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Medea Hell hath no fury like a woman scorned

Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

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Page 1: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Medea

Hell hath no fury like a woman scorned

Page 2: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Conflicts in Play

• Husband• Man• Citizen

• Wife• Woman• Foreigner

Page 3: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Vocabulary

• Machiavel• Xenophobe• Misogynist• Pragmatist• Regicide• Infanticide• Patricide• Fratricide

Page 4: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

The Paradox of Revenge

Page 5: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Revenge

• Revenge is both poetic justice and bloody justice

• The revenge figure is a sign of the movement towards the destruction of chaos and a sign of chaos itself

Page 6: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

AliveDeath Wish

Page 7: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

AliveUnforgiven

Page 8: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

DeadA Man on Fire

Page 9: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

AliveThe Brave One

Page 10: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

DeadDeath Sentence

Page 11: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

DeadLaw Abiding Citizen

Page 12: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Alive

Page 13: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

The Equalizer

http://www.equalizerthemovie.com/

Page 14: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Revenge• Is feelings disguised as duty• The revenge figure moves outside the society’s code of behavior• What the revenger wants is itself a paradox: natural justice, a code

of feeling aligned with a code of civilization• The revenger’s refusal or inability to go to the law puts him outside

the social bonds that prompt his desire for revenge• He is a sign of chaos and a movement toward the destruction of

chaos• This is typically why the revenge figure must die• The restoration of order requires the extinction of anti-social

elements

Page 15: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Beware of Binary Opposites

• Greek• Reason• Rational• New Yorkers

• Barbarian• Passion• Superstitious• Southerners

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Page 17: Medea Hell hath no fury like a woman scorned. Conflicts in Play Husband Man Citizen Wife Woman Foreigner

Study GuideMedea

• Compare Jason to other heroes you have studied. Does he seem heroic? What is virtuous or sleazy about him? What specifically has he done wrong? What motivates Jason?

• This is still one of the most controversial plays ever written, with its evocations of women’s rights and Medea’s choice of infanticide. Consider carefully what you think of its awesome heroine. Pay close attention to how and when she makes the decision to kill her children.

• Does Medea remind you of other women in myth? The audience would expect her to be a witch; does Euripides fulfill those expectations, or does he present a less than demonic woman?

• Euripides, as Sophocles once said, drew men as they are, not as they ought to be. Do you agree? In what ways are his characters, plots, and actions more realistic?

• Medea’s great speech is stunningly modern in its account of the injustices done to women in patriarchal societies. Medea may seem at times a frightening character, but compare her real ethical concerns with the rather shallow and scheming plans of Creon and Jason. Do you see any significance in the namelessness of her rival?

• Consider the curious scene with Aegeus. Who is he and what is he doing there? What does the curious oracle given to him mean?

• At the end of the play, where is Medea? What impact does her position have?