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©DEEP SPACE SPARKLE/PATTY PALMER 2014. All Rights Reserved. www.deepspacesparkle.com
DEEP SPACE
PAUL KLEECASTLE & SUN MIXED-MEDIA
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !2
What You’ll Need:
12” x 18” black sulphite paper
White liquid tempera paint (acrylic paint is
fine but use caution as it stains clothing)
Plastic hotel/gift card or tag board cut into
3” lengths
Styrofoam plates or trays
Plastic cup
Colored chalk pastels
Objectives:
Learn about Paul Klee and his expressive
style of painting
Identify cubism in the painting Castle and
Sun
Blend colored chalk together to achieve a
tint or shade
Whenever you introduce a new way to create art, children are eager learners.
Paul Klee’s painting Castle and Sun is composed of thin horizontal, vertical and asymmetrical lines. These combine to form squares, rectangles and triangles.
By using a straight edge dipped in paint, kids can easily recreate their own cubist painting in a fun, new way. Plus, it’s a whole lot easier than painting thin white lines with a brush.
Although I did this lesson with second and third grade students, this project is better suited for fourth through six grade.
The discipline of applying chalk to small areas is often overwhelming for seven-year olds.
However, I included an instructional tip at the end of this lesson to show how you can adapt the lesson for younger kids.
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !3
Paul Klee was born in Switzerland in 1879. As a
young child, Paul loved playing the violin and
creating art but he eventually decided to choose art
over music and go to art school.
Color was very important to Klee and each color he
placed in his painting was significant to him. He
once said, “Color has possessed me…color and I
are one.” Even though Klee used black strokes to
dominate his paintings, color remained his truest
inspiration.
When Klee was older, he visited Tunisia, a small
country in northern Africa. He saw many colors
there that were different from his native Switzerland;
golden sunlight, amber hills, orange deserts.
Paul Klee was interested in how a painting made someone feel rather than making it look realistic.
Often the figures in his paintings appear more like objects rather than people. His art is called
abstract because his subjects are not portrayed realistically.
Did you know….
• That Paul Klee could paint with both his right and left hand?
• That he was considered a very famous painter while he was alive and that the public called him
the “magical painter”?
• The Nazis forced Klee into exile and condemned his paintings?
• That Paul Klee wrote poetry?
About Paul Klee
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !4
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !5
The prep for this lesson is rather easy: just white
paint, pastels and black paper.
This is only true if you have 30 or so plastic
hotel or gift cards. I collect these types of cards
for the art room. You can ask your fellow
teachers, friends or parents to save these cards
for you. You’ll be surprised how fast you’ll
accumulate enough.
If you don’t have these cards and are anxious to
begin, cut up some tag board. This is the stiff,
relatively thin cardboard that most schools
have. You can recycle heavy box board from
grocery store items, too.
Squeeze some white tempera paint (no
water) onto a Styrofoam plate, plastic
tray, etc. Place a plastic drinking cup,
plastic cards and the black paper on the
table and begin….
THE SET-UP
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !6
The trick to this lesson is to get kids to move past the
experimentation part of this lesson into creating
actual shapes.
This is important as many kids just want to play with
the process of stamping instead of making shapes.
Although this is absolutely encouraged, I would
suggest that you place a scrap piece of black
paper on each child’s table and let them practice
first. Not too long or they will tire of the bigger
project at hand.
I didn’t do this but my second graders really could have
benefitted form this practice.
“DRAWING” THE CASTLE
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !7
PLASTIC CARD PAINTING
The older the children, the more accurate the lines of the castle will be.
To help younger children, photocopy the image of Paul Klee’s Castle and Sun painting or use a larger poster of you have one, and ask children to identify the colors and the shapes they see. Once they deconstruct the overall image, it’s a bit easier to translate the task of creating squares and rectangles.
I find it helpful to “draw” one line across the very bottom of the paper together. This is the only line that we do as a group.
From there, children can create their first tower on either side of the paper. By looking at Klee’s painting, children will notice that there are big squares and little squares. This is hard to create using one size card, but you can tell them to use both ends of the card.
To create the sun, dip the rim of the cup into the paint and place on the paper. If the children do this after they create their first two towers, this ensures that there is enough room for the sun.
The younger the children, the more likely it is that you will see many projects like the picture on the left. To help avoid this, try practicing first and then, if possible, sit down with this child and show how to make a simple square.
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !8
After the paint has dried, it’s time to add the color.
You can use any type of chalk pastel. If you have children who do not like the feel of chalk pastel, you can use oil pastel but the overall effect won’t be as vibrant. Oil pastel just doesn’t have the opacity to cover the black paper as well.
The fastest way to color in a picture with over a hundred shapes is to select one color first. With this one color, color is as many shapes as you wish. Then select a second color and do the same.
Coloring on black paper allows the chalk pastels to be enhanced. I like using WHITE chalk as a blending color. It really adds a lot of creaminess to a color.
Encourage the kids to look at the colorwheel and mix “friendly” colors together (beside each other on the colorwheel).
COLORING WITH CHALK
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !9
PASTEL OPTION
I was introduced to Faber-Castell’s Gel sticks this year. They are a great tool for classrooms. They color like oil pastel but blend like chalk. This makes the gel sticks adaptable to many lessons, including this one. The best part is that every kid will love them especially those with tactile or sensitivity issues. They come in a plastic container, like lip balm, which makes it very user friendly.
Again, the younger the child, the more likely you will see this type of effort with the chalk. One solution for working with six-seven year olds is to reduce the paper size to 12” x 6”. This tall and skinny paper will encourage kids to create bigger and taller shapes with their plastic card. You can also create the tower together using a step-by-step approach. Then when it’s time to color, the shapes will be bigger and fewer in number.
What to watch out for…
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !10
Klee’s Castle & SunSECOND & THIRD GRADE
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !11
CREATING Generate and conceptualize artistic ideas and work — Brainstorm multiple approaches to
art and design—use of various materials to make art
Organize and develop artistic ideas and work — Explore materials to explore personal
interests in art-making—demonstrate safe use/cleaning—repurpose objects into something
new
Refine and complete artistic work—discuss/reflect with peers about choices when creating
artwork
Presenting/producing Analyze, interpret and select artistic work for presentation— categorize artwork based on
a theme or concept for an exhibition
Develop and refine artistic work for presentation — distinguish between different
materials or artistic techniques for preparing artwork for presentation
Convey meaning through the presentation of artistic work — analyze how art exhibited
inside and outside school contributes to communities
Responding Perceive and analyze artistic work- describe aesthetic characteristics of the natural world—
categorize images based on expression Interpret intent and meaning in artistic work — interpret art by identifying the mood
suggested and describing relevant subject matter and identifying the characteristics of
form
Apply criteria to evaluate artistic work— use learned art vocabulary to express preferences
about artwork
Connecting Synthesize and relate knowledge and personal experiences to make art- create works of
art about events in home, school or community life Relate artistic ideas and works with societal, cultural and historical context to deepen understanding —create works of art about events in home, school or community life
NATIONAL CORE ARTS STANDARDS-Second grade
X
X
X
X
X
X
X
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !12
CCSS.Math.Content.2.G.A.1 Recognize and draw shapes having specified attributes, such as a given number of angles or a given
number of equal faces.1 Identify triangles, quadrilaterals, pentagons, hexagons, and cubes.
As students use the straight edges to create their shapes for the castles, you can point out that they
share certain attributes. Squares and rectangles both have 4 sides. Have them recognize these
shapes as quadrilaterals and triangles as having 3 sides to build on their math vocabulary and see
how it can be used to create art.
CCSS.ELA-Literacy.SL.2.2 Recount or describe key ideas or details from a text read aloud or information presented orally or
through other media.
After reading The Cat and the Bird: A Children's Book Inspired by Paul Klee by Geraldine Elschner
to introduce the style of Klee, ask students questions about the artwork, the story, etc. to formally
assess their understanding of the text.
CCSS.ELA-Literacy.W.2.1 Write opinion pieces in which they introduce the topic or book they are writing about, state an
opinion, supply reasons that support the opinion, use linking words (e.g., because, and, also) to
connect opinion and reasons, and provide a concluding statement or section.
Students address this standard when completing the artist statement worksheet (located in
Resources). They are writing their opinion about the artwork they made based on how it was
created and how they were inspired.
• Today I will learn about LINE and SHAPE, so that I CAN create a Cubist style painting inspired by artist Paul Klee.
• Today I will learn about TINTS and SHADES, so that I CAN blend chalk pastels to achieve a better variety of colors.
• Today I will learn about MIXED-MEDIA ART, so that I CAN use various recycled materials, paint, and chalk together to create a composition.
COMMON CORE STANDARDS FOR Klee’s castle
I can statements For Klee’s Castle
D E E P S P A C E S P A R K L E & T H E S P A R K L E R S C L U B !13
ASSESSMENT CHECKLIST
Student Name:
Can the student tell me about Paul Klee?
Did the student use geometric shapes to
create their Klee castle?
Did the student create large enough shapes
that they were able to color individually with
chalk pastel?
Main Ideas from:
KLEE’S CASTLES MIXED-MEDIA