208

List of Works

(Measurements in cent imet res are exp res sed here in inches. he ight precedes widt h precedes depth)

WORKS EXHIBITED AND PRODUCED IN 2009

Lara Almarcegui

Hidden Terrain with AbandonedAllotments, 2009Study on wastelands and allotmentsDouble-page insert in the daily newspaper

Kleine ZeitungText by Lara Almarcegui and Anna WoodTranslation from German into English by

Richa rd Watts7 colour photographs by Lara AlmarceguiGraphic des ign based on t he regular layout

of Kle ine Zeitung, exe cuted by AtelierNeubache r, Gra z

15 3/4 x 10 3/4 in.

Keresist rafle 30Kleine Zeitung. 25 Septembe r 2009 , Gra z

Nairy Baghramian

Construction Helper, 2009Two-part sculptureOutdoor part ("stand"): varni shed steel,

concrete (core), steel chainElement I: 39 3/8 x 9 1/8 x 65 in.Element 2: 32 1/ 2 x 9 1/ 8 x 72 3/4 in.Inside part ("platform"): casted rubber551/8 x 70 7/8 in.Production: interzone, Berlin

Tram stat ion "Siidtirolerplatz" and lobbyKunsthaus Graz

Ayse Erkmen

Pleasant Corners , 200910 ins t allati onsAluminium composit e boa rd s, varni shed in

different colorsProduction: eeza, Graz

Signal gree n. 181 1/8 x 23 5/8 in.Burggasse, Dom, st re et pole

Luminous yellow, 98 1/ 2 x 23 5/8 in.Esperantoplatz, street lamppost

Chartreuse . 126 x 23 5/8 in.

Jakominiplatz, overhe ad line mast

Heather violet, 94 1/ 2 x 63 in.Karmeliterplatz, s t reet sign

Sun yellow. 94 1/2 x 145 5/8 in.Kiinstlerhaus Burgr ing, vent ilat ion of

basement garage

Distant blue , 59 x 59 in.Mar iah ilferplat z, plant pot

Telemagent a. 110 1/4 x 27 5/8 in.Schlossbergpla t z, lamppost

Light blue, 94 1/ 2 x 74 3/4 in.Sch lossberg, Clock Tower , st airca se

Sulfur yellow. 1003/ 8 x 47 1/4 in.Siidtirole rplatz. Weikha rtuhr

Melon yellow. 98 3/ 8 x 59 in.Volksgarten, lamppost

Kooperative fiir Darstellungspolitik(Jesko Fezer, Anita Kaspar, AndreasMiiller)

Pavilion, 2009Multifunctional installationMetal scaffolding of standard elements.

t imber girder construction, yellow woodenformwork sheets. red and green inkjetprint

Integration of various mun icipal fac ilitiessuch as lamppost. park bench, coffee shopand toilets at bath, pub lic library

Lower construction: 405 1/ 2 x 267 3/4 x 1101/ 4 in.

Superstructure/pavilion : 385 3/4 x 236 1/4 x98 1/4 in.

Art and p ublic space. An exhibition asunfinished collage:

Exh ibition, ar ranged and composed in imagesand texts by Sab ine Breitwieser . incooperati on wit h Reinhard Braun

Edito rial work by Edit h HocheggerGraphic concept by Studio Matthias Gerlich

(Matthias Gerlich, Miriam Res ch)

Printed on the inner surface of the pavilionwalls

Pr int: Repro Team GmbH

Reading zone and website at the adjacentpublic library:

Reference library with publications on theexhibit ion topic and the artists

Internet t erminal wit h links to http:/ /offsite .kult urserver-graz.at/ and numerousother websites to relevant pro jects on artand pub lic spa ce

Production: ee za, Graz

Plat z der Fre iwilligen Sch iit zen / Bad zurSonne

David Maljkovic

Untitled, 2009InstallationConstruction boa rd . steel. concrete. pr int on

aluminiumIllustration: photo montage of the site

Pfauengarten wit h images of th e memorialsit e for Yugoslavian partisans de signed byVojin Baki at Petrova Gora, Croatia

Construction board: 163 3/4 x 163 3/4 in.Image: 78 3/4 x 157 1/2 in.Production: Porr GmbH

Karmeliterplatz/Pfauengarten

Heather l: Ivan Morison

Du vergisst Dinge, 2009(You forget things)Mail artEdit ion of 2000 postcards, die stamping on

ca rdboardPostcard: 5 3/8 x 5 3/8 in.Envelope: 5 1/ 2 x 5 1/ 2 in.Production: The Oak Diestamping and

Engraving Co Ltd , Birmingham/GB

Mailing to 1800 contacts of steirischerherbst database and 200 contactsprovided by Sabine Breitwieser, allselected by chance

209

Nils Norman

Public Workplace PlaygroundSculpture for Graz, 2009InstallationOSB-boards, industrial pipe, wooden

structure, roof planted with agaves, oilbarrel, stovepipe

Installation on an empty concrete platform944 7/8 x 1394 3/4 x 1732 3/8 in.Production: eeza, Graz

Volksgarten

Andreas Siekmann

Trickle Down. The Public Space in theAge of Its Privatization, 2007/2009Four -part installationSphere-shaped sculpture of compressed

fibreglass elements (city mascots),painted

149 5/8 x 149 5/8 x 149 5/8 in.

Skip compactor, metal, spray-painted96 7/8 x 98 3/8 x 289 3/8 in.Banner, textile, printed2185 x 27 1/2 in.Glossary and interv iew by Alice Creischer

and Andreas Siekmann with WernerRiigemer as handout on the site anddownload from the website of steirischerherbst

Production banner: eeza, GrazSculptures produced for skulptur projekte

munster '07Sculptures: collection of the artist, courtesy

Galerie Barbara Weiss, Berlin

Landhaushof, Herrengasse 16

Michael Zinganel

The City SpeaksI A Fictitious Dialogue,2009Discursive city tour published in the exhibi­

t ion guideText, drawings and city maps

Text by Michael ZinganelDrawings and maps by Barbara HeierOffset print7 7/8 x 3 7/8 in., 52 pages. staple-bindingGerman and English editionPrint run of 2000 in German and 2000 in

English

Available for free at the "dummy salesman"at all exhibition sites and at variouslocations in Graz.

Exhibition guide enclosed in the catalogue

Dolores Zinny l:. Juan Maidagan

Curtain Call for Graz, 2009InstallationConstruction of steel girders, satin drapery

in the colours be ige, gold, grey, black,silver, white, sewed and strengthened

472 1/ 2 x 393 3/4 x 39 3/8 in.Production: eeza , Graz

Hauptplatz I , City Hall, portico

WORKS EXHIBITED AND PRODUCED IN 2010

Armando Andrade Tudela

Project for Pergola. 2010Installation2 "walls," galvanized punched metal plate252 x 78 3/4 x 3 1/4 in. each2 "frames," steel profile, varnished red295 1/4 x 78 3/4 x I 1/8 in. eachProduction: Hermann Schapek, Graz

Roseggergarten, Pergola

Kader Attia

The Myth of Order #1,2010Intervention with CouscousVideo screening4 videos, colour, 25 sec eachRecording, ed iting: Katja HeidenKindly supported by Infoscreen Austria

Gesellschaft fiir StadtinformationsanlagenGmbH,Wien

Information screens at Jakominiplatz and inthe tramways

Angela Ferreira

Cape Sonnets. 2010Sound sculptureSteel base plate, tower construction made

from raw round timber, loudspeakers,sound system

Base plate: 78 3/4 x 78 3/4 in.Tower construction: 299 1/4 x 59 x 59 in.Broadcast of one of six lyrics of Peter

Blum's Cape Sonnets (born 1925 inTriest,I937 emigration to South Africa,died 1990 in London) .

Translation from a Afrikaans into English byMarji Geldenhuys (ZA)

Translation from English into German byAndreas Schachermayr

Speakers: Basil Appollis, Joachim Bernauerand Marji Geldenhuys

Lyrics advisor: John MateerRadiographic technique: 6 CDs 15 min each,

WAY 24 bits, 44.1 KHzProduction of the sculpture: eeza , GrazThanks to Basil Appolis, Alexandra Baudou in,

Jiirgen Bock, Marji Geldenhuys, PaulGrendon, Prof . J.C. Kannemeyer , JohnMateer, Roger Meintjes, Prof. Gerr it

Olivier , Louisa Sherman, Prof. W ium vanZyl, as well as Peter Blum for his workcrossing languages, cultures and politics.

Volksgarten, daily at every full hour betweenlO a.m. and 6 p.m.

Andrea Fraser

You Are Here, 2010Maps at the sit es of the works of the exhibi-

tionLarge map: sign board at Tummelplatz33 1/8 x 46 3/4 in.9 smaller maps: smaller sign boards at

Andreas-Hofer-Platz, Jakominiplatz,Hauptplatz, Herrengasse, Mariahilferplatz,Pfauengarten, Roseggergarten, Siidtiroler­platz, Tummelplatz

23 3/8 x 33 1/8 in. eachInformation design (maps) by Wolfgang

Gosch and Georg LiebergesellProduction sign boards: eeza , Graz

All exh ibit ion project sites

210

Exhibition Guide, 2010Offset print7 7/8 x 3 7/8 in., 47 pages , staple-bindingGerman and English editionPrint run of 4000 in German and 2000 in

EnglishGraph ic design by Susi KlockerProduction management by Nina Krick

Available for free at the "dummy salesman"at all exhibition sites and at variouslocations in Graz.

Exhibition guide enclosed in the catalogue.

sozYAH (Sabine Haring, Anja Eder)Center for Social Research, Depart­ment of Sociology, University of Graz

Research Report You Are Here, 2010Interdisciplinary research project based on a

proposal by Andrea Fraser87 pages , German and English edition.

German abstract available at the exhibitionpavilion at Tummelplatz and as downloadon the website of steirischer herbst:www.steirischerherbst.at/2010/UM_en

Isa Genzken

Clothesline (Dedicated to MichaelJackson),2010Multi-part inst allat ion2 display casesStainless steel, glass, concrete base116 1/8 x 30 3/8 x 30 3/8 in. each2 wheelchairs cut to fit in the display casesBlue perlon rope stretched over the square

from two buildings, six suspended objectsPegs , laminated photographs, PE·foil , PE­

canvas, picnic rug, waxed tablecloth,spray-painted

Measurements variableProduction: Isa GenzkenCollection of the artist, courtesy Galerie

Buchholz, Berlin-Koln

Mariahilferplatz

John Knight

Lange Tage der Freizeit, 2010(Long days of leisure)A work in situ

Herrengasse, 46 flagpoles

Jutta Koether

Demons for Ladies , Gentlemen andChildren, 2010Multi-part installationExisting and temporary tramway shelter,

acrylic on canvas, various materials, epoxyresin

Tramway shelter: 98 3/8 x 157 1/2 x 47 1/4in. each

Acryl painting: 35 3/8 x 78 3/4 in.Sales booth #15 , Hauptplatz, side window,

acrylic on canvas, various materials, epoxyresin

Side window: 23 5/8 x 55 1/8 in.Acryl painting: 23 5/8 x 31 1/2 in.Temporary tramway shelter kindly provided

by Ankiinder, Graz

Tramway stop "Siidt irolerplatz·Hauptplatz, sales booth # 15

Kooperative fiir Darstellungspolitik(Jesko Fezer, Anita Kaspar, AndreasMiiller)

Pavilion, 2010Timber girder construction, yellow wooden

formwork sheets, red and green inkjetprint

519 3/4 x 433 1/8 x 98 3/8 in.Conta iner 8'80 3/4 x 82 3/4 x 95 3/4 in.Production: eeza, Graz

IZK,Institute for Contemporary Art,University of Technology GrazCourse students "Designing specializedsubjects" and "Art and the publicsphere,"

Raumtraum, 2010(Space dream)Artistic and spatiale int ervent ions at the

pavilionParticipants: Kathrin Bart, Peter Rudolf,

Franz Baumann, Johanna Doris Binder ,Theresa Gotzfrled, Andrea Kalcher ,Alexander Kampits, Sarah Kandlhofer,Stefan Kral, Georges Majer, Pia Pollauer,Emmy Anna Rauscher, Martina Ribic,Andreas Rogala, Paul Rossi , Carina Stabel,Lisa Thrainer, Elisabeth Maria Weber,Mario Weisbock, Karl Zrunek and LisaZvetolec

Project assistants: Claudia Genger, LisaObermayer and Maurice Rigaud

Project management: Ruby Sircar

Presentation of the works of the students:30 Sept., 7 and 14 Oct., at 5 p.m.

Course on Utopia and Monument II:11-23 Oct .

Further information: www.izk.tugraz.at

Installations and projects

Lisa Obermayer and Maurice RigaudBlao, 2010Three -part performance

Mario WeisbockBitte Kunst einwerfen! , 2010(post art please!)Display case, acrylic glass, yellow wooden

formwork sheetsKindly supported by Acrylstudio Wien

Johanna Binder, Alexander Kampits, AndreasRogala, Carina Stabel and ElisabethWeber

[gelbsucht],2010([jaundice])Signage, yellow wooden formwork sheets

Claudia GengerLesbar, 2010Graphic design on yellow wooden formwork

sheets

211

Pia Pollauer, Emmy Rauscher and KarlZrunek

Joy Drops, 2010Book bags , PVC-balloons

Georges MajerKing Size Bed, 2010Yellow wooden formwork sheets, pneumatic

element

Kathrin Bart, Andrea Kalcher and SarahKandlhofer

Seat islands, 20 I0Truck-canvas, polystyreneKindly supported by Reststofftechnik GmbH,

Henndorf and Sattler AG, Graz

Peter Baumann and Lisa ThrainerSkinsideout, 20 I0Seats, yellow wooden formwork sheets

Stefan Kral, Martina Ribic and Lisa ZvetolecTacked, 2010Performance, graphic int erventi on

Theresa Gotzfried and Paul Ross iDa,2010Marking

Tummelplat z

Paulina OIowska

Natasza, Workers Canteen and Flowers.2010InstallationThree reconstructed neon signs from

Warszawa"Babushkas:" store chain "Natasza," Aleje

Jerozolimskie, Warszawa, about 197051 1/8 x 78 3/4 in."Cow": milk bar "Bamb ino," 21 Krucza Ulica ,

Warszawa, about 196078 3/4 x 149 5/8 in."Bouquet of flowers: " flower shop, Aleje

Jerozolimskie, Warszawa, 1950s/60s55 1/8 x 98 3/8 , two partsProduction: Reklama, Warszawa/Poland

OnethousandsixhundredseventeenNeons in Warszawa. 2010Performance. 23 September 2010, 6 p.m.Reading of the complete list of neon signs

produced by the company "Reklama" inthe 1960s in Warszawa.

Public Rezitation: Rys zard KalowskiIn collaboration wit h the Polish Culture

Institute, W ien

Andreas-Hofer-Platz, roof of the gasstation /car park

Michael Schuster

AUFEINWORT,2010Installation (unrealized)Polystyrene, LED-lighting, black pa inted

wooden construction39 3/8 x 390 1/8 in.Hauptplatz, city hallPub lished dur ing the exhibition duration in:Camera Austria, art magazine, GrazDer Standard, daily newspaper, WienKleine Zeitung, daily newspaper, GrazKindly support ed by Kleine Zeitung GmbH t:­

Co KG, Graz and Der Standard Verlags­gesellschaft m.b.H., Wien

Signage 2009 and 2010"Dummy salesmen"Alumin ium, plastics, printed site map235/8 x 153/4 in.Display for exh ibit ion guide, available for

freeGraph ic des ign by Sus i Klocker, WienProduction: Signum Siebdruck, St . Veit a.d.

Glan

212

Short Biographies and Bibliographies of the Artists

Lara Almarcegui1972 Zaragoza/E - Rotterdam/NL

Solo exhibitionsLara Almarcegui, Secession, Wien/A, 2010Guide to Ruined Buildings in the Netherlands

XIX·JOU Century, Ellen de BruijneProjects, Amsterdam/NL, 2008

Bilbao Wastelands, Cabineta, Sala Rekalde,Bilbao/E , 2008

Colocation # Lara Almarcegui, La Box,Bourges/F, 2008

Lara Almarcegui, Galeria Pepe Cobo ,Madrid/E, 2008

Construction Materials of the ExhibitionRoom, CAC, Malaga/E, 2007

Lara Almarcegui, FRAC Bourgogne, Dijon/F,2004

Lara Almrcegui, INDEX The Swedish ArtFoundation, Stockholm/S, 2003.

Group exhibitions3rd Moscow Biennial of Contemporary Art,

Moskwa/RUS, 2009Utopia and Monument I, steirischer herbst,

Graz /A 2009;Radical Nature, Barbican Art Center,

London/GB, 20092nd Athens Biennial 2009, Athen/GR , 2009Monument to Transformation , Tranzit,

Praha/CZ, 20097th Gwangju Biennale, Gwangju /ROK , 2008Estratos, PAC Murcia, Murcia/E, 20088th Sharjah Art Biennial, Sharjah/UAE, 2007BIACS 2, Sevilla/E, 200627. Bienal de Sao Paulo, Sao Paolo /BR, 2006.

PublicationsLlorca, Pablo, "Lara Almarcegui," Artforum,

New York/USA, 02 /2009Guide to the Ruins in the Netherlands, Rotter­

dam /NL, 2008L 'art, Ie territoire, espace public, urbaine,

Lyon/F, 2008Guide to Al Khan . An empty village in the city

of Sharjah, Sharjah/UAE, 2007Design and Landscape for People, London/GB,

2007Kastner, J.lLippard, L.R.lMaathai, W, Land

Art. A Cultural Ecology Handbook,London/GB, 2006

Guide of Wastelands Sao Paulo, Sao Paolo /BR,2006

Terrains Vagues de Amsterdam, Lyon/F, 2002.

Armando Andrade Tudela1976 Lima /PE - Berlin/D

Solo exhibitionsahir, dema, MACBA,Barcelona/E, 2010Hier, Aujourd'hui, Demain, AUjourd'hui,

Demain, Hier, Demain, Hier, AUjourd'hui,FRAC Bourgogne, Dijon/F, 2010

Torcida, DAAD Galer ie, Berlin/D, 2009Gamblers Die Broke, Frankfurter Kunstverein,

Frankfurt a.M/D, Kunsthalle Basel ,Basel/CH, 2008

Les Signaux de l'ame, Annet Gelink Gallery,Amsterdam/NL, 2007

Inka Snow, Carl Freedman Gallery,London/GB, 2006

Carnian , Carl Freedman Gallery, London/GB,2004.

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz/A,2010;Modernologies, MACBA,Barcelona/E, 2009,

Muzeum Sztuki Nowoczesnej w Warsza­wie, Warszawa/PL, 2010

Yellow and Green, MMK, Frankfurt a.M/D,2009

Open Plan Living, Helena Rubinstein Pavillon,Tel Aviv/IL, 2008

Building, Dwelling, Thinking, Laura BarlettGallery, London/GB, 2008

Autour de Max Bill, Centre culturel suisse,Paris/F, 2008

9th Biennale de Lyon 2007, Lyon/F, 200727. Bienal de Sao Paulo , Sao Paolo /BR, 2006Tropical Abstraction, Stedelijk Museum

Bureau, Amsterdam/NL, 2005 .

Publicationsahir, dema, Barcelona/E . 20 I0Manacorda, Francesco, "Armando Andrade

Tudela," Kaleidoscope, Milano/I, 5/2010;Modernologies, Barcelona/E, 2009How to live together, Sao Paolo /BR, 2006Inka Snow, London/GB, 2006Fox, Dan, •Armando Andrade Tudela," Frieze,

London/GB, 102/2006Carnian, London/GB, 2004Godfrey, Mark , •Andrade Tudela," Frieze,

London/GB, 85/2004 .

Kader Attia1970 Dugny /F - Aigier/AL, Berlin/D

Solo exhibitionsKasbah, CCC, Tours/F, 2009;Po(l)etical, Galerie Krinz inger, Wien/A, 2009;Signs of Reappropriation, Acca Gallery of The

Savannah College of Art and Design,Atlanta/USA, 2008;

Black t: White: Signs of Time, Centro de ArteContemporaneo Huarte, Huarte/E , 2008;

Kader Attia: New Work, Henry Art Gallery,Faye G. Allen Center for the Visual Arts,University of Washington, Seattle/USA,2008;

Momentum 9: Kader Attia, ICA, Boston/USA,2007 ;

Square Dreams, BALTICCenter for Contem­porary Art, Newcastle/GB, 2007;

Kader Attia, MAC Lyon, Lyon/F, 2006 .

Group exhibitions17th Biennale of Sydney, Sydney/AUS, 2010;Dreamlands, MNAC, Centre Pompidou,

Paris/F, 2010;Geo-graphics, A Map of Art Practices in

Africa, Past and Present, Palais des BeauxArts, Bruxelles/B, 20 I 0;

10th Havana Biennial, Havana/CU, 2009;La Force de l'art 02, La Nef du Grand Palais,

Paris /F, 2009;Time out of Joint : Recall and Evocation in

Recent Art, The Kitchen, New York/USA,2009;

Notre Histoire, Palais de Tokyo, Paris/F, 2006;50. Biennale di Venezia, Venez ia/l, 2003.

PublicationsBanai, Nuit, . Kader Attia," Artforum, New

York/USA,09/2009;Altman, Anna, .Never quite filling the Void :

Kader Attia," Art in America, NewYork/USA, 07 /2009 ;

Briegleb, Till, ,,10 Vorurteile iiber Kunst undIslam und was davon zu halten ist,' Art,Hamburg/D,12/2008;

Signs of Reappropriation, Atlanta/USA, 2008;Ackermann, Tim, . Das Vokabular des

Vandalismus," die Tageszeitung, Berlin/D ,01/04/2008;

Kader Attia, Lyon/F - Grenoble/F, 2006 ;Notre Histoire, Paris/F, 2006;Ateliers 1997 -2002 - Collectif, Paris/F, 2005.

213

Hairy Baghramian1971 1sfahan/lR - Berlin/D

Solo ex hibi tionsNairy Baghramian and Phyllida Barlow,

Serpentine Gallery. London/GB, 2010La lampe dans {horologe (with Janette

Laverriere), 5th Berlin Biennale, SchinkelPavillon, Berlin/D. 2008

Ein semiotisches Haus. das nie gebaut wurde.Neuer Aachener Kunstverein, Aachen/D.2008;

The Walker's Day Off. Staatliche KunsthalleBaden-Baden. Baden-Baden/D . 2008;

Everlasting layers of ideas. images. feelings • ...•Kunstverein Nurnberg, Nurnberg/D, 2007;

Es ist ausser Haus. Kunsthalle Basel,Basel/CH, 2006

Die Geister magen das Flenieren, GalerieChristian Nagel. K6In/D. 2005;

voluptuous panic. Galerie Chr istian Nagel.Berlin/D, 2004.

Group exhibitionsYesterday's Tomorrows . Musee d'art contem­

porain de Montreal, MontreallCDN , 2010;Utopia and Monument I, steirischer herbst,

Graz /A. 2009;Gespinst. Museum Abteiberg. M6nchenglad­

bach/D. 2009Entre deux actes - Loge de comedienne,

Kunsthalle Baden-Baden. Baden-Baden/D,2009;

Pop -Up!, Ludwig Forum fUr InternationaleKunst. Aachen/D. 2009

Looking is Political, Bergen Kunsthall ,Bergen/N, 2009

Marc Camille Chaimowicz •...In the CherishedCompany of Others....• De Appel, Amster­dam /Nl., Museum of Modern Art,Oostende/NL. 2008

Draw a Straight Line and Follow It. TateModern, London/GB. 2008

sculpture projects munster 07. Munster/D.2007.

PublicationsLorch. Catrin. "Nairy Baghramian," Artforum,

New York/USA. 0112009Entre deux actes - Loge de comedienne,

Baden-Baden/D, 2009Rottmann. Andre, "The 5th Berlin Biennial,"

Artforum, New York /USA. 06 /2008The Walker's Day Off. Nairy Baghramian.

Baden-Baden/D. 2008Rebentisch, Juliane, "Eine Reaktion auf

Sebastian Egenhofer," Texte zur Kunst,Ber lin /D , 72/2008

Hermes, Manfred. "Nairy Baghramian ," Frieze.London/GB , 107 /2007

Who is in the house? Basel/CH, 2006Ilka Becker. "Nairy Baghramian," Texte zur

Kunst, Berlin/D, 59 /2005.

Ayse Erkmen1949 IstanbullTR - IstanbullTR. Berlin/D

Solo exhibit ionsBluish. Kunstverein Freiburg, Fre iburg/D,

2009Hausgenossen. K21 . Diisseldorf'/D , 2009Weggefiihrten. Hamburger Bahnhof, Berlin/D.

2008Ayse Erkmen. Ups and Downs. Yapi Kredi Art

Gallery. Iatanbul/TR , 2008Awesome . Physics Room. Christchurch/NZ,

2006Busy Colours . SculptureCenter, Long

Island/USA. 2005soaked. Schirn Kunsthalle, Frankfurt a.M/D .

2004Kuckuck. Kunstmuseum, St. Gallen/CH, 2003Kein gutes Zeichen. Secession, Wien/A. 2002.

Group exhibitionsUtopia and Monument I, steirischer herbst,

Graz /A, 2009;Beyond These Walls , South London Art

Gallery, London/GB, 20099th Sharjah Biennia l, Sharjah/UAE , 2009All-Inclusive. A Tourist World, Schirn

Kunsthalle, Frankfurt a.M/D , 2008Above-the-Fold, Museum fur Gegenwarts­

kunst, Basel/CH, 2008Folkestone Triennial 2008, Folkestone/GB,

2008World Tale, Mixed Narrations, Hacettepe

University Art Museum, Ankara/TR, 20082nd Berlin Biennial, Berlin/D, 2001La Biennale de Montreal 2000,

MontreallCDN, 2000Skulptur. Projekte in Munster 1997,

Munster/D, 1997

4th International Istanbul Biennial.IstanbullTR. 1995.

PublicationsHausgenossen. Dusseldo rf/D. 2009Weggefiihrten, Berlin/D, 2008U2 Alexanderplatz 2006, Berlin/D, 2006Kein gutes Zeichen, W ien /A. 2002Shipped Ships, Frankfurt a .M/D, 2001Hier da und Dort, Sin gen /D, 2000Echolot, Kassel/D , 1998Zuspiel , Frankfurt a.M/D, 1996Lorec k, Hanne, "Verraumlichungen, Zu Ayse

Erkmens neuen Arb eiten," Texte zurKunst, Berli n/D, 16/1994.

Angela Ferreira1958 Maputo/MOC - Lissabon/P

Solo exhib itionsDouble Lecture, Carpe Diem, Lissabon/P,

2010Werdmuller Centre and other Works, Michael

Stevenson Gallery. Cape Town /ZA. 2010;

BNU, Filomena Soare s Galle ry, Lissabon/P,2009

Hortas na Auto-Estrada. Museum of Neo ­Realism, Vila Franca de Xira /P, 2009

Hard Rain Show, Museu Coleccao Berardo ,CCB. Lissabon/P, La Criee, Rennes/F, 2008

For Mozambique, Michael Stevenson Gallery,Cape Town /ZA, 2008

Maison Tropicale, 52. Biennale di Venez ia ,Portugal Pavilion, Venezia/I, 2007

Random Walk , Filomena Soares Gallery,Lissabon/P, 2005.

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz /A.2010;The Great Divide. Art Gallery of New South

Wales, Sidney/AUS, 2009Modernologies. MACBA, Barcelona/E. 2009,

Mu zeum Sztuki Nowoczesnej w Warsza­wie, Warszawa/PL, 2010

Maputo: A Tale of One City - Africa in OsloFestival, Os lo Museum. IKM, Oslo /N, 2009;

28 . Bienal de Silo Paulo, Silo Paulo/BR, 2008Meridian House, Fr ieze, Sculpture Park.

London/GB , 2008Peripheral Vision - Collective Memory,

Mus eion , Bozen/l, 2008Front of House, Parasol un it , London/GB,

20086th International Istanbul Biennial ,

Istanbul/TR, 1999.

PublicationsHard Rain Show, Lisboa/P, 2008Maison Tropicale. Lisboa/P, 2007Afterlife, Cape Town /ZA , 2007Angela Ferreira. Em Sitio Algum / No Place at

All. Lisboa/P, 2003Zip Zap Circus School, Cape Town /ZA. 2003In the Meantime. Amsterdam/NL, 2001House Maputo: an intimate portrait.

Oporto/P, 1999Williamson, Sue, Res istance Art in South

Africa, New York/USA, 1990.

Andrea Fraser1965 Billings, Montana/USA - Los

Angeles/USA

Solo exhibi tionsAndrea Fraser: Boxed Set , Carpenter Center

Gallery, Harvard University,Cambridge /USA,2010

Projec tion, Galerie Chr istian Nagel , Ber lin /D ,

2008Official Welcome , performance, MOCA, Los

Angeles/USA, Dia: Chelsea, NewYork/USA, MUMOK, Wien/A, 2005

Andrea Fraser. Works : 1984 to 2003,Kunstvere in Hamburg, Hamburg/D . 2003Dunkers Kulturhus, Helsingborg/S:

214

An Introduction to the Sprenge1 Museum,Sprengel Museum, Hannover/D, 1998

Inaugural Speech, performance, InSlTE97,San Diego/Tijuana/MEX, 1997

Ein Projekt in zwei Phasen / Project in TwoPhases, Generali Foundation, Wien/A, 1995

A Society of Taste, Kunstverein Miinchen,Munchen/D, 1993

May I Help You?,with Al1an McCol1um,American Fine Arts, Co., New York/USA,1991

Museum Highlights: A Gallery Talk, perfor­mance, Philadelphia Museum of Art,Philadelphia/USA, 1989.

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz/A,2010;Moderno10gies, MACBA, Barcelona/E. 2009,

Muzeum Sztuki Nowoczesnej w Warsza­wie , Warszawa/PL, 2010

That was Then...This is Now, P.S.I Contempo­rary Art Center, New York/USA, 2008

Our Literal Speed, ZKM, Karlsruhe/D, 2008The World as a Stage, Tate Modern,

London/GB , 2007Why Pictures Now, MUMOK,Wien/A, 2006Life, Once More, Witte de With, Rotter­

dam/NL, 2005Big Bang, MNAM, Centre Pompidou, Paris/F,

2005Body Display, Secession, Wien/A, 2004The Museum as Muse: Artists Reflect, MoMA,

New York/USA, 1999;45. Biennale di Venezia, Austrian Pavilion,

Venezia /I , 1993.

PublicationsFraser, Andra, "Procedural Matters,"

Artforum, New York/USA, 06/2008Fraser, Andrea, "Psychoanalyse oder Sozioa­

nalyse," Texte zur Kunst, Berlin/D,68/2007;

Fraser, Andrea, "From the Critique of Institu­tions to an Institution of Critique,"Artforum, New York/USA, 07 /2005

Museum Highlights : The Writings of AndreaFraser, Cambridge/USA, 2005

Exhibition: New Video Work by AndreaFraser, Vancouver/CDN, 2004

Andrea Fraser. Works : 1984 to 2003,Hamburg/Koln/D, 2003

Report / Bericht, Wien/A, 1995Eine Gesellschaft des Geschmacks,

Munchen/D, 1993Fraser, Andrea, Woman liMadonna and Child

1506 -1967,NewYork/USA,1984.

Isa Genzken1948 Bad Oldeslohe/D - Berlin/D

Solo exhibitionsIsa Genzken: Open Sesame!, Whitechapel Art

Gal1ery, London/GB , Museum Ludwig,Koln/D, 2009

Oil, 52. Biennale di Venezia, German Pavilion,Venezia/I, 2007

Isa Genzken , Secession, Wien /A, 2006Kinder filmen, Galerie Daniel Buchholz ,

Koln/D, 2005Empire Vampire, Lenbachhaus, Munchen/D,

2004Isa Genzken, Kunsthal1e Zurich, Zurich/CH,

2003MetLife. Isa Genzken, Generali Foundation,

Wien/A, 1996Isa Genzken, Kunsthal1e Bremen, Bremen/D,

1993Everybody needs at least one window, Palais

des Beaux Arts, Bruxel1es/B , 1993,Portikus, Frankfurt a.M/D, RenaissanceSociety, Chicago /USA , et al., 1992.

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz/A,201O;Moderno10gies, MACBA, Barcelona/E, 2009,

Muzeum Sztuki Nowoczesnej w Warsza­wie, Warszawa/PL, 2010

skulptur projekte munster 07, Munster/D ,2007

Birds in a Park, Galerie Daniel Buchholz ,Koln/D, 2007

50. Biennale di Venezia, Venezia/I, 2003Documenta 11, Kassel/D, 20027th International Istanbul Biennial,

IstanbullTR, 200145. Biennale di Venezia, Venezia/I, 1993documenta IX, KassellD, 1992documenta 7, Kassel /D. 1982.

PublicationsIsa Genzken. Sesam, i:iffneclich! / Open,

Sesame!, Ki:iln/D-London/GB, 2009Isa Genzken. Ground Zero, London/GB, 2008Oil, Ki:iln/D, 2007Isa Genzken , Koln/D, 2006Isa Genzken , London/GB , 2006Isa Genzken, Innsbruck-Wien/A, 2006Isa Genzken. I Love New York, Crazy City,

Zurich/CH, 2006Buchloh, Benjamin, "Al1 Things Being Equal:

Isa Genzken," Artforum, New York/USA ,09/2005

Isa Genzken , Ki:iln/D, 2003Artists Imagine Architecture, Boston/USA,

2002MetLife.Isa Genzken , Wien/A, 1996

Isa Genzken. Jeder braucht mindestens einFenster / Everyone needs at least onewindow, Bruxel1es/B-Chicago/USA­Frankfurt a.M/D-Munchen/D, 1992.

IZKInstitut fur Zeitgencssisohe Kunst, TU

Graz/AThe Institute for Contemporary Art , Depart­

ment for Architecture, University ofTechnology Graz, researches interfacesbetween contemporary artistic, design andarchitectural practices. The students areasked to gather new artistic, media andspatial experiences, implementing thoseinto projects and exh ibitions. Theinstitute focuses on how to work with andin public space. The results have beenshown in various urban and rural settings:in Graz, Bad RadkersburgiGornja Radgonaand Lunz am See , as wel1 as in exhibitionspaces such as Kunsthaus Muerz .

The IZK's current team is: Hans Kupelwieser(Director), Annemarie Dreibholz, NicolePruckermayr, Ruby Sircar, Claudia Genger ,Christian Hoffelner, Jasna Kuljuh, LisaObermayer and Maurice Rigaud.

Jutta Koether1958 Koln/D - New York/USA

Solo exhibitionsTrio: Lynda Beng1is/Jo Baer/Jutta Koether,

Van Abbemuseum, Eindhoven/NL, 2009Lux Interior , Reena Spaulings Fine Art, New

York/USA, 2009New Yorker Fenster , Galerie Daniel Buchholz ,

Koln/D, 2008JXXXA Leibhaftige Ma1erei, Sutton Lane ,

Paris/F, 2008Anderungen aller Art, Kunsthalle Bern,

Bern /CH, 2007Fantasia Colonia, Kolnischer Kunstverein,

Koln/D, 2006I Is Had Gone, Thomas Erben Gallery, New

York/USA, 2005Massen. Ma1erei und Versamm1ung,Generali

Foundation, Wien/A, 1991.

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz/A,201O;See This Sound, Lentos, Linz/A, 2010Sonic Youth etc.: Sensational Fix, Kunsthalle

Dusseldorf, Dusseldorf/D. et al., 2009Nothing is exciting. Noth ing is sexy. Nothing

is not embarrassing , MUMOK,Wien/A,2008

215

If I Can't Dance, I Don't Want To Be Part ofYour Revolution Part II, MoCA, Antwer­pen/NL, 2007

Bastard Creature, Palais de Tokyo, Paris/F,2007

Whitney Biennial 2006, Whitney Museum,New York/USA, 2006

Vom Horror der Kunst, Grazer Kunstverein,Graz/A, 2003.

PublicationsKoether, Jutta, "Interview with Martin

Kippenberger," in: Martin Kippenberger.The Problem Perspective, New York/USA,2009, first publication in: Martin Kippen­berger. I Had a Vision , San Francisco/USA ,1991

Koether, Jutta, "Von Manischem Materialis­mus, " Texte zur Kunst, Berlin/D, 70/2008

Jutta Koether, Bern /CH-K61n/D, 2006Koether, Jutta, Desire Is War, K61n/D-New

York/USA, 2003Koether, Jutta, Kairos. Texte zur Kunst und

Musik, Berlin/D, 1996The Use of Pleasure. Die Neunziger, Wien/A,

1994100% Malerei. Niemand ist eine Frau, K61n/D,

1992Inside Job, Graz/A, 1992koether: massen, Wien/A, 1991The K61n Show, K6In/D, 199020 Minuten, K61n/D , 1989

"r."Graz /A, 1987.

John Knight1945 Los Angeles/USA - Los Angeles/USA

Solo exhibitionsWorks in Situ, A Work in Situ, Galerie Rudiger

Sch6ttle, Miinchen/D, 2008Cold Cuts, EACC, Caste1l6lE, 2008John Knight, Storm King Art Center,

Mountainville, New York/USA, 2000John Knight, American Fine Arts, Co., New

York/USA, 2004John Knight, Galerie Roger Pailhas,

Marseille/F, 2002Bienvenido, MCASD,San Diego/La Jolla/USA,

1990Enkele Werken, Witte de With, Rotter­

dam/NL, 1990Treize Travaux, Le Nouveau Musee, Villeur·

banne/F, 1989 .

Group exhibitionsUtopia and Monument II, steirischer herbst,

Graz/A,2010;How Many Billboards? , MAK Center, Los

Angeles/USA,2010

Modernologies, MACBA, Barcelona/B. 2009,Muzeum Sztuki Nowoczesnej w Warsza·vrie, Warszawa/PL, 2010

...Concept Has Never Meant Horse; GeneraliFoundation, Wien/A, 2006

Los Angeles 1955-1985: Naissance d'unecapitale artistique , MNAM, CentrePompidou, Paris/F, 2006

1965-1975: Reconsidering the Object of Art,MOCA, Los Angeles/USA, 1995

De Campagne / The Campaign, Stroom DenHaag, Den Haag /NL, 1993

Treize a la douzaine, Palais des Beaux-Arts,Bruxelles/B,1991

documenta 7, Kassel/D, 1982 .

PublicationsIn Vivo, Albuquerque/USA, 2009Sanders, Jay, "Jay Sanders reads John

Knight," Parkett, Ziirich /CH, 86/2009Modernologies, Barcelona/E, 2009Buchloh, Benjamin, "Counter-Propaganda,"

Texte zur Kunst, Berlin/D, 70/2008Cold Cuts, Castello/E, 2008L'emprise du Lieu, Reims/F, 2007Buchloh, Benjamin, ' W ho's afraid of JK,"

Texte zur Kunst, Berlin/D, 59/200587 ", New York/USA, 2001Buchloh, Benjamin, "Knight's Moves :

Situating the Art/Object," in: Neo­Avantgarde and Culture Industry,Cambridge/USA,2001

Rorimer, Anne , New Art in the 60s and 70s:Redefining Reality, London/GB, 200 I

De Campagne / The Campaign, Bruxelles/B,1996

Treize Travaux, Dijon/F, 1989Leetsoi, Albuquerque/USA , 1988 .

Kooperative fiir DarstellungspolitikJesko Fezer, Anita Kaspar, Andreas Muller ­

Berlin/D

Solo exhibitionsadvocate / educate, hfg ulm, Ulm/D , 2009.

Group exhibitions and related projectsUtopia and Monument II, steirischer herbst,

Graz/A, 2010;Berlin Documentary Forum I, Haus der

Kulturen der Welt, Berlin/D, 2010Utopia and Monument I, steirischer herbst,

Graz /A, 2009;An Atlas of Radical Cartography, whitespace,

Ziirich/CH , 20 I0, KiinstlerhausStuttgart/D, 2009

In the Desert of Modernity. Colonial Planningand After, Haus der Kulturen der Welt,Berlin/D, 2008

Soz iale Diagramme. Planning Reconsidered,Kiinstlerhaus Stuttgart, Stuttgart/D, 2008;

traurig sicher, im training , Grazer Kunstvere in,Graz/A,2006

Project Migration, K61nischer Kunstverein,K6In/D, 2005

Now and Ten Years Ago, KW; Berlin/D, 2005.

PublicationsAn Atlas of Radical Cartography, Los

Angeles/USA, 2009Miller , Daniel , "In the Desert of Modernity,"

Frieze, London/GB, 19/2008Krasny, Elke , "Das Labor europaischer

Modernefantasien," Derive, Wien/A,32/2008;

Projekt Migration, K6In/D, 2005Jetzt und zehn Jahre davor, Berlin/D, 2005An Architektur. Produktion und Gebrauch

gebauter Umwelt, Berlin/D, 2002/2008.

David Maljkovic1973 Rijeka /HR - Zagreb/HR

Solo exhibitionsDavid Maljkovic , Spriith Magers, Berlin/D.

2009;Out of Projection , MNCARS, Madrid/E , 2009After the Fair, Galerie Georg Kargl , W ien /A,

Fondazione Morra Greco, NapolilI, 2009Nothing Disappears Without a Trace , ARCO,

Madrid/E , 2009Retired Compos itions, Metro Pictures, New

York/USA, 2009Scene for New Heritage Trilogy, P.S.I Contem·

porary Art Center, New York/USA, 2007;Almost Here, Kunstverein Hamburg,

Hamburg/D. 2007Scene for New Heritage , Van Abbemuseum,

Eindhoven/NL, 2005.

Group exhibitionsLes Promesses du Passe, MNAM, Centre

Pomp idou , Paris/F, 2010Glasgow International Festival of Visual

Art's Projects 2010, Glasgow/GB, 2010;Utopia and Monument I, steir ischer herbst,

Graz/A, 2009;Modernologies, MACBA, Barcelona/E , 2009,

Muze um Sztuki Nowoczesnej w Warsza·wie, Warszawa /PL, 2010

Modern Ruins, Kate MacGarry, London/GB,2009

II th International Istanbul Biennial,IstanbulITR, 2009

Places to be , Annet Gelink Gallery, Amster·dam /NL, 2009

5th Berlin Biennale, Berlin/D , 2008

216

Eyes Wide Open, Stedelijk Museum CS,Amsterdam/NL, 2008

Magellanic Cloud, MNAM, Centre Pompidou,Paris/F, 2007 .

PublicationsThe Art of Tomorrow, London/GB, 20 I0Transitory Objects, Koln/D, 2009Lost Review, London/GB, 2008Cerizza, Luca, "David Maljkovic," Frieze,

London/GB,110/2007David Maljkovic. Almost Here, Hamburg/D.

2007Ground Lost , Graz/A , 2007Magellanic Cloud, Paris/F, 2007Again for Tomorrow, London/GB, 2006Heingartner, Douglas, "Mercury in

retrograde," Frieze, London/GB, 100/2006Painting for everyday use, Zagreb/HR, 2002.

Heather E. Ivan Morison1973 Desborough/GB and 1974 Netting­

ham /GB - Brighton/GB

Solo exhibitionsThe Shape of Things to Come, Situations,

Bristol/GB, 2009I hate her. I hate her., Danielle Arnaud

Contemporary Art, New York/USA, 2009The Land of Cockaigne, Bloomberg Space,

London/GB, 2007And so it goes , 52. Biennale di Venezia, Wales

Pavilion, Venezia/I, 2007Drowned Worlds , Camden Arts Centre,

London/GB, 2006Heather c. Ivan Morison do not understand it,

IPS , Birmingham/GB, 2004Heather c. Ivan Morison are spellbound,

Shrewsbury Museum l: Art Gallery,Shrewsbury/GB,2004.

Group exhibitionsUtopia and Monument I, steirischer herbst,

Graz/A , 2009;Mythologies, Haunch of Venison, London/GB,

2009Radical Nature, Barbican Art Gallery,

London/GB, 2009Paraisos Indomitos - Untamed Paradises,

MoCA, Vigo/E , 2008This Is The Gallery and The Gallery Is Many

Things, Eastside Projects, Birm ingham/GB,2008

Folkestone Triennial 2008, Folkestone/GB,2008

British Art Show 6,Newcastle/Nottingham/Bristol/GB, 2006

Guanzhou Triennial, Guanzhou/RC, 2005

Tempered Ground, Danielle Arnaud Contem­porary Art, London/GB, Museum of GardenHistory, London/GB, 2004;

The Art of the Garden,Tate Britain,London/GB, 2004.

PublicationsFalling Into Place by Heather c. Ivan Morison,

Derry/GB,2009Radical Nature, London/GB, 2009Mythologies,London/GB,2009Paralsos indomitos - Untamed Paradises,

Vigo/E, 2008Folkestone Triennial: Tales of Time and Space,

Folkestone/GB, 2008Tatton Park Biennal 2008 , Tatton Park/GB,

2008Thin Cities, London/GB, 2008Beck's Futures 2006, London/GB, 2006The Starry Messenger: Visions of the

Universe, Warwickshire/GB, 2006.

Nils Norman1966 Kent/GB - London/GB

Solo exhibitionsDave Hullfish Bailey c. Nils Norman: Surroun­

ded by Squares, Raven Row, London/GB,2009

The University of Trash, SculptureCenter,Long Island/USA, 2009

You have been misinformed, Reena SpaulingsFine Art, New York/USA, 2008

A Mystery Thing, Vilma Gold, London/GB,2007

Degenerate Cologne, Galerie Christian Nagel,Koln/D, 2006

The Homerton Playscape Multiple StruggleNiche , City Projects, London/GB, 2005;

Everything in the future will necessarily come.Corporate fairytales and other sculpturalmaneuvers, Galerie fiir Landschaftskunst,Hamburg/D, 2004

The Geocruiser, University of CambridgeBotanic Garden, Institute of VisualCulture, Cambridge /GB, 200 I.

Group exhibitionsUtopia and the Everyday. Between Art and

Education , Centre d'Art Contemporain,Geneve/CH,2010

Utopia and Monument I, steirischer herbst,Graz/A, 2009

Street Art, Street Life, BxMA, New York/USA,2009

International '08, Liverpool Biennial,Liverpool/GB, 2008

STARSHIP various sketches for leaving theroom, Ludlow 38 Kunstverein, Miinchen/D,Goethe Institut, New York/USA, 2008

Folkestone Triennial 2008, Folkestone/GB,2008

How To Cook A Wolf - Terrible Video,Kunsthalle Ziirich, Ziirich/CH, 2008

The Happiness of Objects, SculptureCenter,Long Island/USA, 2007

50. Biennale di Venezia, Venezia/I, 2003.

PublicationsGraw, Isabelle, "Von hier aus , Uber Koln­

Mythen, Fremdbestimmung und Riickzugs­und Ausstiegsszenarien angesichts dergestiegenen Bedeutung von Leben," Textezur Kunst, Berlin/D, 63 /2006

Make Your Own Life: Artists In c. Out ofCologne, Minneapolis/USA, 2006

Claydon, P.lCranwell, K.lNorman, N.,AnArchitecture of Play.A survey of London'sadventure Playgrounds, London/GB, 2004

Demos , T.J., "The Cruel Dialectic; On theWork of Nils Norman," Grey Room,Cambridge/USA,13/2004

Homeland, New York/USA, 2003An Unofficial Statement, Geneve/CH, 2003The Contemporary Picturesque, London/GB,

2000Verwoert, Jan, "Nils Norman," Springerin ,

Wien/A,04/2000.

Paulina Olowska1976 Gdansk/PL - Raba NiznalPL

Solo exhibitionsAccidental Collages, Tramway, Glasgow /GB,

2010Shadow with a Sneak, Pinakothek der

Moderne, Miinchen/D, 2009Attention a la Peinture , Galerie Dan iel

Buchholz, Koln/D , 2008Salty Water I What of Salty Water, with

Bonnie Camplin, Portikus, Frankfurta.M/D ,2007

Noel sur Ie baleon I Hold the Color,with LucyMcKenzie, Sammlung Goetz, Miinchen/D ,2007

Metamorphosis, Museum Abteiberg,Monchengladbach/D , 2005

Metaloplastyka, Galer ie Daniel Buchholz,Koln/D, 2005

She had to Reject the Idea of a House as aMetaphor , Kunstverein Braunschweig,Braunschweig/D , 2004.

217

Group exhibitionsUtopia and Monument II. steirischer herbst,

Graz/A.201O;Early Years. KW; Berlin/D. 2010Moderno10gies. MACBA. Barcelona/E. 2009.

Muzeum Sztuki Nowoczesnej w Warsza­wie, Warszawa/PL. 2010

modern modern. Chelsea Art Museum. NewYork/USA, 2009 ;

Head-Wig (portrait of an exhibition). CamdenArts Center. London/Gls, 2009

5th Berlin Biennale, Berlin/D. 2008The Subversive Charme of the Bourgeoisie .

Van Abbernuseum, Eindhoven/NL. 20069th International Istanbul Biennial.

Istanbul/TR. 200550. Biennale di Venezia. Venezia/I, 2003.

PublicationsDecker. Julia/Liebs. Holger, "Ich kann Ihnen

die Handlung Seite fUr Seite erzahlen: EinInterview mit Paulina Olowska," Suddeut­sche Zeitung Magazin. Miinchen/D.46 /2009;

Moderno10gies. Barcelona/E. 2009Le Nuage Magellan. Paris/F. 2007Salty Water / What of Salty Water. Frankfurt

a.M/D.2oo7Noel sur 1e ba1con / Hold the Color.

Miinchen/D. 2007Metamorphosis. Frankfurt a.M/D . 2005Alphabet. K6In/D. 2005Sie musste die Idee eines Hauses a1s

Metapher verwerfen. K6In/D. 2004 .

Michael Schuster1956 Graz/A

Solo exhibitionsFor Your Information. Neue Galerie. Graz/A.

2008Der Kurator. Galerie Bleich Rossi. Graz/A.

2004Drombeg, Camera Austria. Graz /A. 2002Fotografie a1sSpiegel. Neue Galerie, Graz /A.

2000Dia1ektstudie I und II. Neue Galerie, Graz /A.

1999 . Galerie im Taxispalais, Innsbruck/A.2000

Schuster / Schneider. Galerie Eo Ed itionArtelier. Graz /A. 1999

K.C.C.P.in USA. Galerie Eo Edition Artelier,Frankfurt a.M/D. Neue Galerie. Graz /A.MUMOK. Wien/A. 1993

5 x SM 144-18. Neue Galerie, Graz /A. 1990.

Group exhibitionsUtopia and Monument II. steirischer herbst,

Graz /A.2010;Medium Religion. ZKM. Karlsruhe/D. 2008BIACS 3. Sevilla/E. 2008Reading Back And Forth. Stadtmuseum Graz,

Graz/A. 2007Shandyismus. Autorschaft a1s Genre.

Secession. Wien/A. 2007Simu1tan, Museum der Moderne. Salzburg/A.

2005. Fotomuseum Winterthur. Winter­thur/CH . 2006

Postmedia Condition. Neue Galerie, Graz/A.2005. ARCO. Madrid/E. 2006

Occupying Space . Haus der Kunst.Miinchen/D. Nederlands Fotornuseum,Rotterdam/NL. MSU. Zagreb/HR. 2005.

PublicationsMedium Religion. Karlsruhe/D. 2008Shandyismus. Autorschaft a1sGenre. Wien/A.

2007Simu1tan . Zwei Samm1ungen Osterreichischer

Fotografie. Salzburg/A. 2005Draxler, Helmut. "Michael Schuster. Die

Quadratur des Kreises," Camera Austria.Graz/A. 8112003

M_ARS - Kunst und Krieg. Graz /A. 2003Variable Stucke. Strukturen. Referenzen.

Algorithmen. Innsbruck/A. 2002Re-P1ay. Anfiinge internationa1er Medienkunst

in Osterreich. W ien /A. 2000Brunner. Norbert/Schuster. Michael.

Dokumentarische Dia1ektstudie vomFersenta1 bis Garmisch-Partenkirchen.Graz /A. 1982.

Andreas Siekmann1961 Hamm/D - Berlin/D

Solo exhibitionsVerhand1ungen unter Zeitdruck. Aus:

Faustpfand. Treuhand und die unsichtbareHand . Stadtrsche Museen .Jena, .Jena /D ,2010. Galerie Barbara Weiss, Berlin/D.2008

From: Limited Liability Company. Gustav­Liibcke-Museum. Harnm/D, 2010;

Collateral in Hand. Treuhand. and the InvisibleHand. Heidelberger Kunstverein. Heidel­berg/D. 2006

Max Mueller Bhavan . Goethe-Institut, 11thTriennale India. New DelhilIND. 2005

The Exclusive Power. On the Policy of theExclusive Fourth . Salzburger Kunstverein.Salzburg/A. 2002

Hier baut die Firma Petit aPet it ....Statements. Art Basel. Basel/CH . 2001

Limited Liability Company; 1996-1999.Portikus, Frankfurt a.M/D. 1999

Square of Permanent Reorganization. NeuerAachener Kunstverein. Aachen/D. 1997 .

Group exhibitionsUtopia and Monument I. steirischer herbst,

Graz /A. 2009;Moderno10gies. MACBA. Barcelona/E. 2009.

Muzeum Sztuki Nowoczesnej w Warsza­wie, Warszawa/PL. 2010

Islands + Ghettos. Kunstverein Heidelberg.Heidelberg/D. 2009

The Way Things Are.... Centrum SztukiWsp61czesnej. Torun/PL, 2008

Shrinking Cities. 1st Moscow BiennaleArchitecture. Moskwa/RUS. 2008

documenta 12. Kassel/D. 2007skulptur projekte miinster 07. Miinster/D.

200750. Biennale di Venezia. Venez ia/I, 2003doc umenta 11. Kassel/D. 2002Hier is t dort 2. Secession. Wien/A. 2002.

Curated exhibition projects and publications(with Alice Creischer et al.)

Principio Potosi. MNCARS. Madrid/E. Hausder Kulturen der Welt. Berlin/D . 2010

Half Jacket - Half Human. after the butcher.Berlin/D . 2007

Ex-Argentina. Museum Ludwig K61n.Koln/D ,2004. Goethe-Institut. Buenos Aires/AR.2003

Violence is at the Margin of All Things.Generali Foundation. Wien/A, 2002

Messe 20k. OkonoMiese machen, K6In/D.Amsterdam/Nl., 1995 .

PublicationsCreischer, Alice /Siekmann, Andreas. "Als ob

es tausend Stabe gabe und hinter tausendStaben keine Welt; Texte zur Kunst.Berlin/D, 74/2009

The Way Things Are.... Torun/Pl., 2008Dresden Postp1atz . Berlin/D. 2006Siekmann, Andreas. "Collat eral in Hand.

Treuhand, and the Invisible Hand; in:Shrinking Cities . Vol. 2. Ostfildern-Ruit/D .2005

Hier ist dort 2. Wien/A. 2002Wir fahren fur Bakunin. K6InlD. 2002Aus: Gesellschaft mit beschrankter Haftung.

Frankfurt a.M/D. 1999Platz der permanenten Neugesta1tung.

Aachen/D. 1997 .

218

Michael Zinganel1960 Bad Rad kersburgiA - Wien/A

Solo exhib itionsSaison Opening, kunstraum lakeside, Klagen ­

furt/A, 2005Stadt und Gewalt , Haus der Architektur

~unchen,~unchen/D,2oo5

Akte Langenhagen. Ein Projekt zur Spurensi­cherung in Kunst und Verbrechen ,Kunstverein Langenhagen, Langenhagen/D,2004

Michael Zinganel - Real Crime, pro qm,

Berlin/D, 2004Michael Zinganel , Secession, Wien/A, 1998Michael Zinganel - Videoinstallationen ,

Museum Abteiberg, ~6nchengladbach/D,1991;

QWERTYUIOPASDFGHJKLZXCVBNM, GrazerKunstverein, Graz /A, 1991.

Group exhibitions and int erd isciplinaryprojects

Utopia and Monument I, steirischer herbst,Graz /A 2009;

Crossing Munich . Sites, representations anddebates about migration in Munich,Ludwig-Maximilians-Univers itat ~unchen,~unchen/D, 2009

Panic Room Karlsplatz or Tactics of EveryDay Avoidance, guided tour, Wien/A, 2008

TOP of Experience. Art in Adventure Worlds,symposium, conceptual design andarchitecture, with Peter Spillmann,Kunsthalle Luzern, Luzern/CH, 2007

Real Crime Tour / Real Crime Walk , guidedtour, Wien/A, 2001-2006

Crime City. Soc ial Spread, Vandalism , Crimeand the Culture of Metropolis , discourse­performance, steirischer herbst, Graz/A,2005

Shrinking Cities , GfZK, Leipz ig/D . 2004/05Sex c. Space II, with ~arion von Osten,

Forum Stadtpark, Graz /A, 1997;Pension Stadtpark, Forum Stadtpark, Graz /A,

1996.

PublicationsZinganel, Michael, "Crime does pay! The

Structure-Building Power of Crime forUrban Planning and Urban Experience,"in : Open City, Amsterdam/NL, 2009

Zinganel, ~ichael, ·Vor lauter Themaverschwindet die Stadt! Stadtwanderun­gen zwischen Bildungsauftrag undwiderstandigen Lesarten," in: Urbanogra­fien , Berlin/D , 2008

Zinganel, ~ichael, "Landscapes of Power," in:Power and Space, Zurich/CH, 2008

Zinganel, ~ichael, "Tourism, Shopping,Security, 3 Definitions," in: skulpturprojekte miinster 07, ~unster/D, 2007

Albers, H.lSagadin, ~.IZinganel, ~., SaisonOpening, Wien/A, 2006

Marschik, ~.I~ullner, R.lSpitaler,G.lZ inganel, ~., Das Stadion. Architektur,Politik , Okonomie, W ien /A, 2005

Zinganel, ~ichael, Real Crime. Architektur,Stadt und Verbrechen, Wien/A, 2003.

Dolores Zinny l:. Juan Maidagan1968/1957 Rosario/AR - BerliniD

Solo exhib itionsCompartment - Das Ab teil ,~~K Zollamt,

Frankfurt a.~/D, 2009Instead of Heaven, Arch itecture, Galerie

Sabine Knust, ~unchen/D, 2009La Costa . El Ataque Lo Mismo , Sala Rekalde,

Bilbao/E, 2007I have no revelations to offer you, Galerie

Sabine Knust, ~unchen/D, 2005Garden Concluded, ~useum fUr Gegenwarts­

kunst, Siegen/D, 2004Semantic Gap, Lund Konsthall, Lund/S, 2004Such a Good Cover, DAAD Galerie, Berlin/D ,

2003Untitled, The Showroom, London/GB, 2003.

Group exhibit ion sUtopia and Monumen t I, steirischer herbst,

Graz /A, 2009;7th Gwangju Biennial, Gwangju/ROK, 20085th Berlin Biennale, Berlin/D, 2008Exile of the Imaginary, Generali Foundation,

Wien/A, 2007BlACS 2, Sevilla/E, 200610th Art Forum Berli n, Berlin/D, 200550. Biennale di Venezia, Venezia/I, 2003ForwArt a choice, BibliotMque Royale,

Bruxelles/B, 2002

Inside Space, ~IT List Visual Arts Center,Cambridge/USA, 2001.

PublicationsCompartment - Das Abteil, Frankfurt a.~/D,

2010Monographic Book, Bilbao/E, 2007Exil des Imaginaren , W ien/A, 2007The Unhomely, Sevilla/E, 2006D.Zinny c. J . Maidagan, Lund/S, 2004Gaensheimer, Susanne, "Under st anding the

wor k of D Z Eo J~," in: The ShowroomAnnua12003I04,London/GB,2004

ForwArt a choice , Bruxelles /B , 2003Fresh Cream, London/GB, 2000.

sozYAHSabine Haring , Anja Eder - Graz /A

sozYAH is a research team formed at theCentrum fUr Soz ial forschung of theDepartment of Sociology at Un iversityof Graz , in order to undertake a sooio­scient ific analysis for the project You AreHere, outlined and proposed by AndreaFraser for the steirischer herbst 2010festival's particular exhibition Utopia andMonument II.

219

Short Biographies and Bibliographies of the Authors

Jiirgen Bock(born in 1962, lives in Lisboa , Portugal) isDirector of the School of Visual ArtsMaumaus in Lisboa and works as curator,publisher and writer. Exhibitions he hascurated include the CCB Project Room inLisbon 2000 /2001 , From: Limited LiabilityCompany at the 2005 Triennial of India , NewDelhi, and Angela Ferreira, Maison Tropicalefor the Portuguese Pavilion, Biennale diVenezia (2007). He is the editor of thepublication From Work to Text - Dialogueson Practice and Criticism in ContemporaryArt (2002) and produced the artist's bookTITANIC's wake by Allan Sekula (2003). In2008 he produced the documentary filmMaison Tropciale, directed by ManthiaDiawara .

Reinhard Braunis author and curator. Currently he is curatorfor Visual Arts at steirischer herbst festival,before he was curator and editor at CameraAustria, Graz. Since 1991 essays and exhibi­tion projects in the field of practises ofmedia art and photography with the focus oncultural implications of visual media . Lastcuratorial projects were Common Affairs(Graz: steirischer herbst, 2008), Then thework takes place (with Maren Liibbke-Tidow,Graz: Camera Austria, 2009), talk talk. DasInterview als kiinstlerische Praxis (with MarcRies and Hildegard Fraueneder, HGB Leipzig;Kunstverein Medienturm, Graz; Galerie 5020Salzburg, 2009 /2010) and Milk Drop Coronet(with Maren Liibbke-Tidow,Camera Austria,Graz, 2010).

Sabine Breitwieseris currently an independent curator, authorand lecturer, lives in Vienna, Austria. InOctober she will start her new post as ChiefCurator for Media and Performance Art atThe Museum of Modern Art in New York. Sheis Secretary and Treasurer of CIMAM - theInternational Committee of ICOM (Interna­tional Council of Museums) for Museums andCollections of Modern Art . From 1988 until2007 she was the (Founding) Director andCurator of the Generali Foundation in Viennafor which she has built the institution, theprogram and an important collectionpublished in the volumes Exhibitions 1989-

2007 (2008) and in Occupying Space (2003).She has curated numerous projects andedited as many publications on artists suchas Dan Graham, Hans Haacke, Theresa HakKyung Cha, Andrea Fraser, Mary Kelly,Edward Krasi ski, Gordon Matta-Clark,Gustav Metzger , Adrian Piper, Martha Rosier,Allan Sekula . Her most important thematicprojects are Designs for the Real World,double life, BE-PLAY, vivenciasllife experienceor White Cube/Black Box. Recent projects ­additionally to Utopia and Monument for thesteirischer herbst - are Modernologiespresented at MACBA (2009) in Barcelona andat the Museum of Modern Art in Warsaw(2010), and Which Life?, in the frame of the"curatorial project" at the Academy of FineArts Vienna.

Juli Carsonis Associate Professor in the Studio ArtDepartment at the University of Californiawhere she teaches Critical and Curatorialpractice in Contemporary Art and directsthe University Art Gallery. She was Curatorof Exile of the Imaginary: Politics, Aesthetics,Love (Vienna: Generali Foundation, 2007) .She also curated the archival exhibitionaccompanying Mary Kelly's Post-PartumDocument (Vienna: Generali Foundation,1998). Her essays on conceptualism andpsychoanalysis have been published in ArtJournal, Documents, October, Texte zur Kunstand K-Tra, as well as in numerous criticalanthologies. She is currently completing herforthcoming book, The Conceptual Uncons­cious: A Poetics of Critique.

Alice Creischer(born in 1960, lives in Berlin, Germany)studied philosophy and literature at theuniversity and fine arts at theKunstakademie, both located in Diisseldorfand works as conceptual artist. From 1997till 1998 she was Guest Lecturer at theKunstakademie Miinchen. Since the 1990sshe participated in several group projects,many of them in collaboration with AndreasSiekmann, with whom she curated theexhibitions Violence on the Margin of AllThings (Vienna: Generali Foundation, 2002)and Ex-Argentina (Cologne: Ludwig Museum,2004) . In 2006 she was awarded by the

Norwegian Edward-Munch-Prize for Contem­porary Art . She published essays in Springe­rin, Texte zur Kunst and ANYP.

David Crowleystudied in Poland dur ing the 1980s anddeveloped a strong interest in the culturalhistory of Eastern Europe under communistrule . He teaches at the Royal College of Art,London, where he is also the head of a newdepartment of Critical Writing in Art andDesign. He writes art and design criticismand curates exhibitions. In 2008 he was theco-curator of Cold War Modern: Design 1945­1970 (London: Victoria and Albert Museum,2008 ; Rovereto: MART, 2009; Vilnius:National Gallery, 2009). He is currentlycurating an exhibition on the life and workof Roman Cieslewicz (London, 2010) andanother show on the connections of experi­mental art to music in Eastern Europe inthe 1960s (Warsaw: National Museum,summer, 2011).

T.J. Demosis an art critic and teaches in the Depart­ment of Art History, University CollegeLondon. He writes widely about modern andcontemporary art and is the author of TheExiles of Marcel Duchamp (2007). He isCo-curator of Uneven Geographies : Art andGlobalisation (Nottingham Contemporary,2010) and was Director of Zones of Conflict:Rethinking Contemporary Art During GlobalCrisis, comprising both an internationalgroup exhibition at Pratt Manhattan Galleryin New York,and a series of researchworkshops in London (in partnership withIniva, Tate Modern , Tate Britain, and UCL'sCentre for the Study of Contemporary Art,of which he is a founding member) . During2009-2010, he is a Fellow at the FlemishAcademic Centre for Science and the Arts(VLAC) in Brussels, working on a new bookon contemporary art and migration du ringglobal crisis.

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Diedrich Diederichsen(born in 1957, lives in Berlin and Vienna) iscultural scientist, critic, journalist, curator,author, professor and pop theorist. From1985 till 1990 he was chief editor of themusic magazine Spex . From 1998 till 2006he was professor at the Merz Akademie inStuttgart. Additionally he was lecturer atmany other academic institutions. Since2006 he is professor at the Institute for Artand Culture Sciences of the Academy of FineArts Vienna. Focal points of his research arepop music as a model of contemporaryculture, net cultures and entertainmentarchitecture, and neo formalisms. Latestpublications are Uber den Mehrwert (in derKunst) (2008), Kritik des Auges (2008) andEigenblutdoping - Selbstverwertung.Kunstlerromantik. Partizjpation (2008).

Claire Dohertyis director of 'Situations' and seniorresearch fellow in Fine Art at University ofthe West of England . Over the past she hasinvestigated new models of curatorialpractice beyond conventional exhibitionmodels at a range of institutions such asIkon Gallery in Birmingham, Spike Island inBristol and FACTin Liverpool. She initiated'Situations' in 2003 as a new model ofcommissioning and research programmewithin a university context. From 2008 till2009 she was curatorial director of the OneDay Sculpture series in New Zealand. In 2008she got the Paul Hamlyn Breakthrough FundAward. She lectures and publishes widely oncuratorial issues and is editor of such asSituation (2009) and From Studio to Situation(2004).

Silvia Eiblmayris an art historian, lector, author and curator.From 1999 till 2008 she was director ofGalerie im Taxispalais/Galerie des LandesTirol in Innsbruck, Austria. She lectured atvarious national and international academicinstitutions. She is advisory board memberof Kontakt, the collection of Erste GroupBank, university council member of theAcademy of Fine Arts Vienna and AdvisoryBoard Member for photography of federalministry of art, culture and education(BMUKK). In 2000 she received the Aby­Warburg-Foundation's Hans -Reimer-Award.In 2009, with Valie Export, she was commis­sioner of the Austrian Pavilion at the 53thVenice Biennial. She is author and editor ofnumerous essays and publications, such asDie Frau als Bild (1993).

Brigitte Franzenis an art and cultural scientist and since2009 she is director of Ludwig Forum fiirInternationale Kunst in Aachen. From 2005till 2009 she was head of the contemporarycollection at the Westfalisches Landesmu­seum in Miinster. In 2007 together withKasper Konig she curated the exhibitionskulptur projekte munster 07. In 2005 shefounded the "Skulptur Projekte Archive ,"which for the first time was exhibited in2007 . Since 1993 she has curated numerousexhibition projects about art in 20th and21st century. She is editor and author ofseveral publications about contemporary art,such as Wem gehOrt die Stadt? (2009),Mikrolandschaften / Microlandscapes (2006)and Landschaftstheorie (2005) .

Christine Frisinghelliis an cultural scientist, curator, senior editorand chief editor of the Camera AustriaInternational magazine and since 2003 shedirects the exhibition program of CameraAustria, Graz. In addition she is editor of thepublication series Edition Camera Austria.From 1975 till 1995 she was co-curator (withManfred Willmann) of the photographyprogram of Forum Stadtpark, Graz, which shedirected as vice chair from 1987 till 1995.From 1996 till 1999 she was artistic directorof steirischer herbst festival. Since 2001she's the curator of the Pierre Bourdieuphotography archive as well as co-editor andco-curator (with Franz Schultheis) of thepublication and internationally presentedexhibition Pierre Bourdieu: In Algeria.Testimonies of Uprootin.

Martin Fritz(born in 1963, lives in Vienna, Austria) iscurator, consultant and publicist. From 1996till 1998 he was director of operations anddirector of program planning for the reopen­ing of P.S.1 Contemporary Art Center in NewYork, from 1998 till 2000 executive directorof the Expo 2000 's art project In Betweenin Hannover and from 2000 till 2002 chiefcoordinator of the European art biennialManifesta 4 (Frankfurt a.M., 2002). Mostrecently he directed the Festival derRegionen in Upper Austria from 2004 till2009. Current publications are in artist-and exhibition catalogues, online mediaand journals.

Emiliano Gandolfi(born in 1975, lives in Rotterdam, Nether­lands) works as assistant lecturer, architectand curator. He is co-founder of "Cohabita­tion Strategies" and the cooperative platform·REbiennale." He was co-curator of the11th International Architecture Exhibition(Biennale di Venezia, 2008) , the InternationalArchitecture Biennial Rotterdam (2007) andcurator at the Netherlands Arch itectureInstitute in Rotterdam. Over the past yearshe has been involved in a wide range ofprojects, exhibitions and conferences thatdealt with methodologies and interventionsfor urban transformation. He is currentlyguest teacher at the National University ofthe Arts in Taiwan, TU Delft in The Nether­lands and advisor for the Curry StoneDesign Prize .

S0ren Grammel(born in 1971, lives in Graz, Austria) is acultural scientist, curator and since 2005he is director of Grazer Kunstverein. In 2001he curated the 9th edition of the VideonaleBonn and several exhibitions at MiinchnerKunstverein. The Frieze magazine awardedthe exhibition Die Blaue Blume at GrazerKunstverein with the label Best ThemedShows 2007. Most recently he was curator­in-residence at the Academy of Fine ArtsVienna . He published Ausstellungsautor­schaft: Die Konstruktion der auktorialenPosition des Kurators bei Harald Szeemann(2005). He is editor of a multiplicity ofpublications such as Andreas Fogarasi:Information (2008) and GesammelteDrucksache (2005).

Simone Hain(born in 1956, lives in Graz, Austria) is ahistorian for architecture and urbanplanning, appraiser, publicist, curator andteaches as professor and director at theInstitute of Urban and Architectural Historyat the University of Technology Graz. In the1990s she was member of the federal statemonument protection board of Berlin anddirector of the field of study for newerconstruction and planning history at theLeibniz Institut fiir Regionalentwicklung undStrukturplanung in Erkner. From 2005 till2006 she was Gropius chair holder for thehistory of modern architecture at theBauhaus -Universttat Weima r. In 2003 shecurated (with Hartmut Frank) the ifa exhibi­t ion Zwei deutsche Architekturen 1949-1989.She is author of Wolfgang Hensct: ­Architekt der Dresdner Moderne (2009), Zweideutsche Architekturen 1949-1989 (2004)and Reise nach Moskau (1995) .

22 1

David Joselitis Carnegie Professor of the History of Artat Yale University where he served asdepartment chair from 2006 t ill 2009. He isauthor of Infin ite Regress: Marcel Duchamp1910-1941 (1998) , American Art Since 1945(2003) , and Feedbac k: Television AgainstDemocracy (2007) . He is an ed ito r of thejournal October and wr ites regularly oncontemporary art and culture.

Veronica Kaup-Hasleris director of the Graz based arts festivalsteirischer herbst since 2006. Previouspositions include dramatic adviser at BasleTheatre (1993 -1995), and for the WienerFestwochen (1995- 200 1), from 1998 on asartistic collaborator of theatre director LucBondy. Other work include d lecturing inprofe ssor Erich Wonder's master classes att he Academy of Fine Art Vienna (1998­2001) and the artistic dire ctorship ofbiennial Festival Theaterformen in Hannoverand Braunschweig (2001-2004). In addition ,she is active in international juries and since2008 member of the Council of the Univer­sity of Music and Performing Arts Vienna.

Francesco Manacorda(born in 1974, lives in London and Turin)is a crit ic, curator and currently artisticdirector of Artiss ima, the international fairof contemporary a rt in Tur in, Italy. Hecompleted an MA in cu rat ing contemporaryart at t he Royal College of Art, London.Between 2007 and 2009 he was cu rator atthe Barbican Art Gallery, London, where herealised the exhib itions Martian Museum ofTerrestrial Art (2008) and Radical Nature(2009). He has written extensively forDomus, Flash Art Italia, Flash Art Internatio­nal, Frieze, Metropolis M , Piktogram, Untitled,and Art Review.

Doreen Mende(born in 1976, lives in Berlin, Germany), PhD,author and cur ator, is founding member ofthe publication series DISPLAYER of theprogram Exh ib it ion Design and Cura to rialPractice at State Unive rs ity of Art andDesign / ZKM Karlsruhe, and of theproject/space "Gener al Public" in Ber lin . Shecurrently undertakes journeys to the MiddleEast as practice-part of her ongoing curator­ial research in the think-tank PhD-project"Curatorial/Knowledge" at the GoldsmithsCollege, Un iversity of London.

Kobena Mercerwr it es and t eaches about t he vis ual artsfrom the black diaspora . He is the ed itor ofthe series Annotating Art 's Histories, includ-

ing t itles including Cosmopolitan Modernisms(2005) , Discrepant Abstraction (2006), PopArt and Vernacular Cultures (2007) andExiles, Diasporas c. Strangers (2008) . Hetaugh t at Princeton Un iversity and at NewYork Un iversity and is the fir s t rec ip ien t ofthe 2006 by t he Clark Art Instit ute awardedCla rk Pr ize for Excellence in Arts W rit ing.

Andre Rottmannis an art historian and criti c ba sed in Berlin.Since 2005 he is the editor in ch ief of thequarterly journal Texte zur Kunst in whichhe also publishes essays, int erviews andrev iews. His writ ings on contemporary art,particularly focus ing on the history andlegacy of conceptualism, ins t it uti ona lcr it ique and si te-spe cific it y, frequen tly alsoappear in Artforum International and inexh ib it ion ca t alogues (on artists such asNairy Baghr am ian, Jan Timme, and ChristianPhilipp Miiller) . He current ly is researchingfor a book on the history and aesthetics ofInstitutional Critique.

Werner Riigemerwas until 1989 editor of the educationaljourn al "Demokratische Erz iehung" and hasbeen working as freelance writer, consultant,guide, and lecturer . He is a member of theAssociation of German wr iters (VS) and theInternat ional Associa tion Antonio Gram sci ,in the advisory board of attac and ischairman of Busine ss Crime Cont rol (BCC).He is the author of Cross-Border-Leasing ­Ein Lehrstiick zur globalen Enteignung derStadte (2009), "Heuschrecken" im otfentlichenRaum: Public Private Partnership - Anatomieeines globalen Finanzinstrument s (2008) andColonia Corrupta (2002). In 2008 he wasawarded the Cologne Karls-Prize for engagedliterature and journalism.

Andreas Siekmanndeals in his work with the burning issues ofco mmercial ization and privat ization of urba nspace. W ith his sc ale models , vide os andinst all ati ons in pub lic space he subjec ts theexisting social hierar chies of power to anironical mordant critic. Simultaneously hesearches for alternatives and ways out ofthe current process of t ransformation ofsocial market economy into a system ofneo-liberalism impressed by the effectsof globalization .

Ruby Sircar(born in 1975, live s in Graz, Austria) is anassis tant lecturer , sc ientist an d ar t ist.Currently she is resear ch associate at theInstitut e for Contemporary Art, facu lty forarchitecture, Graz Univers ity of Technology,

and research coordinator for the initiative"Minderheit en Wien" (minorit ies Vienna).Sh e was re search fellow at the th eorydepartment of the Jan van Eyck AcademyMaastricht and hold s a PhD in ContemporaryArt Theory and Post-Colon ial St ud ies . Herresear ch covers cultural and migrationalt ranslation and d iffere nce, spatial, sonic andmedia architecture as knowledge production.

Beate Sontgen(born in 1963 , lives in Diisseldorf, Germany) ,is a professor, publicist and curator. Sheteaches art history at the Ruhr-University ofBochum. Before she was professor forcontemporary art at the Un iversity of Base l.She also worked as independent critic forthe FAZ Feuilleton and as a curator. Shepublished several boo ks about modern andcontemporary art and art theory. Actuallyshe works on a publication abo ut Inte rieur.Von der Zuganglichke it des Bildes in Barockund Moderne .

sozYAHis a research team formed at the Centrumfiir Sozialforschung of the Department ofSociology at University of Graz, in order toundertake a socio-scienti fi c analysis for theproje ct You Are Here, out lined and proposedby Andrea Fraser for the steirischer herbst2010 festival's pa rt icular exhibit ion Utopiaand Monumen t II.

Sabine Haring(born in 1970, lives in Graz , Austria) is asociologist, historian and assistant professorat the Department of Soc iology of theUniversity of Graz. From 1999 t ill 2005 shewas scientific collaborator in the SFB"Modern e - Wien und Zentraleuropa um1900" at the Univer sity of Graz. Her mainresearch fi elds are historical and politicalsoc iology, sociology of religions, sociologicalth eo ry and Cen t ra l European history of t he19th and 20th ce ntury. She is aut hor ofVerheiBung und Erlosun g (2008) and co ­editor of Das Gesicht des Krieges (2008).

Anja Eder(born in 1984, lives in Graz, Austria) is asoc iologist work ing in different researchprojects in the fie ld of applied research,mainly for the association IG Soziologie Graz.Since 2008 she has been specializ ing on thesociology of mobility, road traffic and publicspace dealing with the mob ility and city andregion al planning concept "Sh ared Space."

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Colophon

Utopia and Monument IOn the Validity of Art between Privatization and Public Sphere

ExhibitionArtistic d irector: Veronica Kaup-HaslerCurator steir ischer herbst: Reinh ard BraunCurator Utopia and Monument I:Sabine BreitwieserManaging Director: Martin WalitzaProduction managers: Chr istine Sbaschnigg,Ann ika St rassmair, Dominik JutzProduction assistan t: Roland GfrererExhibition graphic desi gn: Susanne Klocker,WienLenders: Gale rie Barbara Weis sExh ibit ion inst allat ion: eeza, Graz (Erkmen,Siekmann, Zinny Maidagan, Baghram ian ,Pavi lion , Norman) ; Porr, Graz (Maljkovic)Tech nician: ee za, Graz

Public relations: And reas R. PeternellPress: Heide ObereggerFundraising: Christine Conrad-EybesfeldArt education: Regina Novak, Markus Boxler

Special Thanks toAll authors, artists and lenders

Hermann CandussiFrido HiitterBettina LeidlHermann SchapekAndrea Schliec ker, LondonWalter TitzGaler ie Barbara We iss , BerlinDr. Gerhard Wohl fart

Stadtbibliothek GrazAmt der Steiermiirkischen Landesregierung­FliichenmanagementStadt Graz:-Abteilung fUr Griinraum und Gewiisse r-Liegenschaft sverwalt ung-St rallen amt-Feuerpolizei-Stadtplanung-Stadtvermes sungsamt-Bau- und AnlagenbehO rdeASVKGrazer -Aitstadtsachverstiindigenkom ­miss ionEnergie Graz GmbHAPCOA Pa rking Austria GmbH

Patrons

• : kuijur steiermark •Fest ival sponsor

==e•.._----Project sponsors Project partner

Utopia and Monument IIOn the Virtuosity and the Public Sphere

ExhibitionArtistic director: Veronica Kaup-HaslerCurator steirischer herbst: Reinhard BraunCurator Utopia and Monument II:Sabine BreitwieserManaging Director: Artemis Vakian isProduction manager: Annika StrassmairCuratorial assistance: Maxim ilian LechlerExh ibition graphic design: Susanne Klocker,WienLenders: Galerie Dan iel Buchh olzExhibition installati on: Ankiinder, Graz(Koether); eeza, Graz (pavill ion, Fer reira,Genzken) ; Hermann Schapek, Graz (AndradeTudela); Reklama , Warschau (Olowska); StadtGraz W irtschaftsbetriebe , Wilbeton (Fraser)

Technician: eeza, Graz; Hermann Schapek, Graz;Public relations: Andreas R. PeternellPress: Heide ObereggerFundraising: Christine Conrad-EybesfeldArt education: Regina Novak , Markus Boxler

Special Thanks toAlle Kiinstlerl nnen, Autorlnnen und Leihge­berlnnen / all authors, artists and lenders,

Galer ie Dan iel Buchholz, K6ln/B erlinGalerie David Zwirner, New YorkBiiro Dr. Wolfgang LeitnerHans Kupelwies er /IZK, TU GrazAlexandra F6de rl-Schmidt und AndreaSchurian , Der Standard, Wien

Walter Tit z, Kleine Zeitung, GrazLivia Immervoll, Verkaufsstand Nr. 15Stadt Graz:-Abteilung fiir Griinraum und Gewiisser-Liegensc haft sverwalt ung-Strallenamt-Bau- und Anlagenbeh6rdeW irtschaftsbetriebe Stadt GrazASFINAG AUTOBAHNSERVICE GMBHASVK Grazer Alt stadtsachverstiindigenkom­misionBOE GEBAUDEMANAGEMENT Gesell schaftm.b.H.ACOTON Proje kt management [. BautriigerGes.m.b.H.

Patrons

• : kultur stelermark

Project partner

11 bm:ulc: ==:""'_

Festival sponsor

==e•.._- ---

Project spons ors

'Mi'd'. r::J.Ipen.child~v.b.11

· Utopia and Monument I + II" has been made possible through special funding from the Cultural department of the Provinceof Styria as well as the Austrian Federal Ministry for Education, Arts and Culture,

223

PublicationThis publication has been published on the occasion of the steir ische herbst festivalUtopia and Monument I. II in Graz (24.9.-18.10.2009 and 24.09-02.11.2010).

Edited bySabine Breitwieser and steirischer herbst

Sackstralle 17A-8010 GrazT: .43 316 823007F: .43 316 823007-77www.steirischerherbst.at

Head of production: Nina KrickGraphic design: Susanne Klocker, WienEnglish copy editor: Charlotte Eckler,pp. 10-33 Peter Blakeney [, Christine SchOfflerTranslations: Robin Benson (e),Thomas Raab (dt)Printed by: Grasl Druck G. Neue MedienGmbH, Bad VoslauPaper: Claro Bulk 130 gPrint Run: 800 deutsch / 550 english

Cover : Dolores Zinny [, Juan Maidagan,Curtain Call for Graz, 2009© Dolores Zinny [, Juan Maidagan; photo /photo: Yashar Dehagani

Photo Credits:© Lara Almarcegui; photo: courtesy of theartist, p. 53 , p. 54, p. 55, p. 56-57.© Nairy Bagrahmian, photo: Wolfgang Silverip. 61; photo: Werner Kaligofsky, p. 62-63.p.64-65.© Ayse Erkmen, photo: Wolfgang Silveri,p. 69, p. 70, p. 71, p. 72 oben, p. 73;photo: Werner Kaligofsky, p. 72 unten.© Aalvar Aalto, photo: VU Images, Victoriaand Albert Museum, p. 75.© David Maljkovic, photo: Werner Kaligofsky,p. 77; photo: Wolfgan g Silveri, p. 78-79.© Heather [, Ivan Morison, photo: courtesyof the artists, p. 83, p. 84, p. 85 .

© Nils Norman, photo: Werner Kaligofsky,p. 90-91, photo: Wolfgang Silve ri,p. 89 , p. 92, p. 93.© Andreas Siekmann, photo: WolfgangSilveri,p. 97, photo: Werner Kaligofsky,p.98-99,p. 100-10I,p. 102,p. 103.© Dolores Zinny [, Juan Maidagan, photo:Werner Kaligofsky, p. 107, p. 108-109, p. 110,p. Ill.© Michael Zinganel, photo: Wolfgang Silveri,p. 114, photo: Maximilian Lechler, p. 115.© Kooperative fur Darstellungspolitik, photo:Werner Kaligofsky, p. 119, p. 120-121, p.122-123, p. 124-125, photo: Wolfgang Silveri,p. 130-13I,p. 132-133,p. 134,p. 135.© Yashar Dehagani, p. 126.© Armando Andrade Tudela, photo: WolfgangSilveri: p. 139, p. 140-141, p. 142-143.© Kader Attia, Film Stills: courtesy of theartist, p. 147, photo: Wolfgang Silveri,p. 146, p. 148-149.© Angela Ferreira, photo: courtesy of theartist, p. 153, p. 154, photo: Wolfgang Silveri:p. 155, p. 156-157.© Andrea Fraser, photo: Wolfgang Silveri,p. 163,p. 167,p. 168,p. 169.© Isa Genzken, photo: Wolfgang Silveri,p. 173,p. 174,p. 175,p. 176-177.© John Knight, photo: Wolfgang Silveri,p. 183, p. 184-185.© Jutta Koether, photo: Wolfgang Silveri,p. 189,p. 190-19I,p. 192-193.© Paulina Olowska, photo: courtesy of theartist, photo: Wolfgang Silveri,p. 197,p. 198-199,p.201.© Michael Schuster: photo: WOlfgang Silveri,p. 205, p. 206 , p. 207, Fotomontage: Aunerhttp:/ /www.auner.net

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