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M A S T E R I N G A R P E G G I O S 3F O R S E R I O U S L Y S E R I O U S G U I T A R I S T S
DVD
× × × × THE ULTIMATE DVD GUIDE! × × × ×
M A S T E R I N G
A DELUXE CRASH COURSE IN GUITAR THEORY!
ARPEGGIOS 3
M A S T E R I N G A R P E G G I O S 3
M A S T E R I N G A R P E G G I O S 3
× MASTERING ARPEGGIOS 3 ×
CHAPTER 1 Review of the Primary Triad and Seventh-chord Arpeggio Qualities
FIGURES 1-5
CHAPTER 2 G Major Seven and Minor Major-seven Arpeggios in Positions
FIGURES 6-83
CHAPTER 3 G Major Seven Flat-five and Sharp-five Arpeggios in Positions
FIGURES 84-137
CHAPTER 4 G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions
FIGURES 138-169
CHAPTER 5 G Dominant Seven Sus4 Arpeggios in Positions
FIGURES 170-190
CHAPTER 6 Two-notes-per-string Patterns
FIGURES 191-198
CHAPTER 7 E Harmonic Minor Diatonic Seventh-chord Arpeggios
FIGURES 199-213
CHAPTER 8 E Melodic Minor Diatonic Seventh-chord Arpeggios
FIGURES 214-228
CHAPTER 9 Interval Patterns
FIGURES 229-232
CHAPTER 10 Bonus! Classical Performance Piece
FIGURE 233
A DELUXE CRASH COURSE IN GUITAR THEORY!
M A S T E R I N G A R P E G G I O S 3
M A S T E R I N G A R P E G G I O S 3
Chapter 1Review of the Primary Triad and Seventh-chord Arpeggio Qualities
GFIGURE 1 the four primary triad arpeggio qualities, played up and down one string
Gm
3 3 3 3
Gdim G
3 3 3 3
0 4 7 0 4 7 0 3 7 0 3 7 0 3 6 0 3 6 0 4 7 0 4 7
Gaug G
3 3 3 3
0 4 8 0 4 8 0 4 7 0 4 7 0
GFIGURE 2 same arpeggios, with the octave root note included
Gm
3 3 3 3
Gdim G
3 3 3 3
0 4 7 12 7 4 0 3 7 12 7 3 0 3 6 12 6 3 0 4 7 12 7 4
Gaug G
3 3 3 3
0 4 8 12 8 4 0 4 7 12 7 4 0
GFIGURE 3 same arpeggios, played in a single position, minus the octave root note
Gm
3 3 3 3
Gdim G
3 3 3 3
Gaug G
3 3 3 3
543
543
533
533
532
532
543
543
54
4
544
54
3
54
3
5
CHAPTER 1 Review of the Primary Triad
and Seventh-chord Arpeggio QualitiesFIGURES 1-5
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 4 the five primary seventh-chord arpeggios, in descending order of brightness
G7 Gm7 Gm7 5
0 4 7 11 12 11 7 4 0 4 7 10 12 10 7 4 0 3 7 10 12 10 7 3 0 3 6 10 12 10 6 3
Gdim7 Gmaj7
0 3 6 9 12 9 6 3 0 4 7 11 12 11 7 4 0
Gmaj7FIGURE 5 same arpeggios, played in position, minus the octave root note
G7 Gm7 Gm7 5 Gdim7 Gmaj7
5432
5432
5431
5431
5331
5331
5321
5321
5320
5320
5432
5432
5
M A S T E R I N G A R P E G G I O S 3
Chapter 2G Major Seven and Minor Major-seven Arpeggios in Positions
Gmaj7FIGURE 6 Gmaj7 and Gm(maj7) arpeggios, played up and down one string
Gm(maj7) Gmaj7
0 4 7 11 12 11 7 4 0 3 7 11 12 11 7 3 0 4 7 11 12 11 7 4 0
Gmaj7FIGURE 7 same arpeggios, played in position, minus the octave root note
Gm(maj7) Gmaj7
54
32
54
32
53
32
53
32
54
32
54
32
5
Gmaj7FIGURE 8 Gmaj7 and Gm(maj7) arpeggios in two octaves, fourth position
Gm(maj7)
3 75
4 54 7
73 7 3
77 4
5 45
7 3 65
4 53 7
73 6 3
77 3
Gmaj7 Gm(maj7) Gmaj7
5 456 3 7
54 5
4 773 7 3
77 4
5 457 3 6
54 5
3 773 6 3
77 3
5 456 3
Gmaj7FIGURE 9 same pattern, minus the top note
Gm(maj7) Gmaj7
3 754 5
4 77377 4
5 457 3 6
54 5
3 77
37
7 35 4
56 3
CHAPTER 2 G Major Seven and Minor Major-seven
Arpeggios in PositionsFIGURES 6-83
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 10 same pattern, minus the bottom note
Gm(maj7) Gmaj7
754 5
4 773 7 3
77 4
5 45
65
4 53 7
73 6 3
77 3
5 45
7
Gmaj7FIGURE 11 eight-note "alternate-picking cell" on the A, D and G strings
Gm(maj7) Gmaj7
54 5
4 7 45 4
54 5
4 7 45 4
54 5
3 7 35 4
54 5
3 7 35 4
5
Gmaj7FIGURE 12 same pattern, starting on the top note
Gm(maj7) Gmaj7
7 45 4
54 5
4 7 45 4
54 5
4 7 35 4
54 5
3 7 35 4
54 5
3 7
Gmaj7FIGURE 13 six-note triplet variation
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
54 5
45 4
54 5
45 4
54 5
35 4
54 5
35 4
5
Gmaj7FIGURE 14 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
45 4
54 5
45 4
54 5
35 4
54 5
35 4
54 5
4
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 15 Gmaj7 and Gm(maj7) arpeggios in two octaves, sixth position
Gm(maj7) Gmaj7
75 9
5 977 8
78 7
79 5
9 56
5 95 8
77 8
68 7
78 5
9 57
Gmaj7FIGURE 16 eight-note "alternate-picking cell" on the bottom three strings
Gm(maj7) Gmaj7
75 9
5 9 59 5
75 9
5 9 59 5
65 9
5 8 59 5
65 9
5 8 59 5
7
Gmaj7FIGURE 17 same pattern, starting on the top note
Gm(maj7) Gmaj7
9 59 5
75 9
5 9 59 5
75 9
5 8 59 5
65 9
5 8 59 5
65 9
5 9
Gmaj7FIGURE 18 six-note variation
3 3 3 3Gm(maj7)
3 3 3 3Gmaj7
75 9
59 5
75 9
59 5
65 9
59 5
65 9
59 5
7
Gmaj7FIGURE 19 same pattern, starting on the top note
3 3 3 3Gm(maj7)
3 3 3 3Gmaj7
59 5
75 9
59 5
75 9
59 5
65 9
59 5
65 9
5
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 20 higher triplet variation, on the A and D strings only
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
9 59 5 9
5 9 59 5 9
5 8 59 5 9
5 8 59 5 9
5 9
Gmaj7FIGURE 21 same pattern, starting on the bottom note
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
5 95 9 5
9 5 95 9 5
9 5 95 8 5
9 5 95 8 5
9 5
Gmaj7FIGURE 22 Gmaj7 and Gm(maj7) arpeggios in two octaves, seventh position
Gm(maj7)
7 109 10
97
7 87 10 7
8 77910 9
10 6 109 10
87
7 86 10 6
8 77
Gmaj7 Gm(maj7) Gmaj7
810 9
10 7109 10
977 8
7 10 78 7
7910 9
10 6 109 10
87
7 86 10 6
8 77810 9
10 7
Gmaj7FIGURE 23 same pattern, minus the top note
Gm(maj7) Gmaj7
7 109 10
977 8
78 7
7910 9
10 6 109 10
87
7 86
8 77
810 9
10 7
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 24 same pattern, minus the bottom note
Gm(maj7) Gmaj7
109 10
977 8
7 10 78 7
7910 9
109 10
87
7 86 10 6
8 77
810 9
10
Gmaj7FIGURE 25 six-note "alternate-picking cell" on the top two strings
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
7 87 10 7
8 7 87 10 7
8 7 86 10 6
8 7 86 10 6
8 7
Gmaj7FIGURE 26 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
10 78 7 8
7 10 78 7 8
7 10 68 7 8
6 10 68 7 8
6 10
Gmaj7FIGURE 27 16th-note variation, descending only (four-note "cell")
Gm(maj7) Gmaj7
10 78 7
10 78 7
10 78 7
10 78 7
10 68 7
10 68 7
10 68 7
10 68 7
10
Gmaj7FIGURE 28 Gmaj7 and Gm(maj7) arpeggios in two octaves, ninth position
Gm(maj7) Gmaj7
109 10
9 121112
12101212 11
12 910 9
109 10
8 1211 12
1110
1112 11
12 810 9
10
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 29 eight-note "alternate picking cell" on the bottom three strings
Gm(maj7) Gmaj7
109 10
9 12 910 9
109 10
9 12 910 9
109 10
8 12 810 9
109 10
8 12 810 9
10
Gmaj7FIGURE 30 same pattern, starting on the top note
Gm(maj7) Gmaj7
12 910 9
109 10
9 12 910 9
109 10
9 12 810 9
109 10
8 12 810 9
109 10
8 12
Gmaj7FIGURE 31 six-note variation
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
109 10
910 9
109 10
910 9
109 10
810 9
109 10
810 9
10
FIGURE 32 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
910 9
109 10
910 9
109 10
810 9
109 10
810 9
109 10
9
Gmaj7FIGURE 33 eight-note "alternate-picking cell" on the A, D and G strings
Gm(maj7) Gmaj7
9 109 12
1112 9
10 9 109 12
1112 9
10 9 108 12
1112 8
10 9 108 12
1112 8
10 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 34 same pattern, starting on the top note
Gm(maj7) Gmaj7
1112 9
10 9 109 12
1112 9
10 9 109 12
1112 8
10 9 108 12
1112 8
10 9 108 12
11
Gmaj7FIGURE 35 six-note variation, using only the notes on the A and D strings
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
9 109 12 9
10 9 109 12 9
10 9 108 12 8
10 9 108 12 8
10 9
Gmaj7FIGURE 36 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
12 910 9 10
9 12 910 9 10
9 12 810 9 10
8 12 810 9 10
8 12
Gmaj7FIGURE 37 higher eight-note cell on the A, D and G strings
Gm(maj7) Gmaj7
109 12
11 12 1112 9
109 12
11 12 1112 9
108 12
11 12 1112 8
108 12
11 12 1112 8
10
Gmaj7FIGURE 38 same pattern, starting on the top note (not demonstrated in video)
Gm(maj7) Gmaj7
12 1112 9
109 12
11 12 1112 9
109 12
11 12 1112 8
108 12
11 12 1112 8
108 12
11 12
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 39 six-note variation
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
109 12
1112 9
109 12
1112 9
108 12
1112 8
108 12
1112 8
10
Gmaj7FIGURE 40 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1112 9
109 12
1112 9
109 12
1112 8
108 12
1112 8
108 12
11
Gmaj7FIGURE 41 higher variation, using only the notes on the D and G strings
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
9 1211 12 11
12 9 1211 12 11
12 8 1211 12 11
12 8 1211 12 11
12 9
Gmaj7FIGURE 42 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
12 1112 9 12
11 12 1112 9 12
11 12 1112 8 12
11 12 1112 8 12
11 12
Gmaj7FIGURE 43 Gmaj7 and Gm(maj7) arpeggios in two octaves, 11th position
Gm(maj7)
10 1410 14
1211 12
1210 14 10
1212 11
1214 10
14 10 1410 13
1211 12
1110 14 10
1112 11
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7
1213 10
14 10141014
1211 12
1210 1410
1212 11
1214 10
14 10 1410 13
1211 12
1110 14 10
1112 11
1213 10
14 10
Gmaj7FIGURE 44 same pattern, minus the top note
Gm(maj7) Gmaj7
10141014
121112
12101212 11
121410
14 10 1410 13
1211 12
1110
1112 11
1213 10
14 10
Gmaj7FIGURE 45 same pattern, minus the bottom note
Gm(maj7) Gmaj7
141014
1211 12
12101410
1212 11
1214 10
1410 13
1211 12
1110 14 10
1112 11
1213 10
14
Gmaj7FIGURE 46 eight-note "alternate picking cell" on the bottom three strings
Gm(maj7) Gmaj7
10141014
121410
1410141014
121410
14 10 1410 13
1213 10
14 10 1410 13
1213 10
14 10
Gmaj7FIGURE 47 same pattern, starting on the top note
Gm(maj7) Gmaj7
121410
1410 141014
1214 10
14101410 14
1213 10
14 10 1410 13
1213 10
14 10 1410 13
12
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 48 six-note variation, using only the notes on the bottom two strings
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
10 1410 14 10
14 10 1410 14 10
14 10 1410 13 10
14 10 1410 13 10
14 10
Gmaj7FIGURE 49 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
14 1014 10 14
10 14 1014 10 14
10 13 1014 10 14
10 13 1014 10 14
10 14
Gmaj7FIGURE 50 higher variation on the bottom three strings
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
1410 14
1214 10
1410 14
1214 10
1410 13
1213 10
1410 13
1213 10
14
Gmaj7FIGURE 51 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1214 10
1410 14
1214 10
1410 14
1213 10
1410 13
1213 10
1410 13
12
Gmaj7FIGURE 52 Gmaj7 and Gm(maj7) arpeggios in two octaves, 13th position
Gm(maj7)
14 1514
12 1612 16
1514 15 14
1516 12
16 1214
15 14 1513
12 1612 15
1514 15 14
1515 12
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gm(maj7) Gmaj7
16121315 1415
1412 16
12 161514 1514
1516 12
16 121415 14 15
1312 16
12 151514 15 14
1515 12
16 121315 14
Gmaj7FIGURE 53 same pattern, minus the top note
Gm(maj7) Gmaj7
1415141216
12161514151612
16121415 14 15
1312 16
12 1515
1415
15 1216 12
1315 14
Gmaj7FIGURE 54 same pattern, minus the bottom note
Gm(maj7) Gmaj7
15141216
12 1615141514
151612
161214
1513
12 1612 15
1514 15 14
1515 12
16 1213
15
Gmaj7FIGURE 55 same complete shape, shifted down 12 frets and one octave, to first position
Gm(maj7)
2 32
0 40 4
32 3 2
34 0
4 02
3 2 31
0 40 3
32 3 2
33 0
Gmaj7 Gm(maj7) Gmaj7
4 013 2 3
20 4
0 432 3 2
34 0
4 023 2 3
10 4
0 332 3 2
33 0
4 01
3 2
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 56 same pattern, minus the top note
Gm(maj7) Gmaj7
2 320 4
0 43234 0
4 023 2 3
10 4
0 33
23
3 04 0
13 2
Gmaj7FIGURE 57 same pattern, minus the bottom note
Gm(maj7) Gmaj7
320 4
0 432 3 2
34 0
4 02
31
0 40 3
32 3 2
33 0
4 01
3
Gmaj7FIGURE 58 eight-note "alternate-picking cell" on the A, D and G strings
Gm(maj7) Gmaj7
20 4
0 4 04 0
20 4
0 4 04 0
10 4
0 3 04 0
10 4
0 3 04 0
2
Gmaj7FIGURE 59 same pattern, starting on the top note
Gm(maj7) Gmaj7
4 04 0
20 4
0 4 04 0
20 4
0 3 04 0
10 4
0 3 04 0
10 4
0 4
Gmaj7FIGURE 60 same pattern, one octave and 12 frets higher, in 13th position
Gm(maj7) Gmaj7
16121612
141216
1216121612
141216
12 15 1216 12
1312 16
12 15 1216 12
1312 16
12 16
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 61 same pattern, starting on the bottom note
Gm(maj7) Gmaj7
141216
1216 121612
1412 16
12161216 12
1312 16
12 15 1216 12
1312 16
12 15 1216 12
14
Gmaj7FIGURE 62 six-note variation
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1412 16
1216 12
1412 16
1216 12
1312 16
1216 12
1312 16
1216 12
14
Gmaj7FIGURE 63 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1216 12
1412 16
1216 12
1412 16
1216 12
1312 16
1216 12
1312 16
12
Gmaj7FIGURE 64 same pattern, shifted down 12 frets and one octave, to first position
3 3 3 3Gm(maj7)
3 3 3 3Gmaj7
04 0
20 4
04 0
20 4
04 0
10 4
04 0
10 4
0
Gmaj7FIGURE 65 same pattern, starting on the bottom note
3 3 3 3Gm(maj7)
3 3 3 3Gmaj7
20 4
04 0
20 4
04 0
10 4
04 0
10 4
04 0
2
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 66 higher six-note pattern, on the D and G strings only
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
0 40 4 0
4 0 40 4 0
4 0 40 3 0
4 0 40 3 0
4 0
Gmaj7FIGURE 67 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
4 04 0 4
0 4 04 0 4
0 3 04 0 4
0 3 04 0 4
0 4
Gmay7FIGURE 68 same pattern, one octave and 12 frets higher, in 13th position
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
16 1216 12 16
12 16 1216 12 16
12 15 1216 12 16
12 15 1216 12 16
12 16
Gmaj7FIGURE 69 same pattern, starting on the bottom note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
12 1612 16 12
16 12 1612 16 12
16 12 1612 15 12
16 12 1612 15 12
16 12
Gmaj7FIGURE 70 higher variation on the D, G and B strings
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1612 16
1516 12
1612 16
1516 12
1612 15
1515 12
1612 15
1515 12
16
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 71 same pattern, starting on the top note
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
1516 12
1612 16
1516 12
1612 16
1515 12
1612 15
1515 12
1612 15
15
Gmaj7FIGURE 72 same pattern, one octave and 12 frets lower, in first position
3 3 3 3
Gm(maj7)
3 3 3 3
Gmaj7
34 0
40 4
34 0
40 4
33 0
40 3
33 0
40 3
3
Gmaj7FIGURE 73 same pattern, starting on the bottom note
3 3 3 3 Gm(maj7)3 3 3 3 Gmaj7
40 4
34 0
40 4
34 0
40 3
33 0
40 3
33 0
4
Gmaj7FIGURE 74 Gmaj7 and Gm(maj7) arpeggios in two octaves, 14th position
Gm(maj7)
14 1514 17
16 17161514 15 14
151617 16
17 1415 14 15
13 1716 17
1515
14 15 1415
1517
Gmaj7 Gm(maj7) Gmaj7
1617 13
15 14151417
1617161514 1514
151617 16
17 1415 14 15
13 1716 17
151514 15 14
151517 16
17 1315 14
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 75 same pattern, one octave and 12 frets lower, in second position
Gm(maj7)
2 32 5
4 54
32 3 2
34
5 45 2
3 2 31 5
4 53
32 3 2
33
5
Gmaj7 Gm(maj7) Gmaj7
45 1
3 2 32 5
4 5432 3 2
345 4
5 23 2 3
1 54 5
332 3 2
335 4
5 13 2
Gmaj7FIGURE 76 eight-note "alternating picking cell" on the bottom three strings
Gm(maj7) Gmaj7
2 32 5
45 2
3 2 32 5
45 2
3 2 31 5
45 1
3 2 31 5
45 1
3 2
Gmaj7FIGURE 77 same pattern, starting on the top note
Gm(maj7) Gmaj7
45 2
3 2 32 5
45 2
3 2 32 5
45 1
3 2 31 5
45 1
3 2 31 5
4
Gmaj7FIGURE 78 same pattern, one octave and 12 frets higher, in 14th position
Gm(maj7) Gmaj7
161714
1514 151417
1617 14
15141514 17
1617 13
15 14 1513 17
1617 13
15 14 1513 17
16
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 79 same pattern, starting on the bottom note
Gm(maj7) Gmaj7
14151417
161714
1514151417
161714
15 14 1513 17
1617 13
15 14 1513 17
1617 13
15 14
Gmaj7FIGURE 80 slightly higher pattern, starting on the second note
Gm(maj7) Gmaj7
151417
1617 161714
1514 17
16171617 14
1513 17
16 17 1617 13
1513 17
16 17 1617 13
15
Gmaj7FIGURE 81 same pattern, starting on the top note
Gm(maj7) Gmaj7
17161714
151417
1617161714
151417
16 17 1617 13
1513 17
16 17 1617 13
1513 17
16 17
Gmaj7FIGURE 82 same pattern, one octave and 12 frets lower, in second position
Gm(maj7) Gmaj7
5 45 2
32 5
4 5 45 2
32 5
4 5 45 1
31 5
4 5 45 1
31 5
4 5
Gmaj7FIGURE 83 same pattern, starting on the bottom note
Gm(maj7) Gmaj7
32 5
4 5 45 2
32 5
4 5 45 2
31 5
4 5 45 1
31 5
4 5 45 1
3
M A S T E R I N G A R P E G G I O S 3
Chapter 3G Major Seven Flat-five and Sharp-five Arpeggios in Positions
Gmaj7FIGURE 84 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios, played up and down one string
Gmaj7b5
0 4 7 11 12 11 7 4 0 4 7 11 12 11 7 4 0 4 6 11 12 11 6 4 0 4 6 11 12 11 6 4
Gmaj7 Gmaj7 #5 Gmaj7
0 4 7 1112 11 7 4 0 4 7 11 12 11 7 4 0 4 8 11 12 11 8 4 0 4 8 11 12 11 8 4 0
Gmaj7FIGURE 85 same arpeggios, played in position (minus the octave root note)
Gmaj7b5 Gmaj7 Gmaj7 #5 Gmaj7
5432
5432
5422
5422
54
32
54
32
54
42
54
42
5432
Gmaj7FIGURE 86 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, fourth position
Gmaj7b5
3 75
4 54 7
73 7 3
77 4
5 45
7 3 74
4 54 6
73 7 3
76 4
Gmaj7 Gmaj7 #5 Gmaj7
5 447 3 7
54 5
4 773 7 3
77 4
5 457 3 7
64 5
44 7
3 7 37 4
45 4
67 3
CHAPTER 3 G Major Seven Flat-five and
Sharp-five Arpeggios in PositionsFIGURES 84-137
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 87 same pattern, minus the top note
Gmaj7b5
3 75
4 54 7
73
77 4
5 45
7 3 74
4 54 6
73
76 4
5 44
7
Gmaj7 Gmaj7 #5 Gmaj7
3 754 5
4 77377 4
5 457 3 7
64 5
44 7
37 4
45 4
67 3
Gmaj7FIGURE 88 same pattern, minus the bottom note
Gmaj7b5
75
4 54 7
73 7 3
77 4
5 45
74
4 54 6
73 7 3
76 4
5 44
Gmaj7 Gmaj7 #5 Gmaj7
754 5
4 773 7 3
77 4
5 45
76
4 54
4 73 7 3
7 44
5 46
7
Gmaj7FIGURE 89 eight-note "alternate-picking cell" on the A, D and G strings
Gmaj7b5
54 5
4 7 45 4
54 5
4 7 45 4
44 5
4 6 45 4
44 5
4 6 45 4
Gmaj7 Gmaj7 #5 Gmaj7
54 5
4 7 45 4
54 5
4 7 45 4
64 5
4 8 45 4
64 5
4 8 45 4
5
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 90 same pattern, starting on the top note
Gmaj7b5
7 45 4
54 5
4 7 45 4
54 5
4 6 45 4
44 5
4 6 45 4
44 5
4
Gmaj7 Gmaj7 #5
7 45 4
54 5
4 7 45 4
54 5
4 8 45 4
64 5
4 8 45 4
64 5
4 7
Gmaj7FIGURE 91 six-note triplet variation
3 3 3 3 Gmaj7b53 3 3 3
54 5
45 4
54 5
45 4
44 5
45 4
44 5
45 4
Gmaj73 3 3 3 Gmaj7 #5
3 3 3 3 Gmaj7
54 5
45 4
54 5
45 4
64 5
45 4
64 5
45 4
5
Gmaj7FIGURE 92 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
45 4
54 5
45 4
54 5
45 4
44 5
45 4
44 5
M A S T E R I N G A R P E G G I O S 3
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
45 4
54 5
45 4
54 5
45 4
64 5
45 4
64 5
4
Gmaj7FIGURE 93 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, sixth position
Gmaj7b5
75 9
5 977 8
78 7
79 5
9 57
4 95 9
67 8
78 7
69 5
9 4
Gmaj7 Gmaj7 #5 Gmaj7
75 9
5 977 8
78 7
79 5
9 57
6 95 9
87 8
78 7
89 5
9 67
Gmaj7FIGURE 94 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, seventh position
Gmaj7b5
7 109 10
977 8
7 10 78 7
7910 9
9 7 99 10
96
7 87 9 7
8 76
Gmaj7 Gmaj7 #5 Gmaj7
910 9
9 7 109 10
977 8
7 10 78 7
7910 9
10 7 119 10
987 8
7 11 78 7
8910 9
11 7
Gmaj7FIGURE 95 same pattern, minus the top note
Gmaj7b5
7 109 10
977 8
78 7
7910 9
10 7 99 10
96
7 87
8 76
910 9
9
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
7 109 10
977 8
78 7
7910 9
10 7 119 10
98
7 87
8 78
910 9
11 7
Gmaj7FIGURE 96 same pattern, minus the bottom note
Gmaj7b5
109 10
977 8
7 10 78 7
7910 9
99 10
96
7 87 9 7
8 76
910 9
Gmaj7 Gmaj7 #5 Gmaj7
109 10
977 8
7 10 78 7
7910 9
119 10
98
7 87 11 7
8 78
910 9
10
Gmaj7FIGURE 97 six-note "alternate-picking cell" on the top two strings
3 3 3 3
Gmaj7b5
3 3 3 3
7 87 10 7
8 7 87 10 7
8 7 87 9 7
8 7 87 9 7
8
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
7 87 10 7
8 7 87 10 7
8 7 87 11 7
8 7 87 11 7
8 7
Gmaj7FIGURE 98 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
10 78 7 8
7 10 78 7 8
7 9 78 7 8
7 9 78 7 8
7
M A S T E R I N G A R P E G G I O S 3
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
10 78 7 8
7 10 78 7 8
7 11 78 7 8
7 11 78 7 8
7 10
Gmaj7FIGURE 99 16th-note variation, descending only (four-note "cell")
Gmaj7b5
10 78 7
10 78 7
10 78 7
10 78 7
9 78 7
9 78 7
9 78 7
9 78 7
Gmaj7 Gmaj7 #5 Gmaj7
10 78 7
10 78 7
10 78 7
10 78 7
11 78 7
11 78 7
11 78 7
11 78 7
10
Gmaj7FIGURE 100 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, ninth position
Gmaj7b5
109 10
9 1211 12
121012
12 1112 9
10 99
9 109 11
11 1212
912
12 1111 9
10 9
Gmaj7 Gmaj7 #5 Gmaj7
109 10
9 121112
12101212 11
12 910 9
119 10
9 1311 12
1211
1212 11
13 910 9
10
Gmaj7FIGURE 101 eight-note "alternate picking cell" on the bottom three strings
Gmaj7b5
109 10
9 12 910 9
109 10
9 12 910 9
99 10
9 11 910 9
99 10
9 11 910 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
109 10
9 12 910 9
109 10
9 12 910 9
119 10
9 13 910 9
119 10
9 13 910 9
10
Gmaj7FIGURE 102 same pattern, starting on the top note
Gmaj7b5
12 910 9
109 10
9 12 910 9
109 10
9 11 910 9
99 10
9 11 910 9
99 10
9
Gmaj7 Gmaj7 #5 Gmaj7
12 910 9
109 10
9 12 910 9
109 10
9 13 910 9
119 10
9 13 910 9
119 10
9 12
Gmaj7FIGURE 103 six-note variation
3 3 3 3 Gmaj7b53 3 3 3
109 10
910 9
109 10
910 9
99 10
910 9
99 10
910 9
Gmaj73 3 3 3 Gmaj7 #5
3 3 3 3 Gmaj7
109 10
910 9
109 10
910 9
119 10
910 9
119 10
910 9
10
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 104 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
910 9
109 10
910 9
109 10
910 9
99 10
910 9
99 10
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
910 9
109 10
910 9
109 10
910 9
119 10
910 9
119 10
9
Gmaj7FIGURE 105 eight-note "alternate-picking cell" on the A, D and G strings
Gmaj7b5
9 109 12
1112 9
10 9 109 12
1112 9
10 9 109 11
1111 9
10 9 109 11
1111 9
10
Gmaj7 Gmaj7 #5 Gmaj7
9 109 12
1112 9
10 9 109 12
1112 9
10 9 109 13
1113 9
10 9 109 13
1113 9
10 9
Gmaj7FIGURE 106 same pattern, starting on the top note
Gmaj7b5
1112 9
10 9 109 12
1112 9
10 9 109 12
1111 9
10 9 109 11
1111 9
10 9 109 11
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
1112 9
10 9 109 12
1112 9
10 9 109 12
1113 9
10 9 109 13
1113 9
10 9 109 13
11
Gmaj7FIGURE 107 six-note variation, using only the notes on the A and D strings
3 3 3 3 Gmaj7b53 3 3 3
9 109 12 9
10 9 109 12 9
10 9 109 11 9
10 9 109 11 9
10
Gmaj73 3 3 3 Gmaj7 #5
3 3 3 3 Gmaj7
9 109 12 9
10 9 109 12 9
10 9 109 13 9
10 9 109 13 9
10 9
Gmaj7FIGURE 108 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
12 910 9 10
9 12 910 9 10
9 11 910 9 10
9 11 910 9 10
9
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
12 910 9 10
9 12 910 9 10
9 13 910 9 10
9 13 910 9 10
9 12
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 109 higher eight-note cell on the A, D and G strings
Gmaj7b5
109 12
11 12 1112 9
109 12
11 12 1112 9
109 11
11 12 1111 9
109 11
11 12 1111 9
Gmaj7 Gmaj7 #5 Gmaj7
109 12
11 12 1112 9
109 12
11 12 1112 9
109 13
11 12 1113 9
109 13
11 12 1113 9
10
Gmaj7FIGURE 110 same pattern, starting on the top note
Gmaj7b5
12 1112 9
109 12
11 12 1112 9
109 12
11 12 1111 9
109 11
11 12 1111 9
109 11
11
Gmaj7 Gmaj7 #5 Gmaj7
12 1112 9
109 12
11 12 1112 9
109 12
11 12 1113 9
109 13
11 12 1113 9
109 13
11 12
Gmaj7FIGURE 111 six-note variation
3 3 3 3
Gmaj7b5
3 3 3 3
109 12
1112 9
109 12
1112 9
109 11
1111 9
109 11
1111 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
109 12
1112 9
109 12
1112 9
109 13
1113 9
109 13
1113 9
10
Gmaj7FIGURE 112 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
1112 9
109 12
1112 9
109 12
1111 9
109 11
1111 9
109 11
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
1112 9
109 12
1112 9
109 12
1113 9
109 13
1113 9
109 13
11
Gmaj7FIGURE 113 higher variation, using only the notes on the D and G strings
3 3 3 3
Gmaj7b5
3 3 3 3
9 1211 12 11
12 9 1211 12 11
12 9 1111 12 11
11 9 1111 12 11
11
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
9 1211 12 11
12 9 1211 12 11
12 9 1311 12 11
13 9 1311 12 11
13 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 114 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
12 1112 9 12
11 12 1112 9 12
11 12 1111 9 11
11 12 1111 9 11
11
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
12 1112 9 12
11 12 1112 9 12
11 12 1113 9 13
11 12 1113 9 13
11 12
Gmaj7FIGURE 115 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 11th position
Gmaj7b5
10 1410 14
1211 12
1210 14 10
1212 11
1214 10
14 9 1410 14
1111 12
129 14 9
1212 11
Gmaj7 Gmaj7 #5 Gmaj7
111410
1410141014
121112
12101410
1212 11
1214 10
14 11 1410 14
1311 12
1211 14 11
1212 11
1314 10
14 10
Gmaj7FIGURE 116 same pattern, minus the top note
Gmaj7b5
10 1410 14
1211 12
121012
12 111214 10
14 9 1410 14
1111 12
129
1212 11
1114 10
14
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
10141014
121112
12101212 11
121410
14 11 1410 14
1311 12
1211
1212 11
1314 10
14 10
Gmaj7FIGURE 117 same pattern, minus the bottom note
Gmaj7b5
1410 14
1211 12
1210 14 10
1212 11
1214 10
1410 14
1111 12
129 14 9
1212 11
1114 10
Gmaj7 Gmaj7 #5 Gmaj7
141014
121112
1210 1410
1212 11
1214 10
1410 14
1311 12
1211 14 11
1212 11
1314 10
14
Gmaj7FIGURE 118 eight-note "alternate picking cell" on the bottom three strings
Gmaj7b5
10 1410 14
1214 10
14 10 1410 14
1214 10
14 9 1410 14
1114 10
14 9 1410 14
1114 10
14
Gmaj7 Gmaj7 #5 Gmaj7
10141014
121410
14 10141014
121410
14 11 1410 14
1314 10
14 11 1410 14
1314 10
14 10
Gmaj7FIGURE 119 same pattern, starting on the top note
Gmaj7b5
1214 10
14 10 1410 14
1214 10
14 10 1410 14
1114 10
14 9 1410 14
1114 10
14 9 1410 14
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
121410
14 10141014
121410
14 101410 14
1314 10
14 11 1410 14
1314 10
14 11 1410 14
12
Gmaj7FIGURE 120 six-note variation, using only the notes on the bottom two strings
3 3 3 3 Gmaj7b53 3 3 3
10 1410 14 10
14 10 1410 14 10
14 9 1410 14 10
14 9 1410 14 10
14
Gmaj73 3 3 3 Gmaj7 #5
3 3 3 3 Gmaj7
10 1410 14 10
14 10 1410 14 10
14 11 1410 14 10
14 11 1410 14 10
14 10
Gmaj7FIGURE 121 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
14 1014 10 14
10 14 1014 10 14
10 14 1014 9 14
10 14 1014 9 14
10
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
14 1014 10 14
10 14 1014 10 14
10 14 1014 11 14
10 14 1014 11 14
10 14
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 122 higher variation on the bottom three strings
3 3 3 3 Gmaj7b53 3 3 3
1410 14
1214 10
1410 14
1214 10
1410 14
1114 10
1410 14
1114 10
Gmaj73 3 3 3 Gmaj7 #5
3 3 3 3 Gmaj7
1410 14
1214 10
1410 14
1214 10
1410 14
1314 10
1410 14
1314 10
14
Gmaj7FIGURE 123 same pattern, starting on the top note
3 3 3 3
Gmaj7b5
3 3 3 3
1214 10
1410 14
1214 10
1410 14
1114 10
1410 14
1114 10
1410 14
Gmaj7
3 3 3 3
Gmaj7 #5
3 3 3 3
Gmaj7
1214 10
1410 14
1214 10
1410 14
1314 10
1410 14
1314 10
1410 14
12
Gmaj7FIGURE 124 Gmaj7, Gmaj7b5 and Gmaj7#5 arpeggios in two octaves, 13th position
Gmaj7b5
14 1514
12 1612 16
1514 15 14
1516 12
16 1214
15 14 1514
11 1612 16
1414 15 14
1416 12
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
161114151415
141216
121615141514
1516 12
16 121415 14 15
1413 16
12 161614 15 14
1616 12
16 131415 14
Gmaj7FIGURE 125 same pattern, minus the top note
Gmaj7b5
14 1514
12 1612 16
1514
1516 12
16 1214
15 14 1514
11 1612 16
1414
1416 12
16 1114
15
Gmaj7 Gmaj7 #5 Gmaj7
14151412 16
12161514151612
16121415 14 15
1413 16
12 1616
1416
16 1216 13
1415 14
Gmaj7FIGURE 126 same pattern, minus the bottom note
Gmaj7b5
151412 16
12 161514 15 14
1516 12
16 1214
1514
11 1612 16
1414 15 14
1416 12
16 1114
Gmaj7 Gmaj7 #5 Gmaj7
15141216
12161514 1514
1516 12
161214
1514
13 1612 16
1614 15 14
1616 12
16 1314
15
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 127 same shape, shifted down 12 frets and one octave, to first position
Gmaj7b5
2 32
0 40 4
32 3 2
34 0
4 02
3 2 32 4
40 4
22 3 2
24 0
Gmaj7 Gmaj7 #5 Gmaj7
44 2
3 2 320 4
0 432 3 2
34 0
4 023 2 3
21 4
0 442 3 2
44 0
4 123 2
Gmaj7FIGURE 128 same pattern, minus the top note
Gmaj7b5
2 32
0 40 4
32
34 0
4 02
3 2 32 4
40 4
22
24 0
44 2
3
Gmaj7 Gmaj7
2 320 4
0 43234 0
4 023 2 3
21 4
0 44
24
4 04 1
23 2
Gmaj7FIGURE 129 same pattern, minus the bottom note
Gmaj7b5
32
0 40 4
32 3 2
34 0
4 02
32 4
40 4
22 3 2
24 0
44 2
Gmaj7 Gmaj7 #5 Gmaj7
320 4
0 432 3 2
34 0
4 02
32
1 40 4
42 3 2
44 0
4 12
3
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 130 Gmaj7, Gmaj7b5 and Gmaj7 #5 arpeggios in two octaves, 14th position
Gmaj7b5
14 1514 17
16 17161514 15 14
151617 16
17 1415 14 15
14 1616 17
1614
14 15 1414
1617
Gmaj7 Gmaj7 #5 Gmaj7
161614
1514151417
16171615141514
151617 16
17 1415 14 15
14 1816 17
161614 15 14
161617 16
18 1415 14
Gmaj7FIGURE 131 same pattern, one octave and 12 frets lower, in second position
Gmaj7b5
2 32 5
4 54
32 3 2
34
5 45 2
3 2 32 4
4 54
22 3 2
24
5
Gmaj7 Gmaj7 #5 Gmaj7
44 2
3 2 32 5
4 5432 3 2
345 4
5 23 2 3
2 64 5
442 3 2
445 4
6 23 2
Gmaj7FIGURE 132 eight-note "alternating picking cell" on the bottom three strings
Gmaj7b5
2 32 5
45 2
3 2 32 5
45 2
3 2 32 4
44 2
3 2 32 4
44 2
3
M A S T E R I N G A R P E G G I O S 3
Gmaj7 Gmaj7 #5 Gmaj7
2 32 5
45 2
3 2 32 5
45 2
3 2 32 6
46 2
3 2 32 6
46 2
3 2
Gmaj7FIGURE 133 same pattern, starting on the top note
Gmaj7b5
45 2
3 2 32 5
45 2
3 2 32 5
44 2
3 2 32 4
44 2
3 2 32 4
Gmaj7 #5 Gmaj7
45 2
3 2 32 5
45 2
3 2 32 5
46 2
3 2 32 6
46 2
3 2 32 6
4
Gmaj7FIGURE 134 same pattern, one octave and 12 frets higher, in 14th position
Gmaj7b5
1617 14
15 14 1514 17
1617 14
15 14 1514 17
1616 14
15 14 1514 16
1616 14
15 14 1514 16
Gmaj7 Gmaj7 #5 Gmaj7
161714
15 14151417
161714
15 141514 17
1618 14
15 14 1514 18
1618 14
15 14 1514 18
16
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 135 same pattern, starting on the bottom note
Gmaj7b5
14 1514 17
1617 14
15 14 1514 17
1617 14
15 14 1514 16
1616 14
15 14 1514 16
1616 14
15
Gmaj7 Gmaj7 #5 Gmaj7
14151417
161714
15 14151417
161714
15 14 1514 18
1618 14
15 14 1514 18
1618 14
15 14
Gmaj7FIGURE 136 slightly higher pattern, starting on the second note
Gmaj7b5
1514 17
16 17 1617 14
1514 17
16 17 1617 14
1514 16
16 17 1616 14
1514 16
16 17 1616 14
Gmaj7 Gmaj7 #5 Gmaj7
151417
16 17161714
151417
16 171617 14
1514 18
16 17 1618 14
1514 18
16 17 1618 14
15
Gmaj7FIGURE 137 same pattern, one octave and 12 frets lower, in second position
Gmaj7b5
32 5
4 5 45 2
32 5
4 5 45 2
32 4
4 5 44 2
32 4
4 5 44 2
Gmaj7 Gmaj7 #5
32 5
4 5 45 2
32 5
4 5 45 2
32 6
4 5 46 2
32 6
4 5 46 2
3
M A S T E R I N G A R P E G G I O S 3
Chapter 4G Dominant Seven Flat-five and Sharp-five Arpeggios in Positions
G7FIGURE 138 G7, G7b5 and G7#5 arpeggios, played up and down one string
G7 5
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 6 10 12 10 6 4 0 4 6 10 12 10 6 4
G7 G7 #5 G7
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 4 8 10 12 10 8 4 0 4 8 10 12 10 8 4 0
G7FIGURE 139 same arpeggios, played in position (minus the octave root note)
G7 5 G7 G7 #5 G7
5431
5431
5421
5421
54
31
54
31
5441
54
41
5431
G7 5FIGURE 140 G7b5 and Db7b5: same notes
D 7 5
32 4
3 54 6
6 87 9
43 5
4 66 8
7 9
G7FIGURE 141 G7, G7b5 and G7#5 arpeggios in two octaves, fourth position
G7 5
3 75
3 54 7
63 7 3
67 4
5 35
7 3 74
3 54 6
63 7 3
66 4
CHAPTER 4 G Dominant Seven Flat-five and
Sharp-five Arpeggios in PositionsFIGURES 138-169
M A S T E R I N G A R P E G G I O S 3
G7 G7 #5 G7
5 347 3 7
53 5
4 763 7 3
67 4
5 357 3 7
63 5
44 6
3 7 36 4
45 3
67 3
G7FIGURE 142 same pattern, minus the top note
G7 5
3 75
3 54 7
63
67 4
5 35
7 3 74
3 54 6
63
66 4
5 34
7
G7 G7 #5 G7
3 75
3 54 7
63
67 4
5 35
7 3 76
3 54
4 63
6 44
5 36
7 3
G7FIGURE 143 same pattern, minus the bottom note
G7 5
75
3 54 7
63 7 3
67 4
5 35
74
3 54 6
63 7 3
66 4
5 34
G7 G7 #5 G7
75
3 54 7
63 7 3
67 4
5 35
76
3 54
4 63 7 3
6 44
5 36
7
G7FIGURE 144 eight-note "alternate-picking cell" on the A, D and G strings
G7 5
53 5
4 7 45 3
53 5
4 7 45 3
43 5
4 6 45 3
43 5
4 6 45 3
M A S T E R I N G A R P E G G I O S 3
G7 G7 #5 G7
53 5
4 7 45 3
53 5
4 7 45 3
63 5
4 8 45 3
63 5
4 8 45 3
5
G7FIGURE 145 six-note triplet variation
3 3 3 3 G7 53 3 3 3
53 5
45 3
53 5
45 3
43 5
45 3
43 5
45 3
G73 3 3 3 G7 #5
3 3 3 3 G7
53 5
45 3
53 5
45 3
63 5
45 3
63 5
45 3
5
G7FIGURE 146 G7, G7b5 and G7#5 arpeggios in two octaves, sixth position
G7 5
75 8
5 97
6 87
8 67
9 58 5
74 8
5 96
6 87
8 66
9 58 4
G7 G7 #5 G7
75 8
5 97
6 87
8 67
9 58 5
76 8
5 98
6 87
8 68
9 58 6
7
G7FIGURE 147 G7, G7b5 and G7#5 arpeggios in two octaves, seventh position
G7 5
7 108 10
97 10
87 10 7
810 7
910 8
10 7 98 10
96 10
87 9 7
810 6
M A S T E R I N G A R P E G G I O S 3
G7 G7 #5 G7
910 8
9 7 108 10
97 10
87 10 7
810 7
910 8
10 7 118 10
98 10
87 11 7
810 8
910 8
11 7
G7FIGURE148 same pattern, minus the top note
G7 5
7 108 10
97 10
87
810 7
910 8
10 7 98 10
96 10
87
810 6
910 8
9
G7 G7 #5 G7
7 108 10
97 10
87
810 7
910 8
10 7 118 10
98 10
87
810 8
910 8
11 7
G7FIGURE 149 six-note "alternate-picking cell" on the top two strings
3 3 3 3
G7 5
3 3 3 3
6 87 10 7
8 6 87 10 7
8 6 87 9 7
8 6 87 9 7
8
G7
3 3 3 3
G7 #5
3 3 3 3
G7
6 87 10 7
8 6 87 10 7
8 6 87 11 7
8 6 87 11 7
8 6
G7FIGURE 150 same pattern, starting on the top note
3 3 3 3
G7 5
3 3 3 3
10 78 6 8
7 10 78 6 8
7 9 78 6 8
7 9 78 6 8
7
M A S T E R I N G A R P E G G I O S 3
G7
3 3 3 3
G7 #5
3 3 3 3
G7
10 78 6 8
7 10 78 6 8
7 11 78 6 8
7 11 78 6 8
7 10
G7FIGURE 151 16th-note variation, descending only (four-note "cell")
G7 5
10 78 6
10 78 6
10 78 6
10 78 6
9 78 6
9 78 6
9 78 6
9 78 6
G7 G7 #5 G7
10 78 6
10 78 6
10 78 6
10 78 6
11 78 6
11 78 6
11 78 6
11 78 6
10
G7FIGURE 152 G7, G7b5 and G7#5 arpeggios in two octaves, ninth position
G7 5
108 10
9 1210 12
1210
1212 10
12 910 8
98 10
9 1110 12
12912
12 1011 9
10 8
G7 G7 #5 G7
108 10
9 1210 12
1210
1212 10
12 910 8
118 10
9 1310 12
1211
1212 10
13 910 8
10
G7FIGURE 153 eight-note "alternate picking cell" on the bottom three strings
G7 5
108 10
9 12 910 8
108 10
9 12 910 8
98 10
9 11 910 8
98 10
9 11 910 8
M A S T E R I N G A R P E G G I O S 3
G7 G7 #5 G7
108 10
9 12 910 8
108 10
9 12 910 8
118 10
9 13 910 8
118 10
9 13 910 8
10
G7FIGURE 154 six-note variation
3 3 3 3 G7 53 3 3 3
108 10
910 8
108 10
910 8
98 10
910 8
98 10
910 8
G73 3 3 3 G7 #5
3 3 3 3 G7
108 10
910 8
108 10
910 8
118 10
910 8
118 10
910 8
10
G7FIGURE 155 six-note variation, using only the notes on the A and D strings
3 3 3 3 G7 53 3 3 3
8 109 12 9
10 8 109 12 9
10 8 109 11 9
10 8 109 11 9
10
G73 3 3 3 G7 #5
3 3 3 3 G7
8 109 12 9
10 8 109 12 9
10 8 109 13 9
10 8 109 13 9
10 8
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 156 higher eight-note cell on the A, D and G strings
G7 5
109 12
10 12 1012 9
109 12
10 12 1012 9
109 11
10 12 1011 9
109 11
10 12 1011 9
G7 G7 #5 G7
109 12
10 12 1012 9
109 12
10 12 1012 9
109 13
10 12 1013 9
109 13
10 12 1013 9
10
G7FIGURE 157 six-note variation
3 3 3 3
G7 5
3 3 3 3
109 12
1012 9
109 12
1012 9
109 11
1011 9
109 11
1011 9
G7
3 3 3 3
G7 #5
3 3 3 3
G7
109 12
1012 9
109 12
1012 9
109 13
1013 9
109 13
1013 9
10
G7FIGURE 158 higher variation, using only the notes on the D and G strings
3 3 3 3
G7 5
3 3 3 3
9 1210 12 10
12 9 1210 12 10
12 9 1110 12 10
11 9 1110 12 10
11
M A S T E R I N G A R P E G G I O S 3
G7
3 3 3 3
G7 #5
3 3 3 3
G7
9 1210 12 10
12 9 1210 12 10
12 9 1310 12 10
13 9 1310 12 10
13 9
G7FIGURE 159 G7, G7b5 and G7#5 arpeggios in two octaves, 11th position
G7 5
10 1310 14
1210 12
1210 13 10
1212 10
1214 10
13 9 1310 14
1110 12
129 13 9
1212 10
G7 G7 #5 G7
111410
1310131014
121012
12101310
1212 10
1214 10
13 11 1310 14
1310 12
1211 13 11
1212 10
1314 10
13 10
G7FIGURE 160 same pattern, minus the top note
G7 5
10 1310 14
1210 12
1210
1212 10
1214 10
13 9 1310 14
1110 12
12912
12 1011
14 1013
G7 G7 #5 G7
10 1310 14
1210 12
1210
1212 10
1214 10
13 11 1310 14
1310 12
1211
1212 10
1314 10
13 10
G7FIGURE 161 eight-note "alternate picking cell" on the bottom three strings
G7 5
10 1310 14
1214 10
13 10 1310 14
1214 10
13 9 1310 14
1114 10
13 9 1310 14
1114 10
13
M A S T E R I N G A R P E G G I O S 3
G7 G7 #5 G7
10 1310 14
1214 10
13 10 1310 14
1214 10
13 11 1310 14
1314 10
13 11 1310 14
1314 10
13 10
G7FIGURE 162 G7, G7b5 and G7#5 arpeggios in two octaves, 13th position
G7 5
13 1514
12 1512 16
1513 15 13
1516 12
15 1214
15 13 1514
11 1512 16
1413 15 13
1416 12
G7 G7 #5 G7
151114151315
141215
121615131513
1516 12
15 121415 13 15
1413 15
12 161613 15 13
1616 12
15 131415 13
G7FIGURE 163 same pattern, minus the bottom note and starting on the top
G7 5
15 1315
16 1215 12
1415
1412 15
12 1615
13 15 1314
16 1215 11
1415
1411 15
12 1614
13
G7 G7 #5 G7
15 1315
16 1215 12
1415
1412 15
12 1615
13 15 1316
16 1215 13
1415
1413 15
12 1616
13 15
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 164 same shape, shifted down 12 frets and one octave, to first position
G7 5
1 32
0 30 4
31 3 1
34 0
3 02
3 1 32 4
30 4
21 3 1
24 0
G7 G7 #5 G7
34 2
3 1 320 3
0 431 3 1
34 0
3 023 1 3
21 3
0 441 3 1
44 0
3 123 1
G7FIGURE 165 same pattern, minus the bottom note
G7 5
3 13
4 03 0
23
20 3
0 43
1 3 12
4 03
4 23
2 43
0 42
1
G& G7 #5 G7
3 13
4 03 0
23
20 3
0 431 3 1
44 0
3 12
32
1 30 4
41 3
G7FIGURE 166 G7, G7b5 and G7#5 arpeggios in two octaves, 14th position
G7 5
13 1514 17
15 1716
1513 15 13
1516
17 1517 14
15 13 1514 16
15 1716
1413 15 13
1416
17
G7 G7 #5 G7
151614
1513151417
15171615131513
151617 15
17 1415 13 15
14 1815 17
161613 15 13
161617 15
18 1415 13
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 167 same pattern, one octave and 12 frets lower, in second position
G7 5
1 32 5
3 54
31 3 1
34
5 35 2
3 1 32 4
3 54
21 3 1
24
5
G7 G7 #5 G7
34 2
3 1 32 5
3 5431 3 1
345 3
5 23 1 3
2 63 5
441 3 1
445 3
6 23 1
G7FIGURE 168 eight-note "alternate picking cell" on the bottom three strings
G7 5
32 5
3 5 35 2
32 5
3 5 35 2
32 4
3 5 34 2
32 4
3 5 34 2
G7 G7 #5 G7
32 5
3 5 35 2
32 5
3 5 35 2
32 6
3 5 36 2
32 6
3 5 36 2
3
G7FIGURE 169 same pattern, 12 frets and one octave higher, in 14th position, starting on the top note
G7 5
17 1517 14
1514 17
15 17 1517 14
1514 17
15 17 1516 14
1514 16
15 17 1516 14
1514 16
15
G7 G7 #5 G7
17 1517 14
1514 17
15 17 1517 14
1514 17
15 17 1518 14
1514 18
15 17 1518 14
1514 18
15 17
M A S T E R I N G A R P E G G I O S 3
Chapter 5G Dominant Seven Sus4 Arpeggios in PositionsG7FIGURE 170 G7 and G7sus4 arpeggios, played up and down one string
G7sus4 G7
0 4 7 10 12 10 7 4 0 4 7 10 12 10 7 4 0 5 7 10 12 10 7 5 0 5 7 10 12 10 7 5 0
G7FIGURE 171 same arpeggios, played in position, minus the octave root note
G7sus4 G7 G7sus4 G7
54
31
54
31
55
31
55
31
54
31
54
31
55
31
55
31
5
G7FIGURE 172 G7 and G7sus4 arpeggios in two octaves, fourth position
G7sus4 G7
3 753 5
4 763 7 3
67 4
5 357 3
3 53 5
5 763 8 3
67 5
5 35 3
3 753 5
4 763 7 3
6
G7sus4 G7
7 45 3
57 3
3 53 5
5 76
3 8 36
7 55 3
5 33
G7FIGURE 173 eight-note "alternate-picking cell" on the A, D and G strings
G7sus4 G7
53 5
4 7 45 3
53 5
4 7 45 3
53 5
5 7 55 3
53 5
5 7 55 3
5
CHAPTER 5 G Dominant Seven Sus4 Arpeggios in Positions
FIGURES 170-190
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 174 six-note triplet variation
3 3 3 3 G7sus43 3 3 3 G7
53 5
45 3
53 5
45 3
53 5
55 3
53 5
55 3
5
G7FIGURE 175 same pattern, starting on the top note
3 3 3 3
G7sus43 3 3 3
G7
45 3
53 5
45 3
53 5
55 3
53 5
55 3
53 5
4
G7FIGURE 176 G7 and G7sus4 arpeggios in two octaves, sixth position
G7sus4 G7
75 8
5 97
6 87
8 67
9 58 5
85 8
55 7
6 88
8 67 5
58 5
7
G7FIGURE 177 G7 and G7sus4 arpeggios in two octaves, seventh position
G7sus4
7 108 10
97 10
87 10 7
810 7
910 8
10 8 108 10
107 10
88 10 8
810 7
G7 G7sus4 G7
1010 8
10 7 108 10
97 10
87 10 7
810 7
910 8
10 8 108 10
107 10
88 10 8
810 7
1010 8
10 7
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 178 six-note "alternate-picking cell" on the top two strings
3 3 3 3
G7sus4
3 3 3 3
G7
6 87 10 7
8 6 87 10 7
8 6 88 10 8
8 6 88 10 8
8 6
G7FIGURE 179 16th-note variation, starting on the top note, descending only (four-note "cell")
G7sus4 G7
10 78 6
10 78 6
10 78 6
10 78 6
10 88 6
10 88 6
10 88 6
10 88 6
10
G7FIGURE 180 G7 and G7sus4 arpeggios in two octaves, ninth position
G7sus4 G7
108 10
9 1210 12
1210
1212 10
12 910 8
108 10
10 1210 12
8 10 8
12 1012 10
10 810
G7FIGURE 181 eight-note "alternate-picking cell" cell on the A, D and G strings
G7sus4 G7
109 12
10 12 1012 9
109 12
10 12 1012 9
1010 12
10 12 1012 10
1010 12
10 12 1012 10
10
G7FIGURE 182 six-note variation
3 3 3 3
G7sus4
3 3 3 3
G7
109 12
1012 9
109 12
1012 9
1010 12
1012 10
1010 12
1012 10
10
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 183 higher variation on the D and G strings only
3 3 3 3
G7sus4
3 3 3 3
G7
9 1210 12 10
12 9 1210 12 10
12 10 1210 12 10
12 10 1210 12 10
12 9
G7FIGURE 184 G7 and G7sus4 arpeggios in two octaves, 11th position
G7sus4
10 1310 14
1210 12
1210 13 10
1212 10
1214 10
13 10 1310
10 1210 12
1310 13 10
1312 10
G7 G7sus4 G7
12101013 1013
10 14121012
121013 10
1212 10
1214 10
13 10 131010 12
10 121310 13 10
1312 10
12 101013 10
G7FIGURE 185 G7 and G7sus4 arpeggios in two octaves, 13th position
G7sus4
13 1514
12 1512
12 1513 15 13
15 1212
15 1214
15 13 1515
12 1512
13 1513 15 13
15 1312
G7 G7sus4 G7
15121515 1315
141215
1212 15
1315 1315 12
1215 12
1415 13 15
1512 15
1213 15
13 15 1315 13
1215 12
1515 13
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 186 same shape, shifted down 12 frets and one octave, to first position
G7sus4
1 32
0 30
0 31 3 1
3 00
3 02
3 1 33
0 30
1 31 3 1
3 10
G7 G7sus4 G7
3 033 1 3
20 3
00 3
1 3 13 0
03 0
23 1 3
30 3
01 3
1 3 13 1
03 0
33 1
G7FIGURE 187 G7 and G7sus4 arpeggios in two octaves, 14th position
G7sus4
13 1514 17
15 1716
1513 15 13
1516
17 1517 14
15 13 1515 17
15 1717
1513 15 13
1517
17
G7 G7sus4 G7
1517 15
15 131514 17
15 1716151315 13
151617 15
17 1415 13 15
15 1715 17
171513 15 13
151717 15
17 1515 13
G7FIGURE 188 same pattern, one octave and 12 frets lower, in second position
G7sus4
1 32 5
3 54
31 3 1
34
5 35 2
3 1 33 5
3 55
31 3 1
35
5
G7 G7sus4 G7
35 3
3 1 32 5
3 5431 3 1
345 3
5 23 1 3
3 53 5
531 3 1
355 3
5 33 1
M A S T E R I N G A R P E G G I O S 3
G7FIGURE 189 four-note "alternate-picking cell" on the top two strings, descending pattern only
G7sus4 G7
7 36 3
7 36 3
7 36 3
7 36 3
8 36 3
8 36 3
8 36 3
8 36 3
7
G7FIGURE 190 same pattern, 12 frets and one octave higher, in 14th position
G7sus4 G7
19 1518 15
19 1518 15
19 1518 15
19 1518 15
20 1518 15
20 1518 15
20 1518 15
20 1518 15
19
M A S T E R I N G A R P E G G I O S 3
Chapter 6Two-notes-per-string Patterns
Gmaj7FIGURE 191 all the "new" arpeggio qualities, two notes per string, starting on the root
Gm(maj7)
3 75 9
5 97 11
8 121014 1410
12 811 7
9 59 5
7 3 3 65 9
5 87 11
8 1110 14
Gmaj7b5
14 1011 8
11 78 5
9 56 3 3 7
4 95 9
6 118 12
9 14 14 912 8
11 69 5
9 47 3
Gmaj7 #5 G7 5
3 76 9
5 98 11
8 1211 14 14 11
12 811 8
9 59 6
7 3 3 74 8
5 96 10
8 129 13
G7 #5
13 912 8
10 69 5
8 47 3 3 7
6 85 9
8 108 12
11 13 13 1112 8
10 89 5
8 67 3
G7sus4
3 85 8
5 107 10
8 1310 13 13 10
13 810 7
10 58 5
8 3 3
CHAPTER 6 Two-notes-per-string Patterns
FIGURES 191-198
M A S T E R I N G A R P E G G I O S 3
Gmaj7FIGURE 192 same thing, starting on the third
Gm(maj7)
7 109 10
9 1211 12
12 1514 15 15 14
15 1212 11
12 910 9
10 7 6 109 10
8 1211 12
11 1514 15
Gmaj7b5
15 1415 11
12 1112 8
10 910 6 7 9
9 109 11
11 1212 14
14 15 15 1414 12
12 1111 9
10 99 7
Gmaj7 #5 G7 5
7 119 10
9 1311 12
12 1614 15 15 14
16 1212 11
13 910 9
11 7 7 98 10
9 1110 12
12 1413 15
G7 #5
15 1314 12
12 1011 9
10 89 7 7 11
8 109 13
10 1212 16
13 15 15 1316 12
12 1013 9
10 811 7
G7sus4
8 108 10
10 1210 12
13 1513 15 15 13
15 1312 10
12 1010 8
10 8 8
Gmaj7
FIGURE 193 same thing, starting on the fifthGm(maj7)
101410 14
12 1612 16
15 1915 19 1915
19 1516 12
16 1214 10
14 10 10 1410 13
12 1612 15
15 1915 18
M A S T E R I N G A R P E G G I O S 3
Gmaj7b5
18 1519 15
15 1216 12
13 1014 10 9 14
10 1411 16
12 1614 19
15 19 19 1519 14
16 1216 11
14 1014 9
Gmaj7 #5 G7 5
11 1410 14
13 1612 16
16 1915 19 19 15
19 1616 12
16 1314 10
14 11 9 1310 14
11 1512 16
14 1815 19
G7 #5
19 1518 14
16 1215 11
14 1013 9 11 13
10 1413 15
12 1616 18
15 19 19 1518 16
16 1215 13
14 1013 11
G7sus4
10 1310 15
12 1512 17
15 1815 20 20 15
18 1517 12
15 1215 10
13 10 10
Gmaj7FIGURE 194 same thing, starting on the seventh
Gm(maj7)
141514 17
16 1716 19
19 2019 22 2219
201919 16
17 1617 14
15 14 14 1513 17
16 1715 19
19 2018 22
Gmaj7b5
221820 19
19 1517 16
17 1315 14 14 15
14 1616 17
16 1819 20
19 21 211920 19
18 1617 16
16 1415 14
M A S T E R I N G A R P E G G I O S 3
Gmaj7 #5 G7 5
14 1514 18
16 1716 20
19 2019 (19)
20 1920 16
17 1618 14
15 14 13 1514 16
15 1716 18
18 2019 21
G7 #5
211920 18
18 1617 15
16 1415 13 13 15
14 1815 17
16 2018 20
19 (19)20 18
20 1617 15
18 1415 13
G7sus4
13 1515 17
15 1717 19
18 2020 22 22 20
20 1819 17
17 1517 15
15 13 13 15
Gmaj7FIGURE 195 same patterns, one octave and 12 frets lower
Gm(maj7)
2 32 5
4 54 7
7 87 10 10 7
8 77 4
5 45 2
3 2 2 31 5
4 53 7
7 86 10
Gmaj7b5
10 68 7
7 35 4
5 13 2 2 3
2 44 5
4 67 8
7 9 9 78 7
6 45 4
4 23 2
Gmaj7 #5 G7 5
2 32 6
4 54 8
7 87 11 11 7
8 78 4
5 46 2
3 2 1 32 4
3 54 6
6 87 9
M A S T E R I N G A R P E G G I O S 3
G7 #5
9 78 6
6 45 3
4 23 1 1 3
2 63 5
4 86 8
7 11 11 78 6
8 45 3
6 23 1
G7sus4
1 33 5
3 55 7
6 88 10 10 8
8 67 5
5 35 3
3 1 1 3
Gmaj7FIGURE 196 "climbing and tumbling" run, moving through all six arpeggio qualities
3 75 9 5 9
5 9 5 97 11 7 11
8 12 8 1210 14 14 10
12 8 12 811 7 11 7
9 5 9 59 5 9 5
7 3
Gm(maj7)
3 65 9 5 9
5 8 5 87 11 7 11
8 11 8 1110 14 14 10
11 8 11 811 7 11 7
8 5 8 59 5 9 5
6 3
Gmaj7b5
3 74 9 4 9
5 9 5 96 11 6 11
8 12 8 129 14 14 9
12 8 12 811 6 11 6
9 5 9 59 4 9 4
7 3
Gmaj7 #5
3 76 9 6 9
5 9 5 98 11 8 11
8 12 8 1211 14 14 11
12 8 12 811 8 11 8
9 5 9 59 6 9 6
7 3
M A S T E R I N G A R P E G G I O S 3
G7 5
3 74 8 4 8
5 9 5 96 10 6 10
8 12 8 129 13 13 9
12 8 12 810 6 10 6
9 5 9 58 4 8 4
7 3
G7 #5
3 76 8 6 8
5 9 5 98 10 8 10
8 12 8 1211 13 13 11
12 8 12 810 8 10 8
9 5 9 58 6 9 6
7 3
G7sus4
3 85 8 5 8
5 10 5 107 10 7 10
8 13 8 131013 1310
13 8 13 810 7 10 7
10 5 10 58 5 8 5
8 3 3
Gmaj7FIGURE 197 triplet variation on the same pattern
3 3 3 3
3 3 3 3 3 3 3 3
3 75 9 5 9
595 9 5 9
79
7 11 7 11811
8 12 8 121012
10 14 10 14 101210
12 8 12
3 3 3
3 3 3 3 3
Gm(maj7)
3 3 3 3
811
811 7 11 7
979 5 9 5
95
9 5 9 575
7 3 7 3 65 9 5 9
59
5 8 5 8
M A S T E R I N G A R P E G G I O S 3
3 3 3 3 3 3 3 3 3 3 3
3
78
7 11 7 11811
8 11 8 1110
1110 14 10 14 10
1110
11 8 11 811
811 7 11 7
87
8 5 8
3 3 3 3
Gmaj7b5
3 3 3 3
3 3 3 3
59
59 5 9 5
65
6 3 6 3 74 9 4 9
59
5 9 5 9696 11 6 11
811
8 12 8 12
3 3 3 3 3 3 3
3 3 3 3 3
912
9 14 9 14 912
912 8 12 8
11811 6 11 6
96
9 5 9 59
59 4 9 4
74
7 3 7
Gmaj7 #5
3 3 3 3
3 3 3 3 3 3 3 3
3 76 9 6 9
59
5 9 5 9898 11 8 11
811
8 12 8 121112
11 14 11 14 1112
1112 8 12
3 3 3
3 3 3 3 3G7 5
3 3 3 3
811
811 8 11 8
989 5 9 5
95
9 6 9 67
67 3 7 3 7
4 8 4 85
85 9 5 9
M A S T E R I N G A R P E G G I O S 3
3 3 3 3 3 3 3 3 3 3 3
3
69
6 10 6 10810
8 12 8 12912
9 13 9 13 912
912 8 12 8
10810 6 10 6
96
9 5 9
3 3 3 3G7 #5
3 3 3 3
3 3 3 3
58
58 4 8 4
74
7 3 7 3 76 8 6 8
58
5 9 5 989
8 10 8 10810
8 12 8 12
3 3 3 3 3 3 3
3 3 3 3 3
1112
11 13 11 13 1112
1112 8 12 8
10810 8 10 8
98
9 5 9 58
58 6 8 6
76
7 3 7
G7sus4
3 3 3 3
3 3 3 3 3 3 3 3
3 85 8 5 8
585 10 5 10
710
7 10 7 10810
8 13 8 1310
1310 13 10 13 10
1310
13 8 13
3 3 3
3 3 3 3 3
810
810 7 10 7
107
10 5 10 58
58 5 8 5
85
8 3 8 3
M A S T E R I N G A R P E G G I O S 3
Gm(maj7)FIGURE 198 Gm(maj7) arpeggio inversions, moving up the neck on two strings
6 37 3 3 7
3 6 6 37 3 3 7
3 6 10 68 7 7 8
6 10 10 68 7 7 8
6 10
14 1011 8 8 11
10 14 14 1011 8 8 11
10 14 15 1415 11 11 15
14 15 15 1415 11 11 15
14 15
18151915 15 19
15 18 18151915 15 19
15 18 22 1820 19 19 20
18 22 22 1820 19 19 20
18 2220
M A S T E R I N G A R P E G G I O S 3
Chapter 7E Harmonic Minor Diatonic Seventh-chord Arpeggios
rootFIGURE 199 E harmonic minor scale played up and down one string
2 m3 4 5 m6 7 root root 7 m6 5 4 m3 2 root
0 2 3 5 7 8 11 12 12 11 8 7 5 3 2 0
Em(maj7)FIGURE 200 E harmonic minor diatonic seventh-chord arpeggios, played on the bottom three strings
F m7 5 Gmaj7 #5 Am7
0 32
1 2 12
3 2 53
2 4 23
5 3 76
4 5 46
7 5 87
5 7 57
8
B7 Cmaj7 D dim7 Em(maj7)
7 119
7 9 7911 8 12
109 10 9
1012 11 14
1210 13 10
1214 12 15
1413 14 13
1415 12
Em(maj7)FIGURE 201 same set of arpeggios, played in two-octave positions across all six strings
F m7 5
0 32
1 20 4
40 3 3 0
44 0
2 12
3 0 2 532 4
2 552 5 5 2
55 2
4 235 2
Gmaj7 #5 Am7
3 76
4 54
4 73 7 7 3
7 44
5 46
7 3 5 875 7
5 985 8 8 5
89 5
7 578 5
CHAPTER 7 E Harmonic Minor Diatonic Seventh-chord Arpeggios
FIGURES 199-213
M A S T E R I N G A R P E G G I O S 3
B7 Cmaj7
7 119
7 98 11
107 11 11 7
1011 8
9 7911 7 812
10910
9 1212
8 1212 81212 9
10 91012 8
D dim7 Em(maj7)
1114121013
11 141311 1414 11
1314 11
13101214 11 12 15
1413 14
12 161612 15 15 12
1616 12
14 131415 12 12
Em(maj7)FIGURE 202 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 1st position
F m7 5 Gmaj7 #5 Am7
0 321 2 1
23 0 2
0 32 4 2
3 02 3
21 4
04 1
23
0 320 2 0
23 0
B7 Cmaj7 D dim7
21 4
2 4 24 1
2 32
0 41
4 02
31 4
21 4 1
24 1
Em(maj7) F m7 5 Gmaj7 #5
20 4
40
44 0
2 421
0 2 01
24
0 44
2 3 24
4 0 (0)
F m7 5FIGURE 203 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 2nd-3rd position
Gmaj7 #5 Am7 B7
2 532 4 2
35 2 3
2 64 5 4
6 23 5
32 5
25 2
35
2 64
2 4 24
6 2
M A S T E R I N G A R P E G G I O S 3
Cmaj7 D dim7 Em(maj7)
32 5
4 5 45 2
3 64
2 54
5 24
62 5
44 5 4
45 2
F m7 5 Gmaj7 #5 Am7
42 5
52
55 2
4 54
42 3 2
44
52 5
53 5 3
55 2 (2)
Gmaj7 #5FIGURE 204 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 4th position
Am7 B7 Cmaj7
3 76
4 5 46
7 3 53 7
5 7 57 3
5 76
4 74
7 46
73 7
54 5 4
57 3
D dim7 Em(maj7) F m7 5
64 7
54
57 4
6 75
44 5 4
45
74 7
55 7 5
57 4
Gmaj7 #5 Am7 B7
54
4 73
7 44
5 75
53 5 3
557
44 7
5 7 57 4
4 (4)
Am7FIGURE 205 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 5th-6th position
B7 Cmaj7 D dim7
5 875 7 5
78 5 7
6 97 9 7
9 67 8
75 9
59 5
78
6 97
5 8 57
9 6
M A S T E R I N G A R P E G G I O S 3
Em(maj7) F m7 5 Gmaj7 #5
75 9
8 9 89 5
7 97
5 97
9 57
95 9
87 8 7
89 5
Am7 B7 Cmaj7
75 9
85
89 5
7 98
75 7 5
78
95 9
87 8 7
89 5 (5)
B7FIGURE 206 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 7th-8th position
Cmaj7 D dim7 Em(maj7)
7 119
7 9 7911 7 8
7 109 10 9
10 78 11
97 10
810 7
911
7 109
8 9 8910 7
F m7 5 Gmaj7 #5 Am7
97 10
9 11 910 7
9 109
8 118
11 89
107 10
98 10 8
910 7
B7 Cmaj7 D dim7
98 11
10710
11 89 10
98 12
812 8
910
8 1110
8 11 810
11 8 (8)
Cmaj7FIGURE 207 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 8th-9th position
D dim7 Em(maj7) F m7 5
8 1210
9 10 91012 8 11
9 1210
810
12 911 12
109 13
913 9
1012
9 1210
9 11 91012 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7 #5 Am7 B7
109 13
11 12 1113 9
10 1210
9 1210
12 910
129 13
1110 12 10
1113 9
Cmaj7 D dim7 Em(maj7)
109 12
1281212 9
10 1311
10 1311
13 1011
139 12
1211 12 11
1212 9 (9)
D dim7FIGURE 208 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 11th position
Em(maj7) F m7 5 Gmaj7 #5
11 1412
10 13 1012
14 11 1210 14
13 14 1314 10
12 14121014
111410
1214
10 1413
11 12 1113
14 10
Am7 B7 Cmaj7
1210 14
12 14 1214 10
12 1413
11 1412
14 1113
1410 14
1212 13 12
1214 10
D dim7 Em(maj7) F m7 5
1311 14
1311
1314 11
13 1412
1211 12 11
1212
1411 14
1312 14 12
1314 11 (11)
Em(maj7)FIGURE 209 one-octave diatonic seventh-chord arpeggios in E harmonic minor, 12th position
F m7 5 Gmaj7 #5 Am7
12 1514
13 14 1314
15 12 1412 15
14 161415 12
14 1514
13 1612
16 1314
1512 15
1412 14 12
1415 12
M A S T E R I N G A R P E G G I O S 3
B7 Cmaj7 D dim7
1413 16
14 16 1416 13
14 1514
12 1613
16 1214
1513 16
1413 16 13
1416 13
Em(maj7) F m7 5 Gmaj7 #5
1412 16
1612
1616 12
14 161413 17
1417 13
1416
12 1616
14 15 1416
16 12 (12)
Em(maj7)FIGURE 210 same set of arpeggios, played two notes per string, starting on the root
F m7 5
0 32 6
2 54 8
5 87 11 11 7
8 58 4
5 26 2
3 0 2 53 7
4 75 9
710812
Gmaj7 #5
12 810 7
9 57 4
7 35 2 3 7
6 95 9
8 118 12
11 14 14 1112 8
11 89 5
9 67 3
Am7 B7
5 87 10
7 109 12
10 1312 15 1512
13 1012 9
10 710 7
8 5 7 119 12
9 1311 14
12 1614 17
Cmaj7
17 1416 12
14 1113 9
12 911 7 8 12
10 1410 14
121613 17
15 19 191517 13
161214 10
141012 8
M A S T E R I N G A R P E G G I O S 3
D dim7
11 1412 15
13 1614 17
16 1917 20 20 17
19 1617 14
16 1315 12
14 11
Em(maj7)
12 1514 18
14 1716 20
17 2019 (19)
20 1720 16
17 1418 14
15 12 (12)
Em(maj7)FIGURE 211 same set of arpeggios, played two notes per string, starting on the third
F m7 5
3 76 7
5 98 9
8 1211 12 12 11
12 89 8
9 57 6
7 3 5 87 9
7 109 11
10131214
Gmaj7 #5
14121310
11 910 7
9 78 5 7 11
9 109 13
11 1212 16
14 15 15 1416 12
12 1113 9
10 911 7
Am7 B7
8 121012
10141214
13171517 1715
17131412
14 1012 10
12 8 11 1412 14
13 1614 16
16 1917 19
Cmaj7
19 1719 16
16 1416 13
14 1214 11 1215
14 1514 17
161717 20
19 20 20192017
171617 14
151415 12
M A S T E R I N G A R P E G G I O S 3
Cmaj7 D dim7
0 32 3
2 54 5
5 87 8 8 7
8 55 4
5 23 2
3 0 2 53 6
4 75 8
7 108 11
Em(maj7)
11 810 7
8 57 4
6 35 2 3 7
6 75 9
8 98 12
11 12 12 1112 8
9 89 5
7 67 3 3
Em(maj7)FIGURE 212 same set of arpeggios, played two notes per string, starting on the fifth
F m7 5
7 117 10
9 139 12
12 1612 15 15 12
16 1212 9
13 910 7
11 7 812912
10141114
13171417
Gmaj7 #5
17141713
14111410
12 912 8 11 14
10 1413 16
12 1616 19
15 19 19 1519 16
16 1216 13
14 1014 11
Am7 Am7
12 1512 15
14 1714 17
17 2017 20 20 17
20 1717 14
17 1415 12
15 12 0 30 3
2 52 5
5 85 8
B7
8 58 5
5 25 2
3 03 0 2 5
2 64 7
4 87 10
7 11 11 710 7
8 47 4
6 25 2
M A S T E R I N G A R P E G G I O S 3
Cmaj7(not played in video)
D dim7
3 73 7
5 95 9
8 128 12 12 8
12 89 5
9 57 3
7 3 5 86 9
7 108 11
10 1311 14
Em(maj7)
14 1113 10
11 810 7
9 68 5 7 11
7 109 13
9 1212 16
12 15 15 1216 12
12 913 9
10 711 7 7
Em(maj7)
FIGURE 213 same set of arpeggios, played two notes per string, starting on the seventhF m7 5
11 1210 14
13 1412 16
16 1715 19 19 15
17 1616 12
14 1314 10
12 11 12141215
14161417
171917 20
F m7 5
20 1719 17
17 1416 14
15 1214 12 0 2
0 32 4
2 55 7
5 8 8 57 5
5 24 2
3 02 0
Gmaj7 #5 Am7
2 32 6
4 54 8
7 87 11 11 7
8 78 4
5 46 2
3 2 3 53 7
5 75 9
810812
M A S T E R I N G A R P E G G I O S 3
B7
12 810 8
9 57 5
7 35 3 5 7
6 97 9
8 1110 12
11 14 14 1112 10
11 89 7
9 67 5
Cmaj7 D dim7
7 87 10
9 109 12
12 1312 15 1512
13 1212 9
10 910 7
8 7 8 119 12
10 1311 14
13 1614 17
Em(maj7)
17 1416 13
14 1113 10
12 911 8 11 12
10 1413 14
12 1616 17
15 19 19 1517 16
16 1214 13
14 1012 11 12
M A S T E R I N G A R P E G G I O S 3
Chapter 8E Melodic Minor Diatonic Seventh-chord Arpeggios
rootFIGURE 214 E melodic minor scale played up and down one string
2 m3 4 5 6 7 root root 7 6 5 4 m3 2 root
0 2 3 5 7 9 11 12 12 11 9 7 5 3 2 0
Em(maj7)FIGURE 215 E melodic minor diatonic seventh-chord arpeggios, played on the bottom three strings
F m7 Gmaj7 #5 A7
0 32
1 2 12
3 2 54
2 4 24
5 3 76
4 5 46
7 5 97
5 7 57
9
B7 C m7 5 D m7 5 Em(maj7)
7 119
7 9 7911 9 12
109 11 9
1012 11 14
1211 13 11
1214 12 15
1413 14 13
1415 12
Em(maj7)FIGURE 216 same set of arpeggios, played in two-octave positions across all six strings
F m7
0 321 2
0 440 3 3 0
44 0
2 123 0 2 5
42 4
2 65
2 5 5 256 2
4 245 2
Gmaj7 #5 A7
3 764 5
44 7
3 7 7 37 4
45 4
67 3 5 9
75 7
6 98
5 9 9 58
9 67 5
79 5
CHAPTER 8 E Melodic Minor Diatonic Seventh-chord Arpeggios
FIGURES 214-228
M A S T E R I N G A R P E G G I O S 3
B7 C m7 5
7 1197 9
8 1110
7 11 11 710
11 89 7
911 7 9 12
109 11
9 1212
9 12 12 91212 9
11 910
12 9
D m7 5 Em(maj7)
1114121113
11 141411 1414 11
1414 11
13 111214 11 12 15
1413 14
12 161612 15 15 12
1616 12
14 131415 12 12
Em(maj7)FIGURE 217 one-octave diatonic seventh-chord arpeggios in E melodic minor, 1st position
F m7 Gmaj7 #5 A7
0 321 2 1
23 0 2
0 42 4 2
4 02 3
21 4
04 1
23
0 42
0 2 024 0
B7 C m7 5 D m7 5
21 4
2 4 24 1
2 42
0 42
4 02
41 4
22 4 2
24 1
Em(maj7) F m7 Gmaj7 #5
20 4
40
44 0
2 42
20 2 0
22
40 4
42 3 2
44 0 (0)
F m7FIGURE 218 one-octave diatonic seventh-chord arpeggios in E melodic minor, 2nd-3rd position
Gmaj7 #5 A7 B7
2 542 4 2
45 2 3
2 64 5 4
6 23 5
42 5
25 2
45
2 64
2 4 24
6 2
M A S T E R I N G A R P E G G I O S 3
C m7 5 D m7 5 Em(maj7)
42 5
4 6 45 2
4 64
2 64
6 24
62 5
44 5 4
45 2
F m7 Gmaj7 #5 A7
42 6
52
56 2
4 54
42 3 2
44
52 6
53 5 3
56 2 (2)
Gmaj7 #5FIGURE 219 one-octave diatonic seventh-chord arpeggios in E melodic minor, 4th position
A7 B7 C m7 5
3 764 5 4
67 3 5
4 75 7 5
7 45 7
64 7
47 4
67
4 75
4 6 45
7 4
D m7 5 Em(maj7) F m7
64 7
64
67 4
6 75
44 5 4
45
74 7
65 7 5
67 4
Gmaj7 #5 A7 B7
54
4 73
7 44
5 76
53 5 3
56
74
4 75 7 5
7 44 (4)
A7FIGURE 220 one-octave diatonic seventh-chord arpeggios in E melodic minor, 5th-6th position
B7 C m7 5 D m7 5
5 975 7 5
79 5 7
6 97 9 7
9 67 9
75 9
69 5
79
6 97
6 8 67
9 6
M A S T E R I N G A R P E G G I O S 3
Em(maj7) F m7 Gmaj7 #5
75 9
8 9 89 5
7 97
6 97
9 67
95 9
87 8 7
89 5
A7 B7 C m7 5
76 9
85
89 6
7 98
75 7 5
78
96 9
87 9 7
89 6 (6)
B7FIGURE 221 one-octave diatonic seventh-chord arpeggios in E melodic minor, 7th-8th position
C m7 5 D m7 5 Em(maj7)
7 1197 9 7
911 7 9
7 109 11 9
10 79 11
97 11
811 7
911
7 109
8 9 8910 7
F m7 Gmaj7 #5 A7
97 11
9 11 911 7
9 109
8 118
11 89
107 11
98 10 8
911 7
B7 C m7 5 D m7 5
98 11
10710
11 89 11
98 12
912 8
911
8 1110
9 11 910
11 8 (8)
C m7 5FIGURE 222 one-octave diatonic seventh-chord arpeggios in E melodic minor, 8th-9th position
D m7 5 Em(maj7) F m7
9 1210
9 11 91012 9 11
9 1211
811
12 911 12
109 13
913 9
1012
9 1211
9 11 911
12 9
M A S T E R I N G A R P E G G I O S 3
Gmaj7 #5 A7 B7
109 13
11 12 1113 9
10 1211
9 1210
12 911
129 13
1110 12 10
1113 9
C m7 5 D m7 5 Em(maj7)
119 12
12912
12 911 13
1110
9 11 910
1113
9 1212
11 12 1112
12 9 (9)
D m7 5FIGURE 223 one-octave diatonic seventh-chord arpeggios in E melodic minor, 11th position
Em(maj7) F m7 Gmaj7 #5
11 1412
11 13 111214 11 12
10 1413 14 13
14 1012 14
1211 14
1114 11
1214
10 1413
11 12 1113
14 10
A7 B7 C m7 5
1211 14
12 14 1214 11
12 1413
11 1412
14 1113
1411 14
1212 14 12
1214 11
D m7 5 Em(maj7) F m7
1311 14
1411
1414 11
13 1412
1211 12 11
1212
1411 14
1412 14 12
1414 11 (11)
Em(maj7)FIGURE 224 one-octave diatonic seventh-chord arpeggios in E melodic minor, 12th position
F m7 Gmaj7 #5 A7
12 151413 14 13
1415 12 14
12 1614 16 14
16 1214 15
1413 16
1216 13
1415
12 1614
12 14 1214
16 12
M A S T E R I N G A R P E G G I O S 3
B7 C m7 5 D m7 5
1413 16
14 16 1416 13
14 1614
12 1614
16 1214
1613 16
1414 16 14
1416 13
Em(maj7) F m7 Gmaj7 #5
1412 16
1612
1616 12
14 1614
1412 14 12
1414
1612 16
1614 15 14
1616 12 (12)
Em(maj7)FIGURE 225 same set of arpeggios, played two notes per string, starting on the root
F m7
0 32 6
2 54 8
5 87 11 11 7
8 58 4
5 26 2
3 0 2 54 7
4 76 9
7 109 12
Gmaj7 #5
12 910 7
9 67 4
7 45 2 3 7
6 95 9
8 118 12
11 14 14 1112 8
11 89 5
9 67 3
A7 B7
5 97 10
7 119 12
10 1412 15 15 12
14 1012 9
11 710 7
9 5 7 119 12
9 1311 14
12 1614 17
C m7 5
17 1416 12
14 1113 9
12 911 7 9 12
10 1411 14
12 1614 17
15 19 19 1517 14
16 1214 11
14 1012 9
M A S T E R I N G A R P E G G I O S 3
D m7 5
11 1412 16
13 1614 18
16 1917 21 21 17
19 1618 14
16 1316 12
14 11
Em(maj7)
12 1514 18
14 1716 20
17 2019 (19)
20 1720 16
17 1418 14
15 12 (12)
Em(maj7)FIGURE 226 same set of arpeggios, played two notes per string, starting on the third
F m7
3 76 7
5 98 9
8 1211 12 12 11
12 89 8
9 57 6
7 3 5 97 9
7 119 11
10 1412 14
Gmaj7 #5
14 1214 10
11 911 7
9 79 5 7 11
9 109 13
11 1212 16
14 15 15 1416 12
12 1113 9
10 911 7
A7 B7
9 1210 12
11 1412 14
14 1715 17 17 15
17 1414 12
14 1112 10
12 9 11 1412 14
13 1614 16
16 1917 19
C m7 5
19 1719 16
16 1416 13
14 1214 11 12 15
14 1614 17
16 1817 20
19 21 211920 17
18 1617 14
16 1415 12
M A S T E R I N G A R P E G G I O S 3
C m7 5 D m7 5
0 32 4
2 54 6
5 87 9 9 7
8 56 4
5 24 2
3 0 2 54 6
4 76 8
7 109 11
Em(maj7)
11 910 7
8 67 4
6 45 2 3 7
6 75 9
8 98 12
11 12 12 1112 8
9 89 5
7 67 3 3
Em(maj7)FIGURE 227 same set of arpeggios, played two notes per string, starting on the fifth
F m7
7 117 10
9 139 12
12 1612 15 15 12
16 1212 9
13 910 7
11 7 9 129 12
11 1411 14
14 1714 17
Gmaj7 #5
17 1417 14
14 1114 11
12 912 9 11 14
10 1413 16
12 1616 19
15 19 19 1519 16
16 1216 13
14 1014 11
A7 A7
12 1512 16
14 1714 18
17 2017 21 21 17
20 1718 14
17 1416 12
15 12 0 30 4
2 52 6
5 85 9
B7
9 58 5
6 25 2
4 03 0 2 5
2 64 7
4 87 10
7 11 11 710 7
8 47 4
6 25 2
M A S T E R I N G A R P E G G I O S 3
C m7 5 D m7 5
3 74 7
5 96 9
8 129 12 12 9
12 89 6
9 57 4
7 3 5 96 9
7 118 11
10 1411 14
Em(maj7)
14 1114 10
11 811 7
9 69 5 7 11
7 109 13
9 1212 16
12 15 15 1216 12
12 913 9
10 711 7 7
Em(maj7)
FIGURE 228 same set of arpeggios, played two notes per string, starting on the seventhF m7
11 1210 14
13 1412 16
16 1715 19 19 15
17 1616 12
14 1314 10
12 11 12 1412 16
14 1614 18
17 1917 21
F m7
21 1719 17
18 1416 14
16 1214 12 0 2
0 42 4
2 65 7
5 9 9 57 5
6 24 2
4 02 0
Gmaj7 #5 A7
2 32 6
4 54 8
7 87 11 11 7
8 78 4
5 46 2
3 2 3 54 7
5 76 9
8 109 12
B7
12 910 8
9 67 5
7 45 3 5 7
6 97 9
8 1110 12
11 14 14 1112 10
11 89 7
9 67 5
M A S T E R I N G A R P E G G I O S 3
C m7 5 D m7 5
7 97 10
9 119 12
12 1412 15 15 12
14 1212 9
11 910 7
9 7 9 119 12
11 1311 14
14 1614 17
Em(maj7)
17 1416 14
14 1113 11
12 911 9 11 12
10 1413 14
12 1616 17
15 19 19 1517 16
16 1214 13
14 1012 11 12
M A S T E R I N G A R P E G G I O S 3
Chapter 9Interval Patterns
Gm(maj7)FIGURE 229 the six "new" arpeggio qualities, played in fourth and fifth intervals, 4th position
3 654 5
3 773 6 3
77 3
5 456 3 3
56
455 4
357 3
77
376
(reverse contour)
7
3
37
5743
55
6
4
35 5
3
4
6
55
3475
73
3
7
67
3
773 7
534 5
54
653
Gmaj7b5
3 74
4 54 6
73 7 3
76 4
5 447 3 3
47
44
5 44
56 4
76
37
7
Gmaj7 #5
6
3
47
56
44
45
7
4
34
3 76
4 54 8
73 7 3
78 4
5 467 3
G7 5
367
465 4
458 4
78
377
8
3
47
5844
65
7
4
36
3 743 5
4 663 7 3
66 4
5 3
CHAPTER 9 Interval Patterns
FIGURES 229-232
M A S T E R I N G A R P E G G I O S 3
47 3 3
47
34
5 34
56 4
66
36
7
6
3
46
56
34
45
7
3
34
G7 #5
3 76
3 54 8
63 7 3
68 4
5 367 3 3
67
365 3
458 4
68
36
7
G7sus4
8
3
46
58
34
65
7
3
36
3 853 5
5 763 8 3
67 5
5 358 3
35
8
35
5 35
57 5
67
36
8
7
3
56
57
35
55
8
3
35
Gm(maj7)FIGURE 230 same thing, using the two-notes-per string patterns, starting on the root
3 65 9
5 87 11
8 1110 14 14 10
11 811 7
8 59 5
6 3 35
69 5
59
8 57
811
78
1111 8
1011
14810
1111
78
811
57
98
55
69
35
M A S T E R I N G A R P E G G I O S 3
(reverse contour)
53
96
55
89
7511
8
8711
11
10814
1110
8 1111
87 11
87
5 89
55 9
6
Gmaj7b5
53 3 7
4 95 9
6 118 12
9 14 14 912 8
11 69 5
9 47 3
34
79 4
59
9 56
911 6
811
12 8912
148
9
1112
68
911
56
99
45
79
Gmaj7 #5
34
3 76 9
5 98 11
8 1211 14 14 11
12 811 8
9 59 6
7 3
36
79 6
599 5
8911 8
81112 8
1112
14811
1112
88
911
58
99
65
79
G7 5
36
3 74 8
5 96 10
8 129 13 13 9
12 810 6
9 58 4
7 3
M A S T E R I N G A R P E G G I O S 3
34
78 4
58
9 56
910 6
810
12 8912
138
9
1012
68
910
56
89
45
78
G7 #5
34
3 76 8
5 98 10
8 1211 13 13 11
12 810 8
9 58 6
7 3
36
78 6
589 5
8910 8
810
12 811
1213
811
1012
88
910
58
89
65
78
G7sus4
36
3 85 8
5 107 10
8 1310 13 13 10
13 810 7
10 58 5
8 3
3588 5
5810 5
71010 7
81013 8
101313
810
1013
78
1010
57
810
55
88
35
Gm(maj7)FIGURE 231 Gm(maj7) arpeggio, played in sixth and seventh intervals, 4th position
3
4
6
55
34
75
73
3
7
6
3
3
5
7
47
5
3
6
5
3
4
M A S T E R I N G A R P E G G I O S 3
(reverse contour)
4
3
5
6
3
5
74
7
5
3
3
6
7
3
37
57
43
55
6
4
3
5
3 (3)
Gm(maj7)FIGURE 232 "mind-blowing" angular-melodic-contour variation
3
45
3
6
5 47
5
35
7
47 3
3
5
77
6
47 3
3
5
35
7
6
55
3
3
455
M A S T E R I N G A R P E G G I O S 3
Chapter 10Bonus! Classical Performance Piece
DmFIGURE 233 "Prelude, BWV 999" (also known as "Prelude in D Minor") by Johann Sebastian Bach
Gm/D C dim/D
5
765676777
87
5
78687878757
5
65 8 5
65
68
65
6
Dm Dm/C B maj7 Dm/A
577677778757
8
77677778757
6
77677778757
5
77677778757
G dim7 E/G# Am(add2) Am
4
43 6 3
43434
5
4
4
43 6 3
4346424
0
41 5 1
41424
3
4
0
21 5 1
212
3
2
0
2
Fmaj7 Dm6 E7
1
5555555 2 5
35
5
46
56
46
4
5
4
2
4
0
43
43
43
42
4
2
4
Am/E G dim7/E Am/E E7
0
5555555
7
5
8
5
0
7
4 7 4
7
4
737
5
7
0
9
5 8 5
9
5
979
7
9
0
9 13
10
13 9 13 999
119
CHAPTER 10 Bonus! Classical Performance Piece
FIGURE 233
M A S T E R I N G A R P E G G I O S 3
F7/E E7 9 D dim7/E Dm6/E
0
8
5 8 5
8
5
878
8
8
0
767676767
7
7
0
5
2 5 2
5
2
545
6
5
0
435343434
5
4
E7 Cdim7/E E7 9 Am/E
0
434343424
2
4
0
212121212
3
2
0
1 4
1
4 1 4 101
2
1
0
2 555 2 5 2
3
2
0
2
Dm6/E E7 G dim7/A A
0
2 434 2 4 2
3202
0
1 434 1 4 1
21
2
1
0
1 434 1 4 1
3101
0
2 43 2
22222
4
2
Fdim7/A E7/A A A7 9
0
4 7
4
7 4 7 43404
0
7
4 7 4
7
4
73
3
0
3
0
655565676
7
6
0
6535656 3 6
56
Dm/A Ddim7/A A G dim7/A A
0
23132323202
0
131
31
31
31
01
07
65
67
65 6
7 4
4 5
6
57
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