the question paper but NO ANSWER MAY BE BEGUN.

First-year students should answer questions 1-4, in 3 hours.

Honours-level students, and visiting students taking the module at Honours level, should answer questions 1 and 2, in 1 ½ hours.

Read carefully the instructions on the answer book and make sure that the particulars required are entered on each answer book used.

Do not substantially repeat material between questions on the exam. _________________________________________________________________________

1. Translate the following passage into modern English prose. (12 marks; approx. 20 minutes)

The lede lystened ful wel that lay in his bed, Thagh he loukes his liddes ful littel he slepes; By uch kok that crue he knew wel the steven. Deliverly he dressed up ere the day sprenged, For there was light of a laumpe that lemed in his chamber. He called to his chamberlayn, that cofly him swared, And bede him bryng him his bruny and his blonk sadel. That other ferkes him up and feches him his wedes And graythes me Sir Gawayn upon a grete wyse. First he clad him in his clothes the colde for to were, And sithen his other harnays, that holdely was keped, Both his paunce and his plates piked ful clene, The rynges rokked of the roust of his riche bruny; And all was fresch as upon first, and he was fayn then to thonk.

From Sir Gawain and the Green Knight

steven: appointed day cofly: promptly bruny: mail shirt blonk: horse paunce: armour for the stomach piked: polished rokked: rubbed free of ________________________________________________________________________ (Continued)

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EN1210 2. Write a critical commentary on ONE of the following passages. (24 marks; approx. 40 minutes)

a) This gentil May, fulfilled of pitee, Right of hire hand a lettre made she, In which she graunteth hym hire verray grace. Ther lakketh noght oonly but day and place Wher that she myghte unto his lust suffise, For it shal be right as he wole devyse. And whan she saugh hir tyme, upon a day To visite this Damyan gooth May, And sotilly this lettre doun she threste Under his pilwe; rede it if hym leste. She taketh hym by the hand and harde him twiste So secrely that no wight of it wiste, And bad him been al hool, and forth she wente To Januarie, whan that he for hire sente. Up riseth Damyan the nexte morwe; Al passed was his siknesse and his sorwe. He kembeth hym, he preyneth hym and pyketh, He dooth al that his lady lust and lyketh, And eek to Januarie he gooth as lowe As evere dide a dogge for the bowe. He is so plesant unto every man (For craft is al, whoso that do it kan), That every wight is fayn to speke him good, And fully in his lady grace he stood. Thus lete I Damyan aboute his nede, And in my tale forth I wol procede. From Chaucer, The Merchant’s Tale sotilly: subtly, craftily threste: thrust

pilwe: pillow kembeth: combs pyketh: cleans, adorns dogge for the bowe: dog trained to hunt with an archer

b) Forget not yet the tried intent Of such a truth as I have meant, My great travail so gladly spent, Forget not yet.

Forget not yet when first began The weary life ye know since when, The suit, the service none tell can, (Continued)

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EN1210

Forget not yet.

Forget not yet the great essays, The cruel wrong, the scornful ways, The painful patience in denays, Forget not yet.

Forget not yet, forget not this, How long ago hath been and is The mind that never meant amiss, Forget not yet.

Forget not then thine own approved, The which so long hath thee so loved, Whose steadfast faith yet never moved, Forget not this. From the poems of Thomas Wyatt suit: pursuit, wooing essays: trials denays: denials

c) 34

Come, let me write. “And to what end?” To ease A burdened heart. “How can words ease, which are The glasses of thy daily vexing care?” Oft cruel fights well pictured forth do please. “Art not ashamed to publish thy disease?” Nay, that may breed my fame, it is so rare. “But will not wise men think thy words fond ware?” Then be they close, and so none shall displease. “What idler thing, than speak and not be hard?” What harder thing than smart, and not to speak? Peace, foolish wit; with wit my wit is marred. Thus while I write I doubt to write, and wreak My harms on ink’s poor loss: perhaps some find Stella’s great powers, that so confuse my mind.

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What may words say, or what may words not say, Where truth itself must speak like flattery? Within what bounds can one his liking stay, (Continued)

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EN1210 Where nature doth with infinite agree? What Nestor’s counsel can my flames allay, Since reason’s self doth blow the coal in me? And ah, what hope that hope should once see day, Where Cupid is sworn page to chastity? Honor is honored, that thou dost possess Him as thy slave, and now long-needy Fame Doth even grow rich, naming my Stella’s name. Wit learns in thee perfection to express, Not thou by praise, but praise in thee is raised; It is a praise to praise, when thou art praised.

From Sir Philip Sidney, Astrophil and Stella

glasses: mirrors fond ware: foolish trinkets hard: heard wit: reason, intellect doubt: hesitate, fear Nestor: an elderly Greek counsellor, proverbial for his wisdom

d) I The noble hart, that harbours vertuous thought, And is with child of glorious great intent, Can never rest, untill it forth have brought Th’eternall brood of glorie excellent. Such restlesse passion did all night torment The flaming corage of that Faery knight, Devizing, how that doughtie turnament With greatest honour he atchieven might; Still did he wake, and still did watch for dawning light.

II At last the golden Orientall gate, Of greatest heaven gan to open faire, And Phoebus fresh, as bridegrome to his mate, Came dauncing forth, shaking his deawie haire: And hurls his glistring beams through gloomy aire. Which when the wakeful Elfe perceiv’d, streight way He started up, and did him selfe prepaire, In sunbright armes, and battailous array: For with that Pagan proud he combat will that day.

(Continued)

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EN1210 III And forth he comes into the commune hall, Where earely waite him many a gazing eye, To weet what end to straunger knights may fall. There many Minstrales maken melody, To drive away the dull melancholy, And many Bardes, that to the trembling chord Can tune their timely voyces cunningly, And many Chroniclers, that can record Old loves, and warres for ladies doen by many a Lord.

From Spenser, The Faerie Queene, Book 1, Canto 5, stanzas 1-3 doughtie: worthy Phoebus: the god Apollo, here used for the sun weet: learn timely: measured, keeping time doen: done

_________________________________________________________________________ 3. Write an essay in answer to ONE of the following questions (32 marks; approx. one

hour). Do NOT write an answer on a text on which you have already commented in question 2.

a) ‘This kyng lay at Camylot upon Cristmasse...

With rich revel aryght and rechles mirthes.’ (SGGK, 37-40) What is the role of ‘mirthe’ in Sir Gawain and the Green Knight?

b) What is the difference between female power and male power in Sir Gawain and

the Green Knight? What are the consequences of this difference for the poem?

c) Chaucer gives us many examples of marriage in his Canterbury Tales, but shows us relatively few children. Examine the role of procreation and the family in any TWO of the Tales.

d) Examine the presentation of social aspiration in any TWO of The Canterbury Tales.

_________________________________________________________________________ 4. Write an essay in answer to ONE of the following questions (32 marks; approx. one hour).

Do NOT write an answer on a text on which you have already commented in question 2. (Continued)

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EN1210

a) In Utopia Thomas More create an imaginary commonwealth which is clearly far from ideal in some respects. Why does he do so?

b) The powerful intensity of Wyatt’s poetry derives from the fact that neither audience nor poet is permitted to stand at a comfortable distance from the speaker (Greenblatt, adapted). Do you agree with this judgement?

c) Sidney’s Astrophil and Stella was the work of England’s first theorist of English vernacular poetry. Are Sidney’s theoretical positions prominent in his sonnets?

d) ‘We hate poetry that has a palpable design upon us’ (Keats, 1818). Spenser’s Faerie Queene has just such designs upon its readers. What does Spenser want to do to his readers, and how does he deal with their resistance?

e) In Shakespeare’s Venus and Adonis and Marlowe’s Hero and Leander, the pagan gods are shown as voraciously, even violently, sexual. Why do these poets present them in this way? Your answer may refer to Venus and Adonis OR to Hero and Leander, or to BOTH poems.

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(End)