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6/4/13 12:54 PMWall Street International Magazine - Khaled Jarrar. Whole in the Wall [Arts, United Kingdom]
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Tuesday, 4 June 2013
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Khaled Jarrar. Whole in the Wall20 June – 3 August 2013 at Ayyam Gallery, London.
'Concrete' 2012 Still image from video Courtesy the artist and Ayyam Gallery
Ayyam Gallery London is pleased to announce Whole in the Wall, the first UK solo exhibition byPalestinian artist Khaled Jarrar. This exciting body of work, which includes a new site-specific participatoryinstallation, will be shown in London from 20 June – 3 August 2013.
Inspired by everyday events and experiences, Jarrar’s practice incorporates performance, video,photography and sculpture to document his observations on life in an occupied Palestine. The restrictionsimposed on him and his fellow citizens have become the catalyst and subject of his occasionally satiricalartistic output.
One of the highlights of the exhibition is an installation which will see Jarrar construct an imposingconcrete wall extending along the length of the gallery; confronting the viewer immediately upon enteringthe space. In order to pass through the wall visitors will have to clamber through a hole shaped likePalestine - an allegory for the process endured by people crossing the apartheid wall in the West Bank inorder to reach their homes in Palestine.
Alongside this installation, Jarrar will show a series of video works and new and recent concretesculptures based on sporting paraphernalia: footballs, volleyballs, basketballs and ping pong rackets.These are formed from materials secretly chiseled by the artist from the separation wall. By makingreference to the footballs left by the wall by children who use the area as a site for their games, and byrepurposing this found material, Jarrar seeks to provoke a dialogue about possession and reclamation.
Other recent projects include Live and Work in Palestine (2011 - present) - an entry stamp Jarrar createdfor the ‘State of Palestine’, which he then stamped into the passports of tourists entering Ramallah.Designed to encourage a collaboration with his audience, the project enabled them to formally record theirvisit to a ‘stateless’ place - a symbolic gesture to interrogate the gap between an aspirational state and anactualised one. Jarrar has since performed this action in other countries, including the at the Pompidou inParis and the Norwegian Nobel Institute in Oslo, as well as the 2012 Berlin Biennale; there Jarrar pointedto ‘Checkpoint Charlie’ as a key source of inspiration for the touring project.
A former captain of the Palestinian Presidential Guard, Jarrar is familiar with bureaucracy, politics, militarydiscipline, and affairs of the state. This previous career informs his artistic practice, and much of his work
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6/4/13 12:54 PMWall Street International Magazine - Khaled Jarrar. Whole in the Wall [Arts, United Kingdom]
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has focused on the action of breaking free from disciplinary modes of being and subverting existing codesof conduct. Whilst explicitly addressing the ownership of land and displacement of people, Jarrar treadscarefully but with authority, and offers a potent alternative account of life in an occupied Palestine.
Born in Jenin in 1976, Khaled Jarrar lives and works in Ramallah, Palestine. Recent solo exhibitionsinclude Galerie Guy Bartschi, Geneva (2013); the Sharjah Biennial 11 (2013); the NEWTOPIA: The Stateof Human Rights Contemporary Arts in Mechelen and Brussels (2012); Galerie Polaris, Paris (2012); Al-Mahatta Gallery, Ramallah (2009); Al-Mahatta Gallery, Ramallah (2007); International Academy of ArtPalestine, Ramallah (2007). Recent group exhibitions include at the 7th Berlin Biennale (2012); 52ndOctober Salon, Belgrade (2011); Al-Ma’mal Foundation, Jerusalem (2010); London Film Festival, London(2010); and the Instant Video Festival, Marseille (2009).
Ayyam Gallery 143 New Bond Street, 1st FloorLondon W1S 2TP United KingdomPh. +44 (0)20 [email protected]
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