Jorge Luis Borges About Football

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    Jorge Luis Borges: Soccer is Popular Because Stupidityis Popular

    At first glance, the Argentine writers animus toward the beautiful game seems to reflect the

    attitude of todaystypicalsoccerhater,whose lazy gibes have almost become a refrain by

    now: Soccer is boring. There are too many tie scores. I cant stand the fake injuries.

    And its true: Borges didcall soccer aesthetically ugly. He didsay,Soccer is one of

    Englands biggest crimes. And apparently, he evenscheduled one of his lectures so that it

    would intentionally conflict with Argentinas first game of the 1978 World Cup. But Borges

    distaste for the sport stemmed from something far more troubling than aesthetics. His

    problem was with soccer fan culture, which he linked to the kind of blind popular support that

    propped up the leaders of the twentieth centurys most horrifying political movements. In his

    lifetime, he saw elements of fascism, Peronism, and even anti-Semitism emerge in the

    Argentinean political sphere, so his intense suspicion of popular political movements and

    mass culturethe apogee of which, in Argentina, is soccermakes a lot of sense. (There is

    an idea of supremacy, of power, [in soccer] that seems horrible to me, he oncewrote.)

    http://online.wsj.com/articles/the-world-cup-floppers-1402615568?tesla=y&mod=djemITP_h&mg=reno64-wsjhttp://www.politico.com/magazine/story/2014/06/why-soccer-is-un-american-107793.html?ml=tb#.U5sENxbvq9Fhttp://online.wsj.com/articles/why-i-hate-american-soccer-fans-1402012291http://news.bbc.co.uk/hi/spanish/misc/newsid_5079000/5079664.stmhttp://elcomercio.pe/deporte-total/futbol-mundial/borges-no-le-gustaba-futbol-aunque-hay-quien-dice-que-si-noticia-1163996http://elcomercio.pe/deporte-total/futbol-mundial/borges-no-le-gustaba-futbol-aunque-hay-quien-dice-que-si-noticia-1163996http://elcomercio.pe/deporte-total/futbol-mundial/borges-no-le-gustaba-futbol-aunque-hay-quien-dice-que-si-noticia-1163996http://www.latercera.com/noticia/opinion/ideas-y-debates/2014/06/895-582396-9-de-peloteros.shtmlhttp://www.latercera.com/noticia/opinion/ideas-y-debates/2014/06/895-582396-9-de-peloteros.shtmlhttp://elcomercio.pe/deporte-total/futbol-mundial/borges-no-le-gustaba-futbol-aunque-hay-quien-dice-que-si-noticia-1163996http://elcomercio.pe/deporte-total/futbol-mundial/borges-no-le-gustaba-futbol-aunque-hay-quien-dice-que-si-noticia-1163996http://news.bbc.co.uk/hi/spanish/misc/newsid_5079000/5079664.stmhttp://online.wsj.com/articles/why-i-hate-american-soccer-fans-1402012291http://www.politico.com/magazine/story/2014/06/why-soccer-is-un-american-107793.html?ml=tb#.U5sENxbvq9Fhttp://online.wsj.com/articles/the-world-cup-floppers-1402615568?tesla=y&mod=djemITP_h&mg=reno64-wsj
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    Borges opposed dogmatism in any shape or form, so he was naturally suspicious of his

    countrymens unqualified devotion to any doctrine or religioneven to their dearalbiceleste.

    Soccer is inextricably tied to nationalism, another one of Borges objections to the sport.

    Nationalism only allows for affirmations, and every doctrine that discards doubt, negation, is

    a form of fanaticism and stupidity, hesaid.National teams generate nationalistic fervor,

    creating the possibility for an unscrupulous government to use a star player as a mouthpiece

    to legitimize itself. In fact, thats precisely what happened with one of the greatest players

    ever: Pel. Even as his government rounded up political dissidents, it also produced a giant

    poster of Pel straining to head the ball through the goal, accompanied by the

    slogan Ningum mais segura este pas: Nobody can stop this country now, writes Dave Zirin

    in his new book,Brazils Dance with the Devil.Governments, such as the Brazilian military

    dictatorship that Pel played under, can take advantage of the bond that fans share with their

    national teams to drum up popular support, and this is what Borges fearedand resented

    about the sport.

    Hisshort story,Esse Est Percipi (Latin for to be is to be perceived), also may explain his

    hatred of soccer. About halfway through the story, its revealed that soccer in Argentina has

    ceased to be a sport and entered the realm of spectacle. In this fictional universe, simulacra

    reigns supreme: the representation of sport has replaced actual sport. These [sports] dont

    exist outside the recording studios and newspaper offices, a soccer club president huffs.

    Soccer inspires a fanaticism so deep that supporters will follow nonexistent games on TV

    and the radio without questioning a thing:

    The stadiums have long since been condemned and are falling to pieces. Nowadays

    everything is staged on the television and radio. The bogus excitement of the sportscaster

    hasnt it ever made you suspect that everything is humbug? The last time a soccer match

    was played in Buenos Aires was on 24 June 1937. From that exact moment, soccer, along

    with the whole gamut of sports, belongs to the genre of the drama, performed by a single

    man in a booth or by actors in jerseys before the TV cameras.

    This story goes back to Borges discomfort with mass movements: Esse Est Percipi

    effectively accuses the media of complicity in the creation of a mass culture that reveres

    soccer, and, as a result, leaves itself open to demagoguery and manipulation.

    According to Borges, humans feel the need to belong to a grand universal plan, somethingbigger than ourselves. Religion does it for some people, soccer for others. Characters in the

    Borgesian corpus often grapple with this desire, turning to ideologues or movements to

    disastrous effect: The narrator of the story Deutsches Requiem becomes a Nazi, while in

    The Lottery in Babylon and The Congress, small, innocuous-seeming organizations

    quickly transform into vast, totalitarian bureaucracies that dole out corporal punishment or

    burn books. We want to be a part of something bigger, so much so that we blind ourselves to

    the flaws that develop in these grand plansor the flaws that were inherent to them all

    along. And yet, as the narrator of The Congress reminds us, the allure of these grand

    narratives often proves too much: What really matters is having felt that our plan, which

    http://en.wikipedia.org/wiki/Argentina_national_football_teamhttp://en.wikipedia.org/wiki/Argentina_national_football_teamhttp://en.wikipedia.org/wiki/Argentina_national_football_teamhttp://blogs.elpais.com/amores-imaginarios/2013/09/http://www.amazon.com/gp/product/1608463605/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1608463605&linkCode=as2&tag=thenewrep08-20&linkId=TF6HGBN3C5RTAGG5http://www.amazon.com/gp/product/1608463605/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1608463605&linkCode=as2&tag=thenewrep08-20&linkId=TF6HGBN3C5RTAGG5http://www.amazon.com/gp/product/1608463605/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1608463605&linkCode=as2&tag=thenewrep08-20&linkId=TF6HGBN3C5RTAGG5http://grumpyoldfan.net/esse-est-percipi/http://grumpyoldfan.net/esse-est-percipi/http://grumpyoldfan.net/esse-est-percipi/http://www.amazon.com/gp/product/1608463605/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=1608463605&linkCode=as2&tag=thenewrep08-20&linkId=TF6HGBN3C5RTAGG5http://blogs.elpais.com/amores-imaginarios/2013/09/http://en.wikipedia.org/wiki/Argentina_national_football_team
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    more than once we made a joke of, really and secretly existed and was the world and

    ourselves.

    That sentence could accurately describe how millions of people on Earth feel about soccer.