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THE SPACE BETWEEN EXP2 INTRO ELECTROLIQUID AGGREGATION + SCULPTURAL MATHEMATICS RUSSELL LOWE

Lecture 06 Experiment 2 Introduction 2010

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Lecture 06 in the series of lectures for ARCH1101: Experiment 2 Introduction and the Electroliquid Aggregation

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THE SPACE BETWEENEXP2 INTROELECTROLIQUIDAGGREGATION +SCULPTURALMATHEMATICSRUSSELL LOWE

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THE SPACE BETWEENEXP2 INTROELECTROLIQUIDAGGREGATION +SCULPTURALMATHEMATICSRUSSELL LOWE

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THE CLIENTS

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NICOLE KUEPPER

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CHARLES DARWIN

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STEPHEN HAWKING

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“Why still speak of the real and the virtual, the material and immaterial? Here these categories arenot in opposition, or in some metaphysical disagreement, but more in an electroliquid aggregation,enforcing each other, as in a two part adhesive.”

Lars Spuybroek, [1998] Motor Geometry, Architectural Design, Vol 68 No 5/6, p5

LARS SPUYBROEK

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“Laziness, one of the seven cardinal sins, is one of (a designers) most useful characteristics.The combination of diligence and ambition is highly dangerous; the combination of lazinessand ambition ensures a pleasing balance, which often leads to happy results becausecompensating for laziness requires the application of ingenuity.”

Recycling Typologies and Concepts.

Sculptural Mathematics: “The most exhausting sort of design process is one in which eachversion requires a conscious decision. We therefore make it our practice to start off with asimple basic mathematical concept within which the program is to be organized.”

Conclusion: “Nevertheless, no matter how successful it might be as a method, (laziness) still has a great disadvantage: it requires a lot of effort.”

Neutelings and Riedijk ON laziness recycling sculptural mathematics & ingenuity.El croquis 94.

NEUTLINGS + RIEDIJLK

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Neutelings and Riedijk. El croquis 94.

NEUTLINGS + RIEDIJLK

MINNAERT BUILDING.UTRECHT.

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MRVDV

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RECYCLINGTYPOLOGIES+ CONCEPTS

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REM KOOLHAAS

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ISE SHRINE

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GREEN & GREEN

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PIER LUIGI NERVI

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TADAO ANDO

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TADAO ANDO

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RACHAELWHITEREADMEMORY

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PETER EISENMANRICHARD SERAMEMORY

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PARALLELPROJECTIONAXONOMETRICISOMETRIC

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0228PERSPECTIVE [ONE POINT] PARALLEL PROJECTION [ISOMETRIC]

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0240AXONOMETRIC [USUALLY ROTATED BY 45 DEGREES AND USES PLAN DIRECTLY]

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0587ISOMETRIC [USUALLY 30 DEGREES IN BOTH DIRECTIONS OFF BASELINE AND MUST REDRAW PLAN]

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0233

0063PERSPECTIVE [TWO POINT]

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0234

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0239 0235

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0508

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0908

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THEO VAN DOESBURG. DER STIJL.

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0745

MASSIMO SCOLARI

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DANIEL LIBESKIND

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ARCHIGRAM

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0248

BERNARD TSCHUMI

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0248

MICROMEGAS.

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EISENMAN. HOUSE X.

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0959

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0949 0950

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0951 0952

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0956 0957

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TIMBER JOINTS

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STUDENT WORK

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AXONOMETRICDRAWING

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LIGHT + SHADOW

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NOXARCH.COMZAHA-HADID.COMF-O-A.NETTED.COM

ARCHITECTURE > CLOUDIRON

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BEFORE TUESDAYSCLASSFIND A QUOTE DESCRIBING AN IDEA FROM EACH OF THE CLIENTS.EACH QUOTE SHOULD BE FROM A DIFFERENT SOURCE (THAT YOU SHOULDREFERENCE CORRECTLY). UPLOAD THEM TO YOUR BLOG.

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QUESTIONS?