Bridgehampton Chamber Music FestivalMarya Martin, Artistic Director

31st Season July 30–August 24, 2014

2014

FluteMarya Martin

ClarinetSarah Beaty Romie de Guise-Langlois

BassoonPeter Kolkay

HornStewart Rose

ViolinJennifer Frautschi Frank Huang Stefan Jackiw Ani Kavafian Erin Keefe Sean Lee Joseph Lin Anthony Marwood David McCarroll Amy Schwartz MorettiTien-Hsin Cindy Wu

ViolaEttore Causa Beth Guterman Chu Dimitri MurrathRichard O’NeillCynthia Phelps

CelloEdward Arron Carter Brey Clive Greensmith Antonio LysyMichael Nicolas Peter StumpfPeter Wiley

Double BassKarl DotyDonald Palma

PianoGilles Vonsattel Orion Weiss Shai Wosner Joyce Yang

2014 ArtistsDear Friends,

HarpsichordKenneth Weiss

Harp Bridget Kibbey

PercussionIan David Rosenbaum Shane Shanahan

Mezzo-SopranoJennifer Johnson Cano

Brooklyn RiderColin Jacobsen, violinJohnny Gandelsman, violinNicholas Cords, violaEric Jacobsen, cello

We may have 30 seasons behind us, but we’ve barely scratched the surface of what is possible. This season we look forward to sharing with you programs that we hope will leave you delighted, intrigued, engaged, and just plain happy that you have joined us for an evening… or eleven.

While every concert is an island to itself, we’ve sprinkled this year’s festival with mini-themes, ripples of continuity that resonate between and among programs. Three works commissioned by the festival from three different decades will be heard this summer, including a world premiere by Howard Shore, best known for scoring films such as The Aviator and The Lord of the Rings trilogy. You might also notice a slight fixation on the evening, as we survey several works concerning the nocturnal—from Schubert’s gorgeous Notturno to unforgettable serenades by Kodály, Mozart, and Brahms. You will also hear some of chamber music’s most adored piano quartets: Brahms’s gypsy-inspired piano quartet in G minor, Fauré’s deeply affecting score in C minor, Dvorák’s declamatory E-flat major quartet, and Schumann’s one and only effort in the genre, which was so good he couldn’t have topped it and didn’t try.

We’re also expanding. In addition to the free concert at the Bridgehampton Historical Society, our annual benefit at the Atlantic Golf Club, the Wm. Brian Little concert in the Channing Sculpture Garden, two Saturday Soirees and our “Classic Six” concerts in the gorgeous Bridgehampton Presbyterian church, this season we will partner with the Parrish Art Museum to present a repeat performance by Brooklyn Rider in something we’re calling “Late Night at the Parrish.”

Finally, we are thrilled to have so many stellar musicians, longtime friends and new collaborators alike, coming to the East End to share their artistry with you.

I look forward to seeing you at the concerts.

With warm regards,

Marya Martin

Founder and Artistic Director

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Season Overview The “Classic Six” At the heart of the festival are concerts dedicated to innovative programs featuring the best chamber music has to offer performed in our home, the acoustically-superb Bridgehampton Presbyterian Church.

Free Outdoor ConcertIn what has quickly become a summer favorite, the entire community is invited to kick off the Festival on the grounds of the Bridgehampton Historical Society. Bring family and friends and don't forget to reserve your free tickets through our website or on the phone.

Benefit ConcertA cultural and social highlight on the East End, we invite you to join BCMF's board of directors in a superb evening of music and friendship at the Atlantic Golf Club.

Wm. Brian Little ConcertThe fantastical sculptures of Walter Channing provide the backdrop to this season's Baroque Fantasy program featuring a dazzling display of artistic fireworks. The evening wouldn't be complete without a tasting of wines from Channing Daughters Winery.

Saturday SoireesDesigned to both engage and enliven spirits, these one-hour programs at the Bridgehampton Presbyterian Church will provide a refreshing musical jumpstart to your Saturday evening.

Late Night at the ParrishNew this season, BCMF is partnering with the Parrish Art Museum to present “Late Night at the Parrish,” a special 9:00 pm repeat concert of Brooklyn Rider (Aug 9). Take in a fresh performance with a glass of wine in a relaxed setting.

2014 CalendarWeek 1 / July 30–August 3

Wednesday, July 30, 6:30 pm Russian Memories Bridgehampton Historical Society Free Outdoor Concert

Saturday, August 2, 6:30 pm An Evening to Celebrate Atlantic Golf Club Annual Benefit

Sunday, August 3, 6:30 pm Brilliance and Soul Bridgehampton Presbyterian Church Classic Six

Week 2 / August 6 – 10

Wednesday, August 6, 7:30 pm Bright Night Bridgehampton Presbyterian Church Classic Six

Saturday, August 9 Brooklyn Rider Bridgehampton Presbyterian Church, 6:30 pm Saturday Soiree Parrish Art Museum, 9:00 pm Late Night at the Parrish

Sunday, August 10, 6:30 pm Colorful Explorations Bridgehampton Presbyterian Church Classic Six

Week 3 / August 15 & 17

Friday, August 15, 6:00 pm Baroque Fantasy Channing Sculpture Garden Wm. Brian Little Concert

Sunday, August 17, 6:30 pm Beethoven/Bolcom/ Brahms Bridgehampton Presbyterian Church Classic Six

Week 4 / August 20–24

Wednesday, August 20, 7:30 pm Something’s in the Air Bridgehampton Presbyterian Church Classic Six

Saturday, August 23, 6:30 pm Effervescent Charm Bridgehampton Presbyterian Church Saturday Soiree

Sunday, August 24, 6:30 pm A Serenade to the Season Bridgehampton Presbyterian Church Classic Six

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Annual Benefit An Evening to CelebrateSaturday, August 2, 6:30 pmAtlantic Golf Club

As the sun goes down this season’s annual benefit concert will be heating up with a superb collection of international luminaries performing a program of elegance, panache, and passion. Join us for a fantastic evening of music, food, wine, and good spirit, while supporting the Festival and all it has to offer.

Barrièrre Sonata in G major for Two Cellos (1739)

Ewazen Bridgehampton Suite for Flute and Violin, Viola, and Cello (2006)

Schumann Piano Quartet in E-flat major, Op. 47 (1842)

Free Outdoor Concert Russian MemoriesWednesday, July 30, 6:30 pm Bridgehampton Historical Society

Make your free reservation online at www.bcmf.org

"It is awful how pleased I am with myself!" So wrote Tchaikovsky to his brother upon the completion of his String Sextet, "Souvenir de Florence." And he was right to be pleased. Anchoring a program of delectable Russian treats, the Souvenir will be one of many musical memories that listeners will be able to take away from this year's free outdoor concert on the lawn of the Bridgehampton Historical Society. Bring your family, a blanket, and a picnic (Russian caviar optional!)

Tchaikovsky Sextet for Two Violins, Two Violas, and Two Cellos, Op. 70, “Souvenir de Florence,” I. Allegro con spirito (1890; rev. 1891-92)

Shostakovich String Quartet No. 4 in D major, Op. 83, I. Allegretto (1949)

Borodin “Nocturne“ from String Quartet No. 2 (arr. Flute, Violin, Viola and Cello)

Prokofiev String Quartet No. 2 in F major, Op. 92, I. Allegro Sostenuto (1941)

Rachmaninov Vocalise for Flute and Strings, Op. 34, No. 14 (1912)

Tchaikovsky Sextet for Two Violins, Two Violas, and Two Cellos, Op. 70, “Souvenir de Florence,” IV. Allegro vivace

Marya Martin, fluteAmy Schwartz Moretti, violinTien-Hsin Cindy Wu, violinBeth Guterman Chu, viola

Richard O’Neill, violaEdward Arron, cello Michael Nicolas, cello

Marya Martin, fluteAmy Schwartz Moretti, violinTien-Hsin Cindy Wu, violinBeth Guterman Chu, violaEdward Arron, cello Carter Brey, celloJoyce Yang, piano

Week 1

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Brilliance and SoulSunday, August 3, 6:30 pm Bridgehampton Presbyterian Church

While he may not have invented it, Mozart brought the piano trio to full maturity, and the K. 502 B-flat trio is among the finest ever to be written. Full of invention, sonic wonder, and perfect balance, it is a testament to the composer at the height of his compositional powers. Françaix's evocative and humorous String Trio is the perfect companion. The second half of the program probes the emotional realm, first with Philippe Hersant's evocative musings on the death of Helios followed by what is perhaps the greatest piano quartet in the literature, Schumann's sublime E-flat quartet, whose slow movement contains one of the most beautiful and heartfelt melodies ever written.

Mozart Piano Trio in B-flat major, K. 502 (1786)

Françaix String Trio (1933)

Hersant Heliades for Flute and Strings (2007)

Schumann Piano Quartet in E-flat major, Op. 47 (1842)

Bright NightWednesday, August 6, 7:30 pm Bridgehampton Presbyterian Church

Night fell far too early for Franz Schubert—he died at the tender age of 32. As his long night approached he burned ever brighter, producing some of the most beloved chamber music ever composed, including the monumental and radiant Cello Quintet, the last chamber work Schubert completed. The program opens with his rarely heard Notturno for Piano Trio, a glorious evocation of night also written in his final two years. In between these masterworks we will feature BCMF's first commission, Ned Rorem's aptly titled Bright Music, written for the festival almost 30 years ago, but like the genius of Schubert shining as brightly as ever.

Schubert Notturno in E-flat major for Piano Trio, D. 897 (1827)

Rorem Bright Music for Flute, Two Violins, Cello, and Piano (1985)

Schubert Cello Quintet in C major, D. 956 (1828)

Marya Martin, fluteJennifer Frautschi, violinErin Keefe, violinCynthia Phelps, viola

Clive Greensmith, celloPeter Wiley, celloGilles Vonsattel, piano

Marya Martin, fluteAmy Schwartz Moretti, violinTien-Hsin Cindy Wu, violinBeth Guterman Chu, viola

Edward Arron, cello Carter Brey, cello Joyce Yang, piano

Week 2

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Saturday Soiree / Late Night at the Parrish Brooklyn Rider Saturday, August 9

Bridgehampton Presbyterian Church, 6:30 pm Parrish Art Museum, 9:00 pm

The eclectic, rhapsodic, genre-busting Brooklyn Rider returns to Bridgehampton for an evening of adventure and discovery. So extraordinary is their music making that we decided to give them two opportunities to wow audiences in a single evening: first, a 6:30 pm Saturday Soiree concert at the historic Bridgehampton Presbyterian Church, and then at 9:00 pm BCMF’s Late Night at the Parrish – a cabaret-style concert experience in the Parrish Art Museum's fabulous Lichtenstein Theater, where guests can enjoy a glass of wine as they listen. Each concert will last approximately one hour. Both programs to include:

Haydn String Quartet in G minor, Hob. III:74, Op. 74, No. 3, “The Rider” (1793)

Gabriel Kahane New Work for String Quartet (2014)

Evan Ziporyn “Garden” from Qi for String Quartet (2013)

Aoife O'Donovan New Brooklyn Rider Almanac Work (2014)

Colorful ExplorationsSunday, August 10, 6:30 pmBridgehampton Presbyterian Church

At the heart of this program is a new work by Academy, Grammy, and Golden Globe winning composer Howard Shore. Perhaps most well known for his gargantuan scores for Peter Jackson’s The Lord of the Rings series, Shore turns to a more intimate genre for a new chamber work co-commissioned by BCMF. Surrounding it are pieces of vibrancy, effervescence, lightness and deep feeling. Featured are two sides of French composer Gabriel Fauré—his intricate, emotionally rich Piano Quartet in C minor and three tiny, delicate “Morceau’s.” A joyful work by Fauré’s young contemporary and countryman Maurice Tournier and a captivating song cycle by Spaniard Manuel de Falla round out the program.

Tournier Suite for Flute, String Trio and Harp, Op. 34 (1928)

Fauré Morceau de concours for Flute and Harp (1898)

Shore A Palace Upon the Ruins for Mezzo-Soprano, Flute, Cello, Piano, Harp and Percussion (2014, BCMF Co-Commission)

Fauré Morceau de lecture for Violin and Piano (1903)

Falla Siete canciones populaires Españolas for Voice and Harp (1914) (arr. Kibbey)

Fauré Morceau de lecture for Cello and Harp (1897) (arr. Kibbey)

Fauré Piano Quartet in C minor, Op. 15 (1876-79)

Jennifer Johnson Cano, mezzo-sopranoMarya Martin, flute Jennifer Frautschi, violin Cynthia Phelps, viola Clive Greensmith, cello Gilles Vonsattel, pianoBridget Kibbey, harp Ian David Rosenbaum, percussion

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Beethoven/Bolcom/BrahmsSunday, August 17, 6:30 pmBridgehampton Presbyterian Church

At the ripe age of 23 Beethoven stormed the music capital of the world, Vienna, and used his Op. 1 piano trios as his calling card. A little more than 60 years later, another 23-year-old by the name of Johannes Brahms started writing his Piano Quartet in G minor, the piece he would later use to introduce himself to the Viennese. Both works have stood the test of time to become core pieces of the repertoire and both are amazing examples of daring and youthful bravura. In between we’ve placed another iconic composer, American William Bolcom, whose Three Rags for String Quartet draw upon the vernacular in the same way that the final movement of Brahms’ piano quartet, a rollicking movement subtitled “Gypsy Rondo,” drew on the folk music of his day.

Beethoven Piano Trio in C minor, Op. 1, No. 3 (1794-95)

Bolcom Three Rags for String Quartet (1989)

Brahms Piano Quartet No. 1 in G minor, Op. 25 (1856-61)

Frank Huang, violinStefan Jackiw, violinDimitri Murrath, viola

Antonio Lysy, celloShai Wosner, piano

Wm. Brian Little Concert Baroque FantasyFriday, August 15 6:00 pm: Wine tasting and appetizers | 7:00 pm: ConcertChanning Sculpture Garden

The family and friends of Brian Little invite you to enjoy a special evening of music, wines from the Channing Daughters Winery, and delectable edibles in the beautiful surroundings of the Channing Sculpture Garden. Come along as a bevy of brilliant musicians take you on a virtuosic ride, beginning with exuberant late-renaissance dances and traversing the wonder of the Baroque. We’ll make diversions into the mysterious and the dazzling, taking as guideposts major works by titans of the era: Vivaldi, Telemann, and Bach.

Telemann Concerto in D major for Four Violins, TWV 40:202 Pachelbel Canon and Gigue for Three Violins and Continuo

Vivaldi Concerto in D Major for Flute, Strings, and Continuo, PV 205

Westhoff “Imitazione delle campane” from Sonata No. 3 in D minor for Violin and Continuo

“La Guerra” from Sonata in A major for Violin, Continuo, and Percussion

Vivaldi Concerto in C minor for Cello, Strings, and Continuo, RV 401, “Alla Rustica"

Telemann Tafelmusik in D major for Flute, Two Violins, and Continuo

Bach Concerto in D minor for Two Violins, Strings, and Continuo, BWV 1043

Falconieri Chaconne in G major for Two Violins, Continuo, and Percussion

Marya Martin, fluteFrank Huang, violinStefan Jackiw, violinSean Lee, violinDavid McCarroll, violin

Dimitri Murrath, violaAntonio Lysy, celloKarl Doty, double bassKenneth Weiss, harpsichordShane Shanahan, percussion

Week 3

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Saturday Soiree Effervescent CharmSaturday, August 23, 6:30 pm Bridgehampton Presbyterian Church

Of all the great child prodigies, perhaps none match the amazingly well-rounded Felix Mendelssohn. Beyond his ability as a composer, he was also a virtuoso pianist, a celebrated conductor, a talented painter, and an excellent gymnast. His music provides listeners the aural equivalent of brightly colored paintings and requires feats of performers best suited to highly trained athletes. The two examples on display in this program are evidence of his unsurpassed skill at creating elfin-like passages of spectacular beauty while displaying music of great depth. Rossini’s charming and delightful Sonata for Wind Quartet in F major provides perfect balance to the evening.

Mendelssohn Andante and Scherzo for String Quartet, Op. 81 (1847)

Rossini Sonata No. 1 in F major for Flute, Clarinet, Bassoon, and Horn

Mendelssohn Piano Quartet No. 2 in F minor, Op. 2 (1823)

Something’s in the AirWednesday, August 20, 7:30 pmBridgehampton Presbyterian Church

Some programs, such as this one, have many stories to tell. Opening the concert is a work based on a baroque passacaglia by Handel, but molded into a romantic showpiece by a Swedish composer named Halvorsen. Contemporary composer and Festival favorite Kevin Puts also looks back to the Baroque in his Four Airs, a unique work in which each of the musicians takes a turn performing with the pianist. Meanwhile, Kodály’s fascinating Serenade for Two Violins and Viola tells a story of night in three movements, complete with a midnight call to a lover’s window. Dvorák’s rich and opulent Piano Quartet which closes the program is a story to itself, a grand statement full of twists, turns and surprises.

Handel/Halvorsen Passacaglia for Violin and Cello (1897)

Kodály Serenade for Two Violins and Viola, Op. 12 (1919-20)

Puts Four Airs for Flute, Clarinet, Violin, Cello, and Piano (2004)

Dvorák Piano Quartet in E-flat major, Op. 87 (1889)

Marya Martin, fluteRomie de Guise-Langlois, clarinetAni Kavafian, violinAnthony Marwood, violin

Ettore Causa, violaPeter Stumpf, celloOrion Weiss, piano

Marya Martin, fluteSarah Beaty, clarinetPeter Kolkay, bassoonStewart Rose, hornAni Kavafian, violinJoseph Lin, violin

Anthony Marwood, violinEttore Causa, violaAntonio Lysy, celloPeter Stumpf, celloOrion Weiss, piano

Week 4

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A Serenade to the SeasonSunday, August 24, 6:30 pmBridgehampton Presbyterian Church

Perhaps the most famous of all serenades, Mozart’s “Eine Kliene Nachtmusik” opens the Festival’s final program. In reflection we offer Arvo Pärt’s Mozart-Adagio, a haunting and beguiling sliver of a work that reminisces on Mozart’s Piano Sonata K. 280, simultaneously bringing Mozart into the present while creating a sense of timelessness. We close the program with Brahms’ bucolic, pastoral Serenade No. 1. Originally intended as a nonet for strings and winds, at the behest of Clara Schumann the ever-doubtful Brahms destroyed this version opting to score the work for full orchestra. We present a terrific reconstruction of the original instrumentation, capturing the intimacy of chamber music while maintaining the radiant exhilaration of Brahms' early masterwork.

Mozart Serenade No. 13 in G major for Strings, K. 525 "Eine Kleine Nachtmusik" (1787)

Pärt Mozart-Adagio for Violin, Cello, and Piano (1992)

Brahms Serenade No. 1 in D major for Nonet, Op. 11 (1857-58) (arr. Alan Boustead)

bcmfrecords

Festival Concert Locations:BridgehamptonBridgehampton Presbyterian Church 2429 Montauk Highway Atlantic Golf Club1040 Scuttle Hole Road

WatermillParrish Art Museum279 Montauk Highway Water Mill, NY 11976

Online Resources:For more information on festival artists and programs, including musical examples, please visit www.bcmf.org.

The Bridgehampton Chamber Music Festival gratefully acknowledges the following government support:Town of Southampton, Department of Human Services Suffolk County, Office of Cultural Affairs, Steven Bellone, County ExecutiveNew York State Council on the Arts, a State agency

This book is printed on paper made from post-consumer recycled content. Please recycle.

Bridgehampton Historical Society2368 Montauk Highway

Channing Sculpture GardenEnter through Channing Daughters Winery driveway: 1927 Scuttle Hole Road

Anthony Marwood, violinJoseph Lin, violinEttore Causa,violaAntonio Lysy, celloPeter Stumpf, celloDonald Palma, double bass Orion Weiss, piano

Marya Martin, fluteSarah Beaty, clarinetRomie de Guise-Langlois, clarinetPeter Kolkay, bassoonStewart Rose, hornAni Kavafian, violin

Cruise with BCMF, October 9-17, 2014Explore the wonders of the Montenegro and Croatian coasts and hear thrilling BCMF concerts along the way as you travel aboard the beautiful Corinthian. For a full brochure, reservations, or more information, please contact Travel Dynamics at 800.257.5767 or 212.517.7555 or visit www.bcmf.org.

Bring the Festival home by purchasing our recordings culled from the finest BCMF performances of previous seasons. See order form for details or visit www.bcmf.org.

bcmf live2013

bcmfrecordsBoccherini | Brahms | Kirchner

Purcell | Adolphe | Beaser

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Support the FestivalBCMF exists to present the very best chamber music performed at the highest level in comfortable and inviting venues, and we could not do any of this without you, our wonderful audience. We are truly appreciative of all those who make BCMF a part of their lives, and are immensely grateful to those who support the festival with additional donations. Ticket sales cover only a small portion of Festival expenses and we hope that you might consider an additional gift to BCMF to help insure that the festival can bring excellent music to the East End for years to come.

Benefit TicketsGuardian Angel • A festival concert named in your honor and Table of 12 at $25,000 listed in our program book • An invitation to special events throughout the season • Premium festival concert seating

Golden Angel • An invitation to special events throughout the season Table of 8 at $15,000 • Premium festival concert seating

Golden Benefactor • Premium festival concert seating Table of 8 at $12,000

Angel • Premium festival concert seating 1 benefit ticket at $2,000

Benefactor • Premium festival concert seating 1 benefit ticket at $1,500

Please contact Michael Lawrence at 212.741.9073, or starting July 24, 631.537.3507 for information on attending the Benefit. All but $150 of each benefit ticket is tax deductible.

Other Ways to Support the FestivalConsider making a donation to BCMF to help cover the many expenses associated with the festival. You might consider one of the following:

$5,000 Support the creation of a new piece of music for the festival

$500 Help reach millions of NPR Performance Today listeners

$200 Underwrite the rental of a single piece of music performed this season

All donations above are fully tax deductible. Please use the appropriate space on the order form to make your donation or mail your donation to: BCMF, 850 Seventh Ave, Suite 700, New York, NY 10019.

Remember, your donation makes the festival possible.

How to OrderBy Phone 212.741.9403 or, starting July 24, 631.537.6368

By Mail Complete order form and send with payment to: Bridgehampton Chamber Music Festival 850 Seventh Avenue, Suite 700, New York, NY 10019 The festival cannot accept mail orders after July 18

Online www.bcmf.org

At The Box Office Tickets available starting July 24 in the Parish House behind the Bridgehampton Presbyterian Church 2429 Montauk Highway, Bridgehampton, NY 11932

Free Outdoor Concert, Russian MemoriesWed, 7/30, 6:30 pm, Bridgehampton Historical Society Free**

$0

Benefit Concert, An Evening to RememberSat, 8/2, 6:30 pm, Atlantic Golf Club (see p. 18) $

Brilliance and SoulSun, 8/3, 6:30 pm, Bridgehampton Presbyterian Church x $55/$45

$

Bright NightWed, 8/6, 7:30 pm, Bridgehampton Presbyterian Church x $50/$40

$

Saturday Soiree, Brooklyn RiderSat, 8/9, 6:30 pm, Bridgehampton Presbyterian Church x $35

$

Late Night at the Parrish, Brooklyn RiderSat, 8/9, 9:00 pm, Parrish Art Museum x $35

$

Colorful ExplorationsSun, 8/10, 6:30 pm, Bridgehampton Presbyterian Church x $55/$45

$

Wm. Brian Little Concert, Baroque FantasyFri, 8/15, 6:00 pm, Channing Sculpture Garden

x $150 (RESERVED)

x $100 (GEN ADM)

$

$

Beethoven/Bolcom/BrahmsSun, 8/17, 6:30 pm, Bridgehampton Presbyterian Church x $55/$45

$

Something’s in the AirWed, 8/20, 7:30 pm, Bridgehampton Presbyterian Church x $50/$40

$

Saturday Soiree, Effervescent CharmSat, 8/23, 6:30 pm, Bridgehampton Presbyterian Church x $35

$

A Serenade to the SeasonSun, 8/24, 6:30 pm, Bridgehampton Presbyterian Church

x $55/$45

$

Seating Preference* Upstairs Downstairs

CDs: bcmf live 2013 bcmf premieres bcmf live 2012 bcmf live 2011

Additional recordings available on www.bcmf.org

x $15 $

Your donation makes these concerts possible. Please consider adding a gift to your order. $

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** Free Outdoor Concert Tickets MUST be reserved at www.bcmf.org or by phone.*Downstairs center seating - $55 Sunday and $50 Wednesday Downstairs side seating and all Upstairs seating - $45 Sunday and $40 Wednesday

For further information Please call 212.741.9403 or, starting July 24, 631.537.6368 to order by phone. We will make every effort to seat you according to your request. All sales are final. Programs and artists are subject to change.

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