What to Expect:Welcome to KLANG! There is a lot happeningtoday, so we recommend you take a quick look at this packet toorient yourself. Inside you will find the schedule and locationof performances, the schedule and location of talks, interviews,and Q&As, and a guide to all amenities that will be available asyou navigate this marathon.

First, let’s start with the rules. The day is broken up into foursections. Youmay have purchased a ticket for just one section,or youmay have purchased an all-day pass. Either way, pleasefamiliarize yourself with the rules for each section, as each is adistinctly different experience.

Elizabeth Huston and Analog Arts Present

Karlheinz Stockhausen

KLANGTHE 24 HOURS OF THE DAYPHILADELPHIA, PA • April 7–8, 2018

Welcome to KLANG: At 10am sharp you will be welcomed by aperformance of all three versions of HARMONIEN performed inLa Peg, the Theater, and the Studio simultaneously. Feel free towander between the spaces, eventually settling in the Studiofor…

KLANG up Close (10am–1pm): This time period is an opportu-nity to have an intimate concert experience with KLANG. Thiswill take place entirely in the Studio. You’ll see we have a smallnumber of chairs available, which you arewelcome to sit in, butwe recommend you take the opportunity to sit on the floor nearthe performers. You are evenwelcome to lay beneath the pianoas it’s being performed, andmove between the performancesto a new location for a new angle on the concert.

Modular KLANG (1pm–4pm): Stockhausen used KLANG to ex-plore many angles on the same material. All of the trios arebased on the same themes, all of the electro-acoustic solos uti-lize Cosmic Pulses as their accompaniment. Because of this, weare offering this time to view these works in parallel so you cancompare the material. You may stay in just the Studio or theTheater, or wander between them. The experience is yours toshape. Please note: this is the ONLY time slot where you are

welcome to enter and exit the spaces during performances. Atall other times, please be courteous and enter and exit betweenperformances.

KLANG Immersion (4pm–7pm):AmixbetweenKLANGupCloseand KLANG in Concert, this time period showcases some of themost well known parts of KLANG, while still allowing the audi-ence to be up close with the music. Taking place entirely in theTheater, the audience is welcome to sit on stage or in the seats,depending on what makes you themost comfortable. PLEASENOTE: If you choose to sit on the stage, please keep your cush-ion outside of the taped areas. Performers will need to movethrough these spaces. Please also give the performers sufficientroom.

KLANG in Concert (7pm–Midnight): Featuring Cologne’s En-semble Musikfabrik, Stuart Gerber and Heaven’s Door, Lilac 94,and Christopher Oldfather, this time block is a veritable Who’sWho of contemporary music. The most well-known Hours ofKLANGwill be showcased in a more “traditional” concert envi-ronment, where stage seating is excluded. This will take placein the Theater.

Schedule of Events

Saturday, April 7 Sunday, April 8

KLANG Up Close (Studio) KLANG Up Close (Studio)

10:00am 5. HARMONIEN for bass clarinet, flute, or trumpet 10:00am 5. HARMONIEN for bass clarinet, flute, or trumpet(Theater, Studio, La Peg) (Theater, Studio, La Peg)

10:15am 3. NATÜRLICHE DAUERN for piano 10:15am 3. NATÜRLICHE DAUERN for pianoNos. 1, 5, 17, 7, 11, 18, 20, 12 Nos. 1, 5, 17, 7, 11, 18, 20, 12

10:45am 9. HOFFNUNG for violin, viola, and cello 10:45am 9. HOFFNUNG for violin, viola, and cello

11:20am 20. EDENTIA for soprano saxophone and electronicmusic

11:20am 20. EDENTIA for soprano saxophone and electronicmusic

11:45am 3. NATÜRLICHE DAUERN for piano 11:40am 8. GLÜCK for oboe, English horn, and bassoonNos. 23, 14, 22, 16, 19, 21, 10, 8, 6

12:15pm 7. BALANCE for bass clarinet, English horn, and flute 12:20pm 3. NATÜRLICHE DAUERN for pianoNos. 23, 14, 22, 16, 19, 21, 10, 8, 6

12:50pm 11. TREUE for E♭ clarinet, basset horn, and bass clarinet

Saturday, April 7 Sunday, April 8

Modular KLANG (Studio and Theater) Modular KLANG (Studio and Theater)

1:00pm 18. JERUSEM for tenor and electronic music (Theater)13. COSMIC PULSES electronic music (Studio)

1:20pm 7. BALANCE for bass clarinet, English horn, and flute(Studio)

5. HARMONIEN for bass clarinet (Theater)

1:35pm 11. TREUE for E♭ clarinet, basset horn, and bass clarinet(Studio)

8. GLÜCK for oboe, Englishhorn, andbassoon (Theater)

1:55pm 18. JERUSEM for tenor and electronic music (Theater)13. COSMIC PULSES electronic music (Studio)

2:15pm 21. PARADIES for flute and electronic music (Theater) 2:15pm 21. PARADIES for flute and electronic music (Theater)13. COSMIC PULSES electronic music (Studio) 13. COSMIC PULSES electronic music (Studio)

2:50pm 12. ERWACHEN for soprano saxophone, trumpet,and cello (Theater)

2:35pm 12. ERWACHEN for soprano saxophone, trumpet,and cello (Theater)

3:25pm 16. UVERSA for basset horn and electronic music(Theater)

3:10pm 16. UVERSA for basset horn and electronic music(Theater)

13. COSMIC PULSES electronic music (Studio) 13. COSMIC PULSES electronic music (Studio)

KLANG Immersion (Theater) KLANG Immersion (Theater)

4:15pm 3. NATÜRLICHE DAUERN for piano 4:15pm 3. NATÜRLICHE DAUERN for pianoNos. 9, 15, 2, 13, 3, 4 Nos. 9, 15, 2, 13, 3, 4

4:55pm 4. HIMMELS-TÜR for percussionist and little girl 4:55pm 4. HIMMELS-TÜR for percussionist and little girl

5:20pm 6. SCHÖNHEIT for bass clarinet, flute, and trumpet 5:20pm 6. SCHÖNHEIT for bass clarinet, flute, and trumpetMarco Blaauw (trumpet) Marco Blaauw (trumpet)

5:50pm 19. URANTIA for soprano and electronic music 5:50pm 17. NEBADON for French horn and electronic music

6:15pm 17. NEBADON for French horn and electronic music 6:15pm 19. URANTIA for soprano and electronic music

6:35pm 14. HAVONA for bass and electronic music 6:35pm 14. HAVONA for bass and electronic music

7:00pm 13. COSMIC PULSES electronic music 7:00pm 13. COSMIC PULSES electronic music

KLANG in Concert (Theater) KLANG in Concert (Theater)

7:30pm 1. HIMMELFAHRT for organ, tenor, and soprano 7:30pm 1. HIMMELFAHRT for organ, tenor, and soprano

8:10pm 2. FREUDE for two harps 8:10pm 2. FREUDE for two harps

8:50pm 3. NATÜRLICHE DAUERN, No. 24, for piano 8:50pm 3. NATÜRLICHE DAUERN, No. 24, for piano

9:10pm 4. HIMMELS-TÜR for percussionist and little girl 9:10pm 4. HIMMELS-TÜR for percussionist and little girl

9:35pm 5. HARMONIEN for trumpet 9:35pm 5. HARMONIEN for trumpetEnsemble Musikfabrik Ensemble Musikfabrik

9:55pm 10. GLANZ for chamber ensemble 9:55pm 10. GLANZ for chamber ensembleEnsemble Musikfabrik Ensemble Musikfabrik

10:35pm 17. NEBADON for French horn and electronic music 10:35pm 17. NEBADON for French horn and electronic musicEnsemble Musikfabrik Ensemble Musikfabrik

11:00pm 15. ORVONTON for baritone and electronic music 11:00pm 15. ORVONTON for baritone and electronic music

11:25pm 13. COSMIC PULSES electronic music 11:25pm 13. COSMIC PULSES electronic music

Happening in the Conference Room: The conference room islocated past the entrance to the theater and through the backdoor. Please follow the signs. In this room you will find the bar,CDs and books by our artists for sale, and all scheduled talks.

There will always be a Stockhausen researcher at hand in thisroom to answer questions and facilitate discussions. This is alsothe breakroom to take a breather from themusic.

Schedule of Talks

Saturday, April 7 Sunday, April 8

11:45am Hours 1–5: KLANG and ChristianityEsther M. Morgan-Ellis

11:45am URANTIA, NEBADON, and Beyond: Navigating theAfterlife Adventure of KLANGJoseph Drew

12:15pm URANTIA, NEBADON, and Beyond: Navigating theAfterlife Adventure of KLANGJoseph Drew

1:00pm Interview with Axel Porath and Peter Veale aboutworking with StockhausenModerated by Thomas Patteson

1:45pm Stockhausen’s CollaboratorsEsther M. Morgan-Ellis

1:30pm Hours 6–12: KLANG’s TriosThomas Patteson

3:45pm Hours 6–12: KLANG’s TriosThomas Patteson

2:00pm Stockhausen’s SerialismThomas Patteson

4:30pm Stockhausen’s SerialismThomas Patteson

3:45pm Hours 13–21: KLANG and UrantiaPaul Miller

6:00pm Interview with Marco Blaauw about working withStockhausenModerated by Thomas Patteson

5:25pm Eros and AgapePaul Miller

7:00pm Interview with Axel Porath and Peter Veale aboutworking with StockhausenModerated by Paul Miller

6:15pm Interview with Marco Blaauw about working withStockhausenModerated by Paul Miller

7:30pm Hours 13–21: KLANG and UrantiaPaul Miller

7:00pm Hours 1–5: KLANG and ChristianityEsther M. Morgan-Ellis

9:00pm Q&Awith Lilac 94 about preparing FREUDE 9:00pm Q&Awith Lilac 94 about preparing FREUDE

10:35pm Eros and AgapePaul Miller

10:30pm Stockhausen’s CollaboratorsEsther M. Morgan-Ellis

Artist Biographies are available online at analogarts.org/klang

Credits: This performance was produced by Elizabeth Huston in partnership with A Change of Harp, Analog Arts, and FringeArts.Major support for KLANGwas provided to Elizabeth Huston by The Pew Center for Arts & Heritage, with additional support fromThe Philadelphia Cultural Fund, the Goethe Institut, and the Amphion Foundation.

Libretti1st Hour: HIMMELFAHRT (Ascension) for organ or synthesizer, tenor, and soprano

Soprano: Klang SoundTenor: Musik… für Die Erste Stunde Music… for the First HourSoprano: Komposition Komposition…zur Himmelfahrt…

der FrauComposition composition…on Ascension Day…of theWoman

Tenor: und des Mannes and of ManSoprano: Oh Gott Oh GodTenor: In Himmel In HeavenSoprano: nimm uns auf receive usTenor: Heiliger Vater Holy FatherSoprano: der Tod DeathTenor: Kann kein Tod sein Cannot be deathSoprano: Jesus ist aufgefahren in den Himmel Jesus has ascended into HeavenTenor: Ascendit Jesus super caelos caelorum Jesus went up into the Heaven of HeavensSoprano: Sankt Michael Mikael Saint Michael MichaelTenor: GOTTES SOHN SON OF GODSoprano: Meister des Universums Master of the UniverseTenor: Christos Christos Christos Christos Meister Meister,

Christos Meister des UniversumsChristos Christos Christos Christos Master Master,Christos Master of the Universe

Soprano: GOTTES Kinder GOD’S childrenGOTTES Kinder GOD’S children

Tenor: fahren zum Himmel ascend to HeavenSoprano: mit Musik aus KLANG with Music from SOUNDTenor: aus KLANG from SOUNDSoprano: Unsre Stimmen Our voicesTenor: loben Dich praise YouSoprano: loben GOTT praise GODTenor: und Dein Licht and Your LightSoprano: Unsre Stimmen loben Dich, Schöpfer-GOT Our voices praise You Creator-GODTenor: DEUS GOD

2nd Hour: FREUDE (Joy) for 2 harps

Harp I–II: Veni Creator Spiritus Come Holy Spirit, Creator, BlestOra seconda, Ora seconda KLANG Second hour, second hour SOUND

Harp I: mentes tuorum visita and in our souls take up Thy restHarp I–II: imple superna gratia

[quae tu creasti pectora]comewith Thy grace and heavenly aid[to fill the hearts which Thou hast made]

Harp II: Qui diceris Paraclitus O comforter, to Thee we cry,Harp I: donum Dei altissimi O heavenly gift of God Most HighHarp II: fons vivus, O fount of life,Harp I: ignis, caritas fire, and loveHarp I–II: et spiritalis unctio and sweet anointing from aboveHarp I: Tu, septiformis Thou in Thy sevenfoldHarp II: munere gifts are knownHarp I–II: Joy! dextrae dei tu digitus

Ja! dextrae dei tu digitusJoy! Thou, finger of God’s hand we ownYes!! Thou, finger of God’s hand we own

Harp I: Tu rite promissum Patris Thou, promise of the Father, ThouHarp II: sermone ditans guttura Who dost the tongue with power imbueHarp I–II: Accende lumen sensibus

infunde amorem cordibusinfirma nostri corporisvirtute firmans perpeti

Hostem repellas longiuspacemque dones protinusductore sic te praevio[vitemus omne noxium]

Kindle our sense from aboveandmake our hearts o’erflowwith lovewith patience firm and virtue highthe weakness of our flesh supply

Far from us drive the foe we dread,and grant us Thy peace insteadso shall we not, with Thee for guide,[turn from the path of life aside]

Harp I–II: Per te sciamus da Patrem,noscamus atque Filium[te utriusque Spiritum][credamus omni tempore]

Oh, may Thy grace on us bestowthe Father and the Son to know[and Thee, through endless times confessed][of both the eternal Spirit blest]

3rd Hour: NATÜRLICHE DAUERN (Natural Durations) for piano

No. 9 ORA TERZA THIRD HOURNo. 15 Aufstieg Ascension

5th Hour: HARMONIEN (Harmonies) for bass clarinet, flute, or trumpet

Lob sei GOTT Praise be to GOD

6th Hour: SCHÖNHEIT (Beauty) for bass clarinet, flute, and trumpet

Lob sei GOTT Praise be to GOD

7th Hour: BALANCE for bass clarinet, English horn, and flute

Gloria in excelsis Deo Glory to God in the highestet in terra pax hominibus bonae voluntatis and on Earth peace to men of good will

8th Hour: GLÜCK (Bliss) for oboe, English horn, and bassoon

GOTT ist Glück GOD is bliss

9th Hour: HOFFNUNG (Hope) for violin, viola, and cello

Dank sei GOTT Thanks be to GODDanke GOTT für DasWerk HOFFNUNG Thank GOD for the piece HOPE

10th Hour: GLANZ (Brilliance) for bassoon, viola, clarinet, oboe, trumpet, trombone, and tuba

Gloria in excelsis Deo Glory to God in the hightestet in terra pax hominibus bonae voluntatis and on Earth peace to men of good willbonae voluntatis good will

11th Hour: TREUE (Fidelity) for E♭ clarinet, basset horn, and bass clarinet

TREUE ZU GOTT FIDELITY TO GOD

12th Hour: ERWACHEN (Awakening) for soprano saxophone, trumpet, and cello

ERWACHEN IN GOTT AWAKENING IN GOD

14th Hour: HAVONA for bass and electronic music

GOTTDeine Kinder streben Schritt für Schrittvon URANTIA zu JERUSEM in NEBADONlernen weiter durch UVERSAund das große ORVONTONüber EDENTIA bis zu HAVONAund von HAVONA zum PARADIESstreben zum PARADIESSeelen im Paradies studieren kosmische Musik

GOTTDeine Kinder streben Schritt für Schritt vonURANTIA (das ist unser Planet) Erde

GODYour children aspire step-by-stepfrom URANTIA to JERUSEM in NEBADONcontinue learning through UVERSAand the great ORVONTONreaching—via EDENTIA—HAVONAand from HAVONA to PARADISEaspire to PARADISEsouls in Paradise study cosmic music

GODYour children aspire step-by-step fromUrantia (that is our planet) Earth

zu JERUSEM in NEBADONlernen weiter durch UVERSAEntfernungen sind das, die kein Mensch begreift(aber trotzdem furchtlos weiter)und das große ORVONTON über EDENTIA bis zu HAVONAHevene Hivini Hovono Huvunu HAVONAvon HAVONA zum PARADIES

GOTT Deine Kinder(schwarze, weiße, grüne, gelbe, rote, braune, blaue)streben Schritt für Schritt vonURANTIA zu JERUSEM in NEBADONweiter durch UVERSA(Hauptsitz ORVONTONS im Ring von sieben höherenUniversitäten)

und das große ORVONTON(siebtes Superuniversummit dem Zentrum des Milchstraßen-Sternsystems)

über EDENTIA bis zu HAVONAzentrales Universum kreisend um das PARADIESin NEBADON durch UVERSAKern des siebten Superuniversums ORVONTONEDENTIAHAVONAmit einer Milliarde vollkommenerWeltenPARADIES

to JERUSEM in NEBADONcontinue learning through UVERSAthose are distances that no human being comprehends(but nevertheless, fearlessly onward) andthrough the grandORVONTON reaching—via EDENTIA—HAVONAHevene Hivini Hovono Huvunu HAVONAfrom HAVONA to PARADISE

GOD Your children(black, white, green, yellow, red, brown, blue)aspire step-by-step fromURANTIA to JERUSEM in NEBADONonward through UVERSA(capital of ORVONTON in the ring of seven higheruniversities)

and the grand ORVONTON(seventh superuniverse, whose centre is the MilkyWaygalaxy)

reaching—via EDENTIA—HAVONAthe central universe rotating around PARADISEin NEBADON through UVERSAnucleus of the seventh superuniverse ORVONTONEDENTIAHAVONAwith a billion perfect worldsPARADISE

15th Hour: ORVONTON for baritone and electronic music

ORVONTON für Bariton.ORVONTON, ich bin ein Bariton,singe mit COSMIC PULSES Schichten neunzehn zwanzigeinundzwanzig.

ORVONTON siebtes Superuniversummit dem Zentrum des Milchstraßensternsystems.

Schicht neunzehn hat dreiundzwanzig Töne als Klangschleife.Beim Grundtempo 3,75 dauert jeder Ton 2 Sekunden,die Schleife also 23 x 2 = 46 Sekunden.Aber das Tempowird in 9 Sequenzen gemäß Mustern von Handmit Accelerandi und Ritardandi variiertSchicht zwanzig hat neunzehn Tönemit Grundtempo zweiKomma neun!

Zwei Komma fünf Sekunden pro Ton, aber länger oder kürzerje nach

Ritardando oder Accelerando, undmanchmal plötzlichStillstand.

Schicht einundzwanzig mit neun Tönen im Grundtempozwei Komma drei, Tondauer drei Komma zwei Sekundendoch: bei den Tempovariationen wird manchmal ein zwölfmalschnelleres

oder zwölfmal langsameres Tempo erreicht.

Schleifen neunzehn zwanzig einundzwanzig werdenmitGlissandi

transponiert nach den Mustern aufwärts oder abwärtsnach Gefühl

undmit Hand von Kathinka.Variationen ziemlich frei von Dauern und Tonhöhen jederSchicht.

Ich Bariton in ORVONTON, siebtes Superuniversum,Bariton in ORVONTON.In vierundzwanzig Momenten sing ich diese Erläuterungen

ORVONTON for baritone.ORVONTON, I am a baritone.I sing with COSMIC PULSES layers nineteen twentytwenty-one.

ORVONTON seventh superuniversewith the MilkyWay Galaxy as its centre.

Layer nineteen has twenty-three tones as sound loop.In the basic tempo 3.75 each tone lasts 2 seconds,and therefore the loop lasts 23 x 2 = 46 seconds.But in 9 sequences the tempo is varied manuallywith accelerandi and ritardandi according to patterns.Layer twenty has nineteen tones with a basic tempo of twopoint nine!

Two point five seconds per tone, but longer or shorteraccording to

ritardando or accelerando, and sometimes a suddenstand-still.

Layer twenty-one with nine tones in the basic tempotwo point three, tone duration three point two secondsyet: during the tempo variations sometimes a tempo isreached

which is twelve times faster or twelve times slower.

Loops nineteen twenty twenty-one are transposed upwards ordownwards

with glissandi according to the patterns,intuitively

andmanually by Kathinka.Variations quite free of durations and pitches of eachlayer.

I baritone in ORVONTON, seventh superuniverse,baritone in ORVONTON.In twenty-four moments I sing these explanations

der Komposition von ORVONTON.Jeder Moment schließt mit einer anderen Tonhöhe, hier mit D.Jeder Moment hat eine eigene Zahl von Tönen in Gruppen,und auf dem letzten Ton jeder Gruppe halte ich länger an.In diesemMoment sind die Gruppen sechs eins fünf zweivier drei.

Die Tonhöhenmeiner Melodien stammen alle aus dervierundzwanzigtönigen Reihe desWerkes KLANG;nur beginnt jeder Moment mit einem anderen Ton,um gemäß der Zahl der Einsätze auf dem richtigen Tonzu landen.

Einzelne Töne sind oktavtransponiert, wie zum Beispieldieses C,

je nach Text mal unten oder oben.

Allintervalle in der Reihe, vierundzwanzig Töne in 2 Oktavensind wie vierundzwanzig Stunden in Tag und Nacht,und KLANG ist eine Miniwelt in ORVONTON.Zahlen sind zu hören und zu zühlen.In Musik sind alle Töne, Intervalle, Gruppen, Zahlenwie im Superuniversum.ORVONTON ist die Mutter von NEBADON.Unsere Musik ist geformt wie die Sterne des Superuniversumsund auch

des Universums, unseres Sonnensystems, unseres PlanetenErde.

Jeder Klang ist ein Universum.Ob er aber schön ist, kannman an den Zahlen nicht erkennen:es bestimmt wer zählt.Vierhundertvierzig Hertz sind weder schön noch häßlich.Schönheit Lebt.Ein paar Orvontöner kennen schöne Zahlen,die mit schöner Kunst gespielt werden:Zahlen-Tonkünstler, Baritöner.

Kunstmusik ist nicht Tingeltangel,ihre Zahlenspiele brauchen ab und zu Momente fürs Gemüt,die ergreifen, staunen lassen:Zeit steht still.

of the composition of ORVONTON.Eachmoment closes with a different pitch, here with D.Eachmoment has its own number of tones in groups,and on the last tone of each group I halt for awhile.In this moment the groups are six one five twofour three.

The pitches of mymelodies all originate from thetwenty-four-tone row of the work KLANG;but every moment begins with a different tone,in order to land on the right tone, according to the number ofentries.

Individual tones are transposed an octave, as for examplethis C,

up or down according to the text.

All intervals in the row, twenty-four tones in 2 octavesare like twenty-four hours in day and night,and KLANG is a mini-world in ORVONTON.Numbers are to be heard and to be counted.In music all tones, intervals, groups, numbersare like in the superuniverse.ORVONTON is the mother of NEBADON.Our music is formed like the stars of the superuniverseand also

of the universe, of our solar system, of our planetEarth.

Each sound is a universe.But one cannot tell if it is beautiful by the numbers:that depends on who is counting.Four hundred and forty hertz is neither beautiful nor ugly.Beauty lives.A few Orvontonians know beautiful numbers,that are played with beautiful art:number-musicians, baritoners.

Art music is not honky-tonk,its number games needmoments now and then for the soul,that touch, astonish:time stands still.

16th Hour: UVERSA for basset horn and electronic music

UVERSAZentrum von ORVONTONSuper-UniversenUVERSA in ORVONTON – eine Billion bewohnter Planetengelenkt aus UVERSA

einhundert Tausend lokale Universenzehn Millionen Konstellationen von UVERSAeine Milliarde lokale Systemein UVERSA Schöpfer-Söhne MichaeleRichter-Söhne UVERSASLehrer-Söhne der Trinitätgöttliche Melchisedek-Söhne, Väter der KonstellationenLanonandek-Söhne UVERSAS SystemsouveräneUVERSAS Lebensbringer-SöhneHelle Morgensterne UVERSASLeuchtende AbendstemeUVERSAS ErzengelGöttliche RatgeberHimmlische inspektoren

UVERSACentre of ORVONTONSuperuniversesUVERSA in ORVONTON—a billion inhabited planets governedfrom UVERSA

one hundred thousand local universestenmillion constellations of UVERSAa thousandmillion local systemsin UVERSA creator sons Michaelsmagisterial sons of UVERSAtrinity teacher sonsdivine Melchizedek sons, fathers of the constellationsLanonondek sons UVERSA’S system sovereignsUVERSA’S life carrier sons bright andmorning stars of UVERSAbrilliant evening starsUVERSA’S archangelsdivine counselorscelestial overseers

Lehrer der ResidenzweltenUVERSAS Sternforscher-KunstHimmlische Künstler in UVERSA für das ganzeSuper-UniversumStudierende BesucherAufsteigende PilgerAufsteigende Sterblichezu UVERSA

mansion world teachersUVERSA’S star-student artcelestial artisans in UVERSA for the entiresuperuniversestudent visitorsascending pilgrimsascending mortalsto UVERSA

17th Hour: NEBADON for French horn and electronic music

NEBADONMICHAELETERNAL SONCREATOR SONNEBADONlocal UniverseChrist MICHAELURANTIANEBADONin SALVINGTONMICHAELmit GABRIELANTÁRESORION NEBULAMICHA-CHRISTMARIANEBADONzehn Millionen bewohnteWeltenim Super-UniversumORVONTONund Zentral-UniversumHAVONAkreist um SAGITTARIUSHeiliges NEBADON

NEBADONMICHAELETERNAL SONCREATOR SONNEBADONlocal UniverseChrist MICHAELURANTIANEBADONin SALVINGTONMICHAELwith GABRIELANTÁRESORION NEBULAMICHA-CHRISTMARIANEBADONtenmillion inhabited worldsin the superuniverseORVONTONand central universeHAVONArotates around SAGITTARIUSholy NEBADON

18th Hour: JERUSEM for tenor and electronic music

UniversenGOTTES SchulenJERUSEMohne EndeFreude zu lernenstaunendankenhelfenIHM

UniversesGOD’s schoolsJERUSEMwithout endjoy to learnmarvelthankhelpHIM

19th Hour: URANTIA for soprano and electronic music

Rotationen überallUrantia im KosmosVater Sohn und Heiliger GeistGOTT GOTT GOTT

Rotations everywhereUrantia in the cosmosFather, Son and Holy GhostGOD GOD GOD

20th Hour: EDENTIA for soprano saxophone and electronic music

EDENTIAKonstellationin NEBADONGärten GOTTES

EDENTIAconstellationin NEBADONgardens of GOD

TAUSENDE SEENAuferstehungshallenSERAPHIMDie himmlischen Musiker morsenmorsenmorsenspielen steile Glissandirote Punktein EDENTIA DreieckeKreise Kreiseedentische Kreuze KreuzeGlieder GliederTrillerillerRepetitionenKonkaveTremoliAleotorikExplosionMikrointervalleGruppen von GruppenSinusgeisterFamilytenEdentianer

THOUSANDS OF LAKESresurrection hallsSERAPHIMThe celestial musicians Morse Morse Morseplay steep glissandired pointsin EDENTIA trianglescircles circlesEdentic crosses crosseslimbs limbstrillsrillsrepetitionsconcavestremolialeotoricexplosionmicrointervalsgroups of groupssine spiritsFamilytenEdentians

21st Hour: PARADIES for flute and electronic music

PARADIESfür Flöteund elektronische Musik21. Stunde aus KLANGdrei Schichten aus COSMIC PULSES neu gemischtim PARADIES alle 24 Schleifenaus COSMIC PULSES24 Zeilen Noten für die Flötevon 1 bis zu 24 Tonhöhender UrreiheQueele aller Melodienjede Zeile ein anderer tiefer TonFragmente der GruppenSprünge im ganzen RaumDynamik nach MaßArtikulationen FreiLegato oder StaccatoPausen ad libitumTempo flexibelpro Zeile ein Einschubfür die Phantasieund das Spielund die Freudefür den Zauberden ewigen GOTT

PARADISEfor fluteand electronic music21st Hour of KLANGthree layers from COSMIC PULSES newly mixedin PARADISE all 24 loopsfrom COSMIC PULSES24 lines of notesfor the flutefrom 1 to 24 pitchesof the original rowsource of all melodieseach line, a different low notefragments of the groupsjumps in the entire spacefitting dynamicsarticulation freelegato or staccatopauses ad libitumflexible tempoone insert per linefor the fantasyand the playand the joyfor the magicthe eternal GOD

Performers for this event are:

Taka Kigawa, Organ

Christopher Oldfather, Piano

Stuart Gerber, Percussion

Natalie Margasak, Little Girl

Christina Brier, Harp (as Lilac 94)

Kathryn Sloat, Harp (as Lilac 94)

Peter Veale, Oboe (as Ensemble Musikfabrik)

Carl Rosman, Clarinet (as Ensemble Musikfabrik)

Heidi Mockert, Bassoon (as Ensemble Musikfabrik)

Marco Blaauw, Trumpet (as Ensemble Musikfabrik)

Christopher McIntyre, Trombone (as a guest of Ensemble Musikfabrik)

Melvyn Poore, Tuba (as Ensemble Musikfabrik)

Axel Porath, Viola (as Ensemble Musikfabrik)

Christine Chapman, French Horn (as Ensemble Musikfabrik)

Paul Jeukendrup, Sound Projection (as Ensemble Musikfabrik)

Sharon Harms, Soprano

StevenWilliamson, Tenor

Jeffrey Gavett, Baritone

Robert Osborne, Bass

Margaret Lancaster, Flute

Emma Resmini, Flute

Geoffrey Deemer, Oboe

Evan Ocheret, English Horn

Mallory Tittle, Eb Clarinet

Audrey Miller, Bass Clarinet

Sean Bailey, Bass Clarinet

Aaron Stewart, Soprano Saxophone

Joseph Dvorak, Basset Horn

Dominic Panunto, Bassoon

Kristina Mulholland, French Horn

Rachel Segal, Violin

Veronica Jurkiewicz, Viola

Eric Coyne, Cello

Joseph Drew, Trumpet and Sound Projection

Rudolf Kämper, Sound Projection

Production team:

Elizabeth Huston, Producer

Joseph Drew, Artistic Director

Thomas Dunn, Lighting Design

Todd Kelmar, Lighting Assistant

Adrienne Mackey, Audience Experience Consultant

Alda Leung, Print Design

Jura Pintar, Booklet Design and Typesetting

A KLANG Checklist: To help you keep track of which pieces you’ve heard, you can use the checklist below.

1st Hour: HIMMELFAHRT (Ascension)

2nd Hour: FREUDE (Joy)

3rd Hour: NATÜRLICHE DAUERN (Natural Durations)

No. 1 No. 2 No. 3 No. 4 No. 5 No. 6 No. 7 No. 8

No. 9 No. 10 No. 11 No. 12 No. 13 No. 14 No. 15 No. 16

No. 17 No. 18 No. 19 No. 20 No. 21 No. 22 No. 23 No. 24

4th Hour: HIMMELS-TÜR (Heaven’s Door)

5th Hour: HARMONIEN (Harmonies)

6th Hour: SCHÖNHEIT (Beauty)

7th Hour: BALANCE

8th Hour: GLÜCK (Bliss)

9th Hour: HOFFNUNG (Hope)

10th Hour: GLANZ (Brilliance)

11th Hour: TREUE (Fidelity)

12th Hour: ERWACHEN (Awakening)

13th Hour: COSMIC PULSES

14th Hour: HAVONA

15th Hour: ORVONTON

16th Hour: UVERSA

17th Hour: NEBADON

18th Hour: JERUSEM

19th Hour: URANTIA

20th Hour: EDENTIA

21st Hour: PARADIES