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Literature Books and Journals from Cambridge University Press
The literature list publishes around 120 titles a year, as well as a number of important journals, spanning the whole range of literary activity in the UK, North America, Europe, Asia and Australia, and from Anglo-Saxon times to the present day.
Titles range from monographs to teaching texts, with a strong list of print and digital reference offering authoritative overviews of major subjects, as well as more accessible Companions and Introductions.
For further details visit:
cambridge.org/core-literature
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Instructions for ContributorsPREPARING YOUR MANUSCRIPT Manuscript submissions to the journal should be a maximum of 8,000 words, not including notes. On rare occasions, the editors will give consideration to a lengthier submission of exceptional quality. Th e text and bibliographic documentation of the manuscript must conform to the Chicago Manual of Style (CMOS), 16th edition. We require that authors use footnotes rather than endnotes and that they doublespace the entire manuscript.
Manuscripts must have a separate title page that includes the author’s name, affi liation, e-mail address, postal address, an abstract of no more than 150 words, a list of keywords, and an author bio of no more than 50 words. Th e author’s name should appear nowhere else in the manuscript. All references to the author’s work in the text or notes should be in the third person.
In the footnotes, full bibliographical documentation must be given in the fi rst reference. For example:
Bill Ashcroft , Gareth Griffi ths, and Helen Tiffi n, eds. Th e Post-colonial Studies Reader (London: Routledge, 1995). Eric Auerbach, “Philology and Weltliteratur,” Trans. Edward Said and Marie Said. Centennial Review 13.1 (1969): 1–17. Karin Barber, “Literature in Yoruba,” Cambridge History of African and Caribbean Literature, eds. Abiola Irele and Simon Gikandi. Vol. 1. (Cambridge: Cambridge UP, 2011), 357–78. Dipesh Chakrabarty, Provincializing Europe: Postcolonial Th ought and Historical Diff erence (Princeton: Princeton UP, 2000). Henry Louis Gates, Jr., “Tell Me, Sir, . . . What Is ‘Black’ Literature?” PMLA 105.1 (1990): 11–22.
In subsequent references use “ibid.” when the reference is clear; in other cases, use a shortened version of the main title. (Th e journal’s house style does not use “op. cit.”). For example:
Ibid., 65–66. Auerbach, “Philology,” 12.
SUBMITTING YOUR MANUSCRIPT Th e Cambridge Journal of Postcolonial Literary Inquiry has moved to an online submission and peer-review system, ScholarOne. Papers should be submitted via the following website: https://mc.manuscriptcentral.com/pli. If you do not already have an account, you will be asked to create one. If you require any assistance with using this system, please contact the editorial offi ce at: [email protected].
PROOFS Authors will be sent proofs via email. Th ey should mark the PDF proof electronically or in hard copy and are requested to return their proof corrections by email within three days of receipt. Please let the Editorial Offi ce know if you are likely to be away for any extended period at that time, or if the proofs should be sent to anywhere other than your normal email address. Th e publisher reserves the right to charge authors for excessive correction of nontypographical errors.
Individual articles will publish online ahead of print publication as a FirstView article. Articles are corrected and published online as soon as possible aft er they are corrected. Th is means that articles are published very quickly and publication is not delayed until they can be included in a print issue.
Authors of articles and review essays (but not book reviews) will receive a .pdf fi le of their contribution upon publication.
Th e Cambridge Journal of Postcolonial Literary Inquiry is a new peer-reviewed journal that aims to deepen our grasp of postcolonial literary history while enabling us to stay comprehensively informed of all critical developments in the fi eld. Th e journal will provide a forum for publishing research covering the full spectrum of postcolonial critical readings and approaches, whether these center on established or lesser known postcolonial writers or draw upon fi elds such as Modernism, Medievalism, Shakespeare and Victorian Studies that have hitherto not been considered central to postcolonial literary studies, yet have generated some of the best insights on postcolonialism. Th e Journal aims to be critically robust, historically nuanced, and will put the broadly defi ned areas of literature and aesthetics at the center of postcolonial exploration and critique. Essays of up to 8000 words on any aspect of postcolonial literature, literary history and aesthetics should be sent to Th e Editor at [email protected].
Subscription Information:Th e Cambridge Journal of Postcolonial Literary Inquiry (ISSN: 2052-2614) is published three times a year in January, April, and September by Cambridge University Press, One Liberty Plaza, Floor 20, New York, NY 10006, USA.Th e subscription price of Volume 5 (2018) including delivery by air where appropriate (but excluding VAT), is $544.00 (£340.00) for institutions print and online; $436.00 ( £271.00) for institutions online only; $82.00 (£51.00) for individuals print only. For further information, visit www.cambridge.org/pli or contact Customer Services at Cambridge University Press e-mail [email protected] (USA, Canada and Mexico) or [email protected] (outside of USA, Canada and Mexico).
Advertising:To advertise in the journal email [email protected] or telephone +1 (212) 337 5053 in the USA, Canada and Mexico; email [email protected] or telephone +44 (1223) 325083 in the rest of the world.
Copyright and PermissionsCopyright © Cambridge University Press 2018. All rights reserved. No part of this publication may be reproduced, in any form or by any means, electronic, photocopying, or otherwise, without permission in writing from Cambridge University Press. Policies, request forms and contacts are available at: www.cambridge.org/about-us/rights-permissions.Permission to copy (for users in the U.S.A.) is available from Copyright Clearance Center http://www.copyright.com, email: [email protected] all other use: Permission should be sought from the Cambridge University Press. Full details may be found at: www.cambridge.org/about-us/rights-permissions.Postmaster: Send address changes to Cambridge Journal of Postcolonial Literary Inquiry, Cambridge University Press, One Liberty Plaza, Floor 20, New York, NY 10006, USA.
Cambridge Journal of Postcolonial Literary InquiryEditorial Board
EditorAto Quayson University of Toronto, CanadaAssociate EditorsNeil ten Kortenaar University of Toronto, CanadaDebjani Ganguly University of Virginia, USA
Reviews EditorUzoma Esonwanne University of Toronto, CanadaEditorial AssistantAdwoa Opoku-AgyemangUniversity of Toronto, Canada
Consultant EditorsStephen Greenblatt Harvard University, USAGayatri Spivak Columbia University, USADerek Attridge University of York, UK
Editorial BoardMuhsin Al-Musawi Columbia University, USA
Ian Baucom University of Virginia, USA
Joe Cleary Yale University, USA
Daniel Coleman McMaster University, Canada
Elizabeth DeLoughrey UCLA, USA
Stefan Helgesson Stockholm University, Sweden
Lene Johannessen University of Bergen, Norway
Ananya Jahanara Kabir King’s College, London, UKNeil Lazarus University of Warwick, UKFrancoise Lionnet UCLA, USAWalter Mignolo Duke University, USAAnkhi Mukherjee University of Oxford, UKJulian Murphet University of New South Wales, AustraliaStephanie Newell Yale University, USA
Tejumola Olaniyan University of Wisconsin - Madison, USARajeev Patke National University of Singapore, SingaporeBhekizizwe Peterson University of the Witwatersrand, South AfricaAnjali Prabhu Wellesley College, USAIra Raja University of Delhi, IndiaJahan Ramazani University of Virginia, USAMichelle Warren Dartmouth College, USA
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Cambr idge Jour nal of
Postcolonial Liter aryInquiryVOLUME 5 , NUMBER 1, JANUARY 2018
Cambr idge Jour nal of
Postcolonial Liter aryInquiry
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Radwa Ashour, African American Criticism, and the Production of Modern Arabic LiteratureIra Dworkin
Sof’town Sleuths: The Hard-Boiled Genre Goes to Jo’BurgTyler Scott Ball
The World and the Garden: Ekphrasis and “Overterritorialization” in Jamaica Kincaid’s Garden WritingShirley Lau Wong
World Literature and Literary Value: Is “Global” The New “Lowbrow?”Karolina Watroba
On Being the “Same Type”: Albert Camus and the Paradox of Immigrant Shame in Rawi Hage’s CockroachGillian Bright
OPINION PAPER (PARADIGM RESPONSE)
Figuring and Transfi guring: a response to Bryan CheyetteJohn McLeod
Thinking through and beyond “Competitive Memory” and Hierarchies of SufferingSteven Robins
Writing in Inclement Weather: The Dialectics of Comparing Minority Experiences in Threatening EnvironmentsVivek Freitas
For Activist Thought: A Response to Bryan CheyetteMichael Rothberg
On Cheyette: “Against Supersessionist Thinking: Old and New, Jews and Postcolonialism, the Ghetto and Diaspora,” Cambridge Journal of Postcolonial InquiryNils Roemer
“Enthusiast”: A Response to the ResponsesBryan Cheyette
BOOK REVIEWS
Not Like a Native Speaker: On Languaging as a Postcolonial Experience by Rey ChowJoanne Leow
Chimeras of Form by Aarthi VaddeTaiwo Adetunji Osinubi
Intimate Class Acts: Friendship and Desire in Indian and Pakistani Women’s Fiction by Maryam MirzaFilippo Menozzi
Native Tongue, Stranger Talk: The Arabic and French Literary Landscapes of Lebanon by Michelle HartmanBrady Patrick Ryan
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