-
. .
At first I --~ ~ARRv RYAN it's only ~ Sings r--
d A.\Jl. extrao~ inary- ~..,~~ --
' RE CO R DS l TO . '
MARBLES FIRST APPEARANCE . .
-then it starts to
grow on y9u. 3~ SOHO SOUARE. LONDON W .1
C•S-8106
01-734 .,.,
-
l RECORD MIRROR. Week ending April 19, 1969
... want to let off steam? Any questions on the scene? Any
problems? Then drop a
line to VAL or JAMES, . . letters dept.
GET FACTS RIGHT FJRST---R.M. reader TITLE TWIST " { HF.ARD IL
Ttlru lhe f;rtlJ)cvine"
. t hat "You've l1:1&l lti:tl Ltwlnc t,'cc-JJniC. "PIC-ilk
01.H'l 'l (;c,",
" Vbu'rc n\J.' 1,:,•1.•ry1hini::" ;and ·•1'111 t :nnn;i 111;110:
YllU 1,1)\/(_: Mc'',
I.Aok lnu.i;. lhr()U~li "The wh)(l , lllllls of FOUi" Mi:nd''
anll re111~rtab~r " TIie w;i,• It Ufit.'CI t(I H~". Y;(,• used 11•
~o " 0:tnclnFt m the Stn-cf'. Ou y1111 n;,ttembcr ·111c fl'irst or
M.iy" when we "'·ere Juln " l'a&Sln~ Slr~n• f-:('.rs ... in
"'f~ fljd 1)3d Old 03YS he Joni You l.oved Mc". Theo w1ten I saw
)'OU I i.aid to mYSClf " Ob,1.'l , dt Ol l-La•d;t", "SOmethini,:'s
flWin~ lo let )'OU ··Surround V1m;l'lr .. n (h SuP·c,u l,1w(• Her"
lht-n k1.>t'P h~r. ••
SO .. e1,r.incei. many rans of the world·s t()!I
inMrumenialisl,
Duane EddY. -.·ill Ile: u11;111·urti 1h;)l ,,.e arc fortunate
-.:nou~h lh bave Duane in 8ritain just now, as J)art or an
exieni;in: ,•ii.it to Eunme.
I wai. lueky and 1n.1na.a.:l ·d to $('(' one -01 OUane·s Jive
appearances wl'llc:h 11•:•ll all e,:cmn~! .tnd 1remt?n• dous .1S
e::,•er. :md 11, spe:ik 10 Ouanc. whn mw;t bC 11u: 11k'r:Sl atu1
lnendllest person in lht world .
Fo r .iny of his rans who are no1 ;, w;ire, Ou;,_ne i!l: dom11;
,l si>eOd and ~"·uni: brlllh1lltl)' thro~1~h .- Jiv
-
RECORD MIRROR, Week ending April 19, 1%9
"Get Back" is the Beatles new single. It's '
the first Beatles record which is as live as can be, in this
electronic age.
There's no electronic watchamacallit. "Get Back" is •a pure
spring-time rock
number. On the other side there's an equally live
number called ''Don't let me down''. Paul's got this to say
about Get Back ...
"we were sitting in the studio and we made it up out qf thin air
... we started to write
•
words there and then ... when we finished it, we recorded it at
Apple Studios and made it into a song to roller-coast by''.
P.S. John adds, lt:s John playing the fab live guitar solo.
And now John on Don't let me down. John says don't let me down
about "Don't let me down".
In "Get Back" and "Don't let me down", you'll find the Beatles,
as nature intended. Get Back/Don't l·et me down (Parlophone
5777)
r
/ Apple Records
l
•
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• RECORD MIRRO R. Week ending Apt il 19, 1969
SIX PAI OF TENNIS SHOES
11 WEEK FOR STEVE! (WITHOUT GIRLS HE COULDN'T LEAP .... L'Rl
t-:'\US. hf'', pul do\l\>n 1hr pint, and ,c-otc-ht>d the· I'
Sc-otrh . H111 lhnt ,houldn·1 bt• too mulA~t' prt>i\entalton
.,..o, hurdl~ loc'klng lr1_ purt' ,ltnfll) and In fact Stfi'\t'
himM·lf mu,t ht• In prt'tl~ µood 1'ihOpt- to ~··r(' Dn lnteR:ral
part of 1hr otmoo;.phnt• and that I, e,..,t>nttnl Without tt I
('oulctn't lt>np nbout am1 I llkf" lraolng nbm11.
Thl'rl' I, a hint in th(' nir of a pos.slblt' fortheomlng 1.P
lrom th1· Lon- Affair, wri1ten entlreh· b~ Phlllp Goodhand-TaH.
tht• m.on bt'hlnd the pennlnK sidt' of their ,lz.ablt' hll ~t'rle
...
"That', ,till 1n thf' air at tht> moment . We'v,• ht•ard ..
oml" or th(" .. ong!i. and It "-Ound11o greot. but ,n-'d t..lnd or
llkl' to do ,omt• or our o-..·n stuff u, '-" t>II.
t•:vt>nluall)·, \\-·t•'II pul oul on olbuni nl strlctlv our
1>""n ,ong"-. Thf•
v to " ·au and set->.
"Somt>ont• a,"-t>d me lt Wf' were a Jltllt'" upspt "'Ith
Philip since "'l' didn't make the top lt>n with 'Onr Road'. The
answer h, no. Thl" song ,..·as m~ant for th,• most port. to
e~tabllsh our vers.otlllt)'-nnd It did. We wnntt>d ,omethln~ a
bit different for that relea~e. I thought It would gf't n
llttJt> higher In thl• charts, but I 'm certainly not
dlssntlsfil'"d with the reC'epUon for It. Thl' next slnglf" will
probnbl) bf' upbeoted ogoln and could ht> callrd. 'Orin,; On
Bork The Good Times'."
The good times ha\·e nt-ver been OWD)' for Ste\'p ond tht-
(.,()\'f.' Affair. and I eommented on bow well he, was looklnK for
the amount of work thot hod to be put In. II looked to nw a .. If
he'd hod o '-''t>ll sculptured haircut rf'"ef>ntb.
•
"'1",r nr,rr had n halrn11, ·· :-..lt',1· ..:rinnt•d "t1 ~ur1•
that one oul'." Thert> ~ould bl" se,.-erol answers to thl..,
nn~p,uhop, Lo\'l' Affair fans eould fill In lhl' RM n, to why they
think Ste,,e ha~ never had a halreut. BlologkaJI,· ,peaking, or
fourst', It f)t>t'ms to ht' a necessity .
"I'll tt>II you ,omelhlng that's a good laugh". uld SU~\'f'
with an e>IH ba,{'mrnt and ,wll Affair'. ,\ftt>r a i.nmpll'
of Steve's humour, how about o o;.omplt> of his mut' b reak
halfwa)' throul{h , lb• t tn Pll f tl tounda u.tra-n(dlnarll)'
Ilk\! Mick J 1,o;1:1r, Own UJJ lfm t.!? I n thttr think ,!j(t. 8
111)• Prti•ton 1>h1)·11, u11eful ciri,ran lo RU uu1 lh t
heav>· beat. Vl•ff lntecuous. The IYi>e "' lh in1o1 a ll lhe
Marquee 1.trOuPIH will l!l~erl)' add 10 thdr n:tP1:1rtolre.
o..,.11,t.1cib• not • h! l fur &IU)'OOf! bul th e
n~tt.lh!&, All 1h..-s:11nt I nthi,r like it .
" Don' t L~t M t! Down.. All lhu ue~111lr11 onh· releue IW4) or
th rtrt
-lllllJdl:'lJ 11 )'t'Ur, couldn' t W\'" Clt0t(1 •oru~•thlnN
lll(IJ't' lha.n lhlf Qu lle l>le.tsranl ln ll l'tt l htr
me(llnet·•· IMlfld t.-SCfiOI Ii li ld l!, II c,:ru:n1y could have-
ht!en tnclOOrtd on " Rut,.. bt-r Mui' ' Lennonl M tC'ntnc>'
C'\lr• 1al111)• b.iven ' t eKern:d their w rtUm: 1:,lenu ,111
tttl.l rtt'tlrd. Rather
11n1,roi,r1:.11· lldd h,r both Aldt.t. • r1d quil Oc
dllUll)POlnHn-:,
HEX (:OM f:S1 Tl,e l'fl.tllflll IIUlt d IHI lttrt• In
lhl•lr lHU•mo, to tt!V\\'fl lh l! Roell n' ROIi \trJI whh lhi!lr
··Lad)' MadMn;i" jlm:11!, Thli. lime, lher ,rnnd JI )lood C'h
&ll(.'f'. Tbilnka 10 Dilly P r,•1ton 0,1 111:1no. P,iuJ tor
•ouud1111c 111111 u h·otcal l>fat ~roup tln ,-ro:r, .lohn wllh h
h• Ch uck JJOtt)' Rh)' thm, l:fl1o1·n", wllh U n• non snundinll
real iroulful 11II 1h11 wo, l'ott ld h l\,\'CI twen a dou blt " A"
Sidi! l'UHfh!, eith er WU)' 11· s1:rnd1, a wood Mu.iac tal)f'i-;
•·he-rt! tr~OOM:Uers C1111 m tttler !ntc> Cl~lr 1'C'Otch and
t.'11klttf " h')' m an, 11-:~ Jo.,Ju·!I m ade II al hu11 ju,il like
Jude,"
ir, llOod, I don'l object 10 II, JUII Uke I don't obk-ct 10
earl)! Rollins: Slooes r.:cordl. P('ffllPI lhat' a lht! dlttcllon
wo'rt htudlni: tn. WJ10 know,. I doo·t know. GOd ltnow,.
" Cxln'I l..el Mr Down .. let1 "w d0wn .
VALERIE MAB8S: •·th.'1 Bad " fraturni • · •rock-it•
to-rue" itound renunlst'en l of d1y11 ico~ b)' In ,;mok e
tlllcd, lbd1tl)' lllt"ll,•(I clui,.,. Rc:i~IIUV\" lht Otll)'
i,.•rk!I fN)m P1u1, ... b11-cktd UP by Mlmf.' l)lu t!t)' .CUiiar
WQr1t NI)! llOn t:P\/• demk, Pe rh:11>¥ ! hi$ IJI :,nt11her
\'C:Stbo: Of th\l n )('k .ind roll paJUCht . howtver . It'~ ven·
UlUCh ll'U l 'O(lli:OlCUOUS lh lm " L ad}'
JOHN LENNON Madonna." 11~1.I'• Am cd11 wlll 11 11 on 1ht1lr m
o1orblku.
" Don' t l,tt Me Down" 11Ch>1 nimbly PH1 mid.a.,nmr y and
st0c1s sudde:111y al abt>ut 15158 "''hen nas:;11 whlntt and
l-"'ab111.n 1meer~ w~r..: 111 voi:,ue. An evtn more un!IQual('d hmo
Wllh d.ilfoqut:nl Jyr ict, lhll lllUJI be d C
-
RECORD MIRROR. Wttk •ndinJ April 19, 1969
0he · · 00d~ 8lues ©n 0he 0hrue0h0ld
of 0 ®rue0m 0 SML103c, «)pie aren't going 10 be disappOlntcd."
·
"We've appeared In many tcJevlslon shows. particu-lar1y on the
Continent." added Trevor, •·and I think you have to prove yourself
more through that medium tha:1 anything else. On singe ir you sing
a bad note ii can go by a lmost unnoticed, but with a recording
it's played over and over so everything should be exuctly
right."
Marbles are now laced with the problem or flnding a group to
accompany them on gigs.
"We had origfaally planned to use Trifle as our group,'' Graham
told me. "but they wanted to do thlng.s ror themselves, and you
can't blame lhcm for that. Now our mann1tement have found n
1,.'Toup for us. w c·rc due to rnect then-. lmormw. We would have
pref-erred to ~et our own bnnd together but we'll be hiding
ourselves uway in Scotland ror a while to rchc:arse wlth this
group, so it should work out.''
''We'll probably u!'e something like three saxes a bass player
und drummer," Graham continued, Ond add~d with a smile: "Trevor and
I both play piano and bass, which I think is good for a duo! . I
don't like to mention names. but Peter and Gordon, for example,
never played on their own record!., they always used session
men."
Trevor and Graham ha,1e almost completed work on their new
album, which is due for release in the beginning or May.
"We'"e recorded the album over quite a l.ong period."' Graham
told me, "I reel now I'd like to do 60me of the vocals again, as
you can get dissatisfied with them after a lime. The final mixing
hasn't been compJctcd yet. so we may be able to do some tracks
again."
Marbles have recorded 14 tracks (or the a lbum, some of which
are their Wil compositions :
' 'We compose quite a few songs now.'' said Trevor, "but
something we really hope to do is wrile fllm soundtracks. We'd like
to act in a fllm too," he nddod enthusiastically, petering off at
the sound or anxious mutterings -from a member or his management!
8ut it's obviouslY. something to watch out for.
Grahum then returned to the subject of Mnrb1os· LP. "Ovt.'r hair
o f the numbers hn.vo been arranged by Jiml Horowitz. We must gh1c
him u plug! There won·t be nny loud numbers. us we Hke folk und
pretty sounds, though my voice can be powerful-just thought I'd get
that in!
"I used to sing harmony in tho school choir and my teacher once
stopped ttvcryone and said 'Bonnet, stop singing so loud!' My volte
was stronger than all the othl'rs pu1 together! M)' mother's the
ori.glnal Aretha fo'rankHn, you know."
Graham had been lhumbing through Record Mirror, and a t this
point turned to a letter which was written in defence or Marbles,
against. accusations that they were only in the business for the
money. This brought the t-Onversatlon round to the importance or
hit records.
"I think it 's very lmportan1 to have chart hits," said Graham,
turning to his cousin Trevor and enquiring, "That's right, isn't
it?" Al lhls Trevor nodded In agree, ment and leH (;raham to
continue: "The whole Idea of music is to please the public. and a
hit record proves that's what you are doing.''
During our conversation Graham had sat sweltering in a heavy
navy overcoat. but refused to take it off, saying: "'It's pal't of
my new Image. When everyone else Is walking around In summer
clothes rlt be different wllh my overcoat!"
So I left Graham and Trevor sweltering In the office. and conven
tionally joined t h(! crowd outside!
VALERIE MABBS
-
6
PETER JONES
REVIEWS HER NEW ALBUM.
WITH lhree product>rs lhrow1ng ,n their -.,aried lalenls --M
essrs Jerry Wexler. Tom Dowd and Ard Mard ,n-Dusly Sprmgl1eld was
clearly ;n happy mood v.ay down in Tennessee when shC' v1s!le-d
there lo mak e her nt'W ,1!bum.
Dusty In Memphis 15 ,1 sl,1nd-oul album . Judged by ,1ny sl
and,1rds . II dO('sn I preclude her continuing lo record 1n 8r11am
bul 11 does p1n-pom1 se-.er.il slarll1ng \laltalions tn style,
power c1nd ove,ral1 produclton. Let's look al the .llbum more
closel y track by track .
Dusty In M €."mphis --Jusl A l1llle loviri So Much Love. Son 01
A Pre.1cher Man I Oon ·1 Wanl To HrJr About 11 Anymore . Don't
Forget Aboul MC' . Brt.•,1ldas1 In Bed Jusl One Smile . The Wmdm•
lls 01 Your Mind . In Thl• L.rnd QI M,,kt> B('l 1('vt• No Easy
Way Down I Can I M ak e II A lone f Philips SBL 7889).
First track . a Mann -WC'tll song S£>1S ;1 su1l,1bly sou!lul
rom,"lnt •c 11100d n1 c (' ~'.h-., lempo. simp ly b,1cked ,,I lusl.
then building l1n~ly !h is ,s Ously 1n ,1 voc,111y thoughtful
n,ood. ll£'1 1ble sh1mm1;•11n~ O'JN lhC' Could be th.JI lhose who
dig Dusty re.tl ly bt•lt1,g out sluff will be disappointed bt'Cause
:hcrt• 1s somewh al srmll.u1ly ol s,lyl~ and tempo 1n the mal e,rnl
soloclcd. Ag,-,inst that 1s !he lacl l hal C'ach song 1s a
comple!t" C'nlily usually lolling .J slory. oflcn s,id lmgcd .
which sulls Ously well .
If on(' lnk cs it .1s ,--. slcp ,1ho.1d, ,--. ch,1ngc of
direction . 11 stands up ,,s the bes! yC'I from Dusty. For sht'Ose
a s lipper tree l, a strange idea tor a sonx-bot Lincoln h:u,
M>mc wild ideas. I like writing with him - 1 used to write much
more on my own. but now I think we can get some thing good ,:olnw:
between us. /\ lot or 1>eoplc criticise our records t.>ttaUsc
they ~Y our lyrics arc very rc1>clitivo. and we don't pu1
cnotuth into th(' words. Out I think you ha\·e to decide how
imfMJrtanl the words ore-and if you can say cverylhing that's
n~s.,u:1ry in jus l ten lines, lhe n you don 't need to wrilc more.
Besides, our soni:s ar c very bcaty and they jusl don't need comJll
iC'a lcd lyri~~. The only time we tried to do anythin" n bit
differe nt was with 'Laurel rind Ha rd>•'-h wos a s light ch rm
gc of sty)(', and it d idn't d o very we ll at a ll,
"Our re4,.-0rds still do much better on lhc Con lincnt-ln la.cl
just about everywhere bar Britain and America, which is a shame
because I 'd like our records to do helte r in this country, We
spend a lot or time abroad, obviously, l'm we're really working
quite hard at lhc moment. Wc'vt.' jus t got bAck from three wee.ks
in ls:roel- it was su1>poscd to have been two weeks but we were
virtually kidn:apf>t-d by gangsters.
" We we re book t•d 10 go o,•er lhcrc tor two weeks- bu! It was
n \'c ry s tranuc sct•u1>. The prortl(1ter found thnl he wnsn·t
J;Clling h is money back on all the ~igs ho'd anon1;ed tor u s-
he'd had to let ,;omc othc-r gangste r In on the deal cand split
311 the money or Mtmcthing- so he held us there by thrcntenln1; u s
with vtolenc' Cak'b'. Lortna L,11111 (who. tnf"Mltn1~111, stole the
tl.rst ball Of lht .'lhOW), Pbll $ncl)' and Tht-Ralt('bl:T$. The
Qranft Hl• ~m Sead, Jan n • .,.,... we11 ffilldlt. aau, JOMI Wtsk)'
RJkti, Mf'n1JI MMtt, 1'1lot- UW.Wl-en, Larry
-
RECORD MIRROR. w.,k •nding April 19, 1969
DOZEN TRIS !
SOCKS YA. • •
~k in our Disc Jockt y Do1..en. ,eror Rosko. 1glcs he considers
to be half six of the best or the current urilc I.J'. - now be
r~ady 10 pick it up. o my s ix all-time favourites," just as easily
s tart with the
,n~. As a unit single, it is rig -singles that ha.I o( ntW s
tuff. Ont of 1hc 1rat"k$ I llh wbt('b I &wn know lhO na~ of, I
o H ''rhe Clod:'. ll 'i; • fHlUtie LP and acre,it tor
dll('C)lh(-Que!l. I lmulne lha t In a «MJPlf! of n an it rnL
-
8 RECORD MIRROR. Week endlna April 19, 1969
' revie wed by Peter Jone1 new :ingle1 reviewed by Peter Jone1
new 1i ng les reviewed by Pe ter Jone
A £OT OP GOODIES Welcome to TRIS WEEJC PBOJI ••• ~IANFRE:D
MANN
Ruamuftin Man; A .. 8 " Sldt-lfontaH TF LIU) . Not •• llnt
i,urll\l tllltlr mc,11( com,nerdal. yet 11 c,>upk of ,01ns pull
II In t1,e ob· ,•h>us hll nlf:«On'. n.t.re·~ a 5trldtnt
&ouclt '" tile \lo-tal u 11 hulkb, and UH! main dton111 l•
t-al)' lo lilt tn, mtnUlll)'. ln Dirts • bil dbk,ltttf:d, but no
m.1tkr - U'a; OOlh ,ner!(t'Ur. and mu,Jdanly. A1' nl now, l'U be s
lll,tn,c a.kln1 with ll. PUp: tma.-a·uctve but dead wtrtd.
C'HART CERTAINTY.
DAVE: BERRY THE SPONG t:
AND
Hum, • l,uma; Oh What A ur, .Oecea F llttS). Can't be 1ur.-1bou1
UIII une ber.ause Du~ llas bern Jon,r ti~ out cir UU! fflatls. n,u
11·, wortll t0mmt11dlnc b«auw II fH hU'ff one Ori Ult bell tole-es
ilCI tlle lltt!lle .. d (b(l *°"' hH • mos, tc:lmmtrdal dlt rus,
Wr1tlen b)' tbt: «lll-ed8,td ltam or JClllb Ca.rler and C,Nff
Sle1>111eflll, Atmos--pllerlc. l--'11p: Lh'tl>' s~,c and .
... 111 Wt.U pe.rformtd.
C'HA.RT POSSIBILITY.
THE BACHELORS Where ne Slue Of T'be Night;
Cakrlna (Dctca P2UJI). A df,ubh! h A" rc' • pop lYl>t of Mini
lltrf!. "'"" t.HD)' 1elltn1 UUl IIIO'l' of a be1 who ,.u, fllr 11":
, ·1r1 nt.XI doclt
- and ~ n·1 tven 1e11 hb tedd>'· our abctul It. A 11•in• l1•r
an •ict!I, .. IM mJJCbl ~ k. •nd • tlo•lid re, st.orr the
enertct-114' l ,UDY 10 1114' Cftaru. sr:numm·1al, of ~f'ff. b1.11
wtt•l'!C •• WNJIIIJ Wltll lhal? Pllp: HU\' )' mid • l•moo pl~te.
IUld Ulttl)'.
CHART Ct-:RTAlNTY.
ACE KeFFORD ~'TAND For Your Love; Grn, Uoob>·
Jamm CAllanUc 551WH&). Group fur. med by 111·e b~a1r;a,,.,.
Movr mem, ber. now fca,torlnJ: hb OWII VO~ -,utd • 11:IICMI
\lt>k-e II 111. tff, 1'Ntublc b • IH'lt Of dl:rtt.ht~S In the
cart, 111ag~ htn!-, bul tlfttt h Jttb under w •1 u could oro,•~ "
mo!II ~mmcrrlal bel, Cf'rtatnly a lot of UIOOPI Wtftl Into tlle
Pffl• d1tdkln - b u a grow • Olli . J'ltU UPUI, to toln • phrau.
FUp. A WIidiy rnm• alladc i11s1rumen1a1:,.
CHART POSSIHII.ITY,
DES O"CONNOR O&C:lt: • A • O•m , Oum: Pot 1..&,y,.
Or MontY (C:Cllumbla OB UM). Wr1Uen bJ IM • hkllUllll115 Jim
Oak!, "'ls Is 0a In • llurry • akin~ n-.ocl. Already ¥taceel hr
crltk& whit re, 11-mt his very pn,1mtt 11'1 the IMIIP Rltkl. II
11:l nevtnltt~s • tuneful. u tchy umber Hd lie. •IIIIP H wllll
beGII IIYkl Md P('.no111111Hl,J. $deb rt11:ht In the mind. Can ·1
sins aloa• wUb lllb, ene,i,t In &be main d 1onaJ. Fllpi An
O'Connor Mtflll .,, charm.
MASSIVE SELLER.
PA\!L JONES 11·.11 CelUns Detter; Not Bdore
1lme cColumbt• OB mn Pa.ul looked llke 111'.rltlns away on ..
AQuarlu1," but then: wa:,i: 10 n1uth wmpethlon. Thts, however. 111
a reh1rn 1A1 IUP form-lhollllil In parts It tlnt'&ll'l cvm
110.asul ll\:11 , ... ,... A M•Jln,Wrill SOO!f Of dlarm a nd
91>tll'.l1Hm a.nd a la,lah,lab tori tit baddns d1onu1. 11·• not
11.uetlr • mhlU(IUJI but It i~ Jane, ta Vf'rY "ood qJck, Flip:
Latin dnammtn~ and E•S:tcrn premlu, a1Uf.1calfr, •r"9 a Hlf-~nnccl
numbtr H Nr• monlea. CHA.HT PR06ABILITV
CHICKEN SHACK I 'd Hattltr Go ntlnd: Nl1hl Ure
(CRS HIS). With a .. , allMlm under thdr roHtcUn Nil, lbt
hls:tHaknltd lf:HI '°"'"' ... , de U1 t.1Mel\lfl!ill a faYOU.r In
tlle .. ... rbJitl•. u·• • ··•••tne\ltnS .... . piece, a bit o,n
lite mar•IIIH •*· 'WI"' Cbrt~i.e Petfttl Ckliila a lrtl• nt.- Mb,
llllf!tlallY N ~~ Y.al lllide. A ud munbtr, .-.,.._,., Otl
SPttlaUSI IPllffl, Yl!I 1llllllar ma.krt.al hH made die dlartl lie·
f9~. ttlat •••·• FIio: Slow, aplll: blue,iy, e11 °' a thrte,ynr-old
I.ad IPCIU-ina hil now famous " 504..1' U 10 me" and " LoYt tht
Beaklei" 11:ne:~ver, calehY m ain !tOflK, wllb \!Ont ,;.roui,. \\'
ho know•! Could m ake.it. * * * *
STEAMIIAMMER: JualiltN waiu ... : WJnchnlU CCB8 ,un. b lU!I lime
lo rtaist'1r. with • lc•na in&tTUmtntal i11trod~n. tl'len it
UteraUr hammers into a worthwhile 1ltce al British bluet. Cood
11utr, but ratMr for the IE~ht.llllt fi"ld. * * • * .
JAMl:!S ROYAL: t',•t S•m11U1ln.1r RN On Ny MIN: $11,e'.t ,.. l
ndepeadNM ICBS 41311. Another Record ot lhe Week. James rH.11:r 15
• 8.rst-ralf' Kl)'lill. Oon' l lhlnk th.la pa,Uculu •ona II atrons
enoug;h, but ii builds lnlo (Ille l1f hi• b 'Plt.i.11)'
blocllbutl1ln1 effort.JI .• * ••• *
ORLANDO: Am I ~ Same Guy: Petr Utile Mt «Nt'm1 cut). Oka1 -lYJM!
and bri111E balh1d-with brass hen and the.re, but It's one 0( 1hose
itwln• ••lon~ 11W-rt or l>eat 1ml, with Cindy An•l slngln.a,
wl1h • 1n:at deal uf Pf$naUtY, I, RtCOtd 11f lht Week, C'ould
elicit, * * * # * *
OON PARDON: COH Lovin' : l\ubl''I Pkh•.re't. On My W1U O•ye Jn1.
UtUl. S111r who mtltH II Jn ollH!r countrleA-Slill 101°' on tiere.
Thill h v.eU,performf>d m a hard-t.dae-11 w n of wa)' a Rd lhe
anan((emen1 ,~
,;plendhl. * * * * l'Al'~ fl DRAGON: Aprll •'ool : Gc-1
Somrlhln:-c G•tlaa rnen Hl,L 11w,. Rrilhth 5:ruup rccvrd("d b)I
SIi.'\'(' Ruwlancl for the labfll C1u1ld 1Jo well. 1:lvc,n a
iMmPOUr1, lhUuJcl, t here is sc,mt"lhlnt:t rrnllnisc~nt abuu1 lhe
Mm,:
il~('Jf, • * * * (¥ORI: SINGLES ON PAGI:
MIKE D'ABO PAUL JONES
l"AUI, SLAOB: Sound Of l..4•ve: Od111stcy CDett• F LINS).
Another Rc.-.:urour H.o•Jo11T; Valat O'Amour (Deeta f Dlll).
1-:urovllliu.n ll,Orl{( or con11l' of dubloos ~•ra OllC"t IUIN!
J.Aee; a.-.t' paa.111tnett (Ottu I! IIIN). Ooltat el : buo
on:hatral rtc!Ord!I come out monthl)' b1u tbore '5 atwa)'ii
IOmtlhitlS IOtau, d ilUnc:ttv• a.bout tM Chacqftcld 1om1d. Thl!i L"
a IO'H:IY thtmt. dreaecl up in a weller .ol sounds.
11trl:og,11tc.'1 ~ r• bn~ Hauntblc Is lM word, * * * • *
Phyllis newman's Warld af musit it's a happy place
SHK/HAK 8387
12 • S1ereo or ·Mono LP London Records o divi 1lon oJ Th• O•cco
Record Company l imited Oecco Hou,e Albe,, Embankment Londo n
S.E.I,
.,(().'\ Y)()}\:
T RB JOHN HAWKINS OIICH
r-------------'-------------------------tome UD with • catch)' UUle
themCI I• ''Tour 0. Praatt" fPrMldtnl PT Ml-nothtu 100 amblUOUI,
JUIII a catdll' llltle dltme. P'rom At.-KONO t.&TNC'St "Meile
Clrc.lt" CPltUlpl: BF t'N4,. wbk:il hu h1 moqaall bu\ Hlffll ......
el)' lO mau •* prolJ"ttl. t Another ClldlY UIUf Plttt GI eoufdlrabM
IIOft•YOleff tUrm: "Brlllht Reel Bui To Pt«adlU," b1 TII& P
IN.&£& tKIM KO HIS,), but a11Jn Ult:elY to mlN out. " Mr.
and Mn. Reu.rdl" I))' THB P'ACTOT\IMI ,ces .... , II baa1caUy
ralht:r a tcood l(lnit , nletlf IUNI - but lhttrll .. IOfflt•
1111,ur m"''"" ,omewbert:.
NOLA CAMPRRl.L 1in.ic1 " Pic-tUra. Of You" COH um. one of her
own ton... Witt.I conakierable 1u, and u.. baclttn• la buuur effec,
dve. Prom THE TE(:HNIQUBS: " W°hY You Gonna RWl To" cc11me1 CA II),
11enUy bhN°beal and per • aJa:tenl - b1u for the 81)eeiali1tl sort
of ltd .1lftd infeclJ(>IIS • . •. could N!~l,ter . LeONlE oomcs
up wH.h " Move And Croove" CJoll)' JV 015). Y1111K wflh ·" ONtan
b:icllimc for lhll main t1ooounc on 11 11,.k•·lYDe 11or1 or 11
lftfllt1 c.·at~h>',
WIIITI:! llAHBIT enwri.:e from th, hat with ' 0 Aln'·1 That
SOmtthlna" (Nem, 416$), a livcl)' •or1 o r per -formance oo a •oaK
that d eve101>11o well-'" ~ia TIIE HARRY SOUTH STEREO UHASS
(PhlJlp• UP 177D) . full of Are 11,.nd in11runum1:il
,,u,.ncf>.t. Abo orc::heatral: "'The WindmUIR Of Your Mind" 4RCA
Vl¢101' 11118). by the HENRY MANCINI orche11r:1 a nd c:horua-nicil'
l rcatmt:f\ t of an a lready bl$( bit !MJCU(. And "Ch i ll)' CblUJ'
uanK uanFJ:" bY MANTO• VANI AND 1115 ORCH, coecca f' 12910), :an
albUm track and .i J(ood umple of 1be " Mamovanl Scenu."
From lh• two plunC'ldl of RONNIK Al~DRICII, plus the London
Ft-all• val ()rchmnra: " Ride. Mr. se.e.Saw" !Oe«,a F" IHUI), r
plend d a.rranJ(e• mf'nt rrom the Pluuo 4 album " ll't
lh1os,enlnJ:." THE HICH sinsc " Lon)( l,h•t Th ~ HIJ(h" ,ens flM
>. whlt"h UI fair tmowch-or.011 a nd voieca ,ind a l:ani:ruid
sort (If sontt which comes on quilt' 1Hct1Y. "Slep Out Of Your
Mund·' l)y TllB KOOL CCDS lM$) fi.lrly bla.1111 c.ff from 1he tint
bar-,•ery full \'(!('al harmOftlec 1tnd a Ckl
-
RECORD MIRROR, Wttk ,ndlns April 19, 1969 9
NEW ALBUMS REVIEWED Bl' R.M. REVIEWING PANEL NEW ALBUMS REVIEWED
Bl' R.Jlf. REVIEW
JOAN BAEZ
3
5,
Joan Baez sings Bob Dylan . . ! JOAN UAP.7,: "All)' Oay
Nr,w",
- U,\' I"' Milin" :t..tro: Ni,rlh cuunlt)' Hluts: \ ' ou At11'1
t:oln' Newbert: Orltltr'~ E~c:1111ot: I PIIY nu: rtHir h1Jml3nn1 :
Te•NI o, R11e: 1'tad• En•CI Lid.>' Of Thti 1...ciwlatuH; LA1VC'
Ill Jusl ,\ Four-1.ctt4'r Wotd: I Orcam~I I Suw SL Aur111tllnt: The
Wall!> Of R4'd Wlna : Our l,a11dlt1rd: 0111~ Too Many Mom• lop:
I Sh•U lk' Reltased : Uools 01 S11111n1Sh Lcathn: \Y•lkln ' Oown
The l.lll:'ICk .:ind lhrow• In II f11w lritc: realimc drnwln~tr b)'
ht,r own pen. ~•>m e hf~•n•me
mu~ICl:IIR.'f help out 00 th~ b.itk.lnitll and ihtOUKhOUl lhere
ll an air ol • dmlratlon In lh~ way .Joanie 1>utii ac:ro,s Ille
U)'lan L)'rlQII. Jlftrd l(l ,11(-k l)UI lndl\' ld1,u1l t r:.t.t..'f
from t UCh a IU!llllt of m11tcr1,1 but lhe marathon "Sae A ~In.bow;
1'11111 It M.y Song; Tbe Cat In The Window Cl')'f! SttrHI N5PL
ISIG),
Sgur.fi:XPLANATORY t-0Uec1fon of Lhe sort of mr.tcrlal llu1 puta
Pel Into the CbitrU • II
ovor the world, Very L1m,ely wrf1tl'!n bY J aC:kl41 Trtnt 11.nd
T'o,u,. 1111t h , but with • rew other11 lhrown 11'1 fnr Mood
measure . A
• • • • • • • •
' ' ' ' ' ' ' ' ' ' " ' ' . ' ' . , ,
, : , , , , , , ' , ' , '
• • •• ..........
......
It's a apP.ening-enson style.
Five groovy new ones from Denson. A ll set to take a foothold
this season. 1 Featherwei11ht Suede Zip boot. Designed to be l ight
and comfort-
able. A cool, simple style w ith the longli fe sole, In Olive
and Sand suede.
- - - - - - -r-For the name and addrei>S o f your nearest
Denson Stockist just w rite to:
S ty le 933. I 2. A bold casual in t he VP.f Y latest chunky sty
le AntiQue broyvn
adds the f inal touch. Style & 15,;1,· · I 3. These Oxfords
really ,re the latest. In new. beautifu l ly soft Glace
Kid . Lightweight, comfortable dazzlers in a uniQue Loam colour.
also in sof1ee black and I.Jr own Siyle 804 I
~ Suede Chukka boot for sun chas,ng o r doll v chns,ng o r 1us1
p la111 la,v r1Jys A very com fortable, s1yl1sh loa fer ,n O live
suede. St v ie 820. I
~ Another bold casual ,n an l ique brow,, This one w 11h ~
d1scree1 b101l/e medallion decoration. Style 8 19.
The Denson range o f fashion shoes ,s ,n town now A grea t «1nge
o f fabu lous styles at prices from as li1tle as 49/11 10 79/
11
Denson Footwear.42-44 Kingsland Road. London E2, Name
Address
denson FASHION SHOES FOR MEN
v«1 r)' m u.slclanly 11nd professJon•I aerte11 or traclu1 •
•••
CUBV A~"'IO TUE (ll,11.ZAHOS: "Ot-solallon".-Ph.Ulps Stu.
1174.
A VF;RY lively Dult·h b lues bandh lauded bF AlulJ KQrftl:r io c
• i.leeve ncuu ,
Is tj;I.ICCll'IJ!lfUI 11111 lhroui.h tht tll.l IOUCh \.'I rr(l1n
a C'hiip nam~ Harr)'. ••• *
UI...ADYS KN1GUT ANI) THH PlrR: ''SIIII 'n' Soul",-t Wbb ll
Wo"14 Ratu n e Look or 1.o,•e; Goin' Oul Of My IIHd; Vouudu:
Groovtn•; Vou'Ye I.Mt 1"bat Lovta· f'eellll'; 'nlemt From vann Of
Ttw: 00111; Haby I Ned Your LovUII; To,elher: TM Track Of M>'
Tuni: VCMt' tt My EVf!.rythtr11: Every LIIUe 011 U1trt1 fTamla
Motuwn m1. JI HO),
GLADV'S bttrsl'II is l)flfl (JI m)' favounte 1u•oup lead
votcca-a hl.gh-lS7ini;i Klrl Wllh an j p..
1tinct for doM>k uacu, thci rbdu lhkll( 10 a at'l of l)'rlc•.
Tht.' lhroo PIJ)I com])ltmetu her 11tnae or fltt and s m oott1nc11.
Tht soul 11 h t ff au riahl, bUt So 100 18 a ICIOSS)"
profetslonausm lhllt smooth l'S 1hc whole lhlnlC out ntet:ly. Com•
mc11ded fo r 1ai1ns>llinM : " l,oylfl ' f{4!f!lln' " And
Yf!.11-lt rd1)'"
• •••• JACKIE! WILSON : "I t:et The Swcekt:1 f'r:eUna .. - v.u
Keto Me Hanicln• On : On Nt In A LUellme; Wllo can 1 'f'uni To;
rcapk, Don't c;., To s1ru.aen: I Get 'Otoe SwetleSI PeeUna: Yl}M
Brou.Pt AbOUt A C'banJe ln Mc: Nelhlna Hut Hlue St.1,11; A woman
Nffeb To ue Luvtcl; Growtn• TaU; SfnH Yeu Slllluwed Me llow Tn n,,
"•PP>' (MCA MUPS #CO,
SUPER-SELECTIVE •t:I frorn I.ho fireball w1th the acrob11tc
votoe, One or th!! besl rt1Aden
(It a 14:t or lyrks In lhe bu1Jneg1. 1om ti lirtlff o verwhthntd
h-1r\! in 1 welter of ba elclnJC sounds but inostlY ho ldln.t his
own at hui uwn lewet. And that tJ aome1htn1ot else. • • * • •
(;RAl'EYR UIT t " Aruund Gr•~ trull".-Antt\er G)unt: Ye-ttr•
day'~ Sun511tne: EJevaior: Yf!tl; C'Mon Ma rianne; Lullaby; Rooncl
G41lnA R~11d: Dear DeUlah; nl!i Lltlle Man: Affl 't It Good;
TIie.me Por T'WlltlY: Somtdaiv Soon f81a le• #Ide SL Mlilt),
THOU(;H ll'te Vlll(lrtt'I of atnicle e:hirt se~cuon someUinea
ob· acura lhe r,ct. cra.Defrult and.
a a1ron;c, youn;c. hnd,icr.hlin• And talented tum •nd lhCIJ'
bulkS thel.r perform,11ncu on a •olid bu• Of material penn1td by
baaaiat Ceonte Alexander. Sorne of thue are ob-vi>c IS-ab)';
To)' Soldler: ~••11 U•nic On: Don' t Think TMce: Worfltn• MY Way
Hack To Yl•U: Op11s lli Sherry; HIA' Girl• Don't C'rY: Walk Like A
Man: Candy (;tr1 : M ar• lt na; Punut,; ; AJn' t 111at r\ Sh1me :
lhwn: Stay: 81.8 Man Ill To,m: Al(lllc: SH«! It For Mel Girl Contt-
n.,umtn,: : nonnw: t··n Got You U11der 11,1)' Skln: Tell H 1'1,
The" Rain: Be,cA'tn': sn~uc• l!f Golden; C'Mon Marianne: Wa td1 n.c
f'k>wtn Grow: WIii vou sun Love lie 1'omorn,w
-
10
classified
The PrlC~ for cla.sisitl~d :1dvcrt1$e, utfnts ill 9d. Per Wl)td,
pr1t-t)t ld tor .t1U 11,:c:!loris. Po,ua l otde.ni Should be (
tOSlltid .ind 11111;dc 0 11)'· .ibh.• 10 Ri:t'Qrd MiITor
No money, tn any fern, , •houlric;,•~- Moore. 7:1 Mill Road,
l.AHllhlOII R1nu rd necl.!a r . f' t,;A'rtnms. M Curll$ H. S11lt,
U. 1:-1111o1'1:, R , nti.'l'lllltd O'K.wf~. ll3 M'kin•. o n:icon,
f', ('1um,i1:r . J Of'€' Al Oownirllol, .J11M't'II anti i,_;(tdk.'.
i,:: l•'C'lf11.ill1e. R . Ha ll . I,., Ltlhit•I, Tht1 llnwk. W. M'
T ANDY'S tarnc>ui< tn11II urdt'r t'll(ltlrl .serv1{'c 1inct
~t!t all )'Our records t1111tkh· and C't1uply. Oet11ll!I •nd f r~
li~ti• of 114:M' r c-l11lllllol'1( rrnm:-TANOV'S 1RM1, :ta
\\'o4nrrham1>ffUe~h lre. RF.CORD RAZAAR ,0,000 from 21, \Vnlt
(or h1111; 1141,, Ar-c1le f. lrefl l, G IU.S'lOW'
AMERICAN rt:c:ord• lll~l iOII . S.3.ttlS ad , dre11S~d
t11velocie 111· Su~. t:/ o 2,1,311 Theob•lds Rd •• L,ood{H'I ,
w.r..l. KJ:::NNY UALI. Al'l'HtU.:fA'rlVN SVCl b~r\' . - 8,tt.4.1,
to Miu Pat ~andeu, JI Culls!• Strte1, 1.une1.ou.. w.1. Ul'!OttGlt;
... AMI•: 1-'AN Cl.Ull -S~rntar,. M OM roinphm Stl'l'-l'I l,Olldon.
\V. I,
" ·TURN ON to Tony HlaC'kburn.'' -.'\.1 .e. LO ~Ml, nox: 2JT.
285/ 241 Reic~nt Street, r...ondon, w . 1.
UAV),,: l 'LAHK 5. S.A.~ 16 ~h1.u~n, ell> Harnhl Davison Lt(I
.• t:1$1241 lkicent !i1tee1. Ulr~fln, w .1
·•ug I N nOSKO'S aANC.E HS" -::i.~.e. t/1• HS Mork')' Avt •
J.on• don. N ,12.
JA(.'K JONt::s o m c:htl F.ul'Ol,11!.tn 1-'~n Club: 1.11,e
A1U:e.li1 g dtn. t.t 11QJ~W3II noad. Soulllrltn(HOII, SO I ,mw nu:
()to'f' JCI.AI, M,AIWIN C.:A \' ij t-' AN n ,uo. - S.:1 e. :fl N
U11, El~,. LPir l'f' r.-1urr1 10 : '.\l1>or,•, 16 Leighton
Ro~cl. l...c1ichton lhu
11rd. Ltnll.ad~, lk?dl
WE UtJV t,1•·s 4~ . Wrllr1 r.ir 1•,1111, 178 N11rth t,;11d
IC01J1d. Kensini.1011, IAmO,m. \\' 14
tt t-;l'O lll)S wanl..-ll f(II' 1.a~h u.. 8d 1,a1cl for
l!Niitlt.J 4$11 or any T11111l11 l&tld '10111 fl) flil'
Olht'r;\, 1(1!. fnr l,l'll and 1-i 8d for E Ps C'a,'ih .,,. return
1)r .'iend lb.-L!I ,,. J . Kh11C • Rt."("or(l;'H, f,0 S IJC:fMll!lw
c:ar(h.lll\, l.t•lt'l"-li lrr
TOI' l' H ICES lll\'f.ln ((Ir UIIWUJHi.-d r1.-corcts St:tld lhn
and $ .a ,(', tor Olltl'r .-R. N1Jw ton. ~ Oin lCle Hoaid. C'l11yh
11n~l!r, llrownhlll.J, \ \'alllall. .C.1;ilfi1
/'olH, l.l,\M Clounct,r, fol) C' f!Ph U A\'c, IIUC. S1t1mey
(:re-.'". 1.011d1u, l-: I WIii bU)' "rock" re-cords . LPI, EP1,
Sln~lt'S C11Uers wtl((lmt' . .in)' c,•en• lllll alter 6 P.111
e peraonal t:XCITIN(O OATI!.$ lJ"i' C'OMl"'UT€ft r,-on
lt\1£HVONF: E \' f:tt,'W11ERE
St:NJ) TODAV f'OH FR EI-: OUESTIONNAIR.! WITH OUT on-LIC:ATION -
DATELINE (OKl "'T. R ), 11 STRATFORD ROAO. LON• OON W.11. TELEPHONE
H•t27 11102,
JAN6 scorr t•>r .itnuuu, rrte,10,, lft1rodu('Clon1 (lPPOIIIU
•o wllh ,111-cerll)' and tllUUl[Clll fulnHil!, l>elall!I free .
!Id. stamp to ,Jiwf! St-1>11. ~0/RM Maddo• t-itree1. l.c,nd(lfl,
\\1.1
e onnouncement• ULUSlUNG. shyness, nerveit quk kly uverconie bY
my runow; 40·Yt"ilr• old remed.,r.-\\'r t1ci now tu: Hemry Rfv ..
r.a (JUIIO, 2 St, Mary•• S 1rt1t1 I , 11w,11n~n
e for tale \ 11CTORIA.N AO\' t.:RTIS£MENT POSTERS, Send II. Iii
.a, lllr e11la l01t1Je 1he:1n . P• ul oe1.a ney, H~II. 11 fleath
(:arcten1. SnUhull. Wnwk kahirt.
l 'SVCUEDEUC IMA.GE$! llavc> YOOf favoUrtte ph:.1uru or
Photo, .11.Hlph, (p0R,'4Qtr, tlWffth«• r l, pel ,·tc.) l'!holoon
turn full)'•PrIJblishmg company tiay th.it thlrtec-n i{ntcJe:J e1 t
Kenny Youn.s ,on1r~ a.rci now due for ttleHe Whlth ean•1 be bad
•.•
Pettr "Peret· tlowc.s t2:0, 1 rum~: Mick t:rander 09), bast: H
ay S1r-lck!io11 c2n. lt~d: Ptul Prewer 08). Jud vocal: O,rty
Hodtn•Prl« t22~. rhyl hm t ktyboard . A h il ro r 11184 In
196$1
-
M~SSRS. 'l'ONY MAC'AULAY arid JOhr1 MC.Let)(!, hll
$Ollfl:~•rlleti, a rc broadcnln~ their horil(lns. With twelve hil.s
behind them, tfW?1 a.re now connected with new ;roup th,c,
F'l>'ina Machine-
Tony u writer a nd producer, J ohn 011 1he man,1a:cm ent ii~.
Group, n,•c:-Jit ron1t, come s f rom Northam 11tt>tt--and ,·on)'
rcct uns 1h:11 uie.lr fir$! di". "SmJh! A LIU.ht Smllt For Mo", on
Pye, 1, CHW or tht most commtirci:al he'it •Tllten , , produced ln
col1abonll. ·niL" Pl)'lmc Machine ,o;hould ta.ke oft .
OUT ON NEMS: rromJ$t, • nfw icrou i1>, aoo "Just Por You".
Proml!le l!I • icroup ot flvo. au of whom pl11)'ed wllh other
grouos. and a.II lived on proml~ irom various m,l\nagcrs ancl
oromoteu. But thOUQ:'h lhfl proml$ts didn' t ((jll\(l Off, lheY
,1111 h l\'f round ll namt: lt lhtm$plvu-Prombe- and throu11n Nems.
C,irll Black and t heir own aaencr Robin Entert1inmcnh1 u.rtr
IOClkini:t ff.'I - That':,.
M)' a., cMuo11mtnl MON l fU). Allbou1 b llllJe lnftuenc:e '"'
11~ bH· wur1hlnU $ h)dlll)'. Ilk- tc,rinal Clf thb br(lhl Uld
bouJtc)' RCI Vfh y liORJ ba.ii: Ill 1un1 llne •If shnH1r ttSls/orlY
·eo,s fure-runnn,; fRa71' uwn ''Abab Tht Arab'' In· d udfll). and
Jw,t J'eflU ul nos., 1111,111 h)I' old-Um .. rii: IUl:e IUC!
(Nf'trrnu~ Non u• b a name that lhU)' w lll thlr.k uf, • mun•
l)lht:nll 8aiik:a.llr . l)\' t!r 11, bro•• rM.:' lmctnbe'.")
l'IOISN, 111kt wa>bllle IM wbole k11. A.s ca.n bt' «Pl!Ctcd of
Ray itt de.c>rly and 11111111,- ullrtubr •rttk•~ 11·)i • UII !
~,lnftlrtt' lo l!lh'llllt •P lhl•
• U.S. dl•rc~ tbl11 t:oold f U II)' ..... • m • 11s141 r herl'
loci - ,iw- first of Its l'-d 11,b1te ''Mr. Uas~ Man .. , \ 1cit•I
bllPltl(' IIOISt'.11 a I• Hult lbrrl~ ltad 11'11.u a n1or~ kdkHb
ntp - ti.II Ud• C'QUPINI WIiii ' 'Glarun" make •n Idol r ttorfl
,for a ll c:hlJdrc-n (:1oer111w;11n • f'HAHT P'MOhABILITV,
TONY CLARKE TM f:t1ltrt1lu,e.r : Aln' I Lovt•
l'"rlil'Ud tCktla: CRS tnu. 1'brSt' two ela.Hte dl11t0Ulcouc-
JiOWld.1' tt· 1Ji1ut:d l:ladt,to-b•tk tu1Jce Oftl' 1,11 l"e besl
Vllut' re,cord: • rtt)'Ulnl r.bunrr wit• '9m e nke w m..-h••••P"•
and Ola11a's YOlce ltttn• t• s •vt.r•all. Uae.xe,eptlNaJ bul O.k ~
1111 •• a l 1t-1i111 • ffflffl an a...P,
CH.ART J•ROHADILIT'\'
·ruE CHECKMATES, LTD· I.Al\'e b All I n n.. Tt1 ,:,vr :
Ntver Should IIHt U d (Alrfttl AMS nn. With 1••11 $pect.lr"li R
... hlH US HmtMtli an,d Tina T unitt r1Hctea..-.e 11 CWln1 Jn w• li
•uin. Cbtre wlll ,lobvlctulilr II(' n ._,, 11f auenllon Pl~ tu
thl~. u 1tu,1,1waHt4t N'EW SoetlGr p,o. duc;Uon. IC has all ol Ms ~
u.al u ld lrade-m11rk11 (Uaundtrlll lC drMm", "••&na il
trtn,11, m•ndc,Nnli, au recorded In what souncb Ille i:,·err
•vaU,hle ~lltu ffl• nlft,c-r a.nd wind tuMtl in I.M luuclcs),
plu:-, at mt. , lffl, a 11PIJ' ltddle 111111 reaU.r It'll>!!
)'011? TIM: v1~a11,u "' thbl ... k, blltk •1111 wllhe, INJl"P
IIW!ld,i .. flldtll1b Ulle HIii Jledle,i (Of Mike> HarTb• II llf
S.-tl: r T .. aa>, •ad 1he with' 11IOUINI Ill .._ll~l,i
dNnt-llldat -1,..1:Rt 1,5, lht IIWWY'III Ml ton IWtt, l"!lffdo
RNkllna,t,i~ IIOlll "" llp, ralllwr Hite. the C'IYN.btr,. B""8ierv.
Jnlu·«Un1 111 Mk': KlQ MC'dle r•• NIii rttc.tr~ lhr RlosllO,_ 1lrt~
INI.. del,ia "Lctvin' FttHn' •• far tht. St• tN.
C,IART 1'0$$lflll,1TV.
UJ LL\' S'rEWAR'r: Sunuocrtlmt : I Do 1.0,·t Yuu (l;h tlt-'-
Cit~ 111'2). Sto-r,mlol a bn strangf! ror this '° ilisur1,·twt 1eft
.fie1'1 hit of 1hree year. ll.1(0 11> be r-e.tt-ltH•!d,
1!11,._.f'hdh' as IUI A,,-ide. 011 h ,t'l, tt'c lht let.Jo' well
uipu~d tlip Uho\lJl:h ll'a lamou.s •mona Sou l r.imr), " I DI) l~we
You' '-th11 ullr•-tioulful, ullr1•1>re1t)', ullr1-dehc1111e.
ullra-5.low,t-Urnt st.ind.$ & 1wus fl ip ut • 1101twir l,Jl
1rack Uhe btJtol of whic:h b "El Nuevu 8.arrtna'a. * * * * •
WI LSON l'l( KE'l'T: M ini-Sk irted Minnlr; ffack lo Your Arm~
(Allantlr 5&4HU. 1'hl~ 1sn'1 uacUy Sl'lllinfi the U.S. Chart,i
on fire, ;and • .ilthOUJ:ll a1u- new l 'letceu is 111wa)'s welt"Om
e, It won'1 bt ar1 earch-1ih11ke r here • Uher. ll'f Just rouune
br11n ·n · c111c:k1 noltt, w1U1 Wtl1loP,U .1> before 1ome1bln11
new .ind ou 1a11hrh1" * * * *
IKE .t TINA 1'URNER : 1·m G UMI' Oo AU I Can ITtt Oo IUaht Jjy M
f Man, : Y•nt'l' f Col Tott Ma.ny T it,.: Tl\at Kind !~Unit MLV'
lltll). In a way, n·, a ~h•mt! thtt TI11a ill lumbertd w ith 1uch a
dlsllnc:llvc v1,k'i', 111 one co.o tltH 100 much of a .11:ood
lllinu, Here • .!IM doe• • eouplf! (I( ,fllOWttl f Prod\lCfd b)'
Ille with W111H!' MIIC'hell l 1h11 are both Vfr)' iO. Vtt,i PNIIY
l11bel and 1lcievt dt.11•·n for Soul Cit)' '• new record outlet,
w
-
RECORD MIRROR. w .. k endine April 19, 1969
I 2 3 4 5 6 7 8 9
10 I I 12 13 14 15 16 17 18 19 20 20 22 23 23 25 26 26 28 29 30
31 32 33 34 35 36 37 37 39 40 41 41 41 44 45 46 47 48 48 50
TIIE ISRA£Lt'f£
Record Retailer and
the BBC by The British Market
Research
Bureau.
S (3) Desmond Ot-k:Ju.-r & ACe$ (P,n.m1d) C:OOOOYE 2.5 (2)
Man- Hcpkill. (Apolt) I HEARD IT TlmU' TB€ GRAPE VJNI:! I (!O
Marvin Ca)'e. (Tamla Motown) UOOM UANCi•A·BANG '4 (t) Lulu
(C.OtuJnbla) GENTLE ON MY r.llND % Ut) Dnn Marlin (RtPrt.~>
t•JNlJALL WIZARD 17 fS) Tbe Wbo (Tratkl SORRY SUZANNE 3 (&) n,e
nowes ct~arlopbont.> IN THB BAO BAO OLD OAVS 9 (4) PoundaUOOS
GAMES PEOPI,E PLA V $ ri1t) I CAN REAR MUSIC 18 (7) Beacta BoY&
MbNSIBUR DUPONT fl (9) 5al\Clle Shaw REt.1,0 WORLD 22 tJ) The
Tremeloes CWa Slack CPartoobone) I OON'T KNOW WHY 26 (S) Stev~
Wotlde.r (Tam.la Motown> GOOD TIMES ll (7) Cliff Rltllard
{(;C)lumbla) GET REA.DY IS '6) Tbt Temvtatioo.i;, (Talh.la MOCOwn)
MAN OF THE WORLD - U> Fleetwood. Mac {Ho.rbon> WHERE DO YOO
GO TO MY LOVELY 7 (10) Pe&er sars-ttdt 08-LA·Dl·OB·LA·DA 32
fll) Ma.nnalade-NOWBERE TO RUN - (I) Mani.a Ree\·es and Tbe
Vartdellu (Tamla Mottnm)
I 2 3 4 5 6 7 8 9
10
CAN'T BUY ME LOVE I Beatles ·s ,capitol1
5 SOUND OF' MUSIC .\ Soundtrack (H{;A)
6 DIANA ROSS & SUl'REMt-:.S JOIN ·ru£ 1'£MPTATIONS II
f'tamla Mocown>
7 l'OSTCARO 7
- Mar,· Hopkin (APPie) HITS OF (,OLD - .Mamas and the PApas
(OunbUn
9 Gt:NTLE ON MY JttlNO 13 Dean Mardn (Reprise)
1 Q 01,IVER 1 0
H So1mdtraek
12 t..EO ZEPP£LJN S Led 7,e:pPelln (Atlantte)
) 3 SONGS OF LEONARD COHt:N - Leonard Cohen
14 PEI.JC'li\NO ' - Jose Ftllehu:io < nc;A Victor)
) 5 S88KERS L1VE AT THE TALK Of' THE 'fOWN 7 Stt.k('rS
(("O(u1nhla)
BOOK&NOS-Slm-00 & Garfllnkel SCOTT J-Scou Walker
(Pb[llpS) COLOSSEUM-Joa JJeism.an•5 Col~ewn (Foatana> Tile::
BEATLES-Be-.allH (Apple) FAMILY ENTRRTAJNMENT-Famib (Reprise)
ENGELBERT-Engelbert Hum_perdtntk (~cca) ANDY WILLIA.M'S SOUND OF
MUSIC-Andy WWilms TOM JONES I.IVE AT 'THE TALK OF THE TOWN
-Tom JOMS (Decca> BEAT OF THE BRASS-·Btrb Alpe.rt and the.
ffluana Brass
THE C.RADUATE-Slmon & Ga.rfunkd (CBS> f'OLSOM
PRtSON-JobAnf Ca.sb (CBS)
(A & M Records>
YELLOW SUBMAR1NE-111e Beaues (Apple) PETER SARSTEDT""'."'Peter
Sarstedt (United Artl51S) Bt:ST Of,' TB£ B8ACH l!OYS Vol I-Buth
BOYS (Caa,1101> GIANT-Buddy Holly (MCA) ' -
R & B SINGLES . I
2 3 4 5 6 7 8 9
10 11 12 13 14 15 15 16 17 18 19 19
THE ISRAEUTE 2 Desmond Dekker (Pyramid t•YR 61$8) I ltEARO IT
THRU :rn£ (ORAPEVlNE I Manin Gaye (Tami.a Motown TMC GU) HARLEM
SRVFFLE S .8-0b & Earl (ISiand WIP M!Sl) SHOTGUN/ROAD RUNNER c
Jnr. Walker & The All Stars (T11mla Motown TMG- QI) CUPID 7
Johimy Na:tll (Maior Minor M,M. 613l GAMES P,EOPLE- PLAY . .3 Joe
SOUlh (CUIIOl Cl, JS57'9) 'd l'rke (;IGJ ll BIIIY Eckt.Une 441 c,o
R.rookJJ11 Bridge rnuctctal)) BLBSSEO IS THE RA.IN RIVER IS WIDE -
n, Grass n.ou fDlulhm>
R & B ALBUMS TIGKTEN UP I Varioos Artistes (Trojan ttL I)
TRIS IS ... DESMOND DEKXEJl - Dellntnd Dek'ter (TroJ.a• TTL 4) THIS
IS SUE I \!arioos Ari.Isles (Sue ll"P 3>
4 DIANA BOSS 6 SUP8EMES MEET TEMl'TA.TIONS J (Tamla STML
UIIN)
5 JOHNNY NASH $ Johny Null (Ma)or•Mbwt• SMLJ.> 47\
6 TRIS IS SOUL 4 Varteus Artiste, (Atlanlk 6433(1U
7 GREATEST HITS I S'4:.fie Wc>•de.r
-
12
HOUGH phmly df show-bit glamour tomes across whe-n she'~ s
inging htr heart out on,stag.,, Vikki Carr dOt"sn't quite see It
that " ·ay. ""I'ht. g lamour of show-bli - yuck !.. was her
comment.
"It's a Job. Ser Ont" ~ludlo and you've se~n them all. I useod
to bt- a bank clerk, and a switchboard operator, and I loved I.hose
Jobs too.
"Oh sure, lhCre arc more opportunities in entertainment ror
people to to oft their hends nnd become c:ompletelY neurotic.
Fortunately, I was brought up in a home with much love. I love the
people I work with, I Lrt'ut them ns l"d want to be treated and 1
don't come on strong."
Arnold MIiis. her .· :1~ hat>1>)' with Chr(11 Jackson's "
I'll Ne-\'er Por,:et. You" as 1he1r h:tndt1ut .su"" ~ts~ ... C'tt~I
Atll.ns .iind .lcrry R4.'fil ap~artnx on Jtt.bnny Cash's
rortht."()mlmt v.s. tele\'1slon ~ittrle.a . •• Stn11u·a eurre11lly
doln~ his tl~t COunlrY 3n(I Western aU.:om • • tbt: Road Runners
look!ng for ;i lud uultarlsl in tbe Colchesttr irea . , , 1he
Uu,;UJH: wlUJ Ntl$0n Pleltlff'r are 10 bart OtarUt and IMI f'on •
'hen thit1Y tour t1ere lfl Mar . • Rool •n• J ,-nny JaekS()n'J
next- "Ul's Go somewtiue" . . . ar.,pearing at 1he Roondhuusir on
Ma, 31 111 akJ or A.C.O.R,0:- wm be Ji,hnnY OankWlff'th., Cleo
Laine. OtUllry Moorf' an(I tht Sort Machi:il('.
f:«-llin,a b i$ own late mght J1h 11w 011 Radio One- 1.i, l)J
Stwan ll~nn , . . Alan M"r••a. writer 4 t th{, eurn:nt s1nsckl
