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Kolding School of Design
Content
Introduction 9
Department of Communication Design 10 Graphic Design 12 Illustration 12 Interaction Design 13 Portraits 14
Department of Product Design 17 Fashion 18 Textile 19 Industrial Design 19 Portraits 20
Graphic Design Kimie Melanie Breidfjord 34 Birk Marcus Hansen 50 Kirstine Skov Hansen 52 Tenna Elisabeth Jacobsen 62 Lukas Neige 88 Nikoline Bitsch Nejsum 90 Bitten Fangel Nielsen 94 Cecilie Marie Skov 116 Nina Wasland 134
Illustration Christian Engemand Blom 30 Mathias Botfeldt 32 Claudia Egholm Castrone 38 Rasmus Palmelund Kviesgaard 70 Sidsel Wittendorff Sørensen 120 Jonas Prip Thorsen 126
Interaction Design Lærke Thorst Balslev 26 Silvia Bella 28 Christoffer Hjelm-Hansen 48 Jacob Keinicke 64 Soleil Zumbrunn du Midi 80 Alexander Muchenberger 84 Patrick Gilbert Nielsen 96 Bo Pedersen 106 Benjamin Buus Pedersen 108 Signe Mårbjerg Thomsen 124
Fashion Mea Andresen 24 Michelle Volquards Hansen 54 Laura Møller Henriksen 56 Katja B. Knudsen 66 Laura Locher 72 Mathilde Maalouf 74 Katrine Terese Nielsen 98 Alexander Katchen Sehested 112 Sarah Mi Svendsen 118 Laura Trzebuchowska 128 Merja Hannele Ulvinen 132
Textile Marie-Louise Dorothee Nathalie Buchholz 36 Anne Woidemann Christensen 40 Rosa Tolnov Clausen 42 Gitta Foldberg 44 Charlotte Bodil Hermansen 58 Linea Lund Hjorhöy 60 Ulla Næraa Mariager 76 Kristina Mielec 82 Krista Neergaard-Holm 86 Maria Rokkedahl Nørholm 102 Divya Sharma 114 Johanna Ulfsak 130
Industrial Design Nina Guldager 46 Lena Krogsgaard 68 Nikolaj Lorentz Mentze 78 Anne Ditlev Nielsen 92 Naija Nygaard 100 Osmund Olsen 104 Pauline Joy Richard 110 Ragnhild Lübbert Terpling 122
Department of Communication DesignPortraits 138
Department of Product DesignPortraits 140
9
I always look forward to the next Kolding School of Design grad-uation catalogue. Why? Because it represents the design language of a new generation and shows us how the new designers interpret our time and are able to generate products, services and systems that help us understand our present and our future.
The new designers take their point of departure in individual fields of interest, different professional skills, and various views of the World and of design. Their projects are successfully completed in collab-oration with companies, organisations, or public institutions, and build on the artistic and aesthetic subject knowledge that defines the school’s departments.
The end result is a genuine contribution to the creation of a better world.
Congratulations new designers!Happy reading!
Mette MikkelsenProrector
Introduction
10
The Department of Communication Design focuses on students achieving a broad grounding in design as well as specific profes-sional specialisations within the fields of Graphic Design, Illustration and Interaction Design. We have a firm belief in the power of story-telling and the magic to be found in everyday life, and we trans-form these into analogue, digital, sensory and spatial experiences where functionality and aesthetics merge in the most exquisite manner. By crossing aspects relating to perception with aesthetics, we are able to create beautiful experiences and intelligent interaction. With letters, images, drawings, video, animation, sounds, codes, shapes, objects, space, processe, and action, we educate innovative designers to make communication happen between and for people in local as well as global contexts. And because design is first and foremost about people, we centre social, ethical, moral, and human aspects.
Department of Communication Design
12
Graphic Design
I l lustration
Graphic Design establishes the context that enables powerful storytelling that will be noticed, absorbed and remembered. Material as well as immaterial contacts between the user and the communicator are designed, and the development and the planning and produc-tion of communication are approached from a theoretical as well as a practical angle. The output includes publications, identity design, typography, layout, branding, film, animation and script design.
Focusing on imagery as a primary commu-nication form, we create visual worlds that enhance the written word or are able to stand alone. We work with books, animation, wall patterns, photos, games for smartphones, or cinema movies. In short, anywhere that an image can add an additional dimension, per-spective, relevance and meaning to the mes-sage. We work to arouse people’s curiosity andengage their associative capacities emotionally and intellectually.
13
Interaction Design builds dialogues between people, objects, systems and spaces and incorporates technology as a fascinating new design material for experimentation. We focus on the indi-vidual and a need to engage with others as the point of departure for this work. An interdisciplinary approach is fundamental for designing contemporary interactions, experiences, and dialogues, as well as envisioning the future in the form of concepts, services, software, robots and objects.
Interaction Design
14
Kimie Melanie Breidfjord
p. 34-35
Christian Engemand Blom
p. 30-31
Mathias Botfeldt
p. 32-33
Claudia Egholm Castrone
p. 38-39
Rasmus Palmelund
Kviesgaard p. 70-71
Jonas Prip Thorsen
p. 126-127
Nina Wasland
p. 134-135
Kirstine Skov Hansen
p. 52-53
Tenna Elisabeth Jacobsen
p. 62-63
Nikoline Bitsch Nejsum
p. 90-91
Bitten Fangel Nielsen
p. 94-95
Illustration
Birk Marcus Hansen
p. 50-51
Lukas Neige
p. 88-89
Cecilie Marie Skov
p. 116-117
Department of Communication Design Graphic Design
Sidsel Wittendorff
Sørensen p. 120-121
15
Lærke Thorst Balslev
p. 26-27
Patrick Gilbert Nielsen
p. 96-97
Bo Pedersen
p. 106-107
Benjamin Buus Pedersen
p. 108-109
Signe Mårbjerg Thomsen
p. 124-125
Silvia Bella
p. 28-29
Christoffer Hjelm-Hansen
p. 48-49
Jacob Keinicke
p. 64-65
Soleil Zumbrunn du Midi
p. 80-81
Alexander Muchenberger
p. 84-85
Interaction Design
17
At the Department of Product Design, we educate the designers that will help generate products and solutions for our common future. Designers develop these while brilliantly meeting the classic require-ments for design concerning shape, function and aesthetics. However, their products and solutions also contribute by being innovative in terms of materials, ecologically desirable, service-oriented, and by having a wide — sometimes offbeat — target audience.
The Department of Product Design comprises the disciplines Fashion, Textiles, and Industrial Design. The common denominator for the specialist fields is that the solutions produced often involve a product; therefore, all of the students are very knowledgeable about materi-als, just as the workshops are often included as a natural part of the design process. The teaching is conducted by practicing design-ers as well as researchers, ensuring a knowledge generating inter-play between practice-based knowledge and recent design research. This enables the students to decode and translate trends and needs into unique expressions.
Department of Product Design
18
Fashion focuses primarily on designing clothing which decodes, mirrors and reflects the present. The students are given time and space for thoughts, experiments, reflections and intuition to roam freely in the constant slipstream of trends, which also characterises Fashion. Form and concept development and materials knowledge are part of the core subjects of the curriculum, and the students learn to build entire collections aimed at target groups and pro-duction facilities.
Fashion
19
Textile
Industrial Design
Textile Design students work with the classic tools of the textile fields: weaving, knitting, and print. The focus is on developing new design within the design areas fashion and interior design. However, there is an increas-ing emphasis on transforming textile values into new contexts and technologies. Hence,digital instructional tools have gained a foot-ing at the department and are now consid-ered equally important as the analogue tech-niques. The textile designers are given ample opportunity to apply their competences to the creation of material surfaces other than yarn and fabric, e.g. glass, steel and concrete.
Industrial Design focuses on design solutions which incorporate function, form and produc-tion possibilities into one collective design solution. Industrial Design students study clas-sic design disciplines such as sketching, 3D programming and model making, but they also spend more and more of their time on overall concepts focusing on the future of the users as well as immaterial values and aspects of the products. Hence, user studies and map-ping of consumer behavioural patterns have become core subjects in the teaching.
20
Textile
Mea Andresen
p. 24-25
Michelle Volquards
Hansen p. 54-55
Laura Møller Henriksen
p. 56-57
Katja B. Knudsen
p. 66-67
Laura Locher
p. 72-73
Mathilde Maalouf
p. 74-75
Katrine Terese Nielsen
p. 98-99
Alexander Katchen Sehested
p. 112-113
Sarah Mi Svendsen
p. 118-119
Laura Trzebuchowska
p. 128-129
Merja Hannele Ulvinen
p. 132-133
Rosa Tolnov Clausen
p. 42-43
Gitta Foldberg
p. 44-45
Charlotte Bodil Hermansen
p. 58-59
Linea Lund Hjorhöy
60-61
Department of Product Design Fashion
Anne Woidemann
Christensen p. 40-41
Marie-Louise D. N.
Buchholz p. 36-37
21
Industrial Design
Ulla Næraa Mariager
p. 76-77
Nina Guldager
p. 46-47
Lena Krogsgaard
p. 68-69
Nikolaj Lorentz Mentze
78-79
Anne Ditlev Nielsen
92-93
Naija Nygaad
100-101
Osmund Olsen
104-105
Pauline Joy Richard
p. 110-111
Ragnhild Lübbert Terpling
p. 122-123
Krista Neergaard-Holm
p. 86-87
Maria Rokkedahl Nørholm
p. 102-103
Divya Sharma
p. 114-115
Johanna Ulfsak
p. 130-131
Kristina Mielec
p. 82-83
24
Mea Andresen
Department of Product Design Fashion
www.meaandresen.dk
+45 28 56 51 07
MA Fashion Design, Kolding School of Design, DK
BA Fashion Design, Kolding School of Design, DK
Scandinavian Design College, Fashion and Textile, DK
Freelance Designer, Moonspoon Saloon, Copenhagen
Design Intern, Hussein Chalayan, London /Pattern
Cutting and Show Manager
Design Teacher, Ungdomsskolen Kolding, DK
/After school classes
2013
2011
2006-
07
2012
2011-
12
2010-
11
1
ExperienceEducation
25
MA Project.
—
—
—
Photo 1 and 3 by
Ida Buss.
1
2
3
4
3
2
The most important thing to me as a designer is being able to create impressions; impressions on people and their bodies through experiences, aes-thetics and intriguing constructions.
My MA Project is about the experience of time. The experi-ence that time stands still and slowly returns to its proper pace. I transform this feeling into women’s wear fashion using hand-painted and intelligent textiles, as well as complex pattern cutting and draping.
4
26
Lærke Thorst Balslev
Department of Communication Design Interaction Design
www.cargocollective.com /larke
+45 29 87 32 23
MA Interaction Design, Kolding School of Design, DK
/Exhibition Tool for Museological Communication
CIRRUS Workshop, Local Holistic Sustainability
in the Progress of Global Reality, Iceland /Social
Design
Exchange, Man and Leisure, Design Academy
Eindhoven, Holland /Experience Design and
Sustainability
BA Interaction Design, Kolding School of Design, DK
/Installation and Cultural Meetings
Skolen for Kunst og Design, DK /Basic Training in
Design and Art
Les Ateliers d’art Concemporain, Brussels /Croquis
Skolen for Kunst & Design, Aarhus, DK /Fashion
Drawing
Design Intern, N55, Copenhagen /Concept and Art
Freelance Designer, MUNDHUG Copenhagen
/Logo design
Installation, Kvinde kend din kropsholder, Rundkant,
Trapholt /Storytelling Through Textile and Film
Sale of Silkscreen Print, TANK, Aarhus /Graphic Print
Exhibition, FÆNGSLET, Horsens /Interactive Video
Installation
Exhibition, Kvinde kend din kropsholder, Rundkant,
Carlsberghallerne /Storytelling through Textile and
Video
Happening and Exhibition, Tongji University Shang-
hai /Awareness of the Consequences of Pollution
Exhibition, Hinderup Library /Paperwork and Slide
Projection
Education Experience Other
2013
2012
2011
2011
2008
2004
2003
2012
2012
2013
2013
2012
2012
2010
2010
1
27
MA Project, Tool
kit for planning
exhibitions at a
culture-historical
museum.
THE HOLE,
Interactive video
installation about
the experiences of
prison inmates in
solitary confine-
ment.
MA Project,
Exhibition tool for
culture-historical
museums for
arranging ex-
hibitions of The
Collector.
1
2
3
In my MA Project, I investigate how to cross expe-riences from design processes with museological communication and ethnographic fieldwork when arranging travelling exhibitions, and have created an exhibition tool for organising mobile exhibi-tions. The project is completed in collaboration with Moesgård Museum and is based on the exhibition about “The Collector”.
I like to investigate how story-telling and invitation can initiate dialogue with and between people. Throughout my work process, I consider the physical and social interactions between people. Being able to develop concepts with a presence and communicative forms are my professional spheres of interest.
2
3
28
Silvia Bella
Department of Communication Design Interaction Design
www.silviabella.dk
+45 53 40 12 26
MA Interaction Design, Kolding School of Design, DK
/Social Design
BA Interior Design, Politecnico di Milano, Milan
/Design for Public Spaces
Summer School, Course in Communication, Media
and Advertising, IULM University, Milan /Communi-
cation in media
Design Intern, Rune Fjord Studio, Copenhagen
/Design for Public Spaces
Design Intern, Bureau Detours, Aarhus /Concept
Design and User Analysis
Showroom Assistant, Lago s.p.a, Milan /Marketing
Shanghai, Aalto-Tongji Design Factory, Safe Food
System Eat Your Darling
Milan Design Week, Exhibition, Dennis Design
Centre part of Bureau Detours
Milan Design Week, Exhibition, Il Formicaio Sensory
Analysis
Kolding School of Design, Design Camp iSpeack-
Electricity /Sound Installation
Urban Center Milano, Urban Planning, The Secret
Gardens
École Boulle and Politecnico di Milano, Workshop
on Set Design in Newscasts
Education Experience Other
2013
2011
2007
2012
2011
2010
2012
2012
2012
2011
2010
2009
1
2
29
The core of my works relies on communication with society through beauty, nudge and awareness. The aim is to provoke rather than resolve. “What I'm trying to do is make something happen by throwing a pebble into the water and creating ripples. I don't want to control the ripples” — Yoko Ono.
In collaboration with the educational programme of the Center for Rape Victims Aarhus, my MA Project aims to communicate to high school students the blurry concept of partner rape. Interviews with vic-tims, meetings with psychologists, analyses of society taboos lead me to use media as physical interaction but also conceptual videos and photos as storyteller.
MA Project, Book-
let for students
and their families.
Dennis Design
Center with
Bureau Detours.
Milan Design
Week 2012.
MA project, Still
from video.
1
2
3
3
30
Christian Engemand Blom
Department of Communication Design Illustration
+45 40 13 44 67
MA Illustration, Kolding School of Design, DK
/Character Design and Concept Art
BA Illustration, Kolding School of Design, DK
Design Intern, Mountainwheel Games /Concept,
Artist and Storyboarding
Education Experience
2013
2011
2012
1
2
31
Character investi-
gations.
To be hung in
super markets
encouraging
collective play.
“Jens”.
Dut in search of
adventure.
1
2
3
4
3
To me, every project is about creating a world that enables a narrative to unfold.
In my MA I wanted to build a universe that centres a group of children and youngsters, their neighbourhood and their imagi-nary worlds. The project con-sists of a cartoon series and a computer game that encourages outdoor play like we know it from our own childhood.
4
32
Mathias Botfe ldt
Department of Communication Design Illustration
www.cargocollective.com /mathiasbotfeldt
+45 20 71 92 71
MA Illustration, Kolding School of Design, DK
/Concept Art
Exchange student, Unitec, New Zealand /Illustration
and Animation
BA Illustration and Graphic Design, Kolding School
of Design, DK /Motion Graphics
Classical drawing course, The Drawing Academy,
Viborg, DK
Conscientious Objector / Designer, DR, Copenha-
gen /Motion Graphics
Design Intern, Fabulab, Copenhagen /Animation
and Motion Graphics
Education Experience
2013
2011
2010
2007
2012
2010
1
TV!TV!TV! live show, DR /Award Design and Motion
Graphics
Reitir, international creative network project,
Siglufjörður Iceland /Installation: Voodoo Bacon
– A musical junk yard playground
Electrical car conference, Etrans /Graphic facilitation.
Designcamp, Making Electricity Tangible, Kolding
School of Design /Service design
Visual workshop in Syria between Department of
Communication Design, Kolding School of Design
and Faculty of Fine Arts, Damascus University
Other
2012
2012
2012
2011
2010
33
I am an illustrator and a motion graphics designer. I love inventing and designing objects that have not existed before and that tell a story. I am fascinated by that strange perspective that allows you to look at the World with fresh eyes.
My MA Project “Searching for Loneliness in Crustaurba” consists of concept illustrations for a fictional society, Crustaurba, the design of whichis based on invertebrate marine biology. The con-cept art is to be processed into a non-verbal graphic novel depicting everyday life and different levels of loneliness in Crustaurba, which, from the inside, very much resembles our own postmodern society.
MA Project, Work
in progress.
MA Project,
Crustaurba fashion.
MA Project,
jagtenpaaensom-
heden.blogspot.dk.
1
2
3
3
2
34
Kimie Melanie Breidfjord
Department of Communication Design Graphic Design
+45 27 35 95 44
MA Graphic Design, Kolding School of Design, DK
BA Graphic Design, Kolding School of Design, DK
Scandinavian Design College, DK /Graphic Design
Production Designer /Set Designer on various music
videos, short films, documentaries and conferences
Reitír, Creative Network Project, Siglufjörður, IS
/Workshop
Exhibition Reitír, Tiny Things in Big Locations,
Siglufjörður, IS /Photo documentation that shows
how similar people live in Siglufjörður
Visual workshop between Department of Communica-
tion Design, Kolding School of Design and Faculty
of Fine Arts Damascus University, Damascus, Syria
Education Experience Other
2013
2010
2007
2008-
13
2012
2012
2010
1
2
35
Speculative visualisations for the year 2039, which reflectively and critically supplements the debate concerning the influence of how Big Data alters the way we live. By working in the cross-field between research, fiction and design, I design for the future.
Production Design
– L’attrap, Photo
series.
Film Direction,
Production Design,
BA Project.
Production Design
– L’attrap, Photo
series.
Film Direction,
Production Design,
Music video made
for Kristina Reneé.
1
2
3
4
4
3
What drives me is creating de-signs that inspire discussions about the parameters which influence how we experience and understand spaces along with the considerations and strategies which define excellent design. My focus is on scenog-raphy, behavioural design and atmosphere design.
36
Marie-Louise Dorothee Nathalie Buchholz
Department of Product Design Textile
www.maloubuchholz.carbonmade.com
+49 151 201 57775
MA Textile Design, Kolding School of Design, DK
/Interior Textiles
BA Textile Design, Kolding School of Design, DK
/Interior Textiles
Artist Basic Course, Sønderjylland Art School, DK
/Painting, Drawing, Sculpturing, Installation, Video
and Photo as well as Land Art
Preparatory Course, Europäische Kunstakademie
e.V. Trier, Germany /Painting and Drawing
Textile Design Intern, Rubelli S.p.A., Mestre-Venice
/Design and Reconstruction of fabrics and patterns
Interior Decoration, Neubert & Behrens, Flensburg
/Decorating, Client Counselling and Upholstery
Shoemaker, Pingel and v. Scherrenburg, Flensburg
/Shoe Design
Stage Designer, Schleswig-Holsteinisches-Landestheater,
Harrislee /Stage Design and Replicating of Paintings
Glazier, Gallery Kruse, Flensburg /Framing and
Glazing
Indigo Fair, Primière Vision, Paris /Fashion Textile
Collection
Design Development, Ecco, Tønder /Shoe Collection
Interior Decoration Design, Vejle Hospital /Decora-
tion for a children’s emergency ward
Education Experience Other
2013
2011
2008
2007
2012
2012
2010
2003
2002
2011
2010
2010
1
37
Waffle blanket out
of wool and red
fox fur.
Graphical carpet
border with red
fox fur.
—
1
2
3
2
3
For my MA Project, I designed and created a textile collection on a digital- and handloom, based on the “Winter beauty”. Using different yarn qualities, comprising wool, paper, fancy polyester in com-bination with natural fox pelt, enabled me to cre-ate textile samples structured to invite a “sense of touch” attracting curios costumers.
The unique fabrics I design and weave are focused on interior decoration and fashion. Beauty and detailed characteristics in environmental surroundings inspire this task. Transparency, manufacturing process, natural and locally available materials are essential and important. My aim and target is to create a tactile encounter between costumer and textiles.
38
Claudia Egholm Castrone
Department of Communication Design Illustration
www.cargocollective.com / ccastrone
+45 20 94 08 87
MA Illustration, Kolding School of Design, DK
/Photography
Exchange programme, Hochschule für Angewandte
Wissenschaften, Hamburg, Germany /Illustration
and Printmaking
Exchange programme, Bezalel Academy of Art
and Design, Jerusalem, Israel /Illustration and
Photography
BA Illustration, Kolding School of Design, DK /Book
Illustration
Preparatory course in Art and Design, Skolen
for Kunst & Design, Aarhus, DK /Art, Design and
Illustration
Freelance Designer, Lilian Brøgger, Copenhagen
/Graphic Design of a children’s book
Design Intern, Lilian Brøgger, Copenhagen /Book
Illustration and Graphic Design
Freelance Illustrator, Maria Ørndrup / CD Cover
Illustration
Freelance Illustrator, Johannes Torpe Studios
/Water Colour Paintings for Restaurant Decoration
Freelance Illustrator, HerDay, Copenhagen / CD
Cover, Illustration
Freelance Illustrator, Cevea, Aarhus /Illustration for
newspaper
Freelance Illustrator, LoveBike, Copenhagen and
Zanzibar /Logo Design
Graphic Design Assistant, Triangle Region
Denmark, Kolding /Graphic Design of publications
Artists residency, Tvak Residential Art Studios,
Ahmedabad, India /Photography and Printmaking
Exhibition, Café Nutid, Copenhagen /Photography
Exhibition, Verdenskulturcentret, Copenhagen
/Photography
Exhibition, Mascha Clothing, Hamburg /Woodcut
Scholarship, Erasmus
Scholarship, Oticon Fonden
Scholarship, Knud Højgaards Fond
Education Experience Other
2013
2013
2012
2011
2008
2012
2012
2012
2011
2010
2010
2010
2009-
12
2013
2013
2013
2013
2012
2012
2011
1
2
39
Ahmed from
Ramallah gets
ready for his first
marathon.
Haitham on the
marathon route
by the separation
barrier in the cen-
tre of Bethlehem.
Jacky (on the
right) and Tamara
are training for a
half marathon. In
the background
you can see the
separation barrier.
Lina runs 5K.
1
2
3
4
As a designer, I often take on the role of the observer. I like design to be open to the fact that everyone has their own individual experience of an image or a product.
Yalla, GO! My MA Project consists of photos from Bethlehem. There, I document the preparations for the first Palestine Marathon; the runners, the spec-tators and the many volunteers. Although conflict is part of everyday life for all Palestinians, the Palestine Marathon is a tribute to sports, nature and culture, and this is reflected in the pictures.
3
4
40
Anne Woidemann Christensen
Department of Product Design Textile
+45 25 36 56 08
MA Textile Design, Kolding School of Design, DK
/Manipulating fabric into textiles for clothing
BA Fashion Design, Kolding School of Design, DK
/Women’s clothing with focus on textiles
Scandinavian Design College, DK /Fashion and
Textile
Design Intern, Prémiere Vision, Paris /Assisted in
putting up the fair for AW13
Design Intern, Kono Business, Koidu, Sierra Leone,
/Design of Product Line and Responsible for
Production
Prémiere Vision, Collection at Indigo SS13
/2 swatches sold to Peachoo + Krejberg
Scholarship, Fællesfonden til fordel for beskæftigelse
i håndværksfagene i Kolding
Fashion show, Copenhagen Fashion Week SS12
/Bachelor Collection: By the Northsea
Exhibition, Kolding School of Design ⁄Folklore Project
Published, Sustainable Fashion /Issues to be
Addressed by DK:Lab /Polyester and Sustainability
Collaboration, Ecco /Shoe Design
Exhibition, Illum, Copenhagen, COP15 /Sustainable
Shoe Design
Published, Walk by DK:Lab /Sustainable Shoes
Collaboration, The Danish Cancer Foundation
/UV-protective clothing
Fashion Show, Institute of Technology, The Danish
Cancer Foundation
Published, Sustainability in the Design Process,
Methods and Materials in Fashion and Textile Training
by DK:Lab
Education Experience Other
2013
2010
2007
2012
2011
2012
2010
2010
2010
2009
2009
2009
2009
2009
2009
2009
1
2
41
As a textile designer, I work to create textiles that will give people an emotional experience. I build tactile spheres by experimenting and by manipulat-ing materials, balancing between that what is con-trasted and offbeat and that what is aesthetic and classically beautiful.
Sketching with
textiles on the
body.
Experiments on
how to express
emotions through
textile experi-
ments.
Combining textiles
with shape.
—
1
2
3
4
My MA Project is about self-portrayal and self-representa-tion. By doing a number of self-portraits expressing various sides of who I am, I have produced my own inspiration material. I have interpreted the material and conducted a series of mate-rial experiments and designed different textiles that I use to set certain moods in my collection of self-representative clothes.
4
3
42
Rosa Tolnov Clausen
Department of Product Design Textile
+45 20 82 53 59
MA Textile Design, Kolding School of Design, DK
/Collection of Interior Textiles
School Exchange, Aalto University, Finland /Textile
Art & Design
Computer Textile Design, Fondazione Arte della
Seta Lisio, Italy, CAD for Jacquard fabrics
BA Textile Design, Kolding School of Design, DK
/Sustainable Backpack
School Exchange, Weißensee Kunsthochschule
Berlin /Textile and Surface Design
Scandinavian Design College, DK /Fashion and
Textile
Company collaboration, Blindes Arbejde (Works by
The Blind), DK /Woven Concept
Company Collaboration, Campeche, Como, Italy,
/Woven Collection
Design Intern, Crespi1797, Novara, Italy /Woven
Textiles
Company Collaboration, Crespi1797, Novara, Italy
/Showpieces for Première Vision
Scholarship, Scandinavia — Japan Sasakawa
Foundation
Scholarship, Oticon Fonden
Scholarship, Knud Højgaards Fond
Scholarship, Ingeborg Mule Henningsens Mindelegat
Scholarship, Nordplus
Scholarship, Erasmus
Exhibition, Première Vision, Paris /Woven Show-
pieces for Crespi1797
Exhibition, Premiere Vision, Paris /Participation with
woven silk collection
Scholarship, Erasmus
Exhibition, Illum, Copenhagen, COP 15 ⁄Sustainable
Shoe
Exhibition, DMY — International Design Festival
Berlin, Think senses! /Textile Samples
Fashion Show, Danish Technological Institute,
Copenhagen /Sun Protection Clothes
Education Experience Other
2013
2012
2011
2010
2009
2006
2013
2011
2011
2010
2013
2012
2012
2012
2012
2011
2011
2010
2009
2009
2009
2009
1
2
43
Toolkit for the
blind weavers.
Weaving process
with the blind
weavers.
Finished textile
product woven by
the blind weavers.
Finished textile
product woven by
the blind weavers.
Photos 1, 3 and 4
by Peter Hoiss.
1
2
3
4
I specialise in woven textiles and European textile production and have completed company collabora-tions in Italy and exchange programmes in Helsinki and Berlin. I create textiles that point to the future while being rooted in the past. Process, quality, crafts-manship and colours are keywords of my work.
In my MA, I work with a group of blind weavers and visually impared weavers from the organisation Blindes Arbejde (works by the blind). I have created a model and within this model, the weavers are able to make three choices using their sense of touch. The three choices can be combined in one textile. This allows the weavers to influence the aesthetics of the product within the framework that I as a designer have created.
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Git ta Foldberg
Department of Product Design Textile
MA Textile Design, Kolding School of Design, DK
BA Textile Design, Kolding School of Design, DK
Textile College of Education, Viborg /Textile Inter-
mediary
College Skals /Felting and Print
Teacher Training College, Blaagaard College of
Education, Copenhagen
Teaching the Arts, Esbjerg
Participated in related courses in Visual Arts and
Crafts at the National Handcrafts Union of Teachers
Internship, Soft Gallery, Copenhagen, DK
Teacher, Copenhagen, Esbjerg, Fanø
Teaching the Arts, Adult Education, Esbjerg
Collaboration, Great Greenland
Collaboration, Gabriel
Collaboration, Ecco
Article, Inform 3/13
Collaboration, Fritz Hansen
Fair, Indigo, Premier Vision, Paris
Collaboration, Sydvestjydsk Hospital, Vejle
Collaboration, UNICEF
Article, Jydske Vestkysten, November
Collaboration, Kopenhagen Fur
Nomination, The Golden Fur Pin Award /Textile
Design
Exhibition, The Golden Fur Pin Award, Kødbyen,
Copenhagen
Exhibition, Copenhagen Fashion Week, Bella
Center, Copenhagen
Exhibition, Textile College of Education, Viborg
Education Experience Other
2013
2011
2008
2006
1986
1990-
92
1986-
08
2013
1986-
08
1990-
92
2013
2012-
13
2011-
13
2013
2011
2011
2010
2009
2009
2009
2009
2009
2009
2007
1
www.gittafoldberg.dk
+45 29 24 82 52
45
I develop textiles in an experimen-tal way, primarily working with un-conventional material compositions, surfaces and structures as well as creation of digital patterns and 3D installations for fashion and interior. I am usually inspired by a certain technique that I decide to advance, or by nature transformed into a new design giving priority to the experience and sen-suousness that occurs in the encounter with the user.
My MA Project “Seal on the Edge” takes its point of departure in Greenlandic nature and culture.This inspiration is transformed into a textile interior collection of assorted pillows and plaids with seal skin; a symbolic gesture to support Greenlandic sealer and whaler culture and draw attention to a material which is eco-friendly.
Details of “Combi-
nation”, seal skin,
leather and wool.
“Combination”,
seal skin, leather
and wool.
Details of “Edge”,
processed seal
skin and wool.
Materials study
of seal for
“Combination”.
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Nina Guldager
Department of Product Design Industrial Design
+45 31 22 39 93
MA Industrial Design, Kolding School of Design, DK
Exchange Greenside Design Center, Johannesburg,
South Africa
BA Industrial Design, Kolding School of Design, DK
Skolen for Kunst og Design, Aarhus /Art and Design
Internship, Frama Copenhagen Coorporation, Carpenter Gustav D., Billund, DK
Glassblower Bente Sonne, Svendborg, DK
Education Experience Other
2013
2010
2010
2007
2012 2013
2012
2
1
47
Delicate and coordinated; these are words that char-acterise my designs. I give priority to simplicity and noble materials. Using my strong analytical sense, I am able to lift my designs to a level that makes them classic and functional and thoroughly Scandinavian.
Generally, design has a function, art has a moral. My MA Project partner, Textile Designer Krista Neergaard-Holm and I work to identify some of the most specific values in the bohemian lifestyle and transform these into an interior collection.
MA Project.
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Christoffer Hjelm-Hansen
Department of Communication Design Interaction Design
+45 50 77 88 99
MA Interaction Design, Kolding School of Design, DK
BA Industrial Design, Kolding School of Design, DK
Architecture Student, The Royal Danish Academy of
Architecture, DK /Architecture
Owner, Hjelm & Hansen, Kolding /Consultant
Design Intern, Hatch & Bloom, Aarhus /Interaction
Designer
DMY, Berlin
Education Experience Other
2013
2011
2006
2008
2012
2010
1
49
I believe that it is important for a designer to understand the context that should even-tually embrace his /her design. Therefore, throughout my study years, I have focused on acquiring tools for explor-ing this context and creating solutions that take it into account. In addition to my design competences,my sense of curiosity has given me a broader under-standing of sociology, anthropology, economy, marke-ting and philosophy.
My MA Project is about innovation and entrepre-neurship in state schools. Globalisation is threatening our competitive position and requires us to become more innovative. For this purpose, I have developed a tool that will help teachers teach innovation skills.
Innovation course
with pupils:
making a sports
cracker.
Teacher training
innovation class.
Teacher training
workshop: plan-
ning how to teach
innovation classes.
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Birk Marcus Hansen
Department of Communication Design Graphic Design
www.birkmarcus.dk
+45 40 94 76 69
MA Graphic Design, Kolding School of Design, DK
BA Graphic Design, Kolding School of Design, DK
School of Visual Communication, DK
Scandinavian Design College, DK
Art Direction and Graphic Design /CD, LP and EP
cover and promotion material for the female artist
Linkoban’s first album: Pop Gun Track
Guest Teacher, Kolding School of Design and
Scandinavian Design College /Courses focusing
on Pictograms, Layout, Grid, Typography, Idea
Development and Design Process
Video Art, performed at the Danish pavilion at
EXPO in Shanghai
Design Intern, MTWTF, New York /Signage, Picto-
grams, Concepts, Environmental Graphics
VJ, On tour in China, Germany, Iceland and Den-
mark with the band Reptile Youth /Video Artist and
Stage Designer
Design Intern, Light Designer Jesper Kongshaug
/Animation of sequences as part of the stage design
for the opera “Tomorrow in a Year” by Hotel Pro
Forma, and more
Video Art for the opera “Tomorrow in a Year” by
Hotel Pro Forma with music by The Knife
Exhibition in collaboration with Lego, commissioned
by Kolding School of Design for Il Salone Design
Fair, Milan
Education Experience Other
2013
2011
2007-
08
2006
2013
2010-
12
2012
2011
2010
2009
2009
2012
1
51
MA Project,
Differences and
similarities in
Chinese and
Latin investigated
through experi-
ments and studies.
Mixing outer shape
of Latin and
Chinese characters.
Pictorial composi-
tions with Chinese
characters.
The Betabet is
a collection of
new ligatures
and letters for the
alphabet
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2
3
4
My approach to working with the written language of the future is conceptual, playful and investiga-tive. By focusing on the basic structures of the writ-ten language, I approach the challenge of future global communication. My studies are published in the paper “The Babel Issue”, which can be ordered on birkmarcus.dk.
I work with research based, con-ceptual graphic design. I create graphic musicality centred around content, whether working with typography, print or animation.4
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Kirstine Skov Hansen
Department of Communication Design Graphic Design
+45 60 64 17 77
MA Graphic Design, Kolding School of Design, DK
Design Graphique, Multimédia, École Nationale
Supérieure des Arts Décoratifs, Paris, France
BA Graphic Design, Kolding School of Design, DK
Thorstedlund Art School, Frederikssund, DK
Salon-Service /Music & Authenticity, event at Aar-
hus Music Academy, Aarhus, DK
Inspiration for Entrepreneurship /Speaker Arbejds-
plads.nu, Kolding, DK
Salon-Service Cultural Platform and Events
/Co-founder together with Laura Møller Henriksen
and Michael Roloff, Kolding, DK
Intern, Orphelins Sida International/Website design
for partner organisations in Africa, collecting and
creating Text and Visual Material, Films on Humani-
tarian Aid and Missions, Paris, France.
ASDEB (Action Solidaire pour un Développement
Entretenu à la Base) /Website Design, Film and
Photo Reportage, Lomé,Togo
ONG Centre SAS (Le Centre Solidarité Action So-
ciale), Website Design /Film and Photo Reportage,
Bouaké, Ivory Coast
AJPO (Association des jeunes pour la promotion
des orphelins) /Website Design, Film and Photo
Reportage, Ouagadougou, Burkina Faso
Pecha Kucha Kolding, DK /Project Manager
Scholarship, Kulturpuljen, Kolding, DK
Scholarship, Ungepuljen, Kolding, DK
Bienal Internacional del Cartel en México, Quereta-
ro, Mexico /Workshop
Culture Salon, cultural event and debate about cul-
tural development in Kolding, in co-operation with
Head of Culture Department in Kolding, DK
Utopia, Film Screening, Nicolai Biograf, Kolding, DK
Illustration projects for children's library in
Valparaiso, workshop, Universidad Mayor,
Santiago, Chile
Education Experience Other
2013
2012
2011
2008
2013
2013
2012
2012
2012
2012
2012
2009-
13
2013
2012
2012
2011
2011
2010
1
2
53
I work within shifting contexts and human relations across disciplines, scientific fields and passions. My projects are born from an ongoing, analytical and reflective process centering people’s relationships with themselves, their surroundings and their cultures.
My MA Project is completed in collaboration with Designers Laura Møller Henriksen and Michael Roloff. The project takes its point of departure in the concept Salon Service; a series of thematic salons for conversation, discussion and artistic performance within a private space. The salons work as a cul-tural platform across disciplines, institutions and environments and collectively explore characteristic trends of contemporary culture. For more informa-tion go to www.salon-service.info
Salon 4: “Fra
Krise til Opstand”
(From Crisis to
Rebellion),
11 April 2013.
“Sonic Explorations
on a Sunday”,
12 May 2013.
“Autenticitet der
Sælger” (Authen-
ticity that Sells),
15 November
2012.
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Michelle Volquards Hansen
www.michellevhansen.com
+45 21 74 59 33
MA Fashion Design, Kolding School of Design, DK
/Curvy Fashion
BA Fashion Design, Kolding School of Design, DK
/Fashion
Scandinavian Design College, DK /Fashion and
Textile
Sales Assistant, Companys, Kolding
Design Intern, Munthe plus Simonsen, Copenhagen
/Graphic Design and Textiles
Print job, Munthe plus Simonsen, Kolding, DK
Freelance Construction and Production of prom and
wedding dress, Kolding, DK
Sales Assistant, Nielsens, Kolding
AIDA World Championship, DK /Freelance Logo
Design
Sales Assistant, Bebe, Kolding
Collaboration, Ecco /My Personal Shoe
Collaboration, Unicef, Pregnancy and AIDS
Collaboration, Kolding Municipality /Health care
uniforms
Education Experience Other
2013
2011
2008
2013
2011
2011
2011
2008-
11
2009
2008-
09
2010
2009
2009
Department of Product Design Fashion
1 2
55
MA Project.
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The woman is the centre of my designs; her shapes, her desires and her personality. Her clothes must com-plement her figure and surround her femininity with a sense of well-being and mystique. To achieve this, I apply classic elements to the cutting process, print and draped details together with colours of the earth and a mix of materials.
My MA Project is inspired by raw, Icelandic nature to capture the sense of the Nordic woman; her strength and fragility. The collection is designed for curvy women in order to challenge the conven-tional, feminine beauty ideal and focus on a fan-tastic and exciting target audience.
56
Laura Møller Henriksen
Department of Product Design Fashion Design
www.salon-service.info
+45 26 39 58 06
MA Fashion Design, Kolding School of Design, DK
Exchange, École Nationale Supérieure des Arts
Décoratifs, Paris, France
BA Fashion Design, Kolding School of Design, DK
Existential philosophy, Aarhus University, DK
Scandinavian Design College /Fashion and Textile
Co-founder, Salon-Service, Kolding, DK
Documentarist, Passages from a Space in Time,
Documentary on Mutinerie Coworking Space, Paris,
France
Design Intern, Mutinerie Coworking Space, Paris,
France
Concept Development, Unit I, Hørsholm, DK
Concept Development and Project Manager, Salon
Culture meeting – new policy of Culture, Kolding, DK
Guide, Trapholt Art and Design Museum, Kolding, DK
Project Manager, Pecha Kucha, Kolding, DK
Public screening of documentary Passages from
a Space in Time, Paris, France
Event, Performance lecture: Music & Authenticity,
Aarhus Music Academy, DK
Scholarship, Kulturfonden Kolding, DK
Scholarship, Ungepuljen Kolding, DK
Public screening of the Short Film Utopia and
Guerilla Fashion Show, Nicolai Culture Centre,
Kolding, DK
Film workshop, open doors Grindsted Asylum
Centre, DK
Education Experience
2013
2012
2011
2010
2008
2012
2012
2012
2012
2011
2009-
11
2008-
13
2013
2013
2013
2012
2011
2010
1
2
Other
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Salon 1: “Auten-
ticitet der Sælger”
(Authenticity that
Sells), 15 Novem-
ber 2012.
Salon 4: “Fra
Krise til Opstand”
(From Crisis to
Rebellion),
11 April 2013.
Salon 1: “Auten-
ticitet der Sælger”
(Authenticity that
Sells), 15 Novem-
ber 2012.
Salon 2: “Creative
Writing”, 31 Janu-
ary 2013.
1
2
3
4
My focus is on creating and staging concepts that enable reflection, inspiration and critical aware-ness; between people and by people. An ideal project challenges human perception, generates meaning and new ways of experiencing the World.
My MA Project is completed in collaboration with Designers Kirstine Skov Hansen and Michael Roloff. The project takes its point of departure in the con-cept Salon Service; a series of thematic salons for conversation, discussion and artistic performance within a private space. The salons work as a cul-tural platform across disciplines, institutions and environments and collectively investigate character-istic tendencies of contemporary culture. For more information go to www.salon-service.info
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Charlot te Bodil Hermansen
Department of Product Design Textile Design
www.cargocollective.com /charlottebodil
+45 22 90 88 26
MA Textile Design, Kolding School of Design, DK
BA Textile Design, Kolding School of Design, DK
Decorative Painter, Svendborg Vocational School,
DK /Traditional Craft Techniques
The Independent Academy for Free School Teach-
ing in Ollerup, DK /Majoring in Visual Arts, Danish,
English and Outdoors
Clothing and Crafts, TEC Frederiksberg, DK /
Technical Skills
Design Internship, Fritz Hansen, Allerød, DK
/Model Work, Material Experiments, Concept
Development, Cooperation with external designers
Installation, Kvinde kend din kropsholder, Rundkant,
Trapholt /Furniture Design
Scholarship, Gerda Hennings Mindelegat, Otto
Bruuns Fond, Klint-Fonden
Workshop, Created4Kids, Spinderihallerne, Vejle, DK
Exhibition, Kvinde kend din kropsholder, Rundkant,
Carlsberghallerne /Furniture Design and exhibition
build-up
Winner of The Golden fur Pin /Home Wear Cate-
gory, Copenhagen Fur, DK
Pop-up workshop at IKEA, Älmhult, Sweden
Workshop on developing from leather remnants,
Fritz Hansen, Allerød, DK
Exhibition, My Ecco-Shoe, cooperation with Ecco,
Kolding School of Design, DK
Education Experience Other
2013
2011
2006-
07
2004-
06
2003-
04
2012 2013
2012
2012
2012
2011
2011
2011
2010
1
59
Prototype wall
modules of mould-
ed leather and
acrylic.
Asphalt blue seal
fur, PP bowl, cork,
elegance walnut
leather, melamine
Margrethe bowl.
E-type seal fur
(rejected),
moulded over
wooden ball.
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3
Sensuousness and a playful approach are my focal areas in terms of process and design. Intuition, courage and challenging habitual thinking is thedriving force behind my work as is my artisan approach to industrial production.
In my MA Project I apply different moulding meth-ods to transform 2D materials into 3D to further develop moulded objects for use in homewear and accessories. The combination of natural and artificial materials adds a new dimension, odd detailsevoke instinctive desires to explore and discover.
The MA Project is realized in cooperation with: Fritz Hansen, Great Greenland, North Atlantic Fur Group, Hat Factory Andersen & Berner, Ecco, Vink Plast, Modulex, Smurfit Kappa.
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Linea Lund Hjorhöy
Department of Product Design Textile Design
+45 40 56 61 65
MA Textile Design, Kolding School of Design, DK
/Textile Print and Women’s Wear
BA Textile Design, Kolding School of Design, DK
/Print and Wallpaper Design
Women’s Tailor, EUC-Syd, DK
Internship, Munthe plus Simonsen, Fashion, DK
/Textile and Pattern Development for the collection
A / W 2011 and S / S 2012
Internship, Casa De Luxe by Naja Munthe, DK
/Pattern Development for the collection 2012, Home
Collection
Internship, Susanne Schjerning, Home Collection DK
/Pattern Making and Collection Development
Collaboration with Ecco, DK /Sustainable Footwear
Collaboration with Teijin Eco Circle, Tokyo, Japan
/Sustainable Polyester
Indigo Fair, Premiére Vision, Paris, France
Book, Sustainable Fashion – Issues to be Addressed,
DK: Lab
Book, Walk!, Shoes for a Sustainable Future,
DK: Lab
e_COLLECTION /Exhibition, Illum Copenhagen
Folklore project, Dresser of Mayianne Dinesen on
Model for 1 day Finals
Education Experience Other
2013
2010
2006
2011
2011
2010
2009
2009
2010
2010
2010
2009
2009
1
2
61
MA, Below the
surface — deep
down. Digital knit.
MA, Below the
surface — deep
down. Detail of
reversible, knitted
cardigan.
MA, Below the
surface — deep
down. Detail of
a knitted dress.
MA, Below the
surface — deep
down. Knitted
textiles.
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2
3
4
3
4
As a textile designer, I love the process of working with the materials to be a hands-on process; to touch and feel how the materials develop and allow unpredictable things to become part of the design. My passion is working in the cross-field between the organic mode of expression and the graphic stroke. My process is distinctly colourful and playful, and I am passionate about print.
My MA Project Below the Surface — Deep Down is about developing textiles inspired by organisms living at the bottom of the ocean. My collection focuses on form, tactility, detail and organic textile design integrating the keywords of the title in the materials and in the silhouettes.
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Tenna Elisabeth Jacobsen
Department of Communication Design Graphic Design
www.tennaelisabeth.dk
+45 60 10 07 45
MA Graphic Design, Kolding School of Design, DK
Course in Online Communication, Web Kompetence
BA Graphic Design, The Danish School of Media
and Journalism
First year core course in Technology and Communi-
cation, KTS Frederiksberg
Design Intern, Scandinavian Designlab
Art Director Trainee, Bessermachen Designstudio
Brandhouse
Freelance Graphic Designer, Artwork for the Danish
Jazz singer Signe Galting
Scholarship, Staugaards Mindelegat
Education Experience Other
2013
2011
2010
2007
2012
2011
2011
2010
1
2
63
I am a graphic designer with a passion for devel-oping visual concepts for print and digital media. I love to experiment with analogue and digital design processes, and to me, aesthetics, a strong concept and excellent execution are essential to any project.
My MA Project is a visual identity for the Copenha-gen Songwriters Festival. The focus of the project is to challenge the concept of a classic, visual identity and create a design solution that is dynamic and flexible. The final solution comprises a series of sym-bols (inspired by the note system) which reflects the context. This changeability conceptualises the diver-sity of the artists, while the combination possibilities symbolise the act of composing and writing your own music.
Visual concept for
Firekites’ album
“The Bowery”.
Bodoni relief.
Font experiment.
MirrorMirror
poster series.
Screen-printed
reflections on
mirror-paper.
MA Project,
Dynamic visual
identity for CPH
Songwriters Festi-
val inspired by the
note-system.
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3
4
4
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Jacob Keinicke
Department of Communication Design Interaction Design
www.jacobkeinicke.dk
+45 42 29 38 37
MA Interaction Design, Kolding School of Design, DK
BA Interaction Design, Kolding School of Design, DK
Danish Artists’ Autumn Exhibition
Winner of the Gaffa Photo Awards
Education Experience
2013
2011
2011
2010
1
65
Section from
“The Closer Book”.
See more on
jacobkeinicke.dk
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3
I work with interaction, imagery and four to the dance floor. I like setting up stories. Good imagery you can sense in your stomach; a good message you can breathe in like air. Aesthetics is overrated, misleading and worth living for.
Existentially challenged at the last moment in the arena
My moves are mild and soft but I slip in the banana
All red I shout and make the clouds flicker and loom
Don’t you dare make card-board wine from our grapes after bloom
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Katja B. Knudsen
Department of Product Design Fashion Design
www.katjaknudsen.dk
+45 25 36 15 39
MA Fashion Design, Kolding School of Design, DK
/Handbag Design
Pelleteria Alexandra, Padova, Italy ⁄Bag Construction
Scuola del Cuoio, Florence, Italy /Making and
Construction of Handbags
BA Fashion Design, Kolding School of Design, DK
/Women’s Wear
Freelance Handbag Designer, Diffus, Copenhagen,
/Handbag Constructor and Production Assistant
Handbag Designer, Ecco, Denmark, Holland
/Development of design language for bags and
accessories
Handbag Designer, Previous Prime Minister Lars
Løkke Rasmussen, Kolding School of Design, DK
/Design and handcrafting of a bag for the Danish
Prime Minister Helle Thorning-Schmidt
Fashion Design Intern, Margit Brandt, Copenhagen,
/Design Assistant
Collaboration, Ecco tannery in Holland /Design
and development of leathers for my Final collection
of bags
Scholarship, Le Klint legat
Collaboration, Le Klint, Kolding School of Design, DK
/Design and development of a lighting surface for
Ventura Lambrate in Milan
Award, Henriette Hørlück’s Culture Award
/Upcoming Designer
Bachelor Fashion Show, Copenhagen Fashion Week
Exhibition of sustainable rainwear, Innovating
Sustainable Fashion, Danish Design Centre
Exhibition of sustainable shoes, Design City
Kolding, Copenhagen
Education Experience Other
2013
2012
2011
2010
2012
2012
2011
2010
2013
2012
2012
2012
2010
2010
2009
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67
I create handbags with a certain atmosphere /feeling that women can connect with. It is very important to me to achieve high quality handbags through craftsmanship, materials and functionality. My aesthetics is inspired by authentic and raw details in everyday life that I transfer into delicate, edgy and pleasurable bags.
My collection of bags is inspired by the silent and modest walls of Marrakech that encapsulate the noise and intensity of the city. They create a base on top of which the city applies itself, layer by layer. I would like to capture that senses-awakening experience in my collection of leather bags.
MA Project.
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Lena Krogsgaard
Department of Product Design Industrial Design
+45 25 67 82 13
MA Industrial Design, Kolding School of Design, DK
BA Product Design, ZHDK, Switzerland, Exchange
Student
BA Industrial Design, Kolding School of Design, DK
To draw what you see, Drawing class, DK
Scandinavian Design College, Denmark /Product
Design
Design Intern, Judith Seng and Alex Valder, Berlin
/Art and Product Design
Interior Design, Children’s Care, Kolding /Interior
Design of three rooms
Interior Design, Kolding Children’s Library, Kolding
/In charge of the Interior Design at Children X
Dokumenta, Kassel ∕Happening, Food as a
Communication Tool
Education Experience Other
2013
2011
2011
2008
2006
2012
2011
2010
2012
1
2
69
Whom you share
a meal with great-
ly influences the
taste experience.
A successful meal
requires the pres-
ence of one or
more elements.
Presentation
and service are
expressive of one’s
identity.
Small anecdotes
from the lives of
the residents are
embroidered on to
place mats.
Ergonomic service
adds a personal
touch to the meal.
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2
3
4
5
An Important Meal is a project that deals with food as a communication tool. Investigations show that Danish nursing home residents are losing weight. The reason could be that they lose their will to live and with that, their desire to eat. The kitchen staffs report that they put an extra effort into every meal because they never know when it will be the resi-dents’ last. Yet, the residents still keep losing weight. I focus on making the service in relation to the meal as unique and exciting as possible in an attempt to recover the residents’ zest for life. My work pro-cess is experimental and investigative. My primary strength lies in conceptual design and focusing on narration and the world behind the product.
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5
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Rasmus Palmelund Kviesgaard
Department of Communication Design Illustration
www.foreningen-tegnerne.dk/om/rasmus-palmelund-kviesgaard
+45 29 84 57 94
MA Illustration, Kolding School of Design, DK
Open Workshop Viborg, The Animation Workshop,
DK /Comic Book
BA Illustration, Hamburg University of Applied
Sciences, Germany /Children Book Illustration
Visual Designer (2009), Art Director (2010), DADIU
(the National Academy of Digital, Interactive Enter-
tainment), DK /Computer Game Development
Art Academy of Aarhus, DK /Basic Drawing and
Sculpting
Art School of Vejle, DK /Basic Drawing
Art Folk High School of Thorstedlund, DK /Basic
training in Drawing and Painting
Internship, Gimle Drawing Studio, Copenhagen,
Comic Book /Writing and Drawing
Scholarship, Svend Grams Mindelegat /Comic Book
Education Experience Other
2013
2011
2010-
11
2008-
10
2005-
06
2003
1997
2010 2011
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71
I am a classically oriented illustrator and my main focus is on the craft of drawing by hand. I include digital media in my work when it fits my working methods. When possible, I research reference materials and places. In terms of style, I am in-spired by American superhero comic books, Japa-nese Manga as well as some European comic books.
My MA Project is a decoration assignment com-pleted for the children’s recovery room at Randers Hospital. The hospital wants a decoration which builds on the healing effect of colours on humans. My choice of colours is based on most recent know-ledge of this field. The thematic framework for the illustrations is the historic town of Randers.
Dronningborg
Castle. Recon-
structed from an
old 18th century
drawing.
The Jutlandic stal-
lion breed Sculp-
ture by Helen Schou.
Steam locomotive
from the Frichs
factory.
Niels Ebbesen.
The slayer of the
charred count.
Machine for mak-
ing rope. Randers
used to be famous
for its rope.
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5
4
5
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Laura Locher
Department of Product Design Fashion Design
www.lauralocher.com
+45 30 28 45 90
MA Fashion Design, Kolding School of Design, DK
/Women’s Wear
BA Fashion Design, Kolding School of Design, DK
/Women’s Wear
Scandinavian Design College, DK /Fashion and
Textile
Artist In Residency, HKICC Lee Shau Kee School
of Creativity, Hong Kong /Teaching Sustainable
Fashion
Research Assistant, Kolding School of Design
/Research Project about Tactile Clothes Experience
Design Intern, Ida Gut, Zürich /Research Swiss folk
dress
Design Intern, threeASFOUR, New York /Tailoring
and Production
Design Intern, Moonspoon Saloon, Copenhagen
/Tailoring and Merchandise
Creative animator, Nicolai for børn, Kolding
/Creative Workshops for children and adults
Fashion Show, Aarhus Sustainability Festival, Aarhus
Scholarship, Pestalozzi Foundation
Collaboration with DTU (Danish Technical
University), Copenhagen
Collaboration with Jewellery Designer Lene Hald,
Copenhagen
Exhibition, Chreated4Kids Conference, Shoe Design
Featured in Book In on and Behind Fashion by
Gavin Davies
Competition, Designers Nest, Copenhagen Fashion
Week
Bachelor Fashion Show, Copenhagen Fashion Week
Fashion Show of sustainable rainwear Danish
Design Centre /Innovating Sustainable Fashion
Education Experience Other
2013
2010
2006-
07
2012
2012
2011
2010
2009
2008-
13
2013
2013
2013
2013
2012
2011
2011
2010
2009
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MA Project, Wom-
enswear Collection,
Trousers and top
with 3D-print.
MA Project, Wom-
enswear Collection,
knitted top, skirt.
MA Project, Wom-
enswear Collection,
knitted top, skirt.
MA Project, Wom-
enswear Collection,
Jacket.
Photos by
Natascha Skow
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4
I have a great passion for experimenting with the newest materials and techniques and using them for artistic and conceptual purposes. I am inspired by philosophical questions that I try to answer in a playful way.
My women’s wear collection is inspired by the symbolic mean-ing of a memorial day and by fire. Instead of fire being destructive, I use its heat to fuse garments into shape, using a special heat fusible thread. I play with hardness and softness within the same material; like a lit candle when the wax softens. Like the uncontrollable fire, my shapes are asymmetrical and reaching up.
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Mathilde Maalouf
Department of Product Design Fashion Design
www.mathildemaalouf.com
+45 25 36 93 57
MA Fashion Design, Kolding School of Design, DK
/Women’s Wear
BA Fashion Design, Kolding School of Design, DK
/Women’s Wear
Rebekka Bay, Bruuns Bazaar /Assistant: Lookbook,
Show Preparations and Show
Rebekka Bay, Bruuns Bazaar /Assistant: Lookbook,
Show Preparations and Show
Design Intern and assistant, COS, London /Techni-
cal Sketches, Fittings, Handovers, Colour Library
Scholarship, Erasmus Stipendium
Scholarship, Samsoe and Samsoe, collaboration
of design
Scholarship, FællesFonden til fordel for
beskæftigede i håndværksfagene
Education Experience Other
2013
2010
2012
2011
2010-
11
2010
2009
2009
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My work reflects an appreciation of clean and mini-malistic silhouettes and attention to fabrics. I will inthe shaping and the choice of colours and materials interpret Finn Juhl's home and thereby his aesthestical Universe. In the same way he did with his house, I will create an artistic unity in my collection of clothes, shoes and bags.
MA project, Home
of Finn Juhl, Krat-
vænget 15.
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As a furniture designer wood, leather and weaved furniture textil-es were some of Finn Juhl's main components. And will also be elements in my collection, which can infuse a new aesthestic into fashion.
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Ulla Næraa Mariager
Department of Product Design Textile Design
+45 26 21 03 75
MA Textile Design, Kolding School of Design, DK
BA Textile Design, Kolding School of Design, DK
El Taller De Gráfica, Cuba /Graphic Workshop
Skolen for Kunst & Design, Aarhus /Drawing
Higher Preparatory Examination Course
Skrædderskolen, Aarhus /Tailoring
Krabbesholm /Products, Painting, Art, Graphic
Vejle Sy & Tilskærerskole /Cutting and Sewing
Living Lightly /Textile Assistant
Intern, Isabel Berglund /Dance performance Stitch,
Knitting /Scenography, Costumes
Exhibition, Living Lightly, Shangtex, Shanghai
Exhibition, Living Lightly, the Ministry for the Envi-
ronment, Copenhagen
Scholarship, Mule Henningsens Fond
Scholarship, Edelweiss Fonden
ISEND11, international symposium and exhibition
on natural dyes, La Rochelle, France
Volunteering, in Fairtrade shop, Karibu, Odense, DK
/Workshops, Sales
The Square Project, finalist in the competition Inno-
vation Sustainable Fashion /Exhibited and shown
during COP15 in Copenhagen
Textile Collection, Premier vision, Paris
Fashion Show at A.P. Møller School in Schleswig
/Attending with two pieces
Education Experience Other
2013
2010
2010
2005
2003
2002
2002
2001
2011
2010
2013
2011
2011
2011
2011
2010-
11
2009
2009
2008
1
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I am captivated by the role of the designer; that we as designers can help create change. My objective is to develop products and processes that centre sustainability. In terms of materials, my work pro-cess is artistic, intuitive and experimental.
Plant dyeing and the processes involved fascinate me. I want a practice which enables new possibilities for a sustainable textile production. My collection is based on material and plant experiments inspired by the changing of the seasons.
MA Project.
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Nikolaj Lorentz Mentze
Department of Product Design Industrial Design
www.lorentzmentze.com
+45 25 38 75 23
MA Industrial Design, Kolding School of Design, DK
/Furniture
BA Industrial Design, Kolding School of Design, DK
Workshop of 5 weeks, Tongji University, Shanghai,
China
Crafts, Copenhagen Technical School, DK
Designer, Trip Trap, DK
Internship, Søren Rose Studio, NYC
Internship, Design by Us, Copenhagen
The Tube, collaboration with Grundfos and Kolding
School of Design. Il Salone, Milan
Conversation pieces, The Danish business promo-
tion and state visit, Chile
Fashion Installation /Fashion Show, BA’12,
Copenhagen
Annex East, Custom-made Interior, Bar / Pop Up
Restaurant /Gallery, London
Á bóndadag, Guest Artist, Reykjanesbær Art
Museum, Iceland
FSC Exhibition, Trapholt, Playhouse
Experience and Play Area, Kolding Hospital
FSC Design Award
Design on display, La Biennale Internationale du
Design de Liège Musée d’Art moderne et d’Art
contemporain (MAMAC)
Design WEEK09, Copenhagen Showhow, Sculpture
Formland, New Note, Herning, DK
Show, Il Salone del Mobile Satellite, Milan
Education Experience Other
2013
2011
2010
2006
2013
2012
2009
2013
2013
2012
2012
2012
2011
2011
2010
2010
2009
2009
2009
I work in the cross-field between art and design. I have a holistic view on objects, and my work combines fine detailing with honest materials rein-forcing the elegance and simplicity of the designs. I do various design commissions, and my work ranges from life style products to installations, exhi-bitions and set design.
In collaboration with Henning Larsen Architects, I have created a piece of furniture for Ny Moesgård Museum, the first new-built prehistoric museum in Denmark. The specific architecture of the museum enables a different communicative approach, and the piece of furniture plays an essential role as it must be included in the context, it must tie together space and exhibition, and it must allow the visitor to contemplate and reflect.
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MA Project,
Cast Bronze.
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Soleil Zumbrunn du Midi
Department of Communication Design Interaction Design
www.alien.ch
+45 51 95 44 66 / +41 79 705 42 89
MA Interaction Design, Kolding School of Design, DK
/Short Film
Erasmus Exchange, Zurich University of the Arts,
Switzerland, Department of Art & Media
BA Interaction Design, Kolding School of Design, DK
/Video Installation
Preparatory School, The Scandinavian Design
College, DK
Design intern, IKONMAN, LTD, San Francisco
/Short Film Post-Production
Freelance Graphic Work, Einstein-Newton Books,
San Francisco /Graphics and Layout for eBooks
Freelance Webdesign, Multiple Artists,
Switzerland/Denmark/USA
Educational Scholarship, Canton of Bern,
Switzerland
Video Installation, Horsens State Prison Museum, DK
Education Experience Other
2013
2012
2011
2007-
08
2012
2012
2010-
13
2008-
13
2012
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81
Rather than working to create the solution to a given problem, the main focus of my work has been to enhance the viewer’s insight into the subject matter, operating with the belief that people are capable of solving problems themselves, once they under-stand the actual complications. My communication of these insights has primarily been through film and video installations.
The short film's storyboard is as follows: “Sometimes it is only in great darkness that we can fully see the light”. My work is an attempt to create a visible void while still maintaining the form of portraiture; an observation of what is infinite from the inside although finite from the outside.
MA Project, Short
Film/Still.
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3
4
4
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Kristina Mielec
Department of Product Design Textile Design
www.kristinamielec.com
+45 22 28 94 39
MA Textile Design, Kolding School of Design, DK
BA Textile Design, Kolding School of Design, DK
School of Art & Design, Aarhus /Drawing
Intern 6 months Marie I Dali, Copenhagen
/Costume and Stage Designer, Copenhagen,
Intern, Tartuffe, Grønnegård Theatre, Copenhagen
Intern, Fanny og Alexander, The National Venue of
Theatre, Bergen
Intern, Den Gyllene Draken, Helsingborg City
Theatre, Helsingborg
Education Experience
2013
2011
2007-
08
2012
2012
2012
2012
1 2
83
I have an analytical approach to inspiration mate-rials and ways of transferring these to textiles, and I like experimenting with surfaces, materials, tech-niques, structures, colours, and contrasts. Identifying the right technique and the right materials is essen-tial to me.
My MA Project takes its point of departure in decay aesthetics. My inspiration material is collected in Grabowsee and Beelitz, Berlin, with a view to trans-late surfaces of the pictorial material into textiles. The textiles are for garments and contain different usages of materials and techniques in order to impartthe textiles with the appropriate expression, mood and atmosphere.
Digital printet
dress, crackled
trousers. Photo
from Heilstätte
Grabowsee.
Rust dyed dress.
Crackled neo-
prene sweatshirt.
Dress with effect.
Beelitz-Heilstätten.
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3
4
5
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Alexander Muchenberger
Department of Communication Design Interaction Design
www.publichygge.dk / www.bureau.biz
+45 27 38 11 06
MA Interaction Design, Kolding School of Design, DK
/Social Sculpture
BA Interaction Design Kolding School of Design, DK
Design Intern, Observatorium, Rotterdam /Concept
and Storytelling
Partner, Bureau Detours, Aarhus /Concept, Story-
telling and Craftsmanship
Senior Designer, DENNIS Design Center, DK
/Concept, Storytelling and Craftsmanship
Prize, Danish Arts, Crafts and Design, DENNIS
Design Center
Education Experience Other
2013
2011
2011
2009-
13
2011-
13
2011
1
2
3
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Prototype af Dig
Deeper Collection.
Prototype af Dig
Deeper Collection.
Beach probe #2.
Container is god.
Beach probe #2
in USE.
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3
4
5
One of the great things of being an interaction designer is that the job is varied; you get to meet different customers within different fields and get to learn about their needs.
I am looking for something beyond ‘good design’ — something extra.
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5
CONTAINERSPOT
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Krista Neergaard-Holm
Department of Product Design Textile Design
+45 26 16 66 23
MA Textile Design, Kolding School of Design, DK
Exchange, Artakademi, Aarhus, DK
BA Textile Design, Kolding School of Design, DK
Higher Commercial Examination, International
Business College, Kolding, DK
Internship, Weaver Lise Frølund Cooparation with companies: Carlsberg, Ecco,
Weaver Elise Housgaard
Exhibition, My Shoe, cooporation with Ecco,
Kolding School of Design, DK
Education Experience Other
2013
2009
2009
2006
2010 2013
2010
1
2
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MA Project.
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4
I work ambitiously, flamboyantly, intuitively, yet consciously. My designs are raw and unpolished and never compromise on quality. I value design with an edge, and I trust and believe in my calling as a de-signer. Process management, ideation, aesthetic flair, sensuousness, trend-spotting, and a solutionoriented approach are my specialities. Generally, design has a function, art has a moral.
My project partner, Industrial Designer Nina Guldager and I work to identify some of the most specific values in the bohemian lifestyle and transform these into an interior collection.
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Lukas Neige
Department of Communication Design Graphic Design
www.facebook.com,
find Lukas Neige
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90
Nikoline Bitsch Nejsum
Department of Communication Design Graphic Design
www.nikolinenejsum.dk
+45 26 27 86 98
MA Graphic Design, Kolding School of Design, DK
/Aesthetics
Exchange, Willem de Kooning Academie, Nether-
lands /Graphic Design, Data Design
BA Graphic Design, Kolding School og Design, DK
/Infographics
Krabbesholm College, DK /Graphic Design
Graphic Design Intern, ArtRebels, Copenhagen
/Logo Design, Banners, Web Design, Festival
Decoration
Freelance Graphic Designer, Himmelfabrikken,
Kolding /Logo Design
Education Experience
2013
2011
2011
2007
2012
2012
1 2 3
91
Generally, I care for simple, stringent graphics as well as loose, artistic or humorous graphics. I like spending time on research and the design process and doing experiments before deciding the form of my design. Yet, my end-design is always specific and completed.
In my recent projects, I have enjoyed combining graphics and knowledge by experimenting with creating a visual overview of complex issues; my BA Project focused on “the good life” and my MA Project on aesthetics.
BA Project, 2011,
Philosophical
perceptions of
“the good life”
systematised.
—
Anti-commercial
Project: 1 of 3
posters, 2012.
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Anne Dit lev Nielsen
Department of Product Design Industrial Design
+45 31 42 24 77
MA Industrial Design, Kolding School of Design, DK
/Furniture Design and Shoe Design
Product Design, Aarhus School of Architecture,
Exchange student, DK /Furniture Design
BA Industrial Design, Kolding School of Design, DK
/Furniture Design
Five week workshop, Tongji University, China /Bike
Design
Krabbesholm Højskole, DK /Product Design
Design Intern, Ecco, Tønder /Shoe Design
Design Intern, Schmidt Hammer Lassen Design,
Aarhus /Furniture and Interior Design
Scholarship, Fællesfonden til fordel for beskæftigede
i håndværksfagene i Kolding
Exhibition, World Expo2010, China /Bike Design
Exhibition, Illum /Sustainability Shoe Design
Exhibition, Shanghai Creative Industry Week, EXPO
/Bike Design
Exhibition, Odense Robot Festival, Robots that move
you, Ambulances and children
1st price, Sydvestjysk Hospital, DK /Poster Compe-
tition
Education Experience
2013
2010
2010
2009
2007
2012
2011
2011
2010
2010
2009
2009
2008
Other
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93
Being a designer, I take great interest in the objects that surround us and the feelings and thoughts that are put into making them. I am fascinated with how the way we experience products influences the way we live and how this might be used to design prod-ucts that add meaning to our lives.
Asymetric angles
create dynamics
that enable better
social interaction.
Asymetric angles
create dynamics
that enable better
social interaction.
Sponsored by:
SDE College,
Vejle. Dan Vals
A S. Kvadrat.
Fredericia Furniture.
JH Ståldesign.
Especially children
can get into a tight
corner when two
families merge
into one.
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4
My MA Project is inspired by modern family structures and our need to form emo-tional attachments within this ever changing family life. I have investigated how furniture can influence human interaction in a positive way and help cre-ate a personal space for each individual.
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Bit ten Fangel Nielsen
Department of Communication Design Graphic Design
www.bittenfangel.com
+45 20 67 47 17
MA Graphic Design, Kolding School of Design, DK
BA Graphic Design, Kolding School of Design, DK
Scandinavian Design College, DK /Graphic Design
Aarhus University, DK, Department of Aesthetics
and Communication /Art History
Graphic designer, Carne Vale, Flux Factory, New
York /Poster Design
Workshop participant, International Poster Biennial
of Mexico, Querétaro, Mexico
Graphic designer, In Words Drown I, Copenhagen
and Roskilde /Logo, Poster and Catalogue Design
Graphic designer, Fri Lyd — Sound Art Festival,
Den Frie Centre of Contemporary Art, Copenhagen
/Poster Design
Graphic Design Intern, Den Frie Centre of Contem-
porary Art, Copenhagen
Graphic Designer, worgw.org, Copenhagen
/Visual Identity
Freelance Illustrator, Scandinavian Design College,
10th anniversary illustration
Danish Championship in Drawing for kids
/Animation and Book Workshops
Electronic Music Festival, Sønderborg, Suro
/Interactive Installation
Education Experience Other
2013
2011
2007-
08
2005-
07
2013
2012
2012
2012
2012
2011
2010
2010
2009
1
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MA Project, “Eye
Hearing Ear
Looking”.
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3
Working with visual communication, I find myself to be inspired by the possibilities of new and old tech-nologies. I use systems and dogma to experiment with aesthetics and discover new ways of generat-ing images and graphic design. Experiments may lead to mistakes but to me, a mistake is a new opportunity.
My MA Project deals with methods for visualising sound; methods that explore various aspects of the translation from sound to graphics. The project focuses on everyday sounds, and by applying the methods, the sounds are used to create a graphic product.
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3
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Patrick Gilbert Nielsen
Department of Communication Design Interaction Design
www.cargocollective.com/patrickgilbertnielsen
+45 26 28 38 49
MA Interaction Design, Kolding School of Design, DK
/Animation
BA Interaction Design, Kolding School of Design, DK
Scandinavian Design College, DK /Graphic Design
Design Intern, DR Grafik, Aarhus, TV Production
/Motion Graphics
Design Intern, Mountainwheel Games, Graz,
Austria /Environmental Concept Artist
Education Experience
2013
2011
2007
2012
2012
1
2
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MA Project.
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2
3
Animation and games have a huge future potential in terms of storytelling and the creation of engaging spaces. The tools that are available to us today have really opened up the field of possibilities. My passion is to build a reality from scratch and make it come to life.
My MA Project concerns the reality that we as indi-viduals construct. For some, depression is a condition that they have to face on a daily basis. I have created a short film to describe the nature of this condition.
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Katrine Terese Nielsen
Department of Product Design Fashion Design
www.cargocollective.com/katrineterese
+45 28 49 18 28
MA Fashion Design, Kolding School of Design, DK
/Women’s Wear
BA Fashion Design, Kolding School of Design, DK
/Women’s Wear
School for Visual Arts, Denmark /Drawing
Design Intern, Iris van Herpen, Amsterdam
Design Intern, Nikoline Liv Andersen, Copenhagen
Company cooperation, Barbara I Gongini,
Copenhagen
1st prize, Aarhus Sustainability Festival, fashion
show, Nomads
First runner-up, The Golden Fur Needle, A Love
Story
First runner-up, H&M recycling, Aura
Among the exhibiting, Ghost project exhibition,
Serbia, Dough Shoe
Education Experience Other
2013
2010
2007
2012
2011
2010
2013
2012
2012
2012
1
2
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I work in the cross-field between fashion and art developing conceptual silhouettes for the female body.
Each silhouette comprises masculine, feminine and animal elements that melt together and express the pulsating, sexual impulses which occur between a man and a woman who experience a physical attraction. The marks they leave on one another inspires the collection visually.
MA Project,
Loop Dress.
MA Project,
Leather Jacket.
MA Project,
Ostrich Cape.
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2
3
3
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Naija Nygaard
Department of Product Design Industrial Design
www.naija.dk
+45 30 22 86 12
MA Industrial Design, Kolding School of Design, DK
Exchange Willem de Kooning Academy, Rotterdam
/Spatial Design and Interior Architecture
BA Industrial Design, Kolding School of Design, DK
Copenhagen Technical School, Goldsmith /Basic
Techniques
Rigshospitalet Patient Hotel, reception area /Light
and Sound solution
Farmateket Internship, 4 month /Store Concept and
Lighting Design
Internship Hotel Pro Forma, 3 weeks /Lighting
Design for new performance
Vejle Emergency Hospital, Children’s Ward, Interior
Design, in collaboration with Industrial Designer
Julie Damhus
Ideriget Aarhus, Interior Design on entrance hall in
collaboration with Industrial Designer Stine Weigelt
Nielsen
Jonker Fransstraat in Rotterdam, Urban Planning
project, exhibiting suggestion for the renewal of the
North Square in Rotterdam, in collaboration with
students of the Willem de Kooning Academy
Lightyears, collaboration on suggestion for new
lighting design
Tongji University of Shanghai, exhibiting charging
station for electrical vehicle
Belgium Biennale, wind turbine Maple, in coopera-
tion with Vestas
Vestas, Aarhus, wind turbine Maple, in cooperation
with Vestas
DMY Design Festival, Berlin, exhibiting Polar Array
lamp
Hinnerup Library, Art Project — Design Children,
in collaboration with Industrial Designer Signe
Mårbjerg Thomsen
Education Experience Other
2013
2012
2011
2006-
07
2013
2012
2011:
2011
2010
2013
2012
2010
2010
2010
2010
2010
Throughout my study years, my designs have been a reflection of my fascination with light and space. I have focused on human behaviour in relation to light and explored how light affects spaces and materials. My fixture designs are created based on the many possibilities and qualities of LED, which challenge materials and form anew.
In relation to my MA project I carried out observa-tions at Rigshospitalet Patient Hotel in Copenhagen. These observations have resulted in a soundreduc-ing fixture designed to hang above the reception desk; an area that requires discretion, peace to work and efficient work light. To fit these needs, I have created a design made from glass wool and LED.
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Initial drawing
model inspired by
fungi lamella.
Model for testing
size over a recep-
tion counter.
Lamp module put
together in one
of many possible
patterns.
Single module
separated into
parts.
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3
4
4
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Maria Rokkedahl Nørholm
Department of Product Design Textile Design
www.choose-me.dk
+45 23 45 27 52
MA Textile Design, Kolding School of Design, DK
Portfolio course, KTS, DK
Fashion Jewellery, Exchange, London College of
Fashion, UK
BA Textile Design, Kolding School of Design, DK
Scandinavian Design College, DK /Fashion and
Textile
Record cover, Os med Kælder, Rekompileret,
Copenhagen, DK /Pattern made by a repetition of
a rubber stamp
Internship, Norman Copenhagen, Copenhagen, DK
Workshop, Kopenhagen Fur, Copenhagen, DK
/Designing my own fur collection
Internship, Interior Stylist Mette Helena Rasmussen,
Copenhagen, DK /Styling for the Danish lifestyle
and interior magazine Boligliv /Styling a Danish
second hand shop, Fashion department and other
styling projects
Swatch, Desigual, Spain /Sold a swatch to the fash-
ion company Desigual at Indigo Fair in Paris
Great Greenland and Ecco /Collaboration MA
Project
The Golden Fur Pin, Danish Design Center, Design
Museum Denmark, Trapholt /Accessory Collection
in fur
Collaboration Kopenhagen Fur, DK /Fur collection
1st prize The Golden Fur Pin, DK /Accessories
Indigo Fair, Paris
Erasmus Schoolarship, Kolding Kommunes Kunst-
håndværker legat, Toyota Fondens Rejselegat
e-COLLECTION, Collaboration with ECCO, Exhibited
at Illum, Copenhagen /Shoe Design
Teijin, Collaboration, Japan /Textile design
Education Experience Other
2013
2012
2011
2007
2007
2012
2011
2010
2010
2009
2013
2011
2011
2010
2010
2009-
11
2009
2009
1
103
In my work as a textile designer, I process my mate-rials by investigating them and let my discoveries leadme to the final design. I have a strong eye for mate-rial composition and find myself drawn to current trends which I then reinterpret. Oftentimes, my designstake a commercial direction; yet, with audacious material compositions and play as the mainspring.
The Personal Project takes its point of departure in three interviews. It challenges classic forms and mate-rials by presenting a jewellery collection made from seal, copper, leather, cork, plastic, wood, and acrylic that displays untypical material clashes: Natural meets artificial, hot meets cold, hard meets soft. The collec-tion has a brave, Nordic and graphic expression.
Compositions;
Copper, leather
and cork. Seal,
plastic, acrylic and
wood.
Combination;
Three surfaces,
three scents, same
method.
Collar; Natural
meets artificial.
Hard meets soft.
Seal and plastic.
Cluster; Cork,
leather and cop-
per foil.
Classic; Sharp
meets round.
Acrylic and wood.
Double ring.
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3
4
5
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2
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Osmund Olsen
Department of Product Design Industrial Design
www.osmundolsen.com
+45 30 66 72 18
MA Industrial Design, Kolding School of Design, DK
/Industrial and Product Design
BA Industrial Design, Kolding School of Design, DK
/Industrial and Product Design
Multimedia Design, NoMA Nordic Multimedia
Academy, DK
Drawing Course, Den klassiske tegneskole, DK
/Classic Drawing
Business College Syd, DK /Sales Assistant
Design Summer Camp, House of Design, Kolding
/Assistant Teacher
Design Intern, SHL Design, Aarhus /Product Design
Designer, Teknistovan Spf, Faroe Island /Web
Designer
Sales Assistant, Vr — bilar, Auto parts, Faroe Island
Volunteer Worker, OM — Logos Hope, Copenhagen
/Project Worker
Cargo bikes parking, Workshop, City of Copenhagen
/Concept and Product Design
International DesignCamp, Etrans /Product Design
Publication, My Shoe, Ecco /Shoe Design
Publication, Report 3, Etrans, Kolding /Electric
Charging Station Design
Exhibition, etrans, Dong Energy headquarter,
Gentofte /Electric Charging Station Design
Exhibition, Biennale Internationale du Design de
Liège, Belgium /Ocean Wind Turbine
Exhibition, Vestas, Aarhus Headquarter /Ocean
Wind Turbine Design
Publication, Wind, Vestas /Ocean Wind Turbine
Design
Vestas, Aarhus, Ocean Wind Turbine /Wind Turbine
Design in cooperation with Vestas
Faroe Island represents, ICHY 2009, Island /Product
Design
Nani, Raadvad cooperation, Silkeborg /Knife Design
Education Experience Other
2013
2011
2008
2007
2007
2012
2012
2009
2007
2004
2012
2011
2010
2010
2010
2010
2010
2010
2010
2009
2009
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105
Born in the heart of the North Atlantic Ocean, I am a Scandinavian designer with a passion for form and aesthetics. I am inspired by elegance and driven by the excellence of perfection.
My MA Project is a LED lamp collection inspired by the movement of a ballerina and the strength, disci-pline and elegance she possesses.
MA Project.
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2
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Bo Pedersen
Department of Communication Design Interaction Design
www.cargocollective.com/bopedersen
+45 28 57 76 23
MA Interaction Design, Kolding School of Design, DK
/Interaction and Illustration
BA Interaction Design, Kolding School of Design, DK
Design Intern, Nordisk Film A/S /Animation and
Graphics
3rd prize, Ecco 360 Challenge /Interaction and
Recycling, New Store Concept
Education Experience Other
2013
2011
2012 2010
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107
2 parts interaction, 2 parts illustration, 2 parts think tank, 1 part graffiti and 1 part gaming. This is pretty much the sum of me as a designer. Usually, this mixture results in playful interaction projects that visually reflect my long-time background in drawing and graffiti.
Final sketch for the
illustration part of
the installation.
Old building
waiting to be torn
down creates the
framework.
1
2
My MA Project is an instal-lation carried by illustration. It loosely revolves around the theme “Copenhagen in the year 2018, after the civil war”. Visually it brings the horrors of the World closer and forces the spec-tator to experience some form of emotional reaction.
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108
Benjamin Buus Pedersen
Department of Communication Design Interaction Design
+44 74 48 16 86 06 / +45 29 82 28 99
MA Interaction Design, Kolding School of Design, DK
/Service Design and Interaction
INDEX-YONSEI Design to Improve Life /Summer
School, South Korea
BA Interaction Design, Kolding School of Design, DK
/Service Design and Interaction
Kompetancehuset, Aarhus /Drawing and Design
Designer, Windowvation Ldt, London
Design Intern, 1508 A/S, Copenhagen
Represented Kolding School of Design at The Hong
Kong Business of Design Week
Shanghai Design Week
Odense Robot Festival
Education Experience Other
2013
2011
2010
2005
2012
2011
2012
2009
2009
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2
109
I ask stupid questions. What is the context and what metaphor might describe it? Can you say it, or should it be drawn? Maybe experienced through play? Behind the numbers and letters are colours and stories, secrets and possibilities! We are in an endless stream of data and the future belongs to those who can decipher the stars and dare to navigate. As a child I loved the treasure hunt. The journey of riddles and clues, people with masks, and the mysterious treasure chest. The journey is magical and vital to how we understand design; whether good or bad.
4
3
MA Project,
Context.
MA Project, Focus.
MA Project,
Research.
MA Project, Proto-
typing.
MA Project, Test.
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5
5
110
Pauline Joy Richard
Department of Product Design Industrial Design
www.paulinejoyrichard.com
+33 63 24 10 907 / +45 50 38 75 97
MA Industrial Design, Kolding School of Design, DK
BA Product Design, Central Saint Martins, London, UK
Product Design Exchange Course, Nuova Acca-
demia Di Belle Arti Milano, Italy
Art Foundation School, L’Atelier de Sèvre, Paris,
France
Freelance, ERES, Paris, Window Display for Saint
Valentines in Paris and France
Design Intern, Chanel, Paris /Interior and Industrial
Design
Lead Designer, Bamboa, Hong Kong /Industrial
Design
Product Designer, Bureau Detours, Aarhus /Furni-
ture Design
The little black Jacket, Chanel, Seoul, Korea
Collaboration, Ecco, DK /Project exhibited at the
Salone del Mobile in Milan
Head of the Central Saint Martins BA Product De-
sign Degree Show, London /Space Design, Curation
and Organisation
FashionForShow, London, Catwalk and Space Head
/Design and Construction
Collaboration, Design Against Crime (DAC)
Research Centre, London /Social innovation project
in collaboration with the NCR and the Royal Bank
of Scotland, UK
Education Experience Other
2013
2011
2008
2007-
08
2013
2012
2012
2011
2012
2012
2011
2011
2011
1
111
You find beauty, delicacy and humour in the unex-pected, the surprising. Design practice should chal-lenge conventions and cultures, whilst combining fine detailing and honest materials, reinforcing the ele-gance and the simplicity of an object. My work aims to channel and benefit from these values, through product design and installations. HONGKONGmade is a collection of objects design-based on the undefined identity of Hong Kong; the combination of traditional Chinese with Western modern, made in collaboration with designer Emil Søgård Jacobsen. These products reflect the history and the roots of Hong Kong that are already embod-ied in the city, hence produced by craftsmanship and artisans of Hong Kong, and destined to be distributed locally.
MA Project,
Objects found
in the streets of
Hong Kong.
MA Project,
Hong Kong sketch-
book page.
MA Project,
Hand-carved
wood stamp logo.
MA Project,
Prototype models
of The Collection.
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2
3
4
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3
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112
Alexander Katchen Sehested
Department of Product Design Fashion Design
+45 60 94 22 15
MA Fashion Design, Kolding School of Design, DK
/Fashion
Exchange, Weißensee Kunsthochschule Berlin
/Fashion
London College of Fashion, England /Menswear
Fashion
BA Fashion Design, Kolding School of Design, DK
/Fashion
The Scandinavian Design College, DK /Product
Design
Design Intern, Patrik Ervell, New York,
Design Intern, Yigal Azrouël, New York
Freelance Designer, The Golden Fur Pin /Design
and Production of trophies
Design Intern, Vilsbøl De Arce, Copenhagen
Design Intern, Femmes Regionales, Copenhagen
1st prize, The Golden Fur Pin, Kopenhagen Fur
/Fur outfit, in collaboration with Designer Louise
Fenger Hvilsted
Education Experience Other
2013
2012
2012
2011
2007
2011
2011
2010
2010
2009
2009
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113
I am fascinated by functionality and purpose in relation to menswear, and so I mix sports refer-ences with details of classic tailoring.
My MA Project is inspired by the contemporary Romany. I combine their sense of aesthetics with their use of second hand clothes, love of patterns and gold to create my menswear collection. The collection is a mixture of elements ranging from sportswear to classic suits.
3
4
MA Project.
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114
Divya Sharma
Department of Product Design Textile Design
+45 50 34 88 40
MA Textile Design, Kolding School of Design, DK
/Home Furnishings
BA Textile Design, National Institute of Fashion
Technology, India /Home Furnishings
Textile Designer, Varnali Exports Pvt.ltd, New Delhi,
India /Fashion Accessories and Home Textiles in Prints
and Surfaces
Textile Designer, Decosit and Texworld International
Fairs, Bharat Tissus Pvt.ltd, Bangalore, IndiaPrinted
Textiles for Home and Fashion
Design Intern, Graduation project, Heimtextil’09 Inter-
national Fair, Bharat Tissus Pvt.ltd, Bangalore, India
/Home Furnishing Collections in Embroidery Surfaces
Design Intern, National Botanical Research Institute,
Lucknow, India /Revival of Natural dyes for Eco-
friendly Fabrics
Design Intern, Craft project, Kala Raksha, Gujarat,
India /Home Textiles inspired by Indian arts and crafts
Design Intern, Craft project, Heimtextil'07 Internation-
al Fair, SEWA, Gujarat, India /Home Textiles inspired
by Indian arts and crafts
Gold Medal, Best Academics Performance Award in
Fashion Textile Design, National Institute of Fashion
technology, India
1st prize, Best Graduation Project Award, National
Institute of Fashion technology, India
Education Experience Other
2013
2009
2011
2010
2009
2008
2007
2007
2009
2009
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115
Nature motifs
developed by live
sketching at the
Botanical Garden,
Copenhagen.
—
Prints and surfaces
for bed linen
developed from
the flora-fauna
motifs sketched
by me providing
“the original and
ecological feel”.
—
Nature motifs
developed by live
sketching at the
Botanical Garden,
Copenhagen.
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2
3
4
5
My journey in design has been a process of finding inspiration in the shapes of nature as well as the different arts and cultures of the World, in order to develop innovative ornamented textiles in prints and embroidery surfaces, adding aesthetic visual pleasure to our homes and to ourselves.
“Decoration and the pursuit of visual pleasure are constants in human life, and by better sat-isfying customer needs it may be possible to reduce the rate at which design products are replaced”.
These words, stated by David Brett and Sandy Black, have in-spired my MA Project in which I develop ornamentations in-spired by the living botanical world around us for the already existing sustainable woven lin-ens, thus finding for myself as a designer the connection between “Ornamentation, pleasure and sustainability”.
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4
5
116
Cecilie Marie Skov
Department of Communication Design Graphic Design
www.cargocollective.com/cecilie
+45 24 91 07 56
MA Graphic Design, Kolding School of Design, DK
/Visual Communication
Design Camp, Kolding School of Design, DK
/Nudging
BA Graphic Design Kolding School of Design, DK
/Visual Communication
Multimedia Designer, Business Academy Aarhus, DK
Graphic Designer, Jutland Art Academy, Aarhus
/Catalogue Design for the final exhibition
Graphic Designer, Rundkant, Copenhagen /Visual
Identity
Design Intern, DR Design, Copenhagen /Graphic
Design for the Danish Broadcasting Corporation
Graphic Designer, Trifork, Aarhus /Book Layout
Design Intern, Lower East, Aarhus /Graphic Design
and Web Design
Education Experience
2013
2012
2011
2007
2012
2012
2011
2011
2007
1
117
Being a graphic designer, I work with visual com-munication. I use my graphic tools to design mes-sages that will challenge and engage the specta-tor. I give great priority to the fact that my designs should be able to interact with the spectator/user. I want to make a difference and speak to people’s hearts.
For my MA Project I have designed an information campaign intended to make people contemplate the way they live their lives; put day-to-day life in per-spective and enjoy the moments that make up a life-time. The campaign encourages individuals to take a stand and eliminate what is not important. The proverbial glass is either half-full or half-empty; I want people to focus on the glass that is half-full and stop stressing about what is lacking in their lives and start enjoying what is.
Poster from my
MA Project 2013.
The campaign
Look up!
Selected collection
of my work at
Kolding School of
Design.
Poster from
the exhibition
“Kvinde kend din
kropsholder” 2012
by Rundkant.
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3
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118
Sarah Mi Svendsen
Department of Product Design Fashion Design
www.sarahmi.dk
+45 30 13 33 37
MA Fashion Design, Kolding School of Design, DK
BA Fashion Design, Kolding School of Design, DK
Skolen for Kunst og Design, Aarhus, DK
Internship, Anne Sofie Madsen, 8 months,
Copenhagen, DK
Internship, Bibi Ghost, 6 months, Copenhagen, DK
Internship, Mandy Coon, 3 months, New York, US
Education Experience
2013
2010
2006-
07
2012
2011
2010
1
2
119
Part of the collec-
tion AW14.
Swarovski Sweat
Shirt, inspired by
the Centre Pompi-
dou at night.
Centre Pompidou.
SteelCut Jacket,
tight look in high-
tech materials.
Inspiration board:
1
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3
4
When I start a process, I like to establish a frame-work or a set of rules within which to explore my inspiration, build concepts and experiment. I work with feminine silhouettes and clean, stringent lines. Contrast and balance are recurring elements of my creations, both in terms of colour, cut, materials and form, and give my designs a complete look.
The architecture of the art muse-um Le Centre Pompidou in Paris and the ideas that it builds on serve as the inspiration for my MA Project “Exhibition”. I have reinterpreted the layers and the construction of the building, its architectural lines and its integrity and readability, and translated these into a fashion collection consisting of a mixture of tradi-tional and high-tech materials.
4
3
120
Sidsel Wit tendorff Sørensen
Department of Communication Design Illustration
www.sidseldraws.com
+45 20 76 95 78
MA Illustration, Kolding School of Design, DK
/Storytelling
BA Honours Illustration, Cambridge School of Art,
UK /Narrative Illustration
Freelance Illustrator, Væksthus Midtjylland, Aarhus
/25 Book Illustrations
Freelance Illustrator, Saint Motel — band, L.A.
/Illustrated Portrait
Freelance Illustrator, DR P4, Aarhus /Postcard
Intern, DR, Aarhus /Storyboarding, Illustration,
Animation, Concept
Intern, Barq Video, Kolding /Illustration, Concept,
Animation, Explainers
Freelance Illustrator and Graphic Designer, SF Sorø
/Posters, Flyers and Cinema Spot
Freelance Illustrator, Huset i Magstræde, Copenha-
gen /Poster and Flyer
Freelance Illustrator, Darwin i Danmark, Aarhus
/Poster and Flyer
Freelance Illustrator, Women in Politics: The 100
year anniversary, Sorø /Poster Design
Highly commended, House of Illustration & Folio
Society Book Illustration competition, London /Book
Illustration
Collaboration, Unicef /Explainer Animation
DesignCamp, Kolding School of Design /Service
Design, Making Electricity Tangible
Exhibition, New Designers, London /Illustration
Exhibition, CSA Degree Show, Cambridge
/Illustration
CSA Degree Show, Cambridge /Fundraiser and
Organiser
Education Experience Other
2013
2009
2013
2013
2012
2012
2012
2009-
11
2011
2010
2010
2012
2011
2011
2009
2009
2009
1
2
121
I always start out with pencil and paper but I love mixing the analogue and the digital. The analogue gives a human presence, and the digital allows me to experiment freely. My work focuses on storytell-ing, a fascination with everyday life and humour expressed through a flat, illustrated landscape, personal mark making and patterns.
For my MA Project I have developed a music video for the L.A. band, Saint Motel. The animation is done by hand in pencil, the backgrounds are ink painting and collage, and finished digitally. The narrative of the film has emerged from the develop-ment and the mood of the music and illustrates its primary theme: Unrequited love.
MA Project, Stills
from music video
for the band Saint
Motel.
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3
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122
Ragnhild Lübbert Terpling
www.gooddesign.dk
[email protected] / [email protected]
+45 25 88 48 09
MA Industrial Design, Kolding School of Design, DK
/Urban Rough Sleeping
Journalism Additional Training, School of Media
and Journalism, DK
Exchange student, Aarhus School of Architecture, DK
BA Industrial Design, Kolding School of Design, DK
Design Camp, Tongji University, China
Sketching Techniques, Art & Design School, DK
Writer’s course, Kompetencehuset, DK
Owner, Good Design, Aarhus /Product Design,
Graphic Design and User Research
Industrial Designer, 3PART, Aarhus /Product Design,
Graphic Design and User Research
Design Intern, 3PART, Aarhus
News article: “Designere: Vi har svært ved at
forklare, hvad vi kan”, published by Danish Design
Association, DK
Exhibition Ecco Shoe, Ecco, Illum Copenhagen, DK
Publication: Robots That Move You, Kolding School
of Design, DK
Exhibition, Odense Robot Festival, Robots That
Move You, DK
Scholarship, Fællesfonden til fordel for beskæftigede
i håndværksfagene i Kolding, DK
Publication, Transitioning Stigma, GN Resound, DK
Education Experience Other
2013
2012
2012
2010
2009
2006
2004
2013
2012
2011
2012
2009
2009
2009
2008
2008
Department of Product Design Industrial Design
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2
3
123
It is important to me to understand the context and the people that I design for. In order to be able to successfully involve users in the design process, I have supplemented my design education with a degree in journalism. The interplay between design and journalism has provided me with valuable tools that I am able to use as joint owner of the design company Good Design.
Ulrik has been
homeless for five
years.
Ulrik sets up camp
in less than one
minute.
Mobility is
extremely impor-
tant to Ulrik.
The tent bag
resolves sleeping
and storage issues
for homeless
people living on
the street.
Having his tent
bag, Ulrik is able
to sleep safely at
night.
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2
3
4
5
My MA Project builds on the experiences of homeless people living on the street. The result is a multifunctional product which combines storage of personal belongings with a place to sleep at night. The tent bag supports and improves the current lifestyle of the target group by meeting some of their most basic needs.
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5
124
Signe Mårbjerg Thomsen
Department of Communication Design Interaction Design
www.signemaarbjerg.dk
+45 61 31 91 11
MA Interaction Design, Kolding School of Design, DK
/Behavioural Design
Exchange, Copenhagen Institute of Interaction
Design, DK /Interaction Design
BA Industrial Design, Kolding School of Design, DK
/Industrial Design
Krabbesholm College, DK /Product Design
Design Intern, INudgeYou-Development, Copenhagen.
/Behavioural Design
Co-Founder, Rundkant, Copenhagen /Administration
and Curating
Design Intern, Laboratory for Social Inclusion, Kold-
ing School of Design /Method Development
Costume Designer, Carnivalesque of the Prejudice
2.0, Aarhus /Costume Design
Installation, Kvinde kend din kropsholder, Rundkant,
Trapholt /Exhibition Concept
Exhibition, Kvinde kend din kropsholder, Rundkant,
Carlsberghallerne /Exhibition Concept
Design fair, DMY Berlin /Product Design
Exhibition, Hinnerup Library and Cultural House
/Installation
Education Experience Other
2013
2012
2011
2007
2013
2011
2011
2011
2013
2012
2010
2010
1
125
To me, design is more than just form. Design is new structures in an existing world. Therefore, I spend time exploring the trivial life because this is the life that I wish to build on. I have a critical approach; however, I do try to communicate my rebellion with a twinkle in my eye. My strength lies in concept development and working closely with users.
This is also the case with my MA Project which focuses on developing solutions that will make students at SOSU Aarhus (the social and health care assistant school) increase their level of physical activity.
Product design.
LED lamp with a
physical interface.
Critical design.
Visualising the
problems of peo-
ple with dementia
when interacting
with machines.
Interaction design.
Making prostheses
which do not
hide a physical
disability.
Behavioural
design. Getting
students to drink
more water.
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2
3
4
3
4
2
126
Jonas Prip Thorsen
Department of Communication Design Illustration
www.jonasprip.com
+45 20 61 95 67
MA Illustration, Kolding School of Design, DK
/Visual identity for the organisation Børns Voksen-
venner
Exchange student spring semester, HAW Hamburg,
Germany /Illustration
BA Illustration, Kolding School of Design, DK
/Illustrated Textbook for 3rd and 4th grade pupils
Scandinavian Design College, Randers /Graphic
and Product Design
Design Intern, Lower East – Graphic Design Studio,
Copenhagen /Illustration, Websites, Logos, Posters
and Magazine Design
3xPrip Exhibition, Hans Falcks Hus, Aabenraa
/Drawings and Paintings
Illustrator, Medievark Study Magazine /Illustrations
Education Experience Other
2013
2012
2011
2007-
08
2011 2011
2010-
11
1
2
127
MA Project,
Børns Voksen-
venner (children’s
grown-up friends)
poster.
Make a donation
and support the
volunteer work
at Børns Voksen-
venner
(Children’s Grown-
up Friends).
Outline of 3D
paper illustrations.
Remote controlled
racing car.
1
2
3
4
3
Being an illustrator and graphic designer, I build visual universes designed to engage the spectators and make them open their eyes wide, smile and think. I experiment with expressions and materials. I am particularly interested in lifting motifs from 2D to 3D.
My MA Project is a redesign of the visual identity of Børns Vok-senvenner (Children’s Grown-up Friends). Through 3D illustration, using cardboard and paper, the project suggests a new visual mode of expression for the organisation.
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128
Laura Trzebuchowska
Department of Product Design Fashion Design
www.lauratrzebuchowska.com
+45 52 79 56 54
MA Fashion Design, Kolding School of Design, DK
BA Fashion Design, Kolding School of Design, DK
School of Art & Design, Aarhus /Drawing Course
Design Intern, Anne Sofie Madsen, Copenhagen,
/Draping, Designing Demi Couture Garments
Course at Kolding School of Design, DK /General
knowledge of Textile, Textile Production and Textile
Manipulation, Designing and Creating Digital Prints
Course at Kolding School of Design, DK /Ideation,
Research and Concept Development
Course at Kolding School of Design, DK /Pattern
Construction and Sewing Techniques
Collaborations with Kvadrat A/S
Collaborations with Ecco
Education Experience Other
2013
2011
2008
2012
2009-
11
2009-
11
2009-
11
2013
2010
1 2
129
MA Project.
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2
3
4
5
Processing inspiration material is a large part of my design process. It is important to me that what inspir-ed me to begin with, is visible in my final collection.
My MA Project focuses on en-tropy in relation to sand, and the way the grain of sand strives for chaos. My inspiration material consists of 43 grains of sand that have been magnified 250 times through a microscope. The images serve as the starting point for my use of materials and colour. In addition, I have included various elements from the history of sand in order to maintain my focus on entropy as the mainspring. The outcome of the collection is a stylistic chaos involving elements from the fashion trends of different times.
3
4
5
130
Johanna Ulfsak
Department of Product Design Textile Design
www.ulfsak.com
MA Textile Design, Kolding School of Design, DK
Kasuri weaving course, autumn semester, Kawashima
Textile School, Japan
BA Textile Design, Kolding School of Design,
Erasmus exchange programme, DK
BA Textile Design, Estonian Academy of Arts,
Estonia
BA Leather Design, Estonian Academy of Arts,
Estonia
Boessert Schorn /Jewellery and Accessory Production
Design Intern, Boessert Schorn, Berlin /Jewellery
and Accessory Design
Freelance Illustrator
Intern, Kuukulgur Film, Tallinn /Stylist Assistant
Education Experience Other
2013
2012
2010
2010
2007
2013
2012
2008-
12
2009
2013
2013
2013
2012
2012
2011
2010
2010
2009
Collaboration with Graphic Designer Marke
Saaremets, Graduation Project, Tallinn
Collaboration with company Mott Tailoring
/Graduation project, Copenhagen
Graduate Exhibition, Municipal Museum of Art, Kyoto
Scholarship, Estonian Ministry of Culture
Scholarship, Estonian Cultural Endowment
Scholarship, Estonian Cultural Endowment
Advertising Award Golden Egg, Gold /Illustration
Category
Advertising Award Golden Egg, Bronze /Outdoor
Ad Category
ADC Estonia Design Award, Gold /Illustration
Category
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131
Having dedicated the past three years to studying the language of weaving technique, my aim is to use the acquired knowledge in order to integrate this tradition — its creative and ethical potential — into the context of contemporary design. As a textile designer, I want to create transparent design and as a weaver, I want to represent the slow fashion movement.
My MA Project explores the ethical prospective of the consumer-product relationship through devel-oping a niche brand for men. My objective is to bring back the enchantment of luxury of traditional weaving and discover my potential position in the textile/fashion industry.
Combination of
Estonian merino
wool and Japa-
nese silk.
MA Project, woven
niche products
for men
Mushroom dyed
silk and wool.
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2
3
3
132
Merja Hannele Ulvinen
Department of Product Design Fashion Design
+45 81945270 / +35 8408474977
MA Fashion Design, Kolding School of Design, DK
BA Fashion Design, University of Lapland, FIN
Exchange, St. Petersburg State University of Tech-
nology and Design, Russia
Oulu Vocational College of Crafts and Design, FIN
/Fashion Design
Oulu Vocational College of Crafts and Design, FIN
/Textile Design
Liminka School of Art, FIN /Comic Drawing
Design Intern, Moonspoon Saloon, Copenhagen
Design Intern, Daniel Palillo, Helsinki
Intern, IVANAhelsinki, Helsinki
Education Experience Other
2013
2011
2009
2005
2004
2003
2012
2011
2007
2011
2011
2010
2010
Exhibition, Cheongju International Design & Crafts
Biennale, Cheongju
Fashion show, ERKI, Tallinn
Fashion show, ERKI, Tallinn, in collaboration with
Minna Ylitalo
Fashion show, Northern Lights, Helsinki, in collabo-
ration with Minna Ylitalo
12
133
MA Project,
REACTION.
MOMENT, 2013.
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Photos by Balder
Skånström-Bo.
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2
3
4
5
I see things as entities. To me, shapes, textures and colour combinations are inseparable. My visual language derives from my interest in the complex beauty of human emotions. I am curious to discover the different nuances in all the elements and to bring them together in collections in unexpected compositions.
My MA Project focuses on the space between cause and effect, where something changes, an emotional reaction occurs and a memory is created. Through juxtaposition of different struc-tures, colours and materials, I have created a collection in which every silhouette repre-sents a different reaction on a human body.
4
3
5
134
Nina Wasland
Department of Communication Design Graphic Design
www.wasland.dk / feedmyprint.tumblr.com
+45 21 18 42 61
MA Graphic Design, Kolding School of Design, DK
BA Graphic Design, Kolding School of Design, DK
Scandinavian Design College, DK /Graphic Design
Rogaland Art School, Norway /Art Studies
Intern, Drucksalon, Berlin /Screenprinting
Production Assistant, Keno Advertising, Kristiansand
∕Signage Decoration
Education Experience Other
2013
2011
2007-
08
2004-
06
2012
2007
2013
2012
2012
2010
2010
2006
2004-
06
Installation, Kvinde kend din kropsholder, Rundkant,
Trapholt /Furniture Design
Natural Colors, Solo Exhibition, Drucksalon, Berlin
/Screenprinting
Exhibition, Kvinde kend din kropsholder, Rundkant,
Carlsberghallerne /Furniture Design & Exhibition
Build-Up
Collaborative project with Universidad Mayor,
Santiago, and Libro Alegre, Valparaiso Ideas
/Design and Presentation
Creative Workshop, Danish Championship
in Drawing, Horsens /Ideas and Communication
Graduation Exhibition, Rogaland Art School,
Stavanger Kulturhus, Stavanger /Photographs and
Drawings
Volunteer Work, Gallery Folken, Stavanger
/Curating and Presenting Exhibitions
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The field of graphic design is a large space of oppor-tunity. This fascinates me, and I explore this space by incorporating craftsmanship, spatiality and research in my projects. Craftsmanship, in the form of a beautiful binding or a unique handmade print, appeals to me, as does a work of graphics which evolves into some-thing spatial.
Over time, I have started integrating research elements in my projects, including my MA Project. In addition to being an in-depth exploration of thae potential of colours, my MA Project involves a production process in which I produce my own colours using exclusively natural raw materials.
Natural Colours.
Screenprinted
poster printed
with the colours
of the depicted
vegetables.
Natural Colours.
Screenprinted
poster with colour
derived from
parsley.
The Chemistry of
Colours,
MA Project, Col-
our Map.
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2
3
3
138
Kimie Melanie Breidfjord
p. 34-35
Christian Engemand Blom
p. 30-31
Mathias Botfeldt
p. 32-33
Claudia Egholm Castrone
p. 38-39Sidsel Wittendorff
Sørensen p. 120-121
Jonas Prip Thorsen
p. 126-127
Nina Wasland
p. 134-135
Kirstine Skov Hansen
p. 52-53
Tenna Elisabeth Jacobsen
p. 62-63
Nikoline Bitsch Nejsum
p. 90-91
Bitten Fangel Nielsen
p. 94-95
Illustration
Birk Marcus Hansen
p. 50-51
Lukas Neige
p. 88-89
Cecilie Marie Skov
p. 116-117
Department of Communication Design Graphic Design
Rasmus Palmelund
Kviesgaard p. 70-71
139
Lærke Thorst Balslev
p. 26-27
Patrick Gilbert Nielsen
p. 96-97
Bo Pedersen
p. 106-107
Benjamin Buus Pedersen
p. 108-109
Signe Mårbjerg Thomsen
p. 124-125
Silvia Bella
p. 28-29
Christoffer Hjelm-Hansen
p. 48-49
Jacob Keinicke
p. 64-65
Soleil Zumbrunn du Midi
p. 80-81
Alexander Muchenberger
p. 84-85
Interaction Design
140
Textile
Mea Andresen
p. 24-25
Katja B. Knudsen
p. 66-67
Laura Locher
p. 72-73
Mathilde Maalouf
p. 74-75
Katrine Terese Nielsen
p. 98-99
Sarah Mi Svendsen
p. 118-119
Laura Trzebuchowska
p. 128-129
Merja Hannele Ulvinen
p. 132-133
Anne Woidemann
Christensen p. 40-41
Rosa Tolnov Clausen
p. 42-43
Gitta Foldberg
p. 44-45
Charlotte Bodil Hermansen
p. 58-59
Linea Lund Hjorhöy
60-61
Marie-Louise D. N.
Buchholz p. 36-37
Department of Product Design Fashion
Michelle Volquards
Hansen p. 54-55
Laura Møller Henriksen
p. 56-57
Alexander Katchen Sehested
p. 112-113
141
Industrial Design
Ulla Næraa Mariager
p. 76-77
Nina Guldager
p. 46-47
Lena Krogsgaard
p. 68-69
Nikolaj Lorentz Mentze
78-79
Anne Ditlev Nielsen
92-93
Osmund Olsen
104-105
Pauline Joy Richard
p. 110-111
Ragnhild Lübbert Terpling
p. 122-123
Krista Neergaard-Holm
p. 86-87
Maria Rokkedahl Nørholm
p. 102-103
Divya Sharma
p. 114-115
Johanna Ulfsak
p. 130-131
Kristina Mielec
p. 82-83
Naija Nygaad
100-101
142
Colophon
Editor
Co-Editor
Layout
Photo
Paper
Font
Advisor
ISBN
EAN
Kolding School of Design
Ågade 10
6000 Kolding
www.designskolenkolding.dk
© Kolding School of Design /Designskolen Kolding 2013
All rights reserved. No part of the book may be reproduced in any form by any electronic
or mechanical means (including photocoping, recording or information storage and
retriever) without permission in writing from the publisher.
Thank you
Rikke Hansen /Marianne Baggesen Hilger /Bo Severin Bilde Bruun /Søren Grønning Iversen
/Lotte Eggert Kiil /Bitten Fangel Nielsen /Graduates 2013.
Tage Vanggaard og Hustrus Fond
Prorector Mette Mikkelsen
Department of Communication Design
Josephine Jensen
Rikke Hansen
Josephine Jensen
www.josephinejensen.dk
Jens Christian Hansen
Graduate students and others
Zeuner Grafisk as
Munken Pure 100g / m²
Munken Pure 300g / m²
Futura Std. Medium, Medium Oblique
Rikke Hansen
978-87-90775-43-8
9788790775438