Luigi Bruno Architetto

A Life for ArchitectureA Life for Architecture

Luigi Bruno, Italian architect and designer, was born in Naples in 1953 and he took his graduation at the Naples University “Federico II” in 1981.

His education gave him the opportunity to learn from the masters of the Italian architecture and of the classic and contemporary design, as Riccardo Dalisi, Alberto Samonà, Massimo Pica Ciamarra and others.

His professional growth has been constantly fed by the attendance at several international conventions, which allowed him to learn avant-garde techniques and the latest design trends. In Luigi Bruno's opinion “Each day you have to learn something, otherwise it is a useless day”.

After his first experiences in southern Italy, where he nicely interpreted the Mediterranean nature of architecture in that area, his most important professional turning point was the move to Verona in the Nineties. Verona is an historic city of Northern Italy, but also the cradle of a great architectural tradition, the district of high-level cabinetry companies, the place of the excellence of furniture making, of marble works and of every element that the pure Italian design offered all over the world.

It was a big geographical leap, but above all a cultural leap, and Luigi Bruno felt the desire to study the architecture and the furniture of the local tradition, merging them with the inner features of the Mediterranean architecture. He started to study again the working techniques and he understood the value of what he was seeing and experiencing, instead of rejecting the elements which were out of the rationalism he was taught during the university period... and this fact made his fortune..

Companies in Veneto found in Luigi Bruno an outstanding interpreter of the classic modernity in everything he designed, such as houses, interiors, offices, shops and showrooms . His will to mix elements with rigorous lines and antiques with classic taste, even produced with unusual materials, is always perceptible. This choice grants a sense of continuity between functional interiors and the -often- antique exteriors of villas, historic buildings and court-houses of Veneto.

All those experiences, gained in more that 30 years of professional practice, result in many interventions in the United States, in Europe and in the countries of Eastern Europe, making Luigi Bruno the testimonial of a high-level “Made in Italy” and of an unmistakable , personal Architecture. Luigi Bruno creates his Customer's “dream” and “need”, and he make it real. It is essential for Luigi Bruno to get acquainted with the Customer, and understand him: only after that he can use his experience and his technique to carry out the project.

Luigi Bruno always says “Look in the eyes who is in front of you, and listen to him.. and the right project will be brought into life”.It is like having a baby: you have to help him grow up, you have to take care of him, day after day, until he becomes a man.

Luigi Bruno's mission (his “doing architecture”) is inside these simple words: an Architecture which is made of soul, technique, knowledge and respect for different cultures

Architect Luigi Bruno, born in Naples on 25.06.1953

Degree in Architecture, obtained at the “Federico II” University in Naples, in 1981

License for Architecture Practice in 1982

Registered architect at the Verona Architects Association in 1983

1985: Teacher of Arts and Architecture in Italy, Public School

1989: Expert in projects for the elimination of the architectural barriers

1996: Expert in the restoration of historic artworks

2000: Expert in history and restoration of the antiques

2001: Expert at the Civil Court of Verona, in the Estate Valuations Section

2002: Expert in the field of worksite safety

2011: Expert in the field of acoustic projects

2011: Expert in the field of green building projects

Participations in Exhibitions:

Abitare il Tempo – Verona from 1990 to 2010

Participation in the exhibitions “Progetti e Territori” on the occasion of “Abitare il Tempo” exhibitions

Participation in the International Design Fair “Italian Icons”- Columbia University, New York, 1997

Milan Furniture Fair 1995 – 1998 – 2011 - 2012

Projects in Italy

Naples - Milan - Verona -Venice - Varese -Vicenza - Padua

Projects in Europe

Paris - Chiasso (Switzerland) - Bratislava e Samorin (Slovacchia)

Projects outside Europe

Russia: Moscow - Saint Petersburg - Samara - Cheljabinsk - U.S.A.: Boca Raton (Florida) - Latvia: Riga

Ukraine: Kiev - Dnipropetrovsk - Georgia: Batumi -Azerbajan: Baku - Tunisia: Kairouan

Kazakhstan: Almaty – Astana - China – Shanghai - Dominican Republic: Las Galeras


Restoration of a private Vil la,dated back to the beginning of the 20th century,

in the Veneto countryside

Restoration and Interior Design of a private Vil la,dated back to the end of the 19th century,

on the Lake Garda shores

Restoration and Interior Design of a private Vil la,in the Veneto countryside

Architectural Project and Interior Design of a private Vil la,on the Rubloska in Moscow - Russia

Interior Design of a private Vil la,in Bratislava- Slovakia


































Architectural Project and Interior Design of a private Vil la,in Almaty - Kazakhastan

Architectural Project of a private Residence,in the Veneto countryside

Restoration and Interior Design project of the 19th century -Hunting Lodge of Queen Maria Theresa of Austria,

Private Vil la in Bratislava- Slovakia

Architectural Project and Interior Design of a private Vil la,in the Veneto countryside

Restoration and Interior Design project of “ Vil la Seccamani”dated back to the end of 18th century, for a Private Bank,

in the Leno- Brescia , Italy

































Interior Design and Decoration for a Pubblic Buildingin Astana,Kazakhstan

Restoration and Interior Design of the Restaurant,“FishGate”

in Bratislavia,Slovakia

Interior Design and Decoration for a Exibit ionin Verona ,Italy

Special Thanks

My son Leonardo young ArchitectMy Collaborators

Rosaria Cagnata,Elena Dal Cer ,Nicoletta BrunoGiorgia Facciol i and Martina Rigoni

Miss Eveleen Maragna for translationsGianLuca Zanardi of “Desart Graphic Studio”

Company “La Tecnica” printCompany “Eliolinea”print

Printed in November 2012

To my familyPaola,Alessia and Leonardotogheter in this wonderful ar chitec tural experience


Interior Design and Decoration for a Exhibit ionin Verona ,Italy

Exhibit ion

PrintedNovember 2012


Interior Design and Decoration for a Pubblic Buildingin Astana,Kazakhstan

Restoration and Interior Design of the Restaurant,“FishGate”

in Bratislavia,Slovakia

Interior Design and Decoration for a Exibit ionin Verona ,Italy

Special Thanks

My son Leonardo young ArchitectMy Collaborators

Rosaria Cagnata,Elena Dal Cer ,Nicoletta BrunoGiorgia Facciol i and Martina Rigoni

Miss Eveleen Maragna for translationsGianLuca Zanardi of “Desart Graphic Studio”

Company “La Tecnica” printCompany “Eliolinea”print

Printed in November 2012

To my familyPaola,Alessia and Leonardotogheter in this wonderful ar chitec tural experience


Architectural Project and Interior Design of a Luxury Relaix,on the Lake Garda shores

Architectural Project and Interior Design of a Residence,on the Las Galeras in Dominican Repubblic

Restoration Project of a part of the “Ducal Palace” in Mantova withthe inser t of a cultural functional space.

in Mantova,Italy

Architectural Project of a School of Internazional Cuisinewith restaurants and cultural space for meeeting and exhibitions

on the Latin Quar ter in Paris, France

Esperimental Design of the insertion of a residential complex co-housing andcommercial spaces in Mantova,Italy

Esperimental Design of the insertion of a residential complex withlow energy consumption in the hear t of the Po Valley r iver,

on Sermide in Mantova,Italy





in Mantova,Italy










in Mantova,Italy










in Mantova,Italy










in Mantova,Italy







In order for a work is really beautiful,it is necessary that the autor will forget himself, and let me forget it. François de Salignac


To paint with the brains and not with the hands. Michelangelo Buonarroti

Prototype - Tazzulella & Cafè -

Prototype - ContraPosto -

Prototype - SOStenuto -

Prototype - Crucipiano -

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ǱȚȜȔȦ�ȘȕȞȌșȇȌș�ȉ�ȘȌȈȌ�ȏȎȢȘȑȇȔȔȕȘșȣ�ȏ�ȖȗȇȑșȏȞȔȕȘșȣ��Ȅșȕ�ȖȕȋȞȌȗȑȏȉȇȥș�ȋȉȌ�ȗȇȈȕȞȏȌ�ȎȕȔȢ��ȕȋȔȇ�ȏȎ�ȑȕșȕȗȢȜ�ȚȋȕȈȔȕ�ȇȋȇȖșȏȗȕȉȇȔȇ�ȋȒȦ�ȋȌȊȚȘșȇȝȏȏ�ȉȏȔ��ǳȦȊȑȕȘșȣ�ȒȏȔȏȐ��ȘȌȗȌȈȗȌȔȏȌ�ȏ�ȏȘȑȚȘȘșȉȌȔȔȕ�ȘȕȘșȇȗȌȔȔȇȦ�ȓȌȈȌȒȣ�²�ȔȌȔȇȉȦȎȞȏȉȇȦ�ȗȕȘȑȕȟȣ�ȉ�ȑȇȍȋȕȐ�ȋȌșȇȒȏ�

ǸȖȇȒȣȔȦ�ȉȢȖȕȒȔȌȔȇ�ȏȎ�ȈȒȇȊȕȗȕȋȔȕȊȕ�ȋȌȗȌȉȇ�²�ȋȚȈȇ��Ƕȕȋ�ȉȌȘȔȢȌ�ȋȌȗȌȉȦȔȔȢȌ�ȖȕșȕȒȑȏ��ȕȈȟȏȉȑȇ�ȘșȌȔ��ȤȒȌȊȇȔșȔȇȦ�ȖȕȋȘȉȌșȑȇ�²�ȉȘȌ�Ȥșȕ�ȊȇȗȓȕȔȏȞȔȕ�ȘȕȘȌȋȘșȉȚȌș�Șȕ�ȉȘșȗȕȌȔ�ȔȢȓ�ȟȑȇțȕȓ��ȉȘȌȓ�Șȉȕȏȓ�ȉȏȋȕȓ�ȖȕȋȞȌȗȑȏȉȇȦ�ȉȕȎȓȕȍ�ȔȕȘșȣ�ȏȔșȌȊȗȇȝȏȏ�ȤȒȌȓȌȔșȕȉ�ȘȕȉȗȌȓȌȔȔȢȜ�ȈȒȇȊ�ȝȏȉȏȒȏȎȇ�ȝȏȏ�ȉ�ȑȒȇȘȘȏȞȌȘȑȏȐ�ȏȔșȌȗȣȌȗ�

230 |

ÈÄÅß È ÏÐÅÄÌÅÒÛ Офис | Стиль

ELITE Interior 02 | 200942

ке оказалась малоэффективной. Она не учитыва-ла врожденную человеческую лень. И офис для

большинства людей в мире так и остался офисом.

Пока.

На пике своего развития (он пришелся на 1990

годы) офисное пространство не только усложни-лось технически, разнообразие стилевых решений

позволило сделать его максимально индивиду-

альным. Производители мебели это поддержива-ли – у одного даже появился слоган: Tailor Made

Office. Тон в создании офисов по индивидуальной

мерке задавали заказчики – крупные корпорации

с особыми условиями работы. И условия эти дале-ко не ограничивались семейными фотографиями

на столе и ежегодными корпоративными вечерин-ками. Интерьер офиса дополнили зимние сады

Здание начала прошлого века

в провинции Вероны было от-

реставрировано и превратилось

в полноценный офисный центр.

На первом этаже размещены

зона ресепшн и рабочие офисы,

второй – полностью отдан для ру-

ководящего звена. Пол выполнен

из плитки необычного геометри-

ческого рисунка, лестница – из

белого мрамора, стены оштукату-

рены в соответствие с традицион-

ной старинной техникой, а двери

из клена и вишни полностью из-

готовлены по индивидуальным

эскизам. Мебель компаний Estel,

Passaia, текстиль Halley.

Луиджи Бруно,архитектор

ǹǵǶ�ǱǲǧǸǸ

ǱȒȇȘȘȏȑȇ��ȉȕȖȒȕȠȌȔȔȇȦ�ȉ�ȋȌȗȌȉȌ�

ȏ�ȚȑȗȇȟȌȔȔȇȦ�ȗȌȎȣȈȕȐ��ȎȇȘșȇȉȒȦȌș�

Ȏȇșȇȏșȣ�ȋȢȜȇȔȏȌ�ȑȇȍȋȕȊȕ��ȑșȕ�ȉȏȋȏș�

ȤșȚ�ȑȕȓȔȇșȚ��ǱȇȓȏȔ�ȗȚȞȔȕȐ�ȗȇȈȕșȢ�

Ȓȏȟȣ�ȋȕȖȕȒȔȏȒ�ȕȈȠ

Țȥ�ȑȕȓȖȕȎȏȝȏȥ��

Ȕȕ�Ȕȏ�ȉ�ȑȕȌȓ�ȘȒȚȞȇȌȓ�ȔȌ�ȔȇȗȚȟȏȒ�

ȊȇȗȓȕȔȏȥ

�ȏȋȌȇȒȣȔȕȊȕ�ȖȗȕȘșȗȇȔȘșȉȇ��

ȘȕȎȋȇȔȔȕȊȕ�ȈȒȇȊȕȋȇȗȦ�ȖȗȏȓȌȔȌȔȏȥ

�ȋȌȗȌȉȇ�Ș�ȚȓȏȗȕșȉȕȗȦȥȠȌȐ�ȏ�ȑȗȇȘȏ�

ȉȕȐ�țȇȑșȚȗȕȐ�

232

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