M.Arch Degree Candidate

Robert Maschke Architects Inc.Brunswick College CenterOne Stop ShopGordon Square Bus SheltersLa Casa dell’Uccello1531e31 Scissor HouseStick HouseCanton Cultural CenterMintz ResidenceBrahler Residence

Kent State UniversityCollege of Architecture and Environmental DesignBaltimore Micro-CommunityCrystal Community CenterPiazza Geribaldi

Drawing and PhotographyDrawing the Figure IGizmodo.com Photo Challenges

Project Credits and Acknowledgements

26

10121416182022

262830

3233

34

Professional Work

Undergraduate Work

Table of Contents

Envelope Diagram

Off-white Masonry

Red Masonry

White Surface

Brunswick University CenterCompleted: 2011Location: Brunswick, OhioRole: Project Designer

The Brunswick University Center is a new Sustainable building which received LEED silver certification. The architecture is conceived to enhance and express a dynamic sense of movement. The constraints of the site necessitated the building have a modest footprint relative to its volume, creating a variety of opportunities for sectional connections. Movement is concentrated in a vertical “street” a continuous passage that visually connects a series of interior and exterior lounges.

A series of masonry envelopes, and white surfaces wrap the program and transition seamlessly between interior and exterior. The masonry envelopes borrow their hue from the adjacent buildings. The white material is utilized to enhance the natural illumination of the interior captured through large glazed openings and skylights, strategically located at public spaces. Fenestration, articulated as horizontal and vertical striations, expresses the movement occurring within, and provides a variety of views whether seated, standing, or walking.

Honors and Awards2011 Citation Award, AIA, Ohio Chapter

Featured Media and PublicationsLisik, Brian. “First look at the new Brunswick University Center” The Plain Dealer [Cleveland] 24 January 2011Bullard, Stan. “Tri-C, Brunswick to create higher education center”. Crain’s Cleveland Business 30 September 2008

Third Level Plan

Second Level Plan

First Level Plan

0N 5 15 35

Fenestration Diagram

Red Masonry(public)

Classrooms + Labs Offices + Conferences

panorama fullheight

clearstory Head SillOff-white

(semi-public)

portriat window(all rooms)

5

One Stop ShopCompleted: 2012Location: Highland Hills, OhioRole: Project Designer

Continuous Surface Diagram

6

The One Stop Shop is located within the existing Student Services Building. The “One Stop Shop” functions as a consolidated student services center which streamlines the processes of student enrollment. The program co-located the student service departments once dispersed throughout the campus. Divisions between departments were blended spatially in an attempt to ease the often cumbersome student service experience.

The architecture is organized by a single white surface that moves between disparate programmatic zones transforming the interstitial circulation into a seamless public space. Localized articulations modulated by site constraints and programmatic elements define intimate spaces within in the otherwise continuous envelope. Undulations in the surface capture the maximum sectional space within the limits of the existing building. Lounge spaces are defined by a series of integral benches which fold from the surface.

Honors and Awards2010 National Antron Design to Perform Award2009 Merit Award, AIA Ohio Chapter2009 Merit Award, AIA Cleveland Chapter

Featured Media and PublicationsTakle, Gary, ed. “Contemporary Renovations and Additions” Victoria, Australia: Think Publishing. July 2012.

Floor Plan Ceiling Plan0N 10 20 40 0N 10 20 40

8

Concealed cove light fixture Continuous plywood fin

Gypsum wall and ceiling

Continuous 1/4" reveal

Corian solid surface finish.

Corian solid surface finish.

Metal framing

Plywood substrate

Receptical in toekick

Floor Finish

Ceiling Finish Varies

90⁰

90⁰

90⁰

90⁰

Welded

Weld

ed

Welded

Assembly Diagram

Gordon Square Bus SheltersCompleted: 2010Location: Cleveland, OhioRole: Project Designer

10

The design brief called for the creation of functional and iconic elements to be incorporated as a part of an ensemble of new pieces of public art. New bus shelters were designed for the Gordon Square Arts District bus stops.

Conceptually, the design is conceived as a single stainless steel surface which wraps and folds to create the bench and provide shelter for riders. The singular material enhances the sculptural quality of the modestly scaled shelters. Folds in the surface are determined by accommodation of functional, and structural variables, which merge to generate the shelter’s shape. A pattern of perforations moves across the surface of the shelter. The shelters are internally illuminated, projecting a subtle dithered pattern on the surrounding buildings and surfaces transforming the existing context and incorporating it as a part of this new vibrant installation.

Honors and Awards2011 National Honor Award, AIA, Small Projects2010 Merit Award, AIA Ohio Chapter2010 Merit Award, AIA, Cleveland ChapterFeatured Media and Publications‘The Bus Stops Here’, Short Film by Qian Li, Cleveland Museum of Contemporary Art, 2010 FinalistGao Di Guo Ji Chu Ban You Xian Gong Si. “Urban Furniture.” Shenzhen, China: Hi-design International. Fall 2012.

Unfolded Template

La Casa dell’UccelloCompleted: 2011Location: Cleveland, OhioRole: Project Designer

12

Assembly Diagram

La Casa dell’Uccello was commissioned for the Cleveland Botanical Gardens. The project is conceived as the reinterpretation of the traditional bird house form through the logic of origami-like folding. This form is articulated as an envelope, a single sheet of perforated stainless steel, which is cut and bent. The vestige of the iconic house facade remains, but is manipulated and multiplied, giving the bird house an abstract, sculptural, and ethereal presence. Careful consideration was taken in developing the sequence of folding in relationship to the direction of the perforated pattern, which work together to heighten the sense of material movement and folding action.

Featured Media and PublicationsSpangle. “These Birds Liv Better Than You Do” Spangle Magazine. 6 July 2011

1541e31 Scissor HouseCompleted: 2011, UnbuiltLocation: Cleveland, OhioRole: Project Designer

14

This unique single family residence is conceived as the prototype to a series of homes that can be readily adapted to a client needs on a variety of sites available within Cleveland. The 1,000 square foot residence is a two bedroom, two bath home with dramatic living spaces. The cantilever of the home provides shelter for a private exterior space for the residents. Large floor to ceiling fenestrations provide natural lighting an astonishing views into the city. Fundamental to the design of the residence is a commitment to sustainability.

The project aspires to LEED silver certification through the use of the green construction techniques, technologies, and products. The home is designed utilizing structurally insulated roof and wall panels (SIPS). These panels provide maximized insulation values thoughout the home. The dynamic sectional volume of the butterfly roof gives dramatic vaulted ceilings to the living room and master suite. The residence features Energy Star appliances and lighting, water conserving plumbing fixtures, and low VOC paints and sealants. To minimize paved surfaces on site a Grasspave driveway is proposed. This surface is a compacted growing medium that supports the weight of vehicles, while allowing vegetation to grow naturally.

North Elevation South Elevation West ElevationEast Elevation

Program Diagram

GarageOffice

Living

Master Suite

Kitchen& Dining

0 3 5

Assembly Diagram

Stick HouseCompleted: 2010, UnbuiltLocation: Cleveland, OhioRole: Project Designer

16

The Stick House is designed to be children’s play house. Designed on a diminutive scale, the Stick House began a 5’ x 5’ x 5’ cube. Elements of a play house were incorporated into the design of the cube structure. Each element is articulated as a fold of a single surface of varying opacity.

The Stick House features a low bench, high shelf, and a counter which also serves as structural support. Each component that comprises the cube are self-similar ‘sticks’ milled from Ipe wood planks of varying lengths. The ‘sticks’ are secured by stainless steel rods that inform the articulation of the surfaces of the cube. The singular materiality enhances the movement of the surface, while informing the pattern of construction. Each ‘stick’ is separated by a rounded knuckle providing varied opacities in each elevation. The ‘sticks’ are secured on either end by a custom engraved stainless steel bolt designed especially for this installation.

Component Schedule

Canton Cultural CenterCompleted: 2009Location: Canton, OhioRole: Project Designer

18

The Cultural Center for the Arts, houses a number of prominent cultural institutions. Architecturally, the existing building has a Brutalist sensibility with an exposed concrete structure, and an envelope of masonry and concrete.

The program called for renovations to diverse series of spaces within the Cultural Center including galleries, ticket booths, gift shops, rest rooms, entries and lobbies. Despite the broad scope of spaces, the scale of the areas highlighted for renovation was diminutive in comparison to the building at large. The individual projects were considered as a series of installations which provide distinguishing moments of intensity within the field of the existing spaces. To maximize the effect of these moments a complementary palette of purples and whites are utilized to enliven and brighten the warm hued atmosphere. Patterns or gradients are deployed within each installation, transforming the existing architecture with a new sense of dynamic layering. Opaque and translucent materials are articulated as screens between old and new.

Featured Media and PublicationsGill, Michael P. “Cultural Center for the Arts and the Canton Museum of Art undergo renovations.” Canton, Ohio. Canton Development Partnership. March 2009Before

Before

Gift Shop Kiosk Plan Gift Shop Kiosk Elevation

Mintz ResidenceCompleted: 2010Location: Cleveland, OhioRole: Project Designer

KitchenDiningBedroomPhotography StudioLiving Roof

Stair TowerElevatorStorageGarageRoof Terrace

LivingMaster SuiteRoof Terrace

Massing Diagram

20

The Mintz Residence is the second of three urban villas comprising the Residences of King’s Hill. Designed for a couple, the program called for spaces to live, work, and play, which were distributed on four levels to take advantage of unique views afforded by the site. The architecture of the Mintz Residence is articulated as a series of minimal volumes which stack and shift in plan and sectiong. As the volumes stack and overlap, the resulting interstitial spaces form a series of terraces and cantilevers which shelter exterior space. On the interior, the intersection between volumes creates dramatic double height and mezzanine spaces, blurring the boundary between communal and private domestic zones.

The exterior envelope fenestration is composed of a variety of different apertures. The resulting effect is to create a distinctive sequence of views, including vistas, panoramas, and glimpses, which recalibrate the viewer’s engagement with the surrounding context.

Featured Media and PublicationsTakle, Gary. “Houses For Families”. Victoria, Australia: Think Publishing. August 2012.Sinovcic, Damir. “50 US Architects: Residential and Planning” Miami, Florida: Technical Services Underground Pr., 2012.Panache Partners LLC, “Dream Homes Ohio & Pennsylvania” Dallas, Texas: Signature Publishing Group. 2008.

Building Section Millwork Section

Brahler ResidenceCompleted: 2011Location: Bay Village, OhioRole: Project Designer

22

The site possesses a dramatic downward slope from the street toward a brook that bisects the lot. A densely wooded perimeter provides privacy from the compact suburban neighborhood. A new master suite, gallery, and indoor/outdoor entertaining spaces supplement the existing program.

The design merges landscape and building surfaces that articulate the envelope of the addition while segmenting the site into differentiated formal and informal spaces. An undulating roof plane that mediates between gabled and diagonally hipped roof geometries creating a dynamic vaulted interior space. Exterior roof and facade cladding is comprised of wood shake, metal standing seam, and vegetated surfaces that fold together, collapsing the distinction between new and existing, landscape, facade, and roof surfaces. Glazing is positioned for deep and layered views, creating subtle visual connections between spaces and dramatic views to the surrounding natural environment.

Honors and Awards2011 Honorable Mention, AIA Cleveland ChapterFeatured Media and PublicationsTakle, Gary. “Houses For Families”. Victoria, Australia: Think Publishing. August 2012.Takle, Gary. “Contemporary Renovations and Additions” Victoria, Australia: Think Publishing. July 2012.

Entry Level Plan0N 84 16

Master Suite

Gallery / Circulation

Exist

ing

New

Living

Program Diagram

Exterior Space Diagram

Envelope Diagram

Facade Diagram

Extensive Living Roof Panel.

Gravel drainage channel.

Perforated gravel stop.

Roof framing and insulation.

Living Wall system.

Continuous aluminum drip edge.

Concrete floor.

Floor framing and insulation.

Insulated foundation wall.

Finish grade.

Exterior wall framing and insulation.

Roof membrane.

Wall membrane.

Green Wall and Roof Section 25

Baltimore Micro-CommunityCompleted: Spring 2009Design Studio IVRole: Student

Concept Sketch26

laundry

garbage

exercise

takeout

party

maintenance

yard-sale

dog walking

parking

recreation

essential retail

entertainments

play

Architectural sustainability practices alone are not enough to create a sustainable future. It is a misleading and inadequate endeavor; instead, this project sought to create a building which is based on principles of responsibility, to humanity and the environment, through a strong sense community awareness.

The city of Baltimore, has developed a commercial district surrounding the waterfront of Baltimore Harbor. Building an iconic, sustainable commercial and residential micro-community within the growing district, an example of sustainable construction and living can be set for the city.

At the street level a dynamic commercial area was proposed to serve the surrounding area and residents of the apartments. Spaces such as parks and public areas provide a location for important social connections. Large open spaces were proposed above the commercial district to facilitate the interaction between residents as well as those visiting the micro-community. A housing typology created within the apartment, clusters both similar and dissimilar units. Each cluster is defined by an iconic oculus. The oculus, suspended between the vertical circulation of the towers, functions as a trombe wall for the units, while providing shelter from the natural elements.

Honors and Awards2009 Faculty Choice Award for Design

Community Requirements Good / Bad Community typologies

Community Analysis Diagram

ERV

+ Tr

ombe

Wal

l Ass

embl

y

exhaust air

exhaust air

warm air feed

cool air fead

glass curtain wall

plumbing +electrical chase

RenewAire unit

cleanedpre-tempered

unit air

collectedunit air

tromb-wall assembly

Sustainable Systems DiagramsGrey Water Reuse System Oculus Systems

S Tank

CITY WATER

.01762100

.02

.03

M3

.04.05

.06

.07

.08

.090

.01762100

.02

.03

M3

.04.05

.06

.07

.08

.090

.01762100

.02

.03

M3

.04.05

.06

.07

.08

.090

M.D.P. 1

D.P. 2

D.P. 2

D.P. 2

S Tank

CLU

STER

.2

CLU

STER

.3

CLU

STER

.4

CLU

STER

.5

CLU

STER

.6

Geo.

Field

W.Ht

CLU

STER

.1

WASTEWATER

fltr

Thomas LindsayCharlie Able

Apartment Layout-Species Code

Clo

sed

Loop

Geo

ther

mal

Sys

tem

sola

r co

llect

or

faca

de

boiler room

Inte

nsiv

e G

reen

Roo

f Stru

ctur

e

Growing MediumRoot BarrierDrainage, Aeration, + Water StorageInsulationMembrane ProtectionStructural Concrete

good horizontalcommunity

bad horizontalcommunity

bad verticlecommunity

good verticlecommunity

Thomas LindsayCharlie Able

Community Organization-Kingdom Typologies

Desirable Community

Desirable Community

Undesirable Community

Undesirable Community

1

1

2

2

3

4

4

3

1. Residential Space2. Retail3. Restaurant4. Live/Work Studio6. Public Exterior Space7. Private Exterior Space8. Private Parking

Site Plan

Site Approach Diagram

1

1

25

7

3

5

7

5

2

4

4

8

1

1

Oberlin, East College

N

N

N

Serv

ice

Public/ Private Access

Commercial Access

Private Access

Park Transition

Privacy Screen

Private Space

Private Space

Public SpacePublic Space

W E3030

*Angle for maximaum solar exposure

Wind

Scale_1/32” = 1’-0”Site Plan

B.1

B.1

B.2

B.2

A.1

A.2

A.1

A.2

Crystal Community CenterCompleted: Fall 2008Design Studio IVRole: Student

28

Mar 20 || 7.00a Mar 20 || 10.00a Mar 20 || 12.00p Mar 20 || 2.00p Mar 20 || 4.00p

Dec 21 || 7.00a Dec 21 || 10.00a Dec 21 || 12.00p Dec 21 || 2.00p Dec 21 || 4.00p

Parking ExitVert

ical

Circ

ulat

ion

Atrium

Viewing Deck

The site, located in Oberlin, Ohio. This small town has a dense city center and abundant park space. The building attempts to display a simple elegant beauty yet maintain a sustainable functionality. The crystal was the basis of the study. The outward beauty and simple logic inspired the building to become the artistic heart of the community. A crystal grows from a central location branching outward in many directions. To capture this pattern the program was divided into two axes, a public and a commercial, converging at a central integration of the two spatial types. The axes were governed by the solar orientation required to be a sustainable building.

Shadow Analysis Diagram

Location Map

Site Section A_1

Site Section B_1

Site Section A_2

Site Section B_2

80

N

S

EW

60

40

2030

60

120

150210

240

300

330

Janurary 21 Sun Path December 21

Elev

atio

n A

ngle

Oberlin, East College

LincolnSmith

Gladys

Clark Caskey

Kimberly

East CollegeWest College

West Lorain West Lorain

Locust

VineForestEdgemeer

Reamer

Elm

Beech

Maple

Walnut

Oak

MorganGroveland

Sumner

Oberlin El

yria

Kipto

n East

Road (U

.S. R

oute 20

)

Hallau

er

GraftonParsonsSo

uth

Plea

sant

Nor

th P

leas

ant

Nor

th P

ark

Will

ard

Orc

hard

Art

ino

SternsCreekside

King

Sprin

g

Obe

rlin

Sout

h Pr

ofes

sor

Ceda

r

Nor

th P

rofe

ssor

Pros

pect

East

ern

Hol

lyw

oodPy

le S

outh

Am

hers

t

Fairw

ay

Colo

ny

Sout

h M

ain

Nor

th M

ain

Nor

th M

ain

Hamilton Hamilton

MonroeWashington

Willow brook

Spruce

Kendal

Plum Creek

Plum C reek

S tewar t

TO ROUTE 10 / I-480 CLEVELANDTAPPANSQUARE

Jan

100

80

60

40

20

0

-20

Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec

Thermal Comfort

ah

al

L

Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec

4 in

6 in

8 in

10 in

12 in

14 in

2 in

1

2 3

via dante alighieri

ales

sand

ro

man

zoni

cor

so

site

Har

d_so

ft-s

cap

e In

tegr

atio

n

vicolo della misericordia

1cm 1m

Bench Formations

Portico

Entry

independant Stair

Roof

Ano

mal

y

7.64

6.36

3.25

12 : 1

CoffeShop

Bathrooms

Bookstore

0.0

3.0

12 :

1PR

OG

RAM

ATI

CD

ISTR

IBU

TIO

N

Piazza GeribaldCompleted: Spring 2008Design Studio III

Role: Student

30

The design of a library addition and adjacent piazza in Piazza Geribaldi, Lastra A Signa, Italy. The scope of the project included a reception area and accessory space to the new town library. The library is within the historical Spedale di Sant’Antonio, a building which dates back to the 14th century. The Spedale, includes a lecture hall and an exhibit space on the ground floor; with the library and reading rooms on the first and second floors. The intent was to experiment and explore the possibilities for the design within an existing urban context.

Piazza Geribaldi was divided into two zones, designated as the open space piazza and the building extension. The footprint of the extension is minimized to allow for large community gatherings and free circulation in the newly revitalized piazza. Correlating the density of the circulation and the softscape element of the site, a dematerialized pattern began to emerge. Utilizing these elements an inviting public space can exist outside the library. The three terraces forming the building extension elevate the interaction between guests.

The first elevated level faces into the piazza, the primary interaction zone. The staircase leading to this level frames the lowered floor of the bookstore in relation to the terrace. The elevation of the stairs continues the horizontal striation of the east facade. A sense of awareness is evoked in what is happening overhead through the striation patterns. The second floor functions as the interaction between the two other terraces, overlooking the piazza below. The third level is an extension of the rooftop garden. This terrace focuses on the cinema space below. The green space of the garden is extended into the piazza via a lightweight surface.

1

2 3

via dante alighieri

ales

sand

ro

man

zoni

cor

so

site

Har

d_so

ft-s

cap

e In

tegr

atio

n

vicolo della misericordia

1cm 1m

Bench Formations

Portico

Entry

independant Stair

Roof

Ano

mal

y

7.64

6.36

3.25

12 : 1

CoffeShop

Bathrooms

Bookstore

0.0

3.0

12 :

1PR

OG

RAM

ATI

CD

ISTR

IBU

TIO

N

Study Model

Massing Diagram

Material Diagram

Drawing the FigureCompleted: Spring 2008Freehand DrawingRole: Student

Figure drawing course which provided personalized instruction in a variety of drawing techniques including charcoal and graphite drawing. Different approaches and techniques were suggested while developing approaches. Work was primarily from models and plaster busts.

Left: Donatello, charcoal on news print, 24” x 36”Right: Female Nude, graphite on news print, 12” x 36”

32

Unicorn Puke

Featured January 26, 2011

Challenge: Take a photo that uses one or more light sources to produce a strong flood of color. This can be a true color or an analog light covered in a gel

Technique: Light plays a large role, in bringing out the contrast and shape of an image. Either use a light sources equipped with plastic filters that colorize light or take a photo with clear independent light sources, then recolor them in post production.

The Photo: Taken on the Santa Monica Pier in Los Angeles, California. The picture captures the vibrant colors of the amusement park at night.

Taken by Sony A330 with 18-55mm lens at 18mm, f/3.5, ISO800

Gizmodo.com Shooting Challengesweekly photography competitions

Blink

Featured August 1, 2012

Challenge: Take a photo that lasts 1/10th of a second. Big bonus points for playing off the “what happened when I blinked?”

Technique: Set the camera’s shutter to 1/10. Lock it down in Shutter Priority mode. 1/10th of a second is an interesting exposure. It’s not fast enough to freeze motion, but it will smooth moving entities.

The Photo: My muse, a boxer who is in state of constant excited motion. I wanted to capture the expresions on his face as he chased a toy in a park. His elated expresion can be seen, frozen in a ‘blink’.

Taken by Sony A330 with 18-55mm lens at 50mm, f/5.6, ISO100

Project Credits and Acknowledgements

Robert Maschke Architects Inc. The contents of this section courtesy of Robert Maschke, AIA, principal of Robert Maschke Architects Inc. Photography credit: Eric Hanson, Hanson PhotoGraphic, Copyright permission: Robert Maschke Architects Inc.

Kent State UniversityCollege of Architecture and Environmental DesignBaltimore Micro-CommunityProfessor: Joseph Ferut, Jr Students: Matthew Lindsay and Charlie Able

Crystal Community CenterProfessor: Joseph Ferut, Jr Student: Matthew Lindsay

Piazza Geribaldi RenovationProfessor: Paola GiaconiaStudent: Matthew Lindsay

PhotographyThe challenges and techniques proposed in this section have been published on Gizmodo.com by Mark Wilson. Photos were taken and submitted by Matthew Lindsay.