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ART & CULTURE 12 FOCUS The Magazine January/February 2018 www.focus-info.org London’s Rockin’ History Abbey Road Studios The Beatles have churned out some of the most iconic album covers in history, but perhaps none more so than their Abbey Road cover. The album was the penultimate – but last to be recorded – musical contribution from the foursome, which was made in a bid to mend the cracks in the bands’ relationship. During the recording sessions, the work- ing title of the album wasn’t Abbey Road. It was Everest; the name of engineer Geoff Emerick’s favourite cigarettes. The original plan meant the band renting a pri- vate jet and flying to the Himalayas to shoot the cover photo. EMI wanted the album fast and the group was running on empty, so they decided to forego all the rigmarole for a simpler concept. John, Paul, Ringo and George stepped outside of the studio on August 8 1969, around 11:30am, stopped traffic and strolled across the zebra crossing with Iain Macmillan behind the camera. It took roughly 10 minutes. The album was a hit and the Himalayas were nowhere to be seen. Abbey Road Studios today is still a working studio and not open to the public but you can recreate the album cover at 3 Abbey Road, NW8. 23 Brook Street Jimi Hendrix returned to London in the summer of 1968 with the intention of making the city his permanent home. His girlfriend Kathy Etchingham obtained the flat on the top two floors of 23 Brook Street for his arrival, priced at £30 a week. The pair even reportedly shopped at the John Lewis on Oxford Street for house furnishings. For the next three months, Hendrix used the base to write new songs, give interviews, rehearse and host celebrity guests who crashed on their camp bed. The flat, along with number 25, which belonged to baroque composer George Fredric Handel, was given a grant from the Heritage Lottery Fund and opened as a museum in 2016 commemo- rating the two artists. 23 Brook Street, Mayfair, W1K. 34 Montagu Square Yet another rock and roll shrine linked to The Beatles, is this flat in Marylebone. Ringo Starr had moved in with his new wife Maureen in 1965, but it was also London’s streets are heaving with rock history, from studios where The Beatles recorded, the former homes of Jimi Hendrix, to sites where famous album covers were born. So, dust off your walking boots and search the city for all that rock ‘n’ roll has left behind.

London’s Rockin’ History...Geoff Emerick’s favourite cigarettes. The original plan meant the band renting a pri-vate jet and flying to the Himalayas to shoot the cover photo

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  • ART & CULTURE

    12 FOCUS The Magazine January/February 2018 www.focus-info.org

    London’s Rockin’ History

    Abbey Road StudiosThe Beatles have churned out some ofthe most iconic album covers in history,but perhaps none more so than theirAbbey Road cover. The album was thepenultimate – but last to be recorded –musical contribution from the foursome,which was made in a bid to mend thecracks in the bands’ relationship. During the recording sessions, the work-ing title of the album wasn’t Abbey Road.It was Everest; the name of engineerGeoff Emerick’s favourite cigarettes. Theoriginal plan meant the band renting a pri-vate jet and flying to the Himalayas toshoot the cover photo. EMI wanted thealbum fast and the group was running onempty, so they decided to forego all therigmarole for a simpler concept. John, Paul,Ringo and George stepped outside of thestudio on August 8 1969, around11:30am, stopped traffic and strolledacross the zebra crossing with Iain

    Macmillan behind the camera. It tookroughly 10 minutes. The album was a hitand the Himalayas were nowhere to beseen. Abbey Road Studios today is still aworking studio and not open to the publicbut you can recreate the album cover at 3 Abbey Road, NW8.

    23 Brook StreetJimi Hendrix returned to London in thesummer of 1968 with the intention of

    making the city his permanent home. Hisgirlfriend Kathy Etchingham obtained theflat on the top two floors of 23 BrookStreet for his arrival, priced at £30 a week.The pair even reportedly shopped at theJohn Lewis on Oxford Street for housefurnishings. For the next three months,Hendrix used the base to write newsongs, give interviews, rehearse and hostcelebrity guests who crashed on theircamp bed. The flat, along with number 25,which belonged to baroque composerGeorge Fredric Handel, was given a grantfrom the Heritage Lottery Fund andopened as a museum in 2016 commemo-rating the two artists. 23 Brook Street,Mayfair, W1K.

    34 Montagu SquareYet another rock and roll shrine linked toThe Beatles, is this flat in Marylebone.Ringo Starr had moved in with his newwife Maureen in 1965, but it was also

    London’s streets are heaving with rock history, from studios where The Beatles recorded, the formerhomes of Jimi Hendrix, to sites where famous album covers were born. So, dust off your walking bootsand search the city for all that rock ‘n’ roll has left behind.

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  • ART & CULTURE

    FOCUS The Magazine 13www.focus-info.org

    where John Lennon first resided with YokoOno. Their Two Virgins album cover, wherethey were fully naked, was shot in thebasement. During their tenancy, the policeraided the flat for all sorts of drugs. Starrlater rented it to Jimi Hendrix but he wasevicted for trashing the place. PaulMcCartney recorded a demo of “EleanorRigby” in a temporary studio here in1966. Maybe being their neighbourswouldn’t have been so exciting after all. 34 Montagu Square, Marylebone, W1H.

    12 Curzon PlaceFlat 9 was the home of “Everybody’sTalkin’” singer Harry Nilsson, but also theunfortunate dwelling where The Mamas &The Papas singer Cass Elliot was founddead, allegedly from a heart attack, in1974 and where The Who’s Keith Moonoverdosed on pills in 1978. Perhaps theyshould change the name to Cursed Place.12 Curzon Place, Mayfair, W1J.

    Berwick StreetThis Soho street was the subject of Oasis’1995 (What’s The Story) Morning Glory?album cover. It was known for its amplerecord stores, rich diversity, eccentric wa-tering holes and kitsch drug paraphernalia.Over 20 years on, the street hasn’t quitegot the same energy, but remnants of itsheyday still linger. If you ever wonderedwho the two blurry guys are on the cover,it’s not Liam and Noel Gallagher, but BBCRadio Kent’s DJ Sean Rowley and Brian

    Cannon, who designed the album sleeve.Berwick Street, Soho, W1F.

    Denmark StreetFormerly a residential road, it was coined‘Britain’s Tin Pan Alley’ when several musicpublishers moved in and set up shop. TheRolling Stones, David Bowie, The Kinks andDonovan recorded in studios on thestreet. The likes of the Small Faces so-cialised in the Gioconda café at No.9.Elton John wrote “Your Song” here. TheSex Pistols lived above No.6 andrecorded their first demos in the flat.Adele and Jeff Buckley performed in abasement club during their early years. So

    many greats came and went, on to biggerand better things. Most of its rich historyis now just a faint echo due to the streetbeing more gentrified, however somerecord stores still remain. Denmark Street,WC2H.

    The Marquee Club The original site is now home to theMezzo Bar, but before this, for 30 years, itwas one of London’s principal rock ven-ues. Acts such as The Who, Pink Floyd, LedZeppelin, David Bowie, The Clash, TheCure, Queen, The Faces, The Police andFleetwood Mac – pre Stevie Nicks andLindsey Buckingham – all performed for apacked crowd at this intimate club. It’s alsothe venue where The Rolling Stones per-formed their very first gig in 1962, open-

    “Formerly a residential road, it was coined ‘Britain’s Tin Pan Alley’ when several music publishers moved in and set up shop.”

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  • ART & CULTURE

    14 FOCUS The Magazine January/February 2018 www.focus-info.org

    Hayley Harrison is a freelance writer and fashion intern and can be reached at www.hrharrison.com

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    ing for Long John Baldry. The club, whichhad moved to several locations acrossLondon, finally closed its doors in 2008,but the Wardour Street site has an EnglishHeritage plaque outside, dedicated toKeith Moon. Wardour Street, W1F.

    23 Heddon StreetMany Bowie fans have made the voyageto No. 23, just off Regent Street. It iswhere the cover was shot for Bowie’salbum The Rise And Fall Of Ziggy StardustAnd The Spiders Of Mars. It was taken ona rainy night in January 1972 and has sincebeen recreated countless times by enthu-siasts of the prolific artist. In 2012, a blackplaque was unveiled, dedicated to the40th anniversary of the cover. 23 HeddonStreet, W1B.

    Battersea Power StationThe already famous building has an addi-tional meaning for Pink Floyd fans. It is fea-tured on the cover of the band’s 1977album Animals. Driving by the power sta-tion on a regular basis gave Roger Waters

    an idea. In keeping with the theme of thealbum, a 30ft flying pig was made byGerman and Austrian designers to floatbetween the two chimneys. However, theexecution failed and the helium-inflatedpig flew off and landed in Kent. The bandhad to settle for superimposing it on thefinal cover. Never work with children oranimals, even if it is a balloon animal.Battersea Power Station, 188 KirtlingStreet, SW8.

    The Hope and Anchor This pub in Islington has hosted Dr.Feelgood, The Stranglers, The Cure andJoy Division, but its most infamous gig was

    U2. The band supported Jools Hollandone night in December 1979 and the onlyaudience members were a man and hisdog. The man left, the dog left and the endresult was a private U2 show for JoolsHolland and a private Jools Holland showfor U2. The Hope and Anchor, 207 UpperStreet, N1.

    http://www.hrharrison.commailto:[email protected]://www.greycoatlumleys.co.ukhttp://www.focus-info.org