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Joanna Kurowska The Wall & Beyond Little Elru TX: elrotio Publishing, 2013 oanna Kurowska's collection of poems llre Watt & Beyond(2013) evokes avariety of imagery and emotions in readers with its diverse contNrt. Some are comforting and remind one ofthe innocencof childlike spirit' Others haken upon perhaps Kurowska's own deepest secrets and fears which are never fully disclosed to the reader, but nevertheless allow the reader to identify with her in recalling or reliving one's own anxieties. Most poignantly, however, Kurowska invites rethinking of a wall, its solid or abstract prese,nce, and the several connotations this presence carries. Kruowska describes, poeticizes, probeg md sometimes bursts through walls in this collection. The poem "'IJndtr Atlas' Cafe," for example, emphasizes f1e imFosition of a wall erected by extemal sources, like other people and institutions, into or perhaps even around the subject like a fence. In a state of decling the world in this poern is porhayed as restrictive and constrictive wittl its "homes built inward" bearing "negative numbetrs" when "time reverted to its mythical beginnings". The thread of self- reflection that runs through this collection including this poe,m, howwer, ernploys agncy as a fonn of resistance in ttrinking into, through, and beyond boundaries. In the s"me poenl such a limited world cannot interfere with the imagination of what could be. In a somewhat clandestine way, the'wd' in this.poem "rejected the world starting with the word Yes" as if to welcome and even imagine the forbidden: "we Alked of unknown freedom...our drsams were connected to nothing, so the wind blowing backward carried them awa1r". The la* stanza of this poem signals a change where *in the end" of some prwious state, "on$ No stayed with us" as if a grip continues to mark this unknown group of people suddenly free to look outward "together at the world." After reading the poems, the question remains: what are boundaries? Joanna Kurowska throws markers of de,marcation into question. What makes here separate and thus different from there? Kurowskatakes readers along on a journey in her poerns to overcome real and imagine4 external and internal hindrmces in order to reconsider what is possible. Walls may after all reflect inhibitions and fear created all ono one's own. Obstacles one expects to find may in fact be easily overcome or may not even exist at all. In this way, Kurowska's poerns encourage readers to be bold, take on novel opportunities, and re-think what is supposedly permane,ff and insurmountable. l,anrm Horert is a PhD sfudent of Gennanic Lotguages and Literatures at lhe University of lllinois at Urbm*Chanpaign. Her carrmt projecl explores contemporary Gerrnot literafiire's tro*national memory of the Communist post informet East Germury, Polotd, otd other lormer reptblics of the USSR through modes of displacement od spatial imaginaries- The Penwood Review, Spring 2014, Volume 18, Number I

Lauren Hansen's review of The Wall & BeyondThe Penwood … · including this poe,m, howwer, ernploys ag€ncy as a fonn of resistance in ttrinking into, through, and beyond boundaries

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Page 1: Lauren Hansen's review of The Wall & BeyondThe Penwood … · including this poe,m, howwer, ernploys ag€ncy as a fonn of resistance in ttrinking into, through, and beyond boundaries

Joanna KurowskaThe Wall & BeyondLittle Elru TX: elrotio Publishing, 2013

oanna Kurowska's collection of poems llreWatt & Beyond(2013) evokes avariety ofimagery and emotions in readers with itsdiverse cont€Nrt. Some are comforting and

remind one ofthe innocenc€ of childlike spirit'Others haken upon perhaps Kurowska's owndeepest secrets and fears which are never fullydisclosed to the reader, but nevertheless allowthe reader to identify with her in recalling orreliving one's own anxieties. Most poignantly,however, Kurowska invites rethinking of a wall,its solid or abstract prese,nce, and the severalconnotations this presence carries.

Kruowska describes, poeticizes, probegmd sometimes bursts through walls in thiscollection. The poem "'IJnd€tr Atlas' Cafe," forexample, emphasizes f1e imFosition of a wallerected by extemal sources, like other peopleand institutions, into or perhaps even around thesubject like a fence. In a state of decling theworld in this poern is porhayed as restrictive andconstrictive wittl its "homes built inward"bearing "negative numbetrs" when "time revertedto its mythical beginnings". The thread of self-reflection that runs through this collectionincluding this poe,m, howwer, ernploys ag€ncyas a fonn of resistance in ttrinking into, through,and beyond boundaries. In the s"me poenl sucha limited world cannot interfere with theimagination of what could be. In a somewhatclandestine way, the'wd' in this.poem "rejectedthe world starting with the word Yes" as if towelcome and even imagine the forbidden: "weAlked of unknown freedom...our drsams wereconnected to nothing, so the wind blowingbackward carried them awa1r". The la* stanza ofthis poem signals a change where *in the end" ofsome prwious state, "on$ No stayed with us" asif a grip continues to mark this unknown groupof people suddenly free to look outward"together at the world."

After reading the poems, the questionremains: what are boundaries? Joanna Kurowskathrows markers of de,marcation into question.What makes here separate and thus differentfrom there? Kurowskatakes readers along on ajourney in her poerns to overcome real andimagine4 external and internal hindrmces inorder to reconsider what is possible. Walls mayafter all reflect inhibitions and fear created allono one's own. Obstacles one expects to findmay in fact be easily overcome or may not evenexist at all. In this way, Kurowska's poernsencourage readers to be bold, take on novelopportunities, and re-think what is supposedlypermane,ff and insurmountable.l,anrm Horert is a PhD sfudent of Gennanic Lotguages andLiteratures at lhe University of lllinois at Urbm*Chanpaign.Her carrmt projecl explores contemporary Gerrnotliterafiire's tro*national memory of the Communist post informetEast Germury, Polotd, otd other lormer reptblics of the USSRthrough modes of displacement od spatial imaginaries-

The Penwood Review, Spring 2014, Volume 18, Number I

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Lauren Hansen's review of The Wall & BeyondThe Penwood Review, Vol. 18, Number 1 (Spring 2014)