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PORTFOLIO
MANSI SARAF MIRASHI
TEXTILES
CREATIVE WORKS
MY SECOND HOME
This is my second home. My JJ school of art
where my life changed and it got a new
perspective. Its just not a building, but its my
mother. Whenever I missed my mom I used to sit
here and feel as if I am with my mom. It has given
me everything I needed. It has given me love and
many beautiful friends.
this was just a something I could do for
my mother my JJ….
Medium : batik and bandhani mix media
Size : 3ft X 4 ft
MUSICAL TROOPS
Rajasthan is a land of art,
colours and warmth. Listening
to their music in chaukidani was
a real fun.
Through this painting I
tried to capture the mood of
the atmosphere, chilling night
and the colours in their
monotones background. I tried
to catch the expressions of each
of the performer as each one of
them were well involved in the
music they were playing which
was really lovely making us
proud of our motherland who
has given us such a wonderful
culture..
Medium : batik on cotton
Size : 3.5 ft X 2.5 ft
EMOTIONS SELF PORTRAIT
In this painting I am there in different
phases of my life. Each frame depicts the
role I play and my emotions in every
surrounding I go.
Each phase of life is very different
and challenging than the other. Its impact
on me is seen by different forms and
colours used.
Medium : batik on silk, coloured
fine threads
Size : 2ft X 3ft
After reading , mouse click to move on next page
MOKSHA
Medium: mix media,
batik, gauze.
Size :3 ft X 3 ft
MOKSHA is a salvation or liberation from
the sufferings or dukha that we face. These
sufferings are mainly due the rituals which we
perform with a thought to please god for our
selfish needs.
Through this painting I want make the society
realize that we are sleeping for several decades in a
coffin of orthodox culture made by ourselves. It’s
our own duty to overcome maya a feeling of being.
We should break the coffin and breath out of the
illusion that physical world is real and see the
absolute reality beyond that. It is just the ignorance
avidya that keeps man back from liberation. We
people are like crows who are stucked in the fence
of rituals. We wear the red ritual thread to be away
from the effects of our deeds or sins and pray to
god to save us from all the black magic.
Though all of us are trying to get rid of all these
burdens we are not realizing that these burdens
are made by us and not god. He does not want
anything. Rather he tells us to do our karma deeds
efficiently and than leave everything on him. He is
there to give us moral support and strength to
face everything what comes in our way bravely.
The person who understands the real meaning
of his own existence, the one who really gets
involved in the almighty in true sense and believes
what really is he asking for gets liberated gets
moksha from all the sufferings he is facing. Just have
faith in him he is always there for us. We don’t
need to ask for anything to him.
SCHOOL CHALE HUM
The most innocent phase in human life is childhood. It
is the stage where human foundations are laid for a
successful adult life. But this is not the story of too
many children….
Child labor is still common in some parts
of the world. These children work in all conditions,
even also for minimal pays, leaving behind their
childhood and their days of learning. They neither have
proper clothes to wear nor do they have alternate
clothes to change the toned unclean ones. We often
see them in dirty worn out banyans.
Government recognize the right of the
child to be protected from economic and from
performing any work that is likely to be hazardous or
to interfere with child’s education, or is harmful for
them from any point of view. Child labor is legally a
crime but still about 250 million children are working
far away from the reach of official labor inspectors and
from media scrutiny.
This painting highlights on the roughness
faced by these kids working at different places in very
harsh and difficult situations which turns them hard
and tough, loosing all the softness they had in them. It
also depicts their desire of getting mother’s warmth
and their urge of learning and playing. All this clearly
puts forward a statement before the government that
‘if you government is not able to put child labor to an
end, than salute this labor child with a bravery award
for his BRAVE HEART AND BODY’…….. Medium : collage with different textured
materials, colour
Size : 2 ft X 3 ft
WEAVING
Electronic Jacquard : Self portrait
Honeycomb weave
Paper work Sample
Herring bone weave
Paper work Sample
Dogs tooth weave
Paper work Sample
Diamond weave
Paper work Sample
Manual Jacquard : Forest 1
Carpet : Forest 2
FURNISHING PROJECT
FURNISHING PROJECT
The furnishing designs in this project are designed for very
beautiful houses constructed by a famous architect Nari Gandhi.
His designs are extraordinary and are very close to nature. All
the designs are based on organic architecture.
So as my furnishing designs are very close to his
designs. Each of the design is made keeping the element nature
and colour scheme in mind. The designs are subtle and so they
merge in the interiors of these houses.
All the elements used for furnishing designing are
inspired by the stone and brick work, the gaps between the
rocks, trees, flowers in the gardens and the colours in the
interiors. Rocks and leaves are the major elements used. The
main aspect kept in mind while designing is that no design or
colour should look different or odd from the architecture. It
should completely merge in the background and still retain its
own identity without disturbing the whole atmosphere.
After reading , mouse click to move on next page
Small decorative show cushions of 9” X 9” for screen printing
Sofa design in 9” X 9” repeat for screen printing &
Double bed sheet design done in a repeat
of 9 X 9” for screen printing
Curtain of 168 X 183 cm done in a repeat of
9 X 12” for screen printing
Design for single bed sheets of 100 X 60” proportionately made less to
20 X12” for digital printing techniques
Design for double bed sheet of 100” X 100”
proportionately made less to 20” X20” for digital printing
techniques
REGIONAL PROJECT
Shall design inspired from the motifs of
Himachal Pradesh
Kurta design inspired from the motifs of brocades
of Uttar Pradesh
Dress material design inspired from the paithani
motifs of Maharashtra
Sari design inspired from the motifs of vyankatgiri and
mangalgiri sarees of Andra Pradesh
Above design is one sari design with heavy pallav and
simple body inspired from the baluchari sari design of
West Bengal
Dress material design with its sample print inspired from the motifs of the
embroidery of Kashmir
PRINTS
Paper work with the printed sari of chiffon done in pigment printing
Paper Work of a border sari
The festival of kites Surrealism
Designs for dress materials
Design for a sofa wit a
horizontal cross repeat.
Design for a skirt for air hostess
of Indian Airlines
2D DESIGNS
Designs based on natural elements in nature
jungle
Design based on negative parts in a room
Thank You