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P R O D U C T D E S I G N
CONTACT: 2133 STOCKTON ST APT201A SAN FRANCISCO, CA 94133 209 275 4017 KRDAVID1028@GMAIL .COM
OBJECTIVE
EDUCATION
SKILLS
EXPERIENCE
To gain valuable experience at a product design firm that aims to create aesthetically pleasing and functionally sound designs
ACADEMY OF ART UNIVERSITY, San Francisco, CA BFA Industrial Design2007 - 2013
Adobe IllustratorAdobe PhotoshopAutodesk AutoCADAutodesk Sketchbook ProIdeation SketchingMicrosoft WordModelmaking (Foamcore Prototyping, Form Development)SolidworksWoodshop/Metalshop Familiarity
VOLARE STUDIO, San Francisco, CAIntern2013 - PresentAssist in developing modular furniture collection via productconceptualization in Solidworks.
REFERENCES Available upon request
KEVIN DAVID
RECOGNITION TESLA MOTOR LODGE FURNITURE project selected for exhibition at Academy of Art University Spring Show 2013 at The Palace of Fine Arts in San Francisco
VANS, Modesto, CASales AssociateJuly 2008 - Sept.2009
Promoted and sold merchandise through knowledge of product.
VANS, San Francisco, CASales Lead2009 - PresentMarket and sell merchandise by demonstrating knowledge of product. Oversee sales team, aiding associates in achieving objectives.
DISCLAIMER: All brands represented in this portfolio are used independent of their respective companies and are intended for exercise purposes only.
T E S L A H A U S
5U R B A N E
L A U R E A T E
6
PROJECT BRIEF
image: The New York TimesTERRALINK
In a post-disaster situation, people are displaced
from their loved ones. Communication is vital in this environment,
and often the primary methods of cell phones and internet
access are shut down. In order to reunite people and provide
aid, communication must be re-established.
USER PROFILE
Calvin is alone outdoors when a Category 4 typhoon hits the city. He is two miles away from his family in downtown Manila. Hearing-impaired and not able to shout for help, Calvin takes cover under a slide in a city playground, wind and debris battering the environment around him. The boy is frozen with fear and must find a way to reconnect with his loved ones.
CALV IN ARROYO , 1 1Man i l a , PH I L I P P IN E S
TERRALINK
BRAND SELECTION
TERRALINK
Eton manufactures emergency radios for use in outdoor and post-disaster settings. These rugged devices utilize battery, solar, and handcrank power sources to allow for function in almost any situation. Their product form language was chosen as a reference for the design of the Terralink. Ruggedization; large corner radii; durable exposed fasteners and bright, highly visible color details being a few of the key aesthetic features used.
RU G G E D I Z E D
H I G H LY- V I S I B L EAC C E N T C O L O R S
TERRALINK
IDEATION SKETCHINGcapturing the form language
TERRALINK
USAGE SCENARIO
delivery of six-count bundleof Terralink units to disaster site
discover units pull out one kioskdeploy base legs
twist to unlock,then extend
TOP
(three legsto deploy)
raise to full height by pulling up on handles
TERRALINK
MAIN FEATURES + TECHNOLOGY
PHOTOVOLTAIC-PIEZOELECTRICCELLS: provide energy fromthe sun and ambient vibration
INTERNET CONNECTIVITY: voice over internet protocol (VOIP) messaging to disaster relief operator; capacative touch screen with one-touch SOS
PROXIMITY SENSOR ACTIVATION: user simply needs to be standing near sensor or place hand or finger near this areato allow Terralink unit to activate
Cross-section allows for six Terralink units to be bundled in storage
Three screens serving three users
TERRALINK
TRIANGULARC R O S S - S E C T I O N
top view
arrows indicatedirection for bundling together
P R O J E C T B R I E F
DESIGN CAPTIVATING LOUNGE FURNITUREF O R T H E L O B B Y O F A P R O P O S E D
TESLA HOTEL IN SAN FRANCISCO
I N T E R I O R S + E N V I R O N M E N T
Investigation of various building interiors was undertaken to visualize the modernist yet retro ambiance of the Teslahaus. Inspi rat ion was taken f rom places such as Tony Stark’s penthouse f rom the I ron Man f i lms , the W Hotel in San Diego, and the Elrod House in Palm Springs.
Envisioned as a pitstop for the Tesla driver on a road tr ip, the Embarcadero in San Francisco was chosen as the pr imary location for the Tes lahaus.
E R G O N O M I C A N D V O L U M E T R I C S T U D I E S1:1 lounge chair models were built to analyze ergonomic viability and the presence of form in full scale.
P LY W O O D C O N S T R U C T I O N
F O A M U P H O L S T E RY
F O A M C O R E F O R M S T U DY
D E V E L O P M E N T O F 1 : 1 2 S C A L E M O D E L SMiniature representations of selected furniture concepts were constructed to examine proportion and three-dimensionality.
S C A L E D C A D O R T H O G R A P H I C S
M O D E L P R O G R E S S I O N
ORTHOGRAPHICS_CHEVRONE KEVIN DAVID . FURNITURE DESIGN ONE
1:12 SCALE _ DIMENSIONS IN INCHES
3
.5
2.3°
78° 74°
34
24
23
71°
28
60
29
23
6.5 24.5
ORTHOGRAPHICS_DIAGONE KEVIN DAVID . FURNITURE DESIGN ONE
1:12 SCALE _ DIMENSIONS IN INCHES
24
15°
6
21
20
95°
4°
3.00
37.4
12.3
10.1 75° 70°
19 27.3 22.2
16.3
19
15°
26.7
6°
ORTHOGRAPHICS_MONTE KEVIN DAVID . FURNITURE DESIGN ONE
1:12 SCALE _ DIMENSIONS IN INCHES
43
1.5
24
18.5
9.3
4° 15
21
133°
107°
1.5
24.3
16.3
62°
25.5°
10
42
16.5
53
TESLAHAUS IS A SAN FRANCISCO DESTINATION.A P I T S T O P W I T H I N T H E G O L D E N G AT E C I T Y
F O R T E S L A E N T H U S I A S T S . T H E Y O U N G , D R I V E N P R O F E S S I O N A L
W I L L B E AT H O M E H E R E , S U R R O U N D E D
B Y A N O S TA L G I C Y E T M O D E R N A M B I A N C E .
R E T R O F U T U R I S M F O R T H E T E C H - S A V V Y M I L L E N N I A L .
F I N A L C O L L E C T I O N
C H E V R O N EC O F F E E / S I D E T A B L EC H E V R O N EC O F F E E / S I D E T A B L E
T a p e r i n g F o r m . M a t e r i a l E m p h a s i s . D i r e c t i o n a l i t y .
D I A G O N EL O U N G E C H A I RD I A G O N EL O U N G E C H A I R
O b l i q u e S e c t i o n i n g . P a r t L i n e E m p h a s i s . A s y m m e t r y .
Reading in bars, who does that? One would be
surprised to find out that a lot of reading actually takes place in bars. The typical literate barfly visits their neighborhood tavern at happy
hour to catch up on the latest best-seller. The act of reading, is of
course, not limited to books. Reading menus, a credit card/ check,
and seeing the face of the person sitting in the bar stool next to you
is not very clear in the poorly-lit environment of a bar.
PROJECT BRIEF
USER PROFILE
Made l e i ne wo r k s a t a r enowned pub l i s h i ng o f f i ce i n San F r anc i s co . F ond o f wo r k i ng on ma te r i a l o u t s i de o f t he o f f i ce , s he o f t en f r equen t s ca f e s and ba r s i n t he Haye s Va l l e y ne i ghbo r hood t o r ead he r copy and en j oy a n i ce beve rage . Made l e i ne u se s t he d im mood l i g h t i ng t o r ead .
MADE L E IN E C LARK , 2 8COPY ED I TOR
IDEATION SKETCHINGi l l um i na t ed coa s t e r f o rms
B E V E R AG E C OA S T E R + TA S K L I G H T
J U X TA P O S I T I O N / I N T E R S E C T I O NO F F O R M S
Exploring the concept of task lighting in bars for reading necessitated visiting pubs and taverns with mellow atmo-spheres, versus the raucous environment of a packed weekend bar. Existing methods of illuminating reading material were tested to compare reading comfort.
brainstorming on sticky notes at the bar
CANDLELIGHTPROS: warm, inviting, moodlightCONS: dim light, danger of flame
CELLPHONE LIGHTPROS: bright, aimableCONS: light intensity is disruptive, battery drain
CONCEPT EXPLORATIONt ypes o f l i gh t i n a ba r env i r onmen t
SKETCH MODEL TESTINGimp l emen t i ng t he concep t
V a r i o u s s i z e s o f c i r c u l a r a n d e l l i p t i c a l c o r k swa tche s we re t e s t ed a s s h r oud s t o d i r ec t t he l i g h t away f r om ba r pa t r on s .
T h e m o d e l w a s u s e d i n a b a r e n v i r o n m e n t t o i l l u m i n a t e a f u l l p i n t o f b e e r , c r e a t i n g w a s w a s c o i n e d a s “ t h e l a v a l a m p e f f e c t . ”
A f u nc t i o na l mode l wa s f a b r i c a t e d f r o m l a t h e d po l y u r e t hane r e s i n , an L ED c l i c k l i g h t , and co r k l i n e r s .
o n
o l d v s new
T H E L AVA L A M P E F F E C T
C O R K S H R O U D S
WO R K I N G S K E T C H M O D E L
o f f
STACKEDnesting coasters
The concept of stackability was pursued to give Aurora Beerealis a purposeful form. The light shroud also acts as an element which facilitates
Before molding multiple models, stacking sketch models were made out of sand-blasted plastic cups. A digital iteration in Solidworks was created to ensure the coaster would nest into itself.
nesting of multiple coasters.
COMPONENTS
i n j ec t i o n mo lded cove r
po l yca rbona te s he l l
m i c r o L ED s ( x 5 )
ba t t e r y ho l de r
r emovab l e / r ep l aceab l eco r k ba se
co i n l i t h i um- i on ba t t e r y
t o r x s c r ew ( x 2 )
PRODUCT USAGEbeneficial task lighting for bar patrons
catch up on a bestseller while youenjoy a beverage
close out yourtab in style
break the ice witha friendly glow
cheers!
{ U R B A N E }
{ L A U R E A T E }
S UAV E , C O U RT E O U S , A N D R E F I N E D I N M A N N E R
O N E W H O I S H O N O R E D F O R O U T S TA N D I N G AC H I E V E M E N T
W H A T I S A N U R B A N E L A U R E A T E ?
T A R G E T M A R K E T
D R I V E N C I T Y D W E L L E R . C O M M U T E S B Y B I C Y C L E . W O R K I S P L AY. M I D 2 0 s - M I D 3 0 s . $ 5 0 , 0 0 0 - $ 7 0 , 0 0 0 A N N U A L S A L A RY.
$ 1 0 0 - $ 3 0 0 P R I C E P O I N T. S O L D AT S TA N D A L O N E S T O R E ,O N L I N E R E TA I L , B A R N E Y ’ S N E W YO R K , B L O O M I N G D A L E S .
S E G M E N T A T I O N
S T R E E T W E A R F O R M A L
P R O D U C T
P E R S O N A
T H E M E T R O P O L I T A NHEROS JOURNEY’
{ C O L O U R PA L E T T E }
BRASS GROMMETS+
RAWHIDE LACES
FULL GRAIN LEATHER BALLISTIC CORDURA ALCANTARA PHYLON FOAM
P A L E T T E + M A T E R I A L S
URBANE LAUREATE IS A CHOICE.T H E O L D S C H O O L G E N T L E M A N PA I R E D W I T H
T H E YO U N G U R B A N E X P L O R E R . W O R K A N D
P L AY M A I N TA I N T H E S A M E P R E C E D E N C E
F O R T H I S H E R O I N A W O R L D O F A N T I H E R O E S .