• The wor ld ’s most beaut i fu l leathers• An except ional k now-how • Made in France

Duvivier Productions 86350 Usson du Poitou

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24. Living www.duv i v i e r. f r Duvivier

Fo r m a ny ye a r s , D u v i v i e r h a s o �e re d c u s to m e r s t h e o p p o r t u n i t y to t h i n k o f c o m fo r t a n d q u a l i t y i n te r m s o f p r i o r i t y, b y m a k i n g a c h o i c e fo r f u r n i t u re w h i c h , i n t i m e , w i l l re m a i n b e a u t i f u l a n d re t a i n a n e xc e l l e n t c o m fo r t .To t a l l y i n k e e p i n g w i t h t h e c u r re n t t re n d o f s l o w - d e s i gn , D u v i v i e r c o n t i n u e s i t s c o m m i t m e n t to i t s v a l u e s t h a t a re f a r b e yo n d s i m p l e f a s h i o n :- C h o o s i n g s u s t a i n a b l e a n d n a t u r a l m a te r i a l s- O rg a n i s i n g a Fre n c h p ro d u c t i o n t h a t c o m b i n e s c r a f t s m a n s h i p a n d n e w te c h n o l o g i e s- I m p ro v i n g t h e p ro d u c t i o n m e t h o d s to re s p e c t t h e e nv i ro n m e n t a n d i n d i v i d u a l s- Ta k i n g a c t i o n fo r a n e c o - f r i e n d l y c o n s u m p t i o n

T h e s l o w - d e s i gn m o ve m e n t i nv i te s l e s s c o n s u m p t i o n b u t b e t te r i n fo r m e d c h o i c e s o p p o s i n g t h e " q u i c k l y m a d e , b a d l y m a d e " o p t i o n w h i c h i s d e r i ve d f ro m e xc e s s c o n s u m e -r i s m . I t p ro m o te s p ro d u c t s , s i n g u l a r l y m a d e , w i t h aw a re n e s s a n d p a s s i o n , b y m e n a n d wo m e n w h o h o l d a u n i q u e k n o w - h o w e x p e r t i s e .

I n c h o o s i n g D u v i v i e r f u r n i t u re , yo u h ave d e c i d e d to t a k e t h e t i m e to e n j o y yo u r h o m e fo r a ve r y l o n g t i m e .

Didier Leruste, C.E.O.

Editorial

Focus

Technical

Inspiration

Contents4 - A designer, a model

5 - Chilli, pillar box, persimmon…. How to play with vibrant colours

6 - Leather & Wood7 - Maillol sofa, an icon

8-9 - XXS, small sofas

30-31 - Choosing the right sofa bed32-33 - Manufacturing, the key to

quality and comfort

28-29 - Long live functionality 

34-35 - Secrets of manufacturing36-37 - Leather, a natural material

38-39 - Quality, awards and guarantees40 - Index

10-11 - �e art of mismatching12-13 - Back to nature

16-17 - �e Left Bank spirit

14-15 - Five tips for a decorin black & white

18-19 - Decorating a largeliving room

20-21 - Wooden feet or Metal feet?22-23-24-25 - Inside Review26-27 - Nothing like leather

PRADO

PHILAE

MONACO

Focus

Technical

Inspiration

Contents4 - A designer, a model

5 - Chilli, pillar box, persimmon…. How to play with vibrant colours

6 - Leather & Wood7 - Maillol sofa, an icon

8-9 - XXS, small sofas

30-31 - Choosing the right sofa bed32-33 - Manufacturing, the key to

quality and comfort

28-29 - Long live functionality 

34-35 - Secrets of manufacturing36-37 - Leather, a natural material

38-39 - Quality, awards and guarantees40 - Index

10-11 - �e art of mismatching12-13 - Back to nature

16-17 - �e Left Bank spirit

14-15 - Five tips for a decorin black & white

18-19 - Decorating a largeliving room

20-21 - Wooden feet or Metal feet?22-23-24-25 - Inside Review26-27 - Nothing like leather

PRADO

PHILAE

MONACO

A designer, a modelChilli, pillar box, persimmon…How to play withvibrant colours

4 Canapés DUVIVIER Canapés DUVIVIER 5

Focus DESIGNERS Focus COLOURS

Designed by the international architect anddesigner Reda Amalou the Season model

seduces you with its simple lines andthe double curve of the armrests.

Suitable for both hotelsand private residences, you will

appreciate its architectural rigorand a multicultural approach

stretching across Europe,the Middle East and Asia.

The sense of aesthetics andproportions, characteristics of the

creations by designer Bruno Lucas,are found in the Prado, the modelhe designed for Canapés Duvivier.

The roundness of the arms, the framedline and soft cushions together create

this inviting contemporary elegant sofa.

Reda Amalouby

Season sofa & armchair

Bruno Lucasby

Prado sofa & armchair

Amine Fallatby

Philae sofa & armchair

The nuance of the names created for the swatches of colours red and orange are poetic and evocative, thus making them invigorating, warm and above all cheerful.

As one of the three primary colours, red inspires strong and con�icting feelings. It notably symbolizes passion, �re, power, battle, prohibition and determination. A blazing colour, it is also synonymous with luxury and elegance.Obtained by mixing red and yellow, orange evokes positive concepts such as loyalty, trust and radiation. Bright and warm, this secondary colour is more daring and extravagant than the red.

Used for decoration, these vibrant colours introduce vitality and boldness within an interior. They energize a space too pale or lacking in character. They warm and illuminate a dark room. But beware, in high doses, red and orange can also in�ame and infuse anger or irritation, this negative e�ect being less for orange where the yellow hand tempers the red.

Use the red-orange sparingly rather than as a total look. A rug, a sofa, or a small piece of lacquered furniture is enough to create the desired e�ect and can also be highlighted with accessories, on a lamp, table, object or cushion.

Keep these tones for "moving" areas where there is activity such as an entrance hall, stairs, living room or kitchen. In these environ-ments, the red and orange will channel energies and structure the space.

MONTSOURIS console

TRIOLET side table

BUCI chest of drawers

COSMOSLISTEL sideboard

DANAIDE

MATTIEW

MABILLON

ASET

Decorating tip

The French-Lebanese interior architect anddesigner Amine Fallat created the Philae, a subtleand elegant model, for Canapés Duvivier. Inspired by architecture, as seen in a number ofhis creations, he mixes the classical, the conventionalFrench and creative building style structuresto become "seaside art deco" of Tripoli,the city where he grew up.

A designer, a modelChilli, pillar box, persimmon…How to play withvibrant colours

4 Canapés DUVIVIER Canapés DUVIVIER 5

Focus DESIGNERS Focus COLOURS

Designed by the international architect anddesigner Reda Amalou the Season model

seduces you with its simple lines andthe double curve of the armrests.

Suitable for both hotelsand private residences, you will

appreciate its architectural rigorand a multicultural approach

stretching across Europe,the Middle East and Asia.

The sense of aesthetics andproportions, characteristics of the

creations by designer Bruno Lucas,are found in the Prado, the modelhe designed for Canapés Duvivier.

The roundness of the arms, the framedline and soft cushions together create

this inviting contemporary elegant sofa.

Reda Amalouby

Season sofa & armchair

Bruno Lucasby

Prado sofa & armchair

Amine Fallatby

Philae sofa & armchair

The nuance of the names created for the swatches of colours red and orange are poetic and evocative, thus making them invigorating, warm and above all cheerful.

As one of the three primary colours, red inspires strong and con�icting feelings. It notably symbolizes passion, �re, power, battle, prohibition and determination. A blazing colour, it is also synonymous with luxury and elegance.Obtained by mixing red and yellow, orange evokes positive concepts such as loyalty, trust and radiation. Bright and warm, this secondary colour is more daring and extravagant than the red.

Used for decoration, these vibrant colours introduce vitality and boldness within an interior. They energize a space too pale or lacking in character. They warm and illuminate a dark room. But beware, in high doses, red and orange can also in�ame and infuse anger or irritation, this negative e�ect being less for orange where the yellow hand tempers the red.

Use the red-orange sparingly rather than as a total look. A rug, a sofa, or a small piece of lacquered furniture is enough to create the desired e�ect and can also be highlighted with accessories, on a lamp, table, object or cushion.

Keep these tones for "moving" areas where there is activity such as an entrance hall, stairs, living room or kitchen. In these environ-ments, the red and orange will channel energies and structure the space.

MONTSOURIS console

TRIOLET side table

BUCI chest of drawers

COSMOSLISTEL sideboard

DANAIDE

MATTIEW

MABILLON

ASET

Decorating tip

The French-Lebanese interior architect anddesigner Amine Fallat created the Philae, a subtleand elegant model, for Canapés Duvivier. Inspired by architecture, as seen in a number ofhis creations, he mixes the classical, the conventionalFrench and creative building style structuresto become "seaside art deco" of Tripoli,the city where he grew up.

MONTSOREAU desk

Leather Top

Materials to touch, materials to admire and appreciate, leather and wood are part of everyday life for “Mr Average”. Since the start of time, furniture, objects and tools have been manufactured and appreciated for the sensations they produce and recognized for their strength and durability.

These two natural materials, widely used in trade and industry, are seen as noble and beautiful when they are handled by talented craftsmen who respect their characteristics and know how to enhance their features. The works of marquetry and luxury leather goods are examples of the wonders that can be produced with wood and leather.

Their sensual and irregular forms are inviting to touch. Close your eyes and let go to feel the movements of the surface, velvety or rough. The veins and knots in

the wood, the grain and neck creases of the leather create innumerable di�erent patterns.

6 Canapés DUVIVIER Canapés DUVIVIER 7

Focus

a sofa, an icon…

DECIPHERING

Leather & Wood

�e maillol

A perfect combination, a love match

MARCEAU

bench

RAMATUELLE

foot stool

PALAIS ROYAL

SYLPHIDE

The Maillol is the symbolic model of the Canapés Duvivier collection.

Designed in 1985, it took its bestseller status in 1991 when it became Duvivier’s model of the year with the photo of the famous "Maillol on the beach," remaining etched in memories as the perfect image of the brand. For the record, this shot was made on the beach at Trégastel in Brittany at low tide with a very uncertain weather forecast: extremely poor conditions and a very tight schedule for a magni�cent photo that symbolizes the spirit "beyond time and trends ".

Since then it has undergone many changes, for the most part imperceptible like the removal of the piping, front panel section on the cushions or a reduction in the height of the front structural base. Two major changes occurred in the mid-2000s:it became available in two di�erent depths 102 cm and 110 cm to �t all body types;

it could be equipped with integrated headrests with the framework sliding behind the back cushions. Long awaited, the latest evolution of the Maillol is the chaiselongue

sofa that brings new possibilities of comfort and use with a chaiselongue of generous proportions.

MONTSOREAU desk

Leather Top

Materials to touch, materials to admire and appreciate, leather and wood are part of everyday life for “Mr Average”. Since the start of time, furniture, objects and tools have been manufactured and appreciated for the sensations they produce and recognized for their strength and durability.

These two natural materials, widely used in trade and industry, are seen as noble and beautiful when they are handled by talented craftsmen who respect their characteristics and know how to enhance their features. The works of marquetry and luxury leather goods are examples of the wonders that can be produced with wood and leather.

Their sensual and irregular forms are inviting to touch. Close your eyes and let go to feel the movements of the surface, velvety or rough. The veins and knots in

the wood, the grain and neck creases of the leather create innumerable di�erent patterns.

6 Canapés DUVIVIER Canapés DUVIVIER 7

Focus

a sofa, an icon…

DECIPHERING

Leather & Wood

�e maillol

A perfect combination, a love match

MARCEAU

bench

RAMATUELLE

foot stool

PALAIS ROYAL

SYLPHIDE

The Maillol is the symbolic model of the Canapés Duvivier collection.

Designed in 1985, it took its bestseller status in 1991 when it became Duvivier’s model of the year with the photo of the famous "Maillol on the beach," remaining etched in memories as the perfect image of the brand. For the record, this shot was made on the beach at Trégastel in Brittany at low tide with a very uncertain weather forecast: extremely poor conditions and a very tight schedule for a magni�cent photo that symbolizes the spirit "beyond time and trends ".

Since then it has undergone many changes, for the most part imperceptible like the removal of the piping, front panel section on the cushions or a reduction in the height of the front structural base. Two major changes occurred in the mid-2000s:it became available in two di�erent depths 102 cm and 110 cm to �t all body types;

it could be equipped with integrated headrests with the framework sliding behind the back cushions. Long awaited, the latest evolution of the Maillol is the chaiselongue

sofa that brings new possibilities of comfort and use with a chaiselongue of generous proportions.

RENAUDOT sofa

L

8 Canapés DUVIVIER Canapés DUVIVIER 9

XXSSmall sofas

Renaudot, the King of XXS

Belharra - With its high back, it creates the perfect combination of an ethereal line with maximum comfort. W 153 x D 88 x H 80 cm. Also available in W173 and W193 cm and armchair.

Camille - The �ne structure and welcoming appea-rance enabled it to obtain the VIA Label, a reward for outstanding design. W 143 x D 70 x H 69 cm. Also available in armchair and swivel armchair.

Ciboure - Well-rounded, it o�ers excellent comfort with good back support. W 145 x D 85 x H 70 cm. Also available in W170 cm and armchair.

Mermoz – The ultimate club sofa, it is o�ered in standard or sofabed version. W 155 x D 88 x H 82 cm. Also available in W170 cm and armchair.

Small sofas are not only unique to studios and living areas of small apartments. They can also be used to decorate other rooms of variable sizes:• in an entrance hall, to sit down, put on shoes or place belongings when arms are full• in an o�ce, to create a small sitting area devoted, for example, to reading• in a bedroom, to serve as a place to lay clothes and to sit

This model, which has been in existence for almost 20 years, was inspired by the 'bridge' chairs from the luxury hotels in the 80's and has several features that sets it apart from the rest of the XXS. The Renaudot is the only model available in two sizes below 160 cm. The 140 cm sofa is the smallest width of the entire collection. The 156 cm is also available in a sofabed version with a bed width of 100 cm. Armchair and swivel armchair also available.

For anyone who lives in a small apartment and who, above all, requires quality andaesthetics, the XXS collection of Canapés Duvivier (width less than 160 cm) o�ers a choice

of elegant models designed to provide maximum comfort taking up minimum space.

Athénée - Contemporary with brushed stainless steel base or classic with wooden base, an all-purpose model which integrates easily into any interior. W 152 x D 89 x H 76 cm. Also available in W182 and W212 cm and armchair.

Saint Louis - Perfect proportions with a discreet yet original base makes it an elegant and timeless sofa. W 160 x D 91 x H 75 cm. Also available in W180 and W200 cm and armchair.

Bora - The contrast of its ultra thin base and opulent looking cushions emphasises the elegance of this contemporary model. W 160 x D 82 x H 66 cm. Also available in W190 and W210 cm.

Cosmos - With a high leather upholstered base, it can be grouped within the bench category. W 160 x D 83 x H 82 cm. Also available in W180 and W200 cm and armchair.

Ethereal

Compact

DECIPHERING

CIBOURE

ATHENEE

SAINT LOUIS

LILY console, TRIOLET tables, CAMILLE armchair, COSMOS sofa

BORA

COSMOS

CAMILLE

MERMOZ

BELHARRA sofa - RAMATUELLE tables

Focus

RENAUDOT sofa

L

8 Canapés DUVIVIER Canapés DUVIVIER 9

XXSSmall sofas

Renaudot, the King of XXS

Belharra - With its high back, it creates the perfect combination of an ethereal line with maximum comfort. W 153 x D 88 x H 80 cm. Also available in W173 and W193 cm and armchair.

Camille - The �ne structure and welcoming appea-rance enabled it to obtain the VIA Label, a reward for outstanding design. W 143 x D 70 x H 69 cm. Also available in armchair and swivel armchair.

Ciboure - Well-rounded, it o�ers excellent comfort with good back support. W 145 x D 85 x H 70 cm. Also available in W170 cm and armchair.

Mermoz – The ultimate club sofa, it is o�ered in standard or sofabed version. W 155 x D 88 x H 82 cm. Also available in W170 cm and armchair.

Small sofas are not only unique to studios and living areas of small apartments. They can also be used to decorate other rooms of variable sizes:• in an entrance hall, to sit down, put on shoes or place belongings when arms are full• in an o�ce, to create a small sitting area devoted, for example, to reading• in a bedroom, to serve as a place to lay clothes and to sit

This model, which has been in existence for almost 20 years, was inspired by the 'bridge' chairs from the luxury hotels in the 80's and has several features that sets it apart from the rest of the XXS. The Renaudot is the only model available in two sizes below 160 cm. The 140 cm sofa is the smallest width of the entire collection. The 156 cm is also available in a sofabed version with a bed width of 100 cm. Armchair and swivel armchair also available.

For anyone who lives in a small apartment and who, above all, requires quality andaesthetics, the XXS collection of Canapés Duvivier (width less than 160 cm) o�ers a choice

of elegant models designed to provide maximum comfort taking up minimum space.

Athénée - Contemporary with brushed stainless steel base or classic with wooden base, an all-purpose model which integrates easily into any interior. W 152 x D 89 x H 76 cm. Also available in W182 and W212 cm and armchair.

Saint Louis - Perfect proportions with a discreet yet original base makes it an elegant and timeless sofa. W 160 x D 91 x H 75 cm. Also available in W180 and W200 cm and armchair.

Bora - The contrast of its ultra thin base and opulent looking cushions emphasises the elegance of this contemporary model. W 160 x D 82 x H 66 cm. Also available in W190 and W210 cm.

Cosmos - With a high leather upholstered base, it can be grouped within the bench category. W 160 x D 83 x H 82 cm. Also available in W180 and W200 cm and armchair.

Ethereal

Compact

DECIPHERING

CIBOURE

ATHENEE

SAINT LOUIS

LILY console, TRIOLET tables, CAMILLE armchair, COSMOS sofa

BORA

COSMOS

CAMILLE

MERMOZ

BELHARRA sofa - RAMATUELLE tables

Focus

In consequence to the bohemian style, the "mismatch" is a relaxed and uninhibited design approach. With "mix and match" daring and imagination are allowed.

Regardless of shapes, materials and colours, pleasure is taken in combining objects or furniture that one admires. Gathered during the course of life, memories of a trip or family heirloom, long coveted or eye catching pieces. One is left unchecked to follow their desires and imagination.

By necessity, the principle of mismatching has long existed in the living area. Certain sofa models, whose arms are bulky, are not feasible as an armchair. In this case, it is suggested to combine one or several small armchairs in choosing coordinated or di�erent upholstery. The mixture of styles and colours are generally quite conventional.

However, mismatching chairs around the dining table is newer and bolder, as it is for tableware, experimenting with the "mix and match" of shapes, colours and / or materials.You can even go as far as arranging dining chairs, stools, chairs and a bench around the table.

10 Canapés DUVIVIER Canapés DUVIVIER 11

Inspiration

A D E L E

C A M I L L E

N O G E N T

M O N T C L A I R

M A T I G N O N

S A I N T J U S T

p o u fC U B E

N E U I L L Y

FASHION

�e artofmismatching

And for the furniture

With mismatching, anything goes. However, when themismatch method is used for a well thought-out structuralapproach, without necessarily a passion for a collection,we can use a common characteristic for allthe assembled pieces:

• one colour and mix shapes and materials• the same material, all wood for example• the same model with di�erent colours

�e trick to mismatchinga room safely

P h o t o o n r i g h t - h a n d s i d e p a g e :C A R G E S E s o f a

S Y L P H I D E a r m c h a i rC A P R I s i d e t a b l e

V E R T G A L A N T c o � e e a n d s i d e t a b l e sR A M A T U E L L E f o o t s t o o l

In consequence to the bohemian style, the "mismatch" is a relaxed and uninhibited design approach. With "mix and match" daring and imagination are allowed.

Regardless of shapes, materials and colours, pleasure is taken in combining objects or furniture that one admires. Gathered during the course of life, memories of a trip or family heirloom, long coveted or eye catching pieces. One is left unchecked to follow their desires and imagination.

By necessity, the principle of mismatching has long existed in the living area. Certain sofa models, whose arms are bulky, are not feasible as an armchair. In this case, it is suggested to combine one or several small armchairs in choosing coordinated or di�erent upholstery. The mixture of styles and colours are generally quite conventional.

However, mismatching chairs around the dining table is newer and bolder, as it is for tableware, experimenting with the "mix and match" of shapes, colours and / or materials.You can even go as far as arranging dining chairs, stools, chairs and a bench around the table.

10 Canapés DUVIVIER Canapés DUVIVIER 11

Inspiration

A D E L E

C A M I L L E

N O G E N T

M O N T C L A I R

M A T I G N O N

S A I N T J U S T

p o u fC U B E

N E U I L L Y

FASHION

�e artofmismatching

And for the furniture

With mismatching, anything goes. However, when themismatch method is used for a well thought-out structuralapproach, without necessarily a passion for a collection,we can use a common characteristic for allthe assembled pieces:

• one colour and mix shapes and materials• the same material, all wood for example• the same model with di�erent colours

�e trick to mismatchinga room safely

P h o t o o n r i g h t - h a n d s i d e p a g e :C A R G E S E s o f a

S Y L P H I D E a r m c h a i rC A P R I s i d e t a b l e

V E R T G A L A N T c o � e e a n d s i d e t a b l e sR A M A T U E L L E f o o t s t o o l

12 Canapés DUVIVIER Canapés DUVIVIER 13

Inspiration

In contrast to the bright colours like red, blue or orange with an arti�cial connotation, natural tones ranging from beige to brown or dark grey, refer to mineral or vegetal matter: pebbles at the edge of the sea, tree bark or mountain rock. These associate a life more in harmony with nature, creating an atmosphere of serenity conducive to relaxation within an interior space.

Material colours

Mineral references bring to mind limestone cli�s and white sandy beaches. For the upholstery of sofas and armchairs, one favours the semi-aniline leather like the Boxcalf or Nappaline that allow for a wider range of colour and a more uniform appearance.

Light shades

FASHION

Back to nature … Choosing a range of natural shades to furnish and decorate interiors is not recent. Yet the new consumer fashion veers towards more environ-mentally friendly products, a natural style which �xes itself �rmly in the heart of today’s real trends within decoration.

Colours of certain rocks, like grey, can be added to an interior to give it a more contem-porary feel. But it should not be used alone in account of creating an atmosphere too "hard". It combines itself perfectly with other natural colours, like granite boulders.

The contemporary grey

Colours usually associated with leather come in many shades, sometimes slightly orangey-red, sometimes with a hint of blue. With these colours the drum-dyed and aniline leathers have a vibrant depth and �nal �nish.

From camel to brown

MABILLON armchair – TRIOLET side table

HELIUM sofa - RAMATUELLE table

MERMOZ

BELHARRA

ATHENEE

CAHORS

SYLPHIDE 

SOFIA

MELCHIOR (wooden feet)

PONT NEUF co�ee table KARUSAottoman

CAPRIside table

12 Canapés DUVIVIER Canapés DUVIVIER 13

Inspiration

In contrast to the bright colours like red, blue or orange with an arti�cial connotation, natural tones ranging from beige to brown or dark grey, refer to mineral or vegetal matter: pebbles at the edge of the sea, tree bark or mountain rock. These associate a life more in harmony with nature, creating an atmosphere of serenity conducive to relaxation within an interior space.

Material colours

Mineral references bring to mind limestone cli�s and white sandy beaches. For the upholstery of sofas and armchairs, one favours the semi-aniline leather like the Boxcalf or Nappaline that allow for a wider range of colour and a more uniform appearance.

Light shades

FASHION

Back to nature … Choosing a range of natural shades to furnish and decorate interiors is not recent. Yet the new consumer fashion veers towards more environ-mentally friendly products, a natural style which �xes itself �rmly in the heart of today’s real trends within decoration.

Colours of certain rocks, like grey, can be added to an interior to give it a more contem-porary feel. But it should not be used alone in account of creating an atmosphere too "hard". It combines itself perfectly with other natural colours, like granite boulders.

The contemporary grey

Colours usually associated with leather come in many shades, sometimes slightly orangey-red, sometimes with a hint of blue. With these colours the drum-dyed and aniline leathers have a vibrant depth and �nal �nish.

From camel to brown

MABILLON armchair – TRIOLET side table

HELIUM sofa - RAMATUELLE table

MERMOZ

BELHARRA

ATHENEE

CAHORS

SYLPHIDE 

SOFIA

MELCHIOR (wooden feet)

PONT NEUF co�ee table KARUSAottoman

CAPRIside table

Materials to take into accountWith the choice of two-tone, decoration can be boring, �at and dull. To avoid this pitfall,increase the materials and �nishes whilst retaining the tone on tone aspect.On a white leather sofa, add white cushions in velvet, satin and fur. For a sideboard in black mattand/or bright lacquer, create a setting with vases and black objects in ceramic,leather, paper or stained wood.

1

COSMOS

DUOpedestals

QUAI CONTI

YING

A huge trend of the moment, the Scandinavian style is based on a harmonious combination of white and black

both invigorating, contemporary and warm.However, for a "black & white" atmosphere

to succeed, some rules must be followed.

14 Canapés DUVIVIER Canapés DUVIVIER 15

Inspiration ADVICE

Five tips fora decor in

black & white

2

3

5

Unevenness in playTo escape the checkerboard or "yin-yang" e�ect , choose one of thetwo colours to make it the more dominant, white preferably, whichwill bring more light and be more neutral, or black for a more masculinecontemporary connotation. Walls and ceilings really must be whiteto create the background and reserve black for some architecturalelements or pieces of furniture such as a sofa,sideboard or chairs.

Warm up with lightsIn a black and white decor, lighting is essential. In addition to the mainlighting, increase the areas of light, adapting, of course, to the naturallight in the room. An interior �ooded with sunlight through large windowsor bay windows, does not require as many �xtures as when the openingsare narrow and poorly angled.

SAINT JOHN PERSE

SAINT JOHN PERSE L-shaped sofa

BUCI chest of drawers

Black & White4

Soften with light woodLight wood, seen as contemporary, brings warmth and elegance to theroom. Its sobriety perfectly combines with the pure spirit of black andwhite, while providing a material e�ect. This, for example,could be a honey parquet �oor, a picture frame in black & whiteor a cube of natural wood used as a stool.

CIBOURE

Emphasize with a touch of colourOpting for a "black & white" decor does

not prohibit the use of adding colours. On the contrary, some colourful touches,

carefully placed make it possible to createa link between white and black. Pink, violet

and purple clearly bring softness and a feminine touch. With primary and secondary colours such

as red, yellow and green, the atmosphere is more toned and more cheerful. Brown is used for an

ethnic and more masculine style. In all cases, youmust choose a colour category and not

divert from it, as this would break downthe overall harmony of the room.

MONTSOURIS desk

Materials to take into accountWith the choice of two-tone, decoration can be boring, �at and dull. To avoid this pitfall,increase the materials and �nishes whilst retaining the tone on tone aspect.On a white leather sofa, add white cushions in velvet, satin and fur. For a sideboard in black mattand/or bright lacquer, create a setting with vases and black objects in ceramic,leather, paper or stained wood.

1

COSMOS

DUOpedestals

QUAI CONTI

YING

A huge trend of the moment, the Scandinavian style is based on a harmonious combination of white and black

both invigorating, contemporary and warm.However, for a "black & white" atmosphere

to succeed, some rules must be followed.

14 Canapés DUVIVIER Canapés DUVIVIER 15

Inspiration ADVICE

Five tips fora decor in

black & white

2

3

5

Unevenness in playTo escape the checkerboard or "yin-yang" e�ect , choose one of thetwo colours to make it the more dominant, white preferably, whichwill bring more light and be more neutral, or black for a more masculinecontemporary connotation. Walls and ceilings really must be whiteto create the background and reserve black for some architecturalelements or pieces of furniture such as a sofa,sideboard or chairs.

Warm up with lightsIn a black and white decor, lighting is essential. In addition to the mainlighting, increase the areas of light, adapting, of course, to the naturallight in the room. An interior �ooded with sunlight through large windowsor bay windows, does not require as many �xtures as when the openingsare narrow and poorly angled.

SAINT JOHN PERSE

SAINT JOHN PERSE L-shaped sofa

BUCI chest of drawers

Black & White4

Soften with light woodLight wood, seen as contemporary, brings warmth and elegance to theroom. Its sobriety perfectly combines with the pure spirit of black andwhite, while providing a material e�ect. This, for example,could be a honey parquet �oor, a picture frame in black & whiteor a cube of natural wood used as a stool.

CIBOURE

Emphasize with a touch of colourOpting for a "black & white" decor does

not prohibit the use of adding colours. On the contrary, some colourful touches,

carefully placed make it possible to createa link between white and black. Pink, violet

and purple clearly bring softness and a feminine touch. With primary and secondary colours such

as red, yellow and green, the atmosphere is more toned and more cheerful. Brown is used for an

ethnic and more masculine style. In all cases, youmust choose a colour category and not

divert from it, as this would break downthe overall harmony of the room.

MONTSOURIS desk

LISTEL sideboard

KARUSA chest of drawers

KARUSA co�ee table

LILY console

TODD

In the spirit of the Left Bank, the combination of genres and styles builds itself around several pieces of furniture and objects which, by the manufacturing quality and materials used, make up the central elements of decoration: a leather sofa, an iron worked console or a dining table with marble top.Natural materials are given priority for the "unique piece" with their di�erent shades and irregular designs emerging.

16 Canapés DUVIVIER Canapés DUVIVIER 17

Inspiration

Quality materialsand attention to detail

Elegant and nonchalant as the Parisian embodied by Ines de la Fressange, sober and timeless as the little black dress of the great French fashion designers, the Left Bank spirit does not succumb to any rule or principle. It stands out from fashions and trends. It boasts a freedom of character that allows it to combine vintage with contemporary, to reconcile Bohemian and dandy, and blend the useful with luxury.

Elegantand timeless

�e Left Bank spirit

TRIOLET side table (glass top)

SWAN co�ee tables

indulge in eclecticism with exposureof collections of all kinds, �ea

market treasuresand travel souvenirs

dare for a touch of eccentricity:an unconventional form, a whimsical

detail, a surprising colour

initiate a return to borrowing someideas from the interiors of our provincial

aunts like the gilt framed portrait ofancestors or the wing back chair

for a Left Bank decor : Ideas

KARUSA bookcase - CENTQUATRE sofa

A STYLE TO ADOPT

MOON side table

CENTRAL PARK

The image of all the di�erent Parisian buildings together constitutes an exciting and harmonious architectural capital. The Left Bank spirit is the provocative eclecticism of the "French style".

The decor version of the French "art de vivre" is characterized by clean lines, elegant and timeless, neutral tones, sometimes framed in black and white or highlights of colour. The �nest materials and attention to detail are the signatures.

LISTEL sideboard

KARUSA chest of drawers

KARUSA co�ee table

LILY console

TODD

In the spirit of the Left Bank, the combination of genres and styles builds itself around several pieces of furniture and objects which, by the manufacturing quality and materials used, make up the central elements of decoration: a leather sofa, an iron worked console or a dining table with marble top.Natural materials are given priority for the "unique piece" with their di�erent shades and irregular designs emerging.

16 Canapés DUVIVIER Canapés DUVIVIER 17

Inspiration

Quality materialsand attention to detail

Elegant and nonchalant as the Parisian embodied by Ines de la Fressange, sober and timeless as the little black dress of the great French fashion designers, the Left Bank spirit does not succumb to any rule or principle. It stands out from fashions and trends. It boasts a freedom of character that allows it to combine vintage with contemporary, to reconcile Bohemian and dandy, and blend the useful with luxury.

Elegantand timeless

�e Left Bank spirit

TRIOLET side table (glass top)

SWAN co�ee tables

indulge in eclecticism with exposureof collections of all kinds, �ea

market treasuresand travel souvenirs

dare for a touch of eccentricity:an unconventional form, a whimsical

detail, a surprising colour

initiate a return to borrowing someideas from the interiors of our provincial

aunts like the gilt framed portrait ofancestors or the wing back chair

for a Left Bank decor : Ideas

KARUSA bookcase - CENTQUATRE sofa

A STYLE TO ADOPT

MOON side table

CENTRAL PARK

The image of all the di�erent Parisian buildings together constitutes an exciting and harmonious architectural capital. The Left Bank spirit is the provocative eclecticism of the "French style".

The decor version of the French "art de vivre" is characterized by clean lines, elegant and timeless, neutral tones, sometimes framed in black and white or highlights of colour. The �nest materials and attention to detail are the signatures.

LOUNGE

PALACE

SAINT LOUIS

PIXEL co�ee tables

PRECATELAN

MARCO

The living room is a place where we come together as a family to eat, play or just talk, one where we receive visitors, where we watch television, a place where we relax to read or listen to music. Sometimes, it is also a place that serves as an o�ce or playroom for children.To meet all these functions, the layout of the room must be carefully thought out. To ensure that all the requirements are as equal as possible, we must �rst de�ne the priorities by questioning the lifestyle of the occupants. Is it really a communal area you want or should it have separate spaces that can be isolated from the rest of the room? Do the di�erent components of furniture and furnishings need to adapt to di�erent times of day or di�erent activities that take place there ?

To furnish a large living room, the same constraints and requirements apply as for a living-dining room with more modest propor-tions: develop a multifunc-tional space and de�ne "activity zones". The speci�c challenge to XXL areas lies in choosing furniture that must adapt to the size of the room.

18 Canapés DUVIVIER Canapés DUVIVIER 19

Inspiration

Decorating a largeliving room

DOSSIER

Developinga multifunctional space

The choice of furniture is essential to the development of a large living room or one faces the disastrous "Alice in Wonderland" e�ect: furniture that appears tiny in relation to the proportions of the room.

• Sofas, armchairs, etc. The sectional models are ideally adapted for spacious environments. They occupy an area which is clearly de�ned. They have, however, the drawback of low modularity. If this is important, it is best to choose a two or three-seater sofa that can be positioned at an angle or face-to-face and with which armchairs can be added. The ottomans are also elements

to incorporate creating additional seating that can be moved easily and occupy the

space without creating visual barriers.• Co�ee tables, side tables, etc. One can opt for a large co�ee table that will occupy all the space in the centre of the room. But the best solution is to choose several small tables that can be assembled and rearranged as one wishes. Indeed, the latter option has a double advantage: great modularity of the components and refreshing decoration by the play on colours and sizes.• Dining room table. In a vast living space, choose a

large dining table without exten-sions. By choosing a �xed table there are

greater possibilities in terms of leg styles and materials that can be used.• Bookcases, sideboards, etc. They can have a dual function: storage and de�nition. In the latter case, they are positioned in the middle of the room to separate the di�erent spaces and must be visible from the front and back. Care must be taken not to compartmentalise too tightly and thus when it comes to a bookcase, choose a double face that can be seen through.

Choosing furniture

In order that spaces are clearly identi-�able or separated discretely, it is necessary to plan rationally the sepa-rate areas to be created: the living area which is organised around the sofa, the

dining area with the dining-room table, and possibly secondary spaces like a TV corner, relaxation or o�ce. There are several options to create the boundaries:

- Choose di�erent colours of paint, but coordinate the walls- Use furniture, sofas or double sided book-cases to "close" an area- Distinguish the areas with rugs 

ADONIS L-shaped sofa - "Grande Orion" suspension lighting

KAR

USA

boo

kcas

e

De�ning "activity zones"

LOUNGE

PALACE

SAINT LOUIS

PIXEL co�ee tables

PRECATELAN

MARCO

The living room is a place where we come together as a family to eat, play or just talk, one where we receive visitors, where we watch television, a place where we relax to read or listen to music. Sometimes, it is also a place that serves as an o�ce or playroom for children.To meet all these functions, the layout of the room must be carefully thought out. To ensure that all the requirements are as equal as possible, we must �rst de�ne the priorities by questioning the lifestyle of the occupants. Is it really a communal area you want or should it have separate spaces that can be isolated from the rest of the room? Do the di�erent components of furniture and furnishings need to adapt to di�erent times of day or di�erent activities that take place there ?

To furnish a large living room, the same constraints and requirements apply as for a living-dining room with more modest propor-tions: develop a multifunc-tional space and de�ne "activity zones". The speci�c challenge to XXL areas lies in choosing furniture that must adapt to the size of the room.

18 Canapés DUVIVIER Canapés DUVIVIER 19

Inspiration

Decorating a largeliving room

DOSSIER

Developinga multifunctional space

The choice of furniture is essential to the development of a large living room or one faces the disastrous "Alice in Wonderland" e�ect: furniture that appears tiny in relation to the proportions of the room.

• Sofas, armchairs, etc. The sectional models are ideally adapted for spacious environments. They occupy an area which is clearly de�ned. They have, however, the drawback of low modularity. If this is important, it is best to choose a two or three-seater sofa that can be positioned at an angle or face-to-face and with which armchairs can be added. The ottomans are also elements

to incorporate creating additional seating that can be moved easily and occupy the

space without creating visual barriers.• Co�ee tables, side tables, etc. One can opt for a large co�ee table that will occupy all the space in the centre of the room. But the best solution is to choose several small tables that can be assembled and rearranged as one wishes. Indeed, the latter option has a double advantage: great modularity of the components and refreshing decoration by the play on colours and sizes.• Dining room table. In a vast living space, choose a

large dining table without exten-sions. By choosing a �xed table there are

greater possibilities in terms of leg styles and materials that can be used.• Bookcases, sideboards, etc. They can have a dual function: storage and de�nition. In the latter case, they are positioned in the middle of the room to separate the di�erent spaces and must be visible from the front and back. Care must be taken not to compartmentalise too tightly and thus when it comes to a bookcase, choose a double face that can be seen through.

Choosing furniture

In order that spaces are clearly identi-�able or separated discretely, it is necessary to plan rationally the sepa-rate areas to be created: the living area which is organised around the sofa, the

dining area with the dining-room table, and possibly secondary spaces like a TV corner, relaxation or o�ce. There are several options to create the boundaries:

- Choose di�erent colours of paint, but coordinate the walls- Use furniture, sofas or double sided book-cases to "close" an area- Distinguish the areas with rugs 

ADONIS L-shaped sofa - "Grande Orion" suspension lighting

KAR

USA

boo

kcas

e

De�ning "activity zones"

Bridge Maria - collection DUVIVIER -FIRST TIMEen cuir Anilcalf Camel

Wood and metal symbolize two opposite styles of decora-tion. The �rst falls within the authenticity category with a closeness to nature. The second refers to a high-tech city spirit. Without being �xed, these two styles display identi-�able characteristics.

20 Canapés DUVIVIER Canapés DUVIVIER 21

Inspiration Opposing decorating stylesDECOR MATCH

Authentic style with woodWarm and calming, the authentic style favours natural materials,like wood, but also stone, wool and leather. The shades of colourare dominated by tones reminiscent of the earth and minerals:beige, camel, brown.

High-tech style with metalBesides metal, high-tech style incorporates raw materials, contemporaryand masculine like raw concrete, glass and leather. The shades of colour arelargely based on the tones related to technology like blackand various shades of grey.

CENTQUATRE

QUAI CONTI

QUAI CONTI sofa - TRIOLET side tables

HELIUM

Wooden feet or

Metal feet ?Choosing the sofa feetOn some sofa models, it is possible to choose metal or wooden feet. When this is the case, it must be borne in mind that, as for the upholstery, the choice of the �nish on the feet gives the model a di�erent style: more contemporary and masculine with metal, classic and warm with wood.

Bridge Maria - collection DUVIVIER -FIRST TIMEen cuir Anilcalf Camel

Wood and metal symbolize two opposite styles of decora-tion. The �rst falls within the authenticity category with a closeness to nature. The second refers to a high-tech city spirit. Without being �xed, these two styles display identi-�able characteristics.

20 Canapés DUVIVIER Canapés DUVIVIER 21

Inspiration Opposing decorating stylesDECOR MATCH

Authentic style with woodWarm and calming, the authentic style favours natural materials,like wood, but also stone, wool and leather. The shades of colourare dominated by tones reminiscent of the earth and minerals:beige, camel, brown.

High-tech style with metalBesides metal, high-tech style incorporates raw materials, contemporaryand masculine like raw concrete, glass and leather. The shades of colour arelargely based on the tones related to technology like blackand various shades of grey.

CENTQUATRE

QUAI CONTI

QUAI CONTI sofa - TRIOLET side tables

HELIUM

Wooden feet or

Metal feet ?Choosing the sofa feetOn some sofa models, it is possible to choose metal or wooden feet. When this is the case, it must be borne in mind that, as for the upholstery, the choice of the �nish on the feet gives the model a di�erent style: more contemporary and masculine with metal, classic and warm with wood.

In a spacious bedroom, a reading corner hasbeen created with Maria bridge armchairs in leather

Anilcalf Gold and a Capri side table to allowthe owner to relax in a calm environment.

The carpet in shades of grey echoes the blackand white photos that adorn the wall.

In this interior, the owners have preferred a minimalist setting to enhance the clean lines and beautiful materials of their furniture. To heighten the intimate e�ect in an area with very little light, they chose shades of colour with natural and neutral tones. These muted shades of grey, beige and brown are complemented with small touches of red and orange carefully placed.

The central corridor hosts a small wooden Montsouris desk stained in colour Naturel with the leather insert in Nappaline Camel and a matching Marceau stool. The small size of the furniture and ability to slide the stool beneath make it easy to move through this area when the o�ce is not in use.

The Lea bookcase has been placed at the entrance of the room standing out from the other furniture with its red lacquer shelves, testimony to the owners' passion for books on art.

22 Canapés DUVIVIER Canapés DUVIVIER 23

For the loveof beauty …

OPERA armchair – VERT GALANT side tableLEA bookcase

MARIA bridge armchair – CAPRI side table MONTSOREAU desk – MARCEAU stool

INSIDE REVIEWInspiration

In a spacious bedroom, a reading corner hasbeen created with Maria bridge armchairs in leather

Anilcalf Gold and a Capri side table to allowthe owner to relax in a calm environment.

The carpet in shades of grey echoes the blackand white photos that adorn the wall.

In this interior, the owners have preferred a minimalist setting to enhance the clean lines and beautiful materials of their furniture. To heighten the intimate e�ect in an area with very little light, they chose shades of colour with natural and neutral tones. These muted shades of grey, beige and brown are complemented with small touches of red and orange carefully placed.

The central corridor hosts a small wooden Montsouris desk stained in colour Naturel with the leather insert in Nappaline Camel and a matching Marceau stool. The small size of the furniture and ability to slide the stool beneath make it easy to move through this area when the o�ce is not in use.

The Lea bookcase has been placed at the entrance of the room standing out from the other furniture with its red lacquer shelves, testimony to the owners' passion for books on art.

22 Canapés DUVIVIER Canapés DUVIVIER 23

For the loveof beauty …

OPERA armchair – VERT GALANT side tableLEA bookcase

MARIA bridge armchair – CAPRI side table MONTSOREAU desk – MARCEAU stool

INSIDE REVIEWInspiration

INSIDE REVIEW

MONTANA table - LISA chair - RUE DAUPHINE sideboard

RUE DAUPHINE sideboard

FAUBOURG sofa – TRIOLET co�ee tables

In the living room, near the kitchen, the dining room is adorned with tones as natural as the other furniture. Four Lisa chairs in leather Boxcalf Corail surround the Montana dining table in a walnut �nish.

24 Canapés DUVIVIER Canapés DUVIVIER 25

Inspiration

Placed behind the dining table,the Rue Dauphine sideboard, also in a walnut �nish,provides storage space for the tableware.

In the main room, the Faubourg sofas in leather Anilcalf Goldsurround a set of small wooden Triolet co�ee tables stained

in colour Naturel and light-shaded lacquers. The cosyfeel of the room is strengthened by a carpet in soft

natural tones that highlight the warm hue of the leather.

INSIDE REVIEW

MONTANA table - LISA chair - RUE DAUPHINE sideboard

RUE DAUPHINE sideboard

FAUBOURG sofa – TRIOLET co�ee tables

In the living room, near the kitchen, the dining room is adorned with tones as natural as the other furniture. Four Lisa chairs in leather Boxcalf Corail surround the Montana dining table in a walnut �nish.

24 Canapés DUVIVIER Canapés DUVIVIER 25

Inspiration

Placed behind the dining table,the Rue Dauphine sideboard, also in a walnut �nish,provides storage space for the tableware.

In the main room, the Faubourg sofas in leather Anilcalf Goldsurround a set of small wooden Triolet co�ee tables stained

in colour Naturel and light-shaded lacquers. The cosyfeel of the room is strengthened by a carpet in soft

natural tones that highlight the warm hue of the leather.

MONACO

eather leaves no one indi�erent. Some are unconditionally in love with its sensual touch and natural appearance. Others,

however, reproach its "plastic" aspect with poor aging. Between ignorance and misconceptions, let's focus on the true beautiful leather.

L

Alain Souchon, a famous French singer, once admitted with delight in one of his songs "j’veux du cuir" (I want leather). In his lyrics, he claims his fondness for a material that appears in ordinary daily life. He a�rms the sensual, nearly addictive, side to leather. In clothing as in furniture, seeing an old bomber jacket or a vintage lounge chair for example brings to mind adventure and experiences, inner wealth, timelessness. Leather connoisseurs know that the �nest leather is a natural material providing daily comfort and lasting satisfaction.

Nothing like leather !

26 Canapés DUVIVIER

Leather, a materialwith sensations

Inspiration

Canapés DUVIVIER 27

FULL FRAMEBeautiful leather - it is natural and authentic, supple and resistant. To obtain these qualities, there are three essential points that must be combined: the quality of the hide, the expertise of the tanner and a “full-grain” �nish with a colour that reveals the true nature of leather.

What is beautiful leather ?

Drum dyed or aniline: the colour of the leather is obtained by immersion in a

dye bath (drum dyed) or by immersion and thenwith a projection of dye on the surface (aniline).

Pigmented semi-aniline: small coating of pigmentation is projectedonto the surface for a uniform colour whilemaintaining a comfortable feel.

Different qualities of leather

Beyond the aesthetic and tactile virtues, beautiful leather possesses a number of other bene�ts. A natural material being in the same league as silk or pure wool, it is an excellent thermal regulator and absorbs moisture: feeling warmth in winter and coolness in summer. By its tissue structure (intertwined �bres in three dimensions), a leather of quality is particularly resistant. Well maintained, it acquires a patina over time. Small scratches will fade by the friction of �bres. The marks disappear in the thickness of the leather.

Comfort and durability

The keys to beautiful leather

CENTQUATRE

Coating: this is truly a layer of pigmentation which isapplied to the hide, as it could be on anysynthetic material. The result holds noresemblance to natural leather in termsof quality, durability and comfort.

Hide quality: hides come from young European bulls origina-ting from non high-yielding stockbreeders. They possess the physical and mechanical characteris-tics of youth and good health: supple and resistant.

Leather colouring:it determines its feel and appearance. To have a beautiful leather with an exceptional touch anda long lasting aspect, one must choose a slightlyor non pigmented leather. The layer of pigmentis what provides a uniform colour and hides the defects. There is also a �lm on the surface of the leather, a light coating if slightly pigmented,a thick layer if heavily pigmented.

Tanning qualities:a tanner must master the tanning process from preparation through to the �nal treatment. It is the combination of an ancient craftsmanship together with the ever more e�cient processing of the hides which produce authentic and hardwearing leather.

Leather �nish: to have supple, resistant leather with a natural

aspect, one must choose “full-grain”. Otherwise sanding the surface for the defects to disappear

will greatly reduce the elasticity of the leather and its lifetime, and printing an arti�cial grain will alter and distort the appearance, with the leather

changing and hardening to touch.

MONACO

eather leaves no one indi�erent. Some are unconditionally in love with its sensual touch and natural appearance. Others,

however, reproach its "plastic" aspect with poor aging. Between ignorance and misconceptions, let's focus on the true beautiful leather.

L

Alain Souchon, a famous French singer, once admitted with delight in one of his songs "j’veux du cuir" (I want leather). In his lyrics, he claims his fondness for a material that appears in ordinary daily life. He a�rms the sensual, nearly addictive, side to leather. In clothing as in furniture, seeing an old bomber jacket or a vintage lounge chair for example brings to mind adventure and experiences, inner wealth, timelessness. Leather connoisseurs know that the �nest leather is a natural material providing daily comfort and lasting satisfaction.

Nothing like leather !

26 Canapés DUVIVIER

Leather, a materialwith sensations

Inspiration

Canapés DUVIVIER 27

FULL FRAMEBeautiful leather - it is natural and authentic, supple and resistant. To obtain these qualities, there are three essential points that must be combined: the quality of the hide, the expertise of the tanner and a “full-grain” �nish with a colour that reveals the true nature of leather.

What is beautiful leather ?

Drum dyed or aniline: the colour of the leather is obtained by immersion in a

dye bath (drum dyed) or by immersion and thenwith a projection of dye on the surface (aniline).

Pigmented semi-aniline: small coating of pigmentation is projectedonto the surface for a uniform colour whilemaintaining a comfortable feel.

Different qualities of leather

Beyond the aesthetic and tactile virtues, beautiful leather possesses a number of other bene�ts. A natural material being in the same league as silk or pure wool, it is an excellent thermal regulator and absorbs moisture: feeling warmth in winter and coolness in summer. By its tissue structure (intertwined �bres in three dimensions), a leather of quality is particularly resistant. Well maintained, it acquires a patina over time. Small scratches will fade by the friction of �bres. The marks disappear in the thickness of the leather.

Comfort and durability

The keys to beautiful leather

CENTQUATRE

Coating: this is truly a layer of pigmentation which isapplied to the hide, as it could be on anysynthetic material. The result holds noresemblance to natural leather in termsof quality, durability and comfort.

Hide quality: hides come from young European bulls origina-ting from non high-yielding stockbreeders. They possess the physical and mechanical characteris-tics of youth and good health: supple and resistant.

Leather colouring:it determines its feel and appearance. To have a beautiful leather with an exceptional touch anda long lasting aspect, one must choose a slightlyor non pigmented leather. The layer of pigmentis what provides a uniform colour and hides the defects. There is also a �lm on the surface of the leather, a light coating if slightly pigmented,a thick layer if heavily pigmented.

Tanning qualities:a tanner must master the tanning process from preparation through to the �nal treatment. It is the combination of an ancient craftsmanship together with the ever more e�cient processing of the hides which produce authentic and hardwearing leather.

Leather �nish: to have supple, resistant leather with a natural

aspect, one must choose “full-grain”. Otherwise sanding the surface for the defects to disappear

will greatly reduce the elasticity of the leather and its lifetime, and printing an arti�cial grain will alter and distort the appearance, with the leather

changing and hardening to touch.

CARGESE

MAHONNEco�ee table

HAMADA co�ee table

KARUSAdressing table

BOSS

YANG

Long live functionality !!! 

28 Canapés DUVIVIER

Sofa

Dining table

The existing functions meet two di�erent needs: changing the size of the table with tops that rotate around the lateral axis, and transforming the co�ee table into a dining table by raising the top to the desired height.

Co�ee table

Inspiration

Canapés DUVIVIER 29

Some pieces of furniture are equipped with modular functions enabling one to change their use. They make life easier, improve comfort and optimise space. This mainly concerns three types of furniture: dining tables, co�ee tables and sofas.

DOSSIER

KARUSAwriting desk

ARCHE console, transformable into

a dining table

To entertain, we require an elegant sofa with a relatively low back. To relax, watch TV or read, we prefer to have the back, shoulders and head well supported to get really comfortable. The integrated or removable headrest system allows us to combine the two uses.

Widely known, extending systems o�er many possibilities in terms of aesthetic choices and adaptable dimensions: central opening, side exten-sions, top divided into two.

BARTHOLDI

CARGESE

MAHONNEco�ee table

HAMADA co�ee table

KARUSAdressing table

BOSS

YANG

Long live functionality !!! 

28 Canapés DUVIVIER

Sofa

Dining table

The existing functions meet two di�erent needs: changing the size of the table with tops that rotate around the lateral axis, and transforming the co�ee table into a dining table by raising the top to the desired height.

Co�ee table

Inspiration

Canapés DUVIVIER 29

Some pieces of furniture are equipped with modular functions enabling one to change their use. They make life easier, improve comfort and optimise space. This mainly concerns three types of furniture: dining tables, co�ee tables and sofas.

DOSSIER

KARUSAwriting desk

ARCHE console, transformable into

a dining table

To entertain, we require an elegant sofa with a relatively low back. To relax, watch TV or read, we prefer to have the back, shoulders and head well supported to get really comfortable. The integrated or removable headrest system allows us to combine the two uses.

Widely known, extending systems o�er many possibilities in terms of aesthetic choices and adaptable dimensions: central opening, side exten-sions, top divided into two.

BARTHOLDI

The size, or more precisely the volume, is a key point to choosing a sofa bed, even more than for a standard sofa. Indeed, integrating the bed mecha-nism imposes minimum width dimensions as well as for the depth. It requires relatively thick armrests for the mechanism to be securely attached. This set of constraints can give some models imposing dimen-sions and sometimes a bulky appearance.Moreover, you need to take into account the dimen-sions of the sofa when it is closed but also when it is open in the sleeping position. There must be enough space in the room where it is placed to be able to open fully.

On a sofa bed, the bed base and mattress fold into three thus being hidden within the body of the sofa under the seat cushions. The mechanism to open and close the bed must be �exible and easy to use, especially if it is for regular use.

Choosing theright sofa bed

30 Canapés DUVIVIER

Technical

Canapés DUVIVIER 31

RIGHT CHOICE

Whether furnishing a small Parisian apartment in which the bed will be used daily, or to equip a guest room or a holiday home for a more occasional use, the sofa bed should be comfor-table and practical to ensure a good nights sleep.For choosing the right one, three criteria must be taken into account: the size, the opening and closing mechanism and the quality of the mattress and bed base.

Last but not least, to have a good nights sleep, you need good bedding.For the base, di�erent comforts are possible depending on whether you choose a slatted mechanism, stretched cloth or a mixture of metal grid with stretched cloth.In contrast for the mattress, it is imperative to have high resilient foam, and ideally a minimum thickness of 11 cm, to maintain an equal comfort over time.

MORZINE

NABIS

NOCTE

CAPRI

KARUSA

VERT GALANT

The mechanism for openingand closing the sofa bed

The qualityof the bed baseand mattress

Sofa beds, like the Nabis and Morzine, are designed to allow easy and rapid transfor-mation into the sofa bed. The cushions remain attached and disappear under the bed frame. The mattresses are in high resilient Bultex foam 38kg / m3 and have a thickness of 13 cm.

Convertible sofas are standard models which can be equipped with a mechanism to turn it into a bed. In these cases, the folded mecha-nism replaces the suspension of the seat. The mattress is in high resilient Bultex foam 40kg / m3 and has a thickness of 6 cm.

The di�erence between asofa bed and convertible sofa

Our selection to

complement the sofa b

edSofa bed size

Adaptable as bedside table or side table,choose these simple and practical pieces

as they are functional for both day and night.

The size, or more precisely the volume, is a key point to choosing a sofa bed, even more than for a standard sofa. Indeed, integrating the bed mecha-nism imposes minimum width dimensions as well as for the depth. It requires relatively thick armrests for the mechanism to be securely attached. This set of constraints can give some models imposing dimen-sions and sometimes a bulky appearance.Moreover, you need to take into account the dimen-sions of the sofa when it is closed but also when it is open in the sleeping position. There must be enough space in the room where it is placed to be able to open fully.

On a sofa bed, the bed base and mattress fold into three thus being hidden within the body of the sofa under the seat cushions. The mechanism to open and close the bed must be �exible and easy to use, especially if it is for regular use.

Choosing theright sofa bed

30 Canapés DUVIVIER

Technical

Canapés DUVIVIER 31

RIGHT CHOICE

Whether furnishing a small Parisian apartment in which the bed will be used daily, or to equip a guest room or a holiday home for a more occasional use, the sofa bed should be comfor-table and practical to ensure a good nights sleep.For choosing the right one, three criteria must be taken into account: the size, the opening and closing mechanism and the quality of the mattress and bed base.

Last but not least, to have a good nights sleep, you need good bedding.For the base, di�erent comforts are possible depending on whether you choose a slatted mechanism, stretched cloth or a mixture of metal grid with stretched cloth.In contrast for the mattress, it is imperative to have high resilient foam, and ideally a minimum thickness of 11 cm, to maintain an equal comfort over time.

MORZINE

NABIS

NOCTE

CAPRI

KARUSA

VERT GALANT

The mechanism for openingand closing the sofa bed

The qualityof the bed baseand mattress

Sofa beds, like the Nabis and Morzine, are designed to allow easy and rapid transfor-mation into the sofa bed. The cushions remain attached and disappear under the bed frame. The mattresses are in high resilient Bultex foam 38kg / m3 and have a thickness of 13 cm.

Convertible sofas are standard models which can be equipped with a mechanism to turn it into a bed. In these cases, the folded mecha-nism replaces the suspension of the seat. The mattress is in high resilient Bultex foam 40kg / m3 and has a thickness of 6 cm.

The di�erence between asofa bed and convertible sofa

Our selection to

complement the sofa b

edSofa bed size

Adaptable as bedside table or side table,choose these simple and practical pieces

as they are functional for both day and night.

Cut the pieces of leather from the hides on an automated and computerized cutting line taking care beforehand to clearly identify the areas with defects on the hide. At the exit of the cutting line, group these leather pieces for the next stage in the manufacturing.

Pare each piece of leather (also known as skiving). This is the process of thinning the leather edge to facilitate sewing.

Assemble the leather pieces that will make up the covers for the structure, armrests and seat cushions. Finish by sewing the seams: saddle stitch and simple stitch, depending on the section.

Manufacturing,the key to qualityand comfort

32 Canapés DUVIVIER Canapés DUVIVIER 33

The Mermoz armchair is a model apart in the Cana-pés Duvivier collection. It possesses a vintage mythical spirit that refers to the world of Anglo-Saxon club armchairs for men. This model has above all a distinctive taut back, and thus, no removable back cushion. However, its production in the workshops at Usson du Poitou takes place in accordance with the same process as for the other models, a well calibrated recipe for comfort and unmatched quality.

TechnicalMANUFACTURING

An armchair apart

- Antique style leather hides: Antika- A solid beechwood frame and beech plywood for the central part and armrests- Foam covering the structure, without forgetting the bi-density foam seat cushions- Springs and red rubber struts for suspension- Square wooden feet- Sewing thread (it’s a little like the icing on the cake…)

Cutting and sewing leather

Insert the cushion foam into its leather cover taking care to adjust the corners.

Attach the rubber struts and suspension springs onto the structure. Cover the wooden structure with foam obtaining a soft result.

Cushion �lling and the corestructure

Throw the leather cover onto the back of the structure and pull it tight adjusting to its shape. Ensure there is no slack leather before stapling. Then upholster the two armrests with their covers. Take particular care when stapling on the rounded parts.

Assemble all parts of the armchair: main structure, armrests and armrest pads. Attach the feet and add the seat cushions.

Upholstery and assembly

Recipe of the Mermoz armchair Ingredients :Step

1

Step 2

Step 3

Cut the pieces of leather from the hides on an automated and computerized cutting line taking care beforehand to clearly identify the areas with defects on the hide. At the exit of the cutting line, group these leather pieces for the next stage in the manufacturing.

Pare each piece of leather (also known as skiving). This is the process of thinning the leather edge to facilitate sewing.

Assemble the leather pieces that will make up the covers for the structure, armrests and seat cushions. Finish by sewing the seams: saddle stitch and simple stitch, depending on the section.

Manufacturing,the key to qualityand comfort

32 Canapés DUVIVIER Canapés DUVIVIER 33

The Mermoz armchair is a model apart in the Cana-pés Duvivier collection. It possesses a vintage mythical spirit that refers to the world of Anglo-Saxon club armchairs for men. This model has above all a distinctive taut back, and thus, no removable back cushion. However, its production in the workshops at Usson du Poitou takes place in accordance with the same process as for the other models, a well calibrated recipe for comfort and unmatched quality.

TechnicalMANUFACTURING

An armchair apart

- Antique style leather hides: Antika- A solid beechwood frame and beech plywood for the central part and armrests- Foam covering the structure, without forgetting the bi-density foam seat cushions- Springs and red rubber struts for suspension- Square wooden feet- Sewing thread (it’s a little like the icing on the cake…)

Cutting and sewing leather

Insert the cushion foam into its leather cover taking care to adjust the corners.

Attach the rubber struts and suspension springs onto the structure. Cover the wooden structure with foam obtaining a soft result.

Cushion �lling and the corestructure

Throw the leather cover onto the back of the structure and pull it tight adjusting to its shape. Ensure there is no slack leather before stapling. Then upholster the two armrests with their covers. Take particular care when stapling on the rounded parts.

Assemble all parts of the armchair: main structure, armrests and armrest pads. Attach the feet and add the seat cushions.

Upholstery and assembly

Recipe of the Mermoz armchair Ingredients :Step

1

Step 2

Step 3

Comfort is a matter of personal judgment. Some prefer to have a �rm back and seat support. Others like to slouch and sink into a plush sofa. Some sit well back while others sit on the edge of the seat cushion.From a technical point of view, the comfort of a sofa can be changed by adjusting certain elements:

- High back: with a high backed sofa or armchair the entire back is �rmly supported and the shoulders can relax for a sustained upright comfort. Aestheti-cally, they are the models with a more classic appearance.

- Sloping seat: this technical term refers to the slight slope that is given to the seat which allows one to sit back properly into the sofa. It avoids the sensa-tion of sliding forward.

- Bi-density foam: the seat and back cushions can be composed of di�erent densities of foam that better adopts itself to the body shape or reinforces the possibility of settling yourself well back into the seat.

- Seat depth: depending on whether someone is small or tall the depth of a model may not always be appropriate. If small, in a deep sofa the feet do not touch the ground and the legs are “cut” at the calves. If tall, in a small depth sofa the knees are not supported and will have the feeling of being folded in half.The Maillol sofa was developed in two di�erent depths to allow everyone to choose the model most suitable for them.

Canapés DUVIVIER 35

For sofa structures, Canapés Duvivier always uses solid beechwood for the cross pieces and

beech plywood for the side panels. These materials, unlike softwood and chipboard

guarantee the sturdiness of the furniture and, because

they are imper-vious to dampness,

do not distort.

TechnicalMANUFACTURING

The SBD suspension, a patented system developed by Canapés Duvivier, has a double bearing capacity which means a suppler and more progressive comfort on the whole seating area. Technical polyurethane foam provides a soft comfort and then underneath, the suspension is composed of stainless steel springs mounted in composite rubber struts which work as shock-absorbers. In addition to a unique comfort, the materials used and the conception are guarantees against deterioration or distortion and ensure the mechanism works silently.

The interior seat cushions are composed of:

• either HR PU (High Resilience Polyurethane) foam and a blend of polyester �bres and feathers in a segmented cotton slipcover• or HR PU foam in a protective cotton slipcover

The blend of polyester �bres and feathers is a mix of hypoal-lergenic treated duck feathers and intertwined polyester �bres in 3 dimensions, thus providing a natural pu�ness obtained from the feather and resilience obtained from the �bres.The High Resilience polyurethane foam and the association of perfectly studied densities guarantee comfort and longevity.

34 Canapés DUVIVIER

Secretsof manufacturing

The comfort, why and how…

Fiber/feathers : mix of hypoallergenic treated duck feathers and intertwined polyester �bres in 3 dimensionsHR : High Resilience

foam

foam

Blend of feather and polyester�bres in a segmentedcotton slipcover

Comfort is a matter of personal judgment. Some prefer to have a �rm back and seat support. Others like to slouch and sink into a plush sofa. Some sit well back while others sit on the edge of the seat cushion.From a technical point of view, the comfort of a sofa can be changed by adjusting certain elements:

- High back: with a high backed sofa or armchair the entire back is �rmly supported and the shoulders can relax for a sustained upright comfort. Aestheti-cally, they are the models with a more classic appearance.

- Sloping seat: this technical term refers to the slight slope that is given to the seat which allows one to sit back properly into the sofa. It avoids the sensa-tion of sliding forward.

- Bi-density foam: the seat and back cushions can be composed of di�erent densities of foam that better adopts itself to the body shape or reinforces the possibility of settling yourself well back into the seat.

- Seat depth: depending on whether someone is small or tall the depth of a model may not always be appropriate. If small, in a deep sofa the feet do not touch the ground and the legs are “cut” at the calves. If tall, in a small depth sofa the knees are not supported and will have the feeling of being folded in half.The Maillol sofa was developed in two di�erent depths to allow everyone to choose the model most suitable for them.

Canapés DUVIVIER 35

For sofa structures, Canapés Duvivier always uses solid beechwood for the cross pieces and

beech plywood for the side panels. These materials, unlike softwood and chipboard

guarantee the sturdiness of the furniture and, because

they are imper-vious to dampness,

do not distort.

TechnicalMANUFACTURING

The SBD suspension, a patented system developed by Canapés Duvivier, has a double bearing capacity which means a suppler and more progressive comfort on the whole seating area. Technical polyurethane foam provides a soft comfort and then underneath, the suspension is composed of stainless steel springs mounted in composite rubber struts which work as shock-absorbers. In addition to a unique comfort, the materials used and the conception are guarantees against deterioration or distortion and ensure the mechanism works silently.

The interior seat cushions are composed of:

• either HR PU (High Resilience Polyurethane) foam and a blend of polyester �bres and feathers in a segmented cotton slipcover• or HR PU foam in a protective cotton slipcover

The blend of polyester �bres and feathers is a mix of hypoal-lergenic treated duck feathers and intertwined polyester �bres in 3 dimensions, thus providing a natural pu�ness obtained from the feather and resilience obtained from the �bres.The High Resilience polyurethane foam and the association of perfectly studied densities guarantee comfort and longevity.

34 Canapés DUVIVIER

Secretsof manufacturing

The comfort, why and how…

Fiber/feathers : mix of hypoallergenic treated duck feathers and intertwined polyester �bres in 3 dimensionsHR : High Resilience

foam

foam

Blend of feather and polyester�bres in a segmentedcotton slipcover

Canapés DUVIVIER 37

Technical MATERIALS

36 Canapés DUVIVIER

The leather industry is one of the oldest in the history of humanity. Our Paleolithic ancestors used hides to protect themselves but the hides were not tanned, just �eshed. Their duration of use was limited because of the hides decomposing.

Tanning is a process that allows the conservation of the hide. It was born in ancient Egypt, on the Nile, 3000 years before Christ, and in China at the same time. It is known as "vegetal tanning": the �eshed and depilated hide is soaked in a pit (then later, a tank) containing water and a powder obtained by grinding vegetation: oak, chestnut, mimosa or birch bark.

The proteins of the hide (collagen �bres) are stabi-lized by a chemical reaction. It becomes rot-resis-tant leather subject to being maintained in condi-tions well hydrated. Other tanning techniques like oil, smoke and alum have been tried but gave poor results so were little used.

In the middle of the 20th century the process of using chromium salts for tanning was discovered and developed. The procedure was much faster than with vegetal tanning and resulted in more supple leather. However, chromium tanning is particularly toxic for rivers and streams which the tanneries used for wastewater disposal. In the 1980’s regulations were put in place to protect the environment, which resulted in a number of tanneries disappearing.

Leather,a natural material

The Carriat tannery is one of the last active tanneries in France and the only one that works within the furniture industry. Based in the Basque country in the South West of France, it produces, since 1927, leathers of exceptional quality that incorporate the natural marks of the animal’s life: wrinkles, blemishes, veins, all authentic marks of a living matter. Its leathers have a strong character with deep, transparent colours. They are supple, soft and resistant.An honoured partner, the Carriat tannery supplies all the drum-dyed referenced leathers for Canapés Duvivier.

The Carriat Tannery,a know-how of expertise

Hide�:A hide is made up of two �brous proteins :

collagen that provides its resistanceand elastin which gives elasticity.These two characteristics dependon the animal species, its age and

the fodder quality which conditionsthe regeneration of the protein �bres.

Bovinae (cattle) :Term used to designate the species of animalof the bovine hides. Bovinae are a subfamilyof Bovidae comprising the "bos taurus", bu�alo,bison, yaks, Zebu.

Bull calf�:A bull calf is a young unneutered

male bovine bred to produce meat.Fed grass and food supplements, they are

slaughtered between 18 and 24 months.

Buffalo�:Bu�alo is a subcategory of the

bovine family. The hide is characterizedby its large grain, a great resistance buthas very little suppleness and elasticity.

Split leather�:"Split leather" is an inside layerof the hide (that is trimmedand �nished as suede), obtainedby “splitting” the hide thickness.

Full grain

Corrected grain

History of tanning

Several definitions

full grain corrected grain

Canapés DUVIVIER 37

Technical MATERIALS

36 Canapés DUVIVIER

The leather industry is one of the oldest in the history of humanity. Our Paleolithic ancestors used hides to protect themselves but the hides were not tanned, just �eshed. Their duration of use was limited because of the hides decomposing.

Tanning is a process that allows the conservation of the hide. It was born in ancient Egypt, on the Nile, 3000 years before Christ, and in China at the same time. It is known as "vegetal tanning": the �eshed and depilated hide is soaked in a pit (then later, a tank) containing water and a powder obtained by grinding vegetation: oak, chestnut, mimosa or birch bark.

The proteins of the hide (collagen �bres) are stabi-lized by a chemical reaction. It becomes rot-resis-tant leather subject to being maintained in condi-tions well hydrated. Other tanning techniques like oil, smoke and alum have been tried but gave poor results so were little used.

In the middle of the 20th century the process of using chromium salts for tanning was discovered and developed. The procedure was much faster than with vegetal tanning and resulted in more supple leather. However, chromium tanning is particularly toxic for rivers and streams which the tanneries used for wastewater disposal. In the 1980’s regulations were put in place to protect the environment, which resulted in a number of tanneries disappearing.

Leather,a natural material

The Carriat tannery is one of the last active tanneries in France and the only one that works within the furniture industry. Based in the Basque country in the South West of France, it produces, since 1927, leathers of exceptional quality that incorporate the natural marks of the animal’s life: wrinkles, blemishes, veins, all authentic marks of a living matter. Its leathers have a strong character with deep, transparent colours. They are supple, soft and resistant.An honoured partner, the Carriat tannery supplies all the drum-dyed referenced leathers for Canapés Duvivier.

The Carriat Tannery,a know-how of expertise

Hide�:A hide is made up of two �brous proteins :

collagen that provides its resistanceand elastin which gives elasticity.These two characteristics dependon the animal species, its age and

the fodder quality which conditionsthe regeneration of the protein �bres.

Bovinae (cattle) :Term used to designate the species of animalof the bovine hides. Bovinae are a subfamilyof Bovidae comprising the "bos taurus", bu�alo,bison, yaks, Zebu.

Bull calf�:A bull calf is a young unneutered

male bovine bred to produce meat.Fed grass and food supplements, they are

slaughtered between 18 and 24 months.

Buffalo�:Bu�alo is a subcategory of the

bovine family. The hide is characterizedby its large grain, a great resistance buthas very little suppleness and elasticity.

Split leather�:"Split leather" is an inside layerof the hide (that is trimmedand �nished as suede), obtainedby “splitting” the hide thickness.

Full grain

Corrected grain

History of tanning

Several definitions

full grain corrected grain

GuaranteesCanapés DUVIVIER 39

Technical UNDERSTANDING

38 Canapés DUVIVIER

Buying furniture of substance is an invest-ment in time on the quality of the sofa, table or bookcase that will be kept for many years. Throughout its use, it must provide an exceptional comfort and be aesthetically pleasing.

For this, three levels of quality must be taken into account:

• The quality of the design• The quality of the materials• The quality of the manufacturing

Quality,awards andguarantees

A living Heritage

Canapés Duvivier, like other French companies involved in a quality process,commit themselves to di�erent guarantees documented in a certi�cateof origin and warranty certi�cate :

The frame, suspension and stitching are guaranteed unconditionally for 10 years.

The cushion interiors are guaranteed for 10 years’ normal use.

The leather collection is guaranteed in accordance with European leatherfurniture standards. 10 years guarantee regarding tearing.

The colour durability is guaranteed subject to avoidance of prolonged exposureto the sun, the moon or heat sources in atmospheres too dry.

The resistance to the leather stretching is guaranteed, other than momentary lossof shape relating to the elasticity of the leather when in use, subject toavoidance of excessive stress on the leather’s resilience capacity.

PRAD