Khokhloma

Khokhloma is a

traditional folk

Russian handicraft that appeared in the 17th century in villages under Nizhni Novgorod. One of the most famous kinds of folk Russian decorative painting, it is used in creation of splendid ornate wooden tableware and furniture.

KhoklomaKhokloma

The handicraft owes its origin to the Old Believers,

who, fleeing from persecutions of officials,

took refuge in local woods. It should be noted, though,

that even before their coming local villagers had

been into making tableware from soft sorts of

wood. Among the schismatics there were

icon-painters, who taught local craftsmen this

painting technology.

A legend tells about a wonderful icon-painter

Andrei Loskut, who denied to submit to religious reforms by Patriarch

Nikon, and so, flew from the capital and settled in

the forest. He painted wooden articles and icons

in the old style. The patriarch learnt about this and sent soldiers to seize

the freethinking monk. But Andrei did not give up; he burned his hut (and may

be himself inside of it) and before that entrusted

villagers with preserving his handicraft.

Khokhloma artists apply free-hand brush painting, without preliminary marking out.

Khokhloma imagery is decorative and ornamental: they convey the beauty of live nature in most generalized way. Images of blossoming bushes and berries have always

been considered symbols of good things, well-being and happiness in Russia. This

beautiful custom is still kept up nowadays by Khokhloma masters that decorate usual

household things with ornate painting. They use floral ornaments composed of flowers,

grass and berries. There are several kinds of this ornamentation in Khokhloma painting.

OrnamentsOrnaments

OrnamentsOrnaments

The technology of Khokhloma painting has not changed a lot. There are several

stages: first workpieces are turned on a lathe, and then the item is grounded with liquid clay mortar and oiled with flaxseed

oil, and on the next stage treated with drying oil and dried.

This step is repeated three of four times.

The next stage is tinning: the item is covered with aluminum metallic powder (once they used

silver powder and later cheaper tin powder). Then the silver-coloured piece is ready for

painting, which is done in oils, and is secured by drying in a furnace. Afterwards the work is covered with several layers of varnish, each of them dried separately in a stove. It is under the

influence of high temperature, that varnish turns silver colour of the article into golden.

Traditionally, black and red (rarely green as Traditionally, black and red (rarely green as well) floral ornaments are painted against golden well) floral ornaments are painted against golden

background. Golden, black and red – such a background. Golden, black and red – such a combination can be seen in various works of old combination can be seen in various works of old Russian arts and crafts, but for Khokhloma these Russian arts and crafts, but for Khokhloma these colurs are especially important: red adds warmth colurs are especially important: red adds warmth

and softness to artificial gold, whereas black and softness to artificial gold, whereas black emphasizes its brilliance. Besides, rounded emphasizes its brilliance. Besides, rounded

surfaces of painted ware have no sharp lines and, surfaces of painted ware have no sharp lines and, thus, beautifully disperse light. thus, beautifully disperse light.

There are two main types of Khokhloma painting: upper painting - red and black ornaments

against the golden background; and background painting– golden ornaments against a coloured

background. The “upper painting” includes traditional “grass” and “leaf” ornamentation elements. “Grass”

consists of blades of grass and springs painted with red or black on golden colour. “Leaf” painting is composed of oval leaves and berries usually spread around the stem. “Background” painting is based on a large golden design

against red or black background. First the design is outlined, then the background is filled, and later small

designs are added over the background.

TablewareTableware

SouvenirsSouvenirs

Unique works of Khoklhoma art can be seen in a Khokloma Museum that

was open in the factory of Semenov in 1972. Among them there is a huge

Khokloma spoon 2 meters and 67 cm large and a bowl one and a half meter large. Modern Khokhloma enterprises

produce tableware, furniture, souvenirs and other goods.

Khokloma in our Khokloma in our daysdays

GzhelGzhel

Gzhel is the name of the picturesque district situated some 60 kilometers south east of

Moscow, where the famous Gzhel ceramics is produced. Gzhel ceramics can be described as faience or majolica, a sort of pottery made of

burnt white clay, covered with painted glaze. Its traditionally blue and dark blue ornaments and floral designs against the background of white

glaze make gzhel easily recognizable.

Gzhel follows old Russian traditions of folk arts and crafts. Gzhel masters paint

every item exclusively by

hand. The painting is made with

cobalt, which acquires the

characteristic blue colour in

the technological

process.

Archeological studies on the territory of Gzhel District confirm the

existence of pottery there from the early 14th century. That is not

surprising, since Gzhel land was always rich in woods, rivers, and high-quality clays. From them

on Gzhel underwent various periods in its 6-centuries long history.

In 1972 the Gzhel Association was

established on the basis of six minor

manufactures located in several villages. Creative teams developed

new samples. Absolutely new

forms of items were created. The

painting became richer and more up-to-date artistically.

Throughout centuries Gzhel peasants made household pottery, izrazets and tiles. From the second half of the 18th century Gzhel became

famous for production of majolica earthenware. These were items of colour clays with bright multicolored painting over white

glaze. In the 19th century Gzhel masters developed material and technology new for them: first they manufactured semi-faience,

then faience, and, finally, porcelain. Of special interest were works with one-colour painting:

blue underglaze paint was applied with a brush, with detailed graphic representation of details. Numerous small manufactures and big enterprises were into production of porcelain

and faience ceramics.

Elements of ornamentElements of ornament

Elements of ornamentElements of ornament

Multicolored majolica 18 c.Multicolored majolica 18 c.

Multicolored majolica 18 c.Multicolored majolica 18 c.

Multicolored majolica 18 c.Multicolored majolica 18 c.

Faience ceramics 19 c.Faience ceramics 19 c.

1970 .1970 .

1970 1970