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Man, Machine and Music Optimising Creativity in Computer Music
Chris Nash
William Gates Building15 JJ Thomson AvenueCambridge CB3 0FD
http://www.cl.cam.ac.uk/
Computer Laboratory& Faculty of Music
For more information:http://revisit.nashnet.co.uk
reViSiTa tool that displays music
as text so that it can bequickly edited with the
QWERTY keyboard.
iMPULSInternet Music Program User Logging Systemthe program logs user input and programuse, sending the data over the Internet tobe studied, so that we can observe learningcurves and the development of skill.
keyboardthe reViSiT focuses
all program operations on the computer keyboard,
allowing the user to work quickly anddevelop expert skill to get closer to the music.
domain knowledgeconcepts of musical structure and syntax
Virtuosity in Computer Music The goal of this research is to study human computer interaction (HCI) in music with a mind to increasing the efficiency of computer music interfaces so that is more spontaneous and better faci litates creativity and originality.
computer-aided composition
Our work endeavour s to evaluate, adapt and extend existing perspectives in HCI (such as direct manipulation, ubiquitous computing, trans-parency) with specific provisions for creative and expert use. To this end, we introduce the notion of , the ability to mas te r an ins tr um en t o r interface to interact ‘directly’ with the music.
virtuosity
device experiencedevelopment of motor
and subconscious control methods
(e.g. neuromuscular facilitation)
virt
uosi
ty
device knowledgethe workings and
layout of the device (e.g. spatial schemata)