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Fortitude
Series 2
Mai Fyfield Chief Strategy Officer
2
This document contains certain forward looking statements with respect to the Group’s financial condition, results of operations and business, and our strategy,
plans and objectives for the Group. These statements include, without limitation, those that express forecasts, expectations and projections, such as forecasts,
expectations and projections in relation to new products and services, the potential for growth of free-to-air and pay television, fixed line telephony, broadband and
bandwidth requirements, advertising growth, DTH and OTT customer growth, On Demand, NOW TV, Sky Go, Sky Go Extra, Sky+ HD, Sky Q, Sky Store, Sky Online, mobile,
Multiscreen and other services penetration, revenue, administration costs and other costs, advertising growth, churn, profit, cash flow, products and our broadband
network footprint, content, wholesale, marketing, synergies and integration, and capital expenditure.
These statements (and all other forward-looking statements contained in this document) are not guarantees of future performance and are subject to risks,
uncertainties and other factors, some of which are beyond the Group's control, are difficult to predict and could cause actual results to differ materially from those
expressed or implied or forecast in the forward-looking statements. These factors include, but are not limited to, the fact that the Group operates in a highly
competitive environment and faces competition from a broad range of organisations, the effects of laws and government regulation upon the Group's activities, the
fact that the Group’s business is based on a subscription model and its future success relies on building long-term relationships with its customers, its reliance on a
complex technical infrastructure which is subject to risk of failure, change and development, failure of key suppliers, the Group’s exposure to financial market risks, the
fact that the Group must protect its customer and corporate data and prevent breaches of security, risks inherent in the implementation of large-scale capital
expenditure projects, the fact that the Group relies on intellectual property and proprietary rights which may not be adequately protected under current laws or
which may be subject to unauthorised use and the fact that people at Sky are critical to the Group’s ability to meet the needs of its customers and achieve its goals
as a business.
Information on the significant risks and uncertainties is provided in the “Principal risks and uncertainties” section of Sky’s Annual Report for the full year ended 30
June 2016. Copies of the Annual Report are available from the Sky plc web page at www.sky.com/corporate and in hard copy from the Company Secretary, Sky plc,
Grant Way, Isleworth, Middlesex TW7 5QD. All forward looking statements in this document are based on information known to the Group on the date hereof. The
Group undertakes no obligation publicly to update or revise any forward looking statements, whether as a result of new information, future events or otherwise.
3 *Sky wholly owned channels & JVs
SKY ORIGINAL PRODUCTION
European Households reach - June 2016
56m HHs
Share of Viewing - 2015/16
#1 50%
European content investment - 2016/17
Biggest investor with £5bn budget
across free
and pay
Pay
portfolio
share of pay
viewing*
4
101m
94m
106m
101m
2011 2016 2020F
US Western Europe
European Pay TV forecast to
outstrip US (HH)
The volume of original scripted
series in the US has nearly doubled
2010–2015
2010
216
2015
419
2014 2016
6%
Total video consumption
in Sky homes (UK)*
Source: PWC Global entertainment and media outlook 2016-2020 *Average Sky household viewing in UK: all Live, Recorded, On Demand, Sky Go,
second screen and estimates of other video viewing on connected devices
Source: FX Networks Research. Excludes daytime dramas, one-episode
specials, non-English Language and children’s programming
5
The Young Pope
• Our portfolio of content destination brands
resonates highly with customers
• Our scale in Direct To Consumer means we control
our destiny as a content business
• Deep consumer insights across the value chain
give Sky a competitive advantage in both
6
Best in class monetisation capability Winning portfolio of content brands
7
Best in class monetisation capability Winning portfolio of content brands
1. Destination brands in the top TV genres
2. Depth and breath of programming
across genres
3. Mix of international and local content
through our brands
4. Best partner for rights holders
5. Deep investment in original production
8
#1 for Sports #1 for Movies #1 for Ents
We have customers’ No. 1 favourite channel in each of the top TV genres
Sources: UK Content Tracker Sept‘16, Germany Channel Brand Tracker
September ‘16, Italy Sky Partner Channels research Q4 FY16
9
The Best Sports
The Best Movies
Sky Originals & Best of US
Diverse Audience
Needs
Diverse Content
Supply
10
Sky Sports share of viewing
in Sky Sports homes
<15%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
11
Different content
suppliers
>500
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
12
Largest single supplier
share of our content spend
18%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
13
Premier League share
of Sky Sports schedule
4%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
14
Seria A share
of Sky Sports schedule
9%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
15
Largest studio share
of ‘current’ titles on
Sky Cinema
12%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
16
UK ents shows with an
audience over 1 million
111
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
17
HBO share of Sky
Atlantic schedule
19%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
18
Of all pay viewing
50%
Diverse Audience
Needs
Diverse Content
Supply
The Best Sports
The Best Movies
Sky Originals & Best of US
19
7 of Sky Cinema Italy’s 10 most
watched films were Italian in 2015
3 of the top 5 shows on Sky 1 in
2015 were Sky Original productions
Babylon Berlin: part of an exciting
pipeline of 8 original productions
Local Local
International International International
Local
20
Marketing partnerships
Building franchises
Driving transactional revenues
• Secure and growing
• Marketing resources and expertise from
across the value chain:
- £300m media spend in the UK
- £70m worth of cross promotional airtime
- PR stunts and pop up channels
• Deep customer insights
• Broad and new monetisation opportunities +39%
FY 13/14 – 15/16
Regularly the # 1 UK digital
retailer for top movies titles
21
Richard Plepler Video
22
Original Ents investment
2016 2021
Building on our current successes
2011
x4
x2.5
23
Original Ents investment
2016 2021
Building on our current successes
In Italy, Gomorrah S2 averaged 2.3m viewers,
double Game of Thrones
2011
x4
x2.5
24
Original Ents investment
2016 2021
Building on our current successes
In the UK, Lucky Man attracted larger audiences than the most
recent series of US hits like Modern Family, The Flash and NCIS
2011
x4
x2.5
25
Original Ents investment
2016 2021
Building on our current successes
In the UK alone, we now have over 250 series in
development or production
2011
x4
x2.5
26
Best in class monetisation capability Winning portfolio of content brands
27
1. Monetise every pay home
2. Build our international sales
capability
3. Grow reach in FTA homes
4. Build scale and innovation in
advertising
Best in class monetisation capability Winning portfolio of content brands
28
Any network All important screens & devices
Wholesale (UK)
Retail: Direct to consumer
All major European distributors
Retail: Via agents
Mobile
Satellite
IP
Cable
29
Sky Vision: A growth story
Projected Sky Vision Revenues
2012 Today 2020
£200m
£100m
£10m
“The rise of Sky Vision is a clear success story”
Broadcast Distributors Survey 2015
Production cost £2.3m per ep
Tax Credits
Vision Sales
Cost to Sky £1.1m per ep
£27m £5m
£9m
£13m
Fortitude: financing our commission
30
(Launch target early 2017) Launched 2015
Broadening our FTA assets
Online assets
31
2016 2020
£778m
£1bn
Altered slide – can you provide some
nice imagery?
Growing revenues
32
• Europe’s #1 content business and growing
• In control of our destiny as the original DTC company
• Strong content brands, with huge breadth and depth
of programming
• Deep understanding of our customers and our markets
• Diversified and platform-agnostic monetisation capability
• The smart choice for our content partners
Zootropolis
Fortitude
Series 2
Mai Fyfield Chief Strategy Officer